“
I don't know how much longer I can keep going without a friend. I used to be able to do it very easily, but that was before I knew what having a friend was like.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
How about a kiss, Saumensch?"
He stood waist-deep in the water for a few moments longer before climbing out and handing her the book. His pants clung to him, and he did not stop walking. In truth, I think he was afraid. Rudy Steiner was scared of the book thief's kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them.
”
”
Markus Zusak (The Book Thief)
“
What to do if you find yourself stuck in a crack in the ground underneath a giant boulder you can't move, with no hope of rescue. Consider how lucky you are that life has been good to you so far. Alternatively, if life hasn't been good to you so far, which given your current circumstances seems more likely, consider how lucky you are that it won't be troubling you much longer.
”
”
Douglas Adams (The Original Hitchhiker Radio Scripts)
“
You'd be surprised how many people in the modern age no longer fear zombies as much as teletubies.
”
”
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
“
All adults have days when we feel completely drained. When we no longer know quite what we spend so much time fighting for, when reality and everyday worries overwhelm us and we wonder how much longer we’re going to be able to carry on. The wonderful thing is that we can all live through far more days like that without breaking than we think. The terrible thing is that we never know exactly how many.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
As long as I can make them laugh, it doesn’t matter how, I’ll be alright. If I succeed in that, the human beings probably won’t mind it too much if I remain outside their lives. The one thing I must avoid is becoming offensive in their eyes: I shall be nothing, the wind, the sky.
”
”
Osamu Dazai (No Longer Human)
“
For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
”
”
Hermann Hesse (Bäume: Betrachtungen und Gedichte)
“
Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through is now like something from the distant past. We’re so caught up in our everyday lives that events of the past are no longer in orbit around our minds. There are just too many things we have to think about everyday, too many new things we have to learn. But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.
”
”
Haruki Murakami (Kafka on the Shore)
“
It is curious how sometimes the memory of death lives on for so much longer than the memory of the life that is purloined.
”
”
Arundhati Roy (The God of Small Things)
“
I meant it when I said I didn’t believe in love at first sight. It takes time to really, truly fall for someone. Yet I believe in a moment. A moment when you glimpse the truth within someone, and they glimpse the truth within you. In that moment, you don’t belong to yourself any longer, not completely. Part of you belongs to him; part of him belongs to you. After that, you can’t take it back, no matter how much you want to, no matter how hard you try.
”
”
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
“
How much longer is the world willing to endure this spectacle of wanton cruelty?
”
”
Bertrand Russell
“
To get what you want, you have to know exactly how much you are willing to give up.
Never had he wanted something this badly, and held it in his hands knowing that tomorrow it would be gone, traded for the high cliffs of Ios, and the uncertain future across the border, the chance to stand before his brother, to ask him for all the answers that no longer seemed important. A kingdom, or this.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
”
”
Pablo Neruda
“
I can no longer condemn or hate a brother for whom I pray, no matter how much trouble he causes me.
”
”
Dietrich Bonhoeffer (Life Together: The Classic Exploration of Christian Community)
“
Yet how many times have I already been pieced back together? How much longer can all these stitches hold? In the end, will there even be pieces left of me?
”
”
Pierce Brown (Golden Son (Red Rising Saga, #2))
“
I forewarn you, this will be a rather long talk. I am an old man. I do not know how much longer I will live, and so I want to say what I have to say, while I have the strength to say it. ...Having been warned, some of you will wish to get comfortable. Pleasant dreams.
”
”
Gordon B. Hinckley
“
Within his orbit, I was nothing but a flat noodle. And I don't know how much longer I can keep this up.
”
”
Dee Lestari (Rectoverso)
“
How much longer are we going to do this? We have to talk about what happened."
With a harsh laugh, he'd turned to me. "It's very simple. I want you, you want another, and I'm owed a wife.
”
”
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
“
How much longer will I live? (Urian)
You’re immortal, barring death. (Acheron)
That doesn’t make sense. (Urian)
Most of life doesn’t. (Acheron)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
As I began to love myself I found that anguish and emotional suffering are only warning signs that I was living against my own truth. Today, I know, this is “AUTHENTICITY”.
As I began to love myself I understood how much it can offend somebody if I try to force my desires on this person, even though I knew the time was not right and the person was not ready for it, and even though this person was me. Today I call it “RESPECT”.
As I began to love myself I stopped craving for a different life, and I could see that everything that surrounded me was inviting me to grow. Today I call it “MATURITY”.
As I began to love myself I understood that at any circumstance, I am in the right place at the right time, and everything happens at the exactly right moment. So I could be calm. Today I call it “SELF-CONFIDENCE”.
As I began to love myself I quit stealing my own time, and I stopped designing huge projects for the future. Today, I only do what brings me joy and happiness, things I love to do and that make my heart cheer, and I do them in my own way and in my own rhythm. Today I call it “SIMPLICITY”.
As I began to love myself I freed myself of anything that is no good for my health – food, people, things, situations, and everything that drew me down and away from myself. At first I called this attitude a healthy egoism. Today I know it is “LOVE OF ONESELF”.
As I began to love myself I quit trying to always be right, and ever since I was wrong less of the time. Today I discovered that is “MODESTY”.
As I began to love myself I refused to go on living in the past and worrying about the future. Now, I only live for the moment, where everything is happening. Today I live each day, day by day, and I call it “FULFILLMENT”.
As I began to love myself I recognized that my mind can disturb me and it can make me sick. But as I connected it to my heart, my mind became a valuable ally. Today I call this connection “WISDOM OF THE HEART”.
We no longer need to fear arguments, confrontations or any kind of problems with ourselves or others. Even stars collide, and out of their crashing new worlds are born. Today I know “THAT IS LIFE”!
”
”
Charlie Chaplin
“
This isn't over. I won't give up on you."
"I've given up on you," he said back, voice also soft. "Love fades. Mine has."
I stared at him in disbelief. All this time, he'd never phrased it like that. His protests had always been about some greater good, about the remorse he felt over being a monster of how it had scarred him from love. I've given up on you. Love fades. Mine has.
I backed up, the sting of those words hitting me as hard as if he'd slapped me. Something shifted in his features, like maybe he knew how much he'd hurt me. I didn't stick around to see. Instead, I pushed my way out of the aisle and ran out the doors in the back, afraid that if I stayed any longer, everyone in the church would see me cry.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I no longer think she's just being nice. She's being kind. Which is much more a sign of character than mere niceness. Kindness connects to who you are, while niceness connects to how you want to be seen.
”
”
David Levithan (Every Day (Every Day, #1))
“
All these soft, warm nights going to waste when I ought to be lying in your arms under the moon - the dearest arms in all the world - darling arms that I love to feel around me - How much longer - before they’ll be there to stay? When I do get home again, you’ll certainly have a most awful time ever moving me one inch from you.
”
”
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
“
We’re so caught up in our everyday lives that events of the past, like ancient stars that have burned out, are no longer in orbit around our minds. There are just too many things we have to think about every day, too many new things we have to learn. New styles, new information, new technology, new terminology … But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.
”
”
Haruki Murakami (Kafka on the Shore)
“
We spoke of how to say good-bye,” Jem said. “When Jonathan bid farewell to David, he said, ‘Go in peace, for as much as we have sworn, both of us, saying the Lord be between me and thee, forever.’ They did not see each other again, but they did not forget. So it will be with us. When I am Brother Zachariah, when I no longer see the world with my human eyes, I will still be in some part the Jem you knew, and I will see you with the eyes of my heart.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Mosquito [...] had asked Ear to marry him, whereupon Ear fell on the floor in uncontrollable laughter. "How much longer do you think you will live?" she asked. "You are already a skeleton." Mosquito went away humiliated, and any time he passed her way he told Ear that he was still alive.
”
”
Chinua Achebe (Things Fall Apart (The African Trilogy, #1))
“
You must have had such a great childhood with a man like that for your father. (Delphine)
Yeah. All puppy dogs and rainbows and those weird furry people with padded coat hangers on their heads that look like space aliens on acid. (Jericho)
You mean the Teletubbies? (Berith)
The fact that you know what they're called, Berith, truly scares me. (Jericho)
As a demon of torture, it behooves me to know all things that are deeply annoying. You'd be amazed how many people in the modern age no longer fear zombies as much as Teletubbies. (Berith)
Not really. I'd rather battle a brain-eating zombie any day than hear them sing. (Jericho)
”
”
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
“
This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place
...
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.
And then the nightmares will begin.
”
”
Mark Z. Danielewski (House of Leaves)
“
Clary, what am I going to do? My mom keeps bringing me food and I have to throw it out the window-I haven’t been outside in two days, but I don’t know how much longer I can go on pretending I have the flu. Eventually she‘s going to bring me to the doctor, and then what? I don’t have a heartbeat. he‘ll tell her that I‘m dead.”
“Or write you up as a medical miracle,” said Clary.
-Simon and Clary, pg.216-
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
It just took some people a little longer than others to realize how few words they needed to get by, how much of life they could negotiate in silence.
”
”
Tom Perrotta (The Leftovers)
“
You think I don’t know pain?” Puck shook his head at me. “Or loss? I’ve been around a lot longer than you, prince! I know what love is, and I’ve lost
my fair share, too. Just because we have a different way of handling it, doesn’t mean I don’t have scars of my own.”
“Name one,” I scoffed. “Give me one instance where you haven’t—”
“Meghan Chase!” Puck roared, startling me into silence. I blinked, and he sneered at me. “Yeah, your highness. I know what loss is. I’ve loved that
girl since before she knew me. But I waited. I waited because I didn’t want to lie about who I was. I wanted her to know the truth before anything else.
So I waited, and I did my job. For years, I protected her, biding my time, until the day she went into the Nevernever after her brother. And then you
came along. And I saw how she looked at you. And for the first time, I wanted to kill you as much as you wanted to kill me.
”
”
Julie Kagawa
“
It is curious how sometimes the memory of death lives on for so much longer than the memory of the life that it purloined. Over the years, as the memory of Sophie Mol ... slowly faded, the Loss of Sophie Mol grew robust and alive. It was always there. Like a fruit in season. Every season. As permanent as a government job.
”
”
Arundhati Roy (The God of Small Things)
“
it's weird how much people change. for example, when i was a kid i loved all of these things..and over time all of them just fell away, one after another, replaced by friends and IMing and cell phones and boys and clothes. it's kind of sad, if you think about it. like there's no continuity in people at all. like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult," and after that you're a totally different person. maybe even a less happy person. maybe even a worse one.
”
”
Lauren Oliver (Before I Fall)
“
How much longer on the divan? Why does sex have to mean everything? OK, it can mean something, but why everything? Why do thirty years have to go down the toilet because I wanted to touch somebody else? Am I missing something? Is this what it comes down to? Why does the sex have to mean everything?
”
”
Zadie Smith (On Beauty)
“
We've forgotten much. How to struggle, how to rise to dizzy heights and sink to unparalleled depths. We no longer aspire to anything. Even the finer shades of despair are lost to us. We've ceased to be runners. We plod from structure to conveyance to employment and back again. We live within the boundaries that science has determined for us. The measuring stick is short and sweet. The full gamut of life is a brief, shadowy continuum that runs from gray to more gray. The rainbow is bleached. We hardly know how to doubt anymore. (“The Thing”)
”
”
Richard Matheson (Collected Stories, Vol. 1)
“
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
”
”
Alan Moore (V for Vendetta)
“
I am much better at saying how I feel when I no longer feel it.
”
”
Jeanette Winterson (Gut Symmetries)
“
It’s weird how much people change...
It’s kind of sad, if you think about it. Like there’s no continuity in people at all. Like something ruptures when you hit twelve, or thirteen, or whatever the age is when you’re no longer a kid but a “young adult,” and after that you’re a totally different person. Maybe even a less happy person. Maybe even a worse one.
”
”
Lauren Oliver (Before I Fall)
“
I love you, Ivy. I'll never stop loving you."
She leaned against the winsow, looking out on a pale and glittering night. She looked through tears.
I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you, Ivy, and you were meant for someone else."
She stood up straight. "No."
Yes, love," he said, softly but firmly.
No!"
Promise me, Ivy-"
I'll promise you nothing but that I love you," she cried.
Listen to me," Tristan pleaded. "You know I can't stay any longer."
The pale, glittering night was raining now, and fresh tears gleamed on her cheeks, but he had to leave.
I love you," he said. "I love you. Love him.
- Tristan Carruthers -
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
A Christian fellowship lives and exists by the intercession of its members for one another, or it collapses. I can no longer condemn or hate a brother for whom I pray, no matter how much trouble he causes me. His face, that hitherto may have been strange and intolerable to me, is transformed in intercession into the countenance of a brother for whom Christ died, the face of a forgiven sinner.
”
”
Dietrich Bonhoeffer (Life Together: The Classic Exploration of Christian Community)
“
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
”
”
Paulo Coelho
“
In truth, nothing was the same. She forgot about the stars… and taking notice of the sea. She was no longer filled with all the curiosities of the world and didn’t take much notice of anything… other than how heavy… and awkward the bottle had become.
”
”
Oliver Jeffers (The Heart and the Bottle)
“
Capitalist realism insists on treating mental health as if it were a natural fact, like weather (but, then again, weather is no longer a natural fact so much as a political-economic effect). In the 1960s and 1970s, radical theory and politics (Laing, Foucault, Deleuze and Guattari, etc.) coalesced around extreme mental conditions such as schizophrenia, arguing, for instance, that madness was not a natural, but a political, category. But what is needed now is a politicization of much more common disorders. Indeed, it is their very commonness which is the issue: in Britain, depression is now the condition that is most treated by the NHS. In his book The Selfish Capitalist, Oliver James has convincingly posited a correlation between rising rates of mental distress and the neoliberal mode of capitalism practiced in countries like Britain, the USA and Australia. In line with James’s claims, I want to argue that it is necessary to reframe the growing problem of stress (and distress) in capitalist societies. Instead of treating it as incumbent on individuals to resolve their own psychological distress, instead, that is, of accepting the vast privatization of stress that has taken place over the last thirty years, we need to ask: how has it become acceptable that so many people, and especially so many young people, are ill?
”
”
Mark Fisher (Capitalist Realism: Is There No Alternative?)
“
I can wait in silence no longer, but I’m afraid I’m already too late. I am trapped between agony and hope—believing I have no right to speak, but knowing more how much I’d regret it if I did not. Tell me I’m not wrong. Tell me that, this time, you will accept my offer. Because I’m making it again. I want you with me, Elliot. It’s all I have ever wanted. I offer you everything I have—my world, my ship, my self—perhaps they will be enough to replace what I know you would be giving up if you came with me.
