“
He laughed, then became serious once more. "Mary............"
The expression in his eyes set her heart pounding. "Yes?"
Twice he began to frame a sentence, and twice his voice seemed to fail him.
And she thought she understood. What could he possibly say to her now, when he was on the verge of leaving forever? Even something as simple as asking her to write to him carried a distinct sort of promis, the type of promise he was ten years and a half a world removed from being able to make.
She forced a polite smile and held out her hand. "Good luck, James."
Regret-and relief-flooded his eyes. he took her hand, cradling it for a long moment. "And to you."
It was foolish to linger. She slid her fingers from his grasp, turned, and began to walk away in the direction of the Academy. She'd gone about thirty paces when she heard his voice.
"Mary!"
She spun about. "What is it?"
"Stay out of wardrobes!"
She laughed, shook her head, and began to walk again. She was smiling this time.
”
”
Y.S. Lee (A Spy in the House (The Agency, #1))
“
..."Are you okay?" he says, still looking at me, and I feel my smile slip, fade, and the silence that falls over us then is so total I can’t hear anything, not the rush-hiss of my heart pounding in my chest, not the sounds all around us; insects, wind, and the distant clatter of others’ lives in houses built close but not too close because when we look out our windows we all like to pretend that everything we see is ours. But Ryan is not mine.
”
”
Elizabeth Scott (The Unwritten Rule)
“
And one cried wee, wee, wee, all the way—" Jessica breaking down in a giggle as he reaches for the spot along her sweatered flank he knows she can't bear to be tickled in. She hunches, squirming, out of the way as he rolls past, bouncing off the back of the sofa but making a nice recovery, and by now she's ticklish all over, he can grab an ankle, elbow—
But a rocket has suddenly struck. A terrific blast quite close beyond the village: the entire fabric of the air, the time, is changed—the casement window blown inward, rebounding with a wood squeak to slam again as all the house still shudders.
Their hearts pound. Eardrums brushed taut by the overpressure ring in pain. The invisible train rushes away close over the rooftop....
They sit still as the painted dogs now, silent, oddly unable to touch. Death has come in the pantry door: stands watching them, iron and patient, with a look that says try to tickle me.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
You are mine, mo krrá. The same way that I am yours. From now until the end of time.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street.
I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water.
"And under the water? You haven't thought what could be under the water."
A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.
”
”
Jean-Paul Sartre (Nausea)
“
I know a flower that grows in the valley, none knows it but I. It has purple leaves, and a star in its heart, and its juice is as white as milk. Should’st thou touch with this flower the hard lips of the Queen, she would follow thee all over the world. Out of the bed of the King she would rise, and over the whole world she would follow thee. And it has a price, pretty boy, it has a price. What d’ye lack? What d’ye lack? I can pound a toad in a mortar, and make broth of it, and stir the broth with a dead man’s hand. Sprinkle it on thine enemy while he sleeps, and he will turn into a black viper, and his own mother will slay him. With a wheel I can draw the Moon from heaven, and in a crystal I can show thee Death. What d’ye lack? What d’ye lack? Tell me thy desire, and I will give it thee, and thou shalt pay me a price, pretty boy, thou shalt pay me a price.
”
”
Oscar Wilde (A House of Pomegranates)
“
Ha'rovh béhya an ha théach'thu; ha'ral béih. (Until I met you, little bird, I was merely living; I was not alive.)
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Fight for us, Behach Éan. Your monster is coming.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
How are you?
I'm shattered, thanks, how are you? I walk aimlessly through the rooms of my house, what have you been up to? I have woken up in the middle of the last 240 nights in a heart-pounding sweat, what's new with you? I sometimes wish I would never wake up, have you been on vacation this year? I ache for the arms of my sweetheart to hold me tight, how's your family? I feel barren and useless and creepy and mundane, seen any good movies lately? I'm terrified that I'll feel this way forever, I like that sweater you're wearing. I keep seeing his body on the hospital gurney, don't you love this weather. My broken heart is in my throat, let's do lunch. I'm so completely and utterly tired of being sad, thanks, how are you?
”
”
Christine Silverstein
“
I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with other I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts.
When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carreid the promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that.
But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning.
”
”
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
“
I remember the mantra of visitors when she was a newborn—sleep when the baby sleeps! And I wanted to laugh. I wanted to say, Don’t you get it? I can’t ever sleep again, not completely. Not into that complete, solid unconsciousness I used to have before she came along...
...Anything could happen- she could choke in her sleep, the house could burn down, a fox could slink into the open bathroom window and maul her. And so I sleep with one ear cocked, ready to leap up, heart pounding, at the least sign that something is wrong.
”
”
Ruth Ware (The Lying Game)
“
I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with other I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts.
When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carried the promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that.
But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning.
”
”
Karl Ove Knausgård
“
Do not fear the ghosts in this house; they are the least of your worries.
Personally I find the noises they make reassuring.
The creaks and footsteps in the night,
their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place
feel so much more like a home.
Inhabited.
Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me.
There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self,
feeling her wings kiss my palms so gentle,
and put her out, and watched her fly away.
I've little patience with the seasons here, but
your arrival eased this winter's chill.
Please, wander round. Explore it all you wish.
I've broken with tradition on some points. If there is
one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood.
Regard:
just tools, a washing-machine, a drier, a water-heater, and a chain of keys.
Nothing that can alarm you. Nothing dark.
I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune,
carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream
of making me forget what came before you walked
into the hallway of this house. Bringing a little summer in your glance, and with your smile.
While you are here, of course, you will hear the ghosts, always a room away,
and you may wake beside me in the night,
knowing that there's a space without a door,
knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound.
If you are wise you'll run into the night, fluttering away into the cold,
wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run,
so, if I wished, I could just follow you,
tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home.
The world flutters like insects. I think this is how I shall
remember you,
my head between the white swell of your breasts,
listening to the chambers of your heart.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
But nobody ever tells you what to do when you don’t die, when you’re lying there and something is touching you and you’re pretending to be asleep because everybody knows that monsters can’t get you as long as you’re asleep and your heart pounds but you keep not dying and you stubbornly remain conscious and it keeps happening.
”
”
T. Kingfisher (A House With Good Bones)
“
Suppose you are particularly rich and well-to-do, and say on that last day, 'I am very rich; I am tolerably well known; I have lived all my life in the best society, and, thank Heaven, come of a most respectable family. I have served my King and country with honour. I was in Parliament for several years, where, I may say, my speeches were listened to, and pretty well received. I don't owe any man a shilling: on the contrary, I lent my old college friend, Jack Lazarus, fifty pounds, for which my executors will not press him. I leave my daughters with ten thousand pounds a piece--very good portions for girls: I bequeath my plate and furniture, my house in Baker Street, with a handsome jointure, to my widow for her life; and my landed property, besides money in the Funds, and my cellar of well-selected wine in Baker Street, to my son. I leave twenty pound a year to my valet; and I defy any man after I am gone to find anything against my character.' Or suppose, on the other hand, your swan sings quite a different sort of dirge, and you say, 'I am a poor, blighted, disappointed old fellow, and have made an utter failure through life. I was not endowed either with brains or with good fortune: and confess that I have committed a hundred mistakes and blunders. I own to having forgotten my duty many a time. I can't pay what I owe. On my last bed I lie utterly helpless and humble: and I pray forgiveness for my weakness, and throw myself with a contrite heart at the feet of the Divine Mercy.' Which of these two speeches, think you, would be the best oration for your own funeral? Old Sedley made the last; and in that humble frame of mind, and holding by the hand of his daughter, life and disappointment and vanity sank away from under him.
”
”
William Makepeace Thackeray (Vanity Fair)
“
MARLYS WAS A WOMAN of ordinary appearance, if seen in a supermarket or a library, dressed in homemade or Walmart dresses or slacks, a little too heavy, but fighting it, white-haired, ruddy-faced. In her heart, though, she housed a rage that knew no bounds. The rage fully possessed her at times, and she might be seen sitting in her truck at a stoplight, pounding the steering wheel with the palms of her hands, or walking through the noodle aisle at the supermarket with a teeth-baring snarl. She had frightened strangers, who might look at her and catch the flames of rage, quickly extinguished when Marlys realized she was being watched. The rage was social and political and occasionally personal, based on her hatred of obvious injustice, the crushing of the small and helpless by the steel wheels of American plutocracy.
”
”
John Sandford (Extreme Prey (Lucas Davenport, #26))
“
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line.
“I’m going into hiding with Jim.”
The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need.
“I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.”
“Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.”
I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.”
“No?”
“There will be no falling, no sex, no you and me.”
“I wanted to kiss you when you were in your house. In Savannah.”
Why the hell was my heart pounding? “And?”
“You looked afraid. That wasn’t the reaction I was hoping for.”
Be calm and reasonable. “You flatter yourself. You’re not that scary.”
“After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.”
Melt?
“You’re scared there might be something there, between you and me.”
Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.”
“You thought about dragging me into your bed this morning.”
“I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.”
“I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.”
“Enjoy the memory,” I ground out. “That’s the last time it will ever happen.”
“Go play your games with Jim. I’ll find you both when I need you.”
Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.”
“Is that a promise?”
“Yes. Go fuck yourself.”
I slammed the phone down. Well, then. That was perfectly reasonable.
On the other side of the counter an older, heavyset man stared at me like I had sprouted horns.
Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
And I am overwhelmed now by the awfulness of over-simplification. For now I realize that not only have I been guilty of it through this long and burning day but also through most of my yet young life and it is only now that I am doubly its victim that I begin to vaguely understand. For I had somehow thought that ‘going away’ was but a physical thing. And that it had only to do with movement and with labels like the silly ‘Vancouver’ that I had glibly rolled from off my tongue; or with the crossing of bodies of water or with the boundaries of borders. And because my father told me I was ‘free’ I had foolishly felt that it was really so. Just like that. And I realize now that the older people of my past are more complicated than perhaps I had ever thought. And that there are distinctions between my sentimental, romantic grandfather and his love for coal, and my stern and practical grandmother her hatred of it; and my quietly strong but passive mother and the souring extremes of my father’s passionate violence and the quiet power of his love. They are all so different. Perhaps it is possible I think now to be both and yet to see only one. For the man in whose glassed-in car I now sit sees only similarity. For him the people of this multi-scarred little town are reduced to but a few phrases and the act of sexual intercourse. They are only so many identical goldfish leading identical, incomprehensible lives within the glass prison of their bowl. And the people on the street view me from behind my own glass in much the same way and it is the way that I have looked at others in their ‘foreign licence’ cars and it is the kind of judgment that I myself have made. And yet it seems that neither these people nor this man are in any way unkind and not to understand does not necessarily mean that one is cruel. But one should at least be honest. And perhaps I have tried too hard to be someone else without realizing at first what I presently am. I do not know. I am not sure. But I do know that I cannot follow this man into a house that is so much like the one I have left this morning and go down into the sexual embrace of a woman who might well be my mother. And I do not know what she, my mother, may be like in the years to come when she is deprived of the lighting movement of my father’s body and the hammered pounding of his heart. For I do not know when he may die. And I do not know in what darkness she may cry out his name nor to whom. I do not know very much of anything, it seems, except that I have been wrong and dishonest with others and myself. And perhaps this man has left footprints on a soul I did not even know that I possessed.
