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Don't order any of the faerie food," said Jace, looking at her over the top of his menu. "It tends to make humans a little crazy. One minute you're munching a faerie plum, the next minute you're running naked down Madison Avenue with antlers on your head. Not," he added hastily, "that this has ever happened to me.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Knock, And He'll open the door Vanish, And He'll make you shine like the sun Fall, And He'll raise you to the heavens Become nothing, And He'll turn you into everything.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
Life is just action and reaction, rationalizations are added later on
Ibn-e-Safi
Non est ad astra mollis e terris via" - "There is no easy way from the earth to the stars
Seneca
I nibbled my lower lip. "If you could see into my past just by touching my back, you'd have a hard time resisting the temptation too." "I have a hard time keeping my hands off you without that added bonus.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?" "Traded him for Alec," Clary said. Isabelle looked mildly alarmed. "Not permanently?" "No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy." Isabelle looked dubious. "Mom and Dad won't be pleased if they find out." "That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
People where you live," the little prince said, "grow five thousand roses in one garden... yet they don't find what they're looking for... They don't find it," I answered. And yet what they're looking for could be found in a single rose, or a little water..." Of course," I answered. And the little prince added, "But eyes are blind. You have to look with the heart.
Antoine de Saint-Exupéry (The Little Prince)
It did what all ads are supposed to do: create an anxiety relievable by purchase.
David Foster Wallace (Infinite Jest)
Don’t put your wand there, boy!” roared Moody. “What if it ignited? Better wizards than you have lost buttocks, you know!” “Who d’you know who’s lost a buttock?” the violet-haired woman asked Mad-Eye interestