Hp Lovecraft Story Quotes

In his house at R'lyeh, dead Cthulu waits dreaming

A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis towards something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural law.

It is new, indeed, for I made it last night in a dream of strange cities; and dreams are older than brooding Tyre, or the contemplative Sphinx, or garden-girdled Babylon.

Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn

The one test of the really weird (story) is simply this--whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.

Science, already oppressive with its shocking revelations, will perhaps be the ultimate exterminator of our human species - if separate species we be - for its reserve of unguessed horrors could never be borne by mortal brains if loossed upon the world.

It is a mistake to fancy that horror is associated inextricably with darkness, silence, and solitude.

The more he withdrew from the world about him, the more wonderful became his dreams; and it would have been quite futile to try to describe them on paper.

Her laughter was like sweet deadly venom.

A mountain walked or stumbled.

It lumbered slobberingly into sight and gropingly squeezed Its gelatinous green immensity through the black doorway into the tainted outside air of that poison city of madness. … The Thing cannot be described—there is no language for such abysms of shrieking and immemorial lunacy, such eldritch contradictions of all matter, force, and cosmic order.

Non è morto ciò che può vivere in eterno, E in strani eoni anche la morte può morire.

The more he withdrew from the world around him, the more wonderful became his dreams.

There are vocal qualities peculiar to men, and vocal qualities peculiar to beasts; and it is terrible to hear the one when the source should yield the other.

For the things in the chair, perfect to the last, subtle detail of microscopic resemblance - or identity - were the face and hands of Henry Wentworth Akeley.

I cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed...

When you can hear a spider walk across the floor, you know it’s time to keep your socks on. Thank God for insecticide.

Wave after wave of cats poured down from the hill as if a vent into a world of cats had been opened,

see, now, that it was wrong for me to curse your particular blood to a diseased eternity of suffering. In an attempt at magnanimity I extend an apology and retract my sanguinary execration.

All the birds had flown away, save only the great, grotesque penguins.

Those Old Ones were gone now, inside the earth and under the sea; but their dead bodies had told their secrets in dreams to the first men, who formed a cult which had never died.

There are so many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and proasic with the poison of life.

While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest.

scientific study and reflection had taught us that the known universe of three dimensions embraces the merest fraction of the whole cosmos of substance and energy.

we are dulled and prosaic with the poison of life.

Was tempted to quote Walden—“Why should I feel lonely? Is not our planet in the Milky Way?”—but refrained. How can I get lonely, I asked, when there’s still so much to read?

It is absurd to say that mathematicians have not discovered the fourth dimension.

the rats inevitably dragged away the whole cadaver through the hole they gnawed in the coffin.

Chronophagos, the Devourer of Time, the Eater of Hours. What man remembereth even the hour of his death if the Chronophagos hath devoured it? —Nicephoros Attaliades, The Testament of Nightmares

Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Prime emphasis should be given to subtle suggestion - imperceptible hints and touches of selective associative detail which express shadings of mood and build up a vague illusion of the strange reality of the unreal. Avoid bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and symbolism.

life, matter, and vitality, as the earth knows such things, are not necessarily constant; and that time and space do not exist as our waking selves comprehend them. Sometimes I believe that this less material life is our truer life, and that our vain presence on the terraqueous globe is itself the secondary or merely virtual phenomenon.

Reasonable readers would have accepted my book about ghouls as a work of fiction, but such readers are rare, and most condemned it as a hoax. Even worse, totally unreasonable readers took it for a scientific treatise.

He had read much of things as they are, and talked with too many people. Well-meaning philosophers had taught him to look into the logical relations of things, and analyse the processes which shaped his thoughts and fancies. Wonder had gone away, and he had forgotten that all life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other.

There is, I reflected tritely, an infinite deal of pathos in the state of an eminent person who has come down in the world.

Despite his Falstaffian appearance he was a hard and ruthless man. His piggish eyes were filled with greed; his fleshy mouth was lustful; his only natural smile was one of avarice.

that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.

The priest was dead. Nevertheless, he sat at table with us as we feasted on cold meats.

