Housewife Life Quotes

I am two women: one wants to have all the joy, passion and adventure that life can give me. The other wants to be a slave to routine, to family life, to the things that can be planned and achieved. I'm a housewife and a prostitute, both of us living in the same body and doing battle with each other.

Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.

If she wasn't careful, she'd slide without a ripple into the gently flowing stream of her old life, pulled back under the current without a wimper of protest. Another housewife lost in the flow.

I am two women: one wants to have all the joy, passion & adventure that life can give me. The other wants to be a slave to routine, to family life, to the things that can be planned and achieved. I'm a housewife & a prostitute, both of us living in the same body & doing battle with each other. The meeting of these two women is a game with serious risks. A divine dance. When we meet, we are two divine energies, two universes colliding. If the meeting is not carried out with due reverence, one universe destroys the other.

...Speaking of, I've been playing with the letters - Lovers In a Very Enlightened Regard." "LIVER. Good one." "Also, how about Life Invasion Via Exceptional Respect?" "Life Invasion. Like it." "Or Lovelike Intensity Via Emotional Rapport." "Doesn't that spell OLIVER?

Of course, to be a mother and a housewife is a vocation of a very high kind. But I simply felt that it was not the whole of my vocation. I knew that I also wanted a career. A phrase that Irene Ward, MP for Tynemouth, and I often used was that ‘while the home must always be the centre of one’s life, it should not be the boundary of one’s ambitions’.

Maybe it's just not the right time for us to be married. I don't want to be a bounty hunter for the rest of my life, but I certainly don't want to be a housewife right now. And I really don't want to be married to someone who gives me ultimatums. And maybe Joe needs to examine what he wants from a wife. He was raised in a traditional Italian household with a stay-at-home mother and domineering father. If he wants a wife who will fit into that mold, I'm not for him. I might be a stay-at-home mother someday, but I'll always be trying to fly off the garage roof. That's just who I am.

I could write pages and pages about the delights of being a full-time housewife and mother and trying to write and support a family with two babies—but I don’t use that kind of language in public.

Since she became a full-time housewife, she often noticed that there was a polarised attitude regarding domestic labour. Some demeaned it as ‘bumming around at home’, while others glorified it as ‘work that sustains life’, but none tried to calculate its monetary value. Probably because the moment you put a price on something, someone has to pay.

Conversion is not merely a ticket out of hell. It is the beginning of a whole new life, not just an end to the old one.

Well, at least she doesn’t have to be a housewife the rest of her life,” she said. “What in the hell do you have against housewives?” I said. “I was raised by one,” Savannah said. “And it almost ruined my life.” “I got knocked around by a shrimper when I was a kid,” said Luke, “but I never blamed the shrimp.

I think perhaps we want a more conscientious life. We're tired of drudging and sleeping and dying. We're tired of always deferring hope to the next generation. We're tired of hearing the politicians and priests and cautious reformers (and the husbands!) coax us, 'Be calm! Be patient! Wait! We have plans for a Utopia already made; just give us a bit more time and we'll produce it; trust us; we're wiser than you.' For ten thousand years they've said that. We want our Utopia now - and we're going to try our hands at it. All we want is - everything for all of us! For every housewife and every longshoreman and every Hindu nationalist and every teacher. We want everything. We sha'n't get it. So we sha'n't ever be content -

A good bra is fine, but a great bra is life changing. It gives you the confidence of a homecoming queen. It’s a tiara for your ta-tas.

One is only really inwardly comfortable, so to speak, after one's life has assumed some sort of shape. Not just a routine, like studying or a job or being a housewife, but something more complete than all those, which would include goals set by oneself and a circle of life-time type friends. I think this is one of the hardest things to achieve, in fact often just trying doesn't achieve it but rather it seems to develop almost by accident.

Don had almost destroyed me. Him, and the rest of the ravenous men, hungry since I was young. All my life, they’d shaped my fears and desires, determined when I felt safe and when I was afraid. That was a fucking life sentence. When would they ever stop?

If I’d had a career, I could change jobs, apply for a promotion, do something. If I’d stayed in New York, I could have had it all, couldn’t I? But I am a Japanese Housewife, a proper, old-school job for life, and you only get to choose your colleague once.

Anne Sexton opened her poem “Housewife” (1962) with the line “Some women marry houses.

Just because you've believed something your whole life doesn't mean it's right.

I’ve made up my mind to lead a different life from other girls, and not to become an ordinary housewife later on.

Again his dead wife came back to his imagination, but not as he had known her for many years, not as the good domestic housewife, but as a young girl with a slim figure, innocently inquiring eyes, and a tight twist of hair on her childish neck. He remembered how he had seen her for the first time. He was still a student then. He had met her on the staircase of his lodgings, and, jostling by accident against her, he tried to apologise, and could only mutter, 'Pardon, monsieur,' while she bowed, smiled, and suddenly seemed frightened, and ran away, though at the bend of the staircase she had glanced rapidly at him, assumed a serious air, and blushed. Afterwards, the first timid visits, the half-words, the half-smiles, and embarrassment; and melancholy, and yearnings, and at last that breathing rapture.... Where had it all vanished? She had been his wife, he had been happy as few on earth are happy.... 'But,' he mused, 'these sweet first moments, why could one not live an eternal, undying life in them?

The truth was, she was afraid that when she fell hard for a boy, she’d lose herself along the way. She’d seen it happen to lots of girls. They’d go from drinking gin, driving fast cars, and boldly shimmying in speakeasies to these passive creatures who couldn’t make a move without asking their beaus if it would be okay. Evie had no intention of fading behind any man. She didn’t want to slide into ordinary and wake up to find that she’d become a housewife in Ohio with a bitter face and an embalmed spirit. Besides, things you loved deeply could be lost in a second, and then there was no filling the hole left inside you. So she lived in the moment, as if her life were one long party that never had to stop as long as she kept the good times going. But right now, in this moment, she felt a strong connection to Sam, as if they were the only two people in the world. She wanted to hold on to both him and the beautiful moment and not let go.

There is also a keen pleasure (and after all, what else should the pursuit of science produce?) in meeting the riddle of the initial blossoming of man's mind by postulating a voluptuous pause in the growth of the rest of nature, a lolling and loafing which allowed first of all the formation of Homo poeticus-- without which sapiens could not have been evolved. "Struggle for life" indeed! The curse of battle and toil leads man back to the boar, to the grunting beast's crazy obsession with the search for food. You and I have frequently remarked upon that maniacal glint in a housewife's scheming eye as it roves over food in a grocery or about the morgue of a butcher's shop. Toilers of the world, disband! Old books are wrong. The world was made on a Sunday.