”
”
Alistair MacLeod (The Lost Salt Gift of Blood)
“
Do you know why I always keep a shilling in my pocket? Because everything I am today, everything I've earned- it all started there. I was once worth a single shilling. Now I'm worth hundreds of thousands of pounds."
"No, you aren't."
"Shall I produce the bank ledgers to prove it?"
"Ledgers are meaningless. I have a sum placed on me, you know. A dowry of forty thousand. And yet if I were to lose my virtue, some would deem me worthless."
"You could never be worthless."
"I could certainly drive down the price of your house. You never miss a chance to remind me."
He shook his head. "That's not the point."
"Here is the point." She stepped into his path, forcing him to meet her eyes. Man-eating sharks and all. "No one can be reduced to numbers in a ledger, or a stack of banknotes, or a single silver coin. We are humans, with souls and hearts and passion and love. Every last one of us is priceless. Even you."
She set her frustration aside and took his face in her hands.
He needed to hear this. Everyone needed to hear it, including her. Perhaps that was why she spoke the words so often, to so many creatures. Simply to hear them echo back.
"Gabriel Duke. You are priceless.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
The explosion was deafening; a huge cloud of fire rolled out the window after us, its immense heat brushing my face as we tumbled into the snow.
We hit the ground and rolled. Flaming debris from the house came down around us; Griffin shoved me flat on my back, covering us both with his heavy coat.
The echoes of the explosion reflected back across the river, then slowly dwindled away, like dying thunder. The leaping flames threw warm light onto the falling snow, turning it into a storm of sparks pouring down from the heavens.
Griffin started to push himself off of me, then stoped. His hands were braced on either side of my shoulders, his legs twined with mine. Mt heart pounded, my palms sweated, and I was suddenly, acutely aware of how close his face was to mine.
"You're a madman," he whispered. "An utter madman."
"Perhaps," I allowed. "But it worked."
The leaping light from the burning house painted his features in gold, highlighting his patrician nose and finding threads of brown and blue in his green eyes. His pupils widened, the irises contracting to silver. "Whatever am I going to do with you?" he murmured.
The warmth of his breath feathered over my skin. Heat collected in my groin, my lips. My mouth was dry, my voice hoarse, and perhaps he was right and it was madness when I whispered, "Whatever you want."
A shiver went through his body, perhaps because we were lying on the cold ground. But instead of getting up, he leaned closer, his overlong hair tumbling over his forehead. He paused, his mouth almost touching mine, his eyes seeming to ask a question.
It was madness; it was folly; it was sheer selfishness. I was delusional, misguided, wrong, out of control. I needed to pull back, to say something sane, to re-establish mastery over myself. I could not do this. I could not take the risk.
Later tonight, I'd relive this moment in my lonely bed and wonder if I'd done the right thing. But at least that would be familiar, would be something I knew how to cope with.
And yet the very thought felt like dying.
I surged forward, crossing the final, tiny gap and pressing my lips to his. It was awkward and desperate and frantic, but the feel of his mouth against mine sent a bolt of electricity straight down my spine. Just a moment, just this one kiss, surely that would be enough...
Then he kissed me back, and it would never be enough, a thousand years of this would not be enough. His mouth was hungry and insistent, his tongue probing my lips, asking for greater intimacy. I granted it, tongues swirling together, mine followed his when it retreated and tasting him in return.
There came the clanging of bells in the distance, the fire company alerted to the explosion. Griffin drew back a fraction. His breath was as raged as mine, which left me dazed with wonder.
"My dear," he whispered against my lips. Then he swallowed convulsively. "We should leave, before the fire companies come."
"Y-Yes." It was amazing I managed that much coherence.
He closed his eyes and leaned his forehead against mine, our breaths mingling. "Will you come home with me?"
Was he asking...? "Yes." Oh, God, yes.
His lips curved into a smile.
”
”
Jordan L. Hawk (Widdershins (Whyborne & Griffin, #1))
“
The Pretender"
I'm going to rent myself a house
In the shade of the freeway
I'm going to pack my lunch in the morning
And go to work each day
And when the evening rolls around
I'll go on home and lay my body down
And when the morning light comes streaming in
I'll get up and do it again
Amen
Say it again
Amen
I want to know what became of the changes
We waited for love to bring
Were they only the fitful dreams
Of some greater awakening
I've been aware of the time going by
They say in the end it's the wink of an eye
And when the morning light comes streaming in
You'll get up and do it again
Amen
Caught between the longing for love
And the struggle for the legal tender
Where the sirens sing and the church bells ring
And the junk man pounds his fender
Where the veterans dream of the fight
Fast asleep at the traffic light
And the children solemnly wait
For the ice cream vendor
Out into the cool of the evening
Strolls the Pretender
He knows that all his hopes and dreams
Begin and end there
Ah the laughter of the lovers
As they run through the night
Leaving nothing for the others
But to choose off and fight
And tear at the world with all their might
While the ships bearing their dreams
Sail out of sight
I'm going to find myself a girl
Who can show me what laughter means
And we'll fill in the missing colors
In each other's paint-by-number dreams
And then we'll put our dark glasses on
And we'll make love until our strength is gone
And when the morning light comes streaming in
We'll get up and do it again
Get it up again
I'm going to be a happy idiot
And struggle for the legal tender
Where the ads take aim and lay their claim
To the heart and the soul of the spender
And believe in whatever may lie
In those things that money can buy
Though true love could have been a contender
Are you there?
Say a prayer for the Pretender
Who started out so young and strong
Only to surrender
Jackson Browne, The Pretender (1976)
”
”
Jackson Browne (Jackson Browne -- The Pretender: Piano/Vocal/Chords (Jackson Browne Classic Songbook Collection))
“
Sit down and have a cup of coffee
With your firm conviction that they're out to get you
Sit down and have a cigarette with your awful fear of death
I saw Milarepa at the all-night diner sharing a table with his personal demons
He said You've got to invite them in with compassion on your breath
Stop running away, 'cause nobody runs as fast as pain and sorrow
Stop pushing away, you're just making it hard
Stop putting it off, 'cause it'll be back to kick your ass tomorrow
Breathe in, breathe out, let down your guard
Sit down and start shooting the shit
With the fear that you'll never measure up to your ideals
Sit down and have a bottle of beer with the ache of all you've lost
I saw Milarepa at the coffee house having a Danish with his hurts and hatreds
He said You've got to invite them in, or you pay ten times the cost.
Stop running away, 'cause nobody runs as fast as fear and loathing
Stop pushing away, you're just making it worse
Stop putting it off, cause it'll be back again in different clothing
Just pop the clutch and go into reverse
Invite them in and let them be there while you learn to stand it
Invite them in and give them room to stomp and shout
When they can come and go
They won't be always pounding on your door
If you let them in you can let them out.
Sit down and have a conversation
With the loneliness that's eating you alive
Sit down and watch a sunset with your overwhelming rage
I saw Milarepa at the corner bar buying a round for the monsters in his heart
He said They're really not so bad when they're let out of their cage
Stop running away, 'cause nobody runs as fast as pain and sorrow
Stop pushing away, you're just making it hard
Stop putting it off, 'cause it'll be back to kick your ass tomorrow
Breathe in, breathe out, let down your guard
”
”
Allison Lonsdale
“
The milk is long since out of date, the bread all has mold and I think you could start a bacterial plague with what’s in the crisper here…”
“Order a pizza,” he suggested. “There’s a place down on the corner that still owes me ten pizzas, paid for in advance.”
“You can’t eat pizza for breakfast!”
“Why can’t I? I’ve been doing it for a week.”
“You can cook,” she said accusingly.
“When I’m sober,” he agreed.
She glowered at him and went back to her chore. “Well, the eggs are still edible, barely, and there’s an unopened pound of bacon. I’ll make an omelet.”
He collapsed into the chair at the kitchen table while she made a fresh pot of coffee and set about breaking eggs.
“You look very domesticated like that,” he pointed out with a faint smile. “After we have breakfast, why don’t you come to bed with me?”
She gave him a shocked glance. “I’m pregnant,” she reminded him.
He nodded and laughed softly. “Yes, I know. It’s an incredible turn-on.”
Her hand stopped, poised in midair with a spoon in it. “Wh…What?”
“The eggs are burning,” he said pleasantly.
She stirred them quickly and turned the bacon, which was frying in another pan. He thought her condition was sexy? She couldn’t believe he was serious.
But apparently he was, because he watched her so intently over breakfast that she doubted if he knew what he was eating.
“Mr. Hutton told the curator of the museum in Tennessee that I wasn’t coming back, and he paid off the rent on my house there,” she said. “I don’t even have a home to go to…”
“Yes, you do,” he said quietly. “I’m your home. I always have been.”
She averted her eyes to her plate and hated the quick tears that her condition prompted. Her fists clenched. “And here we are again,” she said huskily.
“Where?” he asked.
She drew in a harsh breath. “You’re taking responsibility for me, out of duty.”
He leaned back in his chair. The robe came away from his broad, bronzed chest as he stared at her. “Not this time,” he replied with a voice so tender that it made ripples right through her heart. “This time, it’s out of love, Cecily.”
Cecily doubted her own ears. She couldn’t have heard Tate saying that he wanted to take care of her because he loved her.
He wasn’t teasing. His face was almost grim. “I know,” he said. “You don’t believe it. But it’s true, just the same.” He searched her soft, shocked green eyes. “I loved you when you were seventeen, Cecily, but I thought I had nothing to offer you except an affair.” He sighed heavily. “It was never completely for the reasons I told you, that I didn’t want to get married. It was my mother’s marriage. It warped me. It’s taken this whole scandal to make me realize that a good marriage is nothing like the one I grew up watching. I had to see my mother and Matt together before I understood what marriage could be.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
To the infra-human specimens of this benighted scientific age the ritual and worship connected with the art of healing as practiced at Epidaurus seems like sheer buncombe. In our world the blind lead the blind and the sick go to the sick to be cured. We are making constant progress, but it is a progress which leads to the operating table, to the poor house, to the insane asylum, to the trenches. We have no healers – we have only butchers whose knowledge of anatomy entitles them to a diploma, which in turn entitles them to carve out or amputate our illnesses so that we may carry on in cripple fashion until such time as we are fit for the slaughterhouse. We announce the discovery of this cure and that but make no mention of the new diseases which we have created en route. The medical cult operates very much like the war office – the triumphs which they broadcast are sops thrown out to conceal death and disaster. The medicos, like the military authorities, are helpless; they are waging a hopeless fight from the start. What man wants is peace in order that he may live. Defeating our neighbor doesn’t give peace any more than curing cancer brings health. Man doesn’t begin to live through triumphing over his enemy nor does he begin to acquire health through endless cures. The joy of life comes through peace, which is not static but dynamic. No man can really say that he knows what joy is until he has experienced peace. And without joy there is no life, even if you have a dozen cars, six butlers, a castle, a private chapel and a bomb-proof vault. Our diseases are our attachments, be they habits, ideologies, ideals, principles, possessions, phobias, gods, cults, religions, what you please. Good wages can be a disease just as much as bad wages. Leisure can be just as great a disease as work. Whatever we cling to, even if it be hope or faith, can be the disease which carries us off. Surrender is absolute: if you cling to even the tiniest crumb you nourish the germ which will devour you. As for clinging to God, God long ago abandoned us in order that we might realize the joy of attaining godhood through our own efforts. All this whimpering that is going on in the dark, this insistent, piteous plea for peace which will grow bigger as the pain and the misery increase, where is it to be found? Peace, do people imagine that it is something to cornered, like corn or wheat? Is it something which can be pounded upon and devoured, as with wolves fighting over a carcass? I hear people talking about peace and their faces are clouded with anger or with hatred or with scorn and disdain, with pride and arrogance. There are people who want to fight to bring about peace- the most deluded souls of all. There will be no peace until murder is eliminated from the heart and mind. Murder is the apex of the broad pyramid whose base is the self. That which stands will have to fall. Everything which man has fought for will have to be relinquished before he can begin to live as man. Up till now he has been a sick beast and even his divinity stinks. He is master of many worlds and in his own he is a slave. What rules the world is the heart, not the brain, in every realm our conquests bring only death. We have turned our backs on the one realm wherein freedom lies. At Epidaurus, in the stillness, in the great peace that came over me, I heard the heart of the world beat. I know what the cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world.