The square-paned windows were coated with a thick, dewlike moisture;

Ulrich the Axe, famed for his bloody deeds among Christians and pagans alike.

Then came upon an incredible essay by Lafcadio Hearn, something entitled “Gaki,” detailing the curious Japanese belief that insects are really demons or the ghosts of evil men.

Again there was silence—a silence as of consummated Evil brooding above its unnamable triumph.

Still, it’s a nice, cynical book for those who like atrocity scenes—starving prisoners forced to eat their girlfriends, etc.

this very morning, an hour agone, he has mounted his white ass for the return journey to Vyones.

thirst had driven him into the desert again,

But did it ever occur to you, my friend, that force and matter are merely the barriers to perception imposed by time and space?

You cannot oppose what you cannot see or feel. You cannot oppose the thousand-dimensional. Suppose they should eat their way to us through space!

You drug me, and then ask me to walk! Frank, you’re as unreasonable as an artist.

These little debates are known as “flamewars.

I don’t believe that there is any fourth dimension, and I emphatically do not believe in Tao.

I bade my host adieu and took a train for San Francisco. In less than a month I was in Dunedin;

Ye have done much to bring about the indescribable return. May ye go mad quickly and not be devoured.

They were large, even for the mus decumanus, which sometimes measures fifteen inches in length,

Masson disliked and respected the ferocious little rodents, for he knew the danger that lurked in their flashing, needle-sharp fangs;

My youngest boy went mad. He sits drooling on the porch, trying to play the cat like an accordion. He’s been scratched some.

The harvest is past, the summer is ended, and we are not saved.

All the terror I had dimly felt before rushed upon me actively and vividly, and I knew that I loathed the ancient and abhorrent creature so near me with an infinite intensity.

He used to make shuddering conjectures about the possible actions of a headless physician with the power of reanimating the dead.

The Great Old Ones who lived ages before there were any men, and who came to the young world out of the sky. Those Old Ones were gone now, inside the earth and under the sea.

It had been so long abandoned that the rats scurrying on their errands spared me no more than occasional glances of annoyance.

I said, “I try to open my mail at least once a year, but sometimes I neglect it.

This man bore no resemblance to the bearded, grizzled Akeley of the snapshot; but was a younger and more urban person, fashionably dressed, and wearing only a small, dark moustache.

Then the germ of panic seemed to spread among the seekers. It was one thing to chase the nameless entity, but quite another to find it. Spells might be all right—but suppose they weren’t?

A sickened, sensitive shadow writhing in hands that are not hands, and whirled blindly past ghastly midnights of rotting creation, corpses of dead worlds with sores that were cities, charnel winds that brush the pallid stars and make them flicker low. Beyond the worlds vague ghosts of monstrous things; half-seen columns of unsanctified temples that rest on nameless rocks beneath space and reach up to dizzy vacua above the spheres of light and darkness. And through this revolting graveyard of the universe the muffled, maddening beating of drums, and thin, monotonous whine of blasphemous flutes from inconceivable, unlighted chambers beyond Time; the detestable pounding and piping whereunto dance slowly, awkwardly, and absurdly the gigantic, tenebrous ultimate gods—the blind, voiceless, mindless gargoyles whose soul is Nyarlathotep.

Free of all responsibility or restraint, in the sheer obliviousness of dreams, he had lived like a happy pagan; and now he must go back to the drear existence of a mediaeval monk, beneath the prompting of an obscure sense of duty.

Scrivo in uno stato di tensione insostenibile. Fra poco sarà l'alba e, allora, io non esisterò più. Privo d'ogni mezzo, privo della droga che — sola — mi ha consentito fino ad oggi di sopravvivere ai miei incubi, non mi rimane altro modo per sottrarmi al tormento: mi getterò dall'alta finestra di questa soffitta, nella squallida strada sottostante.

we had allowed ourselves to become distracted on the way to the Crusade, never laid eyes on a Turk, turned to pillage and rapine among the Hungarians and Greeks in order to reach the East…all for the glory of God, of course, until defeated,

several of our company told of ghosts, one, how a man had been slain on the way to the wars, but had not known it, his ghost going on, thinking himself alive, performing deeds of great valor, even returning home in triumph where he bought lands, begot sons, and lived in contentment for many years before discovering one day, by chance, that he was already dead.

