Hour Of The Wolf Quotes

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She'll be back," Ranger said. "But not tonight." [Stephanie] "How'd you get her to leave?" "Told her I was gonna spend the next twelve hours ruining you for all other men, and so she might as well go home." I could feel the heat rush to my face. Ranger gave me the wolf smile. "I lied about it being tonight," he said.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
The time between midnight and dawn when most people die, when sleep is deepest, when nightmares are most palatable. It is the hour when the sleepless are pursued by their sharpest anxieties, when ghosts and demons hold sway. The hour of the wolf is also the hour when most children are born.
Ingmar Bergman
Child, child, have patience and belief, for life is many days, and each present hour will pass away. Son, son, you have been mad and drunken, furious and wild, filled with hatred and despair, and all the dark confusions of the soul - but so have we. You found the earth too great for your one life, you found your brain and sinew smaller than the hunger and desire that fed on them - but it has been this way with all men. You have stumbled on in darkness, you have been pulled in opposite directions, you have faltered, you have missed the way, but, child, this is the chronicle of the earth. And now, because you have known madness and despair, and because you will grow desperate again before you come to evening, we who have stormed the ramparts of the furious earth and been hurled back, we who have been maddened by the unknowable and bitter mystery of love, we who have hungered after fame and savored all of life, the tumult, pain, and frenzy, and now sit quietly by our windows watching all that henceforth never more shall touch us - we call upon you to take heart, for we can swear to you that these things pass.
Thomas Wolfe (You Can't Go Home Again (Perennial Library))
My dear, dear girl [. . .] we can't turn back the days that have gone. We can't turn life back to the hours when our lungs were sound, our blood hot, our bodies young. We are a flash of fire--a brain, a heart, a spirit. And we are three-cents-worth of lime and iron--which we cannot get back.
Thomas Wolfe (Look Homeward, Angel)
When we kissed, it didn't matter that I had been a wolf hours ago, or that I would be a wolf again. It didn't matter that a thousand snares were laid for us as soon as we left this moment. All that mattered was this: our noses touching, the softness of his mouth, the ache inside me.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
It was during those infinite hours that she would fix her stare on her companion. Not the queen’s hunter, who could draw out pain like a musician coaxing a melody from an instrument. But the massive white wolf, chained by invisible bonds. Forced to witness this.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
When the wolf howls and the moon dims hope fades with the waning light. Evil lurks at every turn as shadows waltz across the ebony night. Behold the midnight hour where all of reason takes flight.
Grace Willows
This party was not in the least like a party a wolf would throw. For one thing, no one had shown up smashed. For another thing, even though it started an hour ago, still no one was smashed.
Kristen Ashley (With Everything I Am (The Three, #2))
The hour between dog and wolf, that is, dusk, when the two can’t be distinguished from each other, suggests a lot of other things besides the time of day…The hour in which…every being becomes his own shadow, and thus something other than himself. The hour of metamorphoses, when people half hope, half fear that a dog will become a wolf. The hour that comes down to us from at least as far back as the early Middle Ages, when country people believed that transformation might happen at any moment.
Jean Genet (Prisoner of Love)
If you make friends with pain, you have a friend for life.
Robert McCammon (The Wolf's Hour (Michael Gallatin #1))
Some people are who you think they are. Some people hide the wolf inside of them, but you can hear them howl.
Alice Hoffman (The Invisible Hour)
It’s handwritten,” Freddy whispered. “What is?” He pointed at the sheets of paper Coop held. Glancing down, Coop shook his head. “No, buddy. This is from a printer. It’s been typed.” “No. It hasn’t. Me, Denny, and the twins watched him do it for like an hour. He wrote out each one. By hand. We had to leave when Zoe began to cry. She was completely freaked out.” Freddy leaned in a little bit more and again whispered, “I think if she’d stayed any longer, she would have stabbed him to death. And I don’t think the rest of us would have tried to stop her.
Shelly Laurenston (Wolf with Benefits (Pride, #8))
His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop’s palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it." He grumbled, but I could see relif in his eyes, like he was glad to see me smile. "SO i was right, wasn't I? It's still youm even in wolf form." He grunted. "No sudden uncontrollable urges to go kill something?" He rolled his eyes. "Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?" I got a real look for that one. "Just covering all the bases." He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers. Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it. "The lack of opposanle thumbs is going to take some getting used to, huh?" He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it. "Okay, okay. I'm just trying not to croud you." That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace. He grunted. "Yes, thats better.thanks. now get some rest." i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that. and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days? Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing. when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep. i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me. "S-sorry, I didn't mean-" He cut me short with a growl, telling me off for apologizing.
Kelley Armstrong
The seals are scarce and the whales are almost gone. The spirits of the animals are passing away. Amaroq, Amaroq, you are my adopted father. My feet dance because of you. My eyes see because of you. My mind thinks because of you. And it thinks, on this thundering night, That the hour of the wolf and the Eskimo is over.
Jean Craighead George (Julie of the Wolves (Julie of the Wolves, #1))
Perhaps this war will make it simpler for us to go back to some of the old ways we knew before we came over to this land and made the Big Money. Perhaps, even, we will remember how to make good bread again. It does not cost much. It is pleasant: one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with peace, and the house filled with one of the world's sweetest smells. But it takes a lot of time. If you can find that, the rest is easy. And if you cannot rightly find it, make it, for probably there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel, that will leave you emptier of bad thoughts than this homely ceremony of making bread.
M.F.K. Fisher (How to Cook a Wolf)
Jacque leaned over and whispered in Sally's ear, "I give it two days before he lays one on her." "You're being generous. I say less than twenty four hours." "Is that a bet?" Jacque asked, eyebrows raised. "Better believe it," Sally answered. Her lips eased into a crooked smile. Jen leaned around Sally and glared at her two best friends. "What are you two betting on?" "Good grief. What, does she have eagle ears or something?" "No, you dork. Your whisper is just you talking in normal volume but making your voice raspy. Really, you sound more like a chick who's been smoking for thirty years." Jen shrugged. "I'm just throwing that out there. You can take it and apply it at your leisure." Fane was chuckling at Jen's words when Jacque elbowed him, causing him to cough."You don't get to laugh, wolf-man." Jacque turned back to Jen. "Thank you for that observation, Sherlock." "Always glad to help a friend in need, Watson." Jen grinned at Jacque's irritated look.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
Compared to the power of the sun, everything else is a joke, including all the wrenches, clockwork, springs and even your steam
Andrius B. Tapinas (Hour of the Wolf)
...Our friend Nunheim was filled full of .32s just about an hour after he copped the sneak on us - deader'n hell. The pills look like they come from the same gun that cut down the Wolf dame. The experts are matching 'em up now. I guess he wishes he'd stayed and talked to us.