”
”
Henry Miller
“
I think I’m drowning. But not into her blue eyes like I happily would. No, I’m sinking into the floor, letting it swallow me whole. I can hardly breathe under the crushing weight of Kitt’s words. My ears ring. My heart pounds. The command echoes in my skull, though I have no idea why he would want this. Why he would want her. Not now. Not after everything. I’m surrounded by the entire court and the only thing I can focus on is not falling to my knees beside her. Marriage. Marriage to someone who isn’t me. Marriage to someone I will spend the rest of my life serving. I’ll lose her forever while being forced to watch. I can’t even look at her. I’m a coward, morphing back into the monster I was when she found me. My vision is blurry, eyes fixed on the dais above. This is how I lose her. Not by death but by something just as binding. The command rings in my head. And to think I wasted so much time trying to hate her. To think I won’t have enough time to love her. My heart aches because every beat belongs to her. And I may never get to tell her that. Is this how she will remember me? Escorting her to this fate? Bound by duty alone? I could laugh. I could cry. I could burn this palace to the ground like I did her house, just for a chance to confess my love before the flames consumed me. Because I am bound to her very being. Hers until the day she realizes I don’t deserve to be. The king’s eyes are on me while mine are somewhere far away. Somewhere with her. A place where I am nothing and no one and happy being powerless, so long as she is beside me. My gaze falls from the fantasy, finding its way to her. This is not how I will remember us. Not as enemies or traitors or monsters, but as two people dancing in the dark, swaying beneath the stars. Her feet atop mine, her head on the heart that beats only for her. Just Pae and Kai. I step away from her kneeling form, masking every emotion with a blank stare. I’m leaving her to face him. Her future husband. I melt into the crowd, standing at a safe enough distance to prevent myself from stealing her away. This will be the rest of my life. Forced to love her from a distance. Mourn the loss of her each day. But I will. I will smother every emotion but the one that belongs to her. I will love her until I am incapable of the feeling. She is the torture I may not survive. Eagerly, she is my undoing. Her gaze lifts, meeting eyes that are not my own. Eyes of the man who gets to have her—if she allows it. She was supposed to be my forever. Now I’ll watch her become someone else’s. Because the beast doesn’t get the beauty.
”
”
Lauren Roberts, Reckless
“
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place.
WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won.
He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee.
I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
”
”
Kyung-ran Jo (Tongue)
“
Thunk. I jump back in alarm, my heart pounding against my ribs.
And then I hear, “Jemma!” A loud whisper, coming from below. I open up the doors and step outside. Moving quickly to the railing, I lean against it and peer down to find Ryder standing there, staring up at me. He’s dressed in a suit and tie--the same charcoal suit he wore to the gala, with a narrow silver-blue tie.
“What are you doing?” I call down to him.
He drops a handful of pebbles, scattering them into the grass by his feet. “Shh! Can I come up?”
I lower my voice to match his. “What’s wrong with the front door?”
He eyes me with raised brows. “Really?”
I picture my parents downstairs. Imagine what questions they’d ask, what gleeful conclusions they’d leap to at the sight of him here, asking to see me. I shake my head and reach a hand down toward him. “Here, can you climb?”
There’s a vine-covered trellis against the house beside my balcony. If he can just get a foothold, he’s tall enough to swing himself up and over the railing.
Which he does in less than two minutes. Pretty impressive, actually. Once he’s got both feet on the balcony, he casually brushes himself off. Somehow, he manages to look like he just stepped off the cover of GQ.
I tip my head toward the window. “You wanna come in?”
“You think it’s safe?”
“Just let me go lock the door,” I say before hurrying back inside.
And don’t think I’m not amused by the irony. Because unlike normal people, we’re not sneaking around to avoid being caught and punished. Nope. On the contrary, our parents would celebrate if they caught us in my bedroom together. I’m talking music and streamers and champagne toasts.
As quietly as possible, I turn the key in the lock, listening for the click. Sorry, folks. No party tonight.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
John’s hand is pressed against my back, leading me, and I think he’s forgotten all about the game. I’ve got him in my crosshairs now.
“You’re not so bad,” I tell him. Song’s halfway over. I’d better hop to the beat. I’ve got you in five, four, three, two--
“So…you and Kavinsky, huh?”
He’s distracted me completely, and I’ve forgotten all about the game for a moment. “Yeah…”
Clearing his throat, he says, “I was pretty surprised that you guys were together.”
“Why? Because I’m not his type?” I say it casually, like it’s nothing, a fact, but it stings like a little pebble thrown directly at my heart.
“No, you are.”
“Then why?” I’m pretty sure John’s going to say “because I didn’t think he was your type,” just like Josh did.
He doesn’t answer right away. “That day you came to Model UN, I tried to follow you out to the parking lot, but you were already gone. Then I got your letter, and I wrote you back, and you wrote me back, and then you invited me to the tree-house thing. I guess I didn’t know what to think. You know what I mean?” He looks at me expectantly, and I feel like it’s important that I say yes.
All the blood rushes to my face, and I hear a pounding in my ears, which I belatedly realize is the sound of my heart beating really fast. My body is still dancing, though.
He keeps talking. “Maybe it was dumb to think that, because all that stuff was such a long time ago.”
All what stuff? I want to know, but it wouldn’t be right to ask. “Do you know what I remember?” I ask suddenly.
“What?”
“The time Trevor’s shorts split open when you guys were playing basketball. And everybody was laughing so hard that Trevor started getting mad. But not you. You got on your bike and you rode all the way home and brought Trevor a pair of shorts. I was really impressed by that.”
He has a faint half smile on his face. “Thanks.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
It’s okay if you can’t. No worries. Just an idea,” I say quickly, looking away so she won’t see how disappointed I am.
“No—I mean, I want to, but—” Hana sucks in a breath. I hate this, hate how awkward we both are. “I kind of have this party”—she corrects herself quickly—
“this thing I’m supposed to go to with Angelica Marston.”
My stomach gets that hollowed-out feeling. It’s amazing how words can do that, just shred your insides apart. [...]
A rush of hatred overwhelms me. Hatred for my life, for its narrowness and cramped spaces; hatred for Angelica Marston, with her secretive smile and rich parents; hatred for Hana, for being so stupid and careless and stubborn, first and foremost, and for leaving me behind before I was ready to be left; and underneath all those layers something else, too, some white-hot blade of unhappiness flashing in the very deepest part of me. I can’t name it, or even focus on it clearly, but somehow I understand that this—this other thing—makes me the angriest of all. [...]
Despite everything, this gives me pause. In the days after the party at Roaring Brook Farms, snatches of music seemed to follow me everywhere: I heard it winging in and out of the wind, I heard it singing off the ocean and moaning through the walls of the house. Sometimes I woke up in the middle of the night, drenched in sweat, my heart pounding, with the notes sounding in my ears. But every time I was awake and trying to remember the melodies consciously, hum a few notes or recall any of the chords, I couldn’t.
Hana’s staring at me hopefully, waiting for my response. For a second I actually feel bad for her. I want to make her happy, like I always did, want to see her give a whoop and put her fist in the air and flash me one of her famous smiles. But then I remember she has Angelica Marston now, and something hardens in my throat, and knowing that I’m going to disappoint her gives me a kind of dull satisfaction.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
Rebel
[Verse 1]
I don't give a fuck my brudda, I never have
I'm straight from the gutter my brudda, we never had
We living on a budget - holes in the rooftop
Room full of buckets, it's getting bad
Things could be worse I suppose, school trips, school kids
Cursing my clothes, is it the same in every house
When the curtains are closed? (daydreamin')
I'm in a world of my own (I ain't leavin')
It must be because I hate my reality
That's why I'm on the verge of embracing insanity
Put me in a padded room
Throw away the key and let me escape the anarchy
I can't take it, I turn my back on the world
I can't face it, Ray-Ban gang fam
Can't see my eyes cause I'm on my dark shades shit (Ray Charles)
[Bridge]
Black everything, you can ask David
Cameron if we're living in the dark ages
Black everything, you can ask David
Black everything, you can ask David
Black everything, you can ask David
Cameron if we're living in the dark ages
[Hook]
(It's a living hell) I'm a rebel
Always have been
Where I'm come from it's a mad ting
(It's a living hell) Standing in my Stan Smiths
Stamping on the canvas for action
(It's a living hell) All I acquired from the riot
Is people are sick and tired of being quiet
(It's a living hell) Dying to be heard
That's why there's fire in my words
[Verse 2]
I don't give a fuck my brudda, I never will
Straight from the gutter my brudda, rare real
We been living life like "fuck it", living life like there's nothing
To live for but the money, I'mma keep it 100
The hunger inside is what drives us
That's why there's youngers inside who are lifers
They say love is blind so you might just
Fall in love with them crimes that'll blind us
And I'd be lying if I said I wasn't out late
Around H, scales out, another ounce weighed
More pounds made, sounds great
Salts under my tongue, my mouth's laced
So many feds chasing me down, the ground shakes
Helicopters, bikes and cars chasing
So many officers behind, my heart's racing
[Bridge]
[Hook x2]
”
”
Ghetts
“
Remain still; breathe naturally,” he whispered right in her ear, very, very quietly. She did as he suggested, not wanting to be found in the darkness with him by people too inebriated to observe a little discretion. And while she stood so close to him, the night breeze stirred the air, bringing Hazlit’s scent to Maggie’s nose. She puzzled over it, because it was faint but alluring. Complicated, like the man who wore it. Honeysuckle was the primary note, as sweet a scent as ever graced a bottle—and as intoxicating. She was marveling over that bit of deduction and deciding the undertone was bergamot, when she felt Hazlit’s hand in her hair. Holding her still? He gathered a few of the locks drifting over her right shoulder and rubbed them silently between his fingers. When had he taken off his gloves? Remain still; breathe naturally. It was good advice, when her heart wanted to pound, when she wanted both to run and to stand there forever, his fingers playing with her hair. His hand shifted so he brushed her hair back over her shoulder, just once. Maggie’s heart started to thud in her chest. She wasn’t frightened, exactly, but she was rattled. Men never touched her, not if they knew what was good for them, and she ought to abhor being rattled like this. She held still, waiting for him to repeat that simple caress. “They’re gone,” he said, still whispering. He took her by the wrist again and led her to the path, offering her his arm with perfect propriety. They returned to the house without incident, and Maggie thanked every merciful god in the pantheon she and her escort had missed the dancing. “Will you be going in to supper?” he asked. “I’d prefer not to.” And what had that business been with her hair? Was he going to pretend he hadn’t taken such a liberty? “I’ll fetch your coach. Find your wrap, and if you brought one, your reticule.” He offered her an ironic little bow and went off on his gentlemanly errand. Maggie was home and fighting her way toward sleep before she realized Hazlit hadn’t been pretending he’d never touched her hair. He’d been letting her ignore the fact that she’d allowed it. ***
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
Sam dragged her over to a small plot. Unlike the historic ones, this seemed like an ordinary grave. The headstone read Paul Danvers 1950-1997. “And this guy,” Sam said through clenched teeth. “Got so drunk one night, he accidentally set his house on fire, killing himself and his seventeen-year-old son.” Margot pulled back. This date had turned as sour as the feeling in her gut. “Murdered his own son.” Sam’s voice was tight and full of emotion. “He was going to college in the fall. Got a full ride and everything.” “That’s awful,” said Margot. “Where’s the son buried?” “So glad you asked.” Sam smiled so mournfully that Margot regretted asking at all. He pointed to the headstone next to Paul’s. In the darkness, it was nearly impossible to make out the young man’s name. Margot knelt on the soft grass and leaned forward, using the light from her cellphone to see the engraving. She gasped and nearly dropped the phone. “Sam Danvers,” she said, barely getting out the words. “That’s not funny.” Margot’s hands shook. “Is your name really Sam?” He no longer smiled, just nodded. “It is.” Sam came in close and said her name in such a soft whisper, Margot ached to touch him. He reached up to her face and tucked a strand of wavy hair behind her ear. “If things were different at all…” She put her hands on his. His skin felt dry and cold while hers felt clammy. “What does that mean? If what was different?” Sam leaned in, his face encased in shadows, and kissed Margot. She gasped before being taken in by the kiss. His breath tasted oddly of licorice and she was suddenly aware of the scent of fresh-cut grass. His lips were soft, but his kiss was urgent. He gripped the belt loops of Margot’s jean shorts and pulled her in tight against his chest. Her head swam and her heart pounded. She pulled away from him and attempted to catch her breath. She looked at him, her eyes bright with fury. “That wasn’t an answer.” He ran his hands through his hair. A typical guy stall tactic, thought Margot. But Sam wasn’t stalling. He was struggling. “Margot, I’m Sam Danvers,” he said. Margot shook her head — “No. No. No.” — and marched away from him.
