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Nicholas wanted to believe in fairy tales. She'd read her share, hoping for miracles, but in the end, there was no hundred acre wood to play in with her little stuffed animals. There was pain and crushing disillusionment and betrayal.
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Christine Feehan (Mind Game (GhostWalkers, #2))
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How many of these houses do you own?”
“We own, and all of them.”
“Do we own anything else?”
“We also own the woods directly behind us.”
Those woods extended for quite a while. There used to be a huge golf course and a shopping center behind us, but trees and brush had swallowed it long ago. “How many acres?”
“Five hundred and twelve.”
I opened my mouth and nothing came out.
“I thought of calling it the Five Hundred Acre Wood," Curran said.
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Ilona Andrews (Magic Shifts (Kate Daniels, #8))
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The wind was against them now, and Piglet's ears streamed behind him like banners as he fought his way along, and it seemed hours before he got them into the shelter of the Hundred Acre Wood and they stood up straight again, to listen, a little nervously, to the roaring of the gale among the treetops.
'Supposing a tree fell down, Pooh, when we were underneath it?'
'Supposing it didn't,' said Pooh after careful thought.
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A.A. Milne
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How many a poor immortal soul have I met well-nigh crushed and smothered under its load, creeping down the road of life, pushing before it a barn seventy-five feet by forty, its Augean stables never cleansed, and one hundred acres of land, tillage, mowing, pasture, and wood-lot. The portionless, who struggle with no such unnecessary inherited encumbrances, find it labor enough to subdue and cultivate a few cubic feet of flesh.
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Henry David Thoreau (Walden & Civil Disobedience)
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At first as they stumped along the path which edged the Hundred Acre Wood, they didn't say much to each other; but when they came to the stream, and had helped each other across the stepping stones, and were able to walk side by side again over the heather, they began to talk in a friendly way ...
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A.A. Milne (Winnie the Pooh)
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At the time, I thought if Stan Davis wanted to live on Green Valley Road, or in the Hundred-Acre Wood, that was his right as an American
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Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
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have here rated the improved land very low, in making its product but as ten to one, when it is much nearer an hundred to one : for I ask, whether in the wild woods and uncultivated waste of America, left to nature, without any improvement, tillage, or husbandry, a thousand acres yield the needy and wretched inhabitants as many conveniencies of life as ten acres equally fertile land do in Devonshire, where they are well cultivated?
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John Locke (Two Treatises of Government and A Letter Concerning Toleration (Rethinking the Western Tradition))
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At times, it seemed that the whole West was aflame. Later that summer, superheated air ignited the litter left by Minnesota loggers. It was a repetition of the firestorm that had enveloped Peshtigo twenty-three years earlier, when the Ingallses saw smoke from their little house in the Big Woods. This time, the Great Hinckley Fire consumed another entire town—burning more than 250,000 acres, killing between four hundred and eight hundred people, melting nails, and fusing the wheels of railcars to the tracks.
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Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
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The Jewish doctors and lawyers and the successful merchants who owned big stores downtown lived in one-family houses on streets branching off the eastern slope of the Chancellor Avenue hill, closer to grassy, wooded Weequahic Park, a landscaped three hundred acres whose boating lake, golf course, and harness-racing track separated the Weequahic section from the industrial plants and shipping terminals lining Route 27 and the Pennsylvania Railroad viaduct east of that and the burgeoning airport east of that and the very edge of America east of that—the depots and docks of Newark Bay, where they unloaded cargo from around the world.
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Philip Roth (The Plot Against America)
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took fresh eyes to view the fourteen-acre Bedloe’s Island as promising for anything but oysters. Isaac Bedlow, a Dutchman, had acquired the island in 1667. It changed hands again before being bought for government use as a pesthouse and quarantine station in 1750. In 1814, federal authorities built the star-shaped Fort Wood there, housing three hundred men and seventy guns. For many years, it was the site of all federal executions. The last one had taken place on July 13, 1860, when an infamous pirate, Albert Hicks, was hanged for murdering a captain and two boys on an oyster sloop. Boats crammed against the shore to get a glimpse. Anyone older than twenty in New York would have associated the island with such gory events.
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Elizabeth Mitchell (Liberty's Torch: The Great Adventure to Build The Statue of Liberty)
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...Most peasants never traveled farther than twenty-five miles from the village of their birth. They had strong social ties to their communities, and could not imagine living anywhere else.
"In many places, peasant villages were located within a noble's estate, which was called a manor. Manors could be as small as one hundred acres or as large as several thousand acres and typically encompassed a mixture of cultivated and uncultivated land. Forests provided wood, nuts, and berries; pastures and meadows offered grazing for livestock; and lakes and rivers gave water and fish. But the largest acreage was devoted to agriculture, apportioned among the peasants and the noble, although the noble did no farming himself. Instead the peasants collectively worked both his land and theirs.
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Patricia D. Netzley (Life During Renaissance (The Way People Lived))
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The land was part of a grant made to a minister, Carter, to bring him to the nearby town of Oakfield: five hundred acres, of which, in the past two decades, he’d cleared a bit more than a dozen. How happily he parted with the bosky uplands that rose behind his farm! As to the cabin, we could find no clue to its prior inhabitants. It was not of any form common to the Natives who had lived there before the town had claimed it, while the custom of the recent settlers of the country was to raise a wooden frame. Nor could I find any record of it at the County, where the tract maps showed only a few trees and a fanciful decorative panther. But besides the pacing beast, nothing. Sometimes, said the Register of Deeds, they turned up abandoned homesteads; the land was hard, and few endured upon their errands. But I had no need to worry about another claimant. In the eye of the Great and General Court of Massachusetts, the deed was clear, the cabin did not exist. Perhaps among the Indians there was someone who knew the answer, but most of them were gone
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Daniel Mason (North Woods)
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Carol built her cabin in the wilderness for many of the same reasons as Thoreau, who went to the woods “to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach, and not, when I come to die, discover that I had not lived.” Like Thoreau, Carol was a student of nature and a geographical extension of the wilderness that surrounded her. Both explored a life stripped down to its essentials. They wanted “to live deep and suck out all the marrow of life.” Thoreau believed wilderness provided a necessary counterbalance to the materialism and urbanization of industrialized America. It was a place of self-renewal and contact with the raw material of life. “In wildness is the preservation of the world,” he famously wrote. Thoreau was among the first to advocate for protecting America’s vanishing wildlands, proposing that the nation formally preserve “a certain sample of wild nature . . . a network of national preserves in which the bear and the panther may still exist and not be civilized off the face of the earth.” Wilderness preserves could provide a perpetual frontier to keep overindustrialized Americans in contact with the primitive honesty of the woods. In 1872—the same year that Tom and Andy founded Carnegie Steel—America designated its first national park: over two million acres in northwest Wyoming were set aside as Yellowstone National Park. A second national park soon followed, thanks to the inspiration of Sierra Club founder John Muir. He so loved the Sierra that he proposed a fifteen-hundred-square-mile park around Yosemite Valley and spent decades fighting for it. When Yosemite National Park was finally signed into law in 1890, Muir
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Will Harlan (Untamed: The Wildest Woman in America and the Fight for Cumberland Island)
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She’d started calling him Bear in high school, after he’d put on weight. Embrace it, she’d said. You’re a mega bear babe, and everyone wants your honey pot.
He felt more like a hungover Winnie the Pooh. He even had the right outfit: a striped shirt and boxers. Though Winnie didn’t wear bottoms at all. Just let it all hang out, flashing the Hundred Acre Wood like the perv that he was.
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Jes Battis (The Winter Knight)
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Instead, they were surrounded by hundreds of acres of forest, and if a gunshot goes off in the woods and no Karen is there to ask the local neighborhood association Facebook group if that was gunshots or a firework, did a gunshot really go off?
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Nathan Monk (Russian Sleeper Cell)
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It took a tremendous amount of lumber to build one of these houses—even a modest house required at least twelve tons of wood. Just as daunting were the heating requirements of the home’s open hearth. It’s been estimated that the average seventeenth-century New England house consumed fifteen cords, or 1,920 cubic feet, of wood per year, meaning that a town of two hundred homes depended on the deforestation of as many as seventy-five acres per year.
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Nathaniel Philbrick (Mayflower: A Story of Courage, Community, and War)
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Green-Wood Cemetery was an expanse of nearly five-hundred acres, and Jesse wandered under portentous clouds for nearly an hour before heading to the office for proper directions. Trudging through Lot 106 with a visitors’ map in his trembling hands, Jesse wondered whether things might have been easier had graveyards been organized in a similar way to comic book collections. He imagined that if the dead could be slid into coffins of polypropylene storage bags with acid free backing boards, and then filed alphabetically first and numerically second into corrugated cardboard or plastic boxes, finding the appropriate marker would be a much easier task.
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Ryan Tim Morris (The Falling)
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I wonder why things have to change,
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David Benedictus (Return to the Hundred Acre Wood)
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The area around the plant was comprised of several hundred acres of dense woods.
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Jeremy C. Shipp (Aberrations: Horror Stories)
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One day the sun had come back over the Forest, bringing with it the scent of May, and all the streams of the Forest were tinkling happily to find themselves their own pretty shape again, and the little pools lay dreaming of the life they had seen and the big things they had done, and in the warmth and quiet of the Forest the cuckoo was trying over his voice carefully and listening to see if he liked it, and wood-pigeons were complaining gently to themselves in their lazy comfortable way that it was the other fellow’s fault, but it didn’t matter very much; on such a day as this Christopher Robin whistled in a special way he had, and Owl came flying out of the Hundred Acre Wood to see what was wanted.