Whitman Press will publish three children’s textbooks, based on your creed, for which you’ll deliver manuscripts and artwork. The three books are: 1. Dagon and Jill 2. The Shadow Over Humpty Dumpty 3. A Children’s Necronomicon (with pop-up section)

By the Ram with a Thousand Ewes! By the Tail of Dagon and the Horns of Derceto!” said Azédarac, as he fingered the tiny, pot-bellied vial of vermilion liquid on the table before him. “Something will have to be done with this pestilential Brother Ambrose.

I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve, momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which for ever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis.

There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life.

I s’pose you know—though I can see you’re a Westerner by your talk—what a lot our New England ships used to have to do with queer ports in Africa, Asia, the South Seas, and everywhere else, and what queer kinds of people they sometimes brought back with ’em. You’ve probably heard about the Salem man that came home with a Chinese wife, and maybe you know there’s still a bunch of Fiji Islanders somewhere around Cape Cod.

Sheehan's Pool Room, which adorns one of the lesser alleys in the heart of Chicago's stockyard district, is not a nice place. Its air, freighted with a thousand odours such as Coleridge may have found at Cologne, too seldom knows the purifying rays of the sun; but fights for space with the acrid fumes of unnumbered cheap cigars and cigarettes which dangle from the coarse lips of unnumbered human animals that haunt the place day and night.

Looking desultorily about, his attention had been drawn by a dull glimmering on one of the tables; and he had extricated the queer orblike stone from its shadowy, crowded position between an ugly little Aztec idol, the fossil egg of a dinornis, and an obscene fetish of black wood from the Niger.

rude cross lay flat upon the barren earth and on it was bound a man—half-naked, wild of aspect with his corded limbs, glaring eyes and shock of tangled hair. His executioners were Roman soldiers, and with heavy hammers they prepared to pin the victim’s hands and feet to the wood with iron spikes.

At the present time he was a man of perhaps forty-five years of age, short and heavy-set, with a bullet-shaped head that rested on broad, ape-like shoulders. His thick torso and bulging paunch were supported by a pair of spindly legs that contrasted oddly with the upper portions of his beefy body.

It was morning when I saw it, but shadow lurked always there. The trees grew too thickly, and their trunks were too big for any healthy New England wood. There was too much silence in the dim alleys between them, and the floor was too soft with the dank moss and mattings of infinite years of decay.

Lovecraft says he knows about tentacles but that motherfucker never bedded a girl from West Chester and survived She was a toothache that one and she tasted like crack the best thing about her was if I was ever hungry I could always make a meal out of whatever was making rest at the corners of her mouth I can't remember her name as is the case with most of them then again I can't remember how many donuts I ate this morning or how many beers I'll drink tonight, tomorrow

As to what the things were—explanations naturally varied. The common name applied to them was “those ones,” or “the old ones,” though other terms had a local and transient use. Perhaps the bulk of the Puritan settlers set them down bluntly as familiars of the devil, and made them a basis of awed theological speculation.

Nahum did not send her to the county asylum, but let her wander about the house as long as she was harmless to herself and others. Even when her expression changed he did nothing. But when the boys grew afraid of her, and Thaddeus nearly fainted at the way she made faces at him, he decided to keep her locked in the attic.

So talked a while with Sarr about his cats—the usual subject of conversation, especially because, now that summer’s coming, they’re bringing in dead things every night. Field mice, moles, shrews, birds, even a little garter snake. They don’t eat them, just lay them out on the porch for the Poroths to see—sort of an offering, I guess.

I read odd books and entertained odd ideas (however furtively), largely ignored by my family; and at that age I was looking hard for someone to follow, a mentor of any sort, who would take me under his wing and recognize my special talents (assuming that I had any) and tell me the secret of how everything worked, so I could avoid pain. And there you were.

Το μεγαλύτερο ευτύχημα στον κόσμο είναι η αδυναμία του μυαλού να συσχετίσει όλα τα περιεχόμενά του.