”
”
Kimberly G. Giarratano (One Night Is All You Need: A Short Story)
“
Ryder turns off the radio and reaches for my camera, pointing it at me in the dark. It beeps, and a red light indicates that he’s filming. “Are you scared, Jemma?”
I prop my head up on one elbow. “Yeah, I’m scared,” I say, carefully weighing my words. “But…we’ll be okay. This house has weathered plenty of storms through the years. It’ll keep us safe.”
“I hope you’re right.”
“Yeah, me too.”
I hear him swallow hard. “I’m glad I’m here with you.”
“I’m glad you are too,” I say automatically. But then…I realize with a start that it’s true. I am glad he’s here. I feel safe with him. More relaxed than I would be otherwise. He thinks I’m distracting him, making him forget his fears. But the truth is, he’s helping me just as much. Maybe more. I’m pretty sure I’d be a blubbering mess right about now if I were alone.
“Thanks, Ryder,” I say, my voice thick.
“For what?”
“Everything.” I squeeze my eyes shut. “Turn off the camera, okay?”
He does, setting it aside before stretching out on the far side of the bed, facing me. Our gazes meet, and my stomach flutters nervously. There’s something there in his dark eyes, something I’ve never seen before. Vulnerability…mixed with a kind of dark, melty chocolate expression that I don’t recognize.
Our hands are lying there on the bed between us, nearly touching. I lift my pinkie, brushing it against his. Chills race down my spine at the contact, my heart pounding against my ribs.
I hear his breath catch. Slowly, his hand moves over mine, his fingertips brushing my knuckles until his entire hand covers mine. His skin is hot, the pressure reassuring. A minute passes, maybe two. It’s almost like he’s waiting, watching to see if I pull my hand away.
I don’t.
In one quick movement, he slides his hand under mine and threads our fingers together.
We lie like that for several minutes, arms outstretched, hands joined, eyes wide open. The storm continues to rage around us, but it’s like we’re locked in this safe, calm place where nothing can touch us.
My breathing slows; my limbs grow heavy. My lids flutter shut. I try to resist, but it’s futile. I’m exhausted.
I drift off to sleep with a smile on my lips, Ryder holding me fast.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king.
”
”
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
“
People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers.
One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible.
Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.
”
”
Virginia Woolf (The Waves)
“
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.'
It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.'
'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold.
Where I slammed into an invisible wall.
I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me.
I reached a hand to the open air of the doorway. And met solid resistance.
'Tamlin,' I rasped.
But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale.
'Tamlin,' I said again, pushing against the wall.
He didn't turn.
I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake-
'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.'
He'd locked me in here.
I hit the shield again. Again.
Nothing.
'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.'
I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too.
He'd locked me in. He'd sealed me inside the house.
I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin.
Breathing became difficult.
I was trapped.
I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again-
I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate.
He'd trapped me in here; he'd locked me up.
I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains.
And then crushing black pounded down and rose up beneath, devouring and roaring and shredding.
It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself.
He'd trapped me; he'd trapped me; he'd trapped me-
I had to get out, because I'd barely escaped from another prison once before, and this time, this time-
Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out-
Someone was shouting my name from far away.
Alis- Alis.
But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air-
I couldn't get out; I couldn't get out; I couldn't get out-
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
grandmother’s building. When she was in bed sometimes, her small heart pounding just before she fell into sleep, she felt an endless plummet, as though someone had pushed her. Her fear had something to do with not being able to breathe, her mouth filled with water, with some enduring want. A suffocation. It was something like pursuit, something like not being fast enough.
”
”
Hala Alyan (Salt Houses)
“
wake up now. Wake up and get out of the house. Run. NOW.” Shooting bolt upright, Rebecca gasped awake. All was black around her, lit only by the faintest sliver of moonlight through a gap in the curtains. Breath coming in short gasps; she tried to breathe, to swallow. She heard the familiar creak of the wooden floorboards outside her bedroom door. Eyes wide and heart pounding, she slid out of bed. The words from her dream thundered through her brain “—get out of the house. Run. NOW.” Moving quickly in a half-crouch, she crossed to the window.
”
”
Dianne J. Wilson (Shackles: The truth will set you free)
“
I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with others I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts.
When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carried a promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that.
But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning. I succeeded, and five minutes later I was standing in front of my desk again, but what happened there was also rendered lifeless. It felt as though I was getting nothing back from what I was doing. However much effort I put in, nothing came back. Everything vanished, everything dissolved into the great darkness in which we lived. I might as well say this as that, do this as that, nothing made any difference.
”
”
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
“
So how are things going with Kavinsky?”
Funny you should bring that up, Josh. ’Cause I’ve got my story locked and loaded. Peter and I had a fight via video chat this morning (in case Josh has noticed I haven’t left the house all weekend), and we broke up, and I’m devastated about the whole thing, because I’ve been in constant love with Peter Kavinsky since the seventh grade, but c’est la vie.
“Actually, Peter and I broke up this morning.” I bite my lip and try to look sad. “It’s just, really hard, you know? After I liked him for so long and then finally he likes me back. But it’s just not meant to be. I don’t think he’s over his breakup yet. I think maybe Genevieve still has too strong a hold on him, so there’s no room in his heart for me.”
Josh gives me a funny look. “That’s not what he was saying today at McCalls.”
What in the world was Peter K. doing at a bookstore? He’s not the bookstore type. “What did he say?” I try to sound casual, but my heart is pounding so loudly I’m pretty sure Sadie can hear it.
Josh keeps petting Sadie.
“What did he say?” Now I’m just trying not to sound shrill. “Like, what was said exactly?”
“When I was ringing him up, I asked him when you guys started going out, and he said recently. He said he really liked you.”
What…
I must look as shocked as I feel, because Josh straightens up and says, “Yeah, I was kind of surprised too.”
“You were surprised that he would like me?”
“Well, kind of. Kavinsky just isn’t the kind of guy who would date a girl like you.” When I stare back at him, sour and unsmiling, he quickly tries to backtrack. “I mean, because you’re not, you know…”
“I’m not what? As pretty as Genevieve?”
“No! That’s not what I’m saying. What I’m trying to say is, you’re like this sweet, innocent girl who likes to be at home with her family, and I don’t know, I guess Kavinsky doesn’t strike me as someone who would be into that.”
Before he can say another word, I grab my phone out of my jacket pocket and say, “That’s Peter calling me right now, so I guess he does like homely girls.”
“I didn’t say homely! I said you like to be at home!”
“Later, Josh.” I speed walk away, dragging Sadie with me. Into my phone I say, “Oh hey, Peter.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
I grabbed his hand, turned him about, reached up around his neck, pulled him down, and kissed him hard. My fingers were in his hair, my body against his, and control was all mine. Best feeling of my life. Max had no time to react to my attack, before I was letting him go and heading back toward my house. My body hummed, my heart was pounding, and I couldn’t help my smile. “Hadley,” he called after me. “Get back here.” I laughed and shook my head. I didn’t turn back to him until I was safely up on my porch. He stood there, hands on his hips, staring after me with a crooked grin. I could see the mark under his eye already reddening and swelling. It made him even sexier. “Slow and easy, sweetheart. Right?” I called down to him. He tilted his head and then his eyes lit. “Yeah?” “If I don’t distance myself now, I’m going to break that rule.” His
”
”
Sarah Brocious (What Remains (Love Abounds, #1))
“
My heart pounding, I somehow knocked the tarantula to the ground and used the broom to brush him down our very long steep driveway. With each brush, the tarantula would jump back up, turn, and start to come towards me. Apparently, tarantulas pursue their prey.
Finally, somehow, I was able to sweep it down to the street.
Pumped up on adrenaline and a desire to protect my children (born and unborn), I started my car and set off to finish the job. Convinced it was him or me, I backed up my car and took aim at the stunned tarantula. I could not take a chance that he would crawl back to my house, my home.
When the deed was done, I pulled forward and looked out my window to see if the creature was still moving. I think I saw him flinch. So I threw the car back in reverse and ran over him again, just to make sure. Really sure.
In hindsight, it is possible I overreacted.
”
”
Kristen Brakeman (Is That The Shirt You're Wearing?: a memoir in essays)
“
When it storms you can hear her screaming ...
My pulse accelerates as Evan's words buzz around in my head. Was he serious about this place being haunted? What the hell had he called her again -
Mac: "Patricia? Is that you?"
The light fixture above my head flickers.
A startled yelp rips out of my throat, causing Daisy to crawl backward and disappear deeper under the bed.
