Hunchback Quotes

Love is like a tree: it grows by itself, roots itself deeply in our being and continues to flourish over a heart in ruin. The inexplicable fact is that the blinder it is, the more tenacious it is. It is never stronger than when it is completely unreasonable.

Nothing makes a man so adventurous as an empty pocket.

Fool!" cried the hunchback. "You fell victim to one of the classic blunders. The most famous is 'Never get involved in a land war in Asia,' but only slightly less well known is this: 'Never go in against a Sicilian when death is on the line.

When you get an idea into your head you find it in everything.

I wanted to see you again, touch you, know who you were, see if I would find you identical with the ideal image of you which had remained with me and perhaps shatter my dream with the aid of reality. -Claude Frollo

Spira, spera. (breathe, hope)

I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name 'em, I ate 'em.

Being beautiful, was that for men?' 'Yes. Some women say that it is for ourselves. What on earth can we do with it? I could have loved myself whether I was hunchbacked or lame, but to be loved by others, you had to be beautiful.

A one-eyed man is much more incomplete than a blind man, for he knows what it is that's lacking.

mothers are often fondest of the child which has caused them the greatest pain.

I was a total fail next to Ash, but Daemon said something about me wearing his clothes that sent blood rushing to every part of my body and I didn't care if I looked like a hunchback next to her.

He reached for his pocket, and found there, only reality

See?" Fezzik pointed then. Far down, at the very bottom of the mountain path, the man in black could be seen running. "Inigo is beaten." Inconceivable!" exploded the Sicilian. Fezzik never dared disagree with the hunchback. "I'm so stupid," Fezzik nodded. "Inigo has not lost to the man in black, he has defeated him. And to prove it he has put on all the man in black's clothes and masks and hoods and boots and gained eighty pounds.

when you're a kid, they tell you that it's what's on the inside that counts. Looks don't matter . But that's not true. Guys like Phoebus in The Hunchback, or Dorian, or the old Kyle Kingsbury-- they can be scumbags to women and still get away with it because they're good-looking. Being ugly is a kind of prisoner.

One drop of wine is enough to redden a whole glass of water.

Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.

You made me feel less alone; you made me feel not quite so deformed, uninformed and hunchbacked.

Dost thou understand? I love thee!" he cried again. "What love!" said the unhappy girl with a shudder. He resumed,--"The love of a damned soul. a

The saints were his friends, and blessed him; the monsters were his friends, and guarded him.

You would have imagined her at one moment a maniac, at another a queen.

He left her. She was dissatisfied with him. He had preferred to incur her anger rather than cause her pain. He had kept all the pain for himself.

The situation is grave: the way we lean over each other, the way years later we emerge: hunchbacked, hooded, with full grown tender things called souls.

When girls walk home we put on lippy and makeup. We chat. Sometimes we pretend to be hunchbacks. But that is it. Perfectly normal behavior.

I fear it is my lot, to bide my days in hunchbacked thought, to find what I forgot.

If Jesus had been a hunchback, they could hardly have nailed him to the cross.

The greatest products of architecture are less the works of individuals than of society; rather the offspring of a nation's effort, than the inspired flash of a man of genius...

At the moment when her eyes closed, when all feeling vanished in her, she thought that she felt a touch of fire imprinted on her lips, a kiss more burning than the red-hot iron of the executioner.

by making himself a priest made himself a demon.

To a gargoyle on the ramparts of Notre Dame as Esmeralda rides off with Gringoire Quasimodo says. "Why was I not made of stone like thee?

But alas, if I have not maintained my victory, it is God's fault for not making man and the devil of equal strength.

His judgement demonstrates that one can be a genius and understand nothing of an art that is not one's own.

If he had had all Peru in his pocket, he would certainly have given it to this dancer; but Gringoire had not Peru in his pocket; and besides, America was not yet discovered. (p. 66)

The owl goes not into the nest of the lark.

Large, heavy, ragged black clouds hung like crape hammocks beneath the starry cope of the night. You would have said that they were the cobwebs of the firmament.

The women laughed and wept; the crowd stamped their feet enthusiastically, for at that moment Quasimodo was really beautiful. He was handsome — this orphan, this foundling, this outcast.

He found that man needs affection, that life without a warming love is but a dry wheel, creaking and grating as it turns.

When a man understands the art of seeing, he can trace the spirit of an age and the features of a king even in the knocker on a door.

For love is like a tree; it grows of itself; it send its roots deep into our being, and often continues to grow green over a heart in ruins.

I bear the dungeon within me; within me is winter, ice, and despair; I have darkness in my soul.

Life is not a spectator sport. If watchin' is all you're going to do, you're going to watch your life go by without ya

Just imagine! In the early nineteenth century, this cathedral was in such a state of disrepair that the city considered tearing it down. Luckily for us, Victor Hugo heard about the plans to destroy it and wrote The Hunchback of Notre-Dame to raise awareness of its glorious history. And, by golly, did it work! Parisians campaigned to save it, and the building was repaired and polished to the pristine state you find today.

Oh! Everything I loved!

There are plenty who regard a wall behind which something is happening as a very curious thing.

This will destroy that. The book will kill the edifice.

He therefore turned to mankind only with regret. His cathedral was enough for him. It was peopled with marble figures of kings, saints and bishops who at least did not laugh in his face and looked at him with only tranquillity and benevolence. The other statues, those of monsters and demons, had no hatred for him – he resembled them too closely for that. It was rather the rest of mankind that they jeered at. The saints were his friends and blessed him; the monsters were his friends and kept watch over him. He would sometimes spend whole hours crouched before one of the statues in solitary conversation with it. If anyone came upon him then he would run away like a lover surprised during a serenade.

Be With Me In The Phases Of My Work Because My Brain Feels Like It Has Been Whipped And I Yearn To Make A Small Perfect Thing Which Will Live In Your Morning Like Curious Static Through A President's Elegy Or A Nude Hunchback Acquiring A Tan On The Crowded Oily Beach.

Love is like a tree: it shoots of itself; it strikes it's roots deeply into our whole being, and frequently continues to put forth green leaves over a heart in ruins. And there is this unaccountable circumstance attending it, that the blinder the passion the more tenacious it is. Never is it stronger than when it is most unreasonable.

Excess of grief, like excess of joy is a violent thing which lasts but a short time. The heart of man cannot remain long in one extremity.

Look not at the face, young girl, look at the heart. The heart of a handsome young man is often deformed. There are hearts in which love does not keep. Young girl, the pine is not beautiful; it is not beautiful like the poplar, but it keeps its foliage in winter.

I'd rather be the head of a fly than the tail of a lion.

When a man does wrong, he should do all the wrong he can; it is madness to stop half-way in crime!

Homo homini monstrum

My misfortune is that I still resemble a man too much. I should liked to be wholly a beast like that goat. - Quasimodo

F. once said: At sixteen I stopped fucking faces. I had occasioned the remark by expressing disgust at his latest conquest, a young hunchback he had met while touring an orphanage. F. spoke to me that day as if I were truly one of the underprivileged; or perhaps he was not speaking to me at all when he muttered: Who am I to refuse the universe?

So you're giving up? That's it? Okay, okay. We'll leave you alone, Quasimodo. We just thought, maybe you're made up of something much stronger.

He had, they said, tasted in succession all the apples of the tree of knowledge, and, whether from hunger or disgust, had ended by tasting the forbidden fruit.

Where women are honored, the divinities are pleased. Where they are despised, it is useless to pray to God.

Narcissus does not fall in love with his reflection because it is beautiful but because it is his. If it were his beauty that enthralled him, he would be set free in a few years by its fading. "After all," sighed Narcissus the hunchback, "on me it looks good. The contemplation of his reflection does not turn Narcissus into Priapus: the spell in which he is trapped is not a desire for himself but the satisfaction of not desiring the nymphs. "I prefer my pistol to my p…," said Narcissus; "it cannot take aim without my permission" – and took a pot shot at Echo.

Phoebus de Chateaupers likewise came to a 'tragic end': he married.

Hunchbacks danced at my wedding for luck. It's a thing you don't see nowadays.

a mother who loses her child can no longer believe in God

A fall from such a height is rarely straight downwards.

There are moments when the hands of a woman possess super human force.

You might, without my crediting it, fall deeply in love and forever, with some warped hunchback whelped in the gutter. I should equally stop you from taking him.

For dogs we kings should have lions, and for cats, tigers. The great benefits a crown.

Paris, viewed from the towers of Notre Dame in the cool dawn of a summer morning, is a delectable and a magnificent sight; and the Paris of that period must have been eminently so.

The clown figure has had so many meanings in different times and cultures. The jolly, well-loved joker familiar to most people is actually but one aspect of this protean creature. Madmen, hunchbacks, amputees, and other abnormals were once considered natural clowns; they were elected to fulfill a comic role which could allow others to see them as ludicrous rather than as terrible reminders of the forces of disorder in the world. But sometimes a cheerless jester was required to draw attention to this same disorder, as in the case of King Lear's morbid and honest fool, who of course was eventually hanged, and so much for his clownish wisdom. Clowns have often had ambiguous and sometimes contradictory roles to play. ("The Last Feast Of The Harlequin")

Dost thou understand? I love thee!" he cried again. "What love!" said the unhappy girl with a shudder. He resumed,--"The love of a damned soul.

You asked me why I saved you. You have forgotten a villain who tried to carry you off one night,- a villain to whom the very next day you brought relief upon their infamous pillory. A drop of water and a little pity are more than my whole life can ever repay. You have forgotten that villain; but he remembers." ~Quasimodo to Esmeralda~

Great edifices, like great mountains, are the work of the ages.

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

إن الحياة التى تخلو من العاطفة ليست غير حركة جافة صارخة ممزقة

إن القلب البشري لا يستطيع أن يحتوي إلا علي كمية محدودة من اليأس ومن ثم ففي وسع البحر أن يمر فوق الإسفنجة دون أن يضيف إلي مائها دمعة واحدة بعد أن تبتل وتمتلئ به

As a convinced atheist, I ought to agree with Voltaire that Judaism is not just one more religion, but in its way the root of religious evil. Without the stern, joyless rabbis and their 613 dour prohibitions, we might have avoided the whole nightmare of the Old Testament, and the brutal, crude wrenching of that into prophecy-derived Christianity, and the later plagiarism and mutation of Judaism and Christianity into the various rival forms of Islam. Much of the time, I do concur with Voltaire, but not without acknowledging that Judaism is dialectical. There is, after all, a specifically Jewish version of the eighteenth-century Enlightenment, with a specifically Jewish name—the Haskalah—for itself. The term derives from the word for 'mind' or 'intellect,' and it is naturally associated with ethics rather than rituals, life rather than prohibitions, and assimilation over 'exile' or 'return.' It's everlastingly linked to the name of the great German teacher Moses Mendelssohn, one of those conspicuous Jewish hunchbacks who so upset and embarrassed Isaiah Berlin. (The other way to upset or embarrass Berlin, I found, was to mention that he himself was a cousin of Menachem Schneerson, the 'messianic' Lubavitcher rebbe.) However, even pre-enlightenment Judaism forces its adherents to study and think, it reluctantly teaches them what others think, and it may even teach them how to think also.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

It is like a skull, which still has holes for eyes, but no longer sight.

if she had not been a gypsy, and if he had not been a priest

I never realized my ugliness till now. When I compared myself with you, I pity myself indeed, poor unhappy monster that I am! I must seem to you like some awful beast, eh? You,-you are a sunbeam, a drop of dew, a bird's song! As for me, I am something frightful, neither man nor beast,- a nondescript object, more hard, shapeless, and more trodden under foot than a pebble!