Dashiell Hammett (The Thin Man)
As long as I live I'll never forget the time he had a bank president pinched, or rather I did, on no evidence whatever except that the fountain pen on his desk was dry. I was never so relieved in my life as when the guy shot himself an hour later.
Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
And now it's late, close to the wolfing hour of soul-lack. But she knows, lying curled here, behind him, in the darkness of this small room, with the somehow liquid background sounds of Paris, that hers has returned, at least for the meantime, reeled entirely in on its silver thread and warmly socketed.
William Gibson
Have you ever dealt with people who have lost everything in just an hour? In the morning you leave the house where your wife, your children, your parents live. You return and you find a smoking pit. Then something happens to you - to a certain extent you stop being human. You do not need any glory, money anymore; revenge becomes your only joy. And because you no longer cling to life, death avoids you, the bullets fly past. You become a wolf.
Russian General Aleksander Lebed
Of course, she doesn't make my dick hard ever time I look at her, so I guess it's a good thing she wasn't the one I got naked with a few hours ago, huh?
Christine Warren (Wolf at the Door (The Others, #9))
What a beautiful town!” I shouted out. Oh, but what a terrifying view.. You know I wrestled with my bruised hours Just to lie there next to you.
Patrick Wolf
It was still early morning when Tess landed at O’Hare, bringing her the ultimate enjoyment of driving through Chicago’s infamous, rush-hour traffic.
Leslie Wolfe (Dawn Girl (Tess Winnett, #1))
fatigue should be understood as a signal our body and brain use to inform us that the expected return from our current activity has dropped below its metabolic cost.
John Coates (The Hour Between Dog and Wolf: How Risk Taking Transforms Us, Body and Mind)
And she did not weep for herself, but for him: the hour after his birth she had looked in his dark eyes and had seen something that would brood there eternally, she knew, unfathomable wells of remote and intangible loneliness: she knew that in her dark and sorrowful womb a stranger had come to life, fed by the lost communications of eternity, his own ghost, haunter of his own house, lonely to himself and to the world. O lost.
Thomas Wolfe (Look Homeward, Angel)
A mature wolf can watch and wait for hours, a cub not yet fully a wolf cannot. To him, a pebble is a diamond for a few moments; or a newly found feather becomes the sole thread on which the entire universe is suspended.
Roger A. Caras (Untitled)
Housework’s modern status,” writes Ann Oakley, “is nonwork.” A recent study shows that if housework done by married women were paid, family income would rise by 60 percent. Housework totals forty billion hours of France’s labor power. Women’s volunteer work in the United States amounts to $18 billion a year. The economics of industrialized countries would collapse if women didn’t do the work they do for free: According to economist Marilyn Waring, throughout the West it generates between 25 and 40 percent of the gross national product.
Naomi Wolf (The Beauty Myth: How Images of Beauty Are Used Against Women)
Wake and sleep and wake again, every night was broken into pieces by the rough hands of her tormentors, and every night was colder and crueler than the night before. The hour of the owl, the hour of the wolf, the hour of the nightingale, moonrise and moonset, dusk and dawn, they staggered past like drunkards.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
It's the curse of man to have a mind and not have the sense to use it.
Robert McCammon (The Wolf's Hour (Michael Gallatin #1))
All freedom has its price, but freedom of the mind is priceless.
Robert McCammon (The Wolf's Hour (1 of 3) [Dramatized Adaptation])
information is synonymous with unpredictability, with novelty.
John Coates (The Hour Between Dog and Wolf: How Risk Taking Transforms Us, Body and Mind)
Remember this rule,” advises Kahneman: “Intuition cannot be trusted in the absence of stable regularities in the environment.
John M. Coates (The Hour Between Dog and Wolf: How Risk Taking Transforms Us, Body and Mind)
good judgment may require the ability to listen carefully to feedback from the body.
John M. Coates (The Hour Between Dog and Wolf: How Risk Taking Transforms Us, Body and Mind)
One of the advantages of reading books is that you get to play with someone else's imaginary friends, at all hours of the night.
Sunwolf
He didn't want just one morning with her, just one dawn breaking across the horizon. He wanted every dawn forever, every night, and the hours in between.
R.E. Butler
Thinking, one could say, is something we do only when we are no good at an activity.
John M. Coates (The Hour Between Dog and Wolf: Risk Taking, Gut Feelings and the Biology of Boom and Bust)
The cure for fatigue, according to this account, is not a rest; it is a fresh task.
John Coates (The Hour Between Dog and Wolf: How Risk Taking Transforms Us, Body and Mind)
getting up to piss at three AM, which some poet or other has rightly dubbed the Hour of the Wolf.
Stephen King (Joyland)
No wonder marriages used to hold up better. Sherman's parents and their friends had all had plenty of servants, and the servants had worked long hours and lived in. If you were unwilling to argue in front of the servants, then there wasn't much opportunity to argue at all.
Tom Wolfe (The Bonfire of the Vanities)
Thomas Wolfe ate the world and vomited lava. Dickens dined at a different table every hour of his life. Molière, tasting society, turned to pick up his scalpel, as did Pope and Shaw.
Ray Bradbury (Zen in the Art of Writing)
Well," he said, quite seriously, "it's this way: you work because you're afraid not to. You work becuase you have to drive yourself to such a fury to begin. That part's just plain hell! It's so hard to get started that once you do you're afraid of slipping back. You'd rather do anything than go through all that agony again--so you keep going--you keep going faster all the time--you keep going till you couldn't stop even if you wanted to. You forget to eat, to shave, to put on a clean shirt when you have one. You almost forget to sleep, and when you do try to you can't--because the avalanche has started, and it keeps going night and day. And people say: 'Why don't you stop sometime? Why don't you forget about it now and then? Why don't you take a few days off?' And you don't do it because you can't--you can't stop yourself--and even if you could you'd be afraid to because there'd be all that hell to go through getting started up again. Then people say you're a glutton for work, but it isn't so. It's laziness--just plain, damned, simple laziness, that's all...Napoleon--and--and Balzac--and Thomas Edison--these fellows who never sleep more than an hour or two at a time, and can keep going night and day--why that's not because they love to work! It's because they're really lazy--and afraid not to work because they know they're lazy! Why, hell yes!..I'll bet you anything you like if you could really find out what's going on in old Edison's mind, you'd find that he wished he could stay in bed every day until two o'clock in the afternoon! And then get up and scratch himself! And then lie around in the sun for awhile! And hang around with the boys down at the village store, talking about politics, and who's going to win the World Series next fall!
Thomas Wolfe (You Can't Go Home Again)
Besides the Hawk’s own men, the men of the Wolf and the Dragon kept watch as well. Night and day, hour to hour, never eased for a moment, three warlord husbands kept guard over their beloved wives.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
If there was one thing Kesey couldn’t resist, it was the prospect of a long warm soak. He would stay in a warm tub one hour any time, and the paradisiacal Aguascalientes were good for four or five hours, easy.
Tom Wolfe (The Electric Kool-Aid Acid Test)
You’ve got exactly twenty-seven hours and then I’m coming in there and trimming you down,” Park said from above. “Like your big head could fit,” Cooper said. “And twenty-seven hours? It’s 127 hours! What do you think, he sawed his own arm off after one day?” “You want to make it twenty-seven minutes, Dayton?” Park said.
Charlie Adhara (The Wolf at the Door (Big Bad Wolf, #1))
I began, as most young people do, by reading the books I enjoyed. But I found that narrowed my pleasure, in time, until I spent most of my hours searching for such books. Then I devised a plan of study for myself, tracing obscure sciences, one after another, from the dawn of knowledge to the present. Eventually I exhausted even that, and beginning at the great ebony case that stands in the center of the room we of the library have maintained for three hundred years against the return of the Autarch Sulpicius (and into which, in consequence, no one ever comes) I read outward for a period of fifteen years, often finishing two books in one day.
Gene Wolfe (The Shadow of the Torturer (The Book of the New Sun, #1))
Yet of this massive flow of information no more than about 40 bits per second actually reaches consciousness. We are, in other words, conscious of only a trivial slice of all the information coming into the brain for processing.
John M. Coates (The Hour Between Dog and Wolf: How Risk Taking Transforms Us, Body and Mind)
Scuffing her bare feet into slippers, she shrugged into a silk robe, then hesitated, looking down at Perrin. He would be able to see her clearly, if he woke, but to her, he was just a shadowed mound. She wished her mother were there, now, to advise her. She loved Perrin with every fiber of her being, and he confused every fiber. Actually understanding men was impossible, of course, but he was so unlike anyone she had grown up with. He never swaggered, and instead of laughing at himself, he was... modest. She had not believed a man could be modest! He insisted that only chance had made him a leader, claimed he did not know how to lead, when men who met him were ready to follow after an hour. He dismissed his own thinking as slow, when those slow, considering thoughts saw so deeply that she had to dance a merry jig to keep any secrets at all. He was a wonderful man, her curly-haired wolf. So strong. And so gentle.
Robert Jordan (The Path of Daggers (The Wheel of Time, #8))
What if she doesn't worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women's shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem to obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like?
Naomi Wolf (The Beauty Myth)
We won!” yelled Ron, bounding into sight and brandishing the silver Cup at Harry. “We won! Four hundred and fifty to a hundred and forty! We won!” Harry looked around; there was Ginny running toward him; she had a hard, blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments — or it might have been half an hour — or possibly several sunlit days — they broke apart. The room had gone very quiet. Then several people wolf-whistled and there was an outbreak of nervous giggling. Harry looked over the top of Ginny’s head to see Dean Thomas holding a shattered glass in his hand, and Romilda Vane looking as though she might throw something. Hermione was beaming, but Harry’s eyes sought Ron. At last he found him, still clutching the Cup and wearing an expression appropriate to having been clubbed over the head. For a fraction of a second they looked at each other, then Ron gave a tiny jerk of the head that Harry understood to mean, Well — if you must. The creature in his chest roaring in triumph, he grinned down at Ginny and gestured wordlessly out of the portrait hole. A long walk in the grounds seemed indicated, during which — if they had time — they might discuss the match.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
So Wolf, what did you do?” – Sundown “You mean before or after I soiled my jeans? Which, by the way, I want kudos for coming back in the cab when I could have gone home. The foot valve was stuck. It doesn’t happen often. But it can happen as you just saw. If you’re lucky you can pop it back out from the cab. Obviously, given the horrors of this night, I wasn’t lucky so I had to crawl under the damn thing at ninety miles an hour and pound it out from underneath. I don’t ever want to hang like that under a speeding vehicle again. I swear I just lost eight of my nine lives.” – Sasha “What is it with you the cat analogies?” – Sundown
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
The swift greyhounds chased him for hours, wearing the wolf down, tiring him out so he would be too weak to give more than a token fight at the end. He remembered this tactic well from when he had been the hunter on the horse.... At least I know what happens next.
E.D. Walker (The Beauty's Beast)
Death will find me long before I tire of contemplating an evening spent in his company during which he enthralled a mixed audience consisting of a fur trader, a Cree Indian matron, and an Anglican missionary, with an hour-long monologue on sexual aberrations in female pygmy shrews. (The trader misconstrued the tenor of the discourse; but the missionary, inured by years of humorless dissertations, soon put him right.)
Farley Mowat (Never Cry Wolf)
Besides the Hawk's own men, the men of the Wolf and the Dragon kept watch as well. Night and day,hour to hour, never eased for a oment,three warlord husbands kept guard over their beloved wives.Out beyond the harbor, boats patrolled. In the hills beyond Hawkforte, sentries stood their posts. No one entered the town without being indentified. No one came near the stronghold without being approved. At this rate,they would never catch Wolscroft.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
And then all of a sudden I realized how little time we have. Like on the earth, I mean. And when I say we, I mean everyone. It was a profound realization, and I suddenly had to share this fact with Mary. I know that sounds insane because of how it was already after midnight and all the other crazy things that had happened that day, but it was one of the most important feelings I’ve ever had – my chest was swelling and everything. It felt like there were only so many hours left on the earth – that’s the hardest part about being alive.
