Visiting Birthplace Quotes

Eliade’s most compelling point, for me, is that sacredness is so irrepressible that it intrudes repeatedly into the modern profane world in the form of “crypto-religious” behavior. Eliade noted that even a person committed to a profane existence has privileged places, qualitatively different from all others—a man’s birth-place, or the scenes of his first love, or certain places in the first foreign city he visited in his youth. Even for the most frankly nonreligious man, all these places still retain an exceptional, a unique quality; they are the “holy places” of his private universe, as if it were in such spots that he had received the revelation of a reality other than that in which he participates through his ordinary daily life.

I'm tired of people using their cars as biographical information centers, informing the world of their sad-sack lives and boring interests. Keep that shit to yourself. I don't want to know what college you went to, who you intend to vote for or what your plan is for world peace. I don't care if you visited the Grand Canyon, Mount Rushmore or the birthplace of Wink Martindale. And I'm not interested in what radio station you listen to or what bands you like. In fact, I'm not interested in you in any way, except to see you in my rearview mirror. Furthermore, I can do without your profession of faith in God, Allah, Jehova, Yahweh, Peter Cottonail or whoever the fuck it is you've turned your life over to; please keep your superstitions private. I can't tell how happy it would make me to someday drive up to a flaming auto wreck and see smoke curling up around one of those little fish symbols with Jesus written inside it. And as far as I'm concerned you can include the Darwin/fish-with-feet-evolution symbol too. Far too cute for my taste. So keep the personal and autobiographical messages to yourself. Here's an idea: maybe you could paste them up inside your car, where you can see them and I can't.

Talking like this seemed to him to be neither pleasant nor unpleasant -- it was a pouring forth that before long he could not control, neither an unburdening nor a remedy so much as an exile's painful visit to the irreclaimable homeland, the beloved birthplace that was the site of his undoing.

[T]he modern West is the first culture in human history that has managed to strip time and space of all sacredness and to produce a fully practical, efficient, and profane world. This is the world that religious fundamentalists find unbearable and are sometimes willing to use force against. [S]acredness is so irrepressible that it intrudes repeatedly into the modern profane world in the form of "crypto-religious" behavior. [E]ven a person committed to a profane existence has 'privileged places, qualitatively different from all others - a man's birthplace, or the scenes of his first love, or certain places in the first foreign city he visited in youth. Even for the most frankly nonreligious man, all these places still retain an exceptional, a unique quality; they are the "holy places" of his private universe, as if it were in such spots that he had received the revelation of a reality other than that in which he participates through his ordinary daily life.

The bus here because they lost Rosa Parks's bus." "Who lost Rosa Parks's bus?" "White people. Who the fuck else? Supposedly, every February when schoolkids visit the Rosa Parks Museum, or wherever the fuck the bus is at, the bus they tell the kids is the birthplace of the civil rights movement is a phony. Just some old Birmingham city bus they found in some junkyard. That's what my sister says, anyway." "I don't know." Cuz took two deep swallows of gin. "What you mean, 'You don't know'? You think that after Rosa Parks bitch-slapped white America, some white rednecks going to go out of their way to save the original bus? That'd be like the Celtics hanging Magic Johnson's jersey in the rafters of the Boston Garden. No fucking way.

There are Californians who waiver in their allegiance to the climate of California. Sometimes the climate of San Francisco has made me cross. Sometimes I have thought that the winds in summer were too cold, that the fogs in summer were too thick. But whenever I have crossed the continent—when I have emerged from New York at ninety-five degrees, and entered Chicago at one hundred degrees—when I have been breathing the dust of alkali deserts and the fiery air of sagebrush plains—these are the times when I have always been buoyed up by the anticipation of inhaling the salt air of San Francisco Bay. If ever a summer wanderer is glad to get back to his native land, it is I, returning to my native fog. Like the prodigal youth who returned to his home and filled himself with husks, so I always yearn in summer to return to mine, and fill myself up with fog. Not a thin, insignificant mist, but a fog—a thick fog—one of those rich pea-soup August fogs that blow in from the Pacific Ocean over San Francisco. When I leave the heated capitals of other lands and get back to California uncooked, I always offer up a thank-offering to Santa Niebla, Our Lady of the Fogs. Out near the Presidio, where Don Joaquin de Arillaga, the old comandante, revisits the glimpses of the moon, clad in rusty armor, with his Spanish spindle-shanks thrust into tall leathern boots—there some day I shall erect a chapel to Santa Niebla. And I have vowed to her as an ex-voto a silver fog-horn, which horn will be wound by the winds of the broad Pacific, and will ceaselessly sound through the centuries the litany of Our Lady of the Fogs. Every Californian has good reason to be loyal to his native land. If even the Swiss villagers, born in the high Alps, long to return to their birthplace, how much more does the exiled Californian yearn to return to the land which bore him. There are other, richer, and more populous lands, but to the Californian born, California is the only place in which to live. And to the returning Californian, particularly if he be native-born, the love of his birthplace is only intensified by visits to other lands. Why do men so love their native soil? It is perhaps a phase of human love for the mother. For we are compact of the soil. Out of the crumbling granite eroded from the ribs of California’s Sierras by California’s mountain streams—out of earth washed into California’s great valleys by her mighty rivers—out of this the sons of California are made, brain, and muscle, and bone. Why then should they not love their mother, even as the mountaineers of Montenegro, of Switzerland, of Savoy, lover their mountain birth-place? Why should not exiled Californians yearn to return? And we sons of California always do return; we are always brought back by the potent charm of our native land—back to the soil which gave us birth—and at the last back to Earth, the great mother, from whom we sprung, and on whose bosom we repose our tired bodies when our work is done.