Notre-Dame de Paris is, in particular, a curious specimen of this variety. Each face, each stone of the venerable monument, is a page not only of the history of the country, but of the history of science and art as well.

in better company, they found among all those hideous carcasses two skeletons, one of which held the other in its embrace. One of these skeletons, which was that of a woman, still had a few strips of a garment which had once been white, and around her neck was to be seen a string of adrezarach beads with a little silk bag ornamented with green glass, which was open and empty. These objects were of so little value that the executioner had probably not cared for them. The other, which held this one in a close embrace, was the skeleton of a man. It was noticed that his spinal column was crooked, his head seated on his shoulder blades, and that one leg was shorter than the other. Moreover, there was no fracture of the vertebrae at the nape of the neck, and it was evident that he had not been hanged. Hence, the man to whom it had belonged had come thither and had died there. When they tried to detach the skeleton which he held in his embrace, he fell to dust.

He baptized his adopted child, and named him Quasimodo, either because he wished to mark in this way the day upon which the child was found, or because he wished to show by this name how imperfect and incomplete the poor little creature was. Indeed, Quasimodo, one eyed, hunchbacked, and knock kneed, was hardly more than half made.

This Sir Alisdair fellow.” Her cheeks blushed crimson. “I’m just saying, he’s likely older than Francine. And less attractive.” “I don’t care! I don’t care if he’s ancient and warty and leprous and hunchbacked. He would still be learned, intelligent. Respected and respectful. He would still be a better man than you. You know it, and you’re envious. You’re being cruel to me to soothe your pride.” She looked him up and down with a contemptuous glare. “And you’re going to catch flies in your mouth, if you don’t shut it.” For once, Colin found himself without words. The best he could do was take her advice and hoist his dropped jaw.

Quasimodo then lifted his eye to look upon the gypsy girl, whose body, suspended from the gibbet, he beheld quivering afar, under its white robes, in the last struggles of death; then again he dropped it upon the archdeacon, stretched a shapeless mass at the foot of the tower, and he said with a sob that heaved his deep breast to the bottom, 'Oh-all that I've ever loved!' The Hunchback of Notre Dame

That's life" said the philosopher each time he was almost laid prostrate, "It's often our best friends who make us fall

But, reverend master, it is not sufficient to pass one's life, one must earn the means for life.

All civilisation begins with a theocracy and ends with a democracy. This law of liberty succeeding unity is written in architecture.

قال : هل تعرفين ما تعنيه الصداقة؟ أجابت الغجرية: نعم, إنها أن نكون أخا وأختا, أن نكون روحين تتجاوران ولكنهما لا تتداخلان, كما تكون إصبعان من أصابع اليد الواحدة.

She talks. People talk easily to me. They think a bald albino hunchback can’t hide anything. My worst is all out in the open. It makes it necessary for people to tell you about themselves. They begin out of simple courtesy. Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their apparent deformities. That’s how it starts. But I am like a stranger on the bus and they get hooked on having a listener. They go too far because I am one listener who is in no position to judge or find fault. They stretch out their dampest secrets because a creature like me has no values or morals. If I am “good" (and they assume that I am), it’s obviously for lack of opportunity to be otherwise. And I listen. I listen eagerly, warmly, because I care. They tell me everything eventually.

Djali trotted along behind them, so overjoyed at seeing Gringoire again that she constantly made him stumble by affectionately putting her horns between his legs. 'That's life,' said the philosopher, each time he narrowly escaped falling flat on his face. 'It's often our best friends who cause our downfall.

Anne of Green Gables was cuddled up next to Huckleberry Finn; The Hunchback of Notre Dame was wedged tightly between Heidi and Little Women; and Nicholas Nickleby leaned in a familiar way against A Girl of the Limberlost. None of the books were in alphabetical order, which made it necessary to cock my head sideways to read each one of the spines. By the end of the third shelf I had begun to realize why librarians are sometimes able to achieve such pinnacles of crankiness: It’s because they’re in agony. If only publishers could be persuaded, I thought, to stamp all book titles horizontally instead of vertically, a great deal of unpleasantness could be avoided all round.

Do you know what friendship is?' he asked. 'Yes,' answered the gipsy; 'it is to be brother and sister, two souls which meet without mingling, two fingers of one hand.' 'And love?' continued Gringoire. 'Oh, love!' said she, and her voice trembled and her eye brightened. 'That is to be two and yet but one. A man and a woman blended into an angel. It is heaven itself.