I leave Cooper's room, heart pounding. Candles. I should probably find some candles in case the power goes out. Because nothing sounds less appealing to me than sitting in the dark listening to the shrieks of a century-old dead child.
As if on cue, the shrill noises start up again, a cacophony of sound mingling with the crashes of thunder outside the old beach house.
Mac: "Patricia."
I call out. Steady voice now. Hands, not so much.
Mac: "Look, let's be cool, okay? I know it's probably not fun being dead, but that doesn't mean you have to scream your lungs out. If you use your indoor voice, I'm happy to sit down and listen to whatever you -"
Another scream pierces the air.
Mac: "Or not. Fine. You win, Patricia. Just keep scaring the crap out of me, then.
”
”
Elle Kennedy (Good Girl Complex (Avalon Bay, #1))
“
Fight for us, Behach Éan. Your monster is coming.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
I threw out my hands, not giving him any warning as I cast a forceful gust of air to try and knock him onto his back. He was so fast to react that he blocked it before it even got close to holding him down. I cursed as he launched himself at me, trying to scramble away but I wasn’t fast enough. I didn’t even really try to fight him off as he threw his weight down, pinning me to the ground with his entire body.
“You're supposed to use magic,” I said breathlessly, his throat bobbing as his mouth hovered an inch from mine. The scent of cinnamon rolled over me and fire reached deep into my belly, making me consider leaning in for a kiss. We’d made a solid decision to stay away from each other and look where we’d ended up already? Great effort.
“Maybe brute force is just as efficient sometimes,” he said in a rumbling tone which delved into my chest and sent a hungry shudder through me.
“You said no physical contact,” I whispered as his muscles hardened, keeping me caged beneath him. I was losing my mind. I should have tried to fight him off, but I didn't want him to go anywhere. And from the intense look he was giving me, I could tell how close he was to crossing this line again himself.
“What if I’m having second thoughts?” he growled.
“You're fickle,” I pointed out. “And confusing.”
“I don't mean to be.” He dipped his head so his mouth was by my ear and goosebumps rose to meet the heat of his breath. “I can't think straight around you,” he said heavily, his hand clawing into the earth beside my head. “I could have lost you in that battle, or I could have died without ever knowing how this might have played out…”
My throat thickened and I almost gave in to the craving rising in me. But there was too much at stake for the sake of lust. It was stupid. He could lose his job and be 'power-shamed' and I could lose my place at the Academy.
“I owe you my life,” he breathed and my heart nearly detonated as he pressed his lips to my cheek. “Thank you.”
“The rest of Solaria aren’t feeling so grateful,” I said as he drew away, leaving a burning mark on my skin. “Not after that Vulpecula guy printed that article.”
“Fuck what he said,” Orion growled then he frowned as he realised he shouldn’t have said it.
...
"I need a new Liaison,” I said through the gnawing lump in my throat.
He nodded stiffly, looking boyish and broken for a moment as he hung his head.
A magnetic energy hung in the air, trying to force me toward him. It was so powerful I had to consciously take another step back to try and shake it away.
“This has to stop,” I said firmly then turned away and marched off through the meadow, not daring to look back even though my heart pounded painfully in my chest.
As I made it into the woods I started running, racing in the direction of Aer House, needing to hide away until I smothered this desperate longing in my heart.
I was panting by the time I reached my room, hurrying inside and twisting the lock. I sank down against the door, knocking my head back against the wood as my pounding heart started to slow.
My Atlas pinged and I took it out of my bag, my gut fraying as I found a private message waiting for me from Orion.
Lance:
What if I don't want it to stop?
(darcy)
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
Everything in the world froze except the beating of my heart. It pounded harder and harder, faster and faster, until I felt its tempo in the hollow of my throat, cutting off my breath.
”
”
Erin A. Craig (House of Salt and Sorrows (Sisters of the Salt, #1))
“
I’m pretty sure he plans on killing me anyway,” I said with a shrug. “At least if he kills me for this, it was for something that matters.”
“I-”
“Tell him I came here and spoke with you about Darius. Tell him I made some excuse to get you to leave the room and by the time you came back I’d done this. Put all the blame on me. I mean that.”
“Okay…” she said hesitantly and I met her eye.
“Do I need to make you swear it on the stars?” I growled.
“No. I’ll tell him. Thank you, Roxanya.”
“It’s Tory. Only Darius calls me Roxy and I can’t make him stop, but I don’t want anyone else making a habit of it,” I said. Although at this point if Darius started calling me Tory it would probably just be weird. Not that I’d ever admit that I was okay with the Roxy thing.
“Okay. Thank you, Tory.”
I smirked at her and hit post.
Catalina gasped as Xavier’s secret went viral and I glanced down at my Atlas as reactions and comments began to pour in before I locked the screen.
Shit, what if Daddy Acrux really does kill me for this?
“Run, Tory,” Catalina breathed, real fear dancing in her eyes. “Run for the gate and get back to the academy before he comes back. If he finds you here-”
“Consider me gone.” I barked a laugh as nerves made my heart flutter.
Catalina smiled at me before ripping her dress off, knocking her hair free of its perfectly styled bun, flashing me those gloriously fake tits and leaping out of thewindow after her son. She transformed as she plummeted and my lips fell open as a stunning silver Dragon burst from her flesh.
She beat a path up towards the clouds just as Xavier dipped beneath them with an excited whinny.
I quickly raised my Atlas and snapped a picture of the two of them dancing through the sky before I took a running jump out of the window too.
My wings burst to life at my back and I flew hard and fast along the drive until I soared over the gates, beyond the anti-stardust wards where I landed quickly, my boots skidding in the gravel.
I grabbed the stardust from my pocket and winked at the startled guards half a second before I tossed it over my head and the stars whisked me back to the academy.
I stumbled as they deposited me and suddenly strong arms locked around my chest from behind, making me scream in surprise.
A hand slapped over my mouth and I stilled for a moment as the scent of smoke and cedar overwhelmed me.
Darius dragged me back through the hole in the wards, pulled me through the fence and shoved me up against a huge tree at the edge of campus before he took his hand from my mouth.
His hands landed either side of my head as he penned me in, glaring down at me with an angry as fuck Dragon peering out of his eyes, his pupils transformed into reptilian slits and a hint of smoke slipped between his lips. He was only wearing sweatpants and I got the impression he’d flown here to ambush me the moment I returned. I guess he didn’t like my FaeBook post.
“What the fuck were you thinking?” he demanded.
“Whoa, chill out dude,” I said, pressing my hands to his chest to push him back. He didn’t move a single inch and I just ended up with my hands pressed to his rock hard muscles, his heart pounding frantically beneath my right palm.
“Do you know what you’ve done?” Darius snarled. “Father could kill Xavier for this! He could-”
“He won’t,” I snapped angrily. “He can’t. Don’t you see that? The only power he held over Xavier was in keeping his real Order form a secret. Now everyone knows, he’s free. Killing him wouldn’t change the truth. And he can’t very well alienate every Pegasus in Solaria by making his Orderist bullshit public knowledge. He’ll have to let Xavier leave the house, join a herd, fly.”
Darius was staring at me like he didn’t know whether to kill me or kiss me and as my gaze fell on his mouth, I found myself aching for the latter. Fuck the stars.
(Tory POV)
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
One rainy day in summer the children dragged Menuchim out of the house and stuck him in a tub in which rainwater had been collecting for half a year, worms were floating around, fruit scraps and mouldy bread crusts. They held him by his crooked legs and plunged his broad gray head a dozen times into the water. Then they pulled him out, with pounding hearts, red cheeks, in the joyful and horrible expectation of holding up a corpse. But Menuchim lived. His breath rattled, he spat up the water, the worms, the mouldy bread, the fruit scraps and lived. Nothing happened to him. Then the children carried him silently and anxiously back into the house. A great fear before God's little finger, which had just waved very softly, seized the two boys and the girl.
”
”
Joseph Roth (Job)
“
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.'
It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.'
'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold.
Where I slammed into an invisible wall.
I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me.
I reached a hand to the open air of the doorway. And met solid resistance.
'Tamlin,' I rasped.
But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale.
'Tamlin,' I said again, pushing against the wall.
He didn't turn.
I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake-
'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.'
He'd locked me in here.
I hit the shield again. Again.
Nothing.
'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.'
I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too.
He'd locked me in. He'd sealed me inside the house.
I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin.
Breathing became difficult.
I was trapped.
I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again-
I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate.
He'd trapped me in here; he'd locked me up.
I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains.
And then crushing black pounded down and rose up beneath, devouring and roaring and shredding.
It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself.
He'd trapped me; he'd trapped me; he'd trapped me-
I had to get out, because I'd barely escaped from another prison once before, and this time, this time-
Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out-
Someone was shouting my name from far away.
Alis- Alis.
But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the golden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air-
I couldn't get out; I couldn't get out; I couldn't get out-
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais-
At Tamlin.
The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me.
My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it-
And Red ones.
Like drops of blood amongst the white, red petals had been sprayed across the path ahead.
I forced my gaze up, to Tamlin, his shoulders back, head high.
So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy.
Everyone else was thinking it. They had to be.
Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown.
As if I were good- as if I hadn't murdered two of their kind.
I was a murderer and a liar.
A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet.
Ten steps from the dais, at the edge of that splatter of red, I slowed.
Then stopped.
Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment.
Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast.
I was going to vomit.
Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it.
And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood-
So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation-
I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me.
The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out-
Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months-
'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air.
If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't-
I was going to fall apart, right there, right then- and they'd see precisely how ruined I was.
Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this.
Tamlin took a step toward me- concern shading those eyes.
I retreated a step. No.
Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us.
Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.'
Good. I was not good. I was nothing, and my soul, my eternal soul was damned-
I tried to get my traitorous lungs to draw air so I could voice a word. No- no.
But I didn't have to say it.
Thunder crackled behind me, as if two boulders have been hurled against each other.
People screamed, falling back, a few vanishing outright as darkness erupted.
I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket.
'Hello, Feyre darkling,' he purred.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Till the sky is darkest, and I can taste you everywhere.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
I grip his ass to keep him from dematerializing, and although bliss softens the edges of my lucidity, I’m painfully aware that not even I have the power to hold on to this man if he decided to leave. “Stay.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Why couldn’t she marry me?” Lorcan stands and circles the table toward me, gait unhurried. I pivot as he stops on the other side of my bench. “Because you didn’t do it for her.” The male-faced harpy grins now. “I see
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Yes. She explained she could not marry you, which disappointed her father.” “Why couldn’t she marry me?” Lorcan stands and circles the table toward me, gait unhurried. I pivot as he stops on the other side of my bench. “Because you didn’t do it for her.” The male-faced harpy grins now. “I see you memorized her speech word for word.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
And I’ve missed your mercurial character.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Funny, Lore. Who knew demonic kings were endowed with such a developed sense of humor?
