House Bunny Quotes

I read library books as fast as I could go, rushing them home in the basket of my bicycle. From the minute I reached our house, I started to read. Every book I seized on, from “Bunny Brown and His Sister Sue at Camp Rest-a-While” to “Twenty Thousand Leagues Under the Sea,” stood for the devouring wish to read being instantly granted. I knew this was bliss, knew it at the time. Taste isn’t nearly so important; it comes in its own time.

The Easter Bunny could have come down the chimney armed with machine guns and opened fire on the house, and everyone would have been less surprised.

The eyes are the nipples of the face

Because at Warren, the Body is all the rage. As though everyone in the academic world has just now discovered that they are vesseled in precarious, fastly decaying houses of bone and flesh and my god, what material.

I froze like a startled bunny. Fumbling the disk into my purse, I cut my eyes toward the hallway. Had I locked the front door? Of course I had. Only a moron would break into someone’s house and forget to lock the door. Damn it! I’d forgotten to lock the door.

Tam Lin says rabbits give up when they're caught by coyotes," Matt said after he'd calmed enough to trust his voice. "He says they consent to die because they're animals and can't understand hope. Hit humans are different.. They fight against death no matter how bad things seem, and sometimes, even when everything's against them, they win." "Yeah. About once in a million years," said Chacho. "Twice in a million," said Matt. "There's who of us." "You are one dumb bunny," said Chacho, but he stopped crying.

I was talking about children that have not been properly house-trained. Left to their own impulses and indulged by doting or careless parents almost all children are yahoos. Loud, selfish, cruel, unaffectionate, jealous, perpetually striving for attention, empty-headed, for ever prating or if words fail them simply bawling, their voices grown huge from daily practice: the very worst company in the world. But what I dislike even more than the natural child is the affected child, the hulking oaf of seven or eight that skips heavily about with her hands dangling in front of her -- a little squirrel or bunny-rabbit -- and prattling away in a baby's voice.

Her neighborhood is obscenely beautiful. I cannot help but observe this as I stand on her marbled steps, flanked by stone griffins, beaks open in midscreech. A line of stately houses, a canopy of grandly bowing trees. Just a block from campus, off a poshly quaint street lined with bistros that offer champagne by the glass, cafés that make the cortadas with the ornate foam art that all the faculty drink, shops selling cold-pressed juice and organic dog treats. Unlike my street, which smells of sad man piss, hers smells of autumn leaves.

Come on, Trouble. Let’s go before you start farting bunnies and rainbows or some shit.” Luke started laughing hard, and clamped his hand over his stomach, squeezing his brown eyes almost shut.

Love doesn’t "grow." It doesn’t wait for you to discover it, it doesn’t fall like a gentle rain from the sky, it doesn’t tiptoe into your heart like a happy little bunny, and it doesn’t have a fucking thing to do with familiarity. Love is neither patient nor kind. Love attacks. It sneaks up like a pride of lions or a pack of hyenas and eats your heart out while you watch. Love is the bully on the playground who takes your lunch money and gives you a black eye in return, the arsonist who burns your house down with you in it, the witch who lures you into her home with candy and boils you alive for dinner. Love is raw, and violent, and instantaneous. You don’t fall in love; you get trampled by it.

Bunny here and his new buddy Diller are getting on like a house on fire – and drinking enough to put it out, might I add.

The word family never fails to make me feel like I've been punched. Conjures an iron gate, tall hedges around a house with lit-up windows, me so embarrassingly obviously outside looking in. Pretending I have people to see, somewhere to go.

So,” I said. “Exactly how long have the two of you been together? I assume that you’ve been going hot and heavy ever since that night at Fletcher’s house when the bounty hunters interrupted you. Am I right?” Finn and Bria didn’t look at me or each other. “Right,” Bria mumbled. “Although if it makes you uncomfortable—” “Then Gin’s just going to have to deal with it,” Finn cut her off. Bria stared at him in surprise. “What?” Finn said. “I worked too hard and too long to get you into my bed to just cut you loose now, cupcake.” Bria’s eyes narrowed. “Cupcake?” “Cupcake.” Finn grinned at her. “Or would you prefer snuggle bunny?” Bria’s hand drifted down to the gun on her leather belt, as though she wanted to pull it out and shoot Finn with it. Well, it was good to know I wasn’t the only one who occasionally had that reaction to him. ... Then I fixed them both with a hard stare. “Just don’t ask me to take sides when the two of you go at each other. Okay?” They nodded, then looked at each other. Finn waggled his eyebrows in a suggestive manner, and Bria snorted. But she couldn’t stop a grin from curving her lips.

It dawns on me that perhaps this isn’t a gesture of kindness and trust at all, it’s a test. Or worse, a way to humiliate me. To show me that they are the ones who have this gift, not me. Not you, Samantha. Sorry. This ability comes with being us. We inherited it, like our summer houses, our grand pianos, our perfect, nuanced taste.

Love doesn’t “grow.” It doesn’t wait for you to discover it, it doesn’t fall like a gentle rain from the sky, it doesn’t tiptoe into your heart like a happy little bunny, and it doesn’t have a fucking thing to do with familiarity. Love is neither patient nor kind. Love attacks. It sneaks up like a pride of lions or a pack of hyenas and eats your heart out while you watch. Love is the bully on the playground who takes your lunch money and gives you a black eye in return, the arsonist who burns your house down with you in it, the witch who lures you into her home with candy and boils you alive for dinner. Love is raw, and violent, and instantaneous. You don’t fall in love; you get trampled by it.

How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.

In the afternoon they began to watch the creek road. Jack was watching it, too. He whined to go out, and he went all around the stable and the house, stopping to look toward the creek bottoms and show his teeth. The wind almost blew him off his feet. When he came in he would not lie down. He walked about, and worried. The hair rose on his neck, and flattened, and rose again. He tried to look out of the window, and then whined at the door. But when Ma opened it, he changed his mind and would not go out. “Jack’s afraid of something,” Mary said. “Jack’s not afraid of anything, ever!” Laura contradicted. “Laura, Laura,” Ma said. “It isn’t nice to contradict.” In a minute Jack decided to go out. He went to see that the cow and calf and Bunny were safe in the stable. And Laura wanted to tell Mary, “I told you so!” She didn’t, but she wanted to.

It was so awful! And he kept on looking at me and I knew I must get out of bed or he'd come and touch me. I did, too, but when I got out I wasn't me-I was a little white bunny. And he started out of the room and I had to go with him for fear he'd touch me. It felt so horrid, going out with him and looking back at mother there asleep. "We went into the main part of the house, and one of the big front doors was open, and we went out through it. And then he gave a big jump, and so did I, and it took us clear up into the sky. We couldn't fly, but we kept jumping and jumping. "Sometimes we stayed in the sky a little while, jumping from cloud to cloud, and the moon would get closer and closer and bigger and bigger, and its face would change and get horrible and grin at us until it seemed like its mouth was a mile wide and open, to swallow us up. And then we'd come down again and jump from one cliff to another, and the sea would be roaring down under us, and the waves all grey and cold and moving around and boiling like they were mad or afraid. "We went all over the island and sometimes we jumped over the sea to the mainland and back again; and sometimes I tried to get away and run back to Mother - I thought she'd know me even if I was a bunny - but always, whichever way I turned, the hare was there in front of me, and his teeth were shining. "We kept it up all night, and I was so tired and cold and miserable, and so scared. I didn't know whether he would ever let me go home or whether he would take me to Aunt Sarai. Then finally I did get away and the hare chased me!" She broke off, her voice rising again to a wail. "It was so awful! I ran all over the island, into all sorts of queer little places that I never knew were there before - it seems so different after dark - and finally, when two or three times I'd been so tired that I thought I just couldn't go any farther, before he caught me, I saw the house in front of me and the front door still open and I started to run in, and then I thought - what if they'd planned it that way, and Aunt Sarai had come down from her portrait and was inside there in the dark, waiting for me?

Hey, you want to go for a drink or something? I just got out of class. We could go to the ale house?” “I thought you didn’t drink.” “Yeah. But I could watch you drink? I like doing that.” Over his shoulder, I look at the bunnies. They are fucking staring at me. “I can’t right now, Jonah. I’m sorry. Maybe some other time, though, okay?” I rush off and nearly trip on a shaggy gray one crossing the road. It gets hit by a car that doesn’t even break and I scream.

Malibu catches fire. It is simply what Malibu does from time to time. Tornadoes take the flatlands of the Midwest. Floods rise in the American South. Hurricanes rage against the Gulf of Mexico. And California burns. The land caught fire time and again when it was inhabited by the Chumash in 500 B.C.E. It caught fire in the 1800s when Spanish colonizers claimed the area. It caught fire on December 4, 1903, when Frederick and May Rindge owned the stretch of land now called Malibu. The flames seized thirty miles of coastland and consumed their Victorian beach house. Malibu caught fire in 1917 and 1929, well after the first movie stars got there. It caught fire in 1956 and 1958, when the longboarders and beach bunnies trickled to its shores. It caught fire in 1970 and 1978, after the hippies settled in its canyons. It caught fire in 1982, 1985, in 1993, 1996, in 2003, 2007, and 2018. And times in between. Because it is Malibu’s nature to burn.

The day we were all allowed to bring our pets into the classroom was going to be special. It was a nice sunny morning and Batty my black mouse had been spruced up for the occasion. He was in his new second-hand plastic cage, it was mustard coloured, had the mandatory wheel and sleeping chamber but had previously been a torture chamber for my cousin's late hamster. Despite my best efforts to revitalise it the wire remained rusty in places but at least it was more secure than the wooden enclosure my father had made... and Batty had instantly, and repeatedly, chewed his way out of. Sadly the species list for the class was a meagre four: rabbit, hamster, guinea pig and... one domesticated house mouse, Batty. They all ignored him, they cooed over the 'bunnies' and those chubby-fat tailless things whose eyes bulged when you squeezed them a bit, and queued to offer carrot and cabbage to those cow-licked multicoloured freaks with scratchy claws, but not one of the kids wanted to see, let alone hold, my mouse. By mid-afternoon the teacher finally caught sight of the lonely boy whispering into his mouse cage in the corner and gingerly agreed to let the rodent walk onto her hand in front of the class. Batty promptly pissed and then pooed three perfect wet little pellets, the classroom erupted with a huge collective 'urrgh' and then a frenzy of giggling, she practically threw him back in his cage and then made a big deal about washing her hands. With soap. Then we were all meant to wash our hands, with soap, but I didn't and no one noticed.

Achild acquires stuffed animals throughout their life, but the core team is usually in place by the time they’re five. Louise got Red Rabbit, a hard, heavy bunny made of maroon burlap, for her first Easter as a gift from Aunt Honey. Buffalo Jones, an enormous white bison with a collar of soft wispy fur, came back with her dad from a monetary policy conference in Oklahoma. Dumbo, a pale blue hard rubber piggy bank with a detachable head shaped like the star of the Disney movie, had been spotted at Goodwill and Louise claimed him as “mine” when she was three. Hedgie Hoggie, a plush hedgehog Christmas ornament, had been a special present from the checkout girl after Louise fell in love with him in the supermarket checkout line and would strike up a conversation with him every time they visited. But Pupkin was their leader.

Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.

suppose it’s not odd, then, that I have trouble reconciling my life to those of my friends, or at least to their lives as I perceive them to be. Charles and Camilla are orphans (how I longed to be an orphan when I was a child!) reared by grandmothers and great-aunts in a house in Virginia: a childhood I like to think about, with horses and rivers and sweet-gum trees. And Francis. His mother, when she had him, was only seventeen—a thin-blooded, capricious girl with red hair and a rich daddy, who ran off with the drummer for Vance Vane and his Musical Swains. She was home in three weeks, and the marriage was annulled in six; and, as Francis is fond of saying, the grandparents brought them up like brother and sister, him and his mother, brought them up in such a magnanimous style that even the gossips were impressed—English nannies and private schools, summers in Switzerland, winters in France. Consider even bluff old Bunny, if you would. Not a childhood of reefer coats and dancing lessons, any more than mine was. But an American childhood. Son of a Clemson football star turned banker. Four brothers, no sisters, in a big noisy house in the suburbs, with sailboats and tennis rackets and golden retrievers; summers on Cape Cod, boarding schools near Boston and tailgate picnics during football season; an upbringing vitally present in Bunny in every respect, from the way he shook your hand to the way he told a joke.

If I had grown up in that house I couldn’t have loved it more, couldn’t have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible—just barely—in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately to my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe. It was getting dark; soon it would be time for dinner. I finished my drink in a swallow. The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of living there with Charles and Camilla and Henry and Francis and maybe even Bunny; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college; of everything remaining exactly as it was, that instant—the idea was so truly heavenly that I’m not sure I thought, even then, it could ever really happen, but I like to believe I did.

Kate turned on her heel and walked out. Before she was halfway across the hall, though, Bunny had jumped up from the couch and come after her. “Are you saying we can’t see each other anymore?” she asked. “He’s just visiting me at my house! We’re not going out on dates or anything.” “The guy must be twenty years old,” Kate told her. “You don’t find anything wrong with that?” “So? I’m fifteen years old. A very mature fifteen.” “Don’t make me laugh,” Kate told her. “You’re just jealous,” Bunny said. She was following Kate through the dining room now. “Just because you have to settle for Pyoder—” “His name is Pyotr,” Kate said through her teeth. “You might as well learn to pronounce it right.” “Well, la-di-da to you, Miss Frilling-Your-rs. At least I didn’t have to rely on my father to find me a boyfriend.” By the time she was saying this, they had reached the kitchen. The two men glanced over at them, surprised. “Your daughter is a jerk,” Bunny told their father. “I beg your pardon?” “She is a snoopy, jealous, meddlesome jerk, and I refuse to—and now look!” Her attention had been snagged by something outside the window. The rest of them turned to see Edward slinking past with his shoulders hunched, veering beneath the redbud tree to cross to his own house. “I hope you’re satisfied,” Bunny told Kate. “Why is it,” Dr. Battista asked Pyotr, “that whenever I’m around women for any length of time, I end up asking, ‘What just happened here?’ ” “That is extremely sexist of you,” Pyotr said sternly. “Don’t blame me,” Dr. Battista said. “I base the observation purely on empirical evidence.

