“
The friends they’d made were what mattered in the end. Not the enemies. Through love, all is possible.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
A world where people loved and valued books and learning so much that they were willing to die for them. Can you imagine what such a civilization was like?
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
You’re my home, Hunt. Our love spans across stars and worlds, remember?” She smiled slightly. “I’ll always find you.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I love you. I fell in love with you in the depths of my soul, and it’s my soul that will find yours again in the next life.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Okay, let’s do a head count. If you’re disowned, disgraced, or both, raise your hand.” Tharion, Baxian, Lidia, Hunt, and Ruhn raised their hands.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The gods know what would happen if all us females were unsupervised. Absolute anarchy. Cities would crumble.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Now I don’t fucking care who you are, so long as you’re mine.” Her eyes shot to his, again full of surprise. “Because I’m yours, Day. I’m fucking yours.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Why she had named Brannon after the oldest legends from her family’s bloodline: of a Fae King from another world, fire in his veins, who had created stags with the power of flame to be his sacred guards.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I’m sick and tired of people using girl as an insult.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
It is on Avallen, and females are not allowed beyond the lobby of the archives.” “Yeah, our periods would probably get all over the books.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Who’d you piss off to get sent to retrieve me, anyway?” She could have sworn Nesta’s lips curved into a smile. “On a good day, too many people to count. But today … I volunteered.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
But what is eternal, what is made of love … that can never be destroyed.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
And you saw me. For the first time, you saw me. I could talk to you as I hadn’t spoken to anyone. You reminded me that I was—I am—alive. I hadn’t felt that way in a very long time.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Cassian’s waiting for you, Nesta,” Azriel said—tone gentling. “Take off the Mask.” Nesta stayed silent, Ataraxia ready in her hand. One swipe, and Azriel would be dead. “He’s waiting for you at the House of Wind,” Azriel went on. “At home.” Another blink from Nesta. The silver fire banked a little. Like whoever Cassian was, and whatever the House of Wind was … they might be the only things capable of fighting the siren song of the Mask.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Honor is all I have,” Irithys said, the heat of her indigo flames strong enough to warm Lidia’s chilled hands. “Honor, and my name. I will not sully or yield them.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
And I’m your motherfucking executioner.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Flynn threw up his hands. “Am I the only one who feels like they’re on a bad acid trip?” Tharion scrubbed at his face. “I’m still on one, I think.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I’m assuming you have some plan up your sleeve that you’re going to spring on us at the worst possible moment.” “I think you mean the coolest possible moment,” Bryce said,
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
... the world can give you these glimpses as well as fairy tales can--the smell of rain, the dazzle of sun on white clapboard with the shadows of ferns and wash on the line, the wildness of a winter storm when in the house the flame of a candle doesn't even flicker.
”
”
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
“
The world seemed to hold its breath as the elegant doe walked up to Ruhn and gently, lovingly, nuzzled his neck.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Surprise: I can teleport. Don’t barf.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I’m with you. All of me. You and I, we’ll finish this.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I yield my crown, my title, to the queen.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
And Rhysand is … your king?” Nesta snorted. “He’d like to be. But no. He’s the High Lord of the Night Court.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
All right. Let’s ring Hel’s doorbell.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
You brought so much joy into my life, too, Ruhn.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I fell in love with you in the depths of my soul, and it's my soul that will find yours again in the next life.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
An otter in a bright yellow vest leapt onto the quay, dripping everywhere. It rose onto its hind legs in front of Tharion, whiskers twitching, spraying droplets of water. Sathia grinned. “Stop it,” Tharion muttered. “It only encourages them to be cuter.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
That is what I want on my new business cards. Bryce Quinlan: Better than Expected.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
What is it you want to know?" Nesta asked carefully.
Bryce glanced between them. "How'd you two meet?"
"There was a war," Nesta said shortly.
"Between who?" Bryce asked.
Azriel answered this time. "Between an evil Fae King and us."
"You two, or like . . . everyone?"
Nesta gave her a withering look, "Yes, the King of Hybern declared war on just me and Azriel.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Prince Hunt Athalar Danaan. He would have hated the last name were it not for the fact that it was a marker of her ownership over his soul, his heart.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Gods, what did he do to you? Anger and grief filled the question as it came from all around him, from inside him. Ruhn managed to say, Nothing you haven’t done a thousand times yourself.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Winter Stars
I went out at night alone;
The young blood flowing beyond the sea
Seemed to have drenched my spirit's wings—
I bore my sorrow heavily.
But when I lifted up my head
From shadows shaken on the snow,
I saw Orion in the east
Burn steadily as long ago.
From windows in my father's house,
Dreaming my dreams on winter nights,
I watched Orion as a girl
Above another city's lights.
Years go, dreams go, and youth goes too,
The world's heart breaks beneath its wars,
All things are changed, save in the east
The faithful beauty of the stars.
”
”
Sara Teasdale (Flame and Shadow)
“
But Ruhn lay awake, holding her tight, and did not let go until dawn.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
You could learn a thing or two from your sister.” “What’s that supposed to mean?” Ruhn demanded. Flynn and Dec pretended to be busy looking into a closed butcher shop as they passed by. “You’re a prince,” Lidia said coolly. “Start acting like one.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
You do make me proud, you know. Every day before now, and every day after. Nothing you do will ever change that.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Where are you?? I’m having separation anxiety! Get back here!!!
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Wyrd, we called her in that old world.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
And for the first time in her life, as she walked through that sea of death … she might have lifted her chin a bit higher. Might have felt a mantle settle on her shoulders, a train of starlight in her wake. Might have felt something like a crown settle upon her head. Guiding her into the dark.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The day had begun sombrely in grey cloud and mist, but had ended in a pomp of scarlet and gold. Over the western hills beyond the harbour were amber deeps and crystalline shadows, with the fire of sunset below. The north was a mackerel sky of little, fiery golden clouds. The red light flamed on the white sails of a vessel gliding down the channel, bound to a Southern port in a land of palms. Beyond her, it smote upon and incarnadined the shining, white, grassless faces of the sand-dunes.
”
”
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
“
My friend, I am not what I seem. Seeming is but a garment I wear-a care-woven garment that protects me from thy questionings and thee from my negligence.
The “I” in me, my friend, dwells in the house of silence, and therein it shall remain for ever more, unperceived, unapproachable.
I would not have thee believe in what I say nor trust in what I do-for my words are naught but thy own thoughts in sound and my deeds thy own hopes in action.
When thou sayest, “The wind bloweth eastward,” I say, “Aye it doth blow eastward”; for I would not have thee know that my mind doth not dwell upon the wind but upon the sea.
Thou canst not understand my seafaring thoughts, nor would I have thee understand. I would be at sea alone.
When it is day with thee, my friend, it is night with me; yet even then I speak of the noontide that dances upon the hills and of the purple shadow that steals its way across the valley; for thou canst not hear the songs of my darkness nor see my wings beating against the stars-and I fain would not have thee hear or see. I would be with night alone.
When thou ascendest to thy Heaven I descend to my Hell-even then thou callest to me across the unbridgeable gulf, “My companion, my comrade,” and I call back to thee, “My comrade, my companion”-for I would not have thee see my Hell. The flame would burn thy eyesight and the smoke would crowd thy nostrils. And I love my Hell too well to have thee visit it. I would be in Hell alone.
Thou lovest Truth and Beauty and Righteousness; and I for thy sake say it is well and seemly to love these things. But in my heart I laughed at thy love. Yet I would not have thee see my laughter. I would laugh alone.
My friend, thou art good and cautious and wise; nay, thou art perfect-and I, too, speak with thee wisely and cautiously. And yet I am mad. But I mask my madness. I would be mad alone.
My friend, thou art not my friend, but how shall I make thee understand? My path is not thy path, yet together we walk, hand in hand.
”
”
Kahlil Gibran (The Madman)
“
You could, uh, talk to her,” Flynn said from beside Ruhn, shutting yet another useless drawer full of catalog cards. “I can literally feel you brooding.” “I’m not brooding.” “You’re brooding,” Declan said from Ruhn’s other side. “You’re brooding,” Ruhn said, nodding to Dec’s taut face.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Et in Avallen ego. Even in Avallen, there am I.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
can take these photographs that capture a moment in time, but not the people in it?
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
If we get through this, Ruhn,” she said, “I’ll buy you a beer.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
You can do good," Azriel warned, "while still being bad.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Who you are isn’t about what’s biologically in your system. It’s about who raised you. Who you are now.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Blessed with a Fae form and a humanoid one, gifted with elemental powers.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
So he said to her, mind-to-mind, I love you. I fell in love with you in the depths of my soul, and it’s my soul that will find yours again in the next life.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
For Jelly Jubilee in the flesh?” Hunt grinned. “Anything.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
You can do good," Azriel warned, "while still being bad.”