Adam Rapp (Under the Wolf, Under the Dog)
I killed him.” “Why did you slit his throat?” “I was drunk.” “Why did you use a scalpel?” “What’s a scalpel?
Andrius B. Tapinas (Hour of the Wolf)
Soon we will not need people anymore, as everything will be done by automatons, including bringing up children.
Andrius B. Tapinas (Hour of the Wolf)
Oh my dear, you don't think burning a book destroys a story, do you?
Sara Lewis Holmes (The Wolf Hour)
whatever tragedy might happen, whatever torment should befall, life went on.
Robert McCammon (The Wolf's Hour (1 of 3) [Dramatized Adaptation])
Naomi Wolfe, journalist and author of The Beauty Myth, writes, “A culture fixated on female thinness is not an obsession about female beauty but an obsession about female obedience. Dieting is the most potent political sedative in history. A quietly mad population is a tractable one.”31 Wolfe strategically illustrates how body-shame social messaging is used as a means of controlling and centralizing political power. We need look no further than the 2016 U.S. presidential election to see Wolfe’s thesis in action. Candidate Hillary Clinton was exhaustingly scrutinized about her aesthetic presentation. Outfits, makeup, hairstyles were all fodder for the twenty-four-hour news cycle. Even the pro-Hillary, hundred-thousand-plus-member Facebook group Pantsuit Nation chose her penchant for eschewing skirts and dresses as the name of their collective, inadvertently directing public focus to her physical appearance rather than her decades of political experience.
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
There are a good many people of the same kind as Harry. Many artists are of his kind. These persons all have two souls, two beings within them. Thee is God and the devil in them; the mother's blood and the father's; the capacity for happiness and the capacity for suffering; and in just such a state of enmity and entanglement towards and within each other as were the wolf and man in Harry. And these men, for whom life has no repose, live at times in their rare moments of happiness with such strength and indescribable beauty, the spray of their moment's happiness is flung so high and so dazzlingly over the wide sea of suffering, that the light of it, spreading its radiance, touches others too with its enchantment. Thus, like a precious, fleeting foam over the sea of suffering arise all those works of art, in which a single individual lifts himself for an hour so high above his personal destiny that his happiness shines like a star and appears to all who see it as something eternal and as a happiness of their own.
Hermann Hesse (Steppenwolf)
1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).
C.S. Lewis
child is born on that day and at that hour when the celestial rays are in mathematical harmony with his or her individual karma. The resulting horoscope is a challenging portrait revealing his or her unalterable past, and its probable future result. But the natal chart can be rightly interpreted only by women and men of intuitive wisdom: these are few. ~ ~ ~ Swami Sri Yukteswar Guru of the great Paramahansa Yogananda
Jeffrey Green (Jeffrey Wolf Green Evolutionary Astrology: Structure of the Soul)
At these moments, after battle, after all the confusion, antagonism, and disorder of their lives had exploded in a moment of strife, they gained an hour of repose in which they saw themselves with sad tranquillity. They were like men who, driving forward desperately at some mirage, turn, for a moment, to see their footsteps stretching interminably away across the wasteland of the desert; or I should say, they were like those who have been mad, and who will be mad again, but who see themselves for a moment quietly, sanely, at morning, looking with sad untroubled eyes into a mirror. Their faces were sad. There was great age in them. They felt suddenly the distance they had come and the amount they had lived. They had a moment of cohesion, a moment of tragic affection and union, which drew them together like small jets of flame against all the senseless nihilism of life.
Thomas Wolfe (Look Homeward, Angel)
Truth is like fire, Mikhail,” he said. “It either heals or it destroys. But it never—never—leaves what it touches unchanged.” His head slowly swiveled, and he stared at the boy. “Can you stand the flames of truth, Mikhail?
Robert McCammon (The Monster Novels: Stinger, The Wolf's Hour, and Mine)
It’s a job, just like any other one, as long as it’s voluntary – which it was, on my part. The thing is, older men have always been especially fond of me. I’m naturally charming. I thought that I could have a lot of things that I wanted at once – no emotional involvement, lots of fun adventures with people in different environments, socialization and conversation – things that are so superficial but I would master them, I would become so skilled at this superficiality that it would be like acting in a play. I’m a certain person during certain hours. As this person I get to have so many new adventures, and hone the craft of seduction, which is one of the ultimate skills a person can have. Great courtesans during history were very knowledgeable about a variety of subjects and spoke multiple languages and such. They were able to seduce because they had great minds, along with their looks.
Mia Wolfe (Jessica's Secret)
The dog continued to bark at night, sometimes far away, sometimes close to the house. Towards morning, he would howl. It could be quiet for hours, but there were those who lay in bed waiting for the next howl, and they would say, "Did you hear that? It's like having a wolf in the woods. An unhappy woman has an unhappy dog. It ought to be shot." Katri did not talk about the dog, but she put out food and water in the yard. Sometimes at night Mats would wait by the kitchen window with the light off and the door open. He saw the dog only once, just as it was growing light, and he went very slowly out on the steps and tried to coax it in. But it ran off into the woods, so he gave up.
Tove Jansson (The True Deceiver)
The generals and commanders might bark orders, but it was the young who died carrying them out; that was the way it had been throughout the ages, and in that respect, the future of warfare would never change. Men being what they were.
Robert McCammon (The Monster Novels: Stinger, The Wolf's Hour, and Mine)
Ebook readers might cause problems. This has become a controversial topic as more and more people use and love ereaders. A close friend of mine doesn’t go anywhere without her Kindle and will probably be buried with it. A Wolf, she was dismayed when I shared the findings of a new Harvard Medical School study:23 reading an ebook in the hour before bed delayed sleep more than reading a print book under normal lamplight, and it also increased sleep inertia the next day.
Michael Breus (The Power of When: Discover Your Chronotype—and the Best Time to Eat Lunch, Ask for a Raise, Have Sex, Write a Novel, Take Your Meds, and More)
She went away in beauty's flower, Before her youth was spent; Ere life and love had lived their hour God called her, and she went. Yet whispers Faith upon the wind: No grief to her was given. She left your love and went to find A greater one in heaven.
