House Of Flame And Shadow Quotes

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The friends they’d made were what mattered in the end. Not the enemies. Through love, all is possible.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I love you. I fell in love with you in the depths of my soul, and it’s my soul that will find yours again in the next life.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
A world where people loved and valued books and learning so much that they were willing to die for them. Can you imagine what such a civilization was like?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Okay, let’s do a head count. If you’re disowned, disgraced, or both, raise your hand.” Tharion, Baxian, Lidia, Hunt, and Ruhn raised their hands.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You’re my home, Hunt. Our love spans across stars and worlds, remember?” She smiled slightly. “I’ll always find you.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The gods know what would happen if all us females were unsupervised. Absolute anarchy. Cities would crumble.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Now I don’t fucking care who you are, so long as you’re mine.” Her eyes shot to his, again full of surprise. “Because I’m yours, Day. I’m fucking yours.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Why she had named Brannon after the oldest legends from her family’s bloodline: of a Fae King from another world, fire in his veins, who had created stags with the power of flame to be his sacred guards.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I’m sick and tired of people using girl as an insult.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
It is on Avallen, and females are not allowed beyond the lobby of the archives.” “Yeah, our periods would probably get all over the books.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
But what is eternal, what is made of love … that can never be destroyed.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
And you saw me. For the first time, you saw me. I could talk to you as I hadn’t spoken to anyone. You reminded me that I was—I am—alive. I hadn’t felt that way in a very long time.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Who’d you piss off to get sent to retrieve me, anyway?” She could have sworn Nesta’s lips curved into a smile. “On a good day, too many people to count. But today … I volunteered.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Let’s light it up.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Cassian’s waiting for you, Nesta,” Azriel said—tone gentling. “Take off the Mask.” Nesta stayed silent, Ataraxia ready in her hand. One swipe, and Azriel would be dead. “He’s waiting for you at the House of Wind,” Azriel went on. “At home.” Another blink from Nesta. The silver fire banked a little. Like whoever Cassian was, and whatever the House of Wind was … they might be the only things capable of fighting the siren song of the Mask.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
And I’m your motherfucking executioner.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Honor is all I have,” Irithys said, the heat of her indigo flames strong enough to warm Lidia’s chilled hands. “Honor, and my name. I will not sully or yield them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Surprise: I can teleport. Don’t barf.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I yield my crown, my title, to the queen.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You brought so much joy into my life, too, Ruhn.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I’m with you. All of me. You and I, we’ll finish this.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I fell in love with you in the depths of my soul, and it's my soul that will find yours again in the next life.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Flynn threw up his hands. “Am I the only one who feels like they’re on a bad acid trip?” Tharion scrubbed at his face. “I’m still on one, I think.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The world seemed to hold its breath as the elegant doe walked up to Ruhn and gently, lovingly, nuzzled his neck.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
That is what I want on my new business cards. Bryce Quinlan: Better than Expected.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I’m assuming you have some plan up your sleeve that you’re going to spring on us at the worst possible moment.” “I think you mean the coolest possible moment,” Bryce said,
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
What is it you want to know?" Nesta asked carefully. Bryce glanced between them. "How'd you two meet?" "There was a war," Nesta said shortly. "Between who?" Bryce asked. Azriel answered this time. "Between an evil Fae King and us." "You two, or like . . . everyone?" Nesta gave her a withering look, "Yes, the King of Hybern declared war on just me and Azriel.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
And Rhysand is … your king?” Nesta snorted. “He’d like to be. But no. He’s the High Lord of the Night Court.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You do make me proud, you know. Every day before now, and every day after. Nothing you do will ever change that.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
All right. Let’s ring Hel’s doorbell.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
An otter in a bright yellow vest leapt onto the quay, dripping everywhere. It rose onto its hind legs in front of Tharion, whiskers twitching, spraying droplets of water. Sathia grinned. “Stop it,” Tharion muttered. “It only encourages them to be cuter.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
... the world can give you these glimpses as well as fairy tales can--the smell of rain, the dazzle of sun on white clapboard with the shadows of ferns and wash on the line, the wildness of a winter storm when in the house the flame of a candle doesn't even flicker.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale – A Fresh Look at the Many Dimensions of God and Humanity)
Wyrd, we called her in that old world.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Prince Hunt Athalar Danaan. He would have hated the last name were it not for the fact that it was a marker of her ownership over his soul, his heart.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
But Ruhn lay awake, holding her tight, and did not let go until dawn.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Gods, what did he do to you? Anger and grief filled the question as it came from all around him, from inside him. Ruhn managed to say, Nothing you haven’t done a thousand times yourself.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Blessed with a Fae form and a humanoid one, gifted with elemental powers.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You're as much of a monster as they are," Nesta accused. Bryce knew. She'd always known. "Love will do that to you.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You can do good," Azriel warned, "while still being bad.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Where are you?? I’m having separation anxiety! Get back here!!!
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Do Not Enter. “Now, that’s practically an invitation,” he said, earning a laugh from Lidia as he kicked in the door.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
What are you?” Ace breathed. Still panting, blazing with fire, Lidia said, “An old bloodline,” and got to her feet.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You could learn a thing or two from your sister.” “What’s that supposed to mean?” Ruhn demanded. Flynn and Dec pretended to be busy looking into a closed butcher shop as they passed by. “You’re a prince,” Lidia said coolly. “Start acting like one.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Winter Stars I went out at night alone; The young blood flowing beyond the sea Seemed to have drenched my spirit's wings— I bore my sorrow heavily. But when I lifted up my head From shadows shaken on the snow, I saw Orion in the east Burn steadily as long ago. From windows in my father's house, Dreaming my dreams on winter nights, I watched Orion as a girl Above another city's lights. Years go, dreams go, and youth goes too, The world's heart breaks beneath its wars, All things are changed, save in the east The faithful beauty of the stars.
Sara Teasdale (Flame and Shadow)
Et in Avallen ego. Even in Avallen, there am I.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
So he said to her, mind-to-mind, I love you. I fell in love with you in the depths of my soul, and it’s my soul that will find yours again in the next life.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Rhysand, he’d called himself. The one who looked so much like Ruhn.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Who you are isn’t about what’s biologically in your system. It’s about who raised you. Who you are now.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
They're not going to ask for your permission like that Night Court dude.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You can do good," Azriel warned, "while still being bad.” Bryce whistled. "I know a number of males back home who could only dream dream of delivering that sentenced with such cool." Nesta chuckled. "I know a good number, too." Azriel threw Nesta an incredulous look. But Nesta was grinning at Bryce.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
And for the first time in her life, as she walked through that sea of death … she might have lifted her chin a bit higher. Might have felt a mantle settle on her shoulders, a train of starlight in her wake. Might have felt something like a crown settle upon her head. Guiding her into the dark.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You can do good," Azriel warned, "without ceasing to be evil.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
For Jelly Jubilee in the flesh?” Hunt grinned. “Anything.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
For the moment, it was only their souls, their bodies, and nothing else mattered.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
She extended the Starsword toward his face. He didn’t dare move as she bopped him on the nose with its tip.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Her brother only pressed a kiss to her brow and said, “Long live the queen.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Aidas was smiling faintly—joy and hope brightening his remarkable eyes. “It seems you got a little lost on your way to find me, Bryce Quinlan. But welcome to Hel.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
So, first things first: I think it sucks that we save the world and still have to be back at work two days later.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Laughter was the sole alternative to crying.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You could, uh, talk to her,” Flynn said from beside Ruhn, shutting yet another useless drawer full of catalog cards. “I can literally feel you brooding.” “I’m not brooding.” “You’re brooding,” Declan said from Ruhn’s other side. “You’re brooding,” Ruhn said, nodding to Dec’s taut face.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The day had begun sombrely in grey cloud and mist, but had ended in a pomp of scarlet and gold. Over the western hills beyond the harbour were amber deeps and crystalline shadows, with the fire of sunset below. The north was a mackerel sky of little, fiery golden clouds. The red light flamed on the white sails of a vessel gliding down the channel, bound to a Southern port in a land of palms. Beyond her, it smote upon and incarnadined the shining, white, grassless faces of the sand-dunes.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Would you have listened if I had no backstory other than realizing what was right and wanting to fight for it? Of doing whatever it took to make sure that good prevailed against tyranny? Or does my being a mother somehow make my choices more palatable to you?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
If I don’t get the chance to tell you later … I love you.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
If we get through this, Ruhn,” she said, “I’ll buy you a beer.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Danika Fendyr would have skewered all of you to the front gates of the Den for how you treated Quinlan.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The Autumn King growled as he backed into the closet, “I will kill you and your bitch mother for this.” She motioned him further inside. “I’ll pencil you in for tomorrow.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
She’d seen that look on his face before, too—long, long ago. The thoughtful, quiet stone to Brann’s wildfire.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Ruhn, who had driven the sword right through their father’s cold heart.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
can take these photographs that capture a moment in time, but not the people in it?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I’m sorry about your brother’s suffering.” The words steadied Bryce, focused her. “I’ll make sure my sire pays for it one day.” “Good” was all Nesta said. “Good.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Then Azriel said in a soft, lethal voice, “Explain or you die.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Ember really looked like she might cry now, especially as she turned back to Nesta and said, “This time with you was a gift, Nesta. It truly was.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The strike had been for the rebellion, Hunt knew, but the escape—the escape had been entirely for Ruhn.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
My friend, I am not what I seem. Seeming is but a garment I wear-a care-woven garment that protects me from thy questionings and thee from my negligence. The “I” in me, my friend, dwells in the house of silence, and therein it shall remain for ever more, unperceived, unapproachable. I would not have thee believe in what I say nor trust in what I do-for my words are naught but thy own thoughts in sound and my deeds thy own hopes in action. When thou sayest, “The wind bloweth eastward,” I say, “Aye it doth blow eastward”; for I would not have thee know that my mind doth not dwell upon the wind but upon the sea. Thou canst not understand my seafaring thoughts, nor would I have thee understand. I would be at sea alone. When it is day with thee, my friend, it is night with me; yet even then I speak of the noontide that dances upon the hills and of the purple shadow that steals its way across the valley; for thou canst not hear the songs of my darkness nor see my wings beating against the stars-and I fain would not have thee hear or see. I would be with night alone. When thou ascendest to thy Heaven I descend to my Hell-even then thou callest to me across the unbridgeable gulf, “My companion, my comrade,” and I call back to thee, “My comrade, my companion”-for I would not have thee see my Hell. The flame would burn thy eyesight and the smoke would crowd thy nostrils. And I love my Hell too well to have thee visit it. I would be in Hell alone. Thou lovest Truth and Beauty and Righteousness; and I for thy sake say it is well and seemly to love these things. But in my heart I laughed at thy love. Yet I would not have thee see my laughter. I would laugh alone. My friend, thou art good and cautious and wise; nay, thou art perfect-and I, too, speak with thee wisely and cautiously. And yet I am mad. But I mask my madness. I would be mad alone. My friend, thou art not my friend, but how shall I make thee understand? My path is not thy path, yet together we walk, hand in hand.
Kahlil Gibran (The Madman)
Ruhn Danaan, Crown Prince of the Valbaran Fae,
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The way the sunlight gleamed on his long dark hair, turning it into a silken cascade of night.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Think an earthworm with a mouth full of double rows of teeth. The size of two city buses.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
But inside him, beyond that sea of pain and despair, Bryce was the entirety of his world.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
She was so fucking beautiful. It wouldn’t have mattered to him, hadn’t mattered to him during those weeks they’d gotten to know each other,
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Every choice he’d made had led them from bad to worse to catastrophic.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I knew these smoldering good looks would come in handy one day.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
But maybe she could turn him into a worm and step on him. That’d be a mercy.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
That silvery flame flashed in Nesta’s eyes. A shiver slithered along Bryce’s spine. Fae and yet … not.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
What do you want to hear?" Bryce asked, opening her music library. Nesta and Azriel swapped glances, and the male answered a bit sheepishly, "The music you played at your pleasure halls." Bryce laughed, "Are you a club rat, Azriel?" He glowered at her, earning a smirk from Nesta, but Bryce played one of her dance tunes - a zippy blend of thumping bass and saxophones. And as the three of them walked into the endless dark, she could have sworn she caught Azriel nodding along to the beat.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
His mouth found her neck, and his teeth grazed over her pulse. “You’re my best friend, you know that?” He pulled away, staring down at her, and she couldn’t stop her star from flaring with light. “I mean, you’re my mate and wife—fuck, that still sounds weird—but you’re my best friend, too. I never thought I’d have one of those.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Ruhn had called her a queen before she left. And for the first time in her life, as she walked through that sea of death … she might have lifted her chin a bit higher. Might have felt a mantle settle on her shoulders, a train of starlight in her wake. Might have felt something like a crown settle upon her head. Guiding her into the dark.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Hey, Dec,” he groaned. Declan laughed thickly—like he might have been holding back tears. “It’s so fucking good to hear your voice.” Ruhn squeezed his eyes shut, throat working. “I love you. You know that?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Bryce said, her chest aching. "Your mom must be proud of all your... badassery too." Nesta's back stiffened. "My mother would be thrashing in her grave if she knew I was a warrior --- if she knew I wore trousers every single day and that I'm mated to a Fae male. I can't tell what would have horrified her more: me marrying a poor human man or becoming what I am now.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
It felt like my power went into you,” Hunt said, eyes tracking the lightning as it slithered down her body. “It’s … yours.” “As mine is yours,” she said, touching a fleck of starlight glittering between the sable locks of his hair.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Ruhn nodded to Hunt. “We need you to be the Umbra Mortis. He’s a badass—he wouldn’t hesitate.” “A badass,” Hunt said, “not a cannibal.” “Desperate times,” Ruhn said, meeting Hunt’s stare. Determination and focus filled the prince’s face.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
As they walked on, Nesta said, “When we stop again … can you show me how that contraption works?” “The phone?” The word couldn’t be translated into their language, and it sounded outright silly in their accent. But Nesta nodded, her eyes fixed on the tunnel ahead. “Trying to figure out what it does has been driving us all crazy.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
At Midnight Now at last I have come to see what life is, Nothing is ever ended, everything only begun, And the brave victories that seem so splendid Are never really won. Even love that I built my spirit's house for, Comes like a brooding and a baffled guest, And music and men's praise and even laughter Are not so good as rest.
Sara Teasdale (Flame and Shadow)
Only In Sleep Only in sleep I see their faces, Children I played with when I was a child, Louise comes back with her brown hair braided, Annie with ringlets warm and wild. Only in sleep Time is forgotten -- What may have come to them, who can know? Yet we played last night as long ago, And the doll-house stood at the turn of the stair. The years had not sharpened their smooth round faces, I met their eyes and found them mild -- Do they, too, dream of me, I wonder, And for them am I too a child?