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Back home a momentous change was coming over the United States. There was a new President, William Howard Taft, and he took office weighing three hundred and thirty-two pounds. All over the country men began to look at themselves. They were used to drinking great quantities of beer. They customarily devoured loaves of bread and ate prodigiously of the sausage meats of poured offal that lay on the lunch counters of the saloons. The august Pierpont Morgan would routinely consume seven- and eight-course dinners. He ate breakfasts of steaks and chops, eggs, pancakes, broiled fish, rolls and butter, fresh fruit and cream. The consumption of food was a sacrament of success. A man who carried a great stomach before him was thought to be in his prime. Women went into hospitals to die of burst bladders, collapsed lungs, overtaxed hearts and meningitis of the spine. There was a heavy traffic to the spas and sulphur springs, where the purgative was valued as an inducement to appetite. America was a great farting country. All this began to change when Taft moved into the White House. His accession to the one mythic office in the American imagination weighed everyone down. His great figure immediately expressed the apotheosis of that style of man. Thereafter fashion would go the other way and only poor people would be stout.
”
”
E.L. Doctorow (Ragtime)
“
In the tin-covered porch Mr Chawla had constructed at the rear of the house she had set up her outdoor kitchen, spilling over into a grassy patch of ground. Here rows of pickle jars matured in the sun like an army balanced upon the stone wall; roots lay, tortured and contorted, upon a cot as they dried; and tiny wild fruit, scorned by all but the birds, lay cut open, displaying purple-stained hearts. Ginger was buried underground so as to keep it fresh; lemon and pumpkin dried on the roof; all manner of things fermented in tightly sealed tins; chilli peppers and curry leaves hung from the branches of a tree, and so did buffalo curd, dripping from a cloth on its way to becoming paneer.
Newly strong with muscles, wiry and tough despite her slenderness, Kulfi sliced and pounded, ground and smashed, cut and chopped in a chaos of ingredients and dishes. ‘Cumin, quail, mustard seeds, pomelo rind,’ she muttered as she cooked. ‘Fennel, coriander, sour mango. Pandanus flour, lichen and perfumed kewra. Colocassia leaves, custard apple, winter melon, bitter gourd. Khas root, sandalwood, ash gourd, fenugreek greens. Snake-gourd, banana flowers, spider leaf, lotus root …’
She was producing meals so intricate, they were cooked sometimes with a hundred ingredients, balanced precariously within a complicated and delicate mesh of spices – marvellous triumphs of the complex and delicate art of seasoning. A single grain of one thing, a bud of another, a moist fingertip dipped lightly into a small vial and then into the bubbling pot; a thimble full, a matchbox full, a coconut shell full of dark crimson and deep violet, of dusty yellow spice, the entire concoction simmered sometimes for a day or two on coals that emitted only a glimmer of faint heat or that roared like a furnace as she fanned them with a palm leaf. The meats were beaten to silk, so spiced and fragrant they clouded the senses; the sauces were full of strange hints and dark undercurrents, leaving you on firm ground one moment, dragging you under the next. There were dishes with an aftertaste that exploded upon you and left you gasping a whole half-hour after you’d eaten them. Some that were delicate, with a haunting flavour that teased like the memory of something you’d once known but could no longer put your finger on.
Pickled limes stuffed with cardamom and cumin, crepuscular creatures simmered upon the wood of a scented tree, small river fish baked in green coconuts, rice steamed with nasturtium flowers in the pale hollow of a bamboo stem, mushrooms red – and yellow-gilled, polka-dotted and striped. Desire filled Sampath as he waited for his meals. Spice-laden clouds billowed forth and the clashing cymbals of pots and pans declared the glory of the meal to come, scaring the birds from the trees about him.
”
”
Kiran Desai (Hullabaloo in the Guava Orchard)
“
A wealthy man and his son loved to collect works of art. They had in their collection works ranging from Picasso to Raphael and Rembrandt. When the Vietnam War broke out, the son was drafted and sent to fight in ’Nam. He was very courageous and died in battle. The father was notified and grieved deeply for his only son. About a month later, a young lad appeared at the door to his house and said, “Sir, you don’t know me, but I am the soldier for whom your son gave his life that fateful day. He was carrying me to safety when a bullet struck him in the heart. He died instantly. He used to often talk about you and your love for art. Here’s something for you,” he added, holding out a package. “It is something that I drew. I know I am not much of an artist, but I wanted you to have this from me as a small measure of memory and thanks.” It was a portrait of his son, painted by the young man. It captured the personality of his son. The father’s eyes welled up with tears as he thanked the young man for the painting. He offered to pay for the picture, but the man replied, “Oh! No, sir. I could never repay what your son did for me. It is my gift to you.” The father hung the portrait over his mantel and showed it proudly to all his visitors along with all of the great works of art he possessed. Some time later, the old man died. As decreed in his will, his paintings were all to be auctioned. Many influential and rich people gathered together, excited over the prospect of owning one of the masterpieces. On a platform nearby also sat the painting of his son. The auctioneer pounded his gavel. “Let’s start the bidding with the picture of his son. Who will bid for this picture?” There was silence. A voice shouted from the back, “Let’s skip this one. We want the famous masters.” But the auctioneer persisted. “Ten dollars, twenty dollars, what do I hear?” Another voice came back angrily, “We didn’t come here for this. Let’s have the Picassos, the Matisses, the van Goghs.” Still the auctioneer persisted. “The son. Anyone for the son? Who’ll take the son?” Finally a quavering voice came from the back. It was the longtime gardener of the house. “I’ll take the son for ten dollars. I am sorry, but that’s all I have.” “Ten dollars once, ten dollars twice, anybody for twenty dollars? Sold for ten dollars.” “Now let’s get on with the auction,” said a wealthy art aficionado sitting in the front row. The auctioneer laid down his gavel and spoke. “I am sorry, but the auction is over.” “But what about the other paintings? The masters?” “The auction is over,” said the auctioneer. “I was asked to conduct the auction with a stipulation, a secret stipulation that said that only the painting of the son would be auctioned. Whoever bought that painting would inherit the entire estate, paintings and all. The one who took the son gets everything.
”
”
Ramesh Richard (Preparing Evangelistic Sermons: A Seven-Step Method for Preaching Salvation)
“
Can I help?” “Hold this.” She handed him the wreath as she climbed the ladder. It wobbled on the hardwood floor. “I guess the floor’s not level.” “Part of the old house charm.” At the top she stretched high, reaching for the bottom of the picture hanging on the wall, then handed it down to him. The ladder wobbled as they swapped pieces. She grabbed onto the sides, but it wobbled again. When she looked down at Murphy, he wore a roguish smile, and his eyes held a mischievous sparkle. “Stop that,” she said. “What?” “It was you.” “I don’t know what you’re talking about.” She spared him a look and climbed to the highest safe rung, hoping he had the good sense not to fool with the ladder anymore. The wreath wasn’t heavy, but it was awkward. She tried to hook it on the nail that had held the picture. Missed. She rose on her toes. Just out of reach. She breathed a laugh. “Sheesh.” After another try, she lowered her arms for a rest. The ladder moved. “Stop it.” She steadied herself, then realized the ladder wasn’t wobbling. It was vibrating as Murphy climbed up behind her. “What are you doing?” “Helping.” She tightened her grip. “Get down. It isn’t safe.” “This is the heaviest-duty ladder I sell. Since neither of us weighs three hundred pounds, it’ll be fine.” He stopped behind her, the ladder stilling. The warmth of his chest pressed against her back. The clean, musky scent of his soap teased her nose. Her throat went dry. Her heart flittered around her chest like flurries in a snowstorm. He took the wreath, leaning closer, reaching higher. His thighs pressed against hers. His breath stirred the hairs at her temple. A shiver skated down her spine. Her legs trembled, and she braced a hand against the wall. This is Murphy, Layla. Remember? The guy who practically threw Jessica at Jack? The guy who didn’t bother mentioning that your fiancé was hooking up with your cousin? Even as the thought surfaced, Beckett’s words came back to her. Had she blown Murphy’s role out of proportion? Her thoughts tangled into a snarly knot. Murphy settled the wreath against the wall and leaned back infinitesimally. “That where you want it?” His lips were inches from her ear. If she turned her head just a bit— What the heck, Layla? She gave the wreath a cursory glance. “Yeah.” She didn’t care if it was upside down, backward, and flourishing with a moldy infestation. “Can you get down already?” “You seem a little tense.” His tone teased. Did he know the effect he was having on her? “You’re shaking the ladder, and your weight is straining the capacity.” Her fingers pressed against the wall, going white against the oak paneling. “Have it your way.” He leaned in, his lips close enough to brush her hair. “Let me know if you need any more help.
”
”
Denise Hunter (A December Bride (A Year of Weddings #1))
“
Roadblock #5: It's Unpredictable
By and large, human beings don't like surprises. I know that I don't. Okay, maybe I like that rare piece of unexpected good news or a letter from a friend or a thoughtful thank-you. But I'm willing to bet that people in funny hats jumping out of dark closets are responsible for more heart attacks than expressions of unbridled delight. When the doorbell rings late at night, I'm under no illusion that it's the Publisher's Clearing House Prize Patrol!
This, most likely, goes back to our caveman past when a big, exciting surprise was apt to be something like an 800-pound,snarling, saber-toothed tiger about to rip the head from our shoulders. Surprises were usually bad news. (Think about this the next time you're crouching in the dark in somebody's front hall closet with their raincoats and umbrellas.)
”
”
Paul Powers (Winning Job Interviews: Reduce Interview Anxiety / Outprepare the Other Candidates / Land the Job You Love)
“
This time, Reggie caught him by surprise.
More precisely, she climbed up to his balcony again and knocked at his window while he was trying to translate another page of Janet’s diary. Colin snapped his head around and saw a white human form. He was on his feet in an instant, knocking the chair over and then kicking it out of the way, feeling the energy of transformation begin to crackle along his bones.
Then he saw Reggie’s face.
When he opened the door to the balcony, any impulse to leave human form had subsided, but his heart was still pounding away in his throat. He was leaning against the balcony in an outwardly casual pose, but Reggie nonetheless looked back at him with her dark eyes wide. “Maybe I shouldn’t surprise you, in the future” she said.
“Not in this house,” said Colin. “I’m a terribly placid chap in most circumstances, I assure you.”
“Ha,” said Reggie, and stepped inside at his gesture of invitation.
”
”
Isabel Cooper (The Highland Dragon's Lady (Highland Dragon, #2))
“
They are almost directly above him. He closes his eyes and listens to their laughter upstairs. They are in love, he thinks, or at least they sound like it. His heart is pounding. He is here, and they don’t know it. That is special all by itself—they think they’re sharing something intimate, but he gets to be a part of it.