Thomas Wolfe (Look Homeward, Angel)
Bawling, strong, one hour old, plucked from the cradle: he kissed the infant’s fluffy skull and said, I shall be as tender to you as my father was not to me. For what’s the point of breeding children, if each generation does not improve on what went before?
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Thomas Wolfe ate the world and vomited lava. Dickens dined at a different table every hour of his life. Molière, tasting society, turned to pick up his scalpel, as did Pope and Shaw. Everywhere you look in the literary cosmos, the great ones are busy loving and hating.
Ray Bradbury (Zen in the Art of Writing: The memoir and writing guide by the author of Farenheit 451)
In repose his face seemed to become darker still, and as the wattage of those green eyes fell their somber hue made Margritta think of the color in the deep shadow of a primeval forest, a place of secrets best left unexplored. And, perhaps, a place also of great dangers. He
Robert McCammon (The Wolf's Hour (Michael Gallatin, #1))
All I really know is it can sometimes make all the difference in the world if you just have someone to cling to. For an hour, for a year, for a moment. Just to feel some human contact, some communion with another being that makes you feel as if you’re not the only candle out there flickering in the wind.
Elvis English (Winter City Wolf Moon)
Suddenly hope was a thing of the past. I was just one of the other people. I tried imitating the expression on their faces; we still had five days. Then one day; then no time at all. Then I became one of them and in a few hours I'd forgotten that one can look from solid houses with horror and pity at people trekking by.
Christa Wolf (The Quest for Christa T.)
Wolfe was going on. “I didn’t have a client this morning, or even an hour ago, but now I have. Mr. Rowcliff’s ferocious spasms, countenanced by you gentlemen, have made the challenge ineluctable. When Mr. Goodwin said that I was not concerned in this matter and that he was acting solely in his own personal interest, he was telling the truth. As you may know, he is not indifferent to those attributes of young women that constitute the chief reliance of our race in our gallant struggle against the menace of the insects. He is especially vulnerable to young women who possess not only those more obvious charms but also have a knack of stimulating his love of chivalry and adventure and his preoccupation with the picturesque and the passionate.
Rex Stout (Prisoner's Base (Nero Wolfe, #21))
How old are you?” That was for my benefit. He had a triple conviction: that a) his animus toward women made it impossible for him to judge any single specimen; that b) I needed only an hour with any woman alive to tag her; and that c) he could help out by asking some blunt impertinent question, his favorite one being how old are you. It’s hopeless to try to set him right.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
Let's press ahead a little further by sketching out a few variations among short shorts: ONE THRUST OF INCIDENT. (Examples: Paz, Mishima, Shalamov, Babel, W. C. Williams.) In these short shorts the time span is extremely brief, a few hours, maybe even a few minutes: Life is grasped in symbolic compression. One might say that these short shorts constitute epiphanies (climactic moments of high grace or realization) that have been tom out of their contexts. You have to supply the contexts yourself, since if the contexts were there, they'd no longer be short shorts. LIFE ROLLED UP. (Examples: Tolstoy's 'Alyosha the Pot,' Verga's 'The Wolf,' D. H. Lawrence's 'A Sick Collier.') In these you get the illusion of sustained narrative, since they deal with lives over an extended period of time; but actually these lives are so compressed into typicality and paradigm, the result seems very much like a single incident. Verga's 'Wolf' cannot but repeat her passions, Tolstoy's Alyosha his passivity. Themes of obsession work especially well in this kind of short short. SNAP-SHOT OR SINGLE FRAME. (Examples: Garda Marquez, Boll, Katherine Anne Porter.) In these we have no depicted event or incident, only an interior monologue or flow of memory. A voice speaks, as it were, into the air. A mind is revealed in cross-section - and the cut is rapid. One would guess that this is the hardest kind of short short to write: There are many pitfalls such as tiresome repetition, being locked into a single voice, etc. LIKE A FABLE. (Examples: Kafka, Keller, von Kleist, Tolstoy's 'Three Hermits.') Through its very concision, this kind of short short moves past realism. We are prodded into the fabulous, the strange, the spooky. To write this kind of fable-like short short, the writer needs a supreme self-confidence: The net of illusion can be cast only once. When we read such fable-like miniatures, we are prompted to speculate about significance, teased into shadowy parallels or semi allegories. There are also, however, some fables so beautifully complete (for instance Kafka's 'First Sorrow') that we find ourselves entirely content with the portrayed surface and may even take a certain pleasure in refusing interpretation. ("Introduction")
Irving Howe (Short Shorts)
There's a small moment in this chapter when Bella wants to practice fighting techniques with Emmett, but Edward won't let her. Emmett is here? Hi Emmett! Hey Emmett, according to Google Maps, you live 2,931 miles away from me. If I don't make any stops for food or fuel, and sit on a pile of absorbent kitty litter, I can make the trip in 48 hours. So I can be there by Sunday or Monday. Oh…hey, did you know Monday is Valentine's Day? That's super weird, right? Didn't plan that at all. I swear. OK, see you then! Anyway, Bella wants to practice with Emmett but Edward says no. Huh? Not only does Edward refuse to teach his wife basic self-defense, but she can't even learn some tips from The Pain Maker? Why? I dare you to explain this. I double wolf dare you.
Dan Bergstein
And the dog episode?" He tried for innocence, but his laughter was echoing in her mind. "What do you mean?" "You know very well what I mean," she insisted. "When Dragon walked me home." "Ah,yes,I seem to recall now. The big bad wolf decked out in chains and spikes, afraid of a little dog." "Little? A hundred-and-twenty-pound Rottweiler mix? Foaming at the mouth. Roaring.Charging him!" "He ran like a rabbit." Gregori's soft, caressing voice echoed his satisfaction. He had taken great pleasure in running that particular jackass off.How dare the man try to lay a hand on Savannah? "No wonder I couldn't touch the dog's mind and call him off. You rotten scoundrel." "After Dragon left you,I chased him for two blocks, and he went up a tree. I kept him there for several hours, just to make a point.He looked like a rooster with his orange comb." She laughed in spite of her desire not to. "He never came near me again." "Of course not.It was unacceptable," he said complacently,with complete satisfaction, the warmth of his breath heating her blood. His mouth touched, skimmed, moved across her nipple, branding her with his heat, with flame, before finding the underside of her breast. Savannah closed her eyes against a need so intense that she shook with it. How could she want something that hurt so terribly? No pain,ma petite,only pleasure. His tongue created an aching void in her. I swear it on my life. His mouth was hot velvet closing over her breast. Fire danced over her skin, invading her body, melted her insides so that she was liquid heat, pulsing with need for him, only for him.
Christine Feehan (Dark Magic (Dark, #4))
Do Androids Dream of Electric Sheep?, Philip K. Dick The Secret Meaning of Things, Lawrence Ferlinghetti Fantastic Four #89, Stan Lee and Jack Kirby The Left Hand of Darkness, Ursula K. LeGuin The Armies of the Night, Norman Mailer Behold the Man, Michael Moorcock Portnoy’s Complaint, Philip Roth City of the Chasch, Jack Vance Slaughterhouse-Five, Kurt Vonnegut The Electric Kool-Aid Acid Test, Tom Wolfe
Robin Sloan (Ajax Penumbra 1969 (Mr. Penumbra's 24-Hour Bookstore, #0.5))
He entombed himself in the flesh of a thousand fictional heroes, giving his favorites extension in life beyond their books, carrying their banners into the gray places of actuality, seeing himself now as the militant young clergyman, arrayed, in his war on slum conditions, against all the moneyed hostility of his fashionable church, aided in his hour of greatest travail by the lovely daughter of the millionaire tenement owner, and winning finally a victory for God, the poor, and himself.
Thomas Wolfe (Look Homeward, Angel)
Findings such as these can change the way we handle chronic stress. When we are mired in stress, what we desperately need to do is minimize the novelty in our lives. We need familiarity. But quite often we seek out the exact opposite, responding to chronic stress at work, for example, by taking a vacation in some exotic place, thinking that the change of scenery will do us good. And under normal circumstances it does. But not when we are highly stressed, because then the novelty we encounter abroad can just add to our physiological load. Instead of traveling, we may be better off remaining on home turf, surrounding ourselves with family and friends, listening to familiar music, watching old films. Exercise, of course, can help, in fact there are few things better at preparing our physiology for stress. But when someone is this far into chronic stress its effects, suggests Stephen Porges, are mostly analgesic, possibly because exercise treats us to a shot of natural opioids. Again, what we really need is familiarity.
John Coates (The Hour Between Dog and Wolf: How Risk Taking Transforms Us, Body and Mind)
Day by day, a throning traffic of life and business passed before him in the streets; day by day, the great vans came, the drivers, handlers, and packers swarmed before his eyes, filling the air with their oaths and cries, irritably intent upon their labor; but the man in the window never looked at them, never seemed to be aware of their existence- he just sat there and looked out, his eyes fixed in an abstracted stare. -------- That man's face became for him the face of Darkness and of Time. It never spoke, and yet it had a voice- a voice that never seemed to have the whole earth in it. It was the voice of evening and of night, and in it were the blended tongues of all those men who have passed through the heat and fury of the day, and who now lean quietly upon the sills of evening. In it was the whole vast hush and weariness that comes upon the city ay the hour of dusk, when the chaos of another day is ended, and when everything- streets, buildings and eight million people- breathe slowly, with a tired and sorrowful joy. And in that single toungless voice was the knowledge of all their tongues.
Thomas Wolfe (You Can't Go Home Again)
The journey from the mountain town of Altamont to the tower-masted island of Manhattan is not, as journeys are conceived in America, a long one. The distance is somewhat more than 700 miles, the time required to make the journey a little more than twenty hours. But so relative are the qualities of space and time, and so complex and multiple their shifting images, that in the brief passage of this journey one may live a life, share instantly in 10,000,000 other ones, and see pass before his eyes the infinite panorama of shifting images that make a nation's history.
Thomas Wolfe (Of Time and The River)
The name of the pub is the Perdition. A thick layer of soot coats the walls but anyone who strains a little can make out the mural. It is the dance of death. Peasants and burghers, noblemen and priests, join hands around a skeleton who is playing a fiddle as black as tar. The painting makes many ill at ease and the few customers can be easily counted until the hour is late and the level of intoxication has stripped all decorations of their relevance. The innkeeper Gedda has opposed all attempts at persuasion to whitewash his walls. The mural is painted by Hoffbro himself, he snarls, and a masterpiece at that.
Niklas Natt och Dag (The Wolf and the Watchman)
What if she doesn’t worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women’s shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem so obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like? But if she is not careful she will end up: raped, pregnant, impossible to control, or merely what is now called fat. The teenage girl knows this. Everyone is telling her to be careful. She learns that making her body into her landscape to tame is preferable to any kind of wildness
Naomi Wolf (The Beauty Myth)
I jerked my head up, my tie with Jack severed. 7 “You’re early,” I told the Magician as Matthew and I climbed down. “Wanted to avoid the midnight-hour traffic.” When Cyclops padded over hesitantly, Finn grumbled, “Free fort, sit where you want!” He situated his crutch over his lap. “So an Empress, a horse, and a wolf walk into a fort. . . .” “If this is a dirty joke, I’ll pass.” I’d missed the Magician’s humor. Tilting my head at him, I said, “You don’t look so good, Finn.” “I feel like a bucket of fuck, but I’ll be ready,” he assured me. “Right, Matto?” “Ready Magician!” “H to the Azey. That army blows Baggers.” “Somehow she dragged me back to the fort.” “Good thing I’m dying young,” Finn continued in a nonchalant tone, “or I’d be shit out of luck with this bum leg.” “Dying young?” He wasn’t kidding. “Made peace with it.” He shrugged. “Kind of think we all should.” Have you guys gotten snow here yet?” I thought I’d spied a single flake the night I’d left Aric. “Not looking forward to that. SoCal surfer boy here, remember? Just think: if the snow comes down like the rain has . . .” “Snowmageddon!” Matthew cried, cracking both of them up. “Yeah, Matto, that groundhog came out to check for nuclear winter. But then a Bagger ate him!