I sometimes write stories." "I sometimes read them." "Thank you." "Stories in general—not yours.

Udolpho—too

L’emozione più antica e più forte dell’uomo è la paura, e la paura più antica e più forte è quella dell’ignoto.

We may guess that in dreams life, matter, and vitality, as the earth knows such things, are not necessarily constant; and that time and space do not exist as our waking selves comprehend them. Sometimes I believe that this less material life is our truer life, and that our vain presence on the terraqueous globe is itself the secondary or merely virtual phenomenon.

I do not recall distinctly when it began, but it was months ago. The general tension was horrible. To a season of political and social upheaval was added a strange and brooding apprehension of hideous physical danger; a danger widespread and all-embracing, such a danger as may be imagined only in the most terrible phantasms of the night. I recall that the people went about with pale and worried faces, and whispered warnings and prophecies which no one dared consciously repeat or acknowledge to himself that he had heard. A sense of monstrous guilt was upon the land, and out of the abysses between the stars swept chill currents that made men shiver in dark and lonely places. There was a daemoniac alteration in the sequence of the seasons—the autumn heat lingered fearsomely, and everyone felt that the world and perhaps the universe had passed from the control of known gods or forces to that of gods or forces which were unknown.

Transferring in haste, I felt a curious breathlessness as the cars rumbled on through the early afternoon sunlight into territories I had always read of but had never before visited. I knew I was entering an altogether older-fashioned and more primitive New England than the mechanised, urbanised coastal and southern areas where all my life had been spent; an unspoiled, ancestral New England without the foreigners and factory-smoke, billboards and concrete roads, of the sections which modernity has touched. There would be odd survivals of that continuous native life whose deep roots make it the one authentic outgrowth of the landscape—-the continuous native life which keeps alive strange ancient memories, and fertilises the soil for shadowy, marvellous, and seldom-mentioned beliefs.

Il a dû être piégé par le naufrage alors qu'il se trouvait dans sa noire citadelle, sinon, à l'heure qu'il est, le monde entier hurlerait de terreur. Qui peut prévoir la fin ? Ce qui a surgi peut disparaître, et ce qui a sombré peut surgir à nouveau. L'abjection attend son heure en rêvant au fond de la mer, et la mort plane sur les cités chancelantes des hommes. Un jour viendra - mais non, je ne dois ni ne puis y penser !

Stars are aligning. Must quickly say the Black Mass and make the Voorish Sign. My youngest boy went mad. He sits drooling on the porch, trying to play the cat like an accordion. He’s been scratched some. Yer Servant, Ezra Whateley

When the last days were upon me, and the ugly trifles of existence began to drive me to madness like the small drops of water that torturers let fall ceaselessly upon one spot of their victims body, I loved the irradiate refuge of sleep. In my dreams I found a little of the beauty I had vainly sought in life, and wandered through old gardens and enchanted woods. Once when the wind was soft and scented I heard the south calling, and sailed endlessly and languorously under strange stars.

some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.3

Besides, he added, my constant talk about “unnamable” and “unmentionable” things was a very puerile device, quite in keeping with my lowly standing as an author. I was too fond of ending my stories with sights or sounds which paralysed my heroes’ faculties and left them without courage, words, or associations to tell what they had experienced.

There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy. Kuranes

Popular authors do not and apparently cannot appreciate the fact that true art is obtainable only by rejecting normality and conventionality in toto, and approaching a theme purged utterly of any usual or preconceived point of view. Wild and “different” as they may consider their quasi-weird products, it remains a fact that the bizarrerie is on the surface alone; and that basically they reiterate the same old conventional values and motives and perspectives. Good and evil, teleological illusion, sugary sentiment, anthropocentric psychology—the usual superficial stock in trade, and all shot through with the eternal and inescapable commonplace…. Who ever wrote a story from the point of view that man is a blemish on the cosmos, who ought to be eradicated? As an example—a young man I know lately told me that he means to write a story about a scientist who wishes to dominate the earth, and who to accomplish his ends trains and overdevelops germs … and leads armies of them in the manner of the Egyptian plagues. I told him that although this theme has promise, it is made utterly commonplace by assigning the scientist a normal motive. There is nothing outré about wanting to conquer the earth; Alexander, Napoleon, and Wilhelm II wanted to do that. Instead, I told my friend, he should conceive a man with a morbid, frantic, shuddering hatred of the life-principle itself, who wishes to extirpate from the planet every trace of biological organism, animal and vegetable alike, including himself. That would be tolerably original. But after all, originality lies with the author. One can’t write a weird story of real power without perfect psychological detachment from the human scene, and a magic prism of imagination which suffuses theme and style alike with that grotesquerie and disquieting distortion characteristic of morbid vision. Only a cynic can create horror—for behind every masterpiece of the sort must reside a driving demonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.