Sara Teasdale (Flame and Shadow)
I was wrong. I think the Oracle meant all of them, Ruhn went on, mind-to-mind. The male lines. The Starborn Princes included—all you fucks who have corrupted and stolen and never once apologized for it. The entire system. This bullshit of crowns and inheritance.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
But why do you know this? How do you have this collection?” “I’ll refrain from making the comparison to a dog with a bone.” Jesiba closed her laptop with a soft click. Interlaced her fingers and set them upon the computer. “Quinlan knew when to keep her mouth shut, you know. She never asked why I have these books, why I have the Archesian amulets that the Parthos priestesses wore.” Ithan’s mouth dried out. He whispered, “What—who are you?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Azriel, without Rhysand to translate, watched in silence. Bryce could have sworn shadows wreathed him, like Ruhn’s, yet … wilder. The way Cormac’s had been.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The halo inked anew upon his brow seemed darker than the shadows of the dungeon
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Cassian won’t be happy.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
It had taken all this time, a journey through the stars and under the earth … but here they were.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Welcome, son,” said the Prince of the Pit.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
If Danika could not be here, it was only fitting that her mate stood here instead.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I believe it all happened for a reason. I believe it wasn't for nothing.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
but are you implying that I was made by you two assholes? As some sort of pet?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Ruhn read the words on each wooden door: Year Three. Year Seven. Year Five. She skidded to a halt, gripping a doorjamb. Ruhn reached her side as she shoved her face up to the glass. Year Nine. A group of teenagers—most of them mer, with striped skin and various coloring—sat in rows of desks in the classroom. Lidia pressed a hand against the door. Tears rolled down her cheeks. And then a boy, golden-haired and blue-eyed, looked away from his teacher and toward the window. The kid wasn’t mer. The ground slid out from under Ruhn. The boy had Lidia’s face. Her coloring. Another boy to his left, also not mer, had dark hair and golden eyes. Lidia’s eyes. Behind them, Flynn grunted with surprise. “You’ve got brothers on this ship?” “They’re not my brothers,” Lidia whispered. Her fingers curled on the glass. “They’re my sons.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Half-dangling between Hunt and Baxian, Ruhn stared at her. Still said nothing. The world seemed to hold its breath as the elegant doe walked up to Ruhn and gently, lovingly, nuzzled his neck.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
But my mother, Theia, used the time she served the Daglan to learn all she could about their instruments of conquest. The Dread Trove, we called it in secret. The Mask, the Harp, the Crown, and the Horn.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You think Lidia will make it?” Hunt rubbed his jaw. “I hope so. We need her.” “For what?” Hunt gave his old enemy—now friend, he supposed—a slash of a smile. “To make these fuckers pay for what they’ve done.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced … those, too, my parents would turn to their advantage.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Bryce had never dared ask why Jesiba had defected from the witches centuries ago. Why she’d aligned herself with the House of Flame and Shadow and its leader, the Under-King—and what she did for him. She called herself a sorceress now. Never a witch.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
If somewhere beneath the blood, the past must beat in me to make a rhythm of survival for itself - to go on as this half-life which echoes as a second pulse inside the ticking moments of my existence - if this is what must be, why is the pattern of remembered instants so uneven, so gapped and rutted and plunging and soaring? I can only believe it is because memory takes its pattern from the earliest moments of the mind, from childhood. And childhood is a most queer flame-lit and shadow-chilled time.
Ivan Doig
Nesta’s mate said, “You have one minute before Rhys gets here and explodes.” “Oh, Rhys will be fine, Cassian,” Ember said, in the Fae’s language. At Bryce’s shocked face, Randall said in the same language, “It got too hard to mime everything. They gave us that same bean-thing they offered you.” But Bryce shook her head. “Rhysand will be fine? The guy who brings darkness incarnate—” “He and Randall bonded about being overprotective dads,” Ember said. “So now Rhys knows exactly the sort of shit you like to pull, which apparently you pulled here, too…
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
To the left, the tunnel continued, old, rough rock walls curving into the gloom. To the right … Around the natural archway, an array of stars and planets had been carved, crowned at its apex by a large setting or rising sun. Bryce’s star glowed brighter as she faced it, guiding her there.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I would never hurt him. Everything I’ve done recently, everything I’m doing now, has been to keep Ruhn alive. Do you know how hard it is to keep Pollux at bay? To convince him to go slow? Do you have any idea what that’s like?” She screamed the last part at Flynn, who backed away a step. The Hind heaved a breath, shaking. “I need to get him out. If you don’t help me, then his death is on you. And I will destroy you, Tristan Flynn.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Azriel asked her with terrifying calm, “What happened to the Horn?” Bryce held his stare, seething, beyond trying to spin any bullshit. But Nesta said, “She is the Horn, Azriel. It’s inked into her flesh.” She lowered her hand from Bryce’s shoulder and peered at her. “Isn’t that right? It’s the only thing that would have made your tattoo react that way earlier.” Azriel’s hazel eyes flickered with predatory intent. He’d carve it out of her fucking back.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
And she,” the Under-King went on, gesturing to that unusual depiction of Urd towering above him, “was not a goddess, but a force that governed worlds. A cauldron of life, brimming with the language of creation. Urd, they call her here—a bastardized version of her true name. Wyrd, we called her in that old world.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
One by one, rapid as shooting stars, the thoughts raced through Bryce. More on instinct than anything else, she dropped to her knees and slammed her hand atop the eight-pointed star. Bryce reached with her mind, through layers of rock and earth—and there it was. Slumbering beneath her. Not firstlight, not as she knew it on Midgard—but raw Fae power from a time before the Drop. The power ascended toward her through the stone, like a glimmering arrow fired into the dark
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Bruce nodded, "This is what we call classical music --- the music performed in the Crescent City Ballet. This is from a ballet called the Glass Coffin." Bryce hit play again, and the violins began. Again Nesta was silent, knees now clutched to her chest, staring into the darkness. As if she was dedicating every inch of herself to listening. Bryce tapped her foot along to the melody, reading the expressions stealing across Nesta's face as the music played. Wonder and curiosity, joy and --- longing. Nesta seemed to be thrumming with the music, though she didn't move at all. Like she was coming alive merely listening to the sound.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The Starsword is Made, as you called it.” He waved an idle hand, sparks at his fingertips. “The knife can Unmake things. Made and Unmade. Matter and antimatter. With the right influx of power—a command from the one destined to wield them—they can be merged. And they can create a place where no life, no light exists. A place that is nothing. Nowhere.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The Hawk smiled up at Baxian. “How about we start with your tongue today, traitor?” To Baxian’s credit, he stuck out his tongue toward the Hawk in invitation. Hunt smirked. Yeah—they were all in this together. To the bitter end. The Hawk cut his stare toward Hunt. “You’ll be next, Athalar.” “Come and get it,” Hunt gasped. Ruhn extended his tongue as well.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
He considered the four-hundred-year-old sorceress on the screen. He’d heard the rumors: that Jesiba answered to the Under-King, that she could transform people into common animals if they provoked her, that she’d once been a witch who’d left her clan for reasons still unknown. Most likely bad ones, if she’d wound up a member of the House of Flame and Shadow.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
The three of us,” Aidas amended. “Our four other brothers are currently engaged in other conflicts, helping other worlds.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
There was Bryce, and nothing else. Not even Pollux’s barbed-wire whips could rip her face from his mind.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
He’d stay here, let Pollux rip him to shreds, cut through his wings again and again, if it meant that the Asteri’s attention stayed away from her.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