Bryce whistled. "I know a number of males back home who could only dream dream of delivering that sentenced with such cool."
Nesta chuckled. "I know a good number, too."
Azriel threw Nesta an incredulous look. But Nesta was grinning at Bryce.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
At Midnight
Now at last I have come to see what life is,
Nothing is ever ended, everything only begun,
And the brave victories that seem so splendid
Are never really won.
Even love that I built my spirit's house for,
Comes like a brooding and a baffled guest,
And music and men's praise and even laughter
Are not so good as rest.
”
”
Sara Teasdale (Flame and Shadow)
“
Only In Sleep
Only in sleep I see their faces,
Children I played with when I was a child,
Louise comes back with her brown hair braided,
Annie with ringlets warm and wild.
Only in sleep Time is forgotten --
What may have come to them, who can know?
Yet we played last night as long ago,
And the doll-house stood at the turn of the stair.
The years had not sharpened their smooth round faces,
I met their eyes and found them mild --
Do they, too, dream of me, I wonder,
And for them am I too a child?
”
”
Sara Teasdale (Flame and Shadow)
“
Her brother only pressed a kiss to her brow and said, “Long live the queen.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Danika Fendyr would have skewered all of you to the front gates of the Den for how you treated Quinlan.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I’m sorry about your brother’s suffering.” The words steadied Bryce, focused her. “I’ll make sure my sire pays for it one day.” “Good” was all Nesta said. “Good.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
What are you?” Ace breathed. Still panting, blazing with fire, Lidia said, “An old bloodline,” and got to her feet.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Well,” he said as casually as he could, sitting down and crossing his legs, “not to invite myself to the party, but I’m coming with you guys as well.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Think an earthworm with a mouth full of double rows of teeth. The size of two city buses.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
She extended the Starsword toward his face. He didn’t dare move as she bopped him on the nose with its tip.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
For the moment, it was only their souls, their bodies, and nothing else mattered.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
You can do good," Azriel warned, "without ceasing to be evil.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Do Not Enter. “Now, that’s practically an invitation,” he said, earning a laugh from Lidia as he kicked in the door.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
You're as much of a monster as they are," Nesta accused.
Bryce knew. She'd always known. "Love will do that to you.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Half-dangling between Hunt and Baxian, Ruhn stared at her. Still said nothing. The world seemed to hold its breath as the elegant doe walked up to Ruhn and gently, lovingly, nuzzled his neck.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Ruhn read the words on each wooden door: Year Three. Year Seven. Year Five. She skidded to a halt, gripping a doorjamb. Ruhn reached her side as she shoved her face up to the glass. Year Nine. A group of teenagers—most of them mer, with striped skin and various coloring—sat in rows of desks in the classroom. Lidia pressed a hand against the door. Tears rolled down her cheeks. And then a boy, golden-haired and blue-eyed, looked away from his teacher and toward the window. The kid wasn’t mer. The ground slid out from under Ruhn. The boy had Lidia’s face. Her coloring. Another boy to his left, also not mer, had dark hair and golden eyes. Lidia’s eyes. Behind them, Flynn grunted with surprise. “You’ve got brothers on this ship?” “They’re not my brothers,” Lidia whispered. Her fingers curled on the glass. “They’re my sons.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Ruhn nodded to Hunt. “We need you to be the Umbra Mortis. He’s a badass—he wouldn’t hesitate.” “A badass,” Hunt said, “not a cannibal.” “Desperate times,” Ruhn said, meeting Hunt’s stare. Determination and focus filled the prince’s face.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
If somewhere beneath the blood, the past must beat in me to make a rhythm of survival for itself - to go on as this half-life which echoes as a second pulse inside the ticking moments of my existence - if this is what must be, why is the pattern of remembered instants so uneven, so gapped and rutted and plunging and soaring? I can only believe it is because memory takes its pattern from the earliest moments of the mind, from childhood. And childhood is a most queer flame-lit and shadow-chilled time.
”
”
Ivan Doig
“
Would you have listened if I had no backstory other than realizing what was right and wanting to fight for it? Of doing whatever it took to make sure that good prevailed against tyranny? Or does my being a mother somehow make my choices more palatable to you?
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced … those, too, my parents would turn to their advantage.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
As they walked on, Nesta said, “When we stop again … can you show me how that contraption works?” “The phone?” The word couldn’t be translated into their language, and it sounded outright silly in their accent. But Nesta nodded, her eyes fixed on the tunnel ahead. “Trying to figure out what it does has been driving us all crazy.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Ruhn had called her a queen before she left. And for the first time in her life, as she walked through that sea of death … she might have lifted her chin a bit higher. Might have felt a mantle settle on her shoulders, a train of starlight in her wake. Might have felt something like a crown settle upon her head. Guiding her into the dark.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The Starsword is Made, as you called it.” He waved an idle hand, sparks at his fingertips. “The knife can Unmake things. Made and Unmade. Matter and antimatter. With the right influx of power—a command from the one destined to wield them—they can be merged. And they can create a place where no life, no light exists. A place that is nothing. Nowhere.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
They'd fallen into an easy routine, the three of them. Breakfast together in the morning, then Hughie would leave for work and she and Nell would get started in the house. Lil found she liked having a second shadow, enjoyed showing Nell things, explaining how they worked and why. Nell was a big one for asking why-why did the sun hide at night, why didn't the fire flames leap out of the gate, why didn't the river get bored and run the other way?-and Lil loved supplying answers, watching as understanding dawned on Nell's little face. For the first time in her life, Lil felt useful, needed, whole.
”
”
Kate Morton (The Forgotten Garden)
“
But why do you know this? How do you have this collection?” “I’ll refrain from making the comparison to a dog with a bone.” Jesiba closed her laptop with a soft click. Interlaced her fingers and set them upon the computer. “Quinlan knew when to keep her mouth shut, you know. She never asked why I have these books, why I have the Archesian amulets that the Parthos priestesses wore.” Ithan’s mouth dried out. He whispered, “What—who are you?
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Azriel asked her with terrifying calm, “What happened to the Horn?” Bryce held his stare, seething, beyond trying to spin any bullshit. But Nesta said, “She is the Horn, Azriel. It’s inked into her flesh.” She lowered her hand from Bryce’s shoulder and peered at her. “Isn’t that right? It’s the only thing that would have made your tattoo react that way earlier.” Azriel’s hazel eyes flickered with predatory intent. He’d carve it out of her fucking back.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
One by one, rapid as shooting stars, the thoughts raced through Bryce. More on instinct than anything else, she dropped to her knees and slammed her hand atop the eight-pointed star. Bryce reached with her mind, through layers of rock and earth—and there it was. Slumbering beneath her. Not firstlight, not as she knew it on Midgard—but raw Fae power from a time before the Drop. The power ascended toward her through the stone, like a glimmering arrow fired into the dark
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Again,” Azriel reminded them, “her knees have healed.” Bryce glanced at the thick scarring over his fingers. What—who—had done such a brutal thing to him? And though she knew it was dumb to open up, to show any vulnerability, she said quietly, “The male who fathered me … he used to burn my brother to punish him. The scars never healed for him, either.” Ruhn had just tattooed over them. A fact she’d only learned right before she’d come here, and knowing about the pain he’d suffered—
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Did you find anything special?' Blackie asked.
T. nodded. 'Come over here,' he said, 'and look.' Out of both pockets he drew bundles of pound notes. 'Old Misery's savings,' he said. 'Mike ripped out the mattress, but he missed them.'
'What are you going to do? Share them?'
'We aren't thieves,' T. said. 'Nobody's going to steal anything from this house. I kept these for you and me - a celebration.' He knelt down on the floor and counted them out - there were seventy in all. 'We'll burn them,' he said, 'one by one,' and taking it in turns they held a note upwards and lit the top corner, so that the flame burnt slowly towards their fingers. The grey ash floated above them and fell on their heads like age. 'I'd like to see Old Misery's face when we are through,' T. said.
'You hate him a lot?' Blackie asked.
'Of course I don't hate him,' T. said. 'There'd be no fun if I hated him.' The last burning note illuminated his brooding face. 'All this hate and love,' he said, 'it's soft, it's hooey. There's only things, Blackie,' and he looked round the room crowded with the unfamiliar shadows of half things, broken things, former things. 'I'll race you home, Blackie,' he said. ("The Destructors")
”
”
Graham Greene (Shock!)
“
Azriel struck before she could exhale. Searing, sharp power, a bolt of blue right into her star. Bryce bent over, coughing, breathing around the burn, the alien strangeness of the power. “Are you all right?” Nesta asked with something like concern. Was it his power? Or something about this world? Even Hunt’s hadn’t felt like this—so undiluted, like one-hundred-proof liquor. Bryce closed her eyes and counted to ten, breathing hard. Letting it ease into her blood. Her bones. It tingled along her limbs. Slowly, she straightened, opening her eyes. From the way the others’ faces were illuminated, she knew her gaze had turned incandescent.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The radio crackled again, and a stranger’s voice filled it. “Daybright, we’re a go at Meridan.” Another voice: “We’re a go at Alcene.” Another: “Ready at Ravilis.” On and on. Eleven locations total. Then a soft female voice said, “This is Irithys. Set to ignite at the Eternal City.” “What the fuck is happening, Lidia?” Hunt breathed. They raced through the narrow city streets, the van with Flynn falling into line behind them. Hunt grunted, “Those are all places on the Spine.” Athalar was right: Every single city mentioned was a major depot along the vital railway that funneled imperial weapons to the front. Lidia didn’t take her eyes off the road as she picked up the radio. “This is Daybright. Blast it to Hel, Irithys.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
That’s how you got to this world,” Nesta went on, backing up a step—no doubt to provide space to draw Ataraxia. “Why you, and no one else, can come. Why you said no one would be able to follow you here. Because only you have the Horn. Only you can move between worlds.” “You got me,” Bryce said, throwing up her hands in mock surrender and taking a step out of Nesta’s range. “I’m a big, bad, world-jumping monster. Like my ancestors.” “You’re a liability,” Nesta said flatly, eyes taking on that silvery sheen—that otherworldly fire. “I told you guys a hundred times already: I didn’t even want to come here—” “It doesn’t matter,” Nesta said. “You did come here, to the place where the Daglan are still apparently dead set on returning.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Bryce stumbled on a slippery rock, going down into the frigid water, palms and knees smarting— A strong hand was instantly at her back, but too late to avoid the stinging cuts that now peppered her hands and legs. “Careful,” Azriel warned, setting her on a sturdier rock. Bryce’s stomach hollowed out with her ears this time, and the dagger was right there, the sword so close— Azriel let out a grunt, going rigid. Like he could feel it, too, the weapons’ demand to be together or apart or whatever it was, the strange power of them in proximity to each other— “Watch your footing” was all the male said before stepping back. Far enough away that the sword and the dagger halted their strange tugging at Bryce. Her stomach eased, her hearing with it.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
So that eight-pointed star,” Nesta said into the quiet as they began walking again, shoes squishing, “it’s a symbol of the Starborn people in your world. It means nothing else?” “Why all the questions about it?” Bryce asked through chattering teeth. Azriel walked a few steps behind, silent as death, but she knew he was listening to every word. Nesta went silent, and Bryce thought she might not answer, but then she said, “I had a tattoo on my back—recently. A magical one, now gone. But it was of an eight-pointed star.” “And?” “And the magic, the power of the bargain that caused the tattoo to appear … it chose the design. The star meant nothing to me. I thought maybe it was related to my training, but its shape was identical to the scar on your chest.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets!
Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability
He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.
”
”
M. John Harrison (Viriconium (Viriconium, #1-4))
“
Light flared from the star at Bryce’s feet, from her chest, merging and blending, and then a hologram of a dark-haired young female—High Fae—appeared. As if she were addressing an audience. Bryce knew that heart-shaped face. The long hair. “Silene,” Bryce murmured. “From the carving?” Nesta asked, and as Bryce glanced to her, the warrior stepped through the wards as if they were nothing. Like she could have done so all along. Azriel didn’t try to stop her, but remained standing inside the tunnel mouth. “At the beginning of the tunnels,” Nesta said, “there was that carving of a young female … you said her name was Silene.” “The carving’s an exact likeness,” Bryce said, nodding. “But who is she?” Azriel said softly, voice tinged with pain, “She looks like Rhysand’s sister.” Nesta peered back at him with something like curiosity and sympathy. Bryce might have asked what the connection meant, but the hologram spoke.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
On Earth We’re Briefly Gorgeous"
i
Tell me it was for the hunger
& nothing less. For hunger is to give
the body what it knows
it cannot keep. That this amber light
whittled down by another war
is all that pins my hand
to your chest.
i
You, drowning
between my arms —
stay.
You, pushing your body
into the river
only to be left
with yourself —
stay.
i
I’ll tell you how we’re wrong enough to be forgiven. How one night, after
backhanding
mother, then taking a chainsaw to the kitchen table, my father went to kneel
in the bathroom until we heard his muffled cries through the walls.
And so I learned that a man, in climax, was the closest thing
to surrender.
i
Say surrender. Say alabaster. Switchblade.
Honeysuckle. Goldenrod. Say autumn.
Say autumn despite the green
in your eyes. Beauty despite
daylight. Say you’d kill for it. Unbreakable dawn
mounting in your throat.
My thrashing beneath you
like a sparrow stunned
with falling.
i
Dusk: a blade of honey between our shadows, draining.
i
I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once.
i
Say amen. Say amend.
Say yes. Say yes
anyway.
i
In the shower, sweating under cold water, I scrubbed & scrubbed.
i
In the life before this one, you could tell
two people were in love
because when they drove the pickup
over the bridge, their wings
would grow back just in time.
Some days I am still inside the pickup.
Some days I keep waiting.
i
It’s not too late. Our heads haloed
with gnats & summer too early
to leave any marks.
Your hand under my shirt as static
intensifies on the radio.
Your other hand pointing
your daddy’s revolver
to the sky. Stars falling one
by one in the cross hairs.
This means I won’t be
afraid if we’re already
here. Already more
than skin can hold. That a body
beside a body
must ma
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Emptying Town"
I want to erase your footprints
from my walls. Each pillow
is thick with your reasons. Omens
fill the sidewalk below my window: a woman
in a party hat, clinging
to a tin-foil balloon. Shadows
creep slowly across the tar, someone yells, "Stop!"
and I close my eyes. I can't watch
as this town slowly empties, leaving me
strung between bon-voyages, like so many clothes
on a line, the white handkerchief
stuck in my throat. You know the way Jesus
rips open his shirt
to show us his heart, all flaming and thorny,
the way he points to it. I'm afraid
the way I'll miss you will be this obvious.
I have a friend who everyone warns me
is dangerous, he hides
bloody images of Jesus
around my house, for me to find
when I come home; Jesus
behind the cupboard door, Jesus tucked
into the mirror. He wants to save me
but we disagree from what. My version of hell
is someone ripping open his shirt
and saying, Look what I did for you.
”
”
Nick Flynn (Some Ether)
“
A great civilization lived on Midgard long before the Asteri conquered it.” He could have sworn she sounded sad. “One that prized knowledge in all its forms. So much so that a hundred thousand humans marched at Parthos to save these books from the Asteri and Vanir who came to burn them.” She shook her head, face distant. “A world where people loved and valued books and learning so much that they were willing to die for them. Can you imagine what such a civilization was like? A hundred thousand men and women marched to defend a library—it sounds like a bad joke these days.” Her eyes blazed. “But they fought, and they died. All to buy the library priestesses enough time to smuggle the books out on ships. The Vanir armies intercepted most of them, and the priestesses were burned, their precious books used as kindling. But one ship …” Her lips curved upward. “The Griffin. It slipped through the Vanir nets. Sailed across the Haldren and found safe harbor in Valbara.” Ithan slowly shook his head. “How do you know all this, when no one else does?” “The mer know some of it,” she hedged. “The mer aided the Griffin across the sea, at the behest of the Ocean Queen.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
”
”
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
“
Don’t you dare,” Azriel began—but not to Bryce. Dread paled his golden skin. “Nesta—” Something metallic gleamed like sunshine in Nesta’s hand. A mask. “Nesta,” Azriel warned, panic sharpening his voice, but too late. She closed her eyes and shoved it onto her face. A strange, cold breeze swept through the tunnel. Bryce had endured that wind before, in the Bone Quarter. A wind of death, of decay, of quiet. The hair on her arms rose. And her blood chilled to ice as Nesta opened her eyes to reveal only silver flame shining there. Whatever that mask was, whatever power it had … death lay within it. “Take it off,” Azriel snarled, but Nesta extended a hand into the darkness of the tunnel. Mortal, an ancient, bone-dry voice whispered in Bryce’s head. You are mortal, and you shall die. Memento mori. Memento mori, memento— Bone clicked in the darkness. The earth shook. Azriel grabbed Bryce, tugging her back against him as he retreated toward the wall, as if it’d offer any shelter from whatever approached. The Starsword and Truth-Teller hummed and pulled at Bryce’s spine, and her hands itched, like she could feel the weapons in her palms— She didn’t see what it was that Nesta drew from the dark before the Wyrm found them.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