A minute afterwards he appeared upon the upper platform, still bearing the gipsy [sic] in his arms, still running wildly along, still shouting 'Sanctuary!' and the crowd still applauding. At last he made a third appearance on the summit of the tower of the great bell. From thence he seemed to show exultingly to the whole city the fair creature he had saved; and his thundering voice, that voice which was heard so seldom, and which he never heard at all, thrice repeated with frantic vehemence, even in the very clouds, 'Sactuary! Sanctuary! Sanctuary! The Hunchback of Notre Dame

He was fine; he, that orphan that foundling that outcast; he felt himself august and strong; he looked full in the face that society from which he was banished, and into which he had so powerfully intervened; that human justice from which he had snatched its prey; all those tigers whose jaws perforce remained empty; those myrmidons, those judges, those executioners, all that royal power which he, poor, insignificant being, had foiled with the power of God.

Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.

With a remainder of that brotherly compassion which is never totally absent from the heart of a drinker, Phoebus rolled Jehan with his foot onto one of those poor man's pillows which Providence provides on all the street corners of Paris and which the rich disdainfully refer to as heaps of garbage.

Unable to rid myself of it, since I heard your song humming ever in my head, beheld your feet dancing always on my breviary, felt even at night, in my dreams, your form in contact wih my own, I desired to see you again, to touch you, to know who you were, to see whether I should really find you like the ideal image which I had retained of you, to shatter my dream, perchance with reality. At all events, I hoped that a new impression would efface the first, and the first had become insupportable. I sought you. I saw you once more. Calamity! When I had seen you twice, I wanted to see you a thousand times, I wanted to see you always. Then - how stop myself on that slope of hell? - then I no longer belonged to myself.

And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb--on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost--climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!--for it seems at times, as though the ear also possessed a sight of its own,--behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries.

It would have been difficult to say what was the nature of this look, and whence proceeded the flame that flashed from it. It was a fixed gaze, which was, nevertheless, full of trouble and tumult. And, from the profound immobility of his whole body, barely agitated at intervals by an involuntary shiver, as a tree is moved by the wind; from the stiffness of his elbows, more marble than the balustrade on which they leaned; or the sight of the petrified smile which contracted his face,— one would have said that nothing living was left about Claude Frollo except his eyes.

Usually, the murmur that rises up from Paris by day is the city talking; in the night it is the city breathing; but here it is the city singing. Listen, then, to this chorus of bell-towers - diffuse over the whole the murmur of half a million people - the eternal lament of the river - the endless sighing of the wind - the grave and distant quartet of the four forests placed upon the hills, in the distance, like immense organpipes - extinguish to a half light all in the central chime that would otherwise be too harsh or too shrill; and then say whetehr you know of anything in the world more rich, more joyous, more golden, more dazzling, than this tumult of bells and chimes - this furnace of music - these thousands of brazen voices, all singing together in flutes of stone three hundred feet high, than this city which is but one orchestra - this symphony which roars like a tempest.

In a vast space left free between the crowd and the fire, a young girl was dancing. Whether this young girl was a human being, a fairy, or an angel, is what Gringoire, sceptical philosopher and ironical poet that he was, could not decide at the first moment, so fascinated was he by this dazzling vision. She was not tall, though she seemed so, so boldly did her slender form dart about. She was swarthy of complexion, but one divined that, by day, her skin must possess that beautiful golden tone of the Andalusians and the Roman women. Her little foot, too, was Andalusian, for it was both pinched and at ease in its graceful shoe. She danced, she turned, she whirled rapidly about on an old Persian rug, spread negligently under her feet; and each time that her radiant face passed before you, as she whirled, her great black eyes darted a flash of lightning at you. All around her, all glances were riveted, all mouths open; and, in fact, when she danced thus, to the humming of the Basque tambourine, which her two pure, rounded arms raised above her head, slender, frail and vivacious as a wasp, with her corsage of gold without a fold, her variegated gown puffing out, her bare shoulders, her delicate limbs, which her petticoat revealed at times, her black hair, her eyes of flame, she was a supernatural creature.