This was the stupidest thing she’d ever done. In a life full of stupid ideas and mistakes, that was saying something, but …
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Nesta swayed, but Azriel was there, catching her, bringing her to his chest, scarred hands stroking her hair. “Thank the Mother,” he breathed. “Thank the Mother.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Did anyone in this chamber see the necklace for what it truly was? A collar.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The line will end with me, you fucking prick, Ruhn said into his father’s mind, because I yield my crown, my title, to the queen.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Bryce doesn’t give up on the people she loves. If she went somewhere, it’s gotta be important.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I'm here,' he said. 'We made it.' She trembled harder, as if all that she had experienced and done were now breaking free in aftershocks. 'I'm here,' he said again, and leaned down to kiss the side of her neck. 'I'm here.' He kissed below her ear. Her hands came up caressing a line down his back. She stopped shaking. 'I'm here,' he said, kissing the base of her throat.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
It brings me no joy to see you with the halo and slave brand again, Athalar.” “Halo,” Hunt asked as solidly as he could, “or black crown?” Rigelus blinked—the only sign of his surprise—but the term clearly landed with the Bright Hand. “Been talking to shadows, have you?” Rigelus hissed. “Umbra Mortis and all that,” Hunt said. “Makes sense for the Shadow of Death.” Baxian chuckled.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The shifters were Fae from another world, Danika had explained. Blessed with a Fae form and a humanoid one, gifted with elemental powers. It confirmed what Lidia had long guessed. Why she had named Brannon after the oldest legends from her family’s bloodline: of a Fae King from another world, fire in his veins, who had created stags with the power of flame to be his sacred guards.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
They'd fallen into an easy routine, the three of them. Breakfast together in the morning, then Hughie would leave for work and she and Nell would get started in the house. Lil found she liked having a second shadow, enjoyed showing Nell things, explaining how they worked and why. Nell was a big one for asking why-why did the sun hide at night, why didn't the fire flames leap out of the gate, why didn't the river get bored and run the other way?-and Lil loved supplying answers, watching as understanding dawned on Nell's little face. For the first time in her life, Lil felt useful, needed, whole.
Kate Morton (The Forgotten Garden)
She found nothing but open curiosity on Nesta’s face. Nesta said, “The scar your light comes from … it’s shaped like an eight-pointed star. Why?” Bryce peered at where the light was muffled by her T-shirt. “It’s the symbol of the Starborn, I think.” “And the magic marked you in this way?” “Yes. When I … revealed who I was, what I am, to the world, I drew the star out of my chest. It left that scar in its wake.” She glanced to Azriel. “Like a burn.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Hunt squinted as he lowered his wing and met the shithead’s eyes. “Fuck you.” Like Hel would these assholes make him beg and grovel—either for his own life or Ruhn’s. Lidia said mildly, “I couldn’t have said it better myself, Athalar.” Hunt looked, but not fast enough. The Hawk certainly didn’t look fast enough. And Hunt knew he’d treasure this moment forever: the moment when Lidia Cervos pulled out her gun and fired it right between the Hawk’s eyes.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
A four-hundred-year-old enchantress who’d been born a witch and defected, Jesiba had joined the House of Flame and Shadow and now answered only to the Under-King himself. Flame and Shadow suited her well—she possessed an arsenal of spells to rival any sorcerer or necromancer in the darkest of the Houses. She’d been known to change people into animals when irritated enough. Bryce had never dared ask if the small animals in the dozen tanks and terrariums had always been animals.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Did you find anything special?' Blackie asked. T. nodded. 'Come over here,' he said, 'and look.' Out of both pockets he drew bundles of pound notes. 'Old Misery's savings,' he said. 'Mike ripped out the mattress, but he missed them.' 'What are you going to do? Share them?' 'We aren't thieves,' T. said. 'Nobody's going to steal anything from this house. I kept these for you and me - a celebration.' He knelt down on the floor and counted them out - there were seventy in all. 'We'll burn them,' he said, 'one by one,' and taking it in turns they held a note upwards and lit the top corner, so that the flame burnt slowly towards their fingers. The grey ash floated above them and fell on their heads like age. 'I'd like to see Old Misery's face when we are through,' T. said. 'You hate him a lot?' Blackie asked. 'Of course I don't hate him,' T. said. 'There'd be no fun if I hated him.' The last burning note illuminated his brooding face. 'All this hate and love,' he said, 'it's soft, it's hooey. There's only things, Blackie,' and he looked round the room crowded with the unfamiliar shadows of half things, broken things, former things. 'I'll race you home, Blackie,' he said. ("The Destructors")
Graham Greene (Shock!)
Again,” Azriel reminded them, “her knees have healed.” Bryce glanced at the thick scarring over his fingers. What—who—had done such a brutal thing to him? And though she knew it was dumb to open up, to show any vulnerability, she said quietly, “The male who fathered me … he used to burn my brother to punish him. The scars never healed for him, either.” Ruhn had just tattooed over them. A fact she’d only learned right before she’d come here, and knowing about the pain he’d suffered—
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
There are certain places, girl, that are better suited to hold power than others. Places where the veil between worlds is thin, and magic naturally abounds. Our light thrives in such environments, sustained by the regenerative magic of the land.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
So that eight-pointed star,” Nesta said into the quiet as they began walking again, shoes squishing, “it’s a symbol of the Starborn people in your world. It means nothing else?” “Why all the questions about it?” Bryce asked through chattering teeth. Azriel walked a few steps behind, silent as death, but she knew he was listening to every word. Nesta went silent, and Bryce thought she might not answer, but then she said, “I had a tattoo on my back—recently. A magical one, now gone. But it was of an eight-pointed star.” “And?” “And the magic, the power of the bargain that caused the tattoo to appear … it chose the design. The star meant nothing to me. I thought maybe it was related to my training, but its shape was identical to the scar on your chest.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You are a true mother,” he said, and grabbed her hand, turning her to face him. “Lidia, you made an impossible choice—you decided to protect your children, even if it meant you wouldn’t see them grow up. Fuck, if that doesn’t make you a true mother, then I don’t know what does.” Pain rippled across her face, and he wrapped his arms around her as she leaned against his chest. “They were the one thing that kept me going,” she said. “Through every horror, it was just knowing that they were there, and safe, and that my choices were keeping them that way.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Ember at last pulled away from Nesta. But she gently put a hand to the female’s cheek and whispered, “You’ll find your way,” before walking to the portal. Bryce could have sworn there were tears in Nesta’s eyes as her mother stepped back into Midgard. But those tears were gone when Nesta met Bryce’s stare. And Cassian, like any good mate, sensed when he wasn’t wanted, and walked over to the fireplace to pretend to read some sort of old-looking manuscript. Bryce knew that, also like any good mate, if she made one wrong move, he’d rip her to shreds. Which was precisely why Hunt had come back into the room, and was watching Nesta carefully. “Alphaholes,” Nesta echoed, eyes gleaming with amusement. Bryce chuckled and drew the Starsword. Again, Cassian tensed, but Bryce just offered it to Nesta. The female took it, blinking. “You said you had an eight-pointed star tattooed on you,” Bryce explained. “And you found the chamber with the eight-pointed star in the Prison, too.” Nesta lifted her head. “So?” “So I want you to take the Starsword.” Bryce held the blade between them. “Gwydion—whatever you call it here. The age of the Starborn is over on Midgard. It ends with me.” “I don’t understand.” But Bryce began backing toward the portal, taking Hunt’s hand, and smiled again at the female, at her mate, at their world, as the Northern Rift began to close. “I think that the eight-pointed star was tattooed on you for a reason. Take that sword and go figure out why.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Amren angled her head, sleek bob shifting with the movement. “A tax on your magic, taken by ancient beings for their own nourishment and power.” Azriel’s gaze shifted to her, Rhysand presumably still translating mind-to-mind. But Amren murmured to herself, as if the words triggered something, “A tithe.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
