House Mover Quotes

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Faith is a key that unlocks the treasure house of God that is stocked with answered prayers. Faith is a conduit that carries the presence and power of God right into the midst of his people. Faith is a difference-maker, a future-shaper, a bondage-breaker, a Kingdom-mover.
Rob Reimer (Deep Faith: Developing Faith That Releases the Power of God)
It’s like . . . a house after someone moves out. The house is still there, but all their stuff is gone. Someone took away the furniture and rolled up the rugs. The movers crated all the parts of Shelly Beukes up and shipped her away. There’s just not much left of her anymore except the empty house.
Joe Hill (Strange Weather)
As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
Size Matters. A lot. How much you have and more importantly how much space it will take up in a movingtruck are the first things you need to know when planning a long distance move. Professional movers charge by weight because it is an easier and more uniform way to determine exactly how much you have. They literally drive the truck onto a large scale before loading your goods to get a light weight and return after loading your stuff to get a heavy weight, with the difference being the weight of your shipment. The moving company’s estimate, however, is based on coming to your home and surveying the total cubic feet, or estimated size of all your household goods. They then convert that figure into a weight estimate by multiplying the cubic feet (cubes) by the average density of 6.5 pounds per cubic foot. A small 2-bedroom house for example might have 1,000 cubic feet which when multiplied by a density of 6.5 (lbs) would equal 6,500 lbs. If this sounds like brain surgery then I would ask you to try and remember the last furniture mover you met who struck you as brain surgeon-ish.
Jerry G. West
The doctor is an intelligent, cultivated man. He has a sincere desire to see the twins improve and has been the prime mover in bringing me to Angelfield. He explained to me at great length the difficulties I am likely to face here, and I listened with as much politeness as I could muster. Any governess, after the few hours I have had in this house, would have a full and clear picture of the task awaiting her, but he is a man, hence cannot see how tiresome it is to have explained at length what one has already fully understood. My fidgeting and the slight sharpness of one or two of my answers entirely escaped his notice, and I fear that his energy and his analytical skills are not matched by his powers of observation. I do not criticize him unduly for expecting everyone he meets to be less able than himself. For he is a clever man, and more than that, he is a big fish in a small pond. He has adopted an air of quiet modesty, but I see through that easily enough, for I have disguised myself in exactly the same manner. However, I shall need his support in the project I have taken on, and shall work at making him my ally despite his shortcomings.
Diane Setterfield (The Thirteenth Tale)
A mover started in on a girl’s bedroom, painted pink with a sign on the door announcing THE PRINCESS SLEEPS HERE. Another took on the disheveled office, packing Resumes for Dummies into a box with a chalkboard counting down the remaining days of school. The eldest child, a seventh-grade boy, tried to help by taking out the trash. His younger sister, the princess, held her two-year-old sister’s hand on the porch. Upstairs, the movers were trying not to step on the toddler’s toys, which when kicked would protest with beeping sounds and flashing lights. As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; — World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample a kingdom down. We, in the ages lying, In the buried past of the earth, Built Nineveh with our sighing, And Babel itself in our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth. A breath of our inspiration Is the life of each generation; A wondrous thing of our dreaming Unearthly, impossible seeming — The soldier, the king, and the peasant Are working together in one, Till our dream shall become their present, And their work in the world be done. They had no vision amazing Of the goodly house they are raising; They had no divine foreshowing Of the land to which they are going: But on one man's soul it hath broken, A light that doth not depart; And his look, or a word he hath spoken, Wrought flame in another man's heart. And therefore to-day is thrilling With a past day's late fulfilling; And the multitudes are enlisted In the faith that their fathers resisted, And, scorning the dream of to-morrow, Are bringing to pass, as they may, In the world, for its joy or its sorrow, The dream that was scorned yesterday. But we, with our dreaming and singing, Ceaseless and sorrowless we! The glory about us clinging Of the glorious futures we see, Our souls with high music ringing: O men! it must ever be That we dwell, in our dreaming and singing, A little apart from ye. For we are afar with the dawning And the suns that are not yet high, And out of the infinite morning Intrepid you hear us cry — How, spite of your human scorning, Once more God's future draws nigh, And already goes forth the warning That ye of the past must die. Great hail! we cry to the comers From the dazzling unknown shore; Bring us hither your sun and your summers; And renew our world as of yore; You shall teach us your song's new numbers, And things that we dreamed not before: Yea, in spite of a dreamer who slumbers, And a singer who sings no more.
Arthur O'Shaughnessy (Music And Moonlight: Poems And Songs)
For starters, a masculine spirituality would emphasize movement over stillness, action over theory, service to the world over religious discussions, speaking the truth over social niceties and doing justice instead of any self-serving “charity.” Without a complementary masculine, spirituality becomes overly feminine (which is really a false feminine!) and is characterized by too much inwardness, preoccupation with relationships, a morass of unclarified feeling and religion itself as a security blanket. This prevents a journey to anyplace new, and fosters a constant protecting of the old. It is no-risk religion, just the opposite of Abraham, Moses, Paul and Jesus. In my humble masculine opinion I believe much of the modern, sophisticated church is swirling in what I will describe as a kind of “neuter” religion. It is one of the main reasons that doers, movers, shakers and change agents have largely given up on church people and church groups. As one very effective woman said to me, “After a while you get tired of the in-house jargon that seems to go nowhere.” A neuter spirituality is the trap of those with lots of leisure, luxury and self-serving ideas. They have the option not to do, not to change, not to long and thirst for justice. It can take either a liberal or a conservative form, but in either case, it becomes an inoculation against any deep spiritual journey. That’s why I call it “neuter.” It generates no real sexual energy or life.
