Axle Quotes

It's like the Tibetan Wheel of the Passions. As the wheel turns, the values and feelings on the outer rim rise and fall, shining or sinking into darkness. But true love stays fastened to the axle and doesn't move.

And the Bastard grant us... in our direst need, the smallest gifts: the nail of the horseshoe, the pin of the axle, the feather at the pivot point, the pebble at the mountain's peak, the kiss in despair, the one right word.

Shut up, Axl!" he whispered fiercly. "If you want to break your neck, do it quietly or I'll break it for you.

Erak. The one they call the Oberjarl," the Arridi answered him. Impulsively, Axl took a pace forward, raising his ax threateningly. You'll have to go through the rest of us to take him!" he shouted defiantly. Well done, Axl," he said. "You've just told them I'm here.

The thirty spokes unite in the one nave; but it is on the empty space (for the axle), that the use of the wheel depends.

Are you still there, Axl?” “Still here, princess.

All the paths of the Lord are mercy and truth unto such as keep his covenant."] The original Hebrew word that has been translated "paths" means "well-worn roads' or "wheel tracks," such ruts as wagons make when they go down our green roads in wet weather and sink in up to the axles. God's ways are at times like heavy wagon tracks that cut deep into our souls, yet all of them are merciful.

Our axles don't match but our wheels are turning.

There is a limit for everything. You can't just load tons and tons of peacock feathers in a cart considering it's light weight. If you do, it will damage the axle of the cart.

Yet are you so certain, good mistress, you wish to be free of this mist? Is it not better some things remain hidden from our minds?" "It may be for some, father, but not for us. Axl and I wish to have again the happy moments we shared together. To be robbed of them is as if a thief came in the night and took what's most precious from us." "Yet the mist covers all memories, the bad as well as the good. Isn't that so, mistress?" "We'll have the bad ones come back too, even if they make us weep or shake with anger. For isn't it the life we've shared?

Stephanie glared at Skulduggery. "What was wrong with the door? You could have just come down the stairs and walked out the door. Why did you have to jump out of the window?" "You know why," Skulduggery said, walking away. Axle looked up, tears streaming from his eyes. "Why did he do that? Why?" Stephanie glowered. "Because doors are for people with no imagination," she said, and led Axle to the car.

Death, like fiction, is brutal in its symmetry. Take this story and strip it down -all the way back- until you are left with two points. Two dots on a vast, blank canvas, separeted by a sea of white. Here, we have come to the first point, where the batj is drawn and the hand is reachinh for the razor blade. I will meet you at the next, by the axle of a screaming wheel, the revolution of a clock, the closing of an orbit.

Verily, God hath eighteen thousand worlds; and verily, your world is one of them, and this its bright axle-tree.

A man so slimy he would have found employment as axle grease.

Money makes the world go round; however, happiness greases the axle. Without this lubricant, life will seize.

Aomame said, "It's like the Tibetan Wheel of the Passions. As the wheel turns, the values and feelings on the outer rim rise and fall, shining or sinking into darkness. But true love stays fastened to the axle and doesn't move.

The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together. I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you? No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming. I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets. After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.

Milrose Munce had watched his unbridled mouth screeching ahead of him down the track, as his mind flew into the dust like a wheel from a broken axle.

Without oil the axle soon grows hot, and accidents occur; and if there be not a holy cheerfulness to oil our wheels, our spirits will be clogged with weariness.

A universe of worlds, a dimensional macrocosm of worlds—and in all of them one thing that was always the same; one unifying force that was undeniably good, even if it now happened to be imprisoned in an evil place; the Talisman, axle of all possible worlds.

Every man to himself is the centre of the whole world;—the axle on which it all turns. All knowledge is but his own perception of the things around him. All love, and care for others, and solicitude for the world's welfare, are but his own feelings as to the world's wants and the world's merits.

Always being strong is not the same as living.

Thinking: this journey will be the axle of my life.

There is only one invitation it would kill me to refuse, yet I'm tempted to turn it down all the time. I get the invitation every morning when I wake up to actually live a life of complete engagement, a life of whimsy, a life where love does. It doesn't come in an envelope. It's ushered in by a sunrise, the sound of a bird, or the smell of coffee drifting lazily from the kitchen. It's the invitation to actually live, to fully participate in this amazing life for one more day. Nobody turns down an invitation to the White House, but I've seen plenty of people turn down an invitation to fully live. Turning down this invitation comes in lots of flavors. It looks like numbing yourself or distracting yourself or seeing something really beautiful as normal. It can also look like refusing to forgive or not being grateful or getting wrapped around the axle with fear or envy. I think every day God sends us an invitation to live and sometimes we forget to show up or get head-faked into thinking we haven't really been invited. But you see, we have been invited -- every day, all over again

Or perhaps your marriage is more of a covalent bond,” she said, sketching a new structural formula. “And if so, lucky you, because that means you both have strengths that, when combined, create something even better. For example, when hydrogen and oxygen combine, what do we get? Water—or H2O as it’s more commonly known. In many respects, the covalent bond is not unlike a party—one that’s made better thanks to the pie you made and the wine he brought. Unless you don’t like parties—I don’t—in which case you could also think of the covalent bond as a small European country, say Switzerland. Alps, she quickly wrote on the easel, + a Strong Economy = Everybody Wants to Live There. In a living room in La Jolla, California, three children fought over a toy dump truck, its broken axle lying directly adjacent to a skyscraper of ironing that threatened to topple a small woman, her hair in curlers, a small pad of paper in her hands. Switzerland, she wrote. Move.