We’re not going to make it,” Baxian called as Lidia zoomed toward the guard station. “Lidia,” Athalar warned. “Get down!” Lidia barked, and Ruhn shut his eyes, sinking low as the grate lowered at an alarming rate. Metal screamed and exploded right above them, the car rocking, shuddering— Yet Lidia kept driving. She raced onto the open road beyond the city as the grate slammed shut behind them. “Cutting it a little close, don’t you think?” Hunt shouted to Lidia, and Ruhn opened his eyes to find that the gunner had been ripped clean off. Baxian was clinging for dear life to the back of the jeep, a manic grin on his face.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Azriel struck before she could exhale. Searing, sharp power, a bolt of blue right into her star. Bryce bent over, coughing, breathing around the burn, the alien strangeness of the power. “Are you all right?” Nesta asked with something like concern. Was it his power? Or something about this world? Even Hunt’s hadn’t felt like this—so undiluted, like one-hundred-proof liquor. Bryce closed her eyes and counted to ten, breathing hard. Letting it ease into her blood. Her bones. It tingled along her limbs. Slowly, she straightened, opening her eyes. From the way the others’ faces were illuminated, she knew her gaze had turned incandescent.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The female said quietly to the others, voice flat, almost bored, “I told you earlier: There’s something Made on her. Beyond that sword she carried.” “Made?” Bryce, caution be damned, asked the newcomer—Nesta, she could only assume—at the same time Amren pointed to Bryce’s back and asked, “Is it that tattoo?” Nesta just said, “Yes.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Can we expect any others to arrive here from your world?” She gave the truest answer she could. “No. As far as I know, they’ve been looking for this place for fifteen thousand years, but I’m the only one who’s ever made it back.” “Who is they?” “The Asteri. I told you—intergalactic parasites.” “What does that mean?” “They are …” Bryce paused.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets! Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.
M. John Harrison (Viriconium (Viriconium, #1-4))
The radio crackled again, and a stranger’s voice filled it. “Daybright, we’re a go at Meridan.” Another voice: “We’re a go at Alcene.” Another: “Ready at Ravilis.” On and on. Eleven locations total. Then a soft female voice said, “This is Irithys. Set to ignite at the Eternal City.” “What the fuck is happening, Lidia?” Hunt breathed. They raced through the narrow city streets, the van with Flynn falling into line behind them. Hunt grunted, “Those are all places on the Spine.” Athalar was right: Every single city mentioned was a major depot along the vital railway that funneled imperial weapons to the front. Lidia didn’t take her eyes off the road as she picked up the radio. “This is Daybright. Blast it to Hel, Irithys.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
That’s how you got to this world,” Nesta went on, backing up a step—no doubt to provide space to draw Ataraxia. “Why you, and no one else, can come. Why you said no one would be able to follow you here. Because only you have the Horn. Only you can move between worlds.” “You got me,” Bryce said, throwing up her hands in mock surrender and taking a step out of Nesta’s range. “I’m a big, bad, world-jumping monster. Like my ancestors.” “You’re a liability,” Nesta said flatly, eyes taking on that silvery sheen—that otherworldly fire. “I told you guys a hundred times already: I didn’t even want to come here—” “It doesn’t matter,” Nesta said. “You did come here, to the place where the Daglan are still apparently dead set on returning.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Bryce stumbled on a slippery rock, going down into the frigid water, palms and knees smarting— A strong hand was instantly at her back, but too late to avoid the stinging cuts that now peppered her hands and legs. “Careful,” Azriel warned, setting her on a sturdier rock. Bryce’s stomach hollowed out with her ears this time, and the dagger was right there, the sword so close— Azriel let out a grunt, going rigid. Like he could feel it, too, the weapons’ demand to be together or apart or whatever it was, the strange power of them in proximity to each other— “Watch your footing” was all the male said before stepping back. Far enough away that the sword and the dagger halted their strange tugging at Bryce. Her stomach eased, her hearing with it.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Poor Nesta’s been in the doghouse since you took their weapons and dumped us here,” Ember explained. “I tried telling Rhysand and Azriel how there’s no stopping you when you’ve got your mind set on something, and I think Feyre—Rhysand’s mate—believed me, but…” Ember glanced at Nesta and winced. “I apologize again for my daughter’s behavior.” “I made the choice to give her the Mask,” Nesta reminded Ember. To Bryce, she added wryly, “Your mother somehow doesn’t believe that I did so willingly.” Bryce rolled her eyes at her mother. “Great. Thanks for that.” She gestured to the portal shimmering behind them. “Shall we?” Ember smiled softly. “They’re truly gone, then.” “Gone, and never to be heard from again,” Bryce said, her heart lifting with the words. Ember’s eyes gleamed with tears, but she turned, taking Nesta’s hands and clenching them tightly in her own. “Despite the fact that my daughter lied and schemed and basically betrayed us…” she started. “Tell us how you really feel, Mom,” Bryce muttered, earning an amused sidelong glance from Nesta. But Ember continued, looking only at Nesta, “I am glad of one thing: that I was able to meet you.” Nesta’s lips pressed into a thin line, and she glanced down at their joined hands. Bryce cut in, if only to spare Nesta from her mom’s increasingly weepy-looking expression, “Next time I take on intergalactic evil, I’ll try to accommodate your bonding schedule.” Ember finally looked over at Bryce, glaring. “You and I are going to have words when we get home, Bryce Adelaide Quinlan.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
A great civilization lived on Midgard long before the Asteri conquered it.” He could have sworn she sounded sad. “One that prized knowledge in all its forms. So much so that a hundred thousand humans marched at Parthos to save these books from the Asteri and Vanir who came to burn them.” She shook her head, face distant. “A world where people loved and valued books and learning so much that they were willing to die for them. Can you imagine what such a civilization was like? A hundred thousand men and women marched to defend a library—it sounds like a bad joke these days.” Her eyes blazed. “But they fought, and they died. All to buy the library priestesses enough time to smuggle the books out on ships. The Vanir armies intercepted most of them, and the priestesses were burned, their precious books used as kindling. But one ship …” Her lips curved upward. “The Griffin. It slipped through the Vanir nets. Sailed across the Haldren and found safe harbor in Valbara.” Ithan slowly shook his head. “How do you know all this, when no one else does?” “The mer know some of it,” she hedged. “The mer aided the Griffin across the sea, at the behest of the Ocean Queen.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
So Bryce said, “The Asteri are ancient. Like tens of thousands of years old.” She winced at the memory of that room beneath their palace, the records of conquests going back millennia, complete with their own unique dating system. Her captors didn’t reply, didn’t so much as blink. Fine—insane old age wasn’t totally nuts to them. “They arrived in my world fifteen thousand years ago. No one knows from where.” “What do you mean by arrived?” Rhysand asked.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Light flared from the star at Bryce’s feet, from her chest, merging and blending, and then a hologram of a dark-haired young female—High Fae—appeared. As if she were addressing an audience. Bryce knew that heart-shaped face. The long hair. “Silene,” Bryce murmured. “From the carving?” Nesta asked, and as Bryce glanced to her, the warrior stepped through the wards as if they were nothing. Like she could have done so all along. Azriel didn’t try to stop her, but remained standing inside the tunnel mouth. “At the beginning of the tunnels,” Nesta said, “there was that carving of a young female … you said her name was Silene.” “The carving’s an exact likeness,” Bryce said, nodding. “But who is she?” Azriel said softly, voice tinged with pain, “She looks like Rhysand’s sister.” Nesta peered back at him with something like curiosity and sympathy. Bryce might have asked what the connection meant, but the hologram spoke.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma
Ocean Vuong (On Earth We're Briefly Gorgeous)
Emptying Town" I want to erase your footprints from my walls. Each pillow is thick with your reasons. Omens fill the sidewalk below my window: a woman in a party hat, clinging to a tin-foil balloon. Shadows creep slowly across the tar, someone yells, "Stop!" and I close my eyes. I can't watch as this town slowly empties, leaving me strung between bon-voyages, like so many clothes on a line, the white handkerchief stuck in my throat. You know the way Jesus rips open his shirt to show us his heart, all flaming and thorny, the way he points to it. I'm afraid the way I'll miss you will be this obvious. I have a friend who everyone warns me is dangerous, he hides bloody images of Jesus around my house, for me to find when I come home; Jesus behind the cupboard door, Jesus tucked into the mirror. He wants to save me but we disagree from what. My version of hell is someone ripping open his shirt and saying, Look what I did for you.