Lark wrapped an arm around me and started to speak until Bailey’s startled voice interrupted us. A huge football player had her pinned against the wall and she was yelling for him to back off. Instead, he crowded her more while playing with her blonde hair. “Hey!” I yelled as Lark and I rushed over. Six four and wide shouldered, the guy was wasted and angry at the interruption. “Fuck off, bitches,” he muttered. Bailey clawed at his neck, but he had her pinned in a weird way, so she couldn’t get any leverage. While I was ready to jump on him in a weak attempt to save my friend, someone shoved the football player off Bailey. I hadn’t even seen the guy appear, but he stood between Bailey and the pissed jerk. “Fuck off, man,” the asshole said. “She’s mine.” “Nick,” Bailey mumbled, looking ready to cry. “He humped my leg. Crush his skull, will ya?” Nick frowned at Bailey who was leaning on him now. The football player was an inch or two bigger than Nick and outweighed him by probably fifty pounds. Feeling the fight would be short, the asshole reached for Bailey’s arm and Nick nailed the guy in the face. To my shock, the giant asshole collapsed on the ground. “My hero,” Bailey said, looking ready to puke. She caressed Nick’s biceps and asked, “Do you work out?” Running his hands through his dark wavy hair, Nick laughed. “You’re so wasted.” “And you’re like the Energizer Bunny,” she cooed. “My bro said you took a punch, yet kept on ticking.” Nick started to speak then heard the asshole’s friends riled up. I was too drunk to know if everything happened really quickly or if my brain just took awhile to catch up. The guys rushed Nick who dodged most of them and hit another. The room emptied out except for Nick, the guys, and us. I grabbed a beer bottle and threw it at one of the guys shoving Nick. When the bottle hit him in the back, the bastard glared at me. “You want to fight, bitch?” “Leave her alone,” Nick said, kicking one guy into the jerk looking to hit me. As impressive as Nick was against six guys, he was just one guy against six. A losing bet, he took a shot to the face then the gut. Lark grabbed a folding chair and went WWE on one guy. I was tossing beers in the roundabout direction of the other guys. Yet, Bailey was the one who ended the fight by pulling out a gun. “Back the fuck off or I’ll burn this motherfucking house to the ground!” she screamed then fired at a lamp. Everyone stopped and stared at her. When she noticed me wide-eyed, Bailey frowned. “Too much?” Grinning, I followed Lark to the door. Nick followed us while the assholes seemed ready to piss themselves. Well, except for an idiot who looked ready to go for Bailey’s gun. "Dude,” Nick muttered, “that’s Bailey Fucking Johansson. Unless you want to end up in a shallow grave, back the fuck off.” “What he said!” Bailey yelled, waving her gun around before I hurried her out of the door. The cold air sobered up Bailey enough for her to return the gun to her purse. She was still drunk enough to laugh hysterically as we reached the SUV. “Did you see me kill that lamp?” “You did good,” I said, groggy as my adrenaline shifted to nausea and the alcohol threatened to come back up on me. Nick walked us to the SUV. “Next time, you might want to wave the gun around before you get drunk and dance.” “Don’t tell me what to do,” Bailey growled, crawling into the backseat. Then, realizing he saved her, she crawled back to face him. “You were so brave. I should totally get you off as a thank you." “Maybe another time,” he said, laughing as she batted her eyes at him. “Are you guys safe to drive?” Lark nodded. “I’m sober enough to remember everything tomorrow. Trust me that there’ll be mocking.

In modern-dizzle strips, these two git along well, pluggin a ludd of technologizzle n' vizzle games, n' is frequently at each others' houses ta play dem together n' shit. In tha Hetalia Fantasia series, Tha Ghetto n' Japan have pimped a vizzle game together, up in HF2 Tha Ghetto say that, fo' a limited time only, when fightin enemies a cold-*** lil colored hamburger has tha possibilitizzle of fallin out, wit Japan statin dat collectin all seven flavas enablez dem ta loot bunny ears.

What will you do once you have the key?” Mia asks. “We’ll be able to break into every bank in the world!” Captain Dread declares proudly. “We can open every lock, everywhere!” “Um,” Harley says. “Banks don’t have keys anymore. They have codes, and scanners, and swipe passes. A key isn’t going to help you break into a bank.” The pirates all stop looking for the key and look at each other, confused. “We’ll just use it for anything with a key then!” “Like what?” I ask. “Like… the candy store.” “They use a swipe code for their locks.” “Hotels?” “Swipe cards.” “Government buildings?” “Codes.” “Food shops?” “Scanners.” “Safes?” “Dial codes.” “Cars?” “Keyless.” “Houses?” “Um…” I think about that for a moment. “Yep, I think most houses still use keys. You could use it there.” “Then we will break into every house in the world!” Captain Dread declares again. “We will enter any house we want to, at any time. With the possession of the Skeleton Key, we will be unstoppable! We will be the unstoppable pirates!” “Captain Wed, if you go into my house,” I say. “Can you check that my pet bunny rabbit has enough food? I am not sure if I gave him enough food before I left.” “No! I will steal things from your house; not feed your bunny rabbit!” “We can’t let him have that key, Charlie,” Harley whispers to me. “He will have too much power. We will have to keep the key a secret from him.” “Captain Zed, you are not going to steal anything from me. You can get off this boat now,” I say, as I pick up my backpack full of Super Spy gadgets.

The more elaborate a house, the more spaces it has, the more evocative it is for our dream life: “If it has a cellar and a garret, nooks and corridors, our memories have refuges that are all the more clearly delineated.” It is in the corners and crevices—the places just off the main traffic corridors—that our dreams, like dust bunnies and forgotten toys, accumulate and our imagination begins to run wild. “Every corner in a house, every angle in a room, every inch of secluded space in which to hide ourselves,” Bachelard notes, “is a symbol of solitude for the imagination; that is to say, it is the germ of a room, or of a house.” Live in a house for any length of

Long

They stepped into the gloom and peered into the rows of cages. Luxuriant, curly fur covered some rabbits, so thick it weighed the tips of the ears down. Other pens housed pink-eyed albinos, their jaws working furiously on bits of hay poking out of their mouths. Earth's biodiversity never ceased to amaze him. One of the rabbits was easily the size of a dog. The label on its cage read FLEMISH GIANT. Giant was right. Quentin leaned close to one to snap a photo for his nieces, and the rabbit thumped its back feet on the metal cage. Next to the rabbit, Alisha jumped a mile, her sneakers skidding on the concrete as she danced away. Not so eager for the bunnies, then. Fine by him. The next barn housed horses. In one of the stalls, a huge horse regarded them through wise dark eyes, like a sentient Narnian beast. A black mane fell across its face, and feathery white hair fanned out around its hooves. "A Budweiser horse!" She laughed, pointing to the placard. "Clydesdale.

zoegirl: ohhhhh. i thought it was that only a few people like bunnies and trees, but everybody likes executive housing complexes. mad maddie: look at you, quoting the bunny! nice!

All those dumb spooky movies like Friday the 13th, they all start in a house or a forest, or an abandoned cabin, or whatever, so you end up thinking you have to be scared of them. But you don’t. Not really. That whispering voice is never in the woods. - S. E. Tolsen, Bunny

All those dumb spooky movies like Friday the 13th, they all start in a house or a forest, or an abandoned cabin, or whatever, so you end up thinking you have to be scared of them. But you don’t. Not really. That whispering voice is never in the woods.

(Tori) "In the real world, if we’re attacked by some Cabal goon, we’re going to use our fighting powers.” (Simon) “But Chloe doesn’t have fighting powers.” (Tori) “Sure she does. She has a poltergeist. Well, when Liz is around. And when she’s not, Chloe has the awesome power of zombies at her fingertips.” Tori waved at the woods behind our rented house. “Raise a dead bunny. It can nip my ankles while I’m throwing you down.”

Only rabbits like to eat carrots every day. And even they enjoy an occasional leaf of lettuce, or spinach, or even bites of tortilla chips. (Yeah, I think our 4th grade class pet, Boo-Boo Bunny, had a stomach of steel.)

I was about to make a snappy reply, when suddenly Lisa and Robbie came flying into the house and stormed into the kitchen, it being their regular habit in such awful weather to have hot chocolate or coffee soon as they arrived home. Yet upon observing Ami, and I, they abruptly stopped in passing and then looked us both over and how we were dressed. Lisa with a giggle remarked: -Oh, what is this, a slumber party? -Ha! Robbie exclaimed. -if you had on one of dad’s ratty old bath robes you would be a poor man’s Hugh Heffner (snort), and so this must be one of your bunny girls!

The intruders spoke no words as they rushed in. Five boys carrying baseball bats and tire irons. They wore an assortment of Halloween masks and stocking masks. But Derek knew who they were. “No! No!” he cried. All five boys wore bulky shooter’s earmuffs. They couldn’t hear him. But more importantly, they couldn’t hear Jill. One of the boys stayed in the doorway. He was in charge. A runty kid named Hank. The stocking pulled down over his face smashed his features into Play-Doh, but it could only be Hank. One of the boys, fat but fast-moving and wearing an Easter Bunny mask, stepped to Derek and hit him in the stomach with his aluminum baseball bat. Derek dropped to his knees. Another boy grabbed Jill. He put his hand over her mouth. Someone produced a roll of duct tape. Jill screamed. Derek tried to stand, but the blow to his stomach had winded him. He tried to stand up, but the fat boy pushed him back down. “Don’t be stupid, Derek. We’re not after you.” The duct tape went around and around Jill’s mouth. They worked by flashlight. Derek could see Jill’s eyes, wild with terror. Pleading silently with her big brother to save her. When her mouth was sealed, the thugs pulled off their shooter’s earmuffs. Hank stepped forward. “Derek, Derek, Derek,” Hank said, shaking his head slowly, regretfully. “You know better than this.” “Leave her alone,” Derek managed to gasp, clutching his stomach, fighting the urge to vomit. “She’s a freak,” Hank said. “She’s my little sister. This is our home.” “She’s a freak,” Hank said. “And this house is east of First Avenue. This is a no-freak zone.” “Man, come on,” Derek pleaded. “She’s not hurting anyone.” “It’s not about that,” a boy named Turk said. He had a weak leg, a limp that made it impossible not to recognize him. “Freaks with freaks, normals with normals. That’s the way it has to be.” “All she does is—” Hank’s slap stung. “Shut up. Traitor. A normal who stands up for a freak gets treated like a freak. Is that what you want?” “Besides,” the fat boy said with a giggle, “we’re taking it easy on her. We were going to fix her so she could never sing again. Or talk. If you know what I mean.” He pulled a knife from a sheath in the small of his back. “Do you, Derek? Do you understand?” Derek’s resistance died. “The Leader showed mercy,” Turk said. “But the Leader isn’t weak. So this freak either goes west, over the border right now. Or…” He let the threat hang there. Jill’s tears flowed freely. She could barely breathe because her nose was running. Derek could see that by the way she sucked tape into her mouth, trying for air. She would suffocate if they didn’t let her go soon. “Let me at least get her doll.

When I shuffled onto the front porch of my house, I wasn’t surprised when my dad opened the door. He always has an uncanny sense about when someone approaches the house. My mom says it’s from his days as a warrior. It’s hard to imagine my dad being a fearsome slayer of monsters when he opened the door wearing his flannel pajamas and wearing fluffy bunny slippers. He claims the slippers are comfortable. Insert massive eye roll here. “Home

What is marriage anymore, anyway? How is the institution structured? What assumptions do we bring to it? Is it an irreducible economic unit, in which production and labor remain distributed along traditional lines (the model of husband as protector and breadwinner and wife as “angel in the house,” domestic goddess, and nurturer)? Or is it a spiritual, intellectual, artistic, and social partnership—a lifelong collaboration, a project, a constant becoming?

What is marriage anymore, anyway? How is the institution structured? What assumptions do we bring to it? Is it an irreducible economic unit, in which production and labor remain distributed along traditional lines (the model of husband as protector and breadwinner and wife as 'angel in the house,' domestic goddess, and nurturer)? Or is it a spiritual, intellectual, artistic, and social partnership - a lifelong collaboration, a project, a constant becoming? Is it what patriarchal society said it is, or what Hollywood pretended it was? What does it mean to be a modern woman? Where does a woman's 'modern-ness' reside? In what she looks like, how she acts, what she does, wears, or says? Or is it somewhere else entirely outside of her, in a larger system that allows her to be a whole, free person? that represents her as such? that allows her to represent herself? that recognizes her individuality and subjectivity? Is it about things like voting and birth control, the issues that Katharine Hepburn's mother devoted her life to fighting for? Is it about wearing pants, not aiming to please, sleeping around, and not getting married, like Katharine Hepburn did? Is it about smoking Virginia Slims? Is it not perhaps all and none of these things but the fact that we keep having to make a case for our personhood? Is it not the story that needs to be reframed? the heroine who needs to be allowed to create herself, from scratch?

What does good mean? And what are things? Details, woman!” “What details would you like, Hannah? That we’re fucking like bunnies, christening every surface in the house?

If we weren’t sitting outside your parents’ house right now, I’d put you over my knee.” “That wouldn’t stop Sexy Maddox.” I winked. “Bristol…

Hubble Manor has thirty-four bedrooms,” said the or derve guy, “a library, a helicopter pad, twenty-three bathrooms . . .” Twenty-three bathrooms?! Was he joking? My house only has two bathrooms. Mayor Hubble must have to go to the bathroom all the time. He should see a doctor about that instead of putting bathrooms all over his house. “. . . and four half bathrooms,” said the or derve guy. “Half bathrooms?” I asked. “Why would anybody want half of a bathroom? What could you do with half a toilet bowl?” “A half bathroom is a powder room, sir,” the guy told me. Powder room? “Mayor Hubble needs a whole room to hold powder?” I asked. “Why can’t he just keep powder in a little box like normal

You travel in a vaguely shaped aura of moisture and exhaled air, trailing behind you a constant stream of microbes and old skin cells that are being shed (by one estimate, the dust bunnies that accumulate in a house are 50 percent dead skin cells).

It also helped us reevaluate what we really need in order to feel like we are home in any given place. Spoiler alert: it isn’t my clogs, and it isn’t even my sprinkle collection. A house becomes a home, I learned, when I can cook in it and giggle a bunch with the people that I love. It doesn’t need to be complicated, and the kitchen doesn’t need to be fancy or extensive. Home, I found, is just a big batch of shallot-heavy matzo brei, Nick reading his newspaper at the table with some coffee, Bernie cuddling her bunny, and a cat or three with some allergy meds. My face moisturizer and Roku stick also help.

But I was stuck for a long time by myself at Abraham Lincoln's portrait, standing in the middle of the huge hall as people moved all around me with mostly children. I felt as if time had stopped as I watched Lincoln, facing him, while watching the woman’s back as she was looking out the window. I felt wronged, so much like Truman from the movie, standing there in the middle of the museum alone. I was wondering what would Abraham Lincoln do if he realized he was the slave in his own cotton fields, being robbed by evil thieves, nazis. I had taken numerous photos of Martina from behind, as well as silhouettes of her shadow. I remember standing there, watching as she stood in front of the window; it was almost as if she was admiring the view of the mountains from our new home, as I did take such pictures of her, with a very similar composition to that of the female depicted in the iconic Lincoln portrait looking outwards from the window. I hadn't realized how many photographs I snapped of Martina with her back turned towards me while we travelled to picturesque places. Fernanda and I walked side-by-side in utter silence, admiring painting after painting of Dali's, without exchanging a single word. Meanwhile, Luis and Martina had got lost somewhere in the museum. When I finally found her, she was taking pictures outside of the Rainy Cadillac. We both felt something was amiss without having to say it, as Fernanda knew things I didn't and vice versa. We couldn't bring ourselves to discuss it though, not because we lacked any legal authority between me and Martina, but because neither Fernanda or myself had much parental authority over the young lady. It felt like when our marriages and divorces had dissolved, it was almost as if our parenting didn't matter anymore. It was as if I were unwittingly part of a secret screenplay, like Jim Carrey's character in The Truman Show, living in a fabricated reality made solely for him. I was beginning to feel a strange nauseous feeling, as if someone was trying to force something surreal down my throat, as if I were living something not of this world, making me want to vomit onto the painted canvas of the personalised image crafted just for me. I couldn't help but wonder if Fernanda felt the same way, if she was aware of the magnitude of what was happening, or if, just like me, she was completely oblivious, occasionally getting flashes of truth or reality for a moment or two. I took some amazing photographs of her in Port Lligat in Dali's yard in the port, and in Cap Creus, but I'd rather not even try to describe them—they were almost like Dali's paintings which make all sense now. As if all the pieces are coming together. She was walking by the water and I was walking a bit further up on the same beach on pebbles, parallel to each other as we walked away from Dali's house in the port. I looked towards her and there were two boats flipped over on the two sides of my view. I told her: “Run, Bunny! Run!

Switch Witch. Distant cousin of Santa Claus and the Easter Bunny, the Switch Witch comes to children’s houses on the night of Halloween and turns their candy into toys. We told Jonas he could keep his five favorite pieces of candy but should put the rest by the fireplace so that the Switch Witch could perform her magic as he slept.

The first night nothing happened at al, except we were hung over and stiff from having slept on the ground. So the next time we didn't drink as much, but there we all were, in the middle of the night on the hill behind Francis's house, drunk and in chitons and singing Greeks hymns like something from a fraternity initiation, and all at once Bunny began to laugh o hard that he fell over like a ninepin and rolled down the hill.

Not everybody likes bunnies and trees, but everybody likes executive housing complexes.

I wonder sometimes how I could have ever believed in mermaids. I never would have accepted something like the Easter bunny- I knew too much about chickens and who they let take their eggs away. But I had seen flowers bloom into fruit, like straw turned into gold. I'd seen the way sea anemones seemed to die and be born again with every shift of the tide. I'd found seashells that spiraled into themselves, and my father had told me that those elegant shapes once housed animals. In such a world, mermaids did not seem impossible.

I tend to kill all things green so the most you’ll see growing in my house is the dust bunny collection.

We buried Paolo with his sex bunny at the foot of a tree in the backyard, where they lie wrapped in an endless embrace in their Mexican serape. For weeks, Lucy looked like she was about to sob. Our home felt empty without that cat; we were palpably down a man. It was a wet, gray winter and it passed slowly with very little daylight. — PERIODICALLY, LUCY WOULD STILL seem drunk. I heard her entering the house while I was taking a shower one afternoon, and I came out wrapped in a yellow towel, excited to see her. But I took one look and saw that it wasn’t really her. There was a blurriness in her eyes, a vacated twist to her facial expression. I felt the floor turn to water under my feet. Lucy had vanished, and in her place someone furtive and messy was telling me things that didn’t add up. Sometimes her speech would be slurred, but usually it was subtle. Something would just be…off. Then a terrible queasiness would slither through me and come out of my mouth in different ways. Sometimes fearful, sad, pleading: “Honey, have you been drinking?” Sometimes unhinged, abject: “I can’t take this anymore.” Sometimes icy, condemning, ruthless: “You’re the worst,” I said once, and meant it. (To my best friend in the world. To the person I had slept next to on a thousand naked nights, I said, You’re the worst.)

Whether the oddments of superstition my mother told us when we were young were believed by her or were meant as a kind of amusement for us, like the Easter Bunny, Moss Babies and the Tooth Fairy, I am undecided; possibly something of both. She wouldn’t wear green (but that was due to family history: Great-Aunt Emma had an emerald green dress and her fiancé had perished at sea); Christmas decorations had to be totally removed by Twelfth Night as witches could get into the least scrap of tinsel or coloured paper. The snippets of lore were varied: never bring into the house bones, peacock feathers or may blossom; never mix red and white flowers in a vase (death ensued if you did); don’t look at the moon through glass; don’t put shoes on a table (surely just hygienic advice); sing before morning and you’ll cry before night; if you meet a piebald horse, make a cross in the dust on your shoe.

Stressed out' I wish I found some better sounds no one’s ever heard I wish I had a better voice that sang some better words I wish I found some chords in an order that is new I wish I didn't have to rhyme every time I sang I was told when I get older all my fears would shrink But now I’m insecure and I care what people think My name's Blurryface and I care what you think My name's Blurryface and I care what you think Wish we could turn back time, to the good old days When our momma sang us to sleep but now we’re stressed out Wish we could turn back time, to the good old days When our momma sang us to sleep but now we’re stressed out We're stressed out Sometimes a certain smell will take me back to when I was young How come I’m never able to identify where it’s coming from I’d make a candle out of it if I ever found it Try to sell it, never sell out of it, I’d probably only sell one It’d be to my brother, 'cause we have the same nose Same clothes homegrown a stone’s throw from a creek we used to roam But it would remind us of when nothing really mattered Out of student loans and tree-house homes we all would take the latter My name's Blurryface and I care what you think My name's Blurryface and I care what you think Wish we could turn back time, to the good old days When our momma sang us to sleep but now we’re stressed out Wish we could turn back time, to the good old days When our momma sang us to sleep but now we’re stressed out We used to play pretend, give each other different names We would build a rocket ship and then we’d fly it far away Used to dream of outer space but now they’re laughing at our face Saying, "Wake up, you need to make money" Yeah We used to play pretend, give each other different names We would build a rocket ship and then we'd fly it far away Used to dream of outer space but now they're laughing at our face Saying, "Wake up, you need to make money" Yeah Wish we could turn back time, to the good old days When our momma sang us to sleep but now we’re stressed out Wish we could turn back time, to the good old days When our momma sang us to sleep but now we’re stressed out Used to play pretend, used to play pretend, bunny We used to play pretend, wake up, you need the money Used to play pretend, used to play pretend, bunny We used to play pretend, wake up, you need the money We used to play pretend, give each other different names We would build a rocket ship and then we’d fly it far away Used to dream of outer space but now they’re laughing at our face Saying, "Wake up, you need to make money" Yeah