Axl and I came from completely different backgrounds. Because of that we made an interesting pair trying to figure each other out.

Cause silence isn't golden When I'm holding it inside

You’re the one sitting there with a boner. You’ll terrify your charity guys, walking in with that thing pointing at them.

slowing—“in our direst need, the smallest gifts: the nail of the horseshoe, the pin of the axle, the feather at the pivot point, the pebble at the mountain’s peak, the kiss in despair, the one right word. In darkness, understanding.” He

Turning down this invitation comes in lots of flavors. It looks like numbing yourself or distracting yourself or seeing something really beautiful as just normal. It can also look like refusing to forgive or not being grateful or getting wrapped around the axle with fear or envy. I think every day God sends us an invitation to live and sometimes we forget to show up or get head-fakes into thinking we haven't really been invited. But you see, we have been invited - every day, all over again.

It seems the older we get, the tighter our inner circle becomes. When life has you down, some of those you thought had your back run, others...sometimes strangers surprise you and fill that empty space up. Oh, but life has a great balancing act and when that axle turns and you are right side up again...you will definitely not be looking for any long, lost "friends" because your inner circle is battle-tested to win!

A brick could be affixed to each end of an axle, for an example of transportation in a pre-wheel society. 


For a minute they sat thinking about it—about worlds spinning on a single axle in dying harmony—and no one said anything.

She cleared them out, and fast. The car went off down the gravel road with the springs flat on the rear axle and human flesh oozing out the windows, then the evening quiet descended upon us.

The banks of the Thirty-Foot held, but the swollen Wale, receiving the full force of the Upper Waters and the spring tide, gave at every point. Before the cars reached St. Paul, the flood was rising and pursuing them. Wimsey's car--the last to start--was submerged to the axles. They fled through the dusk, and behind and on their left, the great silver sheet of water spread and spread.

Vanity comes naturally to all of us. Every human is, to their own mind, the center of all known worlds—the axle on which it all turns. And yet their knowledge is but their own perception of the things around them, and their feelings are inescapably colored by their perceptions of the world’s wants and its merits.

One might say I had decided to marry the silence of the forest. The sweet dark warmth of the whole world will have to be my wife. Out of the heart of that dark warmth comes the secret that is heard only in silence, but it is the root of all the secrets that are whispered by all the lovers in their beds all over the world. So perhaps I have an obligation to preserve the stillness, the silence, the poverty, the virginal point of pure nothingness which is at the center of all other loves. I attempt to cultivate this plant without contempt in the middle of the night and water it with psalms and prophecies in silence. It becomes the most rare of all the trees in the garden, at once the primordial paradise tree, the axis mundi, the cosmic axle, and the Cross. Nulla silva talem profert. There is only one such tree. It cannot be multiplied. It is not interesting.

The Oxen and the Axle-Trees A HEAVY WAGON was being dragged along a country lane by a team of Oxen. The Axle-trees groaned and creaked terribly; whereupon the Oxen, turning round, thus addressed the wheels: "Hullo there! why do you make so much noise? We bear all the labor, and we, not you, ought to cry out." Those who suffer most cry out the least.

Cause I've been where I have been An I've seen what I have seen

How can I ever satisfy you An how can I ever make you see That deep inside we're all somebody An it don't matter who you wanna be

That's the great crime: that no-one need be put in chains when their own minds are shackles enough. Once I thought we were no better than horses tied to the plough, but it's so much worse — we're only moving parts in their machinery — just the bolts on the wheel, the axle turning round and round!

The thirty spokes unite in the one nave; but it is on the empty space (for the axle), that the use of the wheel depends. Clay is fashioned into vessels; but it is on their empty hollowness, that their use depends. The door and windows are cut out (from the walls) to form an apartment; but it is on the empty space (within), that its use depends. Therefore, what has a (positive) existence serves for profitable adaptation, and what has not that for (actual) usefulness.

The world, he now perceived, was in fact a great, flat wheel with a myriad spokes of water, trees and grass, for ever turning and turning beneath the sun and moon. At each spoke was an animal-all the animals and birds he had ever known-horses, dogs, chaffinches, mice, hedgehogs,rabbits, cows, sheep, rooks and many more which he did not recognize-a huge, striped cat, and a monstrous fish spurting water in a fountain to the sky. At the centre, on the axle itself, stood a man, who ceaselessly lashed and lashed the creatures with a whip to make them drive the wheel round. Some shrieked aloud as they bled and struggled, others silently toppled and were trodden down beneath their comrades' stumbling feet. And yet, as he himself could see, the man had misconceived his task, for in fact the wheel turned of itself and all he needed to do was to keep it balanced upon its delicate axle by adjusting, as might be necessary, the numbers of animals upon this side and that. The great fish poured blood as the man pierced it with a flying spear which exploded within its body. The striped cat melted, diminishing slowly to the size of a mouse; and a great, grey beast with a long trunk cried piteously as the man tore its white tusks out of its face. Still on towards the wheel he circled, and between him and the wheel Mr. Ephraim called him silently to fellowship with the dead.