Nick Flynn (Some Ether)
Yet Amren let out a small, choked sound. Rhysand turned slowly, a bit incredulous. “Do we?” he asked smoothly. Amren picked at an invisible speck on her silk blouse. “It’s murky. I went in before …” She shook her head. “But when I came out, there were rumors. That a great number of people had vanished, as if they had never been. Some said to another world, others said they’d moved on to distant lands, still others said they’d been chosen by the Cauldron and spirited away somewhere.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Where did the dagger come from?” Azriel’s hazel eyes held nothing but cool wariness. “Why do you want to know?” “Because the Starsword”—she motioned to the blade he had down his back—“sings to it. I know you’re feeling it, too.” Let it be out in the open. “It’s driving you nuts, right?” Bryce pushed. “And it gets worse when I’m near.” Azriel’s face again revealed nothing. “It is,” Nesta answered for him. “I’ve never seen him so fidgety.” Azriel glowered at his friend. But he admitted, “They seem to want to be near each other.” Bryce nodded. “When I landed on that lawn, they instantly reacted when they were close together.” “Like calls to like,” Nesta mused. “Plenty of magical things react to one another.” “This was unique. It felt like … like an answer. My sword blazed with light. That dagger shone with darkness. Both of them are crafted of the same black metal. Iridium, right?” She jerked her chin to Azriel, to the dagger at his side. “Ore from a fallen meteorite?” Azriel’s silence was confirmation enough. “I told you guys back in that dungeon,” Bryce went on. “There’s literally a prophecy in my world about my sword and a dagger reuniting our people. When knife and sword are reunited, so shall our people be.” Nesta frowned deeply. “And you truly think this is that particular dagger?” “It checks too many boxes not to be.” Bryce lifted a still-bloody hand, and she didn’t miss the way they both tensed. But she furled her fingers and said, “I can feel them. It gets stronger the closer I get to them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
PART TWO Unexpressed emotions will never die. They are buried alive, and will come forth later, in uglier ways. —SIGMUND FREUD CHAPTER ONE Alicia Berenson’s Diary JULY 16 I never thought I’d be longing for rain. We’re into our fourth week of the heat wave, and it feels like an endurance test. Each day seems hotter than the last. It doesn’t feel like England. More like a foreign country—Greece or somewhere. I’m writing this on Hampstead Heath. The whole park is strewn with red-faced, semi-naked bodies, like a beach or a battlefield, on blankets or benches or spread out on the grass. I’m sitting under a tree, in the shade. It’s six o’clock, and it has started to cool down. The sun is low and red in a golden sky—the park looks different in this light—darker shadows, brighter colors. The grass looks like it’s on fire, flickering flames under my feet. I took off my shoes on my way here and walked barefoot. It reminded me of when I was little and I’d play outside. It reminded me of another summer, hot like this one—the summer Mum died—playing outside with Paul, cycling on our bikes through golden fields dotted with wild daisies, exploring abandoned houses and haunted orchards. In my memory that summer lasts forever. I remember Mum and those colorful tops she’d wear, with the yellow stringy straps, so flimsy and delicate—just like her. She was so thin, like a little bird. She would put on the radio and pick me up and dance me around to pop songs on the radio. I remember how she smelled of shampoo and cigarettes and Nivea hand cream, always with an undertone of vodka. How old was she then?
Alex Michaelides (The Silent Patient)
Thou grievest where no grief should be! thou speak'st Words lacking wisdom! for the wise in heart Mourn not for those that live, nor those that die. Nor I, nor thou, nor any one of these, Ever was not, nor ever will not be, For ever and for ever afterwards. All, that doth live, lives always! To man's frame As there come infancy and youth and age, So come there raisings-up and layings-down Of other and of other life-abodes, Which the wise know, and fear not. This that irks—Thy sense-life, thrilling to the elements—Bringing thee heat and cold, sorrows and joys, 'Tis brief and mutable! Bear with it, Prince! As the wise bear. The soul which is not moved, The soul that with a strong and constant calm Takes sorrow and takes joy indifferently, Lives in the life undying! That which is Can never cease to be; that which is not Will not exist. To see this truth of both Is theirs who part essence from accident, Substance from shadow. Indestructible, Learn thou! the Life is, spreading life through all; It cannot anywhere, by any means, Be anywise diminished, stayed, or changed. But for these fleeting frames which it informs With spirit deathless, endless, infinite, They perish. Let them perish, Prince! and fight! He who shall say, "Lo! I have slain a man!" He who shall think, "Lo! I am slain!" those both Know naught! Life cannot slay. Life is not slain! Never the spirit was born; the spirit shall cease to be never; Never was time it was not; End and Beginning are dreams! Birthless and deathless and changeless remaineth the spirit for ever; Death hath not touched it at all, dead though the house of it seems! Who knoweth it exhaustless, self-sustained, Immortal, indestructible,—shall such Say, "I have killed a man, or caused to kill?" Nay, but as when one layeth His worn-out robes away, And taking new ones, sayeth, "These will I wear to-day!" So putteth by the spirit Lightly its garb of flesh, And passeth to inherit A residence afresh. I say to thee weapons reach not the Life; Flame burns it not, waters cannot o'erwhelm, Nor dry winds wither it. Impenetrable, Unentered, unassailed, unharmed, untouched, Immortal, all-arriving, stable, sure, Invisible, ineffable, by word And thought uncompassed, ever all itself, Thus is the Soul declared! How wilt thou, then,—Knowing it so,—grieve when thou shouldst not grieve? How, if thou hearest that the man new-dead Is, like the man new-born, still living man—One same, existent Spirit—wilt thou weep? The end of birth is death; the end of death Is birth: this is ordained! and mournest thou, Chief of the stalwart arm! for what befalls Which could not otherwise befall? The birth Of living things comes unperceived; the death Comes unperceived; between them, beings perceive: What is there sorrowful herein, dear Prince?