My story is about all I got to my name right now, and that's why I feel robbed. But a story's a whole lot more than most people got. All you people watching out there, you're listening to what I say because I have something you don't: I got plot. Bought and paid for. That's what all you people want, and why you're sucking off me. You want my plot. I know how you feel too, since hey, I used to feel the same way. TV and video games and movies and computer screens... On April 8th, 1999, I jumped into the screen, I switched to watchee. Ever since, I've known what my life is about. I give good story. It may have been kinda gory, but admit it, you all loved it. You ate it up. Nuts, I ought to be on some government payroll. Without people like me, the whole country would jump off a bridge, 'cause the only thing on TV is some housewife on Who Wants to Be a Millionaire? winning $64,000 for remembering the name of the president's dog.

Life’s going to stomp you no matter what. Wouldn’t you rather get stomped here, in a mansion, surrounded by champagne and hors d’oeuvres? If they’re going to own you one way or the other, why not enjoy it? Lean in, Shay. Look at me, in this Gucci dress. These bruises? They’re Gucci bruises. It’s the VIP option, trust me. All the other options are this, but worse.

I look upon our life in hiding as an interesting adventure, full of danger and romance, and every privatisation as an amusing addition to my diary. I've made up my mind to lead a different life from other girls, and not to become an ordinary housewife later on.

His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

Already the people murmur that I am your enemy because they say that in verse I give the world your me. They lie, Julia de Burgos. They lie, Julia de Burgos. Who rises in my verses is not your voice. It is my voice because you are the dressing and the essence is me; and the most profound abyss is spread between us. You are the cold doll of social lies, and me, the virile starburst of the human truth. You, honey of courtesan hypocrisies; not me; in all my poems I undress my heart. You are like your world, selfish; not me who gambles everything betting on what I am. You are only the ponderous lady very lady; not me; I am life, strength, woman. You belong to your husband, your master; not me; I belong to nobody, or all, because to all, to all I give myself in my clean feeling and in my thought. You curl your hair and paint yourself; not me; the wind curls my hair, the sun paints me. You are a housewife, resigned, submissive, tied to the prejudices of men; not me; unbridled, I am a runaway Rocinante snorting horizons of God's justice. You in yourself have no say; everyone governs you; your husband, your parents, your family, the priest, the dressmaker, the theatre, the dance hall, the auto, the fine furnishings, the feast, champagne, heaven and hell, and the social, "what will they say." Not in me, in me only my heart governs, only my thought; who governs in me is me. You, flower of aristocracy; and me, flower of the people. You in you have everything and you owe it to everyone, while me, my nothing I owe to nobody. You nailed to the static ancestral dividend, and me, a one in the numerical social divider, we are the duel to death who fatally approaches. When the multitudes run rioting leaving behind ashes of burned injustices, and with the torch of the seven virtues, the multitudes run after the seven sins, against you and against everything unjust and inhuman, I will be in their midst with the torch in my hand.

But I quickly came to see, she said, that in fact there was nothing worse than to be an average white male of average talents and intelligence: even the most oppressed housewife, she said, is closer to the drama and poetry of life than he is, because as Louise Bourgeois shows us she is capable at least of holding more than one perspective.

You can become Superwoman and do anything you want to in the world, or you can devote your life to raising godly kids of integrity who will grow up to impact the world for Christ.

Sometimes the world feels so heavy that I crave the limelight - where the curtain rises, and the darkness becomes art.

Economy, like grammar, is a very hard and tiresome study, after we are twenty years old.

As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.

Every field has its technological advances and evolves in the direction that reduces the amount of physical labor required, but people are particularly reluctant to admit that the same is true for domestic labor. Since she became a full-time housewife, she often noticed that there was a polarized attitude regarding domestic labor. Some demeaned it as “bumming around at home,” while others glorified it as “work that sustains life,” but none tried to calculate its monetary value. Probably because the moment you put a price on something, someone has to pay.

But when I blinked and focused, all that stared back at me was my own face, reflected in the window. "What if you're a woman," I said, feeling each word like fire in my throat, "and the world teaches you who you are, and where your place is, from the moment you're born, but all along, it's a lie. What if the lie chains you everyday? If you're not thinking straight any minute of your life, and even your defiance, even your pleasure, is suspect?" I pressed my palm against the cold glass. "How does consent work then? What makes you want the things you want? Is it your choice, or were you molded?

Before we begin, I need you to know: We no longer exist for them, you and I. We are no longer a mirror reflecting their anxieties, their desires. We are not saviors, or seductresses, or symbols. We exist only for ourselves. Tragic and sublime, ordinary and animal, in the mold of all humans, long before and long after us. They will tell you you’ve done the right thing. They will tell you you’ve made a grave error. Pay them no mind. Talk to me instead… Tell me about the time you looked up at the moon when you were a child and imagined it was looking back. Tell me about the moment your body first fit against the curves of another’s, and you felt at home. Tell me how you’ve ached to be bigger than this mortal life could grant, bigger than they would allow, how you’ve carried that ache in the center of your chest every hour of your life, the pain like a festering wound, a shrine to the bittersweet agony of being alive. Tell me these things, and I will tell you I know you. Let’s show each other our pieces, and tell each other we understand. It’s the strongest power we possess, the transfiguration of the unfathomable into something we can recognize, something that bridges the gulfs between us.

Suddenly it all felt so ridiculous. She was playing some sad game of dress-up. But when it came down to it she was just another pathetic housewife waiting for her man to come home and give her life meaning

Fuck me, Sailor Brennan. You really did a number on my heart. I guess what I’m trying to say—while offending the ears of every middle-aged housewife in this state—is that this is real. It’s always been real. You said I never wanted you, but the truth was, I never wanted anyone but you. Not really. But I hadn’t realized it until you walked away, and for the first time in my life, I couldn’t eat, sleep, or breathe. I see you, aingeal dian, even when you’re trying to hide. Especially when you are trying to hide. I cannot unsee you. I’m like that kid from The Sixth Sense. Only you’re not dead, and I’m not hella annoying.

