House Board Quotes

I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect.

When I try to picture for myself what a happy life might look like, the picture hasn't changed very much since I was a child - a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that's all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth.

A man's character is like his house. If he tears boards off his house and burns them to keep himself warm and comfortable, his house soon becomes a ruin. If he tells lies to be able to do the things he shouldn't do but wants to, his character will soon become a ruin. A man with a ruined character is a shame on the face of the earth.

I knew they were cruel. Maybe I felt … sorry for him.” I snort. “Sorry for me? I could’ve handled those guys.” “They smashed the back of your head in with a board from my house.

I built up these lumber piles of love, and with fourteen boards each I built little houses, so that your eyes, which I adore and sing to, might live in them. Now that I have declared the foundations of my love, I surrender this century to you: wooden sonnets that rise only because you gave them life.

That's what is wrong. Jesus commands us to carry on his work, no matter at what cost in privation, pain, and hazard of life; and all we've accomplished is a free boarding-house and loafing-place for anybody who will say, "I believe.

She is embarrassed to be alive and no one on earth can fully console her.

And now my old dog is dead, and another I had after him, and my parents are dead, and that first world, that old house, is sold and lost, and the books I gathered there lost, or sold- but more books bought, and in another place, board by board and stone by stone, like a house, a true life built, and all because I was steadfast about one or two things: loving foxes, and poems, the blank piece of paper, and my own energy- and mostly the shimmering shoulders of the world that shrug carelessly over the fate of any individual that they may, the better, keep the Niles and Amazons flowing.

At least I want to get up early one more morning, before sunrise. Before the birds, even. I want to throw cold water on my face and be at my work table when the sky lightens and smoke begins to rise from the chimneys of the other houses. I want to see the waves break on this rocky beach, not just hear them break as I did in my sleep. I want to see again the ships that pass through the Strait from every seafaring country in the world - old, dirty freighters just barely moving along, and the swift new cargo vessels painted every color under the sun that cut the water as they pass. I want to keep an eye out for them. And for the little boat that plies the water between the ships and the pilot station near the lighthouse. I want to see them take a man off the ship and put another one up on board. I want to spend the day watching this happen and reach my own conclusions. I hate to seem greedy - I have so much to be thankful for already. But I want to get up early one more morning, at least. And go to my place with some coffee and wait. Just wait, to see what's going to happen.

Depression was like wearing tinted glasses and looking through them changed one's perception dramatically. A fancy new house could be construed as a bunch of boards nailed together.

Tonight feels like a board game co-designed by M. C. Escher on a bender and Stephen King in a fever.

I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned

I made these sonnets out of wood; I gave them the sound of that opaque pure substance, and that is how they should reach your ears. Walking in forests or on beaches, along hidden lakes, in latitudes sprinkled with ashes, you and I have picked up pieces of pure bark, pieces of wood subject to the comings and goings of water and the weather. Out of such softened relics, then, with hatchet and machete and pocketknife, I built up these lumber piles of love, and with fourteen boards each I built little houses, so that your eyes, which I adore and sing to, might live in them. Now that I have declared the foundations of my love, I surrender this century to you: wooden sonnets that rise only because you gave them life.

They sat on the boarding house porch and saw the sun plunge into the same crack in the earth from which the night emerged.

Our Father, thank you for letting me see this New Day. Thank you that you didn't allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank you, in the name of your Son, Jesus Christ, Amen.

I always thought fondly of Eleanor and was a little shy around her when I checked into the Boarding House. Her smile still warmed me, but now as a woman her smile also made me a little wobbly in the knees.

The chairman of the state board of medical examiners was a retired physician who thought that President Teddy Roosevelt was the only other man in the world besides himself who had not been made from a banana.

I'm a riddle in nine syllables, An elephant, a ponderous house, A melon strolling on two tendrils. O red fruit, ivory, fine timbers! This loaf's big with its yeasty rising. Money's new-minted in this fat purse. I'm a means, a stage, a cow in calf. I've eaten a bag of green apples, Boarded the train there's no getting off.

This may be hard to believe, coming from a black man, but I’ve never stolen anything. Never cheated on my taxes or at cards. Never snuck into the movies or failed to give back the extra change to a drugstore cashier indifferent to the ways of mercantilism and minimum-wage expectations. I’ve never burgled a house. Held up a liquor store. Never boarded a crowded bus or subway car, sat in a seat reserved for the elderly, pulled out my gigantic penis and masturbated to satisfaction with a perverted, yet somehow crestfallen, look on my face. But here I am, in the cavernous chambers of the Supreme Court of the United States of America, my car illegally and somewhat ironically parked on Constitution Avenue, my hands cuffed and crossed behind my back, my right to remain silent long since waived and said goodbye to as I sit in a thickly padded chair that, much like this country, isn’t quite as comfortable as it looks.

People like me who want to abolish prisons and police, however, have a vision of a different society, built on cooperation instead of individualism, on mutual aid instead of self-preservation. What would the country look like if it had billions of extra dollars to spend on housing, food, and education for all? This change in society wouldn’t happen immediately, but the protests show that many people are ready to embrace a different vision of safety and justice. When the streets calm and people suggest once again that we hire more Black police officers or create more civilian review boards, I hope that we remember all the times those efforts have failed.

The rule apparently is – once a social revolution takes place there’s no need to stoke the boiler. But I ask you: why, when this whole business started, should everybody suddenly start clumping up and down the marble staircase in dirty galoshes and felt boots? Why must we now keep our galoshes under lock and key? And put a soldier on guard over them to prevent them from being stolen? Why has the carpet been removed from the front staircase? Did Marx forbid people to keep their staircases carpeted? Did Karl Marx say anywhere that the front door of No. 2 Kalabukhov House in Prechistenka Street must be boarded up so that people have to go round and come in by the back door? What good does it do anybody? Why can’t the proletarians leave their galoshes downstairs instead of dirtying the staircase?’ ‘But the proletarians don’t have any galoshes, Philip Philipovich,’ stammered the doctor.

It's a very cheery thing to come into London by any of these lines which run high and allow you to look down upon the houses like this." I thought he was joking, for the view was sordid enough, but he soon explained himself. "Look at those big, isolated clumps of buildings rising up above the slates, like brick islands in a lead-coloured sea." "The board-schools." "Light-houses, my boy! Beacons of the future! Capsules with hundreds of bright little seeds in each, out of which will spring the wiser, better England of the future.

I lay so still in the gloom I could hear the house breathe, and the boards of the floors whispered, conniving a way to keep me here forever.

the abandoned traffic lights stare at us like empty eye sockets. Fields have gone to weed. There’s a little town of houses that have been haphazardly repaired by boards and scraps of metal.

Even after she was gone, he passed her place each day: something white in a high window - not a face, but the white belly of a pigeon beating its wings against the pane in the boarded-up house.

We're a lukewarm people for all our feast days and hard work. Not much touches us, but we long to be touched. We lie awake at night willing the darkness to part and show us a vision. Our children frighten us in their intimacy, but we make sure they grow up like us. Lukewarm like us. On a night like this, hands and faces hot, we can believe that tomorrow will show us angels in jars and that the well-known woods will suddenly reveal another path. Last time we had a bonfire, a neighbour tried to pull down the boards of his house. [...] I sometimes wonder why none of us tried to stop him. I think we wanted him to do it, to do it for us. To tear down our long-houred lives and let us start again. Clean and simple with open hands.

I never see a ship sailing out of the channel, or a gull soaring over the sand-bar, without wishing I were on board the ship or had wings, not like a dove 'to fly away and be at rest,’ but like a gull, to sweep out into the very heart of the storm.

Then there's no point in our being logical, is there?" said Jonathan... "What do you mean?" said Lewis and Mrs. Zimmerman at the same time. "I mean," he said patiently, "that we're no good at that sort of game. Our game is wild swoops, sudden inexplicable discoveries, cloudy thinking. Knights' jumps instead of files of rooks plowing across the board. So we'd better play our way if we expect to win.

The day, a compunctious Sunday after a week of blizzards, had been part jewel, part mud. In the midst of my usual afternoon stroll through the small hilly town attached to the girls' college where I taught French literature, I had stopped to watch a family of brilliant icicles drip-dripping from the eaves of a frame house. So clear-cut were their pointed shadows on the white boards behind them that I was sure the shadows of the falling drops should be visible too. But they were not. ("The Vane Sisters")

I took a breath. Back in that house, on a good day. Stripes of sunshine on the carpet, a board game set out on the floor, a pair of dice, two brightly colored counters. A day with more ladders than snakes.

The body lay outside an abandoned, boarded-up theater. The theater had started as a first-run movie house, many years back when the neighborhood had still been fashionable. As the neighborhood began rotting, the theater began showing second-run films, and then old movies, and finally foreign-language films.

When one day fate visits us again, Jessa comes running into Hannah’s house to tell us the news that they’ve caught the serial killer. Her tone is hushed and I try hard not to look at Jude, who is working on the skirting boards. But I can feel the humour in his gaze as it falls on me and I know that I will never live down the fact that I suspected him. When I ask her, “Who?” slightly curious, she’s already out the door looking for Hannah and Tate. “No one important!” she shouts from the other room. “Just some postman in Yass.” I look at Jude’s face and I see it whiten and we vow never ever to tell the others.

It is a lesson of the sixties: liberals get in the biggest political trouble - whether instituting open housing, civilian compliant review boards, or sex education programs - when they presume that a reform is an inevitable comcomitant of progress. It is then they are most likely to establish their reforms by top-down bureaucratic means. A blindsiding backlash often ensues.

It appeared in the bar window next morning. It read: THIS HOUSE IS FOR ENGLISHMEN AND COLOURED AMERICAN TROOPS ONLY

Some part of me remembers what snow is, but this is the first time my new mind has seen it. It softens the crumbled sidewalks and turns rusty rooftops white. It’s beautiful. It crunches under my feet as I move toward the house, longing to understand.

This is why many liberals have fallen into the trap of seeing integration in merely aesthetic terms, where a token number of Negroes adds color to a white-dominated power structure. They say, “Our union is integrated from top to bottom, we even have one Negro on the executive board”; or “Our neighborhood is making great progress in integrated housing, we now have two Negro families”; or “Our university has no problem with integration, we have one Negro faculty member and even one Negro chairman of a department.

The assault on education began more than a century ago by industrialists and capitalists such as Andrew Carnegie. In 1891, Carnegie congratulated the graduates of the Pierce College of Business for being “fully occupied in obtaining a knowledge of shorthand and typewriting” rather than wasting time “upon dead languages.” The industrialist Richard Teller Crane was even more pointed in his 1911 dismissal of what humanists call the “life of the mind.” No one who has “a taste for literature has a right to be happy” because “the only men entitled to happiness… is those who are useful.” The arrival of industrialists on university boards of trustees began as early as the 1870s and the University of Pennsylvania’s Wharton School of Business offered the first academic credential in business administration in 1881. The capitalists, from the start, complained that universities were unprofitable. These early twentieth century capitalists, like heads of investment houses and hedge-fund managers, were, as Donoghue writes “motivated by an ethically based anti-intellectualism that transcended interest in the financial bottom line. Their distrust of the ideal of intellectual inquiry for its own sake, led them to insist that if universities were to be preserved at all, they must operate on a different set of principles from those governing the liberal arts.

daughter of the servants.” “Gee, you must have been lonely, Judge, having nobody to play with.” “I played with Sam Westing—chess. Hour after hour I sat staring down at that chessboard. He lectured me, he insulted me, and he won every game.” The judge thought of their last game: She had been so excited about taking his queen, only to have the master checkmate her in the next move. Sam Westing had deliberately sacrificed his queen and she had fallen for it. “Stupid child, you can’t have a brain in that frizzy head to make a move like that.” Those were the last words he ever said to her. The judge continued: “I was sent to boarding school when I was twelve. My parents visited me at school when they could, but I never set foot in the Westing house again, not until two weeks ago.” “Your folks must have really worked hard,” Sandy said. “An education like that costs a fortune.” “Sam Westing paid for my education. He saw that I was accepted into the best schools, probably arranged for my first job, perhaps more, I don’t know.” “That’s the first decent thing I’ve heard about the old man.” “Hardly decent, Mr. McSouthers. It was to Sam Westing’s advantage to have a judge in his debt. Needless to say, I have excused myself from every case remotely connected with

He’s never seen men so content as when they have to abandon the menial tasks put on them by their nine-to-fives to come home and board up their houses, to leave what does not matter to protect what does.

Perhaps tomorrow I shall pick up one of the houses, any one, and, holding it gently in one hand, pull it carefully apart with my other hand, with great delicacy taking the pieces of it off one after another: first the door and then, dislodging the slight nails with care, the right front corner of the house, board by board, and then, sweeping out the furniture inside, down the right wall of the house, removing it with care and not touching the second floor, which should remain intact even after the first floor is entirely gone. Then the stairs, step by step, and all this while the mannikins inside run screaming from each section of the house to a higher and a more concealed room, crushing one another and stumbling and pulling frantically, slamming doors behind them while my strong fingers pull each door softly off its hinges and pull the walls apart and lift out the windows intact and take out carefully the tiny beds and chairs; and finally they will be all together like seeds in a pomegranate, in one tiny room, hardly breathing, some of them fainting, some crying, and all wedged in together looking in the direction from which I am coming, and then, when I take the door off with sure careful fingers, there they all will be, packed inside and crushed back against the wall, and I shall eat the room in one mouthful, chewing ruthlessly on the boards and the small sweet bones.

Knightley Academy stood out against the moonlight in silhouette, a ramshackle collection of chimneys, turrets and gables. Both boys stopped to take in the sight of the manicured lawns and tangled woods, the soaring chapel and the ivy-covered brick of the headmaster's house. They were home. For this, Henry felt, was home. Not some foreign castle encircled by guard towers, but this cozy, bizarre assortment of buildings with its gossiping kitchen maids and eccentric professors and clever students.

Madeleine Rose Manchester had absolutely no intention of invading the White House. But she knew seven different ways she could do it if she'd wanted to. After all, Logan had lived there less than a year, and already he and Maddie had found four tunnels, two pseudo-secret passageways, and a cabinet near the kitchen that smelled faintly of cheese and only partially blocked an old service elevator that really wasn't as boarded up as everybody thought.

In Britain I found things to be very different. I have yet to meet a single English person who has actually admitted to anti-negro prejudice. It is even generally believe that no such thing exists here. A negro is free to board any bus or train and sit anywhere, provided he has paid the appropriate fare. The fact that many people might pointedly avoid sitting near to him is casually overlooked. He is free to seek accommodation in any licensed hotel or boarding house - the courteous refusal which frequently follows is never ascribed to prejudice. The betrayal I now felt was greater because it had been perpetuated with the greatest of charm and courtesy.