”
”
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
“
As long as I can make them laugh, it doesn’t matter how, I’ll be all right. If I succeed in that, the human beings probably won’t mind it too much I remain outside their lives.
”
”
Osamu Dazai (No Longer Human)
“
If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.
They're right. It does.
However much you beg it to stop.
It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.
It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life...
All trying not to think about what's waiting at the bottom.
Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.
Intoxicated by the motion we forget all the risks.
And then the world turns...
And somebody falls off...
And oh God it's such a long way down.
Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller...
Receding in our memories until they're no longer visible.
We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.
Trying to measure how far we have to fall.
No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives...
Wrapping ourselves in comforting banalities to keep us warm against the cold.
"Time's a great healer."
"At least it was quick."
"The world keeps turning."
Oh Alec—
Alec's dead.
”
”
Alan Moore (Swamp Thing, Vol. 5: Earth to Earth)
“
It's amazing how much the human brain is able to remember, how much you hold onto in life, but when you write something down, you can forget about it—you no longer have to hold it inside. Remember the good things; write the bad ones down in here and forget about them.
”
”
Kanae Minato (Confessions)
“
I'm supposed to be a christian, but most days I don't feel like I can even presume to say that about myself any longer. I have a lot of mad left over. When I can't sleep, I think about the other people who didn't care how much pain and trouble they caused me. And I think about how good I'd feel if they died.
”
”
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
“
America is not going to be destroyed " he shouted passionately.
"Never?" prodded the old man softly. "Well..." Nately faltered.
The old man laughed indulgently, holding in check a deeper, more explosive delight. His goading remained gentle. "Rome was destroyed, Greece was destroyed, Persia was destroyed, Spain was destroyed. All great countries are destroyed. Why not yours? How much longer do you really think your own country will last? Forever? Keep in mind that the earth itself is destined to be destroyed by the sun in twenty-five million years or so."
Nately squirmed uncomfortably. "Well, forever is a long time, I guess.
”
”
Joseph Heller
“
She felt detached from her family, and thought it strange how they had lavished so much attention on her, as a child, and then at some appointed, prearranged time they seemed to stop the flow of affection and being the expectations - as if, for a brief phrase, you were expected to absorb love (and get enough), and then, for a much longer and more serious phase, you were expected to fulfill certain obligations.
”
”
John Irving (The World According to Garp)
“
Before he dies, all his experiences in these long years gather themselves in his head to one point, a ques-tion he has not yet asked the doorkeeper. He waves him nearer, since he can no longer raise his stiffening body. The doorkeeper has to bend low towards him, for the difference in height between them has altered much to the man's disadvantage. "What do you want to know now?" asks the doorkeeper; "you are insati-able." "Everyone strives to reach the Law," says the man, "so how does it happen that for all these many years no one but myself has ever begged for admit-tance?" The doorkeeper recognizes that the man has reached his end, and to let his failing senses catch the words roars in his ear: "No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it.
”
”
Franz Kafka (The Trial)
“
Get used to being spoiled. Not too much longer now. You know how much I love you because I’m handing over my balls momentarily to type the next song title, but fuck if it’s not true –Halo, Beyonce. Whew. Balls back in place now. And hey, there’s a lot of dressed up women down here, how will I know which one is you?
”
”
K. Bromberg (Crashed (Driven, #3))
“
Possibilities
I prefer movies.
I prefer cats.
I prefer the oaks along the Warta.
I prefer Dickens to Dostoyevsky.
I prefer myself liking people
to myself loving mankind.
I prefer keeping a needle and thread on hand, just in case.
I prefer the color green.
I prefer not to maintain
that reason is to blame for everything.
I prefer exceptions.
I prefer to leave early.
I prefer talking to doctors about something else.
I prefer the old fine-lined illustrations.
I prefer the absurdity of writing poems
to the absurdity of not writing poems.
I prefer, where love's concerned, nonspecific anniversaries
that can be celebrated every day.
I prefer moralists
who promise me nothing.
I prefer cunning kindness to the over-trustful kind.
I prefer the earth in civvies.
I prefer conquered to conquering countries.
I prefer having some reservations.
I prefer the hell of chaos to the hell of order.
I prefer Grimms' fairy tales to the newspapers' front pages.
I prefer leaves without flowers to flowers without leaves.
I prefer dogs with uncropped tails.
I prefer light eyes, since mine are dark.
I prefer desk drawers.
I prefer many things that I haven't mentioned here
to many things I've also left unsaid.
I prefer zeroes on the loose
to those lined up behind a cipher.
I prefer the time of insects to the time of stars.
I prefer to knock on wood.
I prefer not to ask how much longer and when.
I prefer keeping in mind even the possibility
that existence has its own reason for being.
”
”
Wisława Szymborska
“
Mountains should be climbed with as little effort as possible and without desire. The reality of your own nature should determine the speed. If you become restless, speed up. If you become winded, slow down. You climb the mountain in an equilibrium between restlessness and exhaustion. Then, when you’re no longer thinking ahead, each footstep isn’t just a means to an end but a unique event in itself. This leaf has jagged edges. This rock looks loose. From this place the snow is less visible, even though closer. These are things you should notice anyway. To live only for some future goal is shallow. It’s the sides of the mountain which sustain life, not the top. Here’s where things grow.
But of course, without the top you can’t have any sides. It’s the top that defines the sides. So on we go—we have a long way—no hurry—just one step after the next—with a little Chautauqua for entertainment -- .Mental reflection is so much more interesting than TV it’s a shame more people don’t switch over to it. They probably think what they hear is unimportant but it never is.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
“
The Premise of Glucose Control Eating©
You control the amount of glucose you put into your bloodstream. Put in less glucose, your body will produce less insulin, and you will lose weight. Put in more glucose, your body will produce more insulin, and you will gain weight. That brings us to the premise of this book.
Control your glucose, and you control your weight.
How do you control your glucose and your weight?
How can you know which foods create lots of glucose and weight gain and which create less glucose and weight loss?
In the book, Glucose Control Eating©, I will not only tell you, but I will also show you, based on over 85,000 blood glucose tests, how much glucose different foods will create in your body.
”
”
Rick Mystrom (Glucose Control Eating: Lose Weight Stay Slimmer Live Healthier Live Longer)
“
We've done so much together, wherever I go and whatever I see, I think of you. Newborn babies; the pattern on the plate that you can see under a paper-thin slice of sashimi; fireworks in August. The moon hidden behind the clouds over the ocean at night. When I'm sitting down someplace, inadvertently stepping on someone's toes, and have to apologize. And when someone picks up something I've dropped, and I thank him. When I see an elderly man tottering along,and wonder how much longer he has to live. Dogs and cats peeking out from alleyways. A beautiful view from a tall building. The warm blast of air you feel when you go down into a subway station. The phone ringing in the middle of the night. Even when I have crushes on other men, I always see you in the curve of their eyebrows."
"Yet I must remain calm, detached. It's a little like trying to ignore a plate of delicious food when you're really hungry. When it beckons you, there's no problem with enjoying the aroma and appreciating it with your eyes, but at some point you have to separate yourself and realize, like a professional waiter does, that it's not your own. It's my job to ignore those plates heaped with delicious morsels and just carry them where they need to go.
”
”
Banana Yoshimoto
“
I didn’t know how much I could love until you were gone. Until your laughter no longer filled my home, your wicked high jinks no longer made me crazy. Until I stood in that damned club and knew, without you by side, my life was as empty as my bed was without you in it. I didn’t know what love was, until I saw my refusal to admit it drown all the sweet innocence in your eyes. I love you.