Telling women’s stories was—and would always be—Jackson’s major fictional project. As she had in The Road Through the Wall and the stories of The Lottery, with Hangsaman Jackson continued to chronicle the lives of women whose behavior does not conform to society’s expectations. Neither an obedient daughter nor a docile wife-in-training, Natalie represents every girl who does not quite fit in, who refuses to play the role that has been predetermined for her—and the tragic psychic consequences she suffers as a result. During the postwar years, Betty Friedan would later write, the image of the American woman “suffered a schizophrenic split” between the feminine housewife and the career woman: “The new feminine morality story is . . . the heroine’s victory over Mephistopheles . . . the devil inside the heroine herself.” That is precisely what happens in Hangsaman. Unfortunately, it was a story that the American public, in the process of adjusting to the changing roles of women and the family in the wake of World War II, was not yet ready to countenance.

Can you think of anything worse than living in a small town like this [ Farmington, Connecticut] all your life and competing to see which housewife could bake the best cake? [Letter to R. Beverley Corbin, Jr. 3 October 1946]

I’m an old man trying to give a young daughter advice, and it’s like a monkey trying to teach table manners to a bear. A drunk driver took my son’s life seventeen years ago and my wife has never been the same since. I’ve always seen the question of abortion in terms of Fred. I seem to be helpless to see it any other way, just as helpless as you were to stop your giggles when they came on you at that poetry reading, Frannie. Your mother would argue against it for all the standard reasons. Morality, she’d say. A morality that goes back two thousand years. The right to life. All our Western morality is based on that idea. I’ve read the philosophers. I range up and down them like a housewife with a dividend check in the Sears and Roebuck store. Your mother sticks with the Reader’s Digest, but it’s me that ends up arguing from feeling and her from the codes of morality. I just see Fred. He was destroyed inside. There was no chance for him. These right-to-life biddies hold up their pictures of babies drowned in salt, and arms and legs scraped out onto a steel table, so what? The end of a life is never pretty. I just see Fred, lying in that bed for seven days, everything that was ruined pasted over with bandages. Life is cheap, abortion makes it cheaper. I read more than she does, but she is the one who ends up making more sense on this one. What we do and what we think… those things are so often based on arbitrary judgments when they are right. I can’t get over that. It’s like a block in my throat, how all true logic seems to proceed from irrationality. From faith. I’m not making much sense, am I?

What are you going to do for a living? Yea, you're going to have to work because you can't be a housewife. Somebody has to marry you before you can be a housewife. And you, you are a plant. Do you know that? That's all you are if you don't talk. If you don't talk, you can't have a personality. You'll have no personality and no hair. You've got to let people know you have a personality and a brain. You think somebody is going to take care of you all your stupid life? You think you'll always have your big sister? You think somebody's going to marry you, is that it? Well you're not the type that gets dates, let alone gets married. Nobody's going to notice you. And you have to talk for interviews, speak right up in front of the boss. Don't you know that?

Nations do not plunge at once into ruin - governments do not change suddenly - the causes which bring about the final blow, are scarcely perceptible in the beginning; but they increase in numbers, and in power; they press harder and harder upon the energies and virtue of a people; and the last steps only are alarmingly hurried and irregular. A republic without industry, economy, and integrity, is Samson shorn of his locks. A luxurious and idle republic! Look at the phrase! - The words were never made to be married together; every body sees it would be death to one of them.

Capitalism does not merely mean that the housewife may influence production by her choice between peas and beans; or that plant managers have some voice in deciding what and how to produce: it means a scheme of values, an attitude toward life, a civilization—the civilization of inequality and of the family fortune.

As a rich property owner says ‘Bolsheviks’ - as an earnest Communist says ‘Capitalists! ’ - as a good housewife says ‘Blackbeetles’ - so did Miss Williams say ‘Men!’ From her spinster’s, governess’s life, there rose up a blast of fierce feminism. Nobody hearing her speak could doubt that to Miss Williams Men were the Enemy!

You know what your mum might be?' 'You're not really asking, are you? This is rhetorical, isn't it?' 'A real life desperate housewife. Maybe your mum's hooking and she -' "What are you, drunk? There's a five-year-old in the back seat. And, PS, you're not helping. All she said is that she's at the station. Not in jail. Now, I don't want to talk anymore about it. Mark and I spend the remainder of the car trip in silence. Emma, on the other hand, takes it upon herself to sing every verse of It's Hard Out Here For A Pimp. Next chance I get I'm gonna confiscate her copy of Hustle and Flow and change her computer password from GEELOVE to MONOBROW. - Cat

A bad housewife then of life you account her, if through hatred of thee she lost what was most dear to her. But wilt thou say that there is not this folly in men, but that there is in women? I myself have known young men who were not a whit more steady than women, when Venus disturbed the youthful mind: but their pretense of manliness protects them.

Total available Calories divided by Population equals Artistic-Technological Style. When the ratio Calories-to-Population is large—say, five thousand or more, five thousand daily calories for every living person—then the Artistic-Technological Style is big. People carve Mount Rushmore; they build great foundries; they manufacture enormous automobiles to carry one housewife half a mile for the purchase of one lipstick. Life is coarse and rich where C:P is large. At the other extreme, where C:P is too small, life does not exist at all. It has starved out. Experimentally, add little increments to C:P and it will be some time before the right-hand side of the equation becomes significant. But at last, in the 1,000 to 1,500 calorie range, Artistic-Technological Style firmly appears in self-perpetuating form. C:P in that range produces the small arts, the appreciations, the peaceful arrangements of necessities into subtle relationships of traditionally agreed-upon virtue. Think of Japan, locked into its Shogunate prison, with a hungry population scrabbling food out of mountainsides and beauty out of arrangements of lichens. The small, inexpensive sub-sub-arts are characteristic of the 1,000 to 1,500 calorie range.

I moved to the window, keeping my back to him. "Is it always an expression of freedom?" This time, I didn't wait for him to answer. "What if you've come to believe the options available to you are limited?" My chest rose and fell. "What if the way you think the world works is wrong? What if life taught you something false, or people lied to you, convinced you they knew better than you did? Can you really choose freely if you've been mistaught?