All descended lines of beings of the finite dimensions, continued the waves, and all stages of growth in each one of these beings, are merely manifestations of one archetypal and eternal being in the space outside dimensions. Each local being—son, father, grandfather, and so on—and each stage of individual being—infant, child, boy, young man, old man—is merely one of the infinite phases of that same archetypal and eternal being, caused by a variation in the angle of the consciousness-plane which cuts it. Randolph Carter at all ages; Randolph Carter and all his ancestors both human and pre-human, terrestrial and pre-terrestrial; all these were only phases of one ultimate, eternal “Carter” outside space and time—phantom projections differentiated only by the angle at which the plane of consciousness happened to cut the eternal archetype in each case.

About the only law that I think relates to the genre is that you should not try to explain, to find neat explanations for what happens, and that the object of the thing is to produce a sense of the uncanny. Freud in his essay on the uncanny wrote that the sense of the uncanny is the only emotion which is more powerfully expressed in art than in life, which I found very illuminating; it didn’t help writing the screen-play, but I think it’s an interesting insight into the genre. And I read an essay by the great master H.P. Lovecraft where he said that you should never attempt to explain what happens, as long as what happens stimulates people’s imagination, their sense of the uncanny, their sense of anxiety and fear. And as long as it doesn’t, within itself, have any obvious inner contradictions, it is just a matter of, as it were, building on the imagination (imaginary ideas, surprises, etc.), working in this area of feeling. I think also that the ingeniousness of a story like this is something which the audience ultimately enjoys; they obviously wonder as the story goes on what’s going to happen, and there’s a great satisfaction when it’s all over not having been able to have anticipated the major development of the story, and yet at the end not to feel that you have been fooled or swindled.

Gorgons and Hydras, and Chimaeras—dire stories of Celaeno and the Harpies—may reproduce themselves in the brain of superstition—but they were there before. They are transcripts, types—the archetypes are in us, and eternal. How else should the recital of that which we know in a waking sense to be false come to affect us at all? Is it that we naturally conceive terror from such objects, considered in their capacity of being able to inflict upon us bodily injury? O, least of all! These terrors are of older standing. They date beyond body—or without the body, they would have been the same… That the kind of fear here treated is purely spiritual—that it is strong in proportion as it is objectless on earth, that it predominates in the period of our sinless infancy—are difficulties the solution of which might afford some probable insight into our ante-mundane condition, and a peep at least into the shadowland of pre-existence.

Gorgons, and Hydras, and Chimaeras—dire stories of Celaeno and the Harpies—may reproduce themselves in the brain of superstition—but they were there before. They are transcripts, types—the archetypes are in us, and eternal. How else should the recital of that which we know in a waking sense to be false come to affect us at all? Is it that we naturally conceive terror from such objects, considered in their capacity of being able to inflict upon us bodily injury? O, least of all! These terrors are of older standing. They date beyond body—or without the body, they would have been the same… That the kind of fear here treated is purely spiritual—that it is strong in proportion as it is objectless on earth, that it predominates in the period of our sinless infancy—are difficulties the solution of which might afford some probable insight into our ante-mundane condition, and a peep at least into the shadowland of pre-existence.” —Charles Lamb: “Witches and Other Night-Fears” * * * * * Written: August 1928 First Published in Weird Tales, Vol. 13, No. 4 (April 1929), Pages 481-508