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
The Burial of Sir John Moore after Corunna" Not a drum was heard, not a funeral note, As his corse to the rampart we hurried; Not a soldier discharged his farewell shot O’er the grave where our hero we buried. We buried him darkly at dead of night, The sods with our bayonets turning; By the struggling moonbeam’s misty light And the lantern dimly burning. No useless coffin enclosed his breast, Nor in sheet nor in shroud we wound him, But he lay like a warrior taking his rest With his martial cloak around him. Few and short were the prayers we said, And we spoke not a word of sorrow; But we steadfastly gazed on the face that was dead, And we bitterly thought of the morrow. We thought, as we hollowed his narrow bed And smoothed down his lonely pillow, That the foe and the stranger would tread o’er his head, And we far away on the billow! Lightly they’ll talk of the spirit that’s gone And o’er his cold ashes upbraid him, But little he’ll reck, if they let him sleep on In the grave where a Briton has laid him. But half of our heavy task was done When the clock struck the hour for retiring; And we heard the distant and random gun That the foe was sullenly firing. Slowly and sadly we laid him down, From the field of his fame fresh and gory; We carved not a line, and we raised not a stone, But left him alone with his glory.
Charles Wolfe (The Burial of Sir John Moore and Other Poems)
He had got a good start on another book, Silent Spring, by Rachel Carson. I stood until he finished a paragraph, shut the book on a finger, and looked the question. “Twenty grand,” I told him. “The DA wanted fifty, so I’m stepping high. One of the dicks was pretty good, he nearly backed me into a corner on the overalls, but I got loose. No mention of Saul or Fred or Orrie, so they haven’t hit on them and now they probably won’t. I signed two different statements ten hours apart, but they’re welcome to them. The status quo has lost no hide. If there’s nothing urgent I’ll go up and attend to my hide. I had a one-hour nap with a dick standing by. As for eating, what’s lunch?
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
Do you know that she came here Monday afternoon and spent some hours in this house?” “Yes, I know.” “Do you know what she came for?” “I know nothing definite. I have heard conjectures.” “I won’t ask you from whom or what. I am aware, Miss Duday, that in coming here this evening you people were impelled only partly by the threat of a legal action by Mrs. Jaffee. You also hoped to learn what Miss Eads came to see me for and what she said. I’m afraid I’ll have to disappoint you. I have given a complete report to the police, or Mr. Goodwin has, and if they don’t care to publish it neither do I. But I will ask you, do you know of any reason why, on Monday, Miss Eads should have decided to seek seclusion? Was she being harassed or frightened by anyone?” “On Monday?” “Yes.
Rex Stout (Prisoner's Base (Nero Wolfe, #21))
Given the ravens’ predilection for poultry of all sizes, I provided my birds a recently killed raven that had been shot by a crow hunter. They reacted to this raven with loud, deep, rasping alarm calls. After some hours, they still ignored it. It was not eaten within minutes, unlike other birds I had given them that were pounced on in seconds. It was not eaten at all. They would easily recognize a live crow. But a dead one? Would they eat that? My curiosity aroused, I had to observe their reaction to a dead crow. I presented a young frozen crow from my stock of roadkill in the freezer to Whitefeather and Goliath. Both birds erupted in harsh, deep, rasping alarm calls, and just as with the dead raven, neither bird fed from the carcass. It eventually rotted in place. They did not even dig for the maggots.
Bernd Heinrich (Mind of the Raven: Investigations and Adventures with Wolf-Birds)
Don't you think Rycca would like to hear about Hadding, the warrior Odin rescued from his enemies? Indeed, so would I for as I recall, the last time I asked about him, you told the story in great haste without the scantiest details." There was a gleam in her eyes that Rycca had come to understand meant she was up to something, but she had no idea what might lurk behind so seemingly innocent a suggestion. Dragon grinned and looked at his brother, who leaned back in his chair and laughed. When Rycca appeared puzzled, Cymbra said, "I confess, when I noticed how attentive you are to Dragon's stories I was reminded of myself. At Wolf's and my wedding feast, I persuaded Dragon to tell a great many tales. He was the soul of patience." "He was?" Wolf interjected. "I was the one with the patience. My dear brother knew perfectly well I was sitting there contemplating various possibilities for doing away with him and he enjoyed every moment of it." "Now how could I have known that, brother?" Dragon challenged. "Just because the wine goblet you were holding was twisted into a very odd shape?" "It was that or your neck, brother," Wolf replied pleasantly. He looked at Rycca reassuringly. "Don't worry, if I hadn't already forgiven him, that sword he gave me would force me to." "It is a magnificent blade," Dragon agreed. "They both are. Every smithy in Christendom is trying to work out what the Moors are doing but..." "It's got something to do with the temperature of the steel," Wolf said. "And with the folding. They fold more than we do, possibly hundreds of times." "Hundreds,really? Then the temperature has to be very high or they couldn't pound that thin. I wonder how much carbon they're adding-" Cymbra sighed. To Rycca, she said, "We might as well retire.They can talk about this for hours." Wolf heard her and laughed. He draped an arm over her chair, pulling her closer. Into her ear, he said something that made the redoubtable Cymbra blush. She cleared her throat. "Oh, well, in that case, you might as well retire, too." Standing up quickly, she took her husband's rugged hand in her much smaller and fairer one. "Good night, Rycca, good night, Dragon. Sleep well." This last was said over her shoulder as she tugged Wolf from the hall. Her obvious intent startled Rycca, who even now could not think herself as being so bold, but it made both the Hakonson brothers laugh. "As you may gather," Dragon said in the aftermath of the couple's departure, "my brother and his wife are happily wed.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Ascent To The Sierras poet Robinson Jeffers #140 on top 500 poets Poet's PagePoemsCommentsStatsE-BooksBiographyQuotationsShare on FacebookShare on Twitter Poems by Robinson Jeffers : 8 / 140 « prev. poem next poem » Ascent To The Sierras Beyond the great valley an odd instinctive rising Begins to possess the ground, the flatness gathers to little humps and barrows, low aimless ridges, A sudden violence of rock crowns them. The crowded orchards end, they have come to a stone knife; The farms are finished; the sudden foot of the slerra. Hill over hill, snow-ridge beyond mountain gather The blue air of their height about them. Here at the foot of the pass The fierce clans of the mountain you'd think for thousands of years, Men with harsh mouths and eyes like the eagles' hunger, Have gathered among these rocks at the dead hour Of the morning star and the stars waning To raid the plain and at moonrise returning driven Their scared booty to the highlands, the tossing horns And glazed eyes in the light of torches. The men have looked back Standing above these rock-heads to bark laughter At the burning granaries and the farms and the town That sow the dark flat land with terrible rubies... lighting the dead... It is not true: from this land The curse was lifted; the highlands have kept peace with the valleys; no blood in the sod; there is no old sword Keeping grim rust, no primal sorrow. The people are all one people, their homes never knew harrying; The tribes before them were acorn-eaters, harmless as deer. Oh, fortunate earth; you must find someone To make you bitter music; how else will you take bonds of the future, against the wolf in men's hearts?