”
”
James Patterson (The Murder House)
“
We hear them often in the night. Their wild yelping makes the hair on my neck rise, even as I am always compelled to go to the nearest window and fling it open to listen, despite the cold. You can hear them moving: nearer, nearer up the frozen creek bed, until they are just beyond the edge of the porch light, the moon a grinning wedge above the trees. And then they’re gone, racing up the valley into the dark. I can feel how they’re close now, beyond the meadow’s edge, somewhere in the woods there, maybe asleep or watching us with yellow eyes, alerted by our footsteps and the sharp, ringing singsong of my son’s eager voice. This is always the case: The line between us and the wild is slender, like the bit of thread I find coiled in my pocket. My fingers tease it, wanting to know how it’s wound. This is always the way. I always want to know. The thread is yellow and snarled and comes from the windowsill of the bedroom above the garage. I stuck it in my pocket this morning while tidying, meaning to throw it away. It was from tha same window that I saw the foxes last week. The ruckus of the chickens alerted me, and when I looked down, one was right below me in the snowy driveway, looking up. I pounded my fist on the glass and began to yell, but it didn’t run. Instead it just stared at me, not moving a muscle until I ran down and out into the snow without a hat or gloves or jacket, boots unlaced, shrieking like a madwoman. Of course it ran then, though not far at first—just to the top of the nearest field—and when I followed after, another joined it. They’d staked the chicken house out for sure. And even though they were a threat to our unwitting hens, I was sad when they disappeared among the white trunks of a stand of birches, and I can still feel the way my heart was hammering hard and raw in my chest after running through the snow, hair flyaway, clapping my hands. Their fur was rust-colored, and when they ran
”
”
Christina Rosalie (Field Guide to Now: Notes On Mindfulness And Life In The Present Tense)
“
The scene is surreal. Ferdinand’s house is crowded, overflowing. Suitcases, bags, noises, words shouted from one room to another, yapping, closet doors banging. From the kitchen where he’s cutting a zucchini into slices, which he’ll season with a mustard and balsamic vinaigrette (a new recipe from Beatrice), he’s trying to get a handle on his emotions. His heart is always pounding. It would really be his luck to pop off now . .
”
”
Aurélie Valognes (Out of Sorts)
“
Before long, something unexpected happened to test my newfound faith. Mom had to go in for a simple, twenty-minute surgery. I went with Dad to the hospital, and we waited while she was in the operating room.
Forty-five minutes went by, and no one came out to tell us anything. Then a nurse came out, and one look at her face told me the news was not good.
“Look, there’s a problem,” she said. “We haven’t been able to wake her up. She’s gone into a coma. We have a machine breathing for her, and we think she’s going to be okay, but she needs to wake up.”
Dad looked at me, his face white and his eyes big and scared. We had no idea what was going on, but we knew it was bad. Really bad.
He grabbed my shoulder and said through tears, “We’re fixin’ to pray for your mom right now.”
I’d never heard him pray as fervently. He was frantic and telling God about how much we needed Mom in our family. We knew her life was at stake, and we both were scared she would never wake up.
The rest of the family came to the hospital, and we gathered, praying our hearts out. We finally got in to see her, and the sight of Mom on a respirator, her chest rising and falling with the help of the machine, freaked us all out. Eventually, we found out what had happened. There had been a mistake, and Mom had been given too much anesthetic, sending her into a serious coma.
Two days later, after many tears and huddles with family and desperate prayers, Mom came out of it, woke up, and started breathing on her own. I knew deep in my heart that she could have died, but God had chosen to answer our prayers, and that really built my faith. I was such a new Christian that I’m not sure how I would have reacted if something would have happened to my mom. I also felt like it drew me closer to my dad, as we had been the first ones to hear the news and to pray for her together. I saw a side of him I didn’t see very often, how much he loved and needed my mom and how much he trusted God to help him in a very bad situation.
No matter whose fault it was, we were just relieved Mom made it out alive. She recovered from the experience, and with her cooking during those months, my appetite came back, and I gained fifty pounds. I even got a little chunky, so I started working out so I could look and feel better. Those three months of house arrest were probably the best days of my life. My thinking had changed, my heart’s desires were back on track, and I had hope for the future.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
A sharp crunching sound echoed across the cramped office. Pinfeather’s eyes went wide, his body rigid as a steel pole. He looked down. Caitlin’s hand was buried in his chest up to the wrist. A rivulet of blood guttered from his mouth as he tried to speak. Caitlin put her lips to his ear as her fingers curled around his pounding heart. “Like you said, this is Vegas,” Caitlin whispered. “And in Vegas, the house always wins.” She yanked her hand free. Pinfeather crumpled to the carpet, a look of surprise frozen on his face. She dropped his dead heart onto the ruins of his chest and went to find a bathroom where she could scrub her hands. Caitlin hummed as she strolled away from the empty church, thinking about what to buy for dinner. Daniel was coming over, and for at least one night, they could relax together in peace. She supposed things had worked out just fine.
”
”
Craig Schaefer (Redemption Song (Daniel Faust, #2))
“
I often dreamed that I was on a ship. I would wake, my heart pounding from fear of the next wave, the one that would wash away all that was familiar. T
”
”
Kathleen Grissom (The Kitchen House)
“
Don’t stop on my account.”
I shrieked at the sound of Apollo’s voice and jerked back, tripping over my feet. Aiden caught my arm, steadying me before I face-planted the floor.
“Gods,” I muttered, placing a hand over my pounding heart. I’d been so caught up in Aiden I hadn’t even sensed Apollo’s presence.
Apollo sat on the edge of the bed, head cocked to the side, one leg crossed over the other. His blond hair was loose, framing a face that was eerily perfect. Vibrant blue eyes stared back at me instead of the creepy all-white eyes of a god. I was surprised that he remembered how much they freaked me out.
Aiden recovered first, moving to stand in front of me. He stiffened at the sound of Apollo’s amused chuckle. “How did you get in here?”
“The wards on the house faded about three hours ago. Luckily, none of the other gods have realized that and, for the most part, they don’t want Alex dead.” And then he tacked on, “…right at this moment.”
I looked at him blandly. “Good to know.”
“Maybe next time you’d want to knock?” Aiden suggested, relaxing a fraction of an inch.
Apollo’s shoulders lifted. “Where is the fun in that?” But he stood, his head inclining to the side. “We need to talk, but both of you look like you’ve been wrestling in mud.”
“We’ve been training,” I pointed out. “Like you suggested.”
If he was grateful that we’d actually followed instructions, it didn’t show. “I will be waiting downstairs. Try not to take ten years.”
With that, he simply blinked out of existence. A moment later, I heard a startled yelp downstairs. Glad we weren’t the only ones he liked to do that to.
I slumped against the wall. “I think he took a few years off my life.”
Aiden’s brow arched. “I still think we need to put a bell on him.”
My lips twitched. “And I still think that’s a good idea
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
arm around behind her back, turned her toward the house again, and marched her to the front door. He knocked loudly. Pounded, really. With the flat side of his fist. Allie lost her ability to breathe. Her heart couldn’t decide whether to beat too much or too little. It hammered in her chest so hard she feared it might break, explode. Then it missed a beat or even two, leaving a sickening void in the middle of her body that felt like dying. A terrifying pause. Then a light came on inside the house. Victor opened the door, his face muddied by sleep. His hair looked disheveled, not perfectly slicked back, and he wore a haze of light beard. The light in the living room haloed him from behind. Allie couldn’t see the look in his eyes, but just his gaze in her direction made her heart skip beats again. The big man who held Allie spoke in a deep bass. “This the one you called about?” “The very one,” Victor said. “Where’d you find her?” “On her way out.” Victor made tsk noises with his tongue. Three of them. It made Allie feel like a trapped animal. Like the prey of a wild cat who likes to play with his terrified catch before . . . Allie didn’t want to carry the analogy any further than that. “You’ll have your hands full with this one,” Victor said.
”
”
Catherine Ryan Hyde (Allie and Bea)
“
He slowed down when the house was in sight, despite the cries of his parents, despite the terror in their voices. This was the time of day he felt most alive. He watched the sun dip in the sky, eclipsed by the turning of the world beneath him. Shadows began to lengthen. He waited until the last minute, and then ran to his house as fast as he could, the exhilarating tingle of fear sweeping over him, making his heart pound and his hands shake. Air tasted better in those few seconds, his body alive with sensation. No sight was more beautiful than the reds and oranges of dusk, no sound more exciting than his parents' warnings. He tumbled over the threshold, careful not to disturb the wards, and turned to watch the corelings rise.
”
”
Peter V. Brett (The Great Bazaar and Other Stories (Demon Cycle, #1.6))
“
She and Becky had been on their hands and knees scrubbing the kitchen floor when he'd come in with an ear-to-ear grin, his skin glowing and his hair damp, unruly, and deliciously tousled. With him around, getting any work done had been impossible. He'd been munching an apple, prowling the kitchen like a restless cat, and driving Juliet insane with his playful feints to her face, to the wall, to the leg of a chair. "Would you stop?" she'd finally cried, looking up at him and laughing as she'd swatted him away. "Can't," he'd said and, winking at Becky, leaned down and kissed Juliet fully on the lips. He'd tasted of sweet apples and sunshine, and she'd felt a rush of desire for him that had made her wish Becky was anywhere but in their kitchen. "What's got you in such a good mood?" she'd managed after he finally broke the kiss and straightened up, leaving her breathless and flushed, her hand to her suddenly pounding heart. "Oh, nothing." Another playful feint to her shoulder. "Nothing at all, dearest!" "The way you're acting, one might think you were going to the fight tonight." His eyebrows had risen, and then he'd laughed, loudly. "Well, maybe I am," he'd said, cheerfully; then, saluting her with his apple, he'd swung back out the door. Juliet had watched him as he crossed the lawn and headed toward the manor house, his stride cocky and giving him the appearance of owning the world. When she'd turned back to Becky, the other girl was simply sitting back on her heels and shaking her head in amusement. "Men! They just never grow up, do they?" "Do you know, Becky ... I hope that one never does. He can make me laugh when all I want to do is cry. He can make me see the good in a situation when all I see is the bad. He knows when life should be taken seriously — and when it shouldn't. He's delightful and funny and clever — and not afraid to make a total cake of himself." She had smiled and given a little sigh. "No, I never want him to grow up ... not if it means seeing him change into something other than what he currently is." Becky
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
Lilenta…” Baird reached for her but she shied away. “No, don’t touch me! In fact, I don’t think we should touch anymore at all.” Baird frowned. “What are you talking about?” Liv shook her head, her pulse pounding as all her old fears of being pinned down and helpless under the big alien male came back in a rush. “There’s something about you. I can’t…can’t seem to control myself when you get too close. When you touch me. And don’t tell me it’s my body reacting to yours because we ‘need’ each other again either,” she snapped, when he opened his mouth as if to reply. “I don’t care what causes it, I don’t like being out of control. Don’t like it that I can’t seem to stop myself from…from acting like some kind of animal in heat.” “I told you this would happen.” Baird shifted on the bed toward her but Liv pulled away again. He sighed and sat back. “Your body is in heat, Lilenta—to a certain extent anyway. And as long as we’re together you’ll get hotter and hotter. Having me inside you is the only thing that will ease you.” “Well then I guess I’ll just have to manage on my own because there is no way I’m letting you try to get your whole entire uh…self inside me.” Liv’s heart was still racing. “In fact, I don’t think I want you touching me at all anymore. It’s too dangerous.” Baird’s face was like a thundercloud. “You signed a contract, Olivia. This is our bathing week—you can’t deny me the right to wash you.” “Exactly—wash me. And that’s it.” Liv lifted her chin defiantly. “I’m pretty sure if I went over that contract with a fine tooth comb there wouldn’t be anything about you being able to rub me with fifty types of oil and lay on top of me and practically hump me through the mattress.” “I was scent marking you,” he protested. “Gotta do that in order to let other males know you’re mine.” “I’m not yours,” she flared at him angrily. “And I never will be! So you can wash me—fine, I can’t stop you. But nothing outside the bathing pool. That means no more naked massages with exotic oils. And absolutely no more marking, or whatever you call it.” “Fine.” Baird was so angry now his eyes were practically glowing. “But if I can’t mark you, then we’re not leaving the suite. Not with you smellin’ so hot and not having any of my scent on you.” Liv threw up her hands. “Great. Put me under house arrest—I don’t care. Just stay away from me.” “If that’s how you feel,” he said, his jaw clenched. “I told you once I wasn’t interested in taking what you didn’t want to give.” “That’s exactly how I feel,” Liv assured him. “And I’m not giving another inch.” “Fine.” He was still glaring at her but the pain was back in his eyes now—back to stay and Liv knew she was the cause of it. Suddenly she felt horrible. “Try to understand, Baird,” she pleaded softly. “I never asked for this—for our minds to align or for you to claim me. I never wanted any of it. I just…I just want to go home.” Baird closed his eyes briefly. “I wish I could let you. But I can’t, Olivia. I need you too damn much. I’m sorry.
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
It laughs at fear, afraid of nothing; it does not shy away from the sword.” —Job 39:22 (NIV) Colby, my golden retriever, pounded through the woods, enjoying his first visit to Blue Ridge, Georgia. We turned down a gravel lane that looped by several houses perched high above the water when, suddenly, Colby froze. In front of my eyes, my sweet, loving golden tucked his tail and stood completely still; the high-pitched whine emanating from the back of his throat was his only giveaway. My eyes followed to where his gaze locked: our neighbor’s life-size, two-dimensional metal cutout of a bear. From where we stood, the bear looked to be crossing a stream a few yards away from us. Had Colby noticed the bear a few feet earlier or later, he would’ve seen what I knew to be true: This harmless, flat, rusted bear was only a lawn ornament. Instead, Colby cowered and whimpered until I carried him far enough along the path so that he could recognize the bear was only metal. I often wonder how many times God has had to pull me past certain trials that I don’t notice until I’m knee-deep in them and cowering. If I’d seen them coming or had the patience to wait until the fear subsided, I might’ve been better prepared to call out to God in prayer. Instead, I collapsed in a pile of woe and wailing, panicked at the situation I faced. Now, when I comfort Colby when he encounters something scary, I remember that God does the same with me. I may not be able to see the leash, but if I pay attention, I can feel the tug on my heart to follow Him. Lord, remind me that diving into my fear only allows it to bloom. Remind me to follow You out of the darkness and into the light. —Ashley Kappel Digging Deeper: Ps 23:4; Is 41:10; 1 Jn 4:18
”
”
Guideposts (Daily Guideposts 2014)
“
I thank you for that, Loretta. It was mighty fine, and even if you don’t never marry me, I’ll have it to remember.” He gave her a little push toward the door. “You git on back in the house now.”
As revolting as she had found the kiss, Loretta hesitated. At times, her silence rose around her like a wall.
“I’ll be careful, and there’s no need for thanks.” He flashed a grin. “Don’t stand there lookin’ silly. You only think you can’t talk, girl. Them there eyes of yours never shut up. Now, go on, git. I can’t leave with you standin’ out here.”
In a swirl of skirts, she turned back and hugged his neck, surprising herself as much as him. Before she lost her nerve, she kissed his cheek. Then she dashed into the house, her heart pounding like a kettledrum. Through the door cracks, she heard Tom chuckle. She swiped the back of her hand across her lips to get rid of the tobacco taste. Only then could she smile.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
If there were a Guinness World Record for the most amazing, mind-blowing, cock-stiffening, heart-pounding, panty-melting, burn-down -the- house kiss, we'd win that motherfucker hands down.
”
”
J.T. Geissinger
“
A few minutes later, we stumble into his bedroom. He kicks the door shut behind us and shoves me up against it. With a hand fisted in my hair and another on my rear, he kisses me like we’re on the eve of the apocalypse. Keeping time with the pounding of my heart, the floor vibrates with the beat from the music downstairs. I strain against him, trying to get closer. Needing to be closer. Wanting to feel him move through me.` This is what was missing in my other relationship. This unquenchable fire that feels like Rider and I could burn down the whole house with the electricity sparking between us. And tonight, I want to burn.
”
”
Lex Martin (The Varsity Dad Dilemma (Varsity Dads #1))
“
Zendaya’s stare arrests me yet again with her arched brown eyebrows that shade long-lashed pink irises, a hue that doesn’t exist in Luce, or in Nebba, or even in Glace.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Allow me to hold you a moment longer, Behach Éan. You’ve no idea how long I’ve waited to touch you.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
You haven’t even eaten, I deflect. I will. When? When we get to my bedchamber. Should I make you a plate? I’ve an appetite for something other than food.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
If you hurt her, Lore, you better pray for Mórrígan to lend me mercy.” “Have you met your daughter? Odds are rather high that I’ll be in need of your pity more than your mercy.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Welcome to the resistance, micara.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
That makes me your monster. The one who will fight off all the others in order to keep you safe.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Crows have one mate, Fallon. One. I’ve waited for mine—for you—for centuries, and your reaction is, so what?
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Gregory?” Julia’s voice gentled. She had noticed the sudden change in him. “Please talk to me.” Talk was the last thing he wanted from her now. He didn’t want to talk or to think. He didn’t want to continue to hate himself in front of the one person he was beginning to adore. Gregory didn’t speak the truth. Instead, he lashed out with a lie. “Very well, if you must know. I’m tired of waiting for our bargain to be completed.” He practically growled the words as he turned to her, and Julia shrank back in surprise. “If you’re not interested in your duties as a wife, then say so and I’ll be on my way. But your indecision has interfered with my plans, so either return to the house and find your way into my bed, Your Grace, or bid me farewell.” Julia never spoke, only watched calmly as Gregory finished and rose, tromping off to collect his ward. Felicity was still hopping near the creek, gleefully squealing whenever Miss Winslow attempted to get her under control. “Felicity!” he shouted. That got the child’s attention. “Put your shoes on and return to the house at once—” “Your Grace?” Miss Winslow kept one hand to her bonnet, trying to stop the wind from snatching it away, and pointed at something behind him. “The duchess is leaving.” Gregory whirled around in shock and saw that the governess was right. Julia had taken her horse and was currently riding it in the exact opposite direction of the house. She cantered farther ahead, into the heart of the storm as the clouds burst open and rain began to pound the countryside. Dear God, she’d be soaked and catch her death, or else thrown from her horse in the storm and break her neck. “Damn everything to hell,” Gregory snapped. He raced for his own horse, saddled up, and rode hard after his errant wife.
”
”
Lydia Drake (Cinderella and the Duke (Renegade Dukes #1))
“
You are mine, mo krrá. The same way that I am yours. From now until the end of time.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
get down to Front Street, Anthony never remembered. It was as if the whole thing were happening in a dream, as if some force outside himself were moving him around from place to place. All he knew was that sometime after he got dressed and slipped out of the house, he was down on Front Street and crouching behind a bush in the side yard of the old Winterborn place, shivering with the cold. And he was mad at himself because he hadn’t brought any tools with him. His heart was beating fast, and his body felt prickly all over. His blood was pounding in his ears. He felt very strange, but he was there,
”
”
John Bellairs (The Treasure of Alpheus Winterborn (Anthony Monday))
“
Annabeth’s heart pounded so strongly she felt it in her toes.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
There's breath and the knocking of my heart, like pounding, at the door of a house at night, where you thought you would be safe.
”
”
Margaret Atwood
“
Madmen built houses of solid stone. Then circled looking for a way inside. Inside, where cosy perfection waited. People and schemes and outright lies barred his every effort, and that was the heart of the conspiracy. From outside, after all, the house looked real. Therefore it was real. Just a little more clawing at the stone door, a little more battering, one more pounding collision will burst that barrier.
And on and on and round and round. The worn ruts of madness.
”
”
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
“
A loud knock shook her door.
Emma damn near jumped off the sofa. Her neck popped as she jerked her head around to stare at the door with wide eyes. Her heart began to slam against her ribs as fear trickled through her.
Who the hell would be knocking on her door this late at night?
Who the hell would be knocking on her door at any time of day or night?
No one she knew would do so without calling first. And deliverymen and women didn’t drop off packages at freaking midnight.
As quickly and quietly as a mouse, she darted into her bedroom and grabbed the 9mm her father had bought her and trained her to use. Flicking off the safety, she returned to the living room and swung by the coffee table to tuck her phone in her pajama pants pocket in case she needed to call 911. Only then did she cautiously approach the door.
Another knock thundered through the house.
Adrenaline spiking, she peered through the door’s peephole.
Shock rippled through her. “Oh shit,” she whispered. Setting the gun on the coatrack bench beside her, she hastily unlocked the dead bolt, then the knob, and flung open the door.
Cliff stood before her, his big body blocking her view of the yard.
Emma gaped up at him.
He wore the standard blacks of network guards covered with a long black coat similar to that of an Immortal Guardian. His face, neck, and hands were streaked with blood. His clothing glistened with wet patches. And his eyes shone bright amber.
She had never seen them so bright and knew it meant that whatever emotion roiled inside him was intense.
Panic consumed her. “Cliff,” she breathed. Stepping onto the porch, she swiftly glanced around, terrified she might see soldiers in black approaching with weapons raised.
When none materialized, she grabbed his wrist and yanked him inside.
Her hands shook as she closed and bolted the door, her fingers leaving little streaks of blood on the white surface.
Spinning around, she stared up at him. “What happened? Are you hurt?” Her gaze swept over him, noting every wet patch on his clothing, every ruby-red splotch on his skin. Was that his blood or someone else’s? “How did you get here? Are you hurt?” Closing the distance between them, she began to run her hands over his chest in search of wounds.
Cliff grabbed her wrists to halt her frantic movements. His glowing eyes dropped to the points at which they touched. He drew his thumbs over her skin as if to confirm she was real. Then he met her gaze. “I need your shower,” he said, voice gruff.
Heart pounding, she nodded. As soon as he released her, she pointed. “It’s through there.”
Without another word, he strode toward it. His heavy boots thudded loudly in the quiet as he entered the short hallway, then turned in to the bathroom. The door closed. Water began to pound tile.
Emma didn’t move.
Cliff was here. In her home. What the hell had happened?
”
”
Dianne Duvall (Cliff's Descent (Immortal Guardians, #11))
“
I’m pretty certain I have second-degree cock burn from the four times we made love last night, my core—that little vixen—revs right up,
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Keeping my eyes shut, I confess, “I stumbled onto his lap.” “Clever. I may recycle your trick.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
My target was neither his cock—which would’ve been, I assure you, unmissable—nor his leg. My target was the exit.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
It’s a much better story that you fell into his lap because you thought falling onto his giant penis was too forward.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
You can thank me by bringing me breakfast in bed tomorrow. If, that is, you’re not still tripping and impaling yourself on a certain Crow’s colossal—
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
I grip his ass to keep him from dematerializing, and although bliss softens the edges of my lucidity, I’m painfully aware that not even I have the power to hold on to this man if he decided to leave. “Stay.” On me. In me. With me.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
And he does, his golden gaze gleaming as he carves himself deeper into every corner of my being. From now until the end of time, Behach Éan.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))
“
Although his body was made for the sky, it moves like the ocean, a swell that rolls in deep, dashing itself against my shores, before retracting like the tides.
”
”
Olivia Wildenstein (House of Pounding Hearts (The Kingdom of Crows, #2))