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A.A. Milne (Winnie-The-Pooh)
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The Hundred Acre Wood. It's about acceptance...Piglet and his Anxiety. Rabbit with his OCD rows of carrots...Dyslexic owl and ADHD Tigger. Eeyore and depression. Oh, and don't forget Christopher Robin, the boy whose stuffed animals talk to him. Hello, zschizophrenia!..And they all know Piglet's gonna freak out about the wind. They expect Eeyore to be a dud at the picnic. But they invite him anyway. They help each other, but nobody tries to fix anyone. You're just you and they're just them and that's okay.
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Erin Stewart
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looked very much worse than not so good. She felt like Winnie-the-Pooh bumping into Eeyore in the Hundred Acre Wood. She was just a little annoyed at Piers for bringing down the mood.
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Clare Pooley (Iona Iverson's Rules for Commuting)
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looked very much worse than not so good. She felt like Winnie-the-Pooh bumping into Eeyore in the Hundred Acre Wood. She was just a little annoyed
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Clare Pooley (Iona Iverson's Rules for Commuting)
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The photos hide everything: the twenties that do not roar for the Hoels. The Depression that costs them two hundred acres and sends half the family to Chicago. The radio shows that ruin two of Frank Jr.’s sons for farming. The Hoel death in the South Pacific and the two Hoel guilty survivals. The Deeres and Caterpillars parading through the tractor shed. The barn that burns to the ground one night to the screams of helpless animals. The dozens of joyous weddings, christenings, and graduations. The half dozen adulteries. The two divorces sad enough to silence songbirds. One son’s unsuccessful campaign for the state legislature. The lawsuit between cousins. The three surprise pregnancies. The protracted Hoel guerrilla war against the local pastor and half the Lutheran parish. The handiwork of heroin and Agent Orange that comes home with nephews from ’Nam. The hushed-up incest, the lingering alcoholism, a daughter’s elopement with the high school English teacher. The cancers (breast, colon, lung), the heart disease, the degloving of a worker’s fist in a grain auger, the car death of a cousin’s child on prom night. The countless tons of chemicals with names like Rage, Roundup, and Firestorm, the patented seeds engineered to produce sterile plants. The fiftieth wedding anniversary in Hawaii and its disastrous aftermath. The dispersal of retirees to Arizona and Texas. The generations of grudge, courage, forbearance, and surprise generosity: everything a human being might call the story happens outside his photos’ frame. Inside the frame, through hundreds of revolving seasons, there is only that solo tree, its fissured bark spiraling upward into early middle age, growing at the speed of wood.
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Richard Powers (The Overstory)
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Christopher Robin, son of author A. A. Milne, really did have a pooh-bear—and a stuffed tiger, kangaroo, donkey, and piglet. Although Owl and Rabbit were added to the stories, the rest of the Hundred Acre Wood’s characters were based on Christopher Robin’s childhood toys. If you want to visit them, they “live” in the New York Public Library.
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Susan Veness (The Hidden Magic of Walt Disney World Trivia: A Ride-by-Ride Exploration of the History, Facts, and Secrets Behind the Magic Kingdom, Epcot, Disney's Hollywood ... Kingdom (Disney Hidden Magic Gift Series))
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suffice it to say that after accidently setting the Walden woods ablaze—some estimates hold that more than three hundred acres were consumed—our First Naturalist repaired to the top of Fair Haven Hill to admire his own private conflagration. I thought folks ought to know about this. You see, as a student I was force-fed Walden and much of it disagreed with me. I will admit that never has the Luddite point of view been advanced quite so eloquently. And while I agree that simplicity can be a virtue and that cultivation of one’s inner resources is necessary for the good life, it seems clear to me that the habit of thought which Thoreau urges on us is antithetical to the enterprise of science fiction.
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Ben Bova (Nebula Awards Showcase 2008)
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I like the thought of a Scots Republic with Scots Border Guards in saffron kilts - the thought of those kilts can awake me to joy in the middle of the night. I like the thought of Miss Wendy Wood leading a Scots Expeditionary Force down to Westminster the reclaim the Scone Stone: I would certainly march with that expedition myself in spite of the risk of dying of laughter by the way. I like the thought of a Scots Catholic kingdom with Mr. Compton Mackenzie Prime Minister to some disinterred Jacobite royalty, and all the Scots intellectuals settled out on the land on thirty-acre crofts, or sent to St Kilda for the good of their souls and the nation (except the hundreds streaming over the border in panic flight at sight of the Scotland of their dreams).
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Lewis Grassic Gibbon (Scottish Scene: or, The Intelligent Man's Guide to Albyn)