Hp Lovecraft Best Quotes

It is good to be a cynic — it is better to be a contented cat — and it is best not to exist at all.

Creative minds are uneven, and the best of fabrics have their dull spots.

Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.

Fear best lends itself to the creation of Nature-defying illusions.

Wise men told him his simple fancies were inane and childish, and even more absurd because their actors persist in fancying them full of meaning and purpose as the blind cosmos grinds aimlessly on from nothing to something and from something back to nothing again, neither heeding nor knowing the wishes or existence of the minds that flicker for a second now and then in the darkness.

It is good to be a cynic--it is better to be a contented cat--and it is best not to exist at all. Universal suicide is the most logical thing in the world--we reject it only because of our primitive cowardice and childish fear of the dark. If we were sensible we would seek death--the same blissful blank which we enjoyed before we existed.

There is nothing to suggest a trangression of the universal laws of egotism and malice. It is ridiculous to imagine that at the edge of the cosmos, other well-intentioned and wise beings await to guide us toward some sort of harmony. In order to imagine how they might treat us were we to come into contact with them, it might be best to recall how we treat "inferior intelligences" such as rabbits and frogs. In the best cases they serve as food for us, sometimes also, often in fact, we kill them for the sheer pleasure of killing. Thus, [Author: Lovecraft] warned, would be the true picture of our future relationship to those other intelligent beings. Perhaps some of the more beautiful human species would be honored and would end up on a dissection table - that's all.

Providence—that universal haven of the odd, the free, and the dissenting

I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve, momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which for ever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis.

Lovecraft says he knows about tentacles but that motherfucker never bedded a girl from West Chester and survived She was a toothache that one and she tasted like crack the best thing about her was if I was ever hungry I could always make a meal out of whatever was making rest at the corners of her mouth I can't remember her name as is the case with most of them then again I can't remember how many donuts I ate this morning or how many beers I'll drink tonight, tomorrow

With Eyes Like Charles Manson, a life similar to H.P Lovecraft, and lyrics like Edgar Allan Poe, Kurt Cobain was the master of horror in music.

the growing boy whose own mother inculcated a belief in his “ugliness”;

It is true that I have sent six bullets through the head of my best friend, and yet I hope to shew by this statement that I am not his murderer.

fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions. Horror

simianvisaged

I should not hope to convey in mere words the unutterable hideousness that can dwell in absolute silence and barren immensity.

Of such great powers or beings there may be conceivably a survival... a survival of a hugely remote period when... consciousness was manifested, perhaps, in shapes and forms long since withdrawn before the tide of advancing humanity... forms of which poetry and legend alone have caught a flying memory and called them gods, monsters, mythical beings of all sorts and kinds... - Algernon Blackwood

He was shown the smallness and tinsel emptiness of the little Earth gods, with their petty, human interests and connections - their hatreds, rages, loves and vanities; their craving for praise and sacrifice, and their demands for faiths contrary to reason and nature.

As human beings, our only sensible scale of values is one based on the lessening of the agony of existence. That plan is most deserving of praise which most ably fosters the creation of the objects and con­ditions best adapted to diminish the pain of living for those most sen­sitive to its depressing ravages.

Erroneous plurals of nouns, as vallies or echos. Barbarous compound nouns, as viewpoint or upkeep. Want of correspondence in number between noun and verb where the two are widely separated or the construction involved. Ambiguous use of pronouns. Erroneous case of pronouns, as whom for who, and vice versa, or phrases like “between you and I,” or “Let we who are loyal, act promptly.” Erroneous use of shall and will, and of other auxiliary verbs. Use of intransitive for transitive verbs, as “he was graduated from college,” or vice versa, as “he ingratiated with the tyrant.” Use of nouns for verbs, as “he motored to Boston,” or “he voiced a protest.” Errors in moods and tenses of verbs, as “If I was he, I should do otherwise,” or “He said the earth was round.” The split infinitive, as “to calmly glide.” The erroneous perfect infinitive, as “Last week I expected to have met you.” False verb-forms, as “I pled with him.” Use of like for as, as “I strive to write like Pope wrote.” Misuse of prepositions, as “The gift was bestowed to an unworthy object,” or “The gold was divided between the five men.” The superfluous conjunction, as “I wish for you to do this.” Use of words in wrong senses, as “The book greatly intrigued me,” “Leave me take this,” “He was obsessed with the idea,” or “He is a meticulous writer.” Erroneous use of non-Anglicised foreign forms, as “a strange phenomena,” or “two stratas of clouds.” Use of false or unauthorized words, as burglarize or supremest. Errors of taste, including vulgarisms, pompousness, repetition, vagueness, ambiguousness, colloquialism, bathos, bombast, pleonasm, tautology, harshness, mixed metaphor, and every sort of rhetorical awkwardness. Errors of spelling and punctuation, and confusion of forms such as that which leads many to place an apostrophe in the possessive pronoun its. Of all blunders, there is hardly one which might not be avoided through diligent study of simple textbooks on grammar and rhetoric, intelligent perusal of the best authors, and care and forethought in composition. Almost no excuse exists for their persistent occurrence, since the sources of correction are so numerous and so available.

Choosing what to present as the best of Lovecraft’s work is a challenging task, in no small part because of the variety of his fiction. I immediately eliminated two of his very best works, The Case of Charles Dexter Ward and At the Mountains of Madness, by reason of length. Among his shorter fiction, I chose those stories that seemed most original and influential and have presented them in the probable order in which they were written.5 These are my personal selections—you can form your own conclusions about me from those choices—and inevitably some readers will complain that their favorites were omitted. To them I commend my New Annotated H. P. Lovecraft volumes, which include fifty-seven stories.