We need to help her,” Bryce panted to Azriel. “I promise you, she’s fine,” Azriel countered, urging them further into the tunnel. Out of the impact zone, Bryce realized. The Wyrm must have sensed the sword’s approach, because it bucked against the bones and claws pinning it to the rock. It managed to nudge the undead creature back, but only for a heartbeat. Nesta raised her free hand again, and the undead creature slammed the Wyrm back into the ground. The Wyrm thrashed, desperate now. With a dancer’s grace, Nesta scaled the undead beast’s tail, running along the knobs of its spine like rocks in a stream. Getting to higher ground, to a better angle. The Wyrm shrieked, but Nesta had reached the undead beast’s white skull. And then she was jumping, sword arcing above her, then down, down— Straight into the head of the Wyrm. A shudder of silver fire rushed down the Wyrm. That cold, dry wind shivered through the caves again, death in its wake. The Wyrm slumped to the ground. The silence was worse than the sound. Azriel was instantly gone, wings tucking in tight as he rushed toward Nesta and the undead beast that still held the Wyrm in its grip. “Take it off,” Azriel ordered her. The female turned her head toward him with a smooth motion that Bryce had only seen from possessed dolls in horror movies. “Take it off,” Azriel snarled.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Thou grievest where no grief should be! thou speak'st Words lacking wisdom! for the wise in heart Mourn not for those that live, nor those that die. Nor I, nor thou, nor any one of these, Ever was not, nor ever will not be, For ever and for ever afterwards. All, that doth live, lives always! To man's frame As there come infancy and youth and age, So come there raisings-up and layings-down Of other and of other life-abodes, Which the wise know, and fear not. This that irks—Thy sense-life, thrilling to the elements—Bringing thee heat and cold, sorrows and joys, 'Tis brief and mutable! Bear with it, Prince! As the wise bear. The soul which is not moved, The soul that with a strong and constant calm Takes sorrow and takes joy indifferently, Lives in the life undying! That which is Can never cease to be; that which is not Will not exist. To see this truth of both Is theirs who part essence from accident, Substance from shadow. Indestructible, Learn thou! the Life is, spreading life through all; It cannot anywhere, by any means, Be anywise diminished, stayed, or changed. But for these fleeting frames which it informs With spirit deathless, endless, infinite, They perish. Let them perish, Prince! and fight! He who shall say, "Lo! I have slain a man!" He who shall think, "Lo! I am slain!" those both Know naught! Life cannot slay. Life is not slain! Never the spirit was born; the spirit shall cease to be never; Never was time it was not; End and Beginning are dreams! Birthless and deathless and changeless remaineth the spirit for ever; Death hath not touched it at all, dead though the house of it seems! Who knoweth it exhaustless, self-sustained, Immortal, indestructible,—shall such Say, "I have killed a man, or caused to kill?" Nay, but as when one layeth His worn-out robes away, And taking new ones, sayeth, "These will I wear to-day!" So putteth by the spirit Lightly its garb of flesh, And passeth to inherit A residence afresh. I say to thee weapons reach not the Life; Flame burns it not, waters cannot o'erwhelm, Nor dry winds wither it. Impenetrable, Unentered, unassailed, unharmed, untouched, Immortal, all-arriving, stable, sure, Invisible, ineffable, by word And thought uncompassed, ever all itself, Thus is the Soul declared! How wilt thou, then,—Knowing it so,—grieve when thou shouldst not grieve? How, if thou hearest that the man new-dead Is, like the man new-born, still living man—One same, existent Spirit—wilt thou weep? The end of birth is death; the end of death Is birth: this is ordained! and mournest thou, Chief of the stalwart arm! for what befalls Which could not otherwise befall? The birth Of living things comes unperceived; the death Comes unperceived; between them, beings perceive: What is there sorrowful herein, dear Prince?