As I prepare to leave she walks with me, half deaf and blind, under several ladders in her living room that balance paint and workmen, into the garden where there is a wild horse, a 1930 car splayed flat on its axles and hundreds of flowering bushes so that her eyes swim out into the dark green and unfocussed purple. There is very little now that separates the house from the garden. Rain and vines and chickens move into the building. Before I leave, she points to a group photograph of a fancy dress party that shows herself and my grandmother Lalla among the crowd. She has looked at it for years and has in this way memorized everyone's place in the picture. She reels off names and laughs at the facial expressions she can no longer see. It has moved, tangible, palpable, into her brain, the way memory invades the present in those who are old, the way gardens invade houses here, the way her tiny body steps into mine as intimate as anything I have witnessed and I have to force myself to be gentle with this frailty in the midst of my embrace.

You’re soaked, so hungry for my cock.” His fingers did another Up-and-back through her slick, quivering flesh. “Desperate to feel me thrusting between these pretty lips.

I’m standing right here. I have ears. So yes, Deacon, I hear you. Whether or not I listen is another thing entirely.

Show me what you did to yourself while I was away, and I’ll give you a reward.

Joder, es que ella ha dejado de sonreír. Y yo no entiendo cómo el mundo puede seguir girando si ella no está sonriendo.

—No es mi culpa —me encojo de hombros—. Tu corazón simplemente está reaccionando a los latidos del mío.

Fate was a dangerously unreliable accomplice. Sometimes your friend, but just as often an unpredictable enemy.

The flagellar motor of bacteria is a prodigy of human nature. It drives the only known example outside of human technology of a freely rotating axle.

Perhaps we ought to feel with more imagination. As today the sky 70 degrees above zero with lines falling The way September moves a lace curtain to be near a pear, The oddest device can't be usual. And that is where The pejorative sense of fear moves axles. In the stars There is no longer any peace, emptied like a cup of coffee Between the blinding rain that interviews. You were my quintuplets when I decided to leave you Opening a picture book the pictures were all of grass Slowly the book was on fire, you the reader Sitting with specs full of smoke exclaimed How it was a rhyme for "brick" or "redder." The next chapter told all about a brook. You were beginning to see the relation when a tidal wave Arrived with sinking ships that spelled out "Aladdin." I thought about the Arab boy in his cave But the thoughts came faster than advice. If you knew that snow was a still toboggan in space The print could rhyme with "fallen star.

What?” I ask, wondering why he’s keeping his body on the bed instead of coming down on top of me while he holds my shoulders. “You need an engraved invitation or something? ‘Maya’s hungry, talented vagina cordially invites your big penis to come stay the night.’ How’s that work for you?” I

—so as the great Achilles rampaged on, his sharp-hoofed stallions trampled shields and corpses, axle under his chariot splashed with blood, blood on the handrails sweeping round the car, sprays of blood shooting up from the stallions' hoofs and churning, whirling rims—and the son of Peleus charioteering on to seize his glory, bloody filth splattering both strong arms, Achilles' invincible arms—

No country was ever easier to spy on, Tom, no nation so open-hearted with its secrets, so quick to air them, confide them, or consign them too early to the junk heap of planned American obsolescence. I am too young to know whether there was a time when Americans were able to restrain their admirable passion to communicate, but I doubt it. Certainly the path has been downhill since 1945, for it was quickly apparent that information which ten years ago would have cost Axl's service thousands of dollars in precious hard currency could by the mid-70s be had for a few coppers from the Washington Post. We could have resented this sometimes, if we had smaller natures, for there are few things more vexing in the spy world than landing a scoop for Prague and London one week, only to read the same material in Aviation Weekly the next. But we did not complain. In the great fruit garden of American technology, there were pickings enough for everyone and none of us need ever want for anything again.

Aomame said, “It’s like the Tibetan Wheel of the Passions. As the wheel turns, the values and feelings on the outer rim rise and fall, shining or sinking into darkness. But true love stays fastened to the axle and doesn’t move.

You kind of remind me of that creepy kid at high school… What was his name again? Robert? Roger? Roger Edgar. That’s it. He spent all his time darting around corners, hiding the tent pole in his pants. Get some self-control, dude.

Hagrid was wearing his best (and very horrible) hairy brown suit, plus a checked yellow-and-orange tie. This wasn’t the worst of it, though; he had evidently tried to tame his hair, using large quantities of what appeared to be axle grease.

Why did you have to jump out of the window?" "You know why," Skulduggery said, walking away. Axle looked up, tears streaming from his eyes. "Why did he do that? Why?" Stephanie glowered. "Because doors are for people with no imagination," she said.

Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")

If the manifest of ingredients on the bottle had been legible, it would have read something like this: Water, blackstrap molasses, imported habanero peppers, salt, garlic, ginger, tomato puree, axle grease, real hickory smoke, snuff, butts of clove cigarettes, Guinness Stout fermentation dregs, uranium mill tailings, muffler cores, monosodium glutamate, nitrates, nitrites, nitrotes and nitrutes, nutrites, natrotes, powdered pork nose hairs, dynamite, activated charcoal, match-heads, used pipe cleaners, tar, nicotine, single-malt whiskey, smoked beef lymph nodes, autumn leaves, red fuming nitric acid, bituminous coal, fallout, printer's ink, laundry starch, drain cleaner, blue chrysotile asbestos, carrageenan, BHA, BHT, and natural flavorings.

Don't get wrapped around the axle about examples that occur in life. These examples, lessons, and stories are actually life-changing steps to bring you into the person and adult that will be full of wisdom; able to share with the next generation of children.

Hagrid was wearing his best (and very horrible) hairy brown suit, plus a checked yellow-and-orange tie. This wasn’t the worst of it, though; he had evidently tried to tame his hair, using large quantities of what appeared to be axle grease. It was now slicked down into two bunches – perhaps he had tried a ponytail like Bill’s, but found he had too much hair. The look didn’t really suit Hagrid at all. For a moment, Hermione goggled at him, then, obviously deciding not to comment, she said, ‘Erm – where are the Skrewts?

had rather be a kitten and cry mew Than one of these same metre ballad-mongers; I had rather hear a brazen canstick turn'd, Or a dry wheel grate on the axle-tree; And that would set my teeth nothing on edge, Nothing so much as mincing poetry: 'Tis like the forced gait of a shuffling nag.

Fate is just a made-up word used to give us hope or absolution. We find hope when we believe bad things happen to us for a reason. We find absolution when we feel as though the wrongs of our past were just fate's twisted design to bring us to our present, and all of it was out of our hands. Of

Grinning, she hovered over him. Then, like a fist closing around a doorknob, her grin closed around him. With her lips, she turned the knob first one way and then the other: left, right, open, shut; left, right, open, shut. The knob did not squeak. In fact, Wiggs was unusually quiet. Now, falling into rhythm, she sucked the knob from its axle, sucked the axle from its door, the door from its hinges. Out onto the lawn, tempo increasing, she sucked up the flagstone walk, the rosebushes, the petunia bed, the sprinkler, the driveway, and the small Japanese car parked in the driveway: oh, what a feeling! Toyota! Wiggs moaned as the neighborhood disappeared. The towers of the city began to sway, and soon, the planet itself fell victim to the force, swelling at its equator, throbbing at its poles. It wobbled violently on its axis, once, twice, then exploded. The Big Bang theory, proven at last. Continuing to impersonate a black hole, she pulled in every drop and particle – she’d never had a man in such entirety – and it wasn’t until the final spasm had subsided and the cosmos was at peace that she loosened her grip and, lips glistening like the Milky Way, looked up to see – the legs of a third party standing there.

Often we are led to a wall, it is too high, we cannot get over it and we stand there and stare at it. Rationalism says, “There is no getting over it, just go away.” Yet natural development has led the patient up to an almost impossible situation to show him that this is the end of his rational solutions. It is meant that he should get there, and perhaps stay there, make roots and grow like a tree; in time overcome the obstacle, grow over the wall. There are things in our psychology that cannot be answered today. You may be up against a stone wall but you should stay there and grow, and in six weeks or a year you have grown over it. The I Ching expresses that beautifully. A similar situation which looks quite hopeless is depicted thus: “a goat butts against a hedge and gets its horns entangled.” But in the next line: “The hedge opens; there is no entanglement/ Power depends upon the axle of a big cart.” So if you could stop butting against the fence you would not get your horns entangles, and presently you would have the power of a cart with four wheels. There is another way in nature, the way of a tree…The tree stands still and grows and makes roots and eventually overcomes the obstacle. [The Seminars. Volume One, Dream Analysis: Notes of the seminar given in 1928-30. p.249]

What Axl and I feel today in our hearts for each other tells us the path taken here can hold no danger for us, no matter that the mist hides it now. It's like a tale with a happy end, when even a child knows not to fear the twists and turns before. Axl and I would remember our life together, whatever its shape, for it's been a thing dear to us.

The empty-mindedness of chi sao applies to all activities we may perform, such as dancing. If the dancer has any idea at all of displaying his art well, he ceases to be a good dancer, for his mind stops with every movement he goes through. In all things, it is important to forget your mind and become one with the work at hand. When the mind is tied up, it feels inhibited in every move it makes and nothing will be accomplished with any sense of spontaneity. The wheel revolves when it is not too tightly attached to the axle. When it is too tight, it will never move on. As the Zen saying goes: “Into a soul absolutely free from thoughts and emotion, even the tiger finds no room to insert its fierce claws.” In chi sao the mind is devoid of all fear, inferiority complexes, viscous feeling, etc., and is free from all forms of attachment, and it is master of itself, it knows no hindrances, no inhibitions, no stoppages, no clogging, no stickiness. It then follows its own course like water; it is like the wind that blows where it lists.

Never mind the red-haired woman, Axl. It’s what else we’re not remembering.

Christ, you have a body made for sin.

Spread, Foxy. Show me that sweet spot.

Отчаявшийся человек, который знал: деньги – единственный язык, на котором невозможно солгать.