The house smelled like fireplace kindling, and hot water in old brass pipes - like metal melting into wood and becoming something all its own. It smelled like his childhood. Like chaos and terror and oatmeal cookies and lamb stew, and nighttime in front of that drafty front window. And the smell of it brought back thoughts, long past, about escaping from inside the walls and evoked the helplessness of every board that kept the place upright.

Henry lived in a boarding-house in Guildford Street.

My father, Tom Sheeran, would borrow a big old clumsy car with a running board.

Would he ever, he wondered, escape from people who banged on the doors he locked to demand his egress?

...Cupid, who never shoots with a surer aim than through the steam of boarding-house hash, sniped him where he sat.

None of us knew that we were poor, so we didn’t feel hard done by, we had nothing and yet we took pleasure in the smallest of things.

This is an old house. Among the oldest in the area, a white clapboard former farmhouse built in 1748. Fart on the porch and it rattles a floor board in the attic. -Dice (Swoon)

Every small town has at least one house the children whisper about; the type of house that has always been abandoned; where the once pristine white paint has faded to a grimy gray; where the windows are boarded, and the lawn never grows; where children hold their breath and close their eyes as they pass by. A house that sounds like it contains an army of whispering spirits when the wind whistles through the nearby trees. In the town of Blackwood, that house could be found on Creep Street. It had stood there as long as he could remember.

The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder, and, though lank, had the dilating powers of an anaconda; but to help out his maintenance, he was, according to country custom in those parts, boarded and lodged at the houses of the farmers whose children he instructed.

I trust a good deal to common fame, as we all must. If a man has good corn, or wood, or boards, or pigs, to sell, or can make better chairs or knives, crucibles or church organs, than anybody else, you will find a broad hard-beaten road to his house, though it be in the woods.

There is something memorable in the experience to be had by going to a fair ground that stands at the edge of a Middle Western town on a night after the annual fair has been held. The sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people. Here, during the day just passed, have come the people pouring in from the town and the country around. Farmers with their wives and children and all the people from the hundreds of little frame houses have gathered within these board walls. Young girls have laughed and men with beards have talked of the affairs of their lives. The place has been filled to overflowing with life. It has itched and squirmed with life and now it is night and the life has all gone away. The silence is almost terrifying. One conceals oneself standing silently beside the trunk of a tree and what there is of a reflective tendency in his nature is intensified. One shudders at the thought of the meaningless of life while at the same instant, and if the people of the town are his people, one loves life so intensely that tears come into the eyes.

one moment and bright the next. "When the manager, escorted by the pilgrims, all of them armed to the teeth, had gone to the house, this chap came on board. 'I say, I don't like this. These natives are in the bush,' I said. He assured me earnestly it was all right. 'They are simple

When she turns out the light the dark is rich and complete. The house breathes about her like a person, boards groaning, releasing the stored heat of the day. Stars peer through the window.

I feel like a shipwreck. A house fire nothing but bodies can be pulled from. So full of gaping boards and fallen walls that some days, there doesn't even seem a foundation worth rebuilding upon.

The house remembered her. Laurel did not consider herself a romantic, but the sense was so strong that for a moment she had no trouble believing that the combination before her of wooden boards and red chimney bricks, or dappled roof tiles and gabled windows at odd angles, was capable of remembrance.

She sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board.

Our Father, thank you for letting me see this New Day. Thank you that you didn't allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank

A little boy and his grandfather are raking leaves in the yard. The little boy sees an earthworm trying to get back into its hole. He says, "Grandpa, I bet I can put that worm back in that hole." The grandfather replies, "I'll bet you five dollars you can't. It's too wiggly and limp to put back in that tiny hole." The little boy runs into the house and comes back out with a can of hair spray. He sprays the worm until it is straight and stiff as a board. The boy then proceeds to slip the dying worm back into the hole. The grandfather hands the little boy five dollars, grabs the hair spray and runs into the house. Thirty minutes later the grandfather comes back out and hands the boy another five dollars. The little boy says, "Grandpa, you already gave me five dollars." The grandfather replies, "I know. That's from Grandma. ♦◊♦◊♦◊♦

Scattered among these things are reminders that sound once existed: a metronome, a drumming pad, a guitar pick, a trumpet mouthpiece, a music stand, a tuning fork, a block of rosin...The older instruments bear the marks of those who have already played them, the scuffs and bites and dents that are the mysterious scars of sound. In their midst the house hangs, tenuous and enveloping, a sounding board waiting to be struck.

[The intellect of fallen man] may be compared to a buzz-saw that is sharp and shining, ready to cut the boards that come to it. Let us say that a carpenter wishes to cut fifty boards for the purpose of laying the floor of a house. He has marked his boards. He has set his saw. He begins at one end of the mark on the board. But he does not know that his seven-year-old son has tampered with the saw and changed its set. The result is that every board he saws is cut slantwise and thus unusable because too short except at the point where the saw made its first contact with the wood. As long as the set of the saw is not changed, the result will always be the same. So also whenever the teachings of Christianity are presented to the natural man, they will be cut according to the set of sinful human personality.

I felt, suddenly, pinned in place. Without breath. Without time or motion - like a butterfly stuck to a board with a needle through its thorax. What is anger, anyway? What does anger do? My mother was not an angry person. Or at least I don't think she was. My aunt was so angry that it became too much for her own body. It destroyed her house and swallowed her husband and left a broken family behind. I didn't want that, but I didn't know what to do with my anger. I felt the wold shake, and I felt my skin burn, and I let out a volcano of words that rattled my teeth as they came out.

Our brain is a circuit board with neurons and terminals ready to be wired. We are born free, then programmed to obey our parents, to tell the truth, pass exams, pursue and achieve, love and propagate, age and fade unfulfilled and uncertain what it has all been for. We swallow the operating system with our mother's milk and sleepwalk into the forest of consumer illusion craving shoes, houses, cars, magazines, experiences that endorse our preconceived dreams and opinions. We grow into our parents. We becomes clones, robots, matchstick men thinking and saying the same, feeling the same, behaving the same, appreciating in books and films and art shows those things we already recognize and understand.

It makes me feel that rather than worrying and theorising about the state of the world, which helps no one, I should put my energy into living and being happy. When I try to picture for myself what a happy life might look like, the picture hasn't changed very much since I was a child-a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that's all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth. What else is life for?

Even the most traditional Indians, the ones who'd kept the old ceremonies alive in secret, either had Catholicism beaten into them in boarding school...or they had decided to hedge their bets by adding the saints to their love of the sacred pipe.

The stallion paid not the slightest attention to him. The gray ran with his ears back, his teeth snapping in rage between the boards because he knew the stallion’s savage intent, and could do nothing to keep him from the black horse beyond. The gelding stopped when he came to the end of his enclosure. He neighed loudly and incessantly, knowing this was the only useful thing he could do. But his warnings of the disturbed peace were deadened by the force of the wind. The house and barn remained dark. Turning from the dirt road, the tall stallion ran down the corridor between the paddocks. Every possible precaution had been taken to make the paddocks foolproof, to keep one stallion from another, to forestall just such an emergency as this. The

Use all the stars we have in stock; Of water, fire,walls of rock, And beasts and birds there is no lack. In our narrow house of boards, bestride The whole creation, far and wide; Move thoughtfully, but fast as well, From heaven through the world to hell

It was Nurse Caroline who introduced Homer to young Dr. Harlow, who was in the throes of growing out his bangs; a cowlick persisted in making his forehead look meager; a floppy shelf of straw-colored hair gave Dr. Harlow’s eyes the constant anxiousness of someone peering from under the brim of a hat. ‘Oh yes, Wells – our ether expert,’ Dr. Harlow said snidely. ‘I grew up in an orphanage,’ said Homer Wells. ‘I did a lot of helping out around the hospital.’ ‘But surely you never administered any ether?’ said Dr. Harlow. ‘Surely not,’ lied Homer Wells. As Dr. Larch had discovered with the board of trustees, it was especially gratifying to lie to unlikable people.

There is no such thing as a hyphenated American who is a good American.  The only man who is a good American is the man who is an American and nothing else.  We are a nation, not a hodge-podge of foreign nationalities.  We are a people, and not a polyglot boarding house.

For what can give a finer example of that frankness and manly self- confidence which our great public schools, and none of them so much as Eton, are supposed to inspire, of that buoyant ease in holding up one's head, speaking out what is in one's mind, and flinging off all sheepishness and awkwardness, than to see an Eton assistant-master offering in fact himself as evidence that to combine boarding-house- keeping with teaching is a good thing, and his brother as evidence that to train and race little boys for competitive examinations is a good thing?

Experience soon taught me never to write about anything important to me - the Māoris, animals, the unemployed men, the empty boarded-up houses that frightened me. The subsequent trampling of my sensibilities would have destroyed me. Soon everything I wrote came only from my imagination.

Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.

When you're and only child in a family with an only parent, you look at other, bigger families with envy. Mary Alice had a family with a station wagon, a split-level house, and a pool. But then I looked up and saw Mary Alice's toes, as she stood at the edged of the diving board. Her second toe lay on top of her big toe on each foot. I had never seen such a thing. I wondered if Mary Alice's toes would ever prevent her from doing the things she wanted to do in life. "Look, y'all!" she said, forming her perfect body into a perfect swan's dive. I decided then that any time I got frustrated with my overall situation in life, mad or jealous of knee socks or a pink canopy bed in a pink room, I'd take a deep breath and think about Mary Alice's toes. At least I didn't have Mary Alice's toes.

I'm a riddle in nine syllables, An elephant, a ponderous house, A melon strolling on two tendrils. O red fruit, ivory, fine timbers! This loaf's big with its yeasty rising. Money's new-minted in this fat purse. I'm a means, a stage, a cow in calf. I've eaten a bag of green apples, Boarded the train there's no getting off.

Many white Northerners wielded their power and voting pressure at home, even as they might have pressed for desegregation in the South, understanding that you didn't need a governor at a schoolhouse door if you had the Board of Education officials constantly readjusting school zoning lines to maintain segregated schools. You didn't need a burning cross if the bank used maps made by the Federal Housing Authority to mark Black neighborhoods as "dangerous" for investment and deny Black people home loans. You didn't need white vigilantes if the police were willing to protect and serve certain communities while containing and controlling others.

The hanging gate, of something like trelliswork, was propped on a pole, and he could see that the house was tiny and flimsy. He felt a little sorry for the occupants of such a place--and then asked himself who in this world had a temporary shelter. [Anonymous, Kokinshuu 987: Where in all this world shall I call home? A temporary shelter is my home.] A hut, a jeweled pavilion, they were the same. A pleasantly green vine was climbing a board wall. The white flowers, he said to himself, had a rather self-satisfied look about them. 'I needs must ask the lady far yonder," he said, as if to himself. [Anonymous, Kokinshuu 1007: I needs must ask the lady far yonder What flower it is off there that blooms so white.] An attendant came up, bowing deeply. "The white flowers far off yonder are known as 'evening faces," he said. "A very human sort of name--and what a shabby place they have picked to bloom in." It was as the man said. The neighborhood was a poor one, chiefly of small houses. Some were leaning precariously, and there were "evening faces" at the sagging eaves. A hapless sort of flower. Pick one off for me, will you?" The man went inside the raised gate and broke off a flower. A pretty little girl in long, unlined yellow trousers of raw silk came out through a sliding door that seemed too good for the surroundings. Beckoning to the man, she handed him a heavily scented white fan. Put it on this. It isn't much of a fan, but then it isn't much of a flower either.

Dr. Gingrich and Mrs. Goodhall had prevailed upon the board of trustees; the board had requested that Larch comply with Dr. Gingrich’s recommendation of a ‘follow-up report’ on the status of each orphan’s success (or failure) in each foster home. If this added paperwork was too tedious for Dr. Larch, the board recommended that Larch take Mrs. Goodhall’s suggestion and accept an administrative assistant. Don’t I have enough history to attend to, as is? Larch wondered. He rested in the dispensary; he sniffed a little ether and composed himself. Gingrich and Goodhall, he said to himself. Ginghall and Goodrich, he muttered. Richhall and Ginggood! Goodring and Hallrich! He woke himself, giggling. ‘What are you so merry about?’ Nurse Angela said sharply to him from the hall outside the dispensary. ‘Goodballs and Ding Dong!’ Wilbur Larch said to her.

She read absorbedly books found in boarding-house parlours, in hotels, in such public libraries as the times afforded. She was alone for hours a day, daily. Frequently her father, fearful of loneliness for her, brought her an armful of books and she had an orgy, dipping and swooping about among them in a sort of gourmand's ecstasy of indecision. In this way, at fifteen, she knew the writings of Byron, Jane Austen, Dickens, Charlotte Bronte, Felicia Hemans. Not to speak of Mrs. E.D.E.N. Southworth, Bertha M. Clay, and that good fairy of the scullery, the Fireside Companion, in whose pages factory girls and dukes were brought together as inevitably as steak and onions. These last were, of course, the result of Selina's mode of living, and were loaned to her by kind-hearted landladies, chambermaids, and waitresses all the way from California to New York.

But when she saw Evie at the entrance of the restaurant, staring fiercely at nothing after the fashion of athletic women, her heart failed her anew. Miss Wilcox had changed perceptibly since her engagement. Her voice was gruffer, her manner more downright, and she was inclined to patronize the more foolish virgin. Margaret was silly enough to be pained at this. Depressed at her isolation, she saw not only houses and furniture, but the vessel of life slipping past her, with people like Evie and Mr. Cahill on board.

His principle can be quite simply stated: he refuses to die while he is still alive. He seeks to remind himself, by every electric shock to the intellect, that he is still a man alive, walking on two legs about the world. For this reason he fires bullets at his best friends; for this reason he arranges ladders and collapsible chimneys to steal his own property; for this reason he goes plodding around a whole planet to get back to his own home; and for this reason he has been in the habit of taking the woman whom he loved with a permanent loyalty, and leaving her about (so to speak) at schools, boarding-houses, and places of business, so that he might recover her again and again with a raid and a romantic elopement. He seriously sought by a perpetual recapture of his bride to keep alive the sense of her perpetual value, and the perils that should be run for her sake.

She had such faith in everyone she met, and it felt criminal to let her down.

It is all right, Camilla Frost,” he said. “I know of the danger now. I am better able to protect—” His voice cracked. “All of those I love.

She wasn't used to being the kind of woman whose house had a study. It sounded to her like she lived on the damned Clue board.

Allen Dulles was even a member of the advisory board of Scholastic Magazines, whose publications were distributed to schoolchildren throughout the country.

A man says: "I love you - will you marry me?" What he really means is: "Will you come to look after my house, do my mending, bear my children, bring them up, cook for me when necessary, and see that the plumbing is in perfect order? I shall give you board and clothes, though you may have to speak several times about the clothes, and an occasional pat on the cheek.

And across the water, you would swear you could sniff it all; the cinnamon and the cloves, the frankincense and the honey and the licorice, the nutmeg and citrons, the myrrh and the rosewater from Persia in keg upon keg. You would think you could glimpse, heaped and glimmering, the sapphires and the emeralds and the gauzes woven with gold, the ostrich feathers and the elephant tusks, the gums and the ginger and the coral buttons mynheer Goswin the clerk of the Hanse might be wearing on his jacket next week. . . . The Flanders galleys put into harbor every night in their highly paid voyage from Venice, fanned down the Adriatic by the thick summer airs, drifting into Corfu and Otranto, nosing into and out of Sicily and round the heel of Italy as far as Naples; blowing handsomely across the western gulf to Majorca, and then to the north African coast, and up and round Spain and Portugal, dropping off the small, lucrative loads which were not needed for Bruges; taking on board a little olive oil, some candied orange peel, some scented leather, a trifle of plate and a parrot, some sugar loaves.

Our Father, thank you for letting me see this New Day. Thank you that you didn't allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank you, in the name of your Son, Jesus Christ, Amen.” Before

Instead of going into the bar, where dark shadows sat sampling the tasty waters of oblivion, he had gone to Al Shockley’s house. The Board’s vote had been six to one. Al had been the one.

She was an old-fashioned woman. She had the calm of frequentation; she belonged to this house and it to her. Though she was a prisoner in it, she possessed it. She and it were her marriage. She was indwelling in every board and stone of it: every fold in the curtains had a meaning (perhaps they were so folded to hide a darn or stain); every room was a phial of revelation to be poured out some feverish night in the secret laboratories of her decisions, full of living cancers of insult, leprosies of disillusion, abscesses of grudge, gangrene of nevermore, quintan fevers of divorce, and all the proliferating miseries, the running sores and thick scabs, for which (and not for its heavenly joys) the flesh of marriage is so heavily veiled and conventually interned.

Darlington lay in his narrow bed, writing and rewriting angry emails in his head to the Manuscript alumni and the Lethe board, losing the thread, overwhelmed by images of Alex lit by stars, the thought of that black dress sliding from her shoulders, then returning to his rant and a demand for action. The words tangled together, caught on the spokes of a wheel, the points of a crown. But one thought returned again and again as he tossed and turned, fell in and out of dreams, morning light beginning its slow bleed through the high tower window: Alex Stern was not what she seemed.

Next time you leave the house, think about who might be watching you. Do you pass a traffic camera? Do the shops you go to have security cameras? Is there a camera on board your train or bus? What about in your school? The cafes and restaurants where you eat? Street corners? Subways? And who is on the other side of that camera? A private security guard? The police? The government? How can you tell?

When dusk at last comes it comes from the corners, where it’s been waiting all day and seeps through Slough House the way ink seeps through water; first casting tendrils, then becoming smoky black cloud and at last being everywhere, the way it always wants to be. Its older brother night has broader footfall, louder voice, but dusk is the family sneak, a hoarder of secrets. In each of the offices it prowls by the walls, licking the skirting boards, testing the pipes and out on the landings it fondles doorknobs, slips through keyholes, and is content. It leans hard against the front door – which never opens, never closes –and pushes softly on the back, which james in all weathers; it presses down on every stair at once, making none of them creak, and peers through both sides of each window. In locked drawers it hunts for its infant siblings, and with everyone it finds it grows a little darker. Dusk is a temporary creature, and always has been. The faster it feeds, the sooner it yields to the night.

After chopping off all the arms that reached out to me; after boarding up all the windows and doors; after filling all the pits with poisoned water; after building my house on the rock of a No inaccessible to flattery and fear; after cutting out my tongue and eating it; after hurling handfuls of silence and monosyllables of scorn at my loves; after forgetting my name and the name of my birthplace and the name of my race; after judging and sentencing myself to perpetual waiting and perpetual loneliness, I heard against the stones of my dungeon of syllogisms the humid, tender, insistent onset of spring.

Carlo’s basement apartment was on Grant Street in an old red-brick rooming house near a church. You went down an alley, down some stone steps, opened an old raw door, and went through a kind of cellar till you came to his board door. It was like the room of a Russian saint: one bed, a candle burning, stone walls that oozed moisture, and a crazy makeshift ikon of some kind that he had made. He read me his poetry.

In the weeks after the flood, the Humane Society of the United States organized the biggest animal rescue in history. Hundreds of volunteers from all over the country came to New Orleans. They broke into boarded-up houses, plucked dogs and cats from rooftops and trees, and even rescued pigs and goats. Many animals were reunited with their owners. Others were sent to shelters across America to be adopted by new families.

Suddenly I feel I am in the space between two breaths, in the moment of time it takes to stretch out a hand to another person, in the second when the heart beats and braces itself to beat again. I stand and wait with nothing to wait for. Am I on board a ship at sea, in a house in a park, in a town in a country? Is nothing changed, can everything be swept away as a dream is swept out of the conscious mind in the morning?

Even with a Democratic president behind the Civil Rights Act of 1964, a far larger percentage of Republicans than Democrats voted for it. Eminent Democratic luminaries voted against it, including Senators Ernest Hollings, Richard Russell, Sam Ervin, Albert Gore Sr., J. William Fulbright (Bill Clinton’s mentor) and of course, Robert Byrd. Overall, 82 percent of Senate Republicans supported the Civil Rights Act of 1964, compared to only 66 percent of Democrats. In the House, 80 percent of Republicans voted for it, while only 63 percent of Democrats did. Crediting Democrats for finally coming on board with Republicans civil rights policies by supporting the 1964 act would be nearly as absurd as giving the Democrats all the glory for Regan’s 1981 tax cuts - which passed with the support of 99 percent of Republicans but only 29 percent of Democrats.

Titus, operating under the terms of the more modest package that he had negotiated with Gwen, which included room, board, and at the end of his own Candy Land path, the ambiguous pink-frosting-roofed gingerbread house of a family to love him and fuck him up, instantly got out of the car, observed the agreed-upon conventions of civilized intercourse among strangers, and got back into the car. The boy was still visiting their planet from his own faraway home world, but Archy figured that with time, he would adjust to the local gravity and microbes. Keeping close to the baby most of the time, as if Clark were the object he had crossed the stellar void to study.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

Protests and looting naturally capture attention. But the real rage smolders in meetings where officials redraw precincts to dilute African American voting strength or seek to slash the government payrolls that have long served as sources of black employment. It goes virtually unnoticed, however, because white rage doesn’t have to take to the streets and face rubber bullets to be heard. Instead, white rage carries an aura of respectability and has access to the courts, police, legislatures, and governors, who cast its efforts as noble, though they are actually driven by the most ignoble motivations. White rage recurs in American history. It exploded after the Civil War, erupted again to undermine the Supreme Court’s Brown v. Board of Education decision, and took on its latest incarnation with Barack Obama’s ascent to the White House. For every action of African American advancement, there’s a reaction, a backlash. The

Just like our forefathers in Boston Harbor, who boarded a British ship to let the king know they would have none of his tyrannical rule, this man boarded the pirate ship called the IRS, and let the repressive government, the unfeeling government that is embodied by the man who inhabits the building over there," Hamilton said, pausing and pointing to the White House, a few blocks away. "This courageous man let that evil government know he would no longer suffer under its indifference. Would no longer tolerate taxation without representation. Would no longer accept the injustice and indignity met out by that government organization." From TAX BREAK, written in 1991, but sounding like today's politics.

He was new to London in those days, and he had not liked it. He had not cared for the intensity of the traffic, or the underground trains that were full of a human smell and of people who lit up tipped cigarettes and pushed with their elbows.

Even houses change, Reynie had thought, and it had caused an odd flutter in his stomach. Weren't houses supposed to represent stability? Sure, the Society had changed a lot of things about Mr. Benedict's house on purpose, but some things, Reynie realized, they had changed simply by being there. A thousand footsteps on that particular board, and now it creaked. Every member of the Society, too, bore a thousand hidden footsteps: effects of a different kind, many impossible to have predicted.

PayPal cofounder and Facebook board member Peter Thiel—really the only significant Silicon Valley voice to support Trump—was warned by another billionaire and longtime Trump friend that Trump would, in an explosion of flattery, offer Thiel his undying friendship. Everybody says you’re great, you and I are going to have an amazing working relationship, anything you want, call me and we’ll get it done! Thiel was advised not to take Trump’s offer too seriously. But Thiel, who gave a speech supporting Trump at the Republican Convention in Cleveland, reported back that, even having been forewarned, he absolutely was certain of Trump’s sincerity when he said they’d be friends for life—only never to basically hear from him again or have his calls returned.

Outside the White House, Wilson’s many notes to Germany and their replies became the target of wry humor, as when one editor wrote: “Dear Kaiser: In spite of previous correspondence on the subject another ship with American citizens on board has been sunk. Under the circumstances we feel constrained to inform you, in a spirit of utmost friendliness, that a repetition of the incident will of necessity require the dispatch of another note to your majesty’s most estimable and peace-loving government.” As

When about 16 years of age I happened to meet with a book, written by one Tryon, recommending a vegetable diet. I determined to go into it. My brother, being yet unmarried, did not keep house, but boarded himself and his apprentices in another family. My refusing to eat flesh occasioned an inconveniency, and I was frequently chid for my singularity. I made myself acquainted with Tryon's manner of preparing some of his dishes, such as boiling potatoes or rice, making hasty pudding, and a few others, and then proposed to my brother, that if he would give me, weekly, half the money he paid for my board, I would board myself. He instantly agreed to it, and I presently found that I could save half what he paid me. This was an additional fund for buying books. But I had another advantage in it. My brother and the rest going from the printing-house to their meals, I remained there alone, and, despatching presently my light repast, which often was no more than a bisket or a slice of bread, a handful of raisins or a tart from the pastry-cook's, and a glass of water, had the rest of the time till their return for study, in which I made the greater progress, from that greater clearness of head and quicker apprehension which usually attend temperance in eating and drinking.

With Petrov, everything is a zero-sum game—for Russia to rise, America must fall. Everything he’s done over the past decade has been an effort to sully and tarnish the reputation of Western democracies. Promoting Brexit, actively trying to break up the EU and NATO, turning Italy against France, stoking the fires of partisanship in the United States. And while we turn inward, trying to tame and manage the chaos Russia unleashed in our house, Petrov is systematically moving his chess pieces all over the board.

But as for the old structure of our story, its white-oak frame, and its boards, shingles, and crumbling plaster, and even the huge, clustered chimney in the midst, seemed to constitute only the least and meanest part of its reality. So much of mankind's varied experience had passed there,—so much had been suffered, and something, too, enjoyed,—that the very timbers were oozy, as with the moisture of a heart. It was itself like a great human heart, with a life of its own, and full of rich and sombre reminiscences.

Waldo Emerson wrote in his journal, “If a man has good corn, or wood, or boards, or pigs, to sell, or can make better chairs or knives, crucibles, or church organs, than anybody else, you will find a broad, hard beaten road to his house, though it be in the woods.

Every morning a great wall of fog descends upon the city of San Francisco. It begins far out at sea. It forms over the Farallons, covering the sea lions on their rocks, and then it sweeps onto Ocean Beach, filling the long green bowl of Golden Gate Park. The fog obscures the early morning joggers and the lone practitioners of tai chi. It mists up the windows of the Glass Pavilion. It creeps over the entire city, over the monuments and movie theaters, over the Panhandle dope dens and the flophouses in the Tenderloin. The fog covers the pastel Victorian mansions in Pacific Heights and shrouds the rainbow-colored houses in the Haight. It walks up and down the twisting streets of Chinatown; it boards the cable cars, making their clanging bells sound like buoys; it climbs to the top of Coit Tower until you can’t see it anymore; it moves in on the Mission, where the mariachi players are still asleep; and it bothers the tourists. The fog of San Francisco, that cold, identity-cleansing mist that rolls over the city every day, explains better than anything else why that city is what it is.

The poor who have neither property, friends, nor strength to labor are boarded in the houses of good farmers, to whom a stipulated sum is annually paid. To those who are able to help themselves a little or have friends from whom they derive some succor, inadequate however to their full maintenance, supplementary aids are given which enable them to live comfortably in their own houses or in the houses of their friends. Vagabonds without visible property or vocation, are placed in work houses, where they are well clothed, fed, lodged, and made to labor

Rather than love, than money, than fame, give me truth. I sat at a table where were rich food and wine in abundance, and obsequious attendance, but sincerity and truth were not; and I went away hungry from the inhospitable board. The hospitality was as cold as the ices. I thought that there was no need of ice to freeze them. They talked to me of the age of the wine and the fame of the vintage; but I thought of an older, a newer, and purer wine, of a more glorious vintage, which they had not got, and could not buy. The style, the house and grounds and "entertainment" pass for nothing with me. I called on the king, but he made me wait in his hall, and conducted like a man incapacitated for hospitality. There was a man in my neighborhood who lived in a hollow tree. His manners were truly regal. I should have done better had I called on him.

For years it seemed to me that this period had become a recurrent nightmare that I had almost every night, because I would wake in the morning feeling the same terror I had felt in the room with the saint. During my adolescence, when I was a student at an icy boarding school in the Andes, I would wake up crying in the middle of the night. I needed old age without remorse to understand that the misfortune of my grandparents in the house in Catasa was that they were always mired in their nostalgic memories, and the more they insisted on conjuring them, the deper they sank.

She had views on virtue, pride, downfalls, human careers, the habits of cats, fish, the clergy, diplomats, soldiers, women of easy virtue, Saint Eustachius, President Grévy, the purveyors of comestibles, custom-house officers, pharmacists, Lyons silk weavers, the keepers of boarding-houses, garotters, chocolate-manufacturers, sculptors other than M. Casimir-Bar, the lovers of married women, housemaids.… Her mind in fact was like a cupboard, stuffed, packed with the most incongruous materials, tools, vessels, and débris. Once the door was opened you never knew what would tumble out or be followed by what.

One also, in our milieu, simply didn't meet enough Americans to form an opinion. And when one did—this was in the days of crew-cuts and short-legged pants—they, too, often really did sport crew-cuts and trousers that mysteriously ended several inches short of the instep. Why was that? It obviously wasn't poverty. A colleague of my father's had a daughter who got herself married and found that an American friend she had met on holiday had offered to pay the whole cost of the nuptial feast. I forget the name of this paladin, but he had a crew-cut and amputated trouser-bottoms and a cigar stub and he came from a place called Yonkers, which seemed to me a ridiculous name to give to a suburb. (I, who had survived Crapstone… ) Anyway, once again one received a Henry Jamesian impression of brash generosity without overmuch refinement. There was a boy at my boarding school called Warren Powers Laird Myers, the son of an officer stationed at one of the many U.S. Air Force bases in Cambridgeshire. Trousers at The Leys School were uniform and regulation, but he still managed to show a bit of shin and to buzz-cut his hair. 'I am not a Yankee,' he informed me (he was from Norfolk, Virginia). 'I am a CON-federate.' From what I was then gleaning of the news from Dixie, this was unpromising. In our ranks we also had Jamie Auchincloss, a sprig of the Kennedy-Bouvier family that was then occupying the White House. His trousers managed to avoid covering his ankles also, though the fact that he shared a parent with Jackie Kennedy meant that anything he did was accepted as fashionable by definition. The pants of a man I'll call Mr. 'Miller,' a visiting American master who skillfully introduced me to J.D. Salinger, were also falling short of their mark. Mr. Miller's great teacher-feature was that he saw sexual imagery absolutely everywhere and was slightly too fond of pointing it out [...]. Meanwhile, and as I mentioned much earlier, the dominant images projected from the United States were of the attack-dog-and-firehose kind, with swag-bellied cops lying about themselves and the political succession changed as much by bullets as by ballots.