”
”
Lora Leigh (Shameless (Bound Hearts, #7))
“
Honestly, I'm not sure how much longer I can keep doing this. It's like there are seven candles lit in my stomach. One, two, three, four, five, six, seven. Seven candles burning and smoking - lit - seven flames of doubt, fear, sorrow, pain, waste, hopelessness, despair. They turn my insides black with soot and ash. There is something at the back of my eyes- a pressure building, building, building - hot like the flames of seven candles, which no amount of breath can extinguish.
I imagine drinking glasses of water. One, two, three four, five, six, seven. I dive into the clearest pool. I drown myself in the coarse, dry sand. I swallow handfuls of crushed white salt, but the flames burn still - brighter, hotter, deeper. Sweat runs in delicate patterns down my back, over my crooked spine and jutting hips. I scratch at the wounds these last weeks have left, but I can't break free of them. The flies gather and vultures circle overhead. The fire eats away my flesh. The fire spreads. The fire runs through my veins. The fire courses beneath my muscles - my tendons - the marrow of my bones.
I sit rocking on the street corner. No, I can't keep doing this. I just can't.
”
”
Nic Sheff (Tweak: Growing Up On Methamphetamines)
“
It is amazing to me," said Bingley, "How young ladies can have patience to be so very accomplished as they all are."
"All young ladies accomplished? My dear Charles, what do you mean?"
"Yes, all of them, I think. They all paint tables, cover screens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time without being informed that she was very accomplished."
"Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse or covering a screen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half a dozen, in the whole range of my acquaintance, that are really accomplished."
"Nor I, I am sure." said Miss Bingley.
"Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman."
"Yes, I do comprehend a great deal in it."
"Oh! certainly," cried his faithful assistant, "no one can really be esteemed accomplished who does not greatly surpass knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved."
"All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading."
"I am no longer surprised at your knowing only six accomplished women. I rather wonder at your knowing any.
”
”
Jane Austen (Pride and Prejudice)
“
Your impermanence is a thing you should meditate on every day: There is nothing more sobering, nor scary, nor a faster-way-to-cut-the-negative-bullshit than to remember that you do not have forever. What defines your life, when it’s all said and done, is how much you influence other people’s lives, oftentimes just through your daily interactions and the courage with which you live your own. That’s what people remember. That’s what you will be known for when you’re no longer around to define yourself.
”
”
Brianna Wiest (101 Essays That Will Change The Way You Think)
“
Ah, Robert?”
“Shhhh, not while I’m praying,” he said, momentarily losing his place before he started again, “thank you for letting us survive that trip from hell. Thank you for ignoring my prayers for a quick death when I didn’t think that I’d be able to survive another day of starvation,” he said, making her roll her eyes in annoyance.
“You were given three full meals a day just like everyone else,” she pointed out, not bothering to mention the fact that, on most days, he’d received second helpings. She sat down on a bench near their luggage, wondering just how much longer he was going to keep this up.
“I’m sorry for all the cursing that my wife forced me to do while I was on that boat,” he continued, ignoring her even as he amused her. “As you know, she’s been such a bad influence on me. Thank you for pulling me from near death and somehow giving me the strength to survive.”
“Near death?” she asked, frowning. “When were you near death?”
“When was I near death?” he asked in stunned disbelief as he opened his eyes so that he could glare at her.
“How could you forget all those times that I could barely move? When I struggled to find the will to live so that I wouldn’t leave you a young widow? Did my struggle for survival mean nothing to you?” he demanded in outrage, terrifying the people that were forced to walk past him to get to the docks and making her wrack her brain as she struggled to figure out what he was talking about.
“Do you mean those few times when you had a touch of seasickness?” she asked, unable to think of anything else that he could be talking about since he’d been the picture of health during the majority of the trip.
“A touch?” he repeated in disbelief. “I nearly died!
”
”
R.L. Mathewson (Truce (Neighbor from Hell, #4))
“
Just So You Know
You fall in love with every book you touch. You never break the spine or tear the pages. That would be cruel. You have secret favorites but, when asked, you say that you could never choose. But did you know that books fall in love with you, too?
They watch you from the shelf while you sleep. Are you dreaming of them, they wonder, in that wistful mood books are prone to at night when they’re bored and there’s nothing else to do but tease the cat.
Remember that pale yellow book you read when you were sixteen? It changed your world, that book. It changed your dreams. You carried it around until it was old and thin and sparkles no longer rose from the pages and filled the air when you opened it, like it did when it was new. You should know that it still thinks of you. It would like to get together sometime, maybe over coffee next month, so you can see how much you’ve both changed.
And the book about the donkey your father read to you every night when you were three, it’s still around – older, a little worse for wear. But it still remembers the way your laughter made its pages tremble with joy.
Then there was that book, just last week, in the bookstore. It caught your eye. You looked away quickly, but it was too late. You felt the rush. You picked it up and stroked your hand over its glassy cover. It knew you were The One. But, for whatever reason, you put it back and walked away. Maybe you were trying to be practical. Maybe you thought there wasn’t room enough, time enough, energy enough.
But you’re thinking about it now, aren’t you?
You fall in love so easily.
But just so you know, they do, too.
”
”
Sarah Addison Allen
“
My dearest Rose,
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you. I'd dream about the way you smell and how your dark hair feels like silk between my fingers.
I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss.
Without dreams, I have to be content with my own imagination - which is almost as good. I can picture all of those things perfectly, as well as how it'll be when I take your life from this world.
It's something I regret having to do, but you've made my choice inevitable. Your refusal to join me in eternal life and love leaves no other course of action, and I can't allow someone as dangerous as you to live. Besides, even if I forced your awakening, you now have so many enemies among the Strigoi that one of them would kill you. If you must die, it'll be by my hand. No one else's.
Nonetheless, I wish you well today as you take your trails - not that you need any luck. If they actually making you take them, it's a waste of everyone's time. You're the best in that group, and by this evening you'll wear your promise mark. Of course, that means you'll be all that much more of a challenge when we meet again - which I'll definitely enjoy.
And we will be meeting again. With graduation, you'll be turned out of the Academy, and once you're outside the wards, I'll find you.
There is no place in this world you can hide from me. I'm watching.
Love,
Dimitri
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
It seems to me, that this, too, is how memory works. What we remember of what was done to us shapes our view, molds us, sets our stance. But what we remember is past, it no longer exists, and yet we hold on to it, live by it, surrender so much control to it. What do we become when we put down the scripts written by history and memory, when each person before us can be seen free of the cultural or personal narrative we've inherited or devised?
When we, ourselves, can taste that freedom.
”
”
Rebecca Walker
“
O, that this too too solid flesh would melt
Thaw and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month--
Let me not think on't--Frailty, thy name is woman!--
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:--why she, even she--
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer--married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.
”
”
William Shakespeare (Hamlet)
“
Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute. It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words bending into the music, becoming set in it like insects in translucent, golden lumps of amber.
The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing - not even death - was able to destroy that love and part them.
Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience.
Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have move anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted.
No, Dandelion stuck with his first version. And he never sang it. Never. To no one.
Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.
”
”
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
“
Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it.
“Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible.
“Yet consider.
“Consider pain.
“Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.