And on the second OOOOOOOO, you picture just a naked glowing green skull that hangs there vibrating gape-mouthed in a prison cell. Or whatever it is you picture.

Only you make me feel this way, Alex, this hungry, this possessive.

Do you like that? Do you like it when I tug the barbell in that perfect little nipple?

Sit on my face,” he growled.

I think you need a spanking for answering the door in nothing but a towel, for making my cock so hard when I had plans for us, for making me lose control.

Onu ne kadar düşünse de özlemini bastırıp yerine kayıtsızlığı geçirebildiği için mutluydu Sofia.

Gotovo je sa bezbrižnošću i uzimanjem stvari zdravo za gotovo. Ništa se više ne sme prepustiti slučaju. Slučajnost je opasan i prevrtljiv saputnik. Ponekad prijatelj, ali često i nepredvidivi neprijatelj.

... Možda zvuči kao kliše, ali najradije bih otišla nečemu, a ne pobegla od nečega, ako znaš šta hoću da kažem?" "Da se na kraju ispostavi da je sve za čim žudimo kliše?" reče Šanet provokativno, a Sofija se nasmeja.

You're much the senior in years, Master Axl, but in matters of blood, it may be I'm the elder and you the youth. I've seen dark hatred as bottomless as the sea on the faces of old women and tender children, and some days felt such hatred myself.

It takes me a while to drag him out, he's got himself stuck to the axle, and by the time I am done and stand over the body something strange has started to happen. The alley's filled with a half-dozen cats, runty little things with their ribs showing and their tails worn high like they're pointing to the moon. I stand there, breathing froth into the snowflakes and watch them gather round me, soft kitty paws, and now and then a patrol car rolls past in the distance. The cats are circling us, tails cocked at the moon, their muzzles bloodied by the tail lights' glow. They are vicious bastards, let me tell you: frost on their whiskers, eyes like cut glass, a half-dozen pairs, on me and the dead man. And then they start licking. Licking at the snow I mean, the blood in the snow, they lap it up like mother's milk. And all the while from their throats, from their whole bodies, there issues this sound, you hear it with your skin, it's like an engine running under your palm. That's when I realize they are purring, man, purring as they feed on the midget's death.

Once the mobilization button was pushed, the whole vast machinery for calling up, equipping, and transporting two million men began turning automatically. Reservists went to their designated depots, were issued uniforms, equipment, and arms, formed into companies and companies into battalions, were joined by cavalry, cyclists, artillery, medical units, cook wagons, blacksmith wagons, even postal wagons, moved according to prepared railway timetables to concentration points near the frontier where they would be formed into divisions, divisions into corps, and corps into armies ready to advance and fight. One army corps alone—out of the total of 40 in the German forces—required 170 railway cars for officers, 965 for infantry, 2,960 for cavalry, 1,915 for artillery and supply wagons, 6,010 in all, grouped in 140 trains and an equal number again for their supplies. From the moment the order was given, everything was to move at fixed times according to a schedule precise down to the number of train axles that would pass over a given bridge within a given time.

Just as in the mechanism of a clock, so in the mechanism of the military machine, an impulse once given leads to a final result; and just as indifferently quiescent till the moment when motion is transmitted to them are the parts of the mechanism which the impulse has not yet reached. Wheels creak on their axles as the cogs engage one another and the revolving pulleys whirr with the rapidity of their movement but a neighbouring wheel is as quiet and motionless as though it were prepared to remain so for a hundred years; but the moment comes when the lever catches it, and obeying the impulse that wheel begins to creak, and joins in the common motion the result and aim of which are beyond its ken. Just as in a clock the result of the complicated motion of innumerable wheels and pulleys is merely a slow and regular movement of the hands which show the time, so the result of all the complicated human activities of 160,000 Russians and French -- all their passions, desires, remorse, humiliations, sufferings, outbursts of pride, fear, and enthusiasm -- was only the loss of the battle of Austerlitz, the so-called battle of the three Emperors -- that is to say, a slow movement of the hand on the dial of human history.

And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. Go, said the bird, for the leaves were full of children, 40 Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.   II   Garlic and sapphires in the mud Clot the bedded axle-tree. The trilling wire in the blood Sings below inveterate scars And reconciles forgotten wars. The dance along the artery The circulation of the lymph Are figured in the drift of stars Ascend to summer in the tree We move above the moving tree In light upon the figured leaf And hear upon the sodden floor Below, the boarhound and the boar Pursue their pattern as before 60 But reconciled among the stars.   At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor

Water, blackstrap molasses, imported habanero peppers, salt, garlic, ginger, tomato puree, axle grease, real hickory smoke, snuff, butts of clove cigarettes, Guinness Stout fermentation dregs, uranium mill tailings, muffler cores, monosodium glutamate, nitrates, nitrites, nitrotes and nitrutes, nutrites, natrotes, powdered pork nose hairs, dynamite, activated charcoal, match-heads, used pipe cleaners, tar, nicotine, single-malt whiskey, smoked beef lymph nodes, autumn leaves, red fuming nitric acid, bituminous coal, fallout, printer's ink, laundry starch, drain cleaner, blue chrysotile asbestos, carrageenan, BHA, BHT, and natural flavorings.