Imagine for a moment that I live right here, was born here, that my parents always have had a shop here, and on Boulevard du Temple there’s a bistro with a nice young waitress—I’ll be there. Imagine that there’s no such thing as Eastern Europe, no cellars for hiding neighbors, no transports, no round-ups, never any dreams of going from house to house—for a moment suppose it looks like this: a cat stretches its neck in sunlight on a porch, a secret game of chess unfolds between the waitress and that guy. He tracks her moves, she brings him coffee, as if by chance her hip jostles the board. T. Różycki, Colonies translated by Mira Rosenthal

Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.

Get married and have halfbreed babies, manuscripts, home¬spun blankets and mother’s milk on your happy ragged mat floor like this one. Get yourself a hut house not too far from town, live cheap, go ball in the bars once in a while, write and rumble in the hills and learn how to saw boards and talk to grandmas you damn fool, carry loads of wood for them, clap your hands at shrines, get supernatural favors, take flower-arrangement lessons and grow chrysanthemums by the door, and get married for krissakes, get a friendly smart sensitive human-being gal who don’t give a shit for martinis every night and all that dumb white machinery in the kitchen.

These words I speak to you are not incidental additions to your life, homeowner improvements to your standard of living. They are foundational words, words to build a life on. If you work these words into your life, you are like a smart carpenter who built his house on solid rock. Rain poured down, the river flooded, a tornado hit—but nothing moved that house. It was fixed to the rock. But if you just use my words in Bible studies and don’t work them into your life, you are like a stupid carpenter who built his house on the sandy beach. When a storm rolled in and the waves came up, it collapsed like a house of cards.” — MATTHEW 7:24-27 (THE MESSAGE

Still, it was up to her to lure her victim to the rocky shore of loss by appealing to his vanity and challenging his manly pride.She smiled at herself in the mirror. "It isn't perfect, but 'twill have to do." "Och,miss! Ye look as pretty as a princess." Mary opened the door and stood to one side. "Careful going down the stairs; yer pa pried up a board in the third step." "On the steps? Someone could get injured." "So he's hopin'." Sophia frowned. "I'll have Angus fix it. I want MacLean to hate the house, not die in it." "Men never think,miss. 'Tis a sad fact 'o life." "Tell me about it," Sophia muttered. "Wish me luck. I've heard a lot about MacLean,none of it good.

There is something memorable in the experience to be had by going into a fair ground that stands at the edge of a Middle Western town on a night after the annual fair has been held. The sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people. Here, during the day just passed, have come the people from hundreds of little frame houses have gathered within these board walls. Young girls have laughed and men with beards have talked of the affairs of their lives. The place has been filled to overflowing with life. It has itched and squirmed with life and now it is night and the life has all gone away. The silence is almost terrifying. One conceals oneself standing silently beside the trunk of a tree and what there is of a reflective tendency in his nature is intensified. One shudders at the thought of the meaninglessness of life while at the same instant, and if the people of the town are his people, one loves life so intensely that tears come into the eyes.

How was she to know that Carmen had stood at the back door that night? That she’d seen her father’s face slowly consumed by licking flames and tiptoed back into the house? In fifteen years, Carmen would board a plane to Miami, and Dolores would never see her again. She would think it was politics that had divided her from her firstborn daughter.

Franklin Fletcher dreamed of luxury in the form of tiger-skins and beautiful women. He was prepared, at a pinch, to forgo the tiger-skins. Unfortunately the beautiful women seemed equally rare and inaccessible. At his office and at his boarding-house the girls were mere mice, or cattish, or kittenish, or had insufficiently read the advertisements.

He raised a hand in response and tossed the ear of corn into the wagon. Then he returned to his fantasy, imagining himself running the livery instead of working there, making the decisions, placing orders, selecting new horses, agreeing to board others, and hiring a boy to muck out the stalls and pitch hay. In his daydream, he no longer lived in the back room. He came home at night to a small house he’d bought with his earnings. Inside, a woman waited for him. A wife. In his fantasy her hair was as golden as the ear of corn he tossed into the wagon and her eyes as blue as the cloudless sky overhead. Catherine smiled at him and he could hear as well as see her say his name. “Jim! Welcome home.

Why do old houses creak so much?" he asked idly, playing with her braid and drawing the silky end across her cheek. "When all the warmth fades at night, it makes the old boards contract and slip against each other." "A bloody massive house, it is. And you were left to your own devices in this place for too long. I didn't understand before, how alone you were." "I had the twins for company. I watched over them." "But there was no one to watch over you." A sense of uneasiness came over her, as it always did whenever she reflected on her childhood. It had seemed as if her very survival had depended on never complaining or drawing attention to herself. "Oh I- I didn't need that." "All little girls need to feel safe and wanted.

Closing the door behind him, Macdonald stood still in the darkness, as he had stood so often in other buildings. Houses, barns, shops, flats, warehouses, all dark, as this passage was dark, but having in the darkness their own character because each had its own peculiar smell. Gramarye smelt of floor polish and carbolic and soap: something of the unwelcoming smell of an institution, but behind the overlay of modern cleanliness, the smell of the ancient house declared itself, of old mortar, of stone walls built without damp courses, of woodwork decaying under coats of paint, of panelling and floor boards which gave out their ancient breath as the coldness of the stone house triumphed over the warmth of the midsummer evening.

I tell myself that I want to live a happy life, and that the circumstances for happiness just haven’t arisen. But what if that’s not true? What if I’m the one who can’t let myself be happy? Because I’m scared, or I prefer to wallow in self-pity, or I don’t believe I deserve good things, or some other reason. Whenever something good happens to me I always find myself thinking: I wonder how long it will be until this turns out badly. And I almost want the worst to happen sooner, sooner rather than later, and if possible straight away, so at least I don’t have to feel anxious about it anymore. If, as I think is quite possible now, I never have any children and never write any books, I suppose I will leave nothing on this earth to be remembered by. And maybe that’s better. It makes me feel that rather than worrying and theorising about the state of the world, which helps no one, I should put my energy into living and being happy. When I try to picture for myself what a happy life might look like, the picture hasn’t changed very much since I was a child – a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that’s all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth. What else is life for? But even that seems so beyond me that it’s like a dream, completely unrelated to anything in reality.

It is a lesson of the sixties: liberals get in the biggest political trouble - whether instituting open housing, civilian compliant review boards, or sex education programs - when they presume that a reform is an inevitable comcomitant of progress. It is then they are most likely to establish their reforms by to-down bureaucratic means. A blindsiding backlash often ensues.

I think is quite possible now, I never have any children and never write any books, I suppose I will leave nothing on this earth to be remembered by. And maybe that’s better. It makes me feel that rather than worrying and theorising about the state of the world, which helps no one, I should put my energy into living and being happy. When I try to picture for myself what a happy life might look like, the picture hasn’t changed very much since I was a child – a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that’s all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth. What else is life for?

Men in Númenor are half-Elves (said Erendis), especially the high men; they are neither the one nor the other. The long life that they were granted deceives them, and they dally in the world, children in mind, until age finds them – and then many only forsake play out of doors for play in their houses. They turn their play into great matters and great matters into play. They would be craftsmen and loremasters and heroes all at once; and women to them are but fires on the hearth – for others to tend, until they are tired of play in the evening. All things were made for their service: hills are for quarries, river to furnish water or to turn wheels, trees for boards, women for their body’s need, or if fair to adorn their table and hearth; and children to be teased when nothing else is to do – but they would as soon play with their hounds’ whelps. To all they are gracious and kind, merry as larks in the morning (if the sun shines); for they are never wrathful if they can avoid it. Men should be gay, they hold, generous as the rich, giving away what they do not need. Anger they show only when they become aware, suddenly, that there are other wills in the world beside their own. Then they will be as ruthless as the seawind if anything dare to withstand them. Thus it is, Ancalimë, and we cannot alter it. For men fashioned Númenor: men, those heroes of old that they sing of – of their women we hear less, save that they wept when their men were slain. Númenor was to be a rest after war. But if they weary of rest and the plays of peace, soon they will go back to their great play, manslaying and war. Thus it is; and we are set here among them. But we need not assent. If we love Númenor also, let us enjoy it before they ruin it. We also are daughters of the great, and we have wills and courage of our own. Therefore do not bend, Ancalimë. Once bend a little, and they will bend you further until you are bowed down. Sink your roots into the rock, and face the wind, though it blow away all your leaves.

Zhaanat’s knowledge was considered so important that she had been fiercely hidden away, guarded from going to boarding school. She had barely learned to read and write on the intermittent days she had attended reservation day school. She made baskets and beadwork to sell. But Zhaanat’s real job was passing on what she knew. People came from distances, often camped around their house, in order to learn.

That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.

EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel

That is when it happened. A soft white glow gathered on his chest, over the place where his heart must be. The glow became a cord, reaching out through the air. The cord approached me. I rowed and struggled. But I was held fast. I felt the light encircle my neck, link me to his heart. It didn’t hurt. It bound us together. I don’t know if he felt it too – I like to think he did. Then he brought me home to this nice warm house where I can sleep all the time and get stroked. I don’t even have to look at the outside world if I don’t want to! The windows are all boarded up. Ted made me an indoor cat and I’ve never had to worry about anything since. This is our house which is just for us, and no one else is allowed in. Apart from Night-time, of course, and the green boys and Lauren. I could do without some of them, to be honest. I

Sometimes, coming home in the early morning like this, I'd imagine things had altered while I was absent: a knife on the bread board that I didn't remember leaving out, a book face down on the table, a cup brimming with tea and dishwater in the sink. The evidence I wanted didn't need to be too elaborate or detailed. I could have constructed an entire afterlife from a half-moon of lemon rind or a small blister of jam on the tablecloth.

Let us consider some of the most important Anarchist acts within the last two decades. Strange as it may seem, one of the most significant deeds of political violence occurred here in America, in connection with the Homestead strike of 1892. During that memorable time the Carnegie Steel Company organized a conspiracy to crush the Amalgamated Association of Iron and Steel Workers. Henry Clay Frick, then Chairman of the Company, was intrusted with that democratic task. He lost no time in carrying out the policy of breaking the Union, the policy which he had so successfully practiced during his reign of terror in the coke regions. Secretly, and while peace negotiations were being purposely prolonged, Frick supervised the military preparations, the fortification of the Homestead Steel Works, the erection of a high board fence, capped with barbed wire and provided with loopholes for sharpshooters. And then, in the dead of night, he attempted to smuggle his army of hired Pinkerton thugs into Homestead, which act precipitated the terrible carnage of the steel workers. Not content with the death of eleven victims, killed in the Pinkerton skirmish, Henry Clay Frick, good Christian and free American, straightway began the hounding down of the helpless wives and orphans, by ordering them out of the wretched Company houses.

When I try to picture for myself what a happy life might look like, the picture hasn’t changed very much since I was a child – a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that’s all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth. What else is life for?

A long suburb of red brick houses -some with patches of garden-ground, where coal-dust and factory smoke darkened the shrinking leaves, and coarse rank flowers, and where the struggling vegetation sickened and sank under the hot breath of kiln and furnace. On mounds of ashes by the wayside, sheltered only by a few rough boards, or rotten pent-house roofs, strange engines spun and writhed like tortured creatures; clanking their iron chains, shrieking in their rapid whirl from time to time as though in torment unendurable, and making the ground tremble with their agonies. Dismantled houses here and there appeared, tottering to the earth, propped up by fragments of others that had fallen down, unroofed, windowless, blackened, desolate, but yet inhabited. Men, women, children, wan in their looks and ragged in attire, tended the engines, fed their tributary fire, begged upon the road, or scowled half-naked from the doorless houses.

Two Lovers And A Beachcomber By The Real Sea" Cold and final, the imagination Shuts down its fabled summer house; Blue views are boarded up; our sweet vacation Dwindles in the hour-glass. Thoughts that found a maze of mermaid hair Tangling in the tide's green fall Now fold their wings like bats and disappear Into the attic of the skull. We are not what we might be; what we are Outlaws all extrapolation Beyond the interval of now and here: White whales are gone with the white ocean. A lone beachcomber squats among the wrack Of kaleidoscope shells Probing fractured Venus with a stick Under a tent of taunting gulls. No sea-change decks the sunken shank of bone That chucks in backtrack of the wave; Though the mind like an oyster labors on and on, A grain of sand is all we have. Water will run by; the actual sun Will scrupulously rise and set; No little man lives in the exacting moon And that is that, is that, is that. Sylvia Plath, Mademoiselle, August 1955.

The lawn was on an elevation with a view of fields and woods. Formed like a large teardrop of green, it had a gray elm at its small point, and the bark of the huge tree, dying of dutch blight, was purplish gray. Scant leaves for such a vast growth. An oriole’s nest, in the shape of a gray heart, hung from twigs. God’s veil over things makes them all riddles. If they were not all so particular, detailed, and very rich I might have more rest from them. But I am a prisoner of perception, a compulsory witness. They are too exciting. Meantime I dwell in yon house of dull boards. Herzog was worried about that elm. Must he cut it down? He hated to do it. Meanwhile the cicadas all vibrated a coil in their bellies, a horny posterior band in a special chamber. Those billions of red eyes from the enclosing woods looked out, stared down, and the steep waves of sound drowned the summer afternoon. Herzog had seldom heard anything so beautiful as this massed continual harshness.

Sometimes the one who dreams about Fairies mingles with the soul of the house. The thought of the hedges outside the door has stopped the ticking of the clock, and from the cellar the song of hidden woods can be heard. From deep down in the well he awakens the fibers of the beams, casts a spell on the floor boards and penetrates deep into the tapestry. He sits down in the child’s room where the garden of things tells a story about the theater of shadows. His thoughts are infused in a kettle and illustrated in a spiral of steam. The armchair flies out of the window and the curtains begin to flower. He can be heard climbing the stairs, leaving behind handfuls of visiting cards, and on each one of them is the address of a star. In the attic, his step is reduced to the dance of mice. A wreath of sparks brightens up the fireplace. The dormer window looks out onto the hopscotch of the skies… The dreamer’s soul is now so brilliant and light that it is like a spangle in a parade of Fairies

Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.