Krishna-Dwaipayana Vyasa (The Song celestial; or, Bhagabad-gîtâ (from the Mahâbhârata) being a discourse between Arjuna, prince of India, and the Supreme Being under the form of Krishna)
I do not pry where I am not willingly invited. Bryce lurched back in the chair, nearly knocking it over at the smooth male voice in her mind. Rhysand’s voice. But she answered, thanking Luna for keeping her own voice cool and collected, Code of mind-speaking ethics? She felt him pause—as if almost amused. You’ve encountered this method of communication before. Yes. It was all she’d say about Ruhn. May I look in your memories? To see for myself? No. You may not. Rhysand blinked slowly. Then he said aloud, “Then we’ll have to rely on your words.” The petite female gaped at him. “But—
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
Azriel dragged Bryce back, sword and dagger calling to her to draw them, use them. But he kept pulling her away, deeper into the tunnel as the undead thing and the Wyrm grappled with each other. The ceiling shook, debris shattering on the floor. Azriel arched a wing, shielding them both from its slicing rain. But there was nothing in that world to shield them from the being standing a few feet away. Hair drifting on a phantom breeze, Nesta glowed with silver fire. Still wearing her mask. A finger pointed toward the fight. Commanding that creature of bone and death to attack the Wyrm. Again. Again.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Don’t you dare,” Azriel began—but not to Bryce. Dread paled his golden skin. “Nesta—” Something metallic gleamed like sunshine in Nesta’s hand. A mask. “Nesta,” Azriel warned, panic sharpening his voice, but too late. She closed her eyes and shoved it onto her face. A strange, cold breeze swept through the tunnel. Bryce had endured that wind before, in the Bone Quarter. A wind of death, of decay, of quiet. The hair on her arms rose. And her blood chilled to ice as Nesta opened her eyes to reveal only silver flame shining there. Whatever that mask was, whatever power it had … death lay within it. “Take it off,” Azriel snarled, but Nesta extended a hand into the darkness of the tunnel. Mortal, an ancient, bone-dry voice whispered in Bryce’s head. You are mortal, and you shall die. Memento mori. Memento mori, memento— Bone clicked in the darkness. The earth shook. Azriel grabbed Bryce, tugging her back against him as he retreated toward the wall, as if it’d offer any shelter from whatever approached. The Starsword and Truth-Teller hummed and pulled at Bryce’s spine, and her hands itched, like she could feel the weapons in her palms— She didn’t see what it was that Nesta drew from the dark before the Wyrm found them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Who is he?” she asked quietly. There had never been any mention of Fionn in the histories of Midgard, the lore. “The first and last High King of these lands,” Azriel breathed. Before Bryce could contemplate this further, Silene went on, But my mother and father knew they needed the most valuable of all the Daglan’s weapons. Bryce tensed. This had to be the thing that had given them the edge— The snows around Ramiel parted, revealing a massive bowl of iron at the foot of the monolith. Even through the vision, its presence leaked into the world, a heavy, ominous thing. “The Cauldron,” Nesta said, dread lacing her voice.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Bryce cut in, “Well, the Asteri remember your world. They’re still holding a grudge. Rigelus, their leader, told me it’s his personal mission to find this place and punish you all for kicking them to the curb. You’re basically public enemy number one.” “It is in our history, Rhysand,” Amren said gravely. “But the Asteri were not known by that name. Here, they were called the Daglan.” Bryce could have sworn Rhysand’s golden face paled slightly. Azriel shifted in his chair, wings rustling. Rhysand said firmly, “The Daglan were all killed.” Amren shuddered. The gesture seemed to spark more alarm in Rhysand’s expression. “Apparently not,” she said.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
We need to help her,” Bryce panted to Azriel. “I promise you, she’s fine,” Azriel countered, urging them further into the tunnel. Out of the impact zone, Bryce realized. The Wyrm must have sensed the sword’s approach, because it bucked against the bones and claws pinning it to the rock. It managed to nudge the undead creature back, but only for a heartbeat. Nesta raised her free hand again, and the undead creature slammed the Wyrm back into the ground. The Wyrm thrashed, desperate now. With a dancer’s grace, Nesta scaled the undead beast’s tail, running along the knobs of its spine like rocks in a stream. Getting to higher ground, to a better angle. The Wyrm shrieked, but Nesta had reached the undead beast’s white skull. And then she was jumping, sword arcing above her, then down, down— Straight into the head of the Wyrm. A shudder of silver fire rushed down the Wyrm. That cold, dry wind shivered through the caves again, death in its wake. The Wyrm slumped to the ground. The silence was worse than the sound. Azriel was instantly gone, wings tucking in tight as he rushed toward Nesta and the undead beast that still held the Wyrm in its grip. “Take it off,” Azriel ordered her. The female turned her head toward him with a smooth motion that Bryce had only seen from possessed dolls in horror movies. “Take it off,” Azriel snarled.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
My father became High King, and my mother his queen, yet this island on which you stand, this place … my mother claimed it for herself. The very island where she had once served as a slave became her domain, her sanctuary. The Daglan female who’d ruled it before her had chosen it for its natural defensive location, the mists that kept it veiled from the others. So, too, did my mother. But more than that, she told me many times that she and her heirs were the only ones worthy of tending this island. Nesta murmured to Azriel, “The Prison was once a royal territory?” Bryce didn’t care—and Azriel didn’t reply. Silene had glossed over how Theia and Fionn had used the Trove and Cauldron against the Asteri, and why the Hel had she come to this planet if not to learn about that? Yet once again, Silene’s memory plowed forward. And with the Daglan gone, as the centuries passed, as the Tithe was no longer demanded of us or the land, our powers strengthened. The land strengthened. It returned to what it had been before the Daglan’s arrival millennia before. We returned to what we’d been before that time, too, creatures whose very magic was tied to this land. Thus the land’s powers became my mother’s. Dusk, twilight—that’s what the island was in its long-buried heart, what her power bloomed into, the lands rising with it. It was, as she said, as if the island had a soul that now blossomed under her care, nurtured by the court she built here. Islands, like those they’d seen in the carvings, rose up from the sea, lush and fertile.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The Cauldron,” Nesta said hours later, pointing to yet another carving on the wall. It indeed showed a giant cauldron, perched atop what seemed to be a barren mountain peak with three stars above it. Azriel halted, angling his head. “That’s Ramiel.” At Bryce’s questioning look, he explained, “A mountain sacred to the Illyrians.” Bryce nodded to the carving. “What’s the big deal about a cauldron?” “The Cauldron,” Azriel amended. Bryce shook her head, not understanding. “You don’t have stories of it in your world? The Fae didn’t bring that tradition with them?” Bryce surveyed the giant cauldron. “No. We have five gods, but no cauldron. What does it do?” “All life came and comes from it,” Azriel said with something like reverence. “The Mother poured it into this world, and from it, life blossomed.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The Starborn—Theia, their queen, and Pelias, the traitor-prince who’d usurped her. Theia had brought two daughters with her into Midgard: Helena, who’d been forced to wed Pelias, and another, whose name had been lost to history. Much of the truth about Theia had been lost as well, either through time or the Asteri’s propaganda. Aidas, Prince of the Chasm, had loved her—that much Bryce knew. Theia had fought alongside Hel against the Asteri to free Midgard. Had been killed by Pelias in the end, her name nearly wiped from all memory. Bryce bore Theia’s light—Aidas had confirmed it. But beyond that, even the Asteri Archives had provided no information about the long-dead queen. “So you believe,” Amren said slowly, silver eyes flickering, “that our world is this third planet that resisted these … Asteri.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