A forest fire will rage through deep glens of a mountain, crackling dry from summer heat, and coppices blaze up in every quarter as wind whips the flame: so Akhilleus flashed to right and left like a wild god, trampling the men he killed, and black earth ran with blood. As when a countryman yokes oxen with broad brows to tread out barley on a well-bedded threshing floor. and quickly the grain is husked under the bellowing beasts: the sharp-hooved horses of Akhilleus just so crushed dead men and shields. His axle-tree was splashed with blood, so was his chariot rail, with drops thrown up by wheels and horses' hooves. And Peleus' son kept riding for his glory. staining his powerful arms with mire and blood.

up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.

I speak of people at the end of a brutal road, having seen their children and kin mutilated and ravished. They’ve reached this, their sanctuary, only after long torment, death chasing at their heels. And now comes an invading army of overwhelming size. The fort may hold several days, perhaps even a week or two. But they know in the end they will face their own slaughter. They know the infants they circle in their arms will before long be bloodied toys kicked about these cobbles. They know because they’ve seen it already, from whence they fled. They’ve seen the enemy burn and cut, take turns to rape young girls even as they lie dying of their wounds. They know this is to come, and so must cherish the earlier days of the siege, when the enemy first pay the price for what they will later do. In other words, Master Axl, it’s vengeance to be relished in advance by those not able to take it in its proper place.

The light was grainy, dusty; it looked like the Milky Way had spread from the top of the sky all down the west, and the tented shapes of the mountains were huge and satin black against it, and the ridgeline trees made a filigree of onyx. The wind had increased but not cooled; the promise of full summer was in it. And when Dr. Barcroft turned from the west to look again at the house, he was hardly surprised to see that it had begun to turn like a wheel upon a vertical axle as the silhouettes of the dancers raced past window after window. It was as if their dancing, the female slide and shuffle, the masculine drum and thunder, propelled the house behind them; it had become a merry-go-round, turning steadily and stately as the music went just a little bit faster, just a little more, and he could tell there were furies in it, whirlwinds and cyclones and hurricanes that Quigley's fiddle barely held in check, that his calling could barely control.

We need not quarrel, Master Axl. Here are the skulls of men, I won't deny it. There an arm, there a leg, but just bones now. An old burial ground. And so it may be. I dare say, sir, our whole country is this way. A fine green valley. A pleasant copse in the springtime. Dig its soil, and not far beneath the daisies and buttercups come the dead. And I don't talk, sir, only of those who received Christian burial. Beneath our soil lie the remains of old slaughter. Horace and I, we've grown weary of it. Weary and we no longer young" (171)

Men är ni säker, bästa fru, att ni vill bli fri från denna dimma? Är det inte bättre att vissa saker förblir dolda för oss?" "Så är det kanske för vissa, fader, men inte för oss. Axl och jag vill återuppleva de lyckliga stunder vi delat. Att bli berövad dem känns som om en tjuv kom in om natten och tog våra högst skattade ägodelar". "Men dimman lägger sig över alla minnen, de dåliga såväl som de goda. Är det inte så, min fru?" "Vi får låta de dåliga komma tillbaka också, även om det får oss att gråta eller darra av vrede. För är det inte livet vi delat?" (s. 165).

For physical issues, we have an entire pharmacopoeia of pain medicine. For the actual pain of grief, we have . . . nothing. It’s always seemed so bizarre to me that we have an answer for almost every physical pain, but for this—some of the most intense pain we can experience—there is no medicine. You’re just supposed to feel it. And in a way, that’s true. The answer to pain is simply to feel it. Some traditions speak of practicing compassion in the face of pain, rather than trying to fix it. As I understand the Buddhist teaching, the fourth form of compassion in the Brahma Viharas, or the four immeasurables, describes an approach to the kinds of pain that cannot be fixed: upekkha, or equanimity. Upekkha is the practice of staying emotionally open and bearing witness to the pain while dwelling in equanimity around one’s limited ability to effect change. This form of compassion—for self, for others—is about remaining calm enough to feel everything, to remain calm while feeling everything, knowing that it can’t be changed. Equanimity (upekkha) is said to be the hardest form of compassion to teach, and the hardest to practice. It’s not, as is commonly understood, equanimity in the way of being unaffected by what’s happened, but more a quality of clear, calm attention in the face of immoveable truth. When something cannot be changed, the “enlightened” response is to pay attention. To feel it. To turn toward it and say, “I see you.” That’s the big secret of grief: the answer to the pain is in the pain. Or, as e. e. cummings wrote, healing of the wound is to be sought in the blood of the wound itself. It seems too intangible to be of use, but by allowing your pain to exist, you change it somehow. There’s power in witnessing your own pain. The challenge is to stay present in your heart, to your heart, to your own deep self, even, and especially, when that self is broken. Pain wants to be heard. It deserves to be heard. Denying or minimizing the reality of pain makes it worse. Telling the truth about the immensity of your pain—which is another way of paying attention—makes things different, if not better. It’s important to find those places where your grief gets to be as bad as it is, where it gets to suck as much as it does. Let your pain stretch out. Take up all the space it needs. When so many others tell you that your grief has to be cleaned up or contained, hearing that there is enough room for your pain to spread out, to unfurl—it’s healing. It’s a relief. The more you open to your pain, the more you can just be with it, the more you can give yourself the tenderness and care you need to survive this. Your pain needs space. Room to unfold. I think this is why we seek out natural landscapes that are larger than us. Not just in grief, but often in grief. The expanding horizon line, the sense of limitless space, a landscape wide and deep and vast enough to hold what is—we need those places. Sometimes grief like yours cannot be held by the universe itself. True. Sometimes grief needs more than an endless galaxy. Maybe your pain could wrap around the axle of the universe several times. Only the stars are large enough to take it on. With enough room to breathe, to expand, to be itself, pain softens. No longer confined and cramped, it can stop thrashing at the bars of its cage, can stop defending itself against its right to exist. There isn’t anything you need to do with your pain. Nothing you need to do about your pain. It simply is. Give it your attention, your care. Find ways to let it stretch out, let it exist. Tend to yourself inside it. That’s so different from trying to get yourself out of it. The way to come to pain is with open eyes, and an open heart, committed to bearing witness to your own broken place. It won’t fix anything. And it changes everything.

The land around Ankh-Morpork is fertile and largely given over to the cabbage fields that help to give the city its distinctive odor. The gray light of pre-dawn unrolled over the blue-green expanse, and around a couple of farmers who were making an early start on the spinach harvest. They looked up, not at a sound, but at a travelling point of silence where sound ought to have been. It was a man and a woman and something like a size five man in a size twelve fur coat, all in a chariot that flickered as it moved. It bowled along the road toward Holy Wood and was soon out of sight. A minute or two later it was followed by a wheelchair. Its axle glowed red-hot. It was full of people screaming at one another. One of them was turning a handle on a box. It was so overburdened that wizards occasionally fell off and ran along after it, shouting, until they had a chance to jump on again and start screaming. Whoever was attempting to steer was not succeeding, and it weaved back and forth across the road and eventually hurtled off it completely and through the side of a barn. One of the farmers nudged the other. "Oi've seen this on the clicks," he said. "It's always the same. They crash into a barn and they allus comes out the other side covered in squawking chickens." His companion leaned reflectively on his hoe. "It'd be a sight worth seeing that," he said. "Sure would." "'Cos all there is in there, boy, is twenty ton of cabbage." There was a crash, and the chair erupted from the barn in a shower of chickens and headed madly toward the road. The farmers looked at one another. "Well, dang me," said one of them.

As we mixed down the song “Rocket Queen,” Axl felt that the bridge needed something; some other element to elevate the drama. He suggested that Adrianna Smith, who was with us in the studio that day, fuck him in the live room so that we could record her vocals and layer them over the breakdown. We’d been drinking Jack pretty heavily all day, so it seemed like the most natural thing in the world. I was all for it; I knew too well what she was capable of vocally—she had kept me up for the past three nights. So we lit up some candles for atmosphere, then she and Axl went out into the live room, got down on the floor by the drum riser, and we recorded Smith’s performance in all of its honest moaning and groaning. Enjoy it—it’s right there in the final mix. That breakdown said it all; I couldn’t think of a better song to close the album and I couldn’t think of a more telling slice of our lives at the time to hand to our fans.

Lucinda,” Elizabeth said for the third time in an hour, “I cannot tell you how sorry I am about this.” Five days ago, Lucinda had arrived at the inn at the Scottish border where she joined Elizabeth for the journey to Ian Thornton’s house. This morning, their hired coach broke an axle, and they were now ignominiously ensconced on the back of a hay wagon belonging to a farmer, their trunks and valises tipping precariously to and fro along the rutted path that evidently passed for a road in Scotland. The prospect of arriving in a hay wagon on Ian Thornton’s doorstep was so horrible that Elizabeth preferred to concentrate on her guilt, rather than her forthcoming meeting with the monster who had ruined her life. “As I said the last time you apologized, Elizabeth,” Lucinda replied, “it is not your fault, and therefore not your responsibility to apologize, for the deplorable lack of roads and conveyances in this heathen country.” “Yes, but if it weren’t for me you wouldn’t be here.” Lucinda sighed impatiently, clutched the side of the hay wagon as it made a particularly sharp lurch, and righted herself. “And as I have already admitted, if I hadn’t been deceived into mentioning Mr. Thornton’s name to your uncle, neither of us would be here. You are merely experiencing some nervousness at the disagreeable prospect of confronting the man, and there is no reason in the world-“The wagon tipped horribly and they both clutched at the sides of it for leverage. “-no reason in the world to continue apologizing. Your time would be better spent preparing yourself for the unhappy occasion.” “You’re right, of course.” “Of course,” Lucinda agreed unhesitatingly. “I am always right, as you know. Nearly always,” she amended, obviously thinking of how she had been misled by Julius Cameron into revealing the name of Ian Thornton as one of Elizabeth’s former suitors.