So I thought it might be interesting, for the length of a book, to consider the ordinary things in life, to notice them for once and treat them as if they were important, too. Looking around my house, I was startled and somewhat appalled to realize how little I knew about the domestic world around me. Sitting at the kitchen table one afternoon, playing idly with the salt and pepper shakers, it occurred to me that I had absolutely no idea why, out of all the spices in the world, we have such an abiding attachment to those two. Why not pepper and cardamom, say, or salt and cinnamon? And why do forks have four tines and not three or five? There must be reasons for these things. Dressing, I wondered why all my suit jackets have a row of pointless buttons on every sleeve. I heard a reference on the radio to someone paying for room and board, and realized that when people talk about room and board, I have no idea what the board is that they are talking about. Suddenly the house seemed a place of mystery to me.

Sometime in the fifties I remember seeing On the Waterfront in the movies with Mary and thinking that I’m at least as bad as that Marlon Brando character and that some day I’d like to get in union work. The Teamsters gave me good job security at Food Fair. They could only fire you if they caught you stealing. Let me put it another way, they could only fire you if they caught you stealing and they could prove it. • chapter eight • Russell Bufalino In 1957 the mob came out of the closet. It came out unwillingly, but out it came. Before 1957 reasonable men could differ over whether an organized network of gangsters existed in America. For years FBI director J. Edgar Hoover had assured America that no such organization existed, and he deployed the FBI’s greatest resources to investigate suspected Communists. But as a result of the publicity foisted on the mob in 1957, even Hoover came on board. The organization was dubbed “La Cosa Nostra,” meaning “this thing of ours,” a term heard on government wiretaps. Ironically,

I take a picture of it with my mobile, then erase the board and lift it off the wall. My 7-year-old sister watches me do it. "I'm telling Mum," she says. "If you tell Mom, I'll block up all he chimneys so that Father Christmas cant get in" "You cant do that, there are too many chimneys," she countered "Not for me," I say. "I'm willing to put the time in" "He'll just come to the door." "Don't be an idiot, Mordelia, Father Christmas never comes to the door. And if he did, I would tell him he had the wrong house.

As The New York Times editorial board put it in June 2017, “For Mr. Trump and his circle, what matters is not what’s right but what you can get away with. In his White House, if you’re avoiding the appearance of impropriety, you’re not pushing the boundaries hard enough. Government ethics officials say dealing with this administration is an exhausting game of whack-a-mole: go after one potential violation, and two others crop up. That’s because ethical regulations were not written with this sort of administration in mind.

Look for a wave shaped like an A. An A. Hmm. I saw Zs and H's and Vs. I saw the Hindi alphabet and the Thai alphabet. I saw Arabic script. I saw no As. Finally I gave up, and chose the next wave that would have me, which turned out to be a poor move. There is a moment, shortly after one accepts the imminence of one's demise, when it occurs that you could be elsewhere: that if you simply left the house a little later, or lingered over a Mai Tai, you would not be here now confronting your mortality. This moment occurred just as I encountered a very large (from my perspective), rare and surprising wave. A wave that was pitching and howling, and it really had no business being where it was - underneath me. The demon wave picked me up, and after that I have only a a vague recollection of spinning limbs, a weaponized surf board, and chaotic white water, churning together over a reef. I decided surfing was not for me. I generally no longer engage in adrenaline rush activities that carry with them a strong likely hood of life-altering injury. (p. 138)

And men are subject, also, to this same Law of Attraction. Go into any cheap boarding house district in any city and there you will find people of the same general trend of mind associated together. On the other hand, go into any prosperous community and there you will find people of the same general tendencies associated together. Men who are successful always seek the company of others who are successful, while men who are on the ragged side of life always seek the company of those who are in similar circumstances. “Misery loves company.

For the next hour, the subject of Pandora's board game business was discarded as the group worked on the sandcastle. They paused at intervals to drink thirstily from jugs of cold water and lemonade that had been sent down from the house. Pandora threw herself into the project with enthusiasm, consulting with Justin, who had decided the castle must have a moat, square corner towers, a front gatehouse with a drawbridge, and battlement walls from which the occupants could drop scalding water or molten tar onto the advancing enemy. Gabriel, who'd been instructed to dig the moat, stole frequent glances at Pandora, who had enough energy for ten people. Her face glowed beneath her battered straw hat, which she had managed to pry away from Ajax. She was sweaty and covered in sand, a few escaped locks of hair trailing over her neck and back. She played with the unselfconscious ease of a child, this woman of radical thoughts and ambitions. She was beautiful. Complex. Frustrating. He'd never met a woman who was so wholly and resolutely herself. What the devil was he going to do about her?

The roof of this house is dreadfully dilapidated; the outside shutters are always closed; the balconies are hung with swallows’ nests; the doors are for ever shut. Straggling grasses have outlined the flagstones of the steps with green; the ironwork is rusty. Moon and sun, winter, summer, and snow have eaten into the wood, warped the boards, peeled off the paint. The dreary silence is broken only by birds and cats, polecats, rats, and mice, free to scamper round, and fight, and eat each other. An invisible hand has written over it all: ‘Mystery.

Street-car lines had been extended far out into the open country in anticipation of rapid growth. The city had laid miles and miles of streets and sewers through regions where, perhaps, one solitary house stood out alone — a pioneer of the populous ways to be. There were regions open to the sweeping winds and rain, which were yet lighted throughout the night with long, blinking lines of gas-lamps, fluttering in the wind. Narrow board walks extended out, passing here a house, and there a store, at far intervals, eventually ending on the open prairie.

But they were citizens of a shadow country that in his previous life he’d only dimly perceived, a country located at the edge of an abyss. He’d been aware of the shadowland forever, of course. He’d seen its more obvious outposts: shelters fashioned from cardboard under overpasses, tents glimpsed in the bushes alongside expressways, houses with boarded-up doors but a light shining in an upstairs window. He’d always been vaguely aware of its citizens, people who’d slipped beneath the surface of society, into a territory without comfort or room for error;

Sophia had been hard pressed not to laugh when MacLean had tripped over one of the floorboards she and Angus had pried loose. Better yet, MacLean had ripped his lace-edged sleeve on a broken nail in the doorframe of his bedchamber. She knew because she'd heard his loud curse from the hallway. Sophia had expected him to roar at the servants and demand things be repaired, but all he did was ask Angus for a hammer to protect himself from the loose boards and stray nails that seemed to plague MacFarlane House. To Sophia's delight, Angus had gloomily replied that there weren't enough hammers in the whole of Scotland to do that. Since Angus had left MacLean in his bedchamber, they hadn't heard a word from him. Perhaps the man was sleeping, although how could anyone sleep in such a damp room and with such a lumpy mattress and smoky chimney? More likely, he was awake and seething at being forced to endure such horrid conditions. She wished she had been there to witness his reaction to the threadbare furniture with broken springs and flat cushions, the inadequate bed coverings for the chilly chamber (it faced north, where the wind was fiercest), a window that was nailed slightly open, and more.

When negative experiences such as having one's house shot at occur in my dad's life he tends to come alive. His confusion lifts. Pieces of life's puzzle fuse into meaning like the continents before that colossal rift. It's entirely logical to him that his house has been shot at and when he's able to spend a minute or two in a world that makes sense he appears almost happy. And when he gets happy he does decisive things like this time he went over to the bulletin board in the kitchen and took down the city bus schedule that we've had up there since Tash left and before the bus depot itself closed down. He put it in the garbage can under the sink. Phew. Done. Goodbye past. But then I imagined him on a day when shitty things weren't happening and he'd be feeling his usual mystified self and go to the dump and there he would see that little piece of paper with the schedule on it and it would bring him to his knees. Just destroy him for a minute or two and he'd probably pick it up and wipe whatever seagull crap there was on it and straighten it out with the side of his hand and bring it back to the kitchen bulletin board and ARRANGE it on there so you'd know it was the centerpiece of his life.

LONG, LONG AGO IN the Incubation Period of Man—long before booking agents, five-a-days, theatrical boarding houses, subway circuits, and Variety—when Megatherium roamed the trees, when Broadway was going through its First Glacial Period, and when the first vaudeville show was planned by the first lop-eared, low-browed, hairy impresario, it was decreed: “The acrobat shall be first.” Why the acrobat should be first no one ever explained; but that this was a dubious honor every one on the bill—including the acrobat—realized only too well. For it was recognized even then, in the infancy of Show Business, that the first shall be last in the applause of the audience. And all through the ages, in courts and courtyards and feeble theatres, it was the acrobat—whether he was called buffoon, farceur, merry-andrew, tumbler, mountebank, Harlequin, or punchinello—who was thrown, first among his fellow-mimes, to the lions of entertainment to whet their appetites for the more luscious feasts to come. So that to this day their muscular miracles are performed hard on the overture’s last wall shaking blare, performed with a simple resignation that speaks well for the mildness and resilience of the whole acrobatic tribe.

Upstairs—it was a kind of boarding house that summer—lived a guy called Tom who was hopelessly in love with Babe. He came from Vermont, from a rich family, they said, and had a career waiting for him there and everything, but he preferred being where Babe was. In the evenings he sat in the living room with his face burning behind a newspaper and every time one of us said anything he heard but made no sign. He particularly burned when Babe said something. When we forced him to put down the paper he looked at us with incalculable boredom and suffering. “Eh? Oh yes, I suppose so.” He usually said just that.

What the fuck is this?” he roared, striding into the centre of the room, water dripping from his beard, down through the grizzled white hairs on his chest, off his slapping fruits. It was a strange sight to see. A naked old man confronting three armed Practicals of the Inquisition. Ridiculous, and yet no one was laughing. There was something strangely terrifying about him, even without his clothes and running with wet. It was the Practicals who shifted backwards, confused, scared even. “You’re coming with us,” the woman repeated, though a certain doubt seemed to have entered her voice. One of her companions stepped warily towards Bayaz. Jezal felt a strange sensation in his stomach. A tugging, a sucking, an empty, sick feeling. It was like being back on the bridge, in the shadow of the Maker’s House. Only worse. The wizard’s face had turned terribly hard. “My patience is at an end.” Like a bottle dropped from a great height, the nearest Practical burst apart. There was no thunderclap, only a gentle squelching. One moment he was moving towards the old man, sword raised, entirely whole. The next he was a thousand fragments. Some unknown part of him thudded wetly against the plaster next to Jezal’s head. His sword dropped and rattled on the boards. “You were saying?” growled the First of the Magi.

When we look back on what happened in Ferguson, Missouri, during the summer of 2014, it will be easy to think of it as yet one more episode of black rage ignited by yet another police killing of an unarmed African American male. But that has it precisely backward. What we've actually seen is the latest outbreak of white rage. Sure, it is cloaked in the niceties of law and order, but it is rage nonetheless. Protests and looting naturally capture attention. But the real rage smolders in meetings where officials redraw precincts to dilute African American voting strength or seek to slash the government payrolls that have long served as sources of black employment. It goes virtually unnoticed, however, because white rage doesn't have to take to the streets and face rubber bullets to be heard. Instead, white rage carries an aura of respectability and has access to the courts, police, legislatures, and governors, who cast its efforts as noble, though they are actually driven by the most ignoble motivations. White rage recurs in American history. It exploded after the Civil War, erupted again to undermine the Supreme Court's Brown v. Board of Education decision, and took on its latest incarnation with Barack Obama's ascent to the White House. For every action of African American advancements, there's a reaction, a backlash.

later, twenty Africans arrived in Virginia, the first slaves in British America, Kimbundu speakers from the kingdom of Ndongo. Captured in raids ordered by the governor of Angola, they had been marched to the coast and boarded the São João Bautista, a Portuguese slave ship headed for New Spain. At sea, an English privateer, the White Lion, sailing from New Netherlands, attacked the São João Bautista, seized all twenty, and brought them to Virginia to be sold.22 Twenty Englishmen were elected to the House of Burgesses. Twenty Africans were condemned to the house of bondage. Another chapter opened in the American book of genesis: liberty and slavery became the American Abel and Cain. II.

Of the two, Cope’s scientific legacy was much the more substantial. In a breathtakingly industrious career, he wrote some 1,400 learned papers and described almost 1,300 new species of fossil (of all types, not just dinosaurs)—more than double Marsh’s output in both cases. Cope might have done even more, but unfortunately he went into a rather precipitate descent in his later years. Having inherited a fortune in 1875, he invested unwisely in silver and lost everything. He ended up living in a single room in a Philadelphia boarding house, surrounded by books, papers, and bones. Marsh by contrast finished his days in a splendid mansion in New Haven. Cope died in 1897, Marsh two years later.

When Jim found a bone that had been part of somebody’s hand, I understood that this wasn’t just Carole Lombard’s story. It was the pilot’s story and the co-pilot’s and the stewardess’s. It was the story of 15 Army Air Corps personnel who perished, men as young as 19 and as “old” as 28, and it was the story of three other civilians, all of whom died right there, on the spot where I stood shivering in the fading October sunshine at 7,700 feet. I started writing on the plane ride home and haven’t stopped since. I have had extreme good fortune in my research, accessing the complete Civil Aeronautics Board investigation, including the exhibits and testimony. I have examined the U.S. House of Representatives

God is speaking to prophets to call the modern-day Church to “rise up” and to awaken. It must awaken to the reality that the people are not called to just come to a church building, but we are called to go into all the world around us and be the Church in professions and communities and world systems and structures. We are to become micro-groups: going into school board meetings, executive offices, school halls, state departments, and more! A house for the nation is a Church that engages the Seven Mountains of influence by identifying, supporting, and resourcing the body of Christ located at the front lines of the battle of influence. A house for the nation will require a coming together of many leaders.

She imagines its walls white. She imagines everything in it painted white. Even the holes in the floor, through the white broken boards, are painted white inside. The house’s windows look out on to high privet hedge. Elisabeth goes outside to paint that high hedge white too. Inside, sitting on a white-painted old couch, the stuffing coming out of it also stiff with white emulsion, Daniel laughs at what she’s doing. He laughs silently but like a child with his feet in his hands as she paints one tiny green leaf white after another. He catches her eye. He winks. That does it. They’re both standing in pure clean white space. Yes, she says. Now we can sell this space for a fortune. Only the very rich can afford to be this minimalist these days.

Jules Verne was born on 8 February 1828 on Île Feydeau, a small artificial island on the Loire river located in the town of Nantes, in the house of his maternal grandmother Dame Sophie Allotte de la Fuÿe, in No. 4 Rue de Clisson. His father, Pierre Verne, was an attorney originally from Provins. His mother was Sophie Allotte de la Fuÿe, a Nantes woman of Scottish descent. She belonged to a local family of navigators and ship owners. The Verne family moved away to No. 2 Quai Jean-Bart in 1829, where Verne’s brother Paul was born the same year. Verne also had three sisters named Anne, Mathilde, and Marie, who were born in 1836, 1839, and 1842, respectively. In 1834, Verne was sent to the boarding school located at 5 Place du Bouffay in Nantes.