Richard Rohr (From Wild Man to Wise Man: Reflections on Male Spirituality)
I hear a loud bang from outside and wince as the movers continue their apparent mission to ding, dent, or scratch every last thing I own before it comes inside the house.
Penelope Bloom (Single Dad's Virgin)
But this house felt strange. Dave asked what was going on, and John explained that the name on the eviction order belonged to the mother of several of the children. She had died two months earlier, and the children had simply gone on living in the house, by themselves. As the movers swept through the rooms, Gray Eyes took charge, giving orders to the other children; the youngest was a boy of about eight or nine. Upstairs, the movers found ratty mattresses on the floor and empty liquor bottles displayed like trophies. In the damp basement, clothes were flung everywhere. The house and the yard were littered with trash. “Disgusting,” Tim said to the roaches scaling the kitchen wall. As the landlord changed the locks with a power drill and the movers pushed the contents of the house onto the wet curb, the children began to run around and laugh. When the move was done, the crew gathered by the trucks, instinctively stomping the ground to shake loose any stowaway roaches. Those who smoked reached for their packs. They didn’t know where the children would go, and they didn’t ask.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
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Jai Kumar
Jason and his parents lived directly across the street. He was outside that day trying to get some mail-order rocket to soar into the heavens. What a rip-off! The whole time I was watching him, the stupid thing never made it a yard off the ground. It was after about the hundredth try, when the movers had half the truck unloaded, that I noticed his ass rolling his beady eyes at me. I was using a piece of pink chalk to draw a makeshift hopscotch diagram on the street in front of my house when he approached me. His Kangol hat and leather bomber jacket made him look like a pint-size pimp. All he needed was a couple of gold teeth.
Zane (Addicted)
She smiled up at him and put her arms around his waist. “I’ve had some special pieces of furniture in storage. The movers are coming tomorrow. Will you stay with me when the bed’s made up?” “I will gladly stay with you in your flowery bedroom. And if I ever get rid of my houseful of offspring, you will stay with me in my bold and manly master bedroom with convenient master bath and big doorless shower.” “I will.” She grinned. “Muriel,
Robyn Carr (Temptation Ridge)
She remembered a term she learned in a linguistics class for the way a word stops making sense if you stare at it for too long: semantic evacuation. That was what it felt like for Jenny. The world no longer had coherence. It was just a group of modules, diffuse components that dissolved into each other before you could even understand what you were looking at. The outdoors was a painted perspective of disparate objects. The houses were just bricks + doors + knobs + windows. The cars were just body + wheels + go. The people were cogs on an airport people mover. Look at the word boat sometime. You’ll never unsee the way it just falls apart in front of you. Everything was its parts; nothing was its sum.
Taffy Brodesser-Akner (Long Island Compromise)
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Carrie had always said she and her mother weren’t particularly close, but when they’d moved into the house and Danielle had lifted as many boxes as the movers they’d hired, John had told Carrie that sometimes love wasn’t milk and cookies. Sometimes it was a strong back and a wrench.
Kelly Simmons (One More Day)
Conceptually, this was an approach borrowed more from the world of freight movers than communications experts. Think of each message as if it were a large house and ask yourself how you would move that house across the country from, say, Boston to Los Angeles. Theoretically, you could move the whole structure in one piece. House movers do it over shorter distances all the time—slowly and carefully. However, it’s more efficient to disassemble the structure if you can, load the pieces onto trucks, and drive those trucks over the nation’s interstate highway system—another kind of distributed network. Not every truck will take the same route; some drivers might go through Chicago and some through Nashville. If a driver learns that the road is bad around Kansas City, for example, he may take an alternate route. As long as each driver has clear instructions telling him where to deliver his load and he is told to take the fastest way he can find, chances are that all the pieces will arrive at their destination in L.A. and the house can be reassembled on a new site. In some cases the last truck to leave Boston might be the first to arrive in L.A., but if each piece of the house carries a label indicating its place in the overall structure, the order of arrival doesn’t matter. The rebuilders can find the right parts and put them together in the right places. In
Katie Hafner (Where Wizards Stay Up Late: The Origins Of The Internet)
Why Samuel left the stone house and the green acres of his ancestors I do not know. He was never a political man, so it is not likely a charge of rebellion drove him out, and he was scrupulously honest, which eliminates the police as prime movers. There was a whisper—not even a rumor but rather an unsaid feeling—in my family that it was love drove him out, and not love of the wife he married. But whether it was too successful love or whether he left in pique at unsuccessful love, I do not know.
John Steinbeck (East of Eden)