I wandered over to the adobe birthplace of Ignacio Seguin Zaragoza, whose father was posted at the garrison in the early 1800s. Zaragoza went on to become a national hero in Mexico, leading a reformist revolt against Santa Anna and defeat- ing an invading French force on May 5, 1862, the date celebrated as Cinco de Mayo. While exploring the birthplace, I met Alberto Perez, a history and so- cial studies teacher in the Dallas area who was visiting with his family. When I confessed my ignorance of Zaragoza, he smiled and said, "You're not alone. A lot of Texans don't know him, either, or even that Mexico had its own fight for independence." The son of Mexican immigrants, Perez had taught at a predominantly Hispanic school in Dallas named for Zaragoza. Even there, he'd found it hard to bring nuance to students' understanding of Mexico and Texas in the nineteenth century. "The word 'revolution' slants it from the start," he said. "It makes kids think of the American Revolution and throwing off oppression." Perez tried to balance this with a broader, Mexican perspective. Anglos had been invited to settle Texas and were granted rights, citizenship, and considerable latitude in their adherence to distant authority. Mexico's aboli- tion of slavery, for instance, had little force on its northeastern frontier, where Southerners needed only to produce a "contract" that technically la- beled their human chattel as indentured servants. "Then the Anglos basically decided, 'We don't like your rules,"" Perez said. "This is our country now.

I stepped somewhat apprehensively into 2020, unaware of what was to happen, of course, thinking little about the newly-emerged coronavirus, but knowing myself to be at a tipping point in my life. I had come so very far over the years, the decades, from my birthplace in the United Kingdom, to Thailand, Japan and then back to Thailand to arrive at an age—how had I clocked up so many turns under the sun?—at which most people ask for nothing more than comfort, security and love, or at least loving kindness. Instead, I was slowly extricating myself, physically and emotionally, from a marriage that had, over the course of more than a decade, slowly, almost imperceptibly, deteriorated from complacency to conflict, from apathy to antagonism, from diversity to divergence as our respective outlooks on life first shifted and then conflicted. Instrumental in exacerbating this had been my decision to travel as and where I could after witnessing my mother’s devastating and terminal descent into dementia. For reasons which even now I cannot recall with any accuracy, the first destination for this reborn, more daring me was Tibet, thus initiating a new love affair, this time with the culture and majesty of the Himalayan swathe, and the awakening within me of a quest for the spiritual. I had, over the years, been a teacher, a lecturer, a consultant and an advisor, but I now wanted to inspire and release my verbal and photographic creativity, to capture the places I visited and the experiences I had in words and images—and if possible to have the wherewithal of sharing them with like-minded people.

Everything and Nothing* There was no one inside him; behind his face (which even in the bad paintings of the time resembles no other) and his words (which were multitudinous, and of a fantastical and agitated turn) there was no more than a slight chill, a dream someone had failed to dream. At first he thought that everyone was like him, but the surprise and bewilderment of an acquaintance to whom he began to describe that hollowness showed him his error, and also let him know, forever after, that an individual ought not to differ from its species. He thought at one point that books might hold some remedy for his condition, and so he learned the "little Latin and less Greek" that a contemporary would later mention. Then he reflected that what he was looking for might be found in the performance of an elemental ritual of humanity, and so he allowed himself to be initiated by Anne Hathaway one long evening in June. At twenty-something he went off to London. Instinctively, he had already trained himself to the habit of feigning that he was somebody, so that his "nobodiness" might not be discovered. In London he found the calling he had been predestined to; he became an actor, that person who stands upon a stage and plays at being another person, for an audience of people who play at taking him for that person. The work of a thespian held out a remarkable happiness to him—the first, perhaps, he had ever known; but when the last line was delivered and the last dead man applauded off the stage, the hated taste of unreality would assail him. He would cease being Ferrex or Tamerlane and return to being nobody. Haunted, hounded, he began imagining other heroes, other tragic fables. Thus while his body, in whorehouses and taverns around London, lived its life as body, the soul that lived inside it would be Cassar, who ignores the admonition of the sibyl, and Juliet, who hates the lark, and Macbeth, who speaks on the moor with the witches who are also the Fates, the Three Weird Sisters. No one was as many men as that man—that man whose repertoire, like that of the Egyptian Proteus, was all the appearances of being. From time to time he would leave a confession in one corner or another of the work, certain that it would not be deciphered; Richard says that inside himself, he plays the part of many, and Iago says, with curious words, I am not what I am. The fundamental identity of living, dreaming, and performing inspired him to famous passages. For twenty years he inhabited that guided and directed hallucination, but one morning he was overwhelmed with the surfeit and horror of being so many kings that die by the sword and so many unrequited lovers who come together, separate, and melodiously expire. That very day, he decided to sell his theater. Within a week he had returned to his birthplace, where he recovered the trees and the river of his childhood and did not associate them with those others, fabled with mythological allusion and Latin words, that his muse had celebrated. He had to be somebody; he became a retired businessman who'd made a fortune and had an interest in loans, lawsuits, and petty usury. It was in that role that he dictated the arid last will and testament that we know today, from which he deliberately banished every trace of sentiment or literature. Friends from London would visit his re-treat, and he would once again play the role of poet for them. History adds that before or after he died, he discovered himself standing before God, and said to Him: I , who have been so many men in vain, wish to be one, to be myself. God's voice answered him out of a whirlwind: I, too, am not I; I dreamed the world as you, Shakespeare, dreamed your own work, and among the forms of my dream are you, who like me, are many, yet no one.

Mobile’s reputation as the birthplace of Mardi Gras in North America does not rest solely on the fact that a few half-starved French colonists observed the pre-Lenten feasts here 300 years ago… In 1852, a group of Mobile "Cowbellians" moved to New Orleans and formed the Krewe of Comus, which is now that larger city’s oldest and most secretive Carnival society. …All of Mobile’s parading societies throw Moon Pies along with beads and doubloons, providing sugary nourishment to the revelers lining the streets. The crowd is very regional, mostly coastal Alabamians. Everyone seems to know each other, and they are always honored and often extra hospitable when they learn that you traveled a long way just to visit *their* Carnival. Late into the evening, silk-gowned debutantes with their white-tie and tail clad escorts who’ve grown weary of their formal balls blend easily with the street crowds…

Knight, who visited Stratford to gather inspiration for his biography, used the Birthplace to build out scenes of the poet’s formative years—those “happy days of boyhood” for which no accounts actually exist. Never mind. Knight imagined them, conjuring the Shakespeare family’s cozy domesticity around an evening fireside: “The mother is plying her distaff, or hearing Richard his lesson out of the ABC book. The father and the elder son are each intent upon a book of chronicles, manly reading… and then all the group crowd round their elder brother, who has laid aside his chronicle, to entreat him for a story.

The term Israelite has its etymological origins in Iesa, the name of the Druidic solar king, and Ra, the name of the Egyptian sun god. A high initiate of the Cult of Iesa was known as an “Is-Ra-ite” or, as it has come down to us, an “Israelite.” The Israelites were worshipers of the sun, stars and zodiac. They were the Stellar Priesthood of Ireland, and closely associated with the Chaldean Magi and Egyptian Amenists. We find them obliquely referred to in the New Testament’s “Nativity” story. Apparently, three of their number followed the sun or bright star in heaven to the birthplace of Jesus, king of light. It appears the authors of the Bible wished to incorporate information about the Druids early on in the story of Jesus. The references to “three Kings” and “three Shepherds” are cryptic allusions to them, or members of their worldwide society. The Gospels, however, do not elaborate on the visiting Magi or explain why and how they came to a remote inn at the moment of Jesus’ birth.