Had Shastri been given another five years, there would have been no Nehru–Gandhi dynasty. Sanjay Gandhi and Rajiv Gandhi would almost certainly still be alive, and in private life. The former would be a (failed) entrepreneur, the latter a recently retired airline pilot with a passion for photography. Finally, had Shastri lived longer, Sonia Gandhi would still be a devoted and loving housewife, and Rahul Gandhi perhaps a middle-level manager in a private sector company.

Don’t be fooled by clever hands, sir” the Sunlight Man said. He’d be lying with the back of his head on his hands, as he always lay. “Entertainment’s all very well, but the world is serious. It’s exceedingly amusing, when you think about it: nothing in life is as startling or shocking or mysterious as a good magician’s trick. That’s what makes stagecraft deadly. Listen closely, friend. You see great marvels performed on the stage - the lady sawed in half, the fat man supported by empty air, the Hindu vanishing with the folding of a cloth - and the subtlest of poisons drifts into your brain: you think the earth dead because the sky is full of spirits, you think the hall drab because the stage is adazzle with dimestore gilt. So King Lear rages, and the audience grows meek, and tomorrow, in the gray of old groceries, the housewife will weep for Cordelia and despair for herself. They weren’t fools, those old sages who called all art the Devil’s work. It eats the soul.

In the storyline, Judy’s father Melvyn owned the Foster Can Company. Her mother was a typical radio housewife. Her brother Randolph had a large vocabulary and a “supreme distaste for girls” (Radio Life). Oogie Pringle, Judy’s boyfriend, was a paragon of radio adolescents. Her friends were named Gloria, Mitzi, Eleanor, Stinky Edwards, and Jo-Jo Duran. The plots were almost interchangeable with others involving teenagers of either sex: less zany, certainly, than The Aldrich Family, about on a par with Corliss Archer, and perhaps more palatable than Archie Andrews.

In the nineteenth century, a young woman named Ellen Richards, trained in chemistry and unable to work in her field, announced the foundation of a new science she called oekology, or the science of living. This was the discipline later called domestic science or home economics, involving the effort to professionalize and dignify the work of the housewife by drawing on science and technology.* A single Greek root, oekos, has wandered through changing conceptions of human living, as well as changing fashions in spelling, producing the contemporary fields of economics and ecology, which frequently seem to be at odds. It also offers the less well-known term ekistics, coined by the city planner Constantinos Doxiadis to refer to a science of human settlement that would include the architectural creation of human spaces, their social and economic integration, and their relationship with the natural environment. Each of these latter-day coinages represents an incomplete view, but together they represent a view that includes biology and architecture, kitchens and stock exchanges, the growth of meadows and children as well as the GNP.

Can I have your pineapple upside-down cake recipe?” “Sure, darling. It’s just yellow box cake with Del Monte pineapple and brown sugar and a maraschino cherry on top. Just make sure you get the rings and not the chunks.” This cake sounds horrible. I try to nod in a diplomatic way, but Stormy is onto me. Crossly she says, “Do you think I had time to sit around baking cakes from scratch like some boring old housewife?” “You could never be boring,” I say on cue, because it’s true and because I know it’s what she wants to hear. “You could do with a little less baking and a little more living life.” She’s being prickly, and she’s never prickly with me. “Youth is truly wasted on the young.

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented

Burnout is very real. I see it in my practice on a daily basis. Men and women from every age and walk of life are so overwhelmed they can hardly function.” “Maybe they’re just working too hard.” “A common misconception. A person can suffer from burnout even if they’re a couch potato. You can burn out from being idle just like you can burn out from success. The common denominator is prolonged frustration.” “Spinning your wheels.” “Exactly. The feeling that no matter what you do you’re in the same place as you were yesterday. That there’s simply no reason to continue because you’d still be sunk in the same mire, running on the same treadmill, dancing the same tired dance. The housewife, the cop, the slacker, or the business tycoon can all suffer from burnout.” Cal

It would be hard. After all, I'm working. I'm a mother. Number one, I'm a mother & housewife, so there's the house kind of chores. In the evenings, I might attend some meeting, & then late at night, I would be either writing to the brothers & sisters in prison or working on the leaflets of their cases. Then on the weekend, at least every other weekend, we'd visit the political prisoners...I mean everybody has their whole life & things they have to do at home. But I'll tell you, we were busy during this time. Every week, more brothers & sisters would be arrested. We were working on scores of cases at the same time--trying to keep up with visiting, writing, attending court hearings. If I could show you all the leaflets we made, you'd get an idea of how expansive the work was.

This determination that nurturing should become exclusively a concern of women served to signify to both sexes that neither nurture nor womanhood was very important. But the assignment to women of a kind of work that was thought both onerous and trivial was only the beginning of their exploitation. As the persons exclusively in charge of the tasks of nurture, women often came into sole charge of the household budget; they became family purchasing agents. The time of the household barterer was past. Kitchens were now run on a cash economy. Women had become customers, a fact not long wasted on the salesmen, who saw that in these women they had customers of a new and most promising kind. The modern housewife was isolated from her husband, from her school-age children, and from other women. She was saddled with work from which much of the skill, hence much of the dignity, had been withdrawn, and which she herself was less and less able to consider important. She did not know what her husband did at work, or after work, and she knew that her life was passing in his regardlessness and in his absence. Such a woman was ripe for a sales talk: this was the great commercial insight of modern times. Such a woman must be told — or subtly made to understand — that she must not be a drudge, that she must not let her work affect her looks, that she must not become “unattractive,” that she must always be fresh, cheerful, young, shapely, and pretty. All her sexual and mortal fears would thus be given voice, and she would be made to reach for money. What was implied was always the question that a certain bank finally asked outright in a billboard advertisement: “Is your husband losing interest?

Rob’s entire life was successfully laid out, his attributes taking center stage, his accolades only a few seconds shy of the next brilliant offer, and the next rave review. Our family life seemed happy, at least from the outside looking in, and why wouldn’t it? I was the dutiful little housewife, he was the brilliant plastic surgeon, and his daughters closed the circle of the perfect family. When he was gone, working late, patching people up, consulting on emergencies, with the children long asleep, I would often stare at myself in the mirror, and wonder how my life had gotten so far left of where I was once headed. My face, without makeup, was burdened with secrets, lines that threatened to one day reveal themselves like a roadmap of my unhappiness. But for all Rob’s planning, he couldn’t have anticipated that on the second day of August, at 5:45 a.m., his life was about to become completely and forever irreparably changed.