”
”
Krishna-Dwaipayana Vyasa (The Song celestial; or, Bhagabad-gîtâ (from the Mahâbhârata) being a discourse between Arjuna, prince of India, and the Supreme Being under the form of Krishna)
“
Where did the dagger come from?” Azriel’s hazel eyes held nothing but cool wariness. “Why do you want to know?” “Because the Starsword”—she motioned to the blade he had down his back—“sings to it. I know you’re feeling it, too.” Let it be out in the open. “It’s driving you nuts, right?” Bryce pushed. “And it gets worse when I’m near.” Azriel’s face again revealed nothing. “It is,” Nesta answered for him. “I’ve never seen him so fidgety.” Azriel glowered at his friend. But he admitted, “They seem to want to be near each other.” Bryce nodded. “When I landed on that lawn, they instantly reacted when they were close together.” “Like calls to like,” Nesta mused. “Plenty of magical things react to one another.” “This was unique. It felt like … like an answer. My sword blazed with light. That dagger shone with darkness. Both of them are crafted of the same black metal. Iridium, right?” She jerked her chin to Azriel, to the dagger at his side. “Ore from a fallen meteorite?” Azriel’s silence was confirmation enough. “I told you guys back in that dungeon,” Bryce went on. “There’s literally a prophecy in my world about my sword and a dagger reuniting our people. When knife and sword are reunited, so shall our people be.” Nesta frowned deeply. “And you truly think this is that particular dagger?” “It checks too many boxes not to be.” Bryce lifted a still-bloody hand, and she didn’t miss the way they both tensed. But she furled her fingers and said, “I can feel them. It gets stronger the closer I get to them.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
My father became High King, and my mother his queen, yet this island on which you stand, this place … my mother claimed it for herself. The very island where she had once served as a slave became her domain, her sanctuary. The Daglan female who’d ruled it before her had chosen it for its natural defensive location, the mists that kept it veiled from the others. So, too, did my mother. But more than that, she told me many times that she and her heirs were the only ones worthy of tending this island. Nesta murmured to Azriel, “The Prison was once a royal territory?” Bryce didn’t care—and Azriel didn’t reply. Silene had glossed over how Theia and Fionn had used the Trove and Cauldron against the Asteri, and why the Hel had she come to this planet if not to learn about that? Yet once again, Silene’s memory plowed forward. And with the Daglan gone, as the centuries passed, as the Tithe was no longer demanded of us or the land, our powers strengthened. The land strengthened. It returned to what it had been before the Daglan’s arrival millennia before. We returned to what we’d been before that time, too, creatures whose very magic was tied to this land. Thus the land’s powers became my mother’s. Dusk, twilight—that’s what the island was in its long-buried heart, what her power bloomed into, the lands rising with it. It was, as she said, as if the island had a soul that now blossomed under her care, nurtured by the court she built here. Islands, like those they’d seen in the carvings, rose up from the sea, lush and fertile.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
PART TWO Unexpressed emotions will never die. They are buried alive, and will come forth later, in uglier ways. —SIGMUND FREUD CHAPTER ONE Alicia Berenson’s Diary JULY 16 I never thought I’d be longing for rain. We’re into our fourth week of the heat wave, and it feels like an endurance test. Each day seems hotter than the last. It doesn’t feel like England. More like a foreign country—Greece or somewhere. I’m writing this on Hampstead Heath. The whole park is strewn with red-faced, semi-naked bodies, like a beach or a battlefield, on blankets or benches or spread out on the grass. I’m sitting under a tree, in the shade. It’s six o’clock, and it has started to cool down. The sun is low and red in a golden sky—the park looks different in this light—darker shadows, brighter colors. The grass looks like it’s on fire, flickering flames under my feet. I took off my shoes on my way here and walked barefoot. It reminded me of when I was little and I’d play outside. It reminded me of another summer, hot like this one—the summer Mum died—playing outside with Paul, cycling on our bikes through golden fields dotted with wild daisies, exploring abandoned houses and haunted orchards. In my memory that summer lasts forever. I remember Mum and those colorful tops she’d wear, with the yellow stringy straps, so flimsy and delicate—just like her. She was so thin, like a little bird. She would put on the radio and pick me up and dance me around to pop songs on the radio. I remember how she smelled of shampoo and cigarettes and Nivea hand cream, always with an undertone of vodka. How old was she then?
”
”
Alex Michaelides (The Silent Patient)
“
THE sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow, spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woollen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp reused it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue fingerprint of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
”
”
Virginia Woolf (The Waves)
“
That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.”
Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast.
“You confess,” Glorian said, “that you slew the blood of the Saint.”
Her voice kept breaking. “Do you then declare war on Inys?”
Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face.
“When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.”
On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end.
What she did next could define how they saw the House of Berethnet for centuries to come.
Start forging your armour, Glorian. You will need it.
She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams.
And where there had been fear, there was anger.
“If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.”
Sweat was running down her back. She had never been so afraid in her life.
“I am not afraid,” she said.
At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow.
“So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.
”
”
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
“
Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile.
And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason?
To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world!
How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely.
The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself.
And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable.
Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands.
Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?
”
”
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)