Hunchback Quotes

Love is like a tree: it grows by itself, roots itself deeply in our being and continues to flourish over a heart in ruin. The inexplicable fact is that the blinder it is, the more tenacious it is. It is never stronger than when it is completely unreasonable.

Nothing makes a man so adventurous as an empty pocket.

Fool!" cried the hunchback. "You fell victim to one of the classic blunders. The most famous is 'Never get involved in a land war in Asia,' but only slightly less well known is this: 'Never go in against a Sicilian when death is on the line.

Being beautiful, was that for men?' 'Yes. Some women say that it is for ourselves. What on earth can we do with it? I could have loved myself whether I was hunchbacked or lame, but to be loved by others, you had to be beautiful.

When you get an idea into your head you find it in everything.

I wanted to see you again, touch you, know who you were, see if I would find you identical with the ideal image of you which had remained with me and perhaps shatter my dream with the aid of reality. -Claude Frollo

Spira, spera. (breathe, hope)

I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name 'em, I ate 'em.

A one-eyed man is much more incomplete than a blind man, for he knows what it is that's lacking.

mothers are often fondest of the child which has caused them the greatest pain.

I was a total fail next to Ash, but Daemon said something about me wearing his clothes that sent blood rushing to every part of my body and I didn't care if I looked like a hunchback next to her.

He reached for his pocket, and found there, only reality

See?" Fezzik pointed then. Far down, at the very bottom of the mountain path, the man in black could be seen running. "Inigo is beaten." Inconceivable!" exploded the Sicilian. Fezzik never dared disagree with the hunchback. "I'm so stupid," Fezzik nodded. "Inigo has not lost to the man in black, he has defeated him. And to prove it he has put on all the man in black's clothes and masks and hoods and boots and gained eighty pounds.

One drop of wine is enough to redden a whole glass of water.

when you're a kid, they tell you that it's what's on the inside that counts. Looks don't matter . But that's not true. Guys like Phoebus in The Hunchback, or Dorian, or the old Kyle Kingsbury-- they can be scumbags to women and still get away with it because they're good-looking. Being ugly is a kind of prisoner.

Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.

You made me feel less alone; you made me feel not quite so deformed, uninformed and hunchbacked.

Dost thou understand? I love thee!" he cried again. "What love!" said the unhappy girl with a shudder. He resumed,--"The love of a damned soul. a

The saints were his friends, and blessed him; the monsters were his friends, and guarded him.

You would have imagined her at one moment a maniac, at another a queen.

He left her. She was dissatisfied with him. He had preferred to incur her anger rather than cause her pain. He had kept all the pain for himself.

The situation is grave: the way we lean over each other, the way years later we emerge: hunchbacked, hooded, with full grown tender things called souls.

If Jesus had been a hunchback, they could hardly have nailed him to the cross.

When girls walk home we put on lippy and makeup. We chat. Sometimes we pretend to be hunchbacks. But that is it. Perfectly normal behavior.

I fear it is my lot, to bide my days in hunchbacked thought, to find what I forgot.

by making himself a priest made himself a demon.

The greatest products of architecture are less the works of individuals than of society; rather the offspring of a nation's effort, than the inspired flash of a man of genius...

At the moment when her eyes closed, when all feeling vanished in her, she thought that she felt a touch of fire imprinted on her lips, a kiss more burning than the red-hot iron of the executioner.

But alas, if I have not maintained my victory, it is God's fault for not making man and the devil of equal strength.

To a gargoyle on the ramparts of Notre Dame as Esmeralda rides off with Gringoire Quasimodo says. "Why was I not made of stone like thee?

His judgement demonstrates that one can be a genius and understand nothing of an art that is not one's own.

The owl goes not into the nest of the lark.

He found that man needs affection, that life without a warming love is but a dry wheel, creaking and grating as it turns.

If he had had all Peru in his pocket, he would certainly have given it to this dancer; but Gringoire had not Peru in his pocket; and besides, America was not yet discovered. (p. 66)

The women laughed and wept; the crowd stamped their feet enthusiastically, for at that moment Quasimodo was really beautiful. He was handsome — this orphan, this foundling, this outcast.

When a man understands the art of seeing, he can trace the spirit of an age and the features of a king even in the knocker on a door.

Large, heavy, ragged black clouds hung like crape hammocks beneath the starry cope of the night. You would have said that they were the cobwebs of the firmament.

I bear the dungeon within me; within me is winter, ice, and despair; I have darkness in my soul.

Life is not a spectator sport. If watchin' is all you're going to do, you're going to watch your life go by without ya

For love is like a tree; it grows of itself; it send its roots deep into our being, and often continues to grow green over a heart in ruins.

Oh! Everything I loved!

This will destroy that. The book will kill the edifice.

He therefore turned to mankind only with regret. His cathedral was enough for him. It was peopled with marble figures of kings, saints and bishops who at least did not laugh in his face and looked at him with only tranquillity and benevolence. The other statues, those of monsters and demons, had no hatred for him – he resembled them too closely for that. It was rather the rest of mankind that they jeered at. The saints were his friends and blessed him; the monsters were his friends and kept watch over him. He would sometimes spend whole hours crouched before one of the statues in solitary conversation with it. If anyone came upon him then he would run away like a lover surprised during a serenade.

Just imagine! In the early nineteenth century, this cathedral was in such a state of disrepair that the city considered tearing it down. Luckily for us, Victor Hugo heard about the plans to destroy it and wrote The Hunchback of Notre-Dame to raise awareness of its glorious history. And, by golly, did it work! Parisians campaigned to save it, and the building was repaired and polished to the pristine state you find today.

Excess of grief, like excess of joy is a violent thing which lasts but a short time. The heart of man cannot remain long in one extremity.

Be With Me In The Phases Of My Work Because My Brain Feels Like It Has Been Whipped And I Yearn To Make A Small Perfect Thing Which Will Live In Your Morning Like Curious Static Through A President's Elegy Or A Nude Hunchback Acquiring A Tan On The Crowded Oily Beach.

Love is like a tree: it shoots of itself; it strikes it's roots deeply into our whole being, and frequently continues to put forth green leaves over a heart in ruins. And there is this unaccountable circumstance attending it, that the blinder the passion the more tenacious it is. Never is it stronger than when it is most unreasonable.

There are plenty who regard a wall behind which something is happening as a very curious thing.

When a man does wrong, he should do all the wrong he can; it is madness to stop half-way in crime!

I'd rather be the head of a fly than the tail of a lion.

Look not at the face, young girl, look at the heart. The heart of a handsome young man is often deformed. There are hearts in which love does not keep. Young girl, the pine is not beautiful; it is not beautiful like the poplar, but it keeps its foliage in winter.

My misfortune is that I still resemble a man too much. I should liked to be wholly a beast like that goat. - Quasimodo

F. once said: At sixteen I stopped fucking faces. I had occasioned the remark by expressing disgust at his latest conquest, a young hunchback he had met while touring an orphanage. F. spoke to me that day as if I were truly one of the underprivileged; or perhaps he was not speaking to me at all when he muttered: Who am I to refuse the universe?

Homo homini monstrum

Where women are honored, the divinities are pleased. Where they are despised, it is useless to pray to God.

So you're giving up? That's it? Okay, okay. We'll leave you alone, Quasimodo. We just thought, maybe you're made up of something much stronger.

He had, they said, tasted in succession all the apples of the tree of knowledge, and, whether from hunger or disgust, had ended by tasting the forbidden fruit.

Narcissus does not fall in love with his reflection because it is beautiful but because it is his. If it were his beauty that enthralled him, he would be set free in a few years by its fading. "After all," sighed Narcissus the hunchback, "on me it looks good. The contemplation of his reflection does not turn Narcissus into Priapus: the spell in which he is trapped is not a desire for himself but the satisfaction of not desiring the nymphs. "I prefer my pistol to my p…," said Narcissus; "it cannot take aim without my permission" – and took a pot shot at Echo.

a mother who loses her child can no longer believe in God

Phoebus de Chateaupers likewise came to a 'tragic end': he married.

A fall from such a height is rarely straight downwards.

Hunchbacks danced at my wedding for luck. It's a thing you don't see nowadays.

There are moments when the hands of a woman possess super human force.

You might, without my crediting it, fall deeply in love and forever, with some warped hunchback whelped in the gutter. I should equally stop you from taking him.

Paris, viewed from the towers of Notre Dame in the cool dawn of a summer morning, is a delectable and a magnificent sight; and the Paris of that period must have been eminently so.

For dogs we kings should have lions, and for cats, tigers. The great benefits a crown.

The clown figure has had so many meanings in different times and cultures. The jolly, well-loved joker familiar to most people is actually but one aspect of this protean creature. Madmen, hunchbacks, amputees, and other abnormals were once considered natural clowns; they were elected to fulfill a comic role which could allow others to see them as ludicrous rather than as terrible reminders of the forces of disorder in the world. But sometimes a cheerless jester was required to draw attention to this same disorder, as in the case of King Lear's morbid and honest fool, who of course was eventually hanged, and so much for his clownish wisdom. Clowns have often had ambiguous and sometimes contradictory roles to play. ("The Last Feast Of The Harlequin")

Dost thou understand? I love thee!" he cried again. "What love!" said the unhappy girl with a shudder. He resumed,--"The love of a damned soul.

I know nothing sadder than a hunchback in love or an ugly woman full of romantic ideals.

Being able to see; being able to hold a book; being able to turn its page; being able to maintain a reading posture; being able to go to a bookshop to buy a book - I loathed the exclusionary machismo of book culture that demanded that its participants meet these five criteria of able-bodiedness. I loathed, too, the ignorant arrogance of all those self-professed book-lovers so oblivious to their privilege.

You asked me why I saved you. You have forgotten a villain who tried to carry you off one night,- a villain to whom the very next day you brought relief upon their infamous pillory. A drop of water and a little pity are more than my whole life can ever repay. You have forgotten that villain; but he remembers." ~Quasimodo to Esmeralda~

Great edifices, like great mountains, are the work of the ages.

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

As a convinced atheist, I ought to agree with Voltaire that Judaism is not just one more religion, but in its way the root of religious evil. Without the stern, joyless rabbis and their 613 dour prohibitions, we might have avoided the whole nightmare of the Old Testament, and the brutal, crude wrenching of that into prophecy-derived Christianity, and the later plagiarism and mutation of Judaism and Christianity into the various rival forms of Islam. Much of the time, I do concur with Voltaire, but not without acknowledging that Judaism is dialectical. There is, after all, a specifically Jewish version of the eighteenth-century Enlightenment, with a specifically Jewish name—the Haskalah—for itself. The term derives from the word for 'mind' or 'intellect,' and it is naturally associated with ethics rather than rituals, life rather than prohibitions, and assimilation over 'exile' or 'return.' It's everlastingly linked to the name of the great German teacher Moses Mendelssohn, one of those conspicuous Jewish hunchbacks who so upset and embarrassed Isaiah Berlin. (The other way to upset or embarrass Berlin, I found, was to mention that he himself was a cousin of Menachem Schneerson, the 'messianic' Lubavitcher rebbe.) However, even pre-enlightenment Judaism forces its adherents to study and think, it reluctantly teaches them what others think, and it may even teach them how to think also.

if she had not been a gypsy, and if he had not been a priest

إن القلب البشري لا يستطيع أن يحتوي إلا علي كمية محدودة من اليأس ومن ثم ففي وسع البحر أن يمر فوق الإسفنجة دون أن يضيف إلي مائها دمعة واحدة بعد أن تبتل وتمتلئ به

إن الحياة التى تخلو من العاطفة ليست غير حركة جافة صارخة ممزقة

It is like a skull, which still has holes for eyes, but no longer sight.

The hunchback sees the hump of others—never his own.

I never realized my ugliness till now. When I compared myself with you, I pity myself indeed, poor unhappy monster that I am! I must seem to you like some awful beast, eh? You,-you are a sunbeam, a drop of dew, a bird's song! As for me, I am something frightful, neither man nor beast,- a nondescript object, more hard, shapeless, and more trodden under foot than a pebble!

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

His [(Rumpelstiltskin)] feeling that his name, which is his identity, must be kept secret, or else he'll be revealed to the world as the hunchbacked, shriveled, ridiculous creature he knows himself to be. And if that happens, he'll disappear.

in better company, they found among all those hideous carcasses two skeletons, one of which held the other in its embrace. One of these skeletons, which was that of a woman, still had a few strips of a garment which had once been white, and around her neck was to be seen a string of adrezarach beads with a little silk bag ornamented with green glass, which was open and empty. These objects were of so little value that the executioner had probably not cared for them. The other, which held this one in a close embrace, was the skeleton of a man. It was noticed that his spinal column was crooked, his head seated on his shoulder blades, and that one leg was shorter than the other. Moreover, there was no fracture of the vertebrae at the nape of the neck, and it was evident that he had not been hanged. Hence, the man to whom it had belonged had come thither and had died there. When they tried to detach the skeleton which he held in his embrace, he fell to dust.

Notre-Dame de Paris is, in particular, a curious specimen of this variety. Each face, each stone of the venerable monument, is a page not only of the history of the country, but of the history of science and art as well.

Every hunchback has his gypsy, each phantom his diva, and flames of passion consume witches and martyrs alike. For any lonely monster, tradition demands that one sacrificial soul seek immolation. Ashes to ashes. It remains the ultimate, transformative act of love.

She talks. People talk easily to me. They think a bald albino hunchback can’t hide anything. My worst is all out in the open. It makes it necessary for people to tell you about themselves. They begin out of simple courtesy. Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their apparent deformities. That’s how it starts. But I am like a stranger on the bus and they get hooked on having a listener. They go too far because I am one listener who is in no position to judge or find fault. They stretch out their dampest secrets because a creature like me has no values or morals. If I am “good" (and they assume that I am), it’s obviously for lack of opportunity to be otherwise. And I listen. I listen eagerly, warmly, because I care. They tell me everything eventually.

All civilisation begins with a theocracy and ends with a democracy. This law of liberty succeeding unity is written in architecture.

He baptized his adopted child, and named him Quasimodo, either because he wished to mark in this way the day upon which the child was found, or because he wished to show by this name how imperfect and incomplete the poor little creature was. Indeed, Quasimodo, one eyed, hunchbacked, and knock kneed, was hardly more than half made.

This Sir Alisdair fellow.” Her cheeks blushed crimson. “I’m just saying, he’s likely older than Francine. And less attractive.” “I don’t care! I don’t care if he’s ancient and warty and leprous and hunchbacked. He would still be learned, intelligent. Respected and respectful. He would still be a better man than you. You know it, and you’re envious. You’re being cruel to me to soothe your pride.” She looked him up and down with a contemptuous glare. “And you’re going to catch flies in your mouth, if you don’t shut it.” For once, Colin found himself without words. The best he could do was take her advice and hoist his dropped jaw.

Quasimodo then lifted his eye to look upon the gypsy girl, whose body, suspended from the gibbet, he beheld quivering afar, under its white robes, in the last struggles of death; then again he dropped it upon the archdeacon, stretched a shapeless mass at the foot of the tower, and he said with a sob that heaved his deep breast to the bottom, 'Oh-all that I've ever loved!' The Hunchback of Notre Dame

But, reverend master, it is not sufficient to pass one's life, one must earn the means for life.

قال : هل تعرفين ما تعنيه الصداقة؟ أجابت الغجرية: نعم, إنها أن نكون أخا وأختا, أن نكون روحين تتجاوران ولكنهما لا تتداخلان, كما تكون إصبعان من أصابع اليد الواحدة.

When one has but a single idea he finds in it everything.

Do you know what friendship is?' he asked. 'Yes,' answered the gipsy; 'it is to be brother and sister, two souls which meet without mingling, two fingers of one hand.' 'And love?' continued Gringoire. 'Oh, love!' said she, and her voice trembled and her eye brightened. 'That is to be two and yet but one. A man and a woman blended into an angel. It is heaven itself.

Djali trotted along behind them, so overjoyed at seeing Gringoire again that she constantly made him stumble by affectionately putting her horns between his legs. 'That's life,' said the philosopher, each time he narrowly escaped falling flat on his face. 'It's often our best friends who cause our downfall.

Our stories always want to make villains larger than life. They should be snarling or scarred, hunchbacked or otherwise marred in a way society doesn’t like. It makes them easier to demonize. But life is not nearly so simple,

Anne of Green Gables was cuddled up next to Huckleberry Finn; The Hunchback of Notre Dame was wedged tightly between Heidi and Little Women; and Nicholas Nickleby leaned in a familiar way against A Girl of the Limberlost. None of the books were in alphabetical order, which made it necessary to cock my head sideways to read each one of the spines. By the end of the third shelf I had begun to realize why librarians are sometimes able to achieve such pinnacles of crankiness: It’s because they’re in agony. If only publishers could be persuaded, I thought, to stamp all book titles horizontally instead of vertically, a great deal of unpleasantness could be avoided all round.

I wanted to see you again, touch you, know who you were, see if I would find you identical with the ideal image of you which had remained with me and perhaps shatter my dream with the aid of reality.

Time is greedy, man is greedier

الحب ! هو أ نكون اثنين ثم لا نكون إلا واحداً فقط . رجل وامرأه يذوبان معاً في ملاك ، إنه السماء

إن من لا يؤمن بشئ يجد نفسه دائماً في فترات من حياته علي دين الهيكل الذي يقع تحت يديه

Many people in Paris are quite content to look on at others, and there are plenty who regard a wall behind which something is happening as a very curious thing.

That's life" said the philosopher each time he was almost laid prostrate, "It's often our best friends who make us fall

Hunchback

Aunt Nell used to say it was not decent to have violet eyes, that they were a telltale sign of bad nature, like ginger hair or a hunchback.

Of course, the tweetings of a hunchbacked monster would be more twisted than those of someone with a perfectly erect spine.

He was fine; he, that orphan that foundling that outcast; he felt himself august and strong; he looked full in the face that society from which he was banished, and into which he had so powerfully intervened; that human justice from which he had snatched its prey; all those tigers whose jaws perforce remained empty; those myrmidons, those judges, those executioners, all that royal power which he, poor, insignificant being, had foiled with the power of God.

A minute afterwards he appeared upon the upper platform, still bearing the gipsy [sic] in his arms, still running wildly along, still shouting 'Sanctuary!' and the crowd still applauding. At last he made a third appearance on the summit of the tower of the great bell. From thence he seemed to show exultingly to the whole city the fair creature he had saved; and his thundering voice, that voice which was heard so seldom, and which he never heard at all, thrice repeated with frantic vehemence, even in the very clouds, 'Sactuary! Sanctuary! Sanctuary! The Hunchback of Notre Dame

New Rule: Churches have to stop ringing the damn bells. It was a good idea in the Middle Ages, but people have clocks now. It's not like you're doing us all a favor by keeping the hunchbacks off the street. Make up your mind, are you a house of worship or an ice cream truck?

Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.

Tempus edax homo edacior; which I willingly thus translate; "Time is blind, man is stupid.

some even affirmed that they had passed the night across the threshold of the great door, in order to make sure that they should be the first to pass in. The crowd

Ceci tuera cela

When one does wrong, one must do it thoroughly.

A book is so soon made, costs so little, and may go so far! Why should we surprised that all human thought flows that way?

إن الإرادة الطيبة لا تضيف بصلة واحدة إلى الحساء، وهى لا تصلح إلا للذهاب إلى الجنة

إن للأحداث الكبيرة ذيولاً ليست في الحسبان

Oh, love! That is to be two, and yet one. A man and a woman joined, as into an angel; that is heaven!

Disabled people were not sexual beings – I had assented to the definition that society had created.

Unable to rid myself of it, since I heard your song humming ever in my head, beheld your feet dancing always on my breviary, felt even at night, in my dreams, your form in contact wih my own, I desired to see you again, to touch you, to know who you were, to see whether I should really find you like the ideal image which I had retained of you, to shatter my dream, perchance with reality. At all events, I hoped that a new impression would efface the first, and the first had become insupportable. I sought you. I saw you once more. Calamity! When I had seen you twice, I wanted to see you a thousand times, I wanted to see you always. Then - how stop myself on that slope of hell? - then I no longer belonged to myself.

I hated museums, and libraries, and any kind of historic building. I loathed old things, whose flawless, polished form had been impeccably preserved. I hated things that endured without breaking, that accrued value through aging. The longer I lived, the more my body collapsed into an ever more aberrant shape. It wasn’t collapsing into death. Rather, it collapsed so as to live, collapsed as a testament to all the time I’d withstood.

There are for each of us several parallelisms between our intelligence, our habits, and our character, which develop without a break, and break only in the great disturbances of life.

With a remainder of that brotherly compassion which is never totally absent from the heart of a drinker, Phoebus rolled Jehan with his foot onto one of those poor man's pillows which Providence provides on all the street corners of Paris and which the rich disdainfully refer to as heaps of garbage.

The longer I lived, the more my body collapsed into an ever more aberrant shape. It wasn’t collapsing into death. Rather, it collapsed so as to live, collapsed as a testament to all the time I’d withstood. To live, my body breaks.

to be hated! to love with all the fury of one's soul; to feel that one would give for the least of her smiles, one's blood, one's vitals, one's fame, one's salvation, one's immortality and eternity,

Zarathustra, however, answered thus unto him who so spake: When one taketh his hump from the hunchback, then doth one take from him his spirit—so do the people teach. And when one giveth the blind man eyes, then doth he see too many bad things on the earth: so that he curseth him who healed him. He, however, who maketh the lame man run, inflicteth upon him the greatest in him — so do the people teach concerning cripples

أو تدرين يا فتاة ما الشقاء بمعنى كلمة الشقاء؟ إنه أن يكون الإنسان إنساناً ولا إنسان، و رجلا مكفوفاً عن مصائر الرجال، فيحب ولا ينال، ثم يخسر دينه في سبيل لذة الوصال، فلا يلقى بعد خسرانه منها إلا الصدود و النكال، ثم يراها بعد ذلك و هي معبودته المقدسة، تضع كنز حسنها طواعية تحت قدمي وحش ليفترسه، بل ليلوثه و يدنسه، و هي قريرة العين راضية الفؤاد

And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb--on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost--climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!--for it seems at times, as though the ear also possessed a sight of its own,--behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries.

Certainly a visitor from Mars descending upon a colony of birth-injured cripples, dwarfs and hunchbacks...could not deduce what they should have been. But then let us not study cripples, but the closest thing we can get to whole, healthy men. In them, we find qualitative differences, a different system of motivation, emotion, value, thinking and perceiving. In a certain sense, only the saints are mankind. All the rest are cripples.

El exceso del dolor como el exceso de la alegría, es una cosa violenta que dura poco: el corazón del hombre no puede durar mucho en un extremo.

إنه عيد، لقد نسيني الناس. وهم يحسنون صنعاً. فلم يفكر العالم بي أنا التي لا تفكر بنفسها! إن الرماد البارد هو للفحم المنطفئ.

Time is the architect, the nation is the builder.

Hence, that crown is the money of hell.

La dicha que habría podido encontrar en la tierra si ella no hubiera sido gitana ni él sacerdote; si Febo no hubiera existido y si ella lo hubiera amado.

great events have incalculable results.

In proportion as architecture degenerated, printing throve and flourished. The capital of forces which human thought had expended in building, it henceforth expended in books.

كم أنت سعيد أن يكون لك من يحبك" // كوازيمودو

Die Wissenschaft muss mit glatten Wangen begonnen werden und nicht erst mit runzeligen, wenn man in ihr etwas erreichen will.

Jehan, Jehan! All this will have a bad end." "It'll have had a good beginning.

...who is the hunchback in my comic opera, but me? I'm crippled on the inside and unable to make the gestures of love...

humanity is a hunchback who, in ignorance of the fact that it is possible not to be hunchbacked, for thousands of years has sought an indication of a Higher Necessity in his hump, because he will accept any theory but the one that says that his deformity is purely accidental,

In short, Daniel was once again a member of a family. Viewed from without they were a strange enough family: a rattling, hunchbacked old woman, a spoiled senile cocker spaniel, and a eunuch with a punctured career (for though Rey didn’t live with them, his off-stage presence was as abiding and palpable as that of any paterfamilias away every day at the office). And Daniel himself. But better to be strange together than strange apart. He was glad to have found such a haven at last, and he hoped that most familial and doomed of hopes, that nothing would change.

Nothing is easier than to divide men into rightists and leftists, hunchbacks and straightbacks, fascists and democrats—and these distinctions will be perfectly just. But truth, we know, is that which clarifies, not that which confuses. Truth is the language that expresses universality.

She didn’t punch me,” I said defensively. Jason sat down next to me and leaned back in his chair. “Then how’d she hurt you?” Hah. Right. Um, that’s something I wanted to explain to her older brother, You see she didn’t have her shirt on, I walked in on her, almost shit my pants, walked into the door, almost shit my pants a second time, then stumbled down the hall Hunchback of Notre Dame–style

Moshe watched spellbound from the wings as Webb, a tiny man with a curved spine clad in a white suit, roared with laughter and enthusiasm as he played, egging his band on from the rear with his masterful drumming, the thunderous band shaking the floor with rip-roaring waves of gorgeous sound. That man, Moshe decided, was a joymaker. And Moshe could not help but notice that Webb, like his lovely Chona, had a physical disability. Though he was a hunchback of some kind, he moved with a certain feeling of joy, a lightness, as if every moment were precious.

Now I know... we have at least two friends!... Cillie von Leiden and the hunchback... not bad in our situation... or, come right down to it, no matter where and when, peace, dead calm, wars, convulsions... so many vaginas, stomachs, cocks, snouts, and flies you don't know what to do with them... shovelsful!... but hearts?... very rare!

in becoming malicious he only picked up the weapon with which he had been wounded. He

Защото любовта е като дърво, тя расте от само себе си, пуща дълбоко корените си в цялото ни същество и често продължава да зеленее дори когато сърцето е опустошено.

Y la memoria es el tormento de los celosos

أصبحت كمن يموتون فى الثلوج، أجد لذة فى اقتراب النوم الأخير

سنري رجال الثوب الكهنوتى يأكلون اللحم البشري، فهو مشهد ككل مشهد آخر

If those who were so aggrieved by disabled people not contributing to society and gobbling up everyone’s benefit money knew about this, would it assuage their concerns a little?

At that time, for the thought written in stone, there existed a privilege perfectly comparable to our present liberty of the press. It was the liberty of architecture.

If I exist, does this exist? if this exists, do I exist?

One such monster lived around 600 B.C. and was the slave of a Greek nobleman named Iadmon who lived on Samos. This unfortunate was a hunchback described as having "an enormous head with slit eyes, a long, misshaped countenance, a large mouth and bowed legs." A servant girl meeting him asked in horror, "Are you a baboon?" Because he was cut off from humanity by his revolting appearance, this monster made friends with animals. He told numerous short tales with animal heroes illustrating the weaknesses of people. His stories were so biting and his looks so disgusting that he was finally killed by a mob. His name was Aesop.

A creature so beautiful that God would have preferred her to the Virgin and have chosen her for his mother and have wished to be born of her if she had been in existence when he was made man!

It would have been difficult to say what was the nature of this look, and whence proceeded the flame that flashed from it. It was a fixed gaze, which was, nevertheless, full of trouble and tumult. And, from the profound immobility of his whole body, barely agitated at intervals by an involuntary shiver, as a tree is moved by the wind; from the stiffness of his elbows, more marble than the balustrade on which they leaned; or the sight of the petrified smile which contracted his face,— one would have said that nothing living was left about Claude Frollo except his eyes.

Love is like a tree; it sprouts forth of itself, sends its roots out deeply through our whole being, and often continues to flourish greenly over a heart in ruins. And the inexplicable point about it is that the more blind is this passion, the more tenacious it is. It is never more solid than when it has no reason in it.

Victor-Marie Hugo (26 February 1802 — 22 May 1885) was a French poet, novelist, playwright, essayist, visual artist, statesman, human rights campaigner, and perhaps the most influential exponent of the Romantic movement in France. In France, Hugo's literary reputation rests on his poetic and dramatic output. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. In the English-speaking world his best-known works are often the novels Les Misérables and Notre-Dame de Paris (sometimes translated into English as The Hunchback of Notre-Dame). Though extremely conservative in his youth, Hugo moved to the political left as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. Source: Wikipedia

C’est que l’amour est comme un arbre, il pousse de lui-même, jette profondément ses racines dans tout notre être, et continue souvent de verdoyer sur un cœur en ruines.   Et ce qu’il y a d’inexplicable, c’est que plus cette passion est aveugle, plus elle est tenace. Elle n’est jamais plus solide que lorsqu’elle n’a pas de raison en elle.  

Perhaps Dexter’s dutiful but uninspired brain pictured him as Sherlock Holmes, able to examine the wheel ruts and deduce that a left-handed hunchback with red hair and a limp had gone down the road carrying a Cuban cigar and a ukulele. I would find no clues, not that it mattered.

It was difficult to anticipate—in these monsters with enormous, fantastic beaks which they opened wide immediately after birth, hissing greedily to show the backs of their throats, in these lizards with frail, naked bodies of hunchbacks—the future peacocks, pheasants, grouse or condors. Placed in cotton wool, in baskets, this dragon brood lifted blind, walleyed heads on thin necks, croaking voicelessly from their dumb throats.

Japan, on the other hand, works on the understanding that disabled people don’t exist within society, so there are no such proactive considerations made. Able-bodied Japanese people have likely never even imagined a hunchbacked monster struggling to read a physical book. Here was I, feeling my spine being crushed a little more with every book that I read, while all those e-book-hating able-bodied people who went on and on about how they loved the smell of physical books, or the feel of the turning pages beneath their fingers, persisted in their state of happy oblivion.

would go somewhere, we would seek that spot on earth, where the sun is brightest, the sky the bluest, where the trees are most luxuriant. We would love each other, we would pour our two souls into each other, and we would have a thirst for ourselves which we would quench in common and incessantly at that fountain of inexhaustible love." She interrupted with a terrible and thrilling laugh. "Look, father, you have blood on your fingers!

Claude, saddened and discouraged in his human affections, by all this, had flung himself eagerly into the arms of learning, that sister which, at least does not laugh in your face, and which always pays you, though in money that is sometimes a little hollow, for the attention which you have paid to her. Hence, he became more and more learned, and, at the same time, as a natural consequence, more and more rigid as a priest, more and more sad as a man.

Biff.. What he had said to Alice was true - he did like freaks. He had a special friendly feeling for sick people and cripples. Whenever somebody with a harelip or TB came into the place he would set him up to beer. Or if the customer were a hunchback or a bad cripple, then it would be whisky in the house. There was one fellow who had had his peter and his left leg blown off in a boiler explosion, and whenever he came to town there was a free pint waiting for him.

The whole underneath of Paris was an ant nest, Metro tunnels, sewer shafts, catacombs, mines, cemeteries. She'd been down in the city of bones where skulls and femurs rose in yellowing walls. Right down there, win the square before them. through a dinky little entrance, were the Roman ruins like honeycomb. The trains went under the river. There were tunnels people had forgotten about. It was a wonder Paris stood up at all. The bit you saw was only half of it. Her skin burned, thinking of it. The Hunchback knew. Up here in the tower of Notre Dame he saw how it was. Now and then, with the bells rattling his bones, he saw it like God saw it -- inside, outside, above and under -- just for a moment. The rest of the time he went back to hurting and waiting like Scully out there crying in the wind.

Usually, the murmur that rises up from Paris by day is the city talking; in the night it is the city breathing; but here it is the city singing. Listen, then, to this chorus of bell-towers - diffuse over the whole the murmur of half a million people - the eternal lament of the river - the endless sighing of the wind - the grave and distant quartet of the four forests placed upon the hills, in the distance, like immense organpipes - extinguish to a half light all in the central chime that would otherwise be too harsh or too shrill; and then say whetehr you know of anything in the world more rich, more joyous, more golden, more dazzling, than this tumult of bells and chimes - this furnace of music - these thousands of brazen voices, all singing together in flutes of stone three hundred feet high, than this city which is but one orchestra - this symphony which roars like a tempest.

In a vast space left free between the crowd and the fire, a young girl was dancing. Whether this young girl was a human being, a fairy, or an angel, is what Gringoire, sceptical philosopher and ironical poet that he was, could not decide at the first moment, so fascinated was he by this dazzling vision. She was not tall, though she seemed so, so boldly did her slender form dart about. She was swarthy of complexion, but one divined that, by day, her skin must possess that beautiful golden tone of the Andalusians and the Roman women. Her little foot, too, was Andalusian, for it was both pinched and at ease in its graceful shoe. She danced, she turned, she whirled rapidly about on an old Persian rug, spread negligently under her feet; and each time that her radiant face passed before you, as she whirled, her great black eyes darted a flash of lightning at you. All around her, all glances were riveted, all mouths open; and, in fact, when she danced thus, to the humming of the Basque tambourine, which her two pure, rounded arms raised above her head, slender, frail and vivacious as a wasp, with her corsage of gold without a fold, her variegated gown puffing out, her bare shoulders, her delicate limbs, which her petticoat revealed at times, her black hair, her eyes of flame, she was a supernatural creature.

Why, there's the air, the sky, the morning, the evening, moonlight, my friends, women, the beautiful architecture of Paris to study, three big books to write and all sorts of other things. Anaxagoras used to say that he was in the world in order to admire the sun. And then I have the good fortune to be able to spend my days from morning to night in the company of a man of genius - myself - and it's very pleasant.

We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination.

It is the accursed inventions of this century that are ruining everything--artilleries, bombards, and, above all, printing, that other German pest. No more manuscripts, no more books! printing will kill bookselling. It is the end of the world that is drawing nigh.

Sire! do not break out into thunder over such a nonentity as myself. God’s great thunderbolts are not for bombarding lettuces.

Căci dragostea e ca un arbore, ea crește de la sine, își înfige rădăcini adânci în toată ființa noastră și continuă să înverzească pe o inimă distrusă.

لن يسعني أن أحب إلا الرجل القادر على حمايتي.

What makes a monster and what makes a man?

A priest and a philosopher are two different things

İnsan yüreği ancak belli bir miktar umutsuzluk barındırabilir. Sünger bir kez emeceğini emdi mi, üstünden deniz geçse oraya fazladan bir damla su bile sokamaz.

Se encontraba totalmente absorto en esa especie de contemplación estática en la que una autor ve surgir, una a una, todas sus ideas, por boca de los autores, entre el silencio de todo el auditorio

O, dragostea! spuse ea, și glasul îi tremură, iar ochii îi străluciră. Dragostea înseamnă să fii doi și să nu fii decât unul. Un bărbat și o femeie care se contopesc într-un înger. Dragostea e cerul.

She talks. People talk easily to me. They think a bald albino hunchback dwarf can’t hide anything. My worst is all out in the open. It makes it necessary for people to tell you about themselves. They begin out of simple courtesy. Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their own less-apparent deformities. That’s how it starts. But I am like a stranger on the bus and they get hooked on having a listener. They go too far because I am one listener who is in no position to judge or find fault. They stretch out their dampest secrets because a creature like me has no virtues or morals. If I am “good” (and they assume that I am), it’s obviously for lack of opportunity to be otherwise. And I listen. I listen eagerly, warmly, because I care. They tell me everything eventually.

I see that the wardrobe looks penetrable because it has a door. But when I open it, I see that penetration has been put off: since inside is also a wooden surface, like a closed door. Function of the wardrobe: to keep drag and disguises hidden. Nature: that of the inviolability of things. Relation to people: we look at ourselves in the mirror on the inside of the door, we always look at ourselves in an inconvenient light because the wardrobe is never in the right place: awkward, it stands wherever it fits, always huge, hunchbacked, shy and clumsy, unaware how to be more discreet, for it has too much presence. A wardrobe is enormous, intrusive, sad, kind.

The sixth of January, 1482, is not, however, a day of which history has preserved the memory. There was nothing notable in the event which thus set the bells and the bourgeois of Paris in a ferment from early morning. It was neither an assault by the Picards nor the Burgundians, nor a hunt led along in procession, nor a revolt of scholars in the town of Laas, nor an entry of “our much dread lord, monsieur the king,” nor even a pretty hanging of male and female thieves by the courts of Paris. Neither was it the arrival, so frequent in the fifteenth

When put into print, thought is more imperishable than ever; it is volatile, intangible, indestructible; it mingles with the air. In the time of architecture, it became a mountain, and made itself master of a century and a region. Now it has been transformed into a flock of birds, scattering to the four winds and filling all air and space.

Yes, all those able-bodied people didn’t know how good they had it. They could make erudite-sounding pronouncements about how they just liked the smell of books, or the feel of the paper, or the sense of tension that came from the thickness of the remaining pages reducing beneath their fingers, and others would listen unquestioningly to what they were saying.

Someday When we are wiser When the world's older When we have learned I pray Someday we may yet Live To live and let live Someday Life will be fairer Need will be rarer Greed will not pay Godspeed This bright millennium On its way Let it come Someday

Unable to rid myself of it, since I heard your song humming ever in my head, beheld your feet dancing always on my breviary, felt even at night, in my dreams, your form in contact with my own, I desired to see you again, to touch you, to know who you were, to see whether I should really find you like the ideal image which I had retained of you, to shatter my dream, perchance, with reality. At all events, I hoped that a new impression would efface the first, and the first had become insupportable. I sought you. I saw you once more. Calamity! When I had seen you twice, I wanted to see you a thousand times, I wanted to see you always.

Furono trovati tra tutte quelle carcasse raccapriccianti due scheletri di cui uno teneva l'altro strettamente abbracciato. Uno di questi due scheletri, che era quello di una donna, aveva ancora qualche brandello di una veste la cui stoffa doveva essere stata bianca e intorno al collo una collana di adrézarach con un sacchettino di seta, ornato di vetri verdi, che era aperto e vuoto. Quegli oggetti avevano così poco valore che senza dubbio il boia non li aveva voluti. L'altro, che teneva questo primo scheletro strettamente abbracciato, era lo scheletro di un uomo. Fu notato che aveva la colonna vertebrale deviata, la testa nelle scapole, e una gamba più corta dell'altra. Non aveva però alcuna rottura di vertebre alla nuca, ed era evidente che non era stato impiccato. L'uomo al quale apparteneva era dunque andato là, e là vi era morto. Quando si cercò di staccarlo dallo scheletro che abbracciava, si disfece in polvere. " - Notre-Dame de Paris, V. Hugo

The Hunchback in the Park The hunchback in the park A solitary mister Propped between trees and water From the opening of the garden lock That lets the trees and water enter Until the Sunday sombre bell at dark Eating bread from a newspaper Drinking water from the chained cup That the children filled with gravel In the fountain basin where I sailed my ship Slept at night in a dog kennel But nobody chained him up. Like the park birds he came early Like the water he sat down And Mister they called Hey mister The truant boys from the town Running when he had heard them clearly On out of sound Past lake and rockery Laughing when he shook his paper Hunchbacked in mockery Through the loud zoo of the willow groves Dodging the park keeper With his stick that picked up leaves. And the old dog sleeper Alone between nurses and swans While the boys among willows Made the tigers jump out of their eyes To roar on the rockery stones And the groves were blue with sailors Made all day until bell time A woman figure without fault Straight as a young elm Straight and tall from his crooked bones That she might stand in the night After the locks and chains All night in the unmade park After the railings and shrubberies The birds the grass the trees the lake And the wild boys innocent as strawberries Had followed the hunchback To his kennel in the dark.

وبينما كانت هذه العاصفة من اليأس تحطم وتمزق وتحني وتنتزع جذور كل شيء في روحه؛ نظر إلى الطبيعة من حوله فرأى عند قدميه دجاجات تلتقط غذاءها هنا وهناك وغيوماً سمراء هاربة في السماء الزرقاء كما رأى سهم دير سان فكتور في الأفق يخترق الفضاء وأحد الطحانين ينظر مصفراً إلى مطحنته تدور في نشاط وجد ظاهرين! سرى في جسده ألم شديد أمام هذه الحياة الحية المنظمة المطمئنة والتي تتشكل من حوله بألف من الأشكال المختلفة وانطلق يهرب مرة أخرى.

To take estrogen or not to take estrogen: That is the question. Whether 'tis nobler to abstain and suffer The sweat and puddles of outrageous flashes Or to take arms against a sea of mood swings, And by opposing end them? To die: to sleep; No more; at first the studies say 'twill end The heart attacks and thousand bouts of bloat That flesh is heir to, 'tis a true confusion - For then they say 'twill cause us all to die Perchance from breast cancer; ay, there's the rub; For who can dream or even sleep while worrying about What doctors might be saying come next week?

In front marched Egypt. The Duke of Egypt at their head, on horseback, with his counts on foot, holding his bridle and stirrups; behind them the Egyptians, men and women, in any order, with their young children yelling on their shoulders; all of them, duke, counts, common people, in rags and tinsel. Then came the kingdom of the argot, that is to say, every thief in France, graded in order of rank, the lowest going in front. Thus there filed past in column of four, in the various insignia of their grades in this strange academy, the majority crippled, some of them lame, others with only one arm, the upright men, the counterfeit cranks, the rufflers, the kinchincoves, the Abraham-men, the fraters, the dommerars, the trulls, the whipjacks, the prygges, the drawlatches, the robardesmen, the clapper-dogens; an enumeration to weary Homer.

Lend your ear then to this tutti of steeples; diffuse over the whole the buzz of half a million of human beings, the eternal murmur of the river, the infinite piping of the wind, the grave and distant quartet of the four forests placed like immense organs on the four hills of the horizon; soften down, as with a demi-tint, all that is too shrill and too harsh in the central mass of sound, and say if you know any thing in the world more rich, more gladdening, more dazzling than that tumult of bells; than that furnace of music; than those ten thousand brazen tones breathed all at once from flutes of stone three hundred feet high; than that city which is but one orchestra; than that symphony rushing and roaring like a tempest.

She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries. I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched. I said, "Let me help." She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again. That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist. I left the old woman at her door. The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.

The sixth of January, 1482, is not, however, a day of which history has preserved the memory. There was nothing notable in the event which thus set the bells and the bourgeois of Paris in a ferment from early morning. It was neither an assault by the Picards nor the Burgundians, nor a hunt led along in procession, nor a revolt of scholars in the town of Laas, nor an entry of “our much dread lord, monsieur the king,” nor even a pretty hanging of male and female thieves by the courts of Paris. Neither was it the arrival, so frequent in the fifteenth century, of some plumed and bedizened embassy. It was barely two days since the last cavalcade of that nature, that of the Flemish ambassadors charged with concluding the marriage between the dauphin and Marguerite of Flanders, had made its entry into Paris, to the great annoyance of M. lé Cardinal de Bourbon, who, for the sake of pleasing the king, had been obliged to assume an amiable mien towards this whole rustic rabble of Flemish burgomasters, and to regale them at his Hôtel de Bourbon, with a very “pretty morality, allegorical satire, and farce,” while a driving rain drenched the magnificent tapestries at his door.

He hoped and feared,' continued Solon, in a low. mournful voice; 'but at times he was very miserable, because he did not think it possible that so much happiness was reserved for him as the love of this beautiful, innocent girl. At night, when he was in bed, and all the world was dreaming, he lay awake looking up at the old books against the walls, thinking how he could bring about the charming of her heart. One night, when he was thinking of this, he suddenly found himself in a beautiful country, where the light did not come from sun or moon or stars, but floated round and over and in everything like the atmosphere. On all sides he heard mysterious melodies sung by strangely musical voices. None of the features of the landscape was definite; yet when he looked on the vague harmonies of colour that melted one into another before his sight he was filled with a sense of inexplicable beauty. On every side of him fluttered radiant bodies, which darted to and fro through the illuminated space. They were not birds, yet they flew like birds; and as each one crossed the path of his vision he felt a strange delight flash through his brain, and straightaway an interior voice seemed to sing beneath the vaulted dome of his temples a verse containing some beautiful thought. Little fairies were all this time dancing and fluttering around him, perching on his head, on his shoulders, or balancing themselves on his fingertips. 'Where am I?' he asked. 'Ah, Solon?' he heard them whisper, in tones that sounded like the distant tinkling of silver bells, "this land is nameless; but those who tread its soil, and breathe its air, and gaze on its floating sparks of light, are poets forevermore.' Having said this, they vanished, and with them the beautiful indefinite land, and the flashing lights, and the illumined air; and the hunchback found himself again in bed, with the moonlight quivering on the floor, and the dusty books on their shelves, grim and mouldy as ever.' ("The Wondersmith")

The following is one of the oldest sermon illustrations used in the Christian church. It also tests one’s understanding of the Christian life. There once lived an ugly, hunchback dwarf. No one ever invited him to a party. No one showed him love or even attention. He became disillusioned with life and decided to climb a mountain and throw himself from its peak into the abyss. When he ascended the mountain, he met a beautiful girl. He talked to her and discovered that she was climbing the mountain for the same purpose. Her suffering was at the other extreme. She had everyone’s attention and love, but the one she loved had forsaken her for another girl, one with riches. She felt life had no meaning for her any longer, so they decided to make the ascent together. While they climbed, they met a man who introduced himself as a police officer in search of a very dangerous bandit who had robbed and murdered many people. The king had promised a large reward to the person who captured him. The police officer was very confident: “I will catch him because I know he has a feature by which he can be recognized. He has six fingers on his right hand. The police have been looking for him for years. For the last two or three, nothing has been heard from him, but he must pay for a multitude of past crimes.” The three climbed the mountain. Near its peak was a monastery. Its abbot, although he had become a monk only recently, had quickly attained great renown for saintliness. When they entered the monastery, he came to meet them. You could see the glory of God in his face. As the girl bowed to kiss his right hand, she saw he had six fingers. With this, the story ends. Those who hear this story are perplexed. It can’t finish like this! What happened to the dwarf, the girl, the policeman? Was the criminal caught? The story’s beauty is that it does finish here. Something beautiful has happened: A criminal hunted because of his many robberies and murders has become a great saint, renowned for his godly life. All the rest is of no further interest. The great miracle has been performed. Christ has been born in the heart of a man of very low character.

Questo ucciderà quello. Il libro ucciderà l’edificio. L’invenzione della stampa è il più grande avvenimento della storia. E’ la rivoluzione madre. E’ il completo rinnovarsi del modo di espressione dell’umanità, è il pensiero umano che si spoglia di una forma e ne assume un’altra, è il completo e definitivo mutamento di pelle di quel serpente simbolico che, da Adamo in poi, rappresenta l’intelligenza. Sotto forma di stampa, il pensiero è più che mai imperituro. E’ volatile, inafferrabile, indistruttibile. Si fonde con l’aria. Al tempo dell’architettura, diveniva montagna e si impadroniva con forza di un secolo e di un luogo. Ora diviene stormo di uccelli, si sparpaglia ai quattro venti e occupa contemporaneamente tutti i punti dell’aria e dello spazio.. Da solido che era, diventa vivo. Passa dalla durata all’ immortalità. Si può distruggere una mole, ma come estirpare l’ubiquità? Venga pure un diluvio, e anche quando la montagna sarà sparita sotto i flutti da molto tempo, gli uccelli voleranno ancora; e basterà che solo un’arca galleggi alla superficie del cataclisma, ed essi vi poseranno, sopravvivranno con quella, con quella assisteranno al decrescere delle acque, e il nuovo mondo che emergerà da questo caos svegliandosi vedrà planare su di sé, alato e vivente, il pensiero del mondo sommerso. Bisogna ammirare e sfogliare incessantemente il libro scritto dall'architettura, ma non bisogna negare la grandezza dell'edificio che la stampa erige a sua volta. Questo edificio è colossale. E’ il formicaio delle intelligenze. E’ l’alveare in cui tutte le immaginazioni, queste api dorate, arrivano con il loro miele. L’edificio ha mille piani. Sulle sue rampe si vedono sbucare qua e là delle caverne tenebrose della scienza intrecciantisi nelle sue viscere. Per tutta la sua superficie l’arte fa lussureggiare davanti allo sguardo arabeschi, rosoni, merletti. La stampa, questa macchina gigante che pompa senza tregua tutta la linfa intellettuale della società, vomita incessantemente nuovi materiali per l’opera sua. Tutto il genere umano è sull’ impalcatura. Ogni spirito è muratore. Il più umile tura il suo buco o posa la sua pietra. Certo, è anche questa una costruzione che cresce e si ammucchia in spirali senza fine, anche qui c’è confusione di lingue, attività incessante, lavoro infaticabile, concorso accanito dell’umanità intera, rifugio promesso all’ intelligenza contro un nuovo diluvio, contro un’invasione di barbari. E’ la seconda torre di Babele del genere umano." - Notre-Dame de Paris, V. Hugo

MOTHER. I do not believe that there is anything sweeter in the world than the ideas which awake in a mother’s heart at the sight of her child’s tiny shoe; especially if it is a shoe for festivals, for Sunday, for baptism, the shoe embroidered to the very sole, a shoe in which the infant has not yet taken a step. That shoe has so much grace and daintiness, it is so impossible for it to walk, that it seems to the mother as though she saw her child. She smiles upon it, she kisses it, she talks to it; she asks herself whether there can actually be a foot so tiny; and if the child be absent, the pretty shoe suffices to place the sweet and fragile creature before her eyes. She thinks she sees it, she does see it, complete, living, joyous, with its delicate hands, its round head, its pure lips, its serene eyes whose white is blue. If it is in winter, it is yonder, crawling on the carpet, it is laboriously climbing upon an ottoman, and the mother trembles lest it should approach the fire. If it is summer time, it crawls about the yard, in the garden, plucks up the grass between the paving-stones, gazes innocently at the big dogs, the big horses, without fear, plays with the shells, with the flowers, and makes the gardener grumble because he finds sand in the flower-beds and earth in the paths. Everything laughs, and shines and plays around it, like it, even the breath of air and the ray of sun which vie with each other in disporting among the silky ringlets of its hair. The shoe shows all this to the mother, and makes her heart melt as fire melts wax.

And then, on his soul and conscience, [Gringoire] ... was not very sure that he was madly in love with the gypsy. He loved her goat almost as dearly. It was a charming animal, gentle, intelligent, clever; a learned goat. Nothing was more common in the Middle Ages than these learned animals, which amazed people greatly, and often led their instructors to the stake. But the witchcraft of the goat with the golden hoofs was a very innocent species of magic. Gringoire explained them to the archdeacon, whom these details seemed to interest deeply. In the majority of cases, it was sufficient to present the tambourine to the goat in such or such a manner, in order to obtain from him the trick desired. He had been trained to this by the gypsy, who possessed, in these delicate arts, so rare a talent that two months had sufficed to teach the goat to write, with movable letters, the word “Phœbus.” “‘Phœbus!’” said the priest; “why ‘Phœbus’?” “I know not,” replied Gringoire. “Perhaps it is a word which she believes to be endowed with some magic and secret virtue. She often repeats it in a low tone when she thinks that she is alone.” “Are you sure,” persisted Claude, with his penetrating glance, “that it is only a word and not a name?” “The name of whom?” said the poet. “How should I know?” said the priest. “This is what I imagine, messire. These Bohemians are something like Guebrs, and adore the sun. Hence, Phœbus.” “That does not seem so clear to me as to you, Master Pierre.” “After all, that does not concern me. Let her mumble her Phœbus at her pleasure. One thing is certain, that Djali loves me almost as much as he does her.” “Who is Djali?” “The goat.” The archdeacon dropped his chin into his hand, and appeared to reflect for a moment. All at once he turned abruptly to Gringoire once more. “And do you swear to me that you have not touched her?” “Whom?” said Gringoire; “the goat?” “No, that woman.” “My wife? I swear to you that I have not.” “You are often alone with her?” “A good hour every evening.” Dom Claude frowned. “Oh! oh! Solus cum sola non cogitabuntur orare Pater Noster.” “Upon my soul, I could say the Pater, and the Ave Maria, and the Credo in Deum patrem omnipotentem without her paying any more attention to me than a chicken to a church.” “Swear to me, by the body of your mother,” repeated the archdeacon violently, “that you have not touched that creature with even the tip of your finger.” “I will also swear it by the head of my father, for the two things have more affinity between them. But, my reverend master, permit me a question in my turn.” “Speak, sir.” “What concern is it of yours?” The archdeacon’s pale face became as crimson as the cheek of a young girl.