”
”
Jesus I. Aldapuerta (The Eyes: Emetic Fables from the Andalusian De Sade)
“
Loved. I hadn't even realized how desperetly I'd wanted love.How much we both needed to know that in a world of dark corners and sharp needles, there really is a place where kisses taste like apple pie and where stars spill like suger across the sky. A place where unknown roads no longer scare you because you have another hand to hold. A place where butterflies always flutter whenever you see each other, and a single touch tells you that you are not alone. A place where every kiss still feels like the first. In that place of us, Liv and Dean, love has its own poetry and language. Allure, quartrefoil, fleur-de-lis...Professor. Beauty.
”
”
Nina Lane (Allure (Spiral of Bliss, #2))
“
When I am high I couldn’t worry about money if I tried. So I don’t. The money will come from somewhere; I am entitled; God will provide. Credit cards are disastrous, personal checks worse. Unfortunately, for manics anyway, mania is a natural extension of the economy. What with credit cards and bank accounts there is little beyond reach. So I bought twelve snakebite kits, with a sense of urgency and importance. I bought precious stones, elegant and unnecessary furniture, three watches within an hour of one another (in the Rolex rather than Timex class: champagne tastes bubble to the surface, are the surface, in mania), and totally inappropriate sirenlike clothes. During one spree in London I spent several hundred pounds on books having titles or covers that somehow caught my fancy: books on the natural history of the mole, twenty sundry Penguin books because I thought it could be nice if the penguins could form a colony. Once I think I shoplifted a blouse because I could not wait a minute longer for the woman-with-molasses feet in front of me in line. Or maybe I just thought about shoplifting, I don’t remember, I was totally confused. I imagine I must have spent far more than thirty thousand dollars during my two major manic episodes, and God only knows how much more during my frequent milder manias.
But then back on lithium and rotating on the planet at the same pace as everyone else, you find your credit is decimated, your mortification complete: mania is not a luxury one can easily afford. It is devastating to have the illness and aggravating to have to pay for medications, blood tests, and psychotherapy. They, at least, are partially deductible. But money spent while manic doesn’t fit into the Internal Revenue Service concept of medical expense or business loss. So after mania, when most depressed, you’re given excellent reason to be even more so.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
Every time a man (myself) gives way to vanity, every time he thinks and lives in order to show off, this is a betrayal. Every time, it has always been the great misfortune of wanting to show off which has lessened me in the presence of the truth. We do not need to reveal ourselves to others, but only to those we love. For then we are no longer revealing ourselves in order to seem but in order to give. There is much more strength in a man who reveals himself only when it is necessary. I have suffered from being alone, but because I have been able to keep my secret I have overcome the suffering of loneliness. To go right to the end implies knowing how to keep one’s secret. And, today, there is no greater joy than to live alone and unknown.
”
”
Albert Camus (Notebooks 1935-1942)
“
Healthy people, I have concluded, including myself, do not understand how everything changes once you have been diagnosed with a fatal illness. How you cling to hope, however false, however slight, and how reluctant most doctors are to deprive patients of that fragile beam of light in so much darkness. Indeed, many people develop what psychiatrists call ‘dissociation’ and a doctor can find himself talking to two people – they know that they are dying and yet still hope that they will live. I had noticed the same phenomenon with my mother during the last few days of her life. When faced by people who are dying you are no longer dealing with the rational consumers assumed by economic model-builders, if they ever existed in the first place.
”
”
Henry Marsh (Do No Harm: Stories of Life, Death and Brain Surgery)
“
I am glad that it is old and big. I myself am of an old family, and to live in a new house would kill me. A house cannot be made habitable in a day; and, after all, how few days go to make up a century. I rejoice also that there is a chapel of old times. We Transylvanian nobles love not to think that our bones may be amongst the common dead. I seek not gaiety nor mirth, not the bright voluptuousness of much sunshine and sparkling waters which please the young and gay. I am no longer young; and my heart, through wearing years of mourning over the dead, is not attuned to mirth. Moreover, the walls of my castle are broken; the shadows are many, and the wind breathes cold through the broken battlements and casements. I love the shade and the shadow, and would be alone with my thoughts when I may.
”
”
Bram Stoker
“
In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve?
The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success.
Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business.
When achievers fail, they see it as a momentary event, not a lifelong epidemic.
Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward.
Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience.
Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside.
Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you?
Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem.
Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living.
Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward.
Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new.
The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success.
If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve.
The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get.
Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action.
The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying?
Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline.
Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence.
Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might.
If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail.
The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface.
Fail early, fail often, but always fail forward.
”
”
John C. Maxwell (Failing Forward)
“
Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year.
Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself.
See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all.
Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.
And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well.
The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants."
[Getting Into Print (The Editor magazine, March 1903)]
”
”
Jack London
“
Instead of the concrete individual, you have the names of organizations and, at the highest point, the abstract idea of the State as the principle of political reality. The moral responsibility of the individual is then inevitably replaced by the policy of the State (raison d’etat). Instead of moral and mental differentiation of the individual, you have public welfare and the raising of the living standard. The goal and meaning of individual life (which is the only real life) no longer lie in the individual development but in the policy of the State, which is thrust upon the individual from outside and consists in the execution of an abstract idea which ultimately tends to attract all life to itself. The individual is increasingly deprived of the moral decision as to how he should live his own life, and instead is ruled, fed, clothed, and educated as a social unit, accommodated in the appropriate housing unit, and amused in accordance with the standards that give pleasure and satisfaction to the masses. The rulers, in their turn, are just as much social units as the ruled, and are distinguished only by the fact they are specialized mouthpieces of State doctrine. They do not need to be personalities capable of judgment, but thoroughgoing specialists who are unusable outside their line of business. State policy decides what shall be taught and studied.
”
”
C.G. Jung (The Undiscovered Self)
“
And a mortgage used to be something you were expected to repay. But now that every other middle-income family has a mortgage for an amount they couldn't possibly save up in their lifetimes, then the bank isn't lending money anymore. It's offering financing. And then homes are no longer homes. They're investments.
...It means that the poor get poorer, the rich get richer, and the real class divide is between those who can borrow money and those who can't. Because no matter how much money anyone earns, they still lie awake at the end of the month worrying about money. Everyone looks at what their neighbors have and wonders, "How can they afford that?" because everyone is living beyond their means. So not even really rich people ever feel really rich, because in the end the only thing you can buy is a more expensive version of something you've already got. With borrowed money.
”
”
Fredrik Backman (Anxious People)
“
Reaching Out
I have given so much to things that weren't worth my time. When all along, it's the people I love that I should have carried. It's the ones I cared for whom I should have been responsible.
But maybe I'm too late. Because I don't know how to talk to you. I don't know how to ask you if you're okay. I don't know how to tell you I am so afraid of losing you. How much light would leave my life if you were no longer part of it.
I just hope you realize how much you mean to me. I just wish I could remind you of how beautiful you are. I'm sorry I haven't told you in so long. But please don't think I have given up on you. I will never give up on you. My arms are wide open. There is always a place for you here.
”
”
Lang Leav (Memories)
“
I have seen, the desperation and disorder of the powerless: how it twists the lives of children on the streets of Jakarta or Nairobi in much the same way as it does the lives of children on Chicago’s South Side, how narrow the path is for them between humiliation and untrammeled fury, how easily they slip into violence and despair. I know that the response of the powerful to this disorder -- alternating as it does between a dull complacency and, when the disorder spills out of its proscribed confines, a steady, unthinking application of force, of longer prison sentences and more sophisticated military hardware -- is inadequate to the task. I know that the hardening of lines, the embrace of fundamentalism and tribe, dooms us all.
”
”
Barack Obama
“
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!).
Yet you haven’t any friends.