My family had been in a refugee camp for a year and I was thirty-one years old when the government of Israel arranged through secret channels to fly all the Jews of Yemen to Israel. It was unofficially called Operation Magic Carpet, and officially called Operation On Wings of Eagles. When our people refused to enter the airplanes out of fear—for especially our brethren from the North had no experience with modernity—our rabbis reminded them of divine passages. “This is the fulfillment of ancient prophecy,” they said. “The eagles that fly us to the Promised Land may be made of metal, but their wings are buoyed aloft by the breath of God.” Between June 1949 and September 1950 almost fifty thousand Yemenite Jews boarded transport planes and made some 380 flights from Aden to Israel in this secret operation.

The Hardys led Mr. Worth up a side street. They stopped at a wide, steamy window bearing the lettering: CHARLIE’S CLAM HOUSE “I hear the food’s good,” Joe remarked, and the trio entered the restaurant. It was a typical waterfront eating place, with sawdust on the floor. The place was crowded with diners, despite the late hour. In one corner sat a group of well-dressed people who, like the Hardys, had just left a farewell party on board the liner. But most of the customers were rough-looking men of the waterfront district. The noise of lively conversations and the odor of frying fish filled the air. Frank, Joe, and Bart Worth seated themselves at a plain wooden table in the middle of the room. As soon as the waiter had taken a dinner order for Mr. Worth and sandwiches for the Hardys, the Southerner began his story.

If government had declined to build racially separate public housing in cities where segregation hadn’t previously taken root, and instead had scattered integrated developments throughout the community, those cities might have developed in a less racially toxic fashion, with fewer desperate ghettos and more diverse suburbs. If the federal government had not urged suburbs to adopt exclusionary zoning laws, white flight would have been minimized because there would have been fewer racially exclusive suburbs to which frightened homeowners could flee. If the government had told developers that they could have FHA guarantees only if the homes they built were open to all, integrated working-class suburbs would likely have matured with both African Americans and whites sharing the benefits. If state courts had not blessed private discrimination by ordering the eviction of African American homeowners in neighborhoods where association rules and restrictive covenants barred their residence, middle-class African Americans would have been able gradually to integrate previously white communities as they developed the financial means to do so. If churches, universities, and hospitals had faced loss of tax-exempt status for their promotion of restrictive covenants, they most likely would have refrained from such activity. If police had arrested, rather than encouraged, leaders of mob violence when African Americans moved into previously white neighborhoods, racial transitions would have been smoother. If state real estate commissions had denied licenses to brokers who claimed an “ethical” obligation to impose segregation, those brokers might have guided the evolution of interracial neighborhoods. If school boards had not placed schools and drawn attendance boundaries to ensure the separation of black and white pupils, families might not have had to relocate to have access to education for their children. If federal and state highway planners had not used urban interstates to demolish African American neighborhoods and force their residents deeper into urban ghettos, black impoverishment would have lessened, and some displaced families might have accumulated the resources to improve their housing and its location. If government had given African Americans the same labor-market rights that other citizens enjoyed, African American working-class families would not have been trapped in lower-income minority communities, from lack of funds to live elsewhere. If the federal government had not exploited the racial boundaries it had created in metropolitan areas, by spending billions on tax breaks for single-family suburban homeowners, while failing to spend adequate funds on transportation networks that could bring African Americans to job opportunities, the inequality on which segregation feeds would have diminished. If federal programs were not, even to this day, reinforcing racial isolation by disproportionately directing low-income African Americans who receive housing assistance into the segregated neighborhoods that government had previously established, we might see many more inclusive communities. Undoing the effects of de jure segregation will be incomparably difficult. To make a start, we will first have to contemplate what we have collectively done and, on behalf of our government, accept responsibility.

Rather than love, than money, than fame, give me truth. I sat at a table where were rich food and wine in abundance, and obsequious attendance, but sincerity and truth were not; and I went away hungry from the inhospitable board. The hospitality was as cold as the ices. I thought that there was no need of ice to freeze them. They talked to me of the age of the wine and the fame of the vintage; but I thought of an older, a newer, and purer wine, of a more glorious vintage, which they had not got, and could not buy. The style, the house and grounds and “entertainment” pass for nothing with me. I called on the king, but he made me wait in his hall, and conducted like a man incapacitated for hospitality. There was a man in my neighborhood who lived in a hollow tree. His manners were truly regal. I should have done better had I called on him.

I am now going to state three facts, which will startle a large class of readers on this side of the Atlantic, very much. Firstly, there is a joint-stock piano in a great many of the boarding-houses. Secondly, nearly all these young ladies subscribe to circulating libraries. Thirdly, they have got up among themselves a periodical called The Lowell Offering, ‘A repository of original articles, written exclusively by females actively employed in the mills,’—which is duly printed, published, and sold; and whereof I brought away from Lowell four hundred good solid pages, which I have read from beginning to end. The large class of readers, startled by these facts, will exclaim, with one voice, ‘How very preposterous!’ On my deferentially inquiring why, they will answer, ‘These things are above their station.’ In reply to that objection, I would beg to ask what their station is.

What makes a successful marriage is not love. What makes a successful marriage is knowing your place in this divine covenant. A man is meant to love and a woman is meant to submit. When you misplace your place there is bound to be errors and chaos. Imagine a woman loving a man? She will be heartbroken cause the man is loving another. But when a woman is submissive to a man, the man is subjected by divine ordinance to love her, cause submissiveness propel and activate love no matter how you put it. Now, let's imagine a man submitting to a woman. Well, I have no explanation to that. It is appalling and not something anyone wants to hear. Love is shown by gifts (items, good treatment, kindness etc) but submissiveness is shown by obeying, listening and servanthood. Psychologically, a servant who is diligent has more respect than a son of the house who is arrogant. So, let's go back to the drawing board and make our marriages work - Victor Vote

Mr. Pilates was a bully and a narcissist and a dirty old man; he and Christopher got along very well. When Christopher was doing his workout, Pilates would bring one of his assistants over to watch, rather as the house surgeon brings an intern to study a patient with a rare deformity. ‘Look at him!’ Pilates would exclaim to the assistant, ‘That could have been a beautiful body, and look what he’s done to it! Like a birdcage that somebody trod on!’ Pilates had grown tubby with age, but he would never admit it; he still thought himself a magnificent figure of a man. ‘That’s not fat,’ he declared, punching himself in the stomach, ‘that’s good healthy meat!’ He frankly lusted after some of his girl students. He used to make them lie back on an inclined board and climb on top of them, on the pretext that he was showing them an exercise. What he really was doing was rubbing off against them through his clothes; as was obvious from the violent jerking of his buttocks.

Lynum had plenty of information to share. The FBI's files on Mario Savio, the brilliant philosophy student who was the spokesman for the Free Speech Movement, were especially detailed. Savio had a debilitating stutter when speaking to people in small groups, but when standing before a crowd and condemning his administration's latest injustice he spoke with divine fire. His words had inspired students to stage what was the largest campus protest in American history. Newspapers and magazines depicted him as the archetypal "angry young man," and it was true that he embodied a student movement fueled by anger at injustice, impatience for change, and a burning desire for personal freedom. Hoover ordered his agents to gather intelligence they could use to ruin his reputation or otherwise "neutralize" him, impatiently ordering them to expedite their efforts. Hoover's agents had also compiled a bulging dossier on the man Savio saw as his enemy: Clark Kerr. As campus dissent mounted, Hoover came to blame the university president more than anyone else for not putting an end to it. Kerr had led UC to new academic heights, and he had played a key role in establishing the system that guaranteed all Californians access to higher education, a model adopted nationally and internationally. But in Hoover's eyes, Kerr confused academic freedom with academic license, coddled Communist faculty members, and failed to crack down on "young punks" like Savio. Hoover directed his agents to undermine the esteemed educator in myriad ways. He wanted Kerr removed from his post as university president. As he bluntly put it in a memo to his top aides, Kerr was "no good." Reagan listened intently to Lynum's presentation, but he wanted more--much more. He asked for additional information on Kerr, for reports on liberal members of the Board of Regents who might oppose his policies, and for intelligence reports about any upcoming student protests. Just the week before, he had proposed charging tuition for the first time in the university's history, setting off a new wave of protests up and down the state. He told Lynum he feared subversives and liberals would attempt to misrepresent his efforts to establish fiscal responsibility, and that he hoped the FBI would share information about any upcoming demonstrations against him, whether on campus or at his press conferences. It was Reagan's fear, according to Lynum's subsequent report, "that some of his press conferences could be stacked with 'left wingers' who might make an attempt to embarrass him and the state government." Lynum said he understood his concerns, but following Hoover's instructions he made no promises. Then he and Harter wished the ailing governor a speedy recovery, departed the mansion, slipped into their dark four-door Ford, and drove back to the San Francisco field office, where Lynum sent an urgent report to the director. The bedside meeting was extraordinary, but so was the relationship between Reagan and Hoover. It had begun decades earlier, when the actor became an informer in the FBI's investigation of Hollywood Communists. When Reagan was elected president of the Screen Actors Guild, he secretly continued to help the FBI purge fellow actors from the union's rolls. Reagan's informing proved helpful to the House Un-American Activities Committee as well, since the bureau covertly passed along information that could help HUAC hold the hearings that wracked Hollywood and led to the blacklisting and ruin of many people in the film industry. Reagan took great satisfaction from his work with the FBI, which gave him a sense of security and mission during a period when his marriage to Jane Wyman was failing, his acting career faltering, and his faith in the Democratic Party of his father crumbling. In the following years, Reagan and FBI officials courted each other through a series of confidential contacts. (7-8)

BLACK WINGS At the same Olympics, staged by Hitler to consecrate the superiority of his race, the star that shone brightest was black, a grandson of slaves, born in Alabama. Hitler had no choice but to swallow the bitter pill, four of them actually: the four gold medals that Jesse Owens won in sprinting and long jump. The entire world celebrated those victories of democracy over racism. When the champion returned home, he received no congratulations from the president, nor was he invited to the White House. He returned to the usual: he boarded buses by the back door, ate in restaurants for Negroes, used bathrooms for Negroes, stayed in hotels for Negroes. For years, he earned a living running for money. Before the start of baseball games he would entertain the crowd by racing against horses, dogs, cars, or motorcycles. Later on, when his legs were no longer what they had been, Owens took to the lecture circuit. He did pretty well there, praising the virtues of religion, family, and country.

My feeling then was of forlornness, of the desperate inadequacies of this human linguistic apparatus that we employ to forestall, a little longer, aloneness, and of how futile these fumblings so often are. In the next lurch of solitude I began trying to add to the list of things not to say to someone in your marriage: Don’t ever use a pen while lying on the bed; don’t ever forget to put the cap back on a pen after using the pen; don’t ever use a pen if it’s new; put items in the refrigerator at ninety-degree angles; do not throw things in the bathroom trash if there are already a lot of things in the trash; don’t ever lie on the bed, made or unmade, in your clothes; don’t get into the bed without having showered; don’t put your bag on the bed, don’t put your bag on the chair, don’t put your bag on the counter, don’t put your bag on the table; don’t ever do the laundry; don’t bite your nails; don’t put the toilet paper facing out; don’t put the toilet paper facing in; don’t accelerate quickly; don’t wear those colors together, don’t wear those colors together, don’t wear a stripe and a plaid, don’t wear that shirt, that looks bad on you, that looks bad on you, and that looks bad on you, and that looks bad on you, and that looks bad on you too, are you sure you want to wear that, that looks bad on you; please stay out of the house one night a week, please stay out of the house a couple of nights a week so I can have some privacy; don’t put that there; don’t put that there; that plastic cup was given to me by my grandmother; don’t use my towel; don’t use my bathroom; you don’t understand your own family; you don’t understand your own role in your own family; you don’t understand what people think of you; you don’t understand other people; you don’t understand me, you don’t understand yourself; I need money for clothes, I need money for credit cards, I need money for school; don’t cut your meat on the plate, that sound is awful, cut your meat on the cutting board before putting it on your plate; don’t touch me. And when I was done

The members of the board were very sage, deep, philosophical men; and when they came to turn their attention to the workhouse, they found out at once, what ordinary folk would never have discovered - the poor people like it! It was a regular place of public entertainment for the poorer classes; a tavern where there was nothing to pay; a public breakfast, dinner, tea, and supper all year round; a brick and mortar elysium where it was all play and no work. "Oho!" said the board, looking very knowing; "we are the fellows to set this to rights; we'll stop it all in no time." So, they established the rule, that all poor people should have the alternative (for they would compel nobody, not they) of being starved by a gradual process in the house, or a quick one out of it. With this view, they contracted with the waterworks to lay on an unlimited supply of water; and with a corn-factor to supply periodically small quantities of oatmeal; and issued three meals of thin gruel per day, with an onion twice a week, and half a roll on Sundays. They made a great many other wise and humane regulations, having reference to the ladies, which it is not necessary to repeat; undertook to divorce poor married people, in consequence of the great expense of a suit in Doctor's Commons; and, instead of compelling a man to support his family, as they had theretofore done, took his family away from him, and made him a bachelor! There is no saying how many applicants for relief under these two heads, might have started up in all classes of society, if it had not been coupled with the workhouse; but the board were long-headed men, and had provided for this difficulty. The relief was inseparable from the workhouse and the gruel; and that frightened people. For the first six months after Oliver Twist was removed, the system was in full operation. It was rather expensive at first, in consequence to the increase in the undertaker's bill, and the necessity of taking in the clothes of all the paupers, which fluttered loosely on their wasted, shrunken forms, after a week or two's gruel.

The one tree in Francie’s yard was neither a pine nor a hemlock. It had pointed leaves which grew along green switches which radiated from the bough and made a tree which looked like a lot of opened green umbrellas. Some people called it the Tree of Heaven. No matter where its seed fell, it made a tree which struggled to reach the sky. It grew in boarded-up lots and out of neglected rubbish heaps and it was the only tree that grew out of cement. It grew lushly, but only in the tenements districts. You took a walk on a Sunday afternoon and came to a nice neighborhood, very refined. You saw a small one of these trees through the iron gate leading to someone’s yard and you knew that soon that section of Brooklyn would get to be a tenement district. The tree knew. It came there first. Afterwards, poor foreigners seeped in and the quiet old brownstone houses were hacked up into flats, feather beds were pushed out on the window sills to air and the Tree of Heaven flourished. That was the kind of tree it was. It liked poor people. That

He had long since observed that Elizabeth had superfluous IQ for her line of work, and inside all that free space in her brain she was completing a philosophy of the world wove together out of all the smells she had ever smelled. Maybe her memory was not the longest. Every day she had to go over every line of it again from top to bottom, just like the day before. She was history-minded: she wanted a piece of ever dog who had come before her to every landmark, the whole roll call, every tuft of grass at the foot of the loading platform by the old natrium plant, every pile of boards or lost truck part in the fringe of weeds along the shore at the four-car ferry, every corner stump or clump of pee-bleached iris on the shaggy line where front yards ended in pavement. The one-time ice house. The Wheeling & Lake Erie water tower. Every boundary stone still standing, however crookedly, in front of the town cemetery. Where putting her own bit into this olfactory model of the world was concerned, Elizabeth was not demure but lifted her leg like any male dog, a little decrepitly now that she was old. Come outa there, Elizabeth. He didn’t want her pissing on the gravestones.

sail, we  tcame by a straight course to Cos, and the next day to Rhodes, and from there to Patara. [1] 2And having found a ship crossing to Phoenicia, we went aboard and set sail. 3When we had come in sight of Cyprus, leaving it on the left we sailed to Syria and landed at Tyre, for there the ship was to unload its cargo. 4And having sought out the disciples, we stayed there for seven days. And  uthrough the Spirit they were telling Paul not to go on to Jerusalem. 5When our days there were ended, we departed and went on our journey, and they all, with wives and children,  vaccompanied us until we were outside the city. And  wkneeling down on the beach, we prayed 6and said farewell to one another. Then we went on board the ship, and they returned home. 7When we had finished the voyage from Tyre, we arrived at Ptolemais, and we greeted  xthe brothers [2] and stayed with them for one day. 8On the next day we departed and came to Caesarea, and we entered the house of  yPhilip  zthe evangelist, who was one of the seven, and stayed with him. 9He had four unmarried daughters,  awho prophesied. 10While we were staying for many days, a prophet named  bAgabus came down from Judea. 11And coming to

From outside the shelter came children's voices. The shrill squeals brought the excitement of their unseen game into the opaque quiet of Setsuko's world and made her smile. "No war can go on forever. And human beings are the toughest creatures on earth, you know. There's no sense in being in a hurry to die. You MUST LIVE, whatever happens." Shoichi Wakui had squeezed her hand and told her this with an almost violent urgency, though his grasp was weak and his voice halting. Were those the Sugiwaras' children she could hear? The barber had had the presence of mind to rescue his kit when he fled through the flames of his burning shop, and now he was doing a brisk trade, seating his customers on cushions atop piled stones from the foundations. To house his family he'd put a lean-to against the railway embankment, barely enough to keep out the weather, but at least the children were no longer starving. Even in defeat the locally garrisoned soldiers all had some supplies of food, and while waiting to board trains for their hometowns from Yokohama Station they'd sit on the stone seat of the Sugawara Barbershop and have a good shave, leaving the children something to eat as payment. Setsuko no longer felt the rage that had overwhelmed her at the disbanding ceremony. If they had fought on home ground, one hundred million Japanese sworn to die before they would surrender, those children would have had to die too. Those young lives and spirits would have been extinguished in terror and pain and they wouldn't even have understood why. They have a right to go on living, and the strength to do it, Setsuko thought. For their sakes, if no one else's, I should rejoice that the war ended before an invasion reached the home front. Shoichi Wakui's words came back clearly: "Even when a war is lost, people's lives still go on." And Naomis, in the gray notebook: "Every war comes to an end, and when peace is restored Paris rises like a phoenix." But what about those who'd already died? It was agony to think of those who would not rise: the dead would be left where they fell at the ends of the earth while the living would come home with their knapsacks of clothing and food. Whether they had gone to the front or stayed at home, the people had staked their lives for country and Emperor, and after they had lost, the country and the Emperor were still there. Then what had it all meant? Adrift and floundering in despair, Setsuko slipped back into a restless sleep.

Ballad" Oh dream, why do you do me this way? Again, with the digging, again with the digging up. Once more with the shovels. Once more, the shovels full of dirt. The vault lid. The prying. The damp boards. Mother beside me. Like she’s an old hat at this. Like all she’s got left is curiosity. Like curiosity didn’t kill the red cat. Such a sweet, gentle cat it was. Here we go again, dream. Mother, wearing her take-out-the-garbage coat. I haven’t seen that coat in years. The coat she wore to pick me up from school early. She appeared at the back of the classroom, early. Go with your mother, teacher said. Diane, you are excused. I was a little girl. Already a famous actress. I looked at the other kids. I acted lucky. Though everyone knows what an early pick-up means. An early pick-up, dream. What’s wrong, I asked my mother. It is early spring. Bright sunlight. The usual birds. Air, teetering between bearable and unbearable. Cold, but not cold enough to shiver. Still, dream, I shiver. You know, my mother said. Her long garbage coat flying. There was a wind, that day. A wind like a scurrying grandmother, dusting. Look inside yourself, my mother said. You know why I have come for you. And still I acted lucky. Lucky to be out. Lucky to be out in the cold world with my mother. I’m innocent, I wanted to say. A little white girl, trying out her innocence. A white lamb, born into a cold field. Frozen almost solid. Brought into the house. Warmed all night with hair dryers. Death? I said. Smiling. Lucky. We’re barely to the parking lot. Barely to the car ride home. But the classroom already feels like the distant past. Long ago, my classmates pitying me. Arriving at this car full of uncles. Were they wearing suits? Death such a formal occasion. My sister, angry-crying next to me. Me, encountering a fragment of evil in myself. Evilly wanting my mother to say it. What? I asked, smiling. My lamb on full display at the fair. He’s dead! my sister said. Hit me in the gut with her flute. Her flute case. Her rental flute. He’s dead! Our father. Our father, who we were not supposed to know had been dying. He’s dead! The flute gleaming in its red case. Here, my mother said at home. She’d poured us each a small glass of Pepsi We normally couldn’t afford Pepsi. Lucky, I acted. He’s no longer suffering, my mother said. Here, she said. Drink this. The little bubbles flew. They bit my tongue. My evil persisted. What is death? I asked. And now, dream, once more you bring me my answer. Dig, my mother says. Pry, she says. I don’t want to see, dream. The lid so damp it crumbles under my hands. The casket just a drawerful of bones. A drawerful. Just bones and teeth. That one tooth he had. Crooked like mine.

...the house let out a groan. Like the wood itself was being warped, the house began to moan and shudder- the coloured glass lights in my room tinkling. I jolted upright, twisting to the open window. Clear skies, nothing- Nothing but the darkness leaking into my room from the hall door. I knew that darkness. A kernel of it lived in me. It rushed in from the cracks of the door like a flood. The house shuddered again. I vaulted from bed, yanked the door open, and darkness swept past me on a phantom wind, full of stars and flapping wings and- pain. So much pain, and despair, and guilt and fear. I hurtled into the hall, utterly blind in the impenetrable dark. But there was a thread between us, and I followed it- to where I knew his room was. I fumbled for the handle, then- More night and stars and wind poured out, my hair whipping around me, and I lifted an arm to shield my face as I edged into the room. 'Rhysand.' No response. But I could feel him there- feel that lifeline between us. I followed it until my shins banged into what had to be his bed. 'Rhysand,' I said over the wind and dark. The house shook, the floor-boards clattering under my feet. I patted the bed, feeling sheets and blankets and down, and then- Then a hard taut, male body. But the bed was enormous, and I couldn't get a grip on him. 'Rhysand!' Around and around darkness swirled, the beginning and end of the world.

I was thoroughly tired, and I didn't exactly lie awake, but I didn't exactly sleep either. As soon as I shut my eyes I could see the river again, only now I seemed to see it up and down its whole length. Where just a little while before people had been breathing and eating and going about their old every lives, now I could see the currents come riding in, at first picking up straws and dead leaves and little sticks, and then boards and pieces of firewood and whole logs, and then maybe the henhouse or the bard or the house itself. As if the mountain had melted and were flowing to the sea, the water rose and filled all the airy spaces of rooms and stalls and fields and woods, carrying away everything that would float, casting up the people and scattering them, scattering or drowning their animals and poultry flocks. The whole world, it seemed, was cast adrift, riding the currents, whirled about in eddies, and the old life submerged and gone, the new not yet come. And I knew that the Spirit that had gone forth to shape the world and make it live was still alive in it. I just had no doubt. I could see that I lived in the created world, and it was still being created. I would be part of it forever. There was no escape. The Spirit that made it was in it, shaping it and reshaping it, sometimes lying at rest, sometimes standing up and shaking itself, like a muddy horse, and letting the pieces fly. I had almost no sooner broke my leash than I had hit the wall.

Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.” “What makes you think I don’t know how to play cribbage?” Sage asked. “You do?” Ben sounded surprised. “I happen to be an excellent cribbage player,” Sage said. “Really…because I’m what one might call a cribbage master,” Ben said. “I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something? “I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.” “Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said. “Deal ‘em,” Ben said. Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy. “Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?” “European history. In Europe,” Sage said. “Small college. They taught me a lot.” Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?” “I would say that. In fact, I believe I just did.” Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions. “So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles. “Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?” “Nice…very nice.” Ben nodded. “Well done.” It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird. After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them. For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.

She was frightened, brazen, timid, wanton, appalled by herself, unrepentant. Adultery lit her from within, like the ashen mantle of a lamp, or as if an entire house of gauzy hangings and partitions were ignited but refused to be consumed and, rather, billowed and glowed, its structure incandescent. That she had courted him; that she was simultaneously proud and careless of her pregnancy; that she would sleep with him; that her father had been an inflexible family-proud minor navy deskman; that her mother had married a laundromat entrepreneur; that by both birth and marriage she was above him in the social scale; that she would take his blood-stuffed prick into the floral surfaces of her mouth; that there had been a Jew she had refound in him; that her mind in the midst of love’s throes could be as dry and straight-seeking as a man’s; that her fabric was delicate and fragile and burned with another life; that she was his slave; that he was her hired man; that she was frightened—compared to these shifting and luminous transparencies, Angela was a lump, a barrier, a boarded door. Her ignorance of the affair, though all the other couples guessed it, was the core of her maddening opacity. She did not share what had become the central issue of their lives. She was maimed, mute; and in the eggshell-painted rooms of their graceful colonial house she blundered and rasped against Piet’s taut nerves. He was so full of Foxy, so pregnant with her body and body scents and her cries and remorses and retreats and fragrant returnings, so full of their love, that his mind felt like thin ice. He begged Angela to guess, and her refusal seemed willful, and his gratitude to her for permitting herself to be deceived turned, as his secret churned in sealed darkness, to a rage that would burst forth irrationally. “Wake up!

IN JANUARY 1959 Police Chief Herbert Jenkins found a poem tacked to a bulletin board at his departmental headquarters. Tellingly, the anonymous author had titled it “The Plan of Improvement,” in sarcastic tribute to Mayor Hartsfield’s 1952 program for the city’s expansion and economic progress. The poem looked back over a decade of racial change and spoke volumes about the rising tide of white resentment. It began with a brief review of the origins of residential transition and quickly linked the desegregation of working-class neighborhoods to the desegregation of the public spaces surrounding them: Look my children and you shall see, The Plan of Improvement by William B. On a great civic venture we’re about to embark And we’ll start this one off at old Mozeley Park. White folks won’t mind losing homes they hold dear; (If it doesn’t take place on an election year) Before they have time to get over the shock, We’ll have that whole section—every square block. I’ll try something different for plan number two This time the city’s golf courses will do. They’ll mix in the Club House and then on the green I might get a write up in Life Magazine. And now comes the schools for plan number three To mix them in classrooms just fills me with glee; For I have a Grandson who someday I pray Will thank me for sending this culture his way. And for my finale, to do it up right, The buses, theatres and night spots so bright; Pools and restaurants will be mixed up at last And my Plan of Improvement will be going full blast. The sarcasm in the poem is unmistakable, of course, but so are the ways in which the author—either a policeman himself or a friend of one—clearly linked the city’s pursuit of “progress” with a litany of white losses. In the mind of the author, and countless other white Atlantans like him, the politics of progress was a zero-sum game in which every advance for civil rights meant an equal loss for whites.

But Glass, in her research, discovered that if you dig a little deeper into people's infidelities, you can almost always see how the affair started long before the first stolen kiss. Most affairs begin, Glass wrote, when a husband or wife makes a new friend, and an apparently harmless intimacy is born. You don't sense the danger as it's happening, because what's wrong with friendship? Why can't we have friends of the opposite sex--or of the same sex, for that matter--even if we are married? The answer, as Dr. Glass explained, is that nothing is wrong with a married person launching a friendship outside of matrimony--so long as the "walls and windows" of the relationship remain in the correct places. It was Glass's theory that every healthy marriage is composed of walls and windows. The windows are the aspects of your relationship that are open to the world--that is, the necessary gaps through which you interact with family and friends; the walls are the barriers of trust behind which you guard the most intimate secrets of your marriage. What often happens, though, during so-called harmless friendships, is that you begin sharing intimacies with your new friend that belong hidden within your marriage. You reveal secrets about yourself--your deepest yearnings and frustrations--and it feels good to be so exposed. You throw open a window where there really ought to be a solid, weight-bearing wall, and soon you find yourself spilling your secret heart with this new person. Not wanting your spouse to feel jealous, you keep the details of your new friendship hidden. In so doing, you have now created a problem: You have just built a wall between you and your spouse where there really ought to be free circulation of air and light. The entire architecture of your matrimonial intimacy has therefore been rearranged. Every old wall is now a giant picture window; every old window is now boarded up like a crack house. You have just established the perfect blueprint for infidelity without even noticing.