She swallowed again. “Midgard is only the latest in a long line of worlds invaded by the Asteri. They have an entire archive of different planets they’ve either conquered or tried to conquer. I saw it right before I came here. And, as far as I know, there were only three planets that were able to kick them out—to fight back and defeat them. Hel, a planet called Iphraxia, and … a world occupied by the Fae. The original, Starborn Fae.” She nodded to the dagger at Azriel’s side, which had flared with dark light in the presence of the Starsword. “You know my sword by a different name, but you recognize what it is.” Only Amren nodded. “I think it’s because it came from this world,” Bryce said. “It seems connected to that dagger somehow. It was forged here, became part of your history, then vanished … right? You haven’t seen it in fifteen thousand years, or spoken this language in nearly as long—which lines up perfectly with the timeline of the Starborn Fae arriving in Midgard.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
THE sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow, spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woollen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp reused it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue fingerprint of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.” Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast. “You confess,” Glorian said, “that you slew the blood of the Saint.” Her voice kept breaking. “Do you then declare war on Inys?” Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face. “When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.” On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end. What she did next could define how they saw the House of Berethnet for centuries to come. Start forging your armour, Glorian. You will need it. She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams. And where there had been fear, there was anger. “If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.” Sweat was running down her back. She had never been so afraid in her life. “I am not afraid,” she said. At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow. “So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0.1))
So your sword … it’s been in your world for fifteen thousand years?” “Brought by my ancestor.” She debated the next bit, then added, “Queen Theia. Or Prince Pelias, depending on what propaganda’s being spun.” Amren stiffened slightly. Rhysand slid his eyes to her, clocking the movement. Bryce dared to push, “You … know of them?” Amren surveyed Bryce from her blood-splattered neon-pink shoes to her high ponytail. The blood smeared on Bryce’s face, now stiff and sticky. “No one has spoken those names here in a very, very long time.” In fifteen thousand years, Bryce was willing to bet. “But you have heard of them?” Bryce’s heart thundered. “They once … dwelled here,” Amren said carefully. It was the last scrap of confirmation Bryce needed about what this planet was. Something settled deep in her, a loose thread at last pulling taut. “So this is it, then. This is where we—the Midgard Fae—originated. My ancestors left this world and went to Midgard … and we forgot where we came from.” Silence again. Azriel spoke in their own language, and Rhysand translated. Perhaps Rhysand had been translating for Azriel mind-to-mind these last few minutes. “He says we have no such stories about our people migrating to another world.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Rhysand asked, “What happened after these beings arrived in your world?” Bryce sucked her teeth before saying, “In the official version of this story, another world, Hel, tried to invade Midgard. To destroy the fledgling empire—and everyone living in it. But the Asteri unified all these new people under one banner and pushed Hel back to its own realm. In the process, the Northern Rift was fixed with its destination permanently on Hel. After that, it remained mostly closed. A massive wall was erected around it to keep any Hel-born stragglers from getting through the cracks, and the Asteri built a glorious empire meant to last for eternity. Or so we’re all ordered to believe.” The faces in front of her remained impassive. Rhysand asked quietly, “And what is the unofficial story?” Bryce swallowed, the room in the archives flashing through her memory. “The Asteri are ancient, immortal beings who feed on the power of others—they harvest the magic of a people, a world, and then eat it. We call it firstlight. It fuels our entire world, but mostly them. We’re required to hand it over upon reaching immortality—well, as close to immortality as we can get. We seize our full, mature power through a ritual called the Drop, and in the process, some of our power is siphoned off and given over to the firstlight stores for the Asteri. It’s like a tax on our magic.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
My sister and I grew older. My mother educated us herself, always reminding us that though the Daglan had been vanquished, evil lived on. Evil lurked beneath our very feet, always waiting to devour us. I believe she told us this in order to keep us honest and true, certainly more than she had ever been. Yet as we aged and grew into our power, it became clear that only one throne could be inherited. I loved Helena more than anything. Should she have wanted the throne, it was hers. But she had as little interest in it as I did. It was not enough for my mother. Possessing all she had ever wanted was not enough. “Classic stage mom,” Bryce muttered. My mother remembered the talk of the Daglan—their mention of other worlds. Places they had conquered. And with two daughters and one throne … only entire worlds would do for us. For her legacy. Bryce shook her head again. She knew where this was going. Remembering the teachings of her former mistress, my mother knew she might wield the Horn and Harp to open a door. To bring the Fae to new heights, new wealth and prestige. Bryce rolled her eyes. Same corrupt, delusional Fae rulers, different millennium. Yet when she announced her vision to her court, many of them refused. They had just overthrown their conquerors—now they would turn conqueror, too? They demanded that she shut the door and leave this madness behind her. But she would not be deterred. There were enough Fae throughout her lands, along with some of the fire-wielders from the south, who supported the idea, merchants who salivated at the thought of untapped riches in other worlds. And so she gathered a force. It was Pelias who told her where to cast her intention. Using old, notated star maps from their former masters, he’d selected a world for them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
I was turned High Fae when an enemy shoved me into it. It’s raw power, but also … sentient.” “Like that mask you put on earlier.” Azriel folded his wings tightly, clearly wary of discussing such a powerful instrument with a potential enemy. But Nesta asked, “You detected a sentience in the Mask?” Bryce nodded. “It didn’t, like, talk to me or anything. I could just … sense it.” “What did it feel like?” Nesta asked quietly. “Like death,” Bryce breathed. “Like death incarnate.” Nesta’s eyes grew distant, grave. “That’s what the Mask can do. Give its wearer power over Death itself.” Bryce’s blood chilled. “And this is a … normal type of weapon here?” “No,” Azriel said from ahead, shoulders tense. “It is not.” Nesta explained, “The Mask is one of three objects of catastrophic power, Made by the Cauldron itself. The Dread Trove, we call it.” “And the Mask is … yours?” “I was also Made by the Cauldron,” Nesta said, “which allows me to wield it.” She spoke with no pride or boasting. Merely cold resignation and responsibility. “Made,” Bryce mused. “You said that my tattoo was Made.” “It is a mystery to us,” Nesta said. “You’d need to have had the ink Made by the Cauldron, in this world, for it to be so.” The Horn had come from here. Had been brought by Theia and Pelias into Midgard. Perhaps it, too, had been forged by the Cauldron. Bryce tucked away the knowledge, the questions it raised. “We don’t have anything like the Cauldron on Midgard. Solas is our sun god, Cthona his mate and the earth goddess. Luna is his sister, the moon; Ogenas, Cthona’s jealous sister in the seas. And Urd guides all—she’s the weaver of fate, of destiny.” Bryce added after a moment, “I think she’s the reason I’m here.” “Urd,” Nesta murmured. “The Fae say the Cauldron holds our fates. Maybe it became this Urd.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woolen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp raised it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue finger-print of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)