The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities.
Nevertheless, some free time remains. What’s to be done? How do you use your
time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less.
Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering.
And yet you haven’t always wanted to die.
You have had a life. There have been moments when you were having a life. Of
course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela.
More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world!
You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
”
”
Michel Houellebecq (Whatever)
“
I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time.
Tears are streaming down her face. She’s stroking our baby girl’s cheek, smiling.
Crying.
Laughing.
“I don’t want to count her fingers or toes,” Lake whispers. “I don’t care if she has two toes or three fingers or fifty feet. I love her so much, Will. She’s perfect.”
She is perfect. So perfect. “Just like her mom,” I say.
I lean my head against Lake’s and we just stare. We stare at the daughter who is so much more than I could have asked for. The daughter who is so much more than I dreamt of. So much more than I ever thought I would have. This girl. This baby girl is my life. Her mother is my life. These girls are both my life.
I reach down and pick up her hand. Her tiny fingers reflexively wrap around my pinky and I can’t choke back my tears any longer. “Hey, Julia. It’s me. It’s your daddy.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
”
”
Frank O'Hara
“
I can no longer hear my voices, so I am a little lost. My suspicion is they would know far better how to tell this story. At least they would have opinions and suggestions and definite ideas as to what should go first and what should go last and what should go in the middle. They would inform me when to add detail, when to omit extraneous information, what was important and what was trivial. After so much time slipping past, I am not particularly good at remembering these things myself and could certainly use their help. A great many events took place, and it is hard for me to know precisely where to put what. And sometimes I'm unsure that incidents I clearly remember actually did happen. A memory that seems one instant to be as solid as stone, the next seems as vaporous as a mist above the river. That's one of the major problems with being crazy: you're just naturally uncertain about things. (9)
”
”
John Katzenbach (The Madman's Tale)
“
I wrote the word: love. I did consider using another one. It's a curious notion, love; difficult to identify and define. There are so many degrees and variations. I could have contented myself with saying that I was smitten (and it is true that Thomas knew how to make me weaken), or infatuated (he could conquer, clatter, even bewitch like no one else), or obsessed (he often provoked a mixture of bewilderment and excitement, turning everything upside down), or seduced (once he caught me in his net, there was so no escaping), or taken with (I was stupidly joyful, I could heat up over nothing), or even blinded (anything that embarrassed me, I pushed to the side, minimizing his defects, putting his good qualities on a pedestal), or disturbed (no longer was I ever quite myself), which would have had less positive connotations. I could have explained it away as a mere affection, having a 'crush,' an explanation vague enough to mean anything. But those would just have been words. The truth, the brutal truth, was that I was in love. Enough to use the right word.
All the same, I wondered if this could be a complete invention. As you already know, I invented stories all the time, with so much authenticity that people usually ended up believing me sometimes even I was no longer able to disentangle the true from the false). Could I have made this story up from scratch? Could I have turned an erotic obsession into a passion? Yes, it's possible.
”
”
Philippe Besson (Lie With Me)
“
Pops: Plans for the future?
Justin: Not sure yet.
Pops: Well, why not? You don't got much longer in school, boy. Now's the time to figure things out, not later. Didn't anyone ever tel you that you can't spell later without the word late?
Justin: I promise you, I'm doing my best to figure things out.
Pops: "Doing my best" is a phrase failures use. Why don't you buy a man card and finish figuring?
Me: Pops! That's so rude. Justin, I'm so sorry.
Pops: What? How is a valid question rude? But all right, fine, I'll move on since baby boy can't take the heat. How about you finish this sentence for me, Jason? When a girl says no, she means...
Justin, looking desperately at me: No?
Nana: Are you not sure?
Justin, shifting uncomfortably: I'm sure. No means no.
Nana: Well, look at you. You got no right. Now here's another, even tougher sentence for you to finish. Premarital sex is...
Me: Nana! I'm so sorry, Justin.
Nana: Unlike Pops, I'm not moving on, Justin?
Pops: His name is Jason.
Justin: Uh...uh...
Pops: While you think about that, why don't you tell me how you feel about drinking and driving?
Justin: I'm totatlly against it, I swear!
Nana: Methinks he protests too much.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
”
”
Franz Kafka (The Trial)
“
Dunbar loved shooting skeet because he hated every minute of it and the time passed so slowly. He had figured out that a single hour on the skeet-shooting range with people like Havermeyer and Appleby could be worth as much as eleven-times-seventeen years.
“I think you’re crazy,” was the way Clevinger had responded to Dunbar’s discovery.
“Who wants to know?” Dunbar answered.
“I mean it,” Clevinger insisted.
“Who cares?” Dunbar answered.
“I really do. I’ll even go as far as to concede that life seems longer i—“
“—is longer i—“
“—is longer—IS longer? All right, is longer if it’s filled with periods of boredom and discomfort, b—“
“Guess how fast?” Dunbar said suddenly.
“Huh?”
“They go,” Dunbar explained.
“Who?”
“Years.”
“Years?”
“Years,” said Dunbar. “Years, years, years.”
“Do you know how long a year takes when it’s going away?” Dunbar asked Clevinger. “This long.” He snapped his fingers. “A second ago you were stepping into college with your lungs full of fresh air. Today you’re an old man.”
“Old?” asked Clevinger with surprise. “What are you talking about?”
“Old.”
“I’m not old.”
“You’re inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow time down?” Dunbar was almost angry when he finished.
“Well, maybe it is true,” Clevinger conceded unwillingly in a subdued tone. Maybe a long life does have to be filled with many unpleasant conditions if it’s to seem long. But in that event, who wants one?”
“I do,” Dunbar told him.
“Why?” Clevinger asked.
“What else is there?
”
”
Joseph Heller (Catch-22)
“
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened.
One day the two came upon each other on the corner of a street.
“This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.”
“And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.”
They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle.
As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?
And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?”
“Yes,” she said, “that is exactly what we should do.”
And so they parted, she to the east, and he to the west.
The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.
One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank.
They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love.
Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty.
One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:
She is the 100% perfect girl for me.
He is the 100% perfect boy for me.
But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.
A sad story, don’t you think?
”
”
Haruki Murakami (The Elephant Vanishes)
“
I think timing is better left up to God to decide then religious leaders. I once met a man that brought his wife flowers in the hospital. They held hands, kissed and were as affectionate as any cute couple could be. They were both in their eighties. I asked them how long they were married. I expected them to tell me fifty years or longer. To my surprise, they said only five years. He then began to explain to me that he was married thirty years to someone that didn’t love him, and then he remarried a second time only to have his second wife die of cancer, two years later. I looked at my patient (his wife) sitting in the wheelchair next to him smiling. She added that she had been widowed two times. Both of her marriages lasted fifteen years. I was curious, so I asked them why they would even bother pursuing love again at their age. He looked at me with astonishment and said, “Do you really think that you stop looking for a soulmate at our age? Do you honestly believe that God would stop caring about how much I needed it still, just because I am nearing the end of my life? No, he left the best for last. I have lived through hell, but if I only get five years of happiness with this woman then it was worth the years of struggle I have been through.
”
”
Shannon L. Alder
“
Maddy shook her head, as if the movement could somehow shake the reality away. She simply couldn’t believe it. That by saving her he had
actually, knowingly put himself in line for a consequence this severe. So much was kept hidden about the Angels, about how they handled their
internal affairs—brutally, it turned out. All the while they put on a smooth, clean exterior for the public and the media.