Comus. The Star that bids the Shepherd fold, Now the top of Heav'n doth hold, And the gilded Car of Day, [ 95 ] His glowing Axle doth allay In the steep Atlantick stream, And the slope Sun his upward beam Shoots against the dusky Pole, Pacing toward the other gole [ 100 ] Of his Chamber in the East. Mean while welcom Joy, and Feast, Midnight shout, and revelry, Tipsie dance and Jollity. Braid your Locks with rosie Twine [ 105 ] Dropping odours, dropping Wine. Rigor now is gone to bed, And Advice with scrupulous head, Strict Age, and sowre Severity, With their grave Saws in slumber ly. [ 110 ] We that are of purer fire Imitate the Starry Quire, Who in their nightly watchfull Sphears, Lead in swift round the Months and Years. The Sounds, and Seas with all their finny drove [ 115 ] Now to the Moon in wavering Morrice move, And on the Tawny Sands and Shelves, Trip the pert Fairies and the dapper Elves; By dimpled Brook, and Fountain brim, The Wood-Nymphs deckt with Daisies trim, [ 120 ] Their merry wakes and pastimes keep: What hath night to do with sleep? Night hath better sweets to prove, Venus now wakes, and wak'ns Love. Com let us our rights begin, [ 125 ] Tis onely day-light that makes Sin, Which these dun shades will ne're report. Hail Goddesse of Nocturnal sport Dark vaild Cotytto, t' whom the secret flame Of mid-night Torches burns; mysterious Dame [ 130 ] That ne're art call'd, but when the Dragon woom Of Stygian darknes spets her thickest gloom, And makes one blot of all the ayr, Stay thy cloudy Ebon chair, Wherin thou rid'st with Hecat', and befriend [ 135 ] Us thy vow'd Priests, till utmost end Of all thy dues be done, and none left out, Ere the blabbing Eastern scout, The nice Morn on th' Indian steep From her cabin'd loop hole peep, [ 140 ] And to the tel-tale Sun discry Our conceal'd Solemnity. Com, knit hands, and beat the ground, In a light fantastick round.

Every time we sit down to breakfast, we are likely to be benefiting from a dozen such prehistoric inventions. Who was the first person to figure out that you could make bread rise by the addition of those microorganisms we call yeasts? We have no idea, but we can be almost certain she was a woman and would most likely not be considered ‘white’ if she tried to immigrate to a European country today; and we definitely know her achievement continues to enrich the lives of billions of people. What we also know is that such discoveries were, again, based on centuries of accumulated knowledge and experimentation – recall how the basic principles of agriculture were known long before anyone applied them systematically – and that the results of such experiments were often preserved and transmitted through ritual, games and forms of play (or even more, perhaps, at the point where ritual, games and play shade into each other). ‘Gardens of Adonis’ are a fitting symbol here. Knowledge about the nutritious properties and growth cycles of what would later become staple crops, feeding vast populations – wheat, rice, corn – was initially maintained through ritual play farming of exactly this sort. Nor was this pattern of discovery limited to crops. Ceramics were first invented, long before the Neolithic, to make figurines, miniature models of animals and other subjects, and only later cooking and storage vessels. Mining is first attested as a way of obtaining minerals to be used as pigments, with the extraction of metals for industrial use coming only much later. Mesoamerican societies never employed wheeled transport; but we know they were familiar with spokes, wheels and axles since they made toy versions of them for children. Greek scientists famously came up with the principle of the steam engine, but only employed it to make temple doors that appeared to open of their own accord, or similar theatrical illusions. Chinese scientists, equally famously, first employed gunpowder for fireworks.

Ionic is the ‘opposites attract’ chemical bond,” Elizabeth explained as she emerged from behind the counter and began to sketch on an easel. “For instance, let’s say you wrote your PhD thesis on free market economics, but your husband rotates tires for a living. You love each other, but he’s probably not interested in hearing about the invisible hand. And who can blame him, because you know the invisible hand is libertarian garbage.” She looked out at the audience as various people scribbled notes, several of which read “Invisible hand: libertarian garbage.” “The point is, you and your husband are completely different and yet you still have a strong connection. That’s fine. It’s also ionic.” She paused, lifting the sheet of paper over the top of the easel to reveal a fresh page of newsprint. “Or perhaps your marriage is more of a covalent bond,” she said, sketching a new structural formula. “And if so, lucky you, because that means you both have strengths that, when combined, create something even better. For example, when hydrogen and oxygen combine, what do we get? Water—or H2O as it’s more commonly known. In many respects, the covalent bond is not unlike a party—one that’s made better thanks to the pie you made and the wine he brought. Unless you don’t like parties—I don’t—in which case you could also think of the covalent bond as a small European country, say Switzerland. Alps, she quickly wrote on the easel, + a Strong Economy = Everybody Wants to Live There. In a living room in La Jolla, California, three children fought over a toy dump truck, its broken axle lying directly adjacent to a skyscraper of ironing that threatened to topple a small woman, her hair in curlers, a small pad of paper in her hands. Switzerland, she wrote. Move. “That brings us to the third bond,” Elizabeth said, pointing at another set of molecules, “the hydrogen bond—the most fragile, delicate bond of all. I call this the ‘love at first sight’ bond because both parties are drawn to each other based solely on visual information: you like his smile, he likes your hair. But then you talk and discover he’s a closet Nazi and thinks women complain too much. Poof. Just like that the delicate bond is broken. That’s the hydrogen bond for you, ladies—a chemical reminder that if things seem too good to be true, they probably are.” She walked