Back in the day, physicians had to go through filing cabinets to find records and write notes and prescriptions by hand. Back in the day, office clerks had to run around the office with paper reports to track down their bosses for their approval. Back in the day, farmers planted by hand and harvested with sickles. What do these people have to whine about these days? No one is insensitive enough to say that. Every field has its technological advances and evolves in the direction that reduces the amount of physical labour required, but people are particularly reluctant to admit that the same is true for domestic labour. Since she became a full-time housewife, she often noticed that there was a polarised attitude regarding domestic labour. Some demeaned it as "bumming around at home", while others glorified it as "work that sustains life", but none tried to calculate its monetary value. Probably because the moment you put a price on something, someone has to pay.

It is easy to see the concrete details that trap the suburban housewife, the continual demands on her time. But the chains that bind her in her trap are chains in her own mind and spirit. They are chains made up of mistaken ideas and misinterpreted facts, of incomplete truths and unreal choices. They are not easily seen and not easily shaken off. How can any woman see the whole truth within the bounds of her own life? How can she believe that voice insider herself, when it denies the conventional, accepted truths by which she has been living? And yet the women I have talked to, who are finally listening to that inner voice, seem in some incredible way to be groping through to a truth that has defied the experts. I became aware of a growing body of evidence, much of which has not been reported publicly because it does not fit current modes of thought about women-evidence which throws into questions the standards of feminine normality, feminine adjustment, feminine fulfillment, and feminine maturity by why most women are still trying to live.

I believe all of us want the same things - we're all together, the industrial workers and the women and the farmers and the negro race and the Asiatic colonies, and even a few of the Respectables. It's all the same revolt, in all the classes that have waited and taken advice. I think perhaps we want a more conscious life. We're tired of drudging and sleeping and dying. We're tired of seeing just a few people able to be individualists. We're tired of always deferring hope till the next generation. We're tired of hearing the politicians and priests and cautious reformers (and the husbands!) coax us, "Be calm! Be patient! Wait! We have the plans for a Utopia already made; just give us a bit more time and we'll produce it, trust us, we're wiser than you." For ten thousand years they've said that. We want our Utopia NOW - we're going to try our hands at it. All we want is - everything for all of us! For every housewife and every longshoreman and every Hindu nationalist and every teacher. We want everything. We shan't get it. So we shan't ever be content.

Now, by all accounts, you have the perfect life: you have the high-earning husband, the rosy-cheeked children, and the Buick in the driveway. But something isn’t right. Household tasks don’t seem to hold your attention; you snarl at your children instead of blanketing them with smiles. You fret about how little you resemble those glossy women in the magazines, the ones who clean counters and bake cakes and radiate delight. (Looking at those ads, a housewife and freelance writer named Betty Friedan “thought there was something wrong with me because I didn’t have an orgasm waxing the kitchen floor.”) Everything and everyone confirm that it’s just as you suspected: the problem is you. You’re oversexed, you’re undersexed, you’re overeducated, you’re unintelligent. You need to have your head shrunk; you need to take more sleeping pills. You ought to become a better cook—all those fancy new kitchen appliances!—and in the meantime be content and grateful with what you have. The cultural pressure of the 1950s was so intense that some women, in order to survive, killed off the parts of themselves that couldn’t conform.

I threw out the paper, the bottles, the fantastic accumulation of trash, I examined the contents of the innumerable boxes and suitcases, and disposed of them. But I am not a housewife--men can never be housewives. And the pleasure was never real or deep, though Giovanni smiled his humble, grateful smile and told me in as many ways as he could find how wonderful it was to have me there, how I stood, with my love and my ingenuity, between him and the dark. Each day he invited me to witness how he had changed, how love had changed him, how he worked and sang and cherished me. I was in a terrible confusion. Sometimes I thought, but this is your life. Stop fighting it. Stop fighting. Or I thought, but I am happy. And he loves me. I am safe. Sometimes, when he was not near me, I thought, I will never let him touch me again. Then, when he touched me, I thought it doesn't matter, it is only the body, it will soon be over. When it was over I lay in the dark and listened to his breathing and dreamed of the touch of hands, of Giovanni's hands, or anybody's hands, hands which would have the power to crush me and make me whole again.

First, she must unequivocally say “no” to the housewife image. This does not mean, of course, that she must divorce her husband, abandon her children, give up her home. She does not have to choose between marriage and career; that was the mistaken choice of the feminine mystique. In actual fact, it is not as difficult as the feminine mystique implies, to combine marriage and motherhood and even the kind of lifelong personal purpose that once was called “career.” It merely takes a new life plan—in terms of one’s whole life as a woman. The first step in that plan is to see housework for what it is—not a career, but something that must be done as quickly and efficiently as possible. Once a woman stops trying to make cooking, cleaning, washing, ironing, “something more,” she can say “no, I don’t want a stove with rounded corners, I don’t want four different kinds of soap.” She can say “no” to those mass daydreams of the women’s magazines and television, “no” to the depth researchers and manipulators who are trying to run her life. Then, she can use the vacuum cleaner and the dishwasher and all the automatic appliances, and even the instant mashed potatoes for what they are truly worth—to save time that can be used in more creative ways.

The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.

PUBLISHERS WEEKLY REVIEW Collagist Fabe adds flair to Jane Austen’s Pride and Prejudice with 39 original illustrations that accompany the unabridged text. Fabe’s collages overlay bright, watercolor-washed scenes with retro cut-paper figures and objects sampled from fashion magazines from the 1930s to the ’50s. Accompanying each tableau is a quote from the Pride and Prejudice passage that inspired it. Like Austen’s book, Fabe’s work explores arcane customs of beauty and courtship, pageantry and social artifice: in one collage, a housewife holds a tray of drinks while a man sits happily with a sandwich in hand in the distance. While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen “was a little bit mean—the way real people are mean—so there are both heroes and nincompoops. Family is both beloved and annoying. That is Austen’s genius, her ability to describe people in all their frailty and humor.” This is a sweet and visually appealing homage. (BookLife) “While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen “was a little bit mean—the way real people are mean—so there are both heroes and nincompoops.” #publishersweeklyreview #booklife #elliefabe #janeausten #prideandprejudice #cincinnatiartist

THIS IS YOUR WIFE,” THE CAPTION OF THE BELL TELEPHONE ad reads. Above it, five identical women’s heads are lined up in a row. One head wears a chef’s toque; the next, a nurse’s bonnet; another, a chauffeur’s cap; and so on. Thanks to the telephone, readers are told, “the pretty girl you married” can order groceries, call for a sick child’s medicine, find out what time to meet her husband’s train, and more. Behold the modern American housewife: five women neatly bundled into one.

I don’t drink alcohol even when I’m not in the family way. Never have.” “Never?” “Nope.” “Never drank once in all your life? That’s impossible.” “It’s partly a religious decision. I’m a Mormon. From Utah, you know.” He stared, mouth slightly agape. “How many wives does your husband know.”have?” “Oh please. Mormons aren’t polygamists.” “Yes they are,” the driver piped up. He wore one of those cliché chauffeur hats low over his eyes. “Everyone knows. The men have loads of wives, make them all wear bonnets.” Becky sighed and gave her speech. “Some Mormons were polygamists in the nineteenth century, but they gave up the practice in 1890. There are small religious groups around the Utah area who practice polygamy, but they have nothing to do with the LDS Church.” “That’s not what I saw on TV. Mormons, they said. Polygamists. Loads of ’em.” “I am a Mormon, from Utah, lived there my entire thirty-four years, and I’ve never met a polygamist.” The driver straightened the Mets plush baseball that dangled from the rearview mirror. “You must not get out much.” “Yes, that must be it.” “It’s tragic really,” Felix said. “She’s agoraphobic and hadn’t been out of the house in, what was it, fifteen years?” “Sixteen,” Becky said. “Right, sixteen. Last time was when Charles and Diana wed.” “You’re thinking of the last time I leaned out the window. The last time I actually left the house was for a sale at Sears.” “Of course, the day you bought those trousers. Sixteen years later, here she is! And in the same trousers, but still . . . We’re so proud of our little Becky!” Felix patted her head. “You dug deep, but you found the courage to step out of that door.” “I did like you told me, Felix. I just shut my eyes and chanted, ‘The polygamists are not going to eat me, they’re not going to eat me,’ and I wasn’t afraid anymore.” “She is a rare example of true bravery. Don’t you agree?” “Uh, yeah,” said the driver. “Congratulations.” “Thanks.” Becky smiled politely. “Go Mets.” The driver snorted.

Confucianism made its way into every aspect of life—even food. Food is based on the theory of the yin and yang, and the five elements. Every meal has to have five tastes: sour, bitter, sweet, spicy, and salty. There are also supposed to be five colors and five textures. Every housewife, without thinking of it, follows these rules. That’s why Korean food is so healthy. It’s based on the philosophy of the cosmic energy.” Many

The domestic relations of master–slave and master-servant, relations between unequals, have given way to the relation between capitalist or employer and wage labourer or worker. Production moved from the family to capitalist enterprises, and male domestic labourers became workers. The wage labourer now stands as a civil equal with his employer in the public realm of the capitalist market. A (house)wife remains in the private domestic sphere, but the unequal relations of domestic life are ‘naturally so’ and thus do not detract from the universal equality of the public world. The marriage contract is the only remaining example of a domestic labour contract, and so the conjugal relation can easily be seen as a remnant of the pre-modern domestic order – as a feudal relic, or an aspect of the old world of status that has not yet been transformed by contract.

To the casual observer there was nothing unusual about these six hours. To the casual observer this Friday was a normal Friday. Six hours of routine. Six hours of the expected. Six hours. One Friday. Enough time for a shepherd to examine his flocks, a housewife to clean and organize her house, a physician to receive a baby from a mother’s womb and cool the fever of one near death. Six hours. From 9:00 am to 3:00 PM. Six hours. One Friday. Six hours filled with, as are all hours, the mystery of life.

This life may not have been the one I’d mapped out, but from now on, I plan on enjoying

self-leadership entails sharpening the leadership skills that you originally possess and the leader in you emerges forth to accomplish what is required of you more efficiently. For example, a simple housewife is a leader. She is a born leader, even as suppressed as she may be depending upon the society she belongs to or her circumstances, she does lead, and she takes the reigns of her household, trains her children in the ways of life, etc. Thereby every human has a leader hidden in them. Self-leadership is about recognizing your leadership traits, sharpening them, and putting them into action.

words from a Davison Jeffers poem taped up on the refrigerator door. Here they are: There is no reason for amazement; surely one always knew that cultures decay, and life’s end is death.

Observing Colette made me question my mother’s dreams. Her lack of purpose seemed more and more an oddity, suspect, even anti-feminist. That my care played such a principal role in her life was a vocation I naively condemned, rebuffing the intensive, invisible labor as the errand work of a housewife who’d neglected to develop a passion or a practical skill set. It wasn’t until years later, after I left for college, that I began to understand what it meant to make a home and just how much I had taken mine for granted.

Odd how differently people look on home. To me it’s my real ‘core’ of life and living. I can always relax and read or sew happily if I’m on my own, and would like to have people in rather than go out looking for change. My husband has his mother’s deep horror of being in the house by himself, and only wanders around unhappily, looking out of windows, watching the clock and timing my return.

It turned out that we had slightly different perspectives on life,’ she said. ‘He thought I should become a housewife and generally keep my trap shut. And I thought … well, not that.

It’s funny. My own mother was a housewife all her life. And yet it’s turned out that I’ve hired a lot of women for top jobs, and they’ve been among my best people. Often, in fact, they are far more effective than the men around them.

You were furious, and you wanted to destroy something, even if the only thing you could manage was your own life.

What if you're a woman," I said, feeling each word like fire in my throat, "and the world teaches you who you are, and where your place is, from the moment you're born, but all along, it's a lie. What if the lie chains you every day? If you're not thinking straight any minute of your life, and even your defiance, even your pleasure, is suspect?" I pressed my palm against the cold glass. "How does consent work then? What makes you want the things you want? Is it your choice, or were you molded?

Her lack of purpose seemed more and more an oddity, suspect, even anti-feminist. That my care played such a principal role in her life was a vocation I naively condemned, rebuffing the intensive, invisible labor as the errand work of a housewife who'd neglected to develop a passion or a practical skill set. It wasn't until years later, after I left for college, that I began to understand what it meant to make a home and just how much I had taken mine for granted.

My whole life has been like that. Starts and stops. Doing something brave, getting something right, then messing up, burning all the progress to the ground.

To find all that was left of my life with Laurel and Clem were the memories inside my head—such an unreliable place to store such precious things.

The bigotry, narrowness and intolerance of which the Calvinists have been so often accused will generally prove to be the virtues which adorn human society and make civilization a possibility. Their 'bigotry' is chiefly devotion to righteousness; their 'narrowness,' their fear of swerving from the 'narrow way' which leadeth unto life; their 'intolerance,' the impatience of their zeal for the establishment of their Redeemer's kingdom upon earth. Such men will indeed appear, at times, intolerant, through the intensity of their enthusiasm and their impatience with the sophistries by which many endeavor to conceal or excuse their follies and vices; but it is the intolerance of the good housewife, who brushes away the moths and the cobwebs and makes the dwelling habitable; it is the intolerance of the fresh breeze, which sweeps away the poisonous vapors and gives to the atmosphere the elements of life. 'The Calvinists,' says Froude, 'have been called intolerant; but intolerance of an enemy who is trying to kill you seems to me a pardonable state of mind. It is no easy matter to tolerate lies, clearly convicted of being lies, under any circumstances; specially, it is not easy to tolerate lies which strut about in the name of religion.' Of such things the gospel of Christ is eternally intolerant.

IN A MATTER of a little more than a year, I had gone from being the most despised creature in the Third Reich—a hunted Jewish slave girl dodging a transport to Poland—to being one of its most valued citizens, a breeding Aryan housewife. People treated me with concern and respect. If they only knew who I had been! If they only knew whose new life I was breeding!

The servant who takes an interest in her work seems no longer to exist, and in return for high wages we get but superficial service,’ bemoaned one editorial. ‘Where is the maid to be found who takes pride in the brilliance of the glass to be used on the table or remembers of her own initiative to darn the damask? Every sort of contrivance now lessens labour – carpet sweepers, knife machines, bathrooms, lifts – in spite of these the life of a housewife is one long wrestle and failure to establish order.

Instead, I hope to raise the value we place on the call of God, in whatever way that call manifests in someone’s life. The dentist, the lawyer, the housewife, the mechanic and all the rest are called by God to do what they do to more fully express who He is in a functioning and healthy society.

SOMEWHERE BETWEEN MAN AND BEAST IS THE CREATURE KNOWN AS THE ITALIAN HOUSEWIFE. Baby, trust me, when it comes to Italians it’s the women you have to fear.

you are a woman, forget about it. With all the cultural advancements, middle-class and professional women of this era have gained the freedom to have their own lives and careers without the need for marriage. Having a husband and kids isn’t a prerequisite to having a well-rounded, fulfilling adult life anymore. To be clear, I’m not saying that filling that traditional housewife role over being a professional is a bad thing to do today, and I know that the decisions women make about work are complicated. Also, I’m not saying that women who do choose careers hate their kids, etc. Am I clear here? I’M NOT SHITTING ON ANYONE’S LIFE CHOICE (unless the choice is to smoke crack and treat your kids like the Mo’Nique character treats Precious in the movie Precious). But what’s important is that more women than ever are able to make that choice for themselves. Even

February 4–15: The couple visits holy places, Osaka, Mount Fuji, Yokohama, and the Izu Peninsula. Marilyn looks especially comfortable among a group of women dressed in traditional Japanese clothing. In some shots she wears a hat and a modestly cut suit. Marilyn accepts the Japanese emperor’s gift of a natural pearl necklace. In Korea to entertain the troops General John E. Hull invites Marilyn to entertain American troops in Korea. A disturbed DiMaggio opposes the invitation, but Marilyn accepts it. Marilyn writes photographer Bruno Bernard from Japan: “I’m so happy and in love. . . . I’ve decided for sure that it’ll be better if I only make one or two more films after I shoot There’s No Business Like Show Business and then retire to the simple good life of a housewife and, hopefully, mother. Joe wants a big family. He was real surprised when we were met at the airport by such gigantic crowds and press. He said he never saw so much excitement, not even when the Yankees won the World Series.

It was another beautiful crisp, clear day, in what has always been considered picturesque Überlingen. The village was internationally known for its traditional beauty and was a popular vacation destination long before the war. As usual, there was just a hint of a breeze off the brilliantly blue lake and I could understand why so many Germans would come here for their urlaub or vacation. Having a little money left over from the last check sent by Mina, I found a nice room for the three of us, overlooking the lake at a classy resort hotel. For the next two days we lived quite comfortably in our new surroundings. In fact we even enjoyed a real hot bath, something that I had almost forgotten. As I soaked in the warm, sudsy water I could hear my children laughing and giggling in the next room, and longed for a time when the world would be at peace again. During the day we walked along the shore of the beautiful Bodensee, but in the back of my mind, I knew that this was nothing more than a horrible illusion and couldn’t last; besides I had to find work. In reality, the children and I would have to settle in somewhere so that we could find some sort of stability. It was also important that they enroll in a school again. That “somewhere” turned out to be a room in a house owned by two old ladies who took in boarders. The old house faced the railroad station and was quaint in the old world style. It fit right into the picture postcard appearance of romantic Überlingen. Erika, the younger of the two ladies, was very kind and helpful to me. There were also two other tenants, Mr. and Mrs. Koestoll. He was German and she seemed to be what could be considered a typical French housewife, who devoted her life to her German husband. Herr Koestoll, was old and feeble and they sustained themselves on a very small pension. In fact it was so bad that he couldn’t even afford shoes. However their happiness didn’t seem to depend on money. I grew very fond of them for the short time that we knew each other.

You’re saying Felix Callahan is your best friend? Holy—” And the waitress said a word that Becky wouldn’t want repeated. Becky did her best not to tsk like an old lady, but she couldn’t help a pointed sniff . “Well, I wouldn’t go that far.” Felix came up from behind. “I would.” The waitress turned red and scurried away. Becky glared at him. “What,” he said, “you don’t think our friendship merits a few expletives?” “That kind of language shows a baseness of mind and lack of creativity.” “Or a lust for life. You can feel your pulse beat in the harder words. Sometimes you just have to dig in and curse until you are blue.” His voice was rising, audible to the tables nearby, and he raised his hand in a fist. “Go on, cut your teeth on them. Say it with me now. Holy sh——” She put her hand over his mouth. “Enough,” she whispered loudly. She removed her hand. He picked up the bill, glancing over it casually, then whispered, “——it.

I am not ascare to die. I am only ascare that after death I be alone. Maybe because of suicide, I go to the hell? If hell all hot and crowded and noiseful, like Christian minister on TV say, then I not care because it will be just like India. But if hell cold and quiet, with lot of snow and leaf-empty trees, and people who smile with string-thin lips, then I ascare. Because it seems so much like my life in Am'rica.

Sweet? Submissive? May as well be a housewife … it dims my luster, makes me resemble others—that’s the worst thing that could happen.

Jan was born in a small town outside of Kiev, Ukraine. He was an only child. His mother was a housewife, his father a construction manager. When Koum was sixteen, he and his mother immigrated to Mountain View, California, mainly to escape the anti-semitic environment of their homeland. Unfortunately, Jan’s father never made the trip. He got stuck in the Ukraine, where he eventually died years later. His mother swept the floors of a grocery store to make ends meet, but she was soon diagnosed with cancer. They barely survived off her disability insurance. It certainly wasn’t the most glamorous childhood, but he made it through. After college, Jan applied to work at Yahoo as an infrastructure engineer. He spent nine years building his skills at Yahoo, and then applied to work at Facebook. Unfortunately, he was rejected. In 2009, Jan bought an iPhone and realized there was an opportunity to build something on top of Apple’s burgeoning mobile platform. He began building an app that could send status updates between devices. It didn’t do very well at first, but then Apple released push notifications. All of the sudden, people started getting pinged when statuses were updated. And then people began pinging back and forth. Jan realized he had inadvertently created a messaging service. The app continued to grow, but Jan kept quiet. He didn’t care about headlines or marketing buzz. He just wanted to build something valuable, and do it well. By early 2011, his app had reached the top twenty in the U.S. app store. Two years later, in 2013, the app had 200 million users. And then it happened: In 2014, Jan’s company, WhatsApp, was acquired by Facebook―the company who had rejected him years earlier―for $19 billion. I’m not telling this story to insinuate that you should go build a billion-dollar company. The remarkable part of the story isn’t the payday, but the relentless hustle Jan demonstrated throughout his entire life. After surviving a tumultuous childhood, he practiced his craft and built iteratively. When had had a product that was working, he stayed quiet, which takes extreme discipline. More often than not, hustling isn’t fast or showy. Most of the time it’s slow and unglamorous―until it’s not. 

That a mother should wish to see her daughters happily married, is natural and proper; that a young lady should be pleased with polite attentions is likewise natural and innocent; but this undue anxiety, this foolish excitement about showing off the attentions of somebody, no matter whom, is attended with consequences seriously injurious. It promotes envy and rivalship; it leads our young girls to spend their time between the public streets, the ball room, and the toilet; and, worst of all, it leads them to contract engagements, without any knowledge of their own hearts, merely for the sake of being married as soon as their companions. When married, they find themselves ignorant of the important duties of domestic life; and its quiet pleasures soon grow tiresome to minds worn out by frivolous excitements. If they remain unmarried, their disappointment and discontent are, of course, in proportion to their exaggerated idea of the eclat attendant upon having a lover. The evil increases in a startling ratio; for these girls, so injudiciously educated, will, nine times out of ten, make injudicious mothers, aunts, and friends;

The women seemed more industrious than the men, for they were housekeepers; and the noise of the Indian housewife patting her tortillas in preparation for breakfast was the only sound that ever broke the silence of our quiet morning rides. For what need have men to work in a land of perpetual summer, where fruits grow wild, and a small piece of ground will produce frijoles and corn, their sole living; where branches and stout vines from the woods furnish the framework of their houses, mud the covering, and palm leaves the thatching for the roof? They come up idle and careless in the sunshine, marry, grow old and die never having advanced a step beyond their fathers, nor, to all appearance, had a longing for better things. Yet there was never a more docile, kind-hearted happy people in the world, and who shall say they are not much better off than we, with our artificial wants, and strivings after the impossible? (pge 107)

Accept success as a good thing, and invite it into your life. Set today as the starting point for a new life. Every race starts at one point. Every building starts with one stone. Every great work, every dream, every great achievement starts somewhere. The march of a thousand miles begins with one step, said Confucius. Everyone, absolutely everyone, have to start the walk somewhere. It does not matter where you are right now. It does not matter if you are a student, a professional, a housewife, a peasant coming to the city looking for a better life. It does not matter if you are unemployed and out of work (or as I like to refer to it: awaiting for a really wonderful and transformative life experience that I was not having in my former employment). What matters is not if you have a lot or have a little; but what you decide to do with what you have.

Today's "housewife" is a sassy, clever, opinionated woman who faces challenges head-on and never shies from telling it like it is--all the while hoping to create a happy "home life," regardless of what kind of home she has and who lives there.

An incident which meant a great deal to Diana took place in that same hospital away from the cameras, smiling dignitaries and the watchful public. The drama began uneventfully three days earlier in a back yard in Balderton, a village near Newark when housewife Freda Hickling collapsed with a brain haemorrhage. When Diana first saw her behind the screens in the intensive care unit she was on a life-support system. Her husband Peter sat with his wife, holding her hand. Diana, who was visiting patients in the hospital, had been already been told by the consultant that there was little hope of recovery. She quietly asked Peter if she should join him. For the next two hours she sat holding the hands of Peter and Freda Hickling before the specialist informed Peter that his wife was dead. Diana then joined Peter, his stepson Neil and Neil’s girlfriend Sue in a private room. Sue, who was so shocked at seeing Freda Hickling on a life-support machine, did not recognize Diana at first, vaguely thinking she was someone from television. “Just call me Diana,” said the Princess. She chatted about everyday matters; the size of the hospital, Prince Charles’s arm and asked about Neil’s forestry business. Eventually Diana decided that Peter could do with a large gin and asked her detective to find one. When he failed to reappear, the Princess successfully found one herself. Peter, a 53-year-old former council worker, recalls: “She was trying to keep our spirits up. For somebody who didn’t know anything about us she was a real professional at handling people and making quick decisions about them. Diana did a great job to keep Neil calm. By the time we left he was chatting to Diana as though he had known her all his life and gave her a kiss on the cheek as we walked down the steps.” His sentiments are endorsed by his stepson, Neil. He says: “She was a very caring, understanding person, somebody you can rely on. She understood about death and grief.