“What can I do?” she said finally.
Jacks looked at her through the deluge.
“Come with me.”
There he stood in the pouring rain, the image of shirtless soaked perfection. He stood before her offering her a choice just like he had the
night they went flying. She was at another crossroads. She knew she could just leave. Knew she probably should. But they were going to take his
wings, and it was all her fault. Her fault for going to the party, her fault for trying to follow through with her plan, her fault for leaving and insisting on
walking home. Could she really leave him now? Before she had even decided, her mouth opened.
“Yes,” she said. Just like when he had invited her to the party. It simply came out, as though her true desires could no longer be repressed.
Jacks smiled a dripping, radiant smile. A flash of lightning lit the roof, followed closely by a bark of thunder.
”
”
Scott Speer (Immortal City (Immortal City, #1))
“
Whenever I’m home for a few days, I start to feel this despair at being back in the place where I had spent so many afternoons dreaming of getting away, so many late nights fantasizing about who I would be once I was allowed to be someone apart from my family, once I was free to commit mistakes on my own. How strange it is to return to a place where my childish notions of freedom are everywhere to be found—in my journals and my doodles and the corners of the room where I sat fuming for hours, counting down the days until I could leave this place and start my real life. But now that trying to become someone on my own is no longer something to dream about but just my ever-present reality, now that my former conviction that I had been burdened with the responsibility of taking care of this household has been revealed to be untrue, that all along, my responsibilities had been negligible, illusory even, that all along, our parents had been the ones watching over us—me and my brother—and now that I am on my own, the days of resenting my parents for loving me too much and my brother for needing me too intensely have been replaced with the days of feeling bewildered by the prospect of finding some other identity besides “daughter” or “sister.” It turns out this, too, is terrifying, all of it is terrifying. Being someone is terrifying. I long to come home, but now, I will always come home to my family as a visitor, and that weighs on me, reverts me back into the teenager I was, but instead of insisting that I want everyone to leave me alone, what I want now is for someone to beg me to stay. Me again. Mememememememe.
”
”
Jenny Zhang (Sour Heart)
“
They walked him into the cane and then turned him around. He tried to stand bravely... They looked at Oscar and he looked at them and then he started to speak. The words coming out like they belonged to someone else, his Spanish good for once. He told them that what they were doing was wrong, that they were going to take a great love out of the world. Love was a rare thing, easily confused with a million other things, and if anybody knew this to be true it was him. He told them about Ybón and the way he loved her and how much they had risked and that they'd started to dream the same dreams and say the same words. He told them that it was only because of her love that he'd been able to do the thing that he had done, the thing they could no longer stop, told them if they killed him they would probably feel nothing and their children would probably feel nothing either, not until they were old and weak or about to be struck by a car and then they would sense him waiting for them on the other side and over there he wouldn't b no fatboy or dork or kid no girl had ever loved; over there he'd be a hero, an avenger. Because anything you can dream (he put his hand up) you can be.
They waited respectfully for him to finish and then they said, their faces slowly disappearing in the gloom, Listen, we'll let you go if you tell us what "fuego" means in English.
Fire, he blurted out, unable to help himself.
Oscar—
”
”
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
“
Why Do People become Shadowhunters, by Magnus Bane
This Codex thing is very silly. Downworlders talk about the Codex like it is some great secret full of esoteric knowledge, but really itès a Boy Scout manual.
One thing that it mysteriously doesnèt address is why people become Shadowhunters. And you should know that people become Shadowhunters for many stupid reasons.
So here is an addition to your copy.
Greetings, aspiring young Shadowhunter-to-be- or possibly already technically a Shadowhunter. I canèt remember whether you drink from the Cup first or get the book first. Regardless, you have just been recruited by the Monster Police. You may be wondering, why? Why of all the mundanes out there was I selected and invited to this exclusive club made up largely, at least from a historical perspective, of murderous psychopaths?
Possible Reasons Why
1. You possess a stout heart, strong will, and able body.
2. You possess a stout body, able will, and strong heart.
3. Local Shadowhunters are ironically punishing you by making you join them.
4. You were recruited by a local institute to join the Nephilim as an ironic punishment for your mistreatment of Downworlders.
5. Your home , village, or nation is under siege by demons.
6. You home, village, or nation is under siege by rogue Downworlders.
7. You were in the wrong place at the wrong time.
8.You know too much, and should be recruited because the secrecy of the Shadow World has already been compromised for you.
9. You know too little; it would be helpful to the Shadowhunters if you knew more.
10. You know exactly the right amount, making you a natural recruit.
11. You possess a natural resistance to glamour magic and must be recruited to keep you quiet and provide you with some basic protection.
12. You have a compound last name already and have convinced someone important that yours is a Shadowhunter family and the Shadowhunteriness has just been weakened by generations of bad breeding.
13. You had a torrid affair with a member of the Nephilim council and now he's trying to cover his tracks.
14. Shadowhunters are concerned they are no longer haughty and condescending enough-have sought you out to add a much needed boost of haughty condescension.
15. You have been bitten by a radioactive Shadowhunter, giving you the proportional strength and speed of a Shadowhunter.
16. Large bearded man on flying motorcycle appeared to take you away to Shadowhunting school.
17. Your mom has been in hiding from your evil dad, and you found out you're a Shadowhunter only a few weeks ago.
That's right. Seventeen reasons. Because that's how many I came up with. Now run off, little Shadowhunter, and learn how to murder things. And be nice to Downworlders.
”
”
Cassandra Clare (The Shadowhunter's Codex)
“
The only person that should wear your ring is the one person that would never…
1. Ask you to remain silent and look the other way while they hurt another.
2. Jeopardize your future by taking risks that could potentially ruin your finances or reputation.
3. Teach your children that hurting others is okay because God loves them more. God didn’t ask you to keep your family together at the expense of doing evil to others.
4. Uses religious guilt to control you, while they are doing unreligious things.
5. Doesn't believe their actions have long lasting repercussions that could affect other people negatively.
6. Reminds you of your faults, but justifies their own.
7. Uses the kids to manipulate you into believing you are nothing. As if to suggest, you couldn’t leave the relationship and establish a better Christian marriage with someone that doesn’t do these things. Thus, making you believe God hates all the divorced people and will abandon you by not bringing someone better to your life, after you decide to leave. As if!
8. They humiliate you online and in their inner circle. They let their friends, family and world know your transgressions.
9. They tell you no marriage is perfect and you are not trying, yet they are the one that has stirred up more drama through their insecurities.
10. They say they are sorry, but they don’t show proof through restoring what they have done.
11. They don’t make you a better person because you are miserable. They have only made you a victim or a bitter survivor because of their need for control over you.
12. Their version of success comes at the cost of stepping on others.
13. They make your marriage a public event, in order for you to prove your love online for them.
14. They lie, but their lies are often justified.
15. You constantly have to start over and over and over with them, as if a connection could be grown and love restored through a honeymoon phase, or constant parental supervision of one another’s down falls.
16. They tell you that they don’t care about anyone other than who they love. However, their actions don’t show they love you, rather their love has become bitter insecurity disguised in statements such as, “Look what I did for us. This is how much I care.”
17. They tell you who you can interact with and who you can’t.
18. They believe the outside world is to blame for their unhappiness.
19. They brought you to a point of improvement, but no longer have your respect.
20. They don't make you feel anything, but regret. You know in your heart you settled.
”
”
Shannon L. Alder
“
Some women I talk to are so frightened of growing old. I sense their desperation. They say things like I m not going to live to be old I m not going to live to be dependent. The message young women get from youth culture is that it s wonderful to be young and terrible to grow old. If you think about it it s an impossible dilemma how can you make a good start in life if you are being told at the same time how terrible the finish is Because of ageism many women don t fully commit themselves to living life until they can no longer pass as young. They live their lives with one foot in life and one foot outside it. With age you resolve that. I know the value of each day and I m living with both feet in life. I m living much more fully... The power of the old woman is that because she s outside the system she can attack. And I am determined to attack it. One of the ways in which I am particularly conscious of this stance is when I go down the street. People expect me to move over which means to step on the grass or off the curb. I just woke up one day to the fact that I was moving over. I have no idea how many years I ve been doing that. Now I never move over. I simply keep walking. And we hit full force because the other person is so sure that I am going to move over that he isn t even paying any attention and we simply ram each other. If it s a man with a woman he shows embarrassment because he s just knocked down a five foot seventy year old woman and so he quickly apologises. But he s startled he doesn t understand why I didn t move over he doesn t even know how I got there where I came from. I am invisible to him despite the fact that I am on my own side of the street simply refusing to give him that space he assumes is his
”
”
Barbara MacDonald
“
Now consider the tortoise and the eagle. The tortoise is a ground-living creature. It is impossible to live nearer the ground without being under it. Its horizons are a few inches away. It has about as good a turn of speed as you need to hunt down a lettuce. It has survived while the rest of evolution flowed past it by being, on the whole, no threat to anyone and too much trouble to eat. And then there is the eagle. A creature of the air and high places, whose horizons go all the way to the edge of the world. Eyesight keen enough to spot the rustle of some small and squeaky creature half a mile away. All power, all control. Lightning death on wings. Talons and claws enough to make a meal of anything smaller than it is and at least take a hurried snack out of anything bigger. And yet the eagle will sit for hours on the crag and survey the kingdoms of the world until it spots a distant movement and then it will focus, focus, focus on the small shell wobbling among the bushes down there on the desert. And it will leap… And a minute later the tortoise finds the world dropping away from it. And it sees the world for the first time, no longer one inch from the ground but five hundred feet above it, and it thinks: what a great friend I have in the eagle. And then the eagle lets go. And almost always the tortoise plunges to its death. Everyone knows why the tortoise does this. Gravity is a habit that is hard to shake off. No one knows why the eagle does this. There’s good eating on a tortoise but, considering the effort involved, there’s much better eating on practically anything else. It’s simply the delight of eagles to torment tortoises. But of course, what the eagle does not realize is that it is participating in a very crude form of natural selection. One day a tortoise will learn how to fly.
”
”
Terry Pratchett (Small Gods (Discworld, #13))
“
We take it for granted that life moves forward. You build memories; you build momentum.You move as a rower moves: facing backwards.
You can see where you've been, but not where you’re going. And your boat is steered by a younger version of you.
It's hard not to wonder what life would be like facing the other way. Avenoir.
You'd see your memories approaching for years, and watch as they slowly become real.
You’d know which friendships will last, which days are important, and prepare for upcoming mistakes. You'd go to school, and learn to forget.
One by one you'd patch things up with old friends, enjoying one last conversation before you
meet and go your separate ways.
And then your life would expand into epic drama. The colors would get sharper, the world would feel bigger.
You'd become nothing other than yourself, reveling in your own weirdness.
You'd fall out of old habits until you could picture yourself becoming almost anything.
Your family would drift slowly together, finding each other again.
You wouldn't have to wonder how much time you had left with people, or how their lives would turn out.
You'd know from the start which week was the happiest you’ll ever be, so you could relive it again and again.
You'd remember what home feels like,
and decide to move there for good.
You'd grow smaller as the years pass, as if trying to give away everything you had before leaving.
You'd try everything one last time, until it all felt new again.
And then the world would finally earn your trust, until you’d think nothing of jumping freely into things, into the arms of other people.
You'd start to notice that each summer feels longer than the last.
Until you reach the long coasting retirement of childhood.
You'd become generous, and give everything back.
Pretty soon you’d run out of things to give, things to say, things to see.
By then you'll have found someone perfect; and she'll become your world.
And you will have left this world just as you found it.
Nothing left to remember, nothing left to regret, with your whole life laid out in front of you, and your whole life left behind.
”
”
Sébastien Japrisot
“
and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.
”
”
Jane Austen (Northanger Abbey)
“
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade.
We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off.
And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
”
”
Catherynne M. Valente
“
How baffling you are, oh Church, and yet how I love you! How you have made me suffer, and yet how much I owe you! I would like to see you destroyed, and yet I need your presence. You have given me so much scandal and yet you have made me understand what sanctity is. I have seen nothing in the world more devoted to obscurity, more compromised, more false, and yet I have touched nothing more pure, more generous, more beautiful. How often I have wanted to shut the doors of my soul in your face, and how often I have prayed to die in the safety of your arms.
No, I cannot free myself from you, because I am you, though not completely. And besides, where would I go? Would I establish another? I would not be able to establish it without the same faults, for they are the same faults I carry in me. And if I did establish another, it would be my Church, not the Church of Christ. I am old enough to know that I am no better than anyone else. …)
The Church has the power to make me holy but it is made up, from the first to the last, only of sinners. And what sinners! It has the omnipotent and invincible power to renew the Miracle of the Eucharist, but is made up of men who are stumbling in the dark, who fight every day against the temptation of losing their faith. It brings a message of pure transparency but it is incarnated in slime, such is the substance of the world. It speaks of the sweetness of its Master, of its non-violence, but there was a time in history when it sent out its armies to disembowel the infidels and torture the heretics. It proclaims the message of evangelical poverty, and yet it does nothing but look for money and alliances with the powerful.
Those who dream of something different from this are wasting their time and have to rethink it all. And this proves that they do not understand humanity. Because this is humanity, made visible by the Church, with all its flaws and its invincible courage, with the Faith that Christ has given it and with the love that Christ showers on it.
When I was young, I did not understand why Jesus chose Peter as his successor, the first Pope, even though he abandoned Him. Now I am no longer surprised and I understand that by founding his church on the tomb of a traitor(…)He was warning each of us to remain humble, by making us aware of our fragility. (…)
And what are bricks worth anyway? What matters is the promise of Christ, what matters is the cement that unites the bricks, which is the Holy Spirit. Only the Holy Spirit is capable of building the church with such poorly moulded bricks as are we.
And that is where the mystery lies. This mixture of good and bad, of greatness and misery, of holiness and sin that makes up the church…this in reality am I .(…)
The deep bond between God and His Church, is an intimate part of each one of us. (…)To each of us God says, as he says to his Church, “And I will betroth you to me forever” (Hosea 2,21). But at the same time he reminds us of reality: 'Your lewdness is like rust. I have tried to remove it in vain. There is so much that not even a flame will take it away' (Ezechiel 24, 12).
But then there is even something more beautiful. The Holy Spirit who is Love, sees us as holy, immaculate, beautiful under our guises of thieves and adulterers. (…) It’s as if evil cannot touch the deepest part of mankind.
He re-establishes our virginity no matter how many times we have prostituted our bodies, spirits and hearts. In this, God is truly God, the only one who can ‘make everything new again’. It is not so important that He will renew heaven and earth. What is most important is that He will renew our hearts. This is Christ’s work. This is the divine Spirit of the Church.
”
”
Carlo Carretto
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))