Robinson Jeffers
Are you waiting for the end of my story? It’s ended. The day came when I was able to fly up here. I knew by then that I had much more to learn, and that I had to be stronger before I tried Crossing. But I felt I’d come more than halfway, too, and I was right. There was a corroded metal hatch over that window then. I tore it off and let it fall. When I’d explored all the rooms on all the levels, I decided to clean this one out and make it a private place just for myself, my own room in my own tower in the sky. There were bones in here and some other things, but I threw them out that window and swept this floor with my hands. When everything was tidy, I told myself I’d come back and spend hours up here after I’d made the Return Crossing, just thinking about who I was and what I had done for my children. But I never did, till now.” “I’ll
Gene Wolfe (Return to the Whorl: The Final Volume of 'The Book of the Short Sun')
You are the third bride wed for peace," Cymbra said with a smile. "And to be frank, it has not been an easy road for the two of us who went before. Yet knowing what we do now, neither Krysta nor I would ever have chosen a different path." "How much choice did you have?" To Rycca's surprise, Cymbra laughed. "In my case, none." She sighed in mocking languor. "I still remember Wolf's deeply romantic proposal. He told me that if I did not wed him, he would kill my brother." "He what?" "Oh,don't worry, he's gotten much better." She laughed again, fondly. "Much, much better.Besides, Dragon is the one who was always good with women." Rycca could not dispute that but neither could she ignore what she had just been told.Shocked, she asked, "What did you do?" "Do? Why,I punched him,of course. What else could I do? He went to our wedding worried that the blow still showed." "You...punched him?" The ethereal beauty beside her had struck the fierce Wolf? "Rycca,dear sister, something you must learn at once.Wolf and Dragon are both wonderful men but they are also overwhelming. It is part of their charm. Nontheless,with them it is always best to be firm. For that matter, the same can be said of my brother, as Krysta learned readily enough." "She and Lord Hawk seem devoted to each other." "As are Wold and I. That doesn't mean one should be a meek little woman rubbing feet." "What a horrible notion! However did you think of it?" "Oh,didn't you know? That's the kind of wife Dragon always said he wanted." Too many more shocks of this sort and she was going to turn to stone right where she stood. "He said that? Whatever could he have been thinking? Any such woman would drive him mad." "Which is more or less what Wolf told him, only he said she would kill him with boredom. No, Dragon needs someone who can match his spirit, which I am now reassured you can do. Come, let us seek out Magda, who will serve us cool milk and cakes and give us a snug place to talk while the men amuse themselves." "Dragon has a sword for his brother." "The Moorish sword? Perfect, they will be occupied for hours.We won't see them again until they are satisfied neither is stronger or more agile than the other.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Child, child,” it said, “have patience and belief, for life is many days, and each present hour will pass away. Son, son, you have been mad and drunken, furious and wild, filled with hatred and despair, and all the dark confusions of the soul—but so have we. You found the earth too great for your one life, you found your brain and sinew smaller than the hunger and desire that fed on them—but it has been this way with all men. You have stumbled on in darkness, you have been pulled in opposite directions, you have faltered, you have missed the way—but, child, this is the chronicle of the earth. And now, because you have known madness and despair, and because you will grow desperate again before you come to evening, we who have stormed the ramparts of the furious earth and been hurled back, we who have been maddened by the unknowable and bitter mystery of love, we who have hungered after fame and savored all of life, the tumult, pain, and frenzy, and now sit quietly by our windows watching all that henceforth never more shall touch us—we call upon you to take heart, for we can swear to you that these things pass.
Thomas Wolfe (You Can't Go Home Again)
33 · Waiting for Glory Then, you let it cook slowly—oh, very slowly, for several hours—it’s a very delicate operation—you’ve got to keep your eye on what you’re doing all the time—so few of these women you meet nowadays will take the trouble. . . . But it’s got to be done very slowly and carefully until the flavor of the beef has got into all the vegetables and the flavor of the vegetables has got into the beef.” She went on in a very earnest tone, a lowered voice: “It’s like a masterpiece—a symposium, you know—all the parts so delicately blended that each is all and all is each.” He, tenderly, in a gently tranced tone: “The vegetables, you said?” 33. В очакване на славата стр. 556 И е важно да се готви бавно — много бавно — поне няколко часа — това е тънка работа — през цялото време трябва да внимаваш какво става — много малко днешни жени ще си направят този труд... Но трябва много бавно да се готви, и много внимателно, така че ароматът на говеждото да влезе във всички зеленчуци, а месото да поеме техния мирис. (Тя продължи с много сериозен тон и леко сниши глас.) Това е нещо като шедьовър — нещо като симпозиум — всичко фино да смеси, че просто да стане едно. В едното да е всичко и всичко да е в едно. Той (нежно и малко екзалтирано): Зеленчуците казваш, а?
Thomas Wolfe (The Web and the Rock)
He was a child when he went away: he was a child who had looked much on pain and evil, and remained a fantasist of the Ideal. Walled up in his great city of visions, his tongue had learned to mock, his lip to sneer, but the harsh rasp of the world had worn no grooving in the secret life. Again and again he had been bogged in the gray slough of factuality. His cruel eyes had missed the meaning of no gesture, his pocked and bitter heart had sweltered in him like a hot ingot, but all his hard wisdom melted at the glow of his imagination. He was not a child when he reflected, but when he dreamt, he was; and it was the child and dreamer that governed his belief. He belonged, perhaps, to an older and simpler race of men: he belonged with the Mythmakers. For him, the sun was a lordly lamp to light him on his grand adventuring. He believed in brave heroic lives. He believed in the fine flowers of tenderness and gentleness he had little known. He believed in beauty and in order, and that he would wreak out their mighty forms upon the distressful chaos of his life. He believed in love, and in the goodness and glory of women. He believed in valiance, and he hoped that, like Socrates, he would do nothing mean or common in the hour of danger. He existed in his youth, and he believed that he could never die.
Thomas Wolfe (Look Homeward, Angel)