Baines told his son that children always got in the way of a marriage. Finding a state boarding school in England for Roland was good for everyone ‘all round’. Rosalind Baines, neé Morley, army wife, child of her times, did not chafe or rage against her powerlessness or sulk about it. She and Robert had left school at fourteen. He became a butcher’s boy in Glasgow, she was a chambermaid in a middle-class house near Farnham. A clean and ordered home remained her passion. Robert and Rosalind wanted for Roland the education they had been denied. This was the story she told herself. That he might have attended a day school and stayed with her was an idea she must have dutifully banished. She was a small nervous woman, a worrier, very pretty, everyone agreed. Easily intimidated, fearful of Robert when he drank, which was every day. She was at her best, her most relaxed, in a long heart-to-heart with a close friend. Then she told stories and laughed easily, a light and liquid sound that Captain Baines himself rarely heard. Roland was one of her close friends. In the holidays, when they did the housework together, she told stories of her childhood in the village of Ash, near the garrison town of Aldershot. She and her brothers and sisters used to brush their teeth with twigs. Her employer gave her her first toothbrush. Like so many of her generation she lost all her teeth in her early twenties. In newspaper cartoons people in bed were often shown with their false teeth in a glass of water on the bedside table. She was the oldest of five and spent much of her childhood minding her sisters and brothers. She was closest to her sister Joy who still lived near Ash. Where was their mother when Rosalind was minding the children? Her reply was always the same, a child’s view unrevised in adulthood: your granny would take the bus to Aldershot and spend the day window-shopping. Rosalind’s mother fiercely disapproved of make-up. In her teens, on rare nights out, Rosalind would meet her friend Sybil and together they

Starting a little over a decade ago, Target began building a vast data warehouse that assigned every shopper an identification code—known internally as the “Guest ID number”—that kept tabs on how each person shopped. When a customer used a Target-issued credit card, handed over a frequent-buyer tag at the register, redeemed a coupon that was mailed to their house, filled out a survey, mailed in a refund, phoned the customer help line, opened an email from Target, visited Target.com, or purchased anything online, the company’s computers took note. A record of each purchase was linked to that shopper’s Guest ID number along with information on everything else they’d ever bought. Also linked to that Guest ID number was demographic information that Target collected or purchased from other firms, including the shopper’s age, whether they were married and had kids, which part of town they lived in, how long it took them to drive to the store, an estimate of how much money they earned, if they’d moved recently, which websites they visited, the credit cards they carried in their wallet, and their home and mobile phone numbers. Target can purchase data that indicates a shopper’s ethnicity, their job history, what magazines they read, if they have ever declared bankruptcy, the year they bought (or lost) their house, where they went to college or graduate school, and whether they prefer certain brands of coffee, toilet paper, cereal, or applesauce. There are data peddlers such as InfiniGraph that “listen” to shoppers’ online conversations on message boards and Internet forums, and track which products people mention favorably. A firm named Rapleaf sells information on shoppers’ political leanings, reading habits, charitable giving, the number of cars they own, and whether they prefer religious news or deals on cigarettes. Other companies analyze photos that consumers post online, cataloging if they are obese or skinny, short or tall, hairy or bald, and what kinds of products they might want to buy as a result.

Oatmeal Breakfast Soup YIELD: 6 SERVINGS (ABOUT 8 CUPS) BREAKFAST was the inspiration for this soup, which has become a favorite at our house. Bacon, oatmeal, and milk are breakfast ingredients. And leeks? Well, I always put leeks in my soup. I microwave the bacon until crisp because Gloria always does so with good results, but it could be cooked in a skillet as well. Although I use coarsely granulated Irish oatmeal, which is chewy and flavorful, the soup is good made with quick-cooking oatmeal, provided you reduce the preparation time and the liquid accordingly. The first part of the recipe—bacon, leeks, and oatmeal—can be prepared ahead. It is better to add the milk and half-and-half at the last moment, however, for a fresher, cleaner-tasting soup. Finishing the soup with both milk and half-and-half is best, although using milk only is fine. 6 slices bacon (6 to 7 ounces), preferably maple- or honey-cured 2 small leeks, trimmed, with most of the green left on, sliced thin, and washed (2½ cups) 5 cups water 1 cup Irish coarse oatmeal 1½ teaspoons salt (less if bacon is highly salted) 1 cup half-and-half 1 cup milk ½ teaspoon freshly ground black pepper Arrange the bacon on a microwave oven tray, cover with paper towels, and cook on full power for about 4 minutes, or until the slices are crisp and brown. Reserve about 2 tablespoons of the bacon fat, and transfer the bacon to a cutting board. Cut the bacon into ½-inch pieces, and set it aside. Put the reserved bacon fat in a saucepan. Add the sliced leeks, and cook over medium heat for 5 to 6 minutes, until softened. Add the water, and bring to a boil. Add the oatmeal and salt, stir, and bring to a boil. Reduce the heat to very low, cover (with the lid placed slightly ajar, so the oatmeal doesn’t boil over), and cook gently for 25 to 30 minutes, or until the oatmeal is tender. (The recipe can be made to this point up to 24 hours ahead of time.) At serving time, add the half-and-half, milk, and pepper, and bring to a boil. Serve hot with the bacon pieces sprinkled on top.

Construction finally began that winter, and by early 1974 Syncrude’s Mildred Lake site bustled with 1,500 construction workers. But the deal remained tentative as cost estimates grew beyond the initial $1.5 billion to $2 billion or more and the federal government’s new budget arrived with punitive new taxes for oil and gas exports. Then, in the first week of December, one of the Syncrude partners, Atlantic Richfield, summarily quit the consortium, leaving a 30 percent hole in its financing. A mad scramble ensued in search of a solution. Phone calls pinged back and forth between government officials in Edmonton and Ottawa. Finally, on the morning of February 3, 1975, executives from the Syn-crude partner companies and cabinet ministers from the Alberta, Ontario and federal governments met without fanfare and outside the media’s brightest spotlights at an airport hotel in Winnipeg to negotiate a deal to save the project. Lougheed and Ontario premier Bill Davis both attended, along with their energy ministers. Federal mines minister Donald Macdonald represented Pierre Trudeau’s government, accompanied by Trudeau’s ambitious Treasury Board president, Jean Chrétien. Macdonald and Davis, both Upper Canadian patricians in the classic mould, were put off by Lougheed’s blunt style. By midday, the Albertans were convinced Macdonald would not be willing to compromise enough to reach a deal. Rumours in Lougheed’s camp after the fact had it that over lunch, Chrétien persuaded the mines minister to accept the offer on the table. Two days later, Chrétien rose in the House of Commons to announce that the federal government would be taking a 15 percent equity stake in the Syn-crude project, with Alberta owning 10 percent and Ontario the remaining 5 percent. In the coming years, it would be Lougheed, with his steadfast support and multimillion-dollar investments in SAGD, who would be seen as the Patch’s great public sector champion. But it was Chrétien, “the little guy from Shawinigan,” whose backroom deal-making skills had saved Syncrude

That's all well and good,but my concern is for Willow. I think she's beginning to realize that she both needs and wants the respect and companionship of the women in this town. And frankly, a man with your reputation can only hurt her. Not that I think you'd deliberately cause her harm. I don't. But the girl already has several black marks against her and your attentions could very well add to her problems.Do you understand what I'm trying to tell you?" Rider plowed his fingers through his jet hair. "Yes, you'd like me to stay clear of her. I understand,but I'm afraid I can't do that. Look, I know it's asking a lot,but you'll have to trust me where Willow Vaughn is concerned. I promise you that she'll come to no harm from me." "Trust,Mr. Sinclair,is something to be earned." "I know,and I hope you'll give me time to earn yours. But if you want me to pack up and find another place to stay, I'll understand." She considered that a moment. "No," she finally answered. "It would serve no purpose. This town has become a haven for every outlaw in the country and if every boarding house and hotel in Tombstone emptied out the disreputables, they'd soon go broke. I doubt I'll be held accountable for housing one more. Besides, at least this way,I can keep an eye on you." Rider smiled and stood, politely helping her to her feet. "Thanks. And by the way, for what it's worth, I'm not an outlaw." "If I truly believed you were, young man, you'd know it." "I'm very sorry for any trouble I might have caused you, Mrs. Brigham. Now if you'll excuse me, I have to change my clothes and saddle the horses." Rider walked to the parlor doors, glancing back over his shoulder as Miriam added, "You've asked me to trust you,Mr. Sinclair. Don't disappoint me or I guarantee you'll be sorry. I may be a woman, and not a young one at that, but I still have a few good tricks up my sleeve. If Willow suffers so much as a broken fingernail on your account, you'll have me to answer to." Rider inclined his head and opened the door to leave. "I'll do my best, ma'am, but much depends on the young lady." Knowing he'd already said more than he should, he turned and left.

If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham." Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-" "No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking." "Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!" "Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory." Willow blushed and concentrated on her hands where they rested on the edge of the tub. "Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout." Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!" "Watch the cursing, young lady." Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment. "Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often. "And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.

Politicians are the only people in the world who create problems and then campaign against them. Have you ever wondered why, if both the Democrats and Republicans are against deficits, we have deficits? Have you ever wondered why if all politicians are against inflation and high taxes, we have inflation and high taxes? You and I don’t propose a federal budget. The president does. You and I don’t have Constitutional authority to vote on appropriations. The House of Representatives does. You and I don’t write the tax code. Congress does. You and I don’t set fiscal policy. Congress does. You and I don’t control monetary policy. The Federal Reserve Bank does. One hundred senators, 435 congressmen, one president and nine Supreme Court justices — 545 human beings out of 235 million — are directly, legally, morally and individually responsible for the domestic problems that plague this country. I excused the members of the Federal Reserve Board because that problem was created by the Congress. In 1913, Congress delegated its Constitutional duty to provide a sound currency to a federally chartered by private central bank. I exclude all of the special interests and lobbyists for a sound reason. They have no legal authority. They have no ability to coerce a senator, a congressman or a president to do one cotton-picking thing. I don’t care if they offer a politician $1 million in cash. The politician has the power to accept or reject it. No matter what the lobbyist promises, it is the legislators’ responsibility to determine how he votes. Don’t you see the con game that is played on the people by the politicians? Those 545 human beings spend much of their energy convincing you that what they did is not their fault. They cooperate in this common con regardless of party. What separates a politician from a normal human being is an excessive amount of gall. No normal human being would have the gall of Tip O’Neill, who stood up and criticized Ronald Reagan for creating deficits. The president can only propose a budget. He cannot force the Congress to accept it. The Constitution, which is the supreme law of the land, gives sole responsibility to the House of Representatives for originating appropriations and taxes. Those 545 people and they alone are responsible. They and they alone should be held accountable by the people who are their bosses — provided they have the gumption to manage their own employees.

You aren’t worried about tomorrow, are you?” “What do you think?” He propped himself up on his elbows and studied my face. “You told me last spring it was the easiest thing in the whole wide world. You could hardly wait to jump. Why, even when you got sick you worried you’d die without having a chance to do it.” “I must have been a raving lunatic,” I muttered. Theo scowled, but the sound of a Model T chugging up the driveway stopped him from saying more. Its headlamps lit the trees and washed across the house. “It’s John again,” Theo said. “Papa will start charging him room and board soon.” Hidden in the shadows, we watched John jump out of the car and run up the porch steps. Hannah met him at the door. From inside the house, their laughter floated toward us as silvery as moonlight, cutting into my heart like a knife. “Hannah has a beau.” Theo sounded as if he were trying out a new word, testing it for rightness. He giggled. “Do you think she lets him kiss her?” I spat in the grass, a trick I’d learned from Edward. “Don’t be silly.” “What’s silly about smooching? When I’m old enough, I plan to kiss Marie Jenkins till our lips melt.” Making loud smacking sounds with his mouth, Theo demonstrated. Pushing him away, I wrestled him to the ground and started tickling him. As he pleaded for mercy, we heard the screen door open. Thinking Mama was about to call us inside, we broke apart and lay still. It was Hannah and John. “They’re sitting in the swing,” Theo whispered. “Come on, let’s spy on them. I bet a million zillion dollars they start spooning.” Stuffing his jar of fireflies into his shirt, Theo dropped to his knees and crawled across the lawn toward the house. I followed him, sure he was wrong. Hannah wasn’t old enough for kissing. Or silly enough. We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?

I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced. "Great, Emma! You got my new hair wet!" she sputters. "Happy now?" "Nope." "I said I was sorry." She blows her nose in her hand, then sets the snot to sea. "Gross. And sorry's not good enough." "Fine. I'll make it up to you. What do you want?" "Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness. "I'll let you do that because I love you. But it won't make you feel better." "I won't know for sure until I try it." I keep eye contact, sit a little straighter. "Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance. "Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico. "White than most," she grins. "People would think you're naked if you wore my swimsuit." I glance down at the white string bikini, offset beautifully against her chocolate-milk skin. She catches me and laughs. "Well, maybe I could get a tan while we're here," I say, blushing. I feel myself cracking and I hate it. Just this once, I want to stay mad at Chloe. "Maybe you could get a burn while we're here, you mean. Matterfact, did you put sunblock on?" I shake my head. She shakes her head too, and makes a tsking sound identical to her mother's. "Didn't think so. If you did, you would've slipped right off that guy's chest instead of sticking to it like that." "I know," I groan. "Got to be the hottest guy I've ever seen," she says, fanning herself for emphasis. "Yeah, I know. Smacked into him, remember? Without my helmet, remember?" She laughs. "Hate to break it to you, but he's still staring at you. Him and his mean-ass sister." "Shut up." She snickers. "But seriously, which one of them do you think would win a staring contest? I was gonna tell him to meet us at Baytowne tonight, but he might be one of those clingy stalker types. That's too bad, too. There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!

During the conversation she [7th-GGM, Anna Maria Hoepflinger Floerl] also talked about the guidance with which God had provided her when they started to expel the Salzburgers. She was born in the state of Bavaria and brought up in ignorance by her seriously erring mother and some relatives. However, when God recognized that He could save her soul, He saw to it that among the twelve journeyman of a papal masterbuilder from Salzburg who worked on a church in Bavaria, there was a Lutheran journeyman, called “the Lutheran,” about whose religion strange things were said. Because he got room and board at the house of her cousin, for whom she worked, she was very much aware of his Christian behavior. And, since she noticed great peace, nonconformance to the world, and diligent prayer and intercession as well as sympathy and tears when he saw the bound Evangelical Salzburgers being led past him, she had the deep desire to talk to this man secretly about his and her religious faith. One evening God arranged for her cousin to be busy with the soldiers who were accompanying the Salzburgers on their way across Bavaria, while the servants were in the tavern. She grasped this opportunity to make this knowledgeable man, who was experienced in Christianity, teach her the Evangelical truth for three hours; upon her request, he also sent her a good book, namely the Schaitberger, in a small well-secured barrel. In it, they eagerly read for three consecutive weeks at night about the Evangelical truth and her previous misunderstandings. Because the people concluded from her overall behavior, especially her absence from monthly confession, observance of brotherhood meetings, participation in pilgrimages, and telling a rosary, that she might have suspicious books, they waylaid her, took the book away from her, and threatened her with jail and death unless she stayed away from this heresy. At the priest’s instigation, her mother, in particular, behaved very badly. Finally God gave her the courage to leave, although she knew neither the way nor the area. A woman potter, also a secret Lutheran, referred her to her very close kinswoman in Austria; but there she was advised in confidence that she was to go to Salzburg rather than to pretend, in violation of her conscience, because here they searched very much after Evangelical people and books. Since the journeyman bricklayer had given her instructions on how to get to the Goldeck jurisdiction and, there, to a Lutheran family, she traveled there without a passport, like a poor abandoned sheep, in the name of God, who was her leader and guide, and she was well received. However, because the Evangelical people were being expelled at that time, she was summoned to appear before the authorities and was threatened that, if she stayed with these Evangelical people, she would enjoy neither God’s care nor any favor from the people in the Empire, but would die a horrible death. Nevertheless, she said that she would go with them regardless of what might happen to her. She preferred all misery and even death itself to renouncing God, her Savior, and the Evangelical truth. She did not start with good days, but with misery and death, as the bricklayer had told her earlier while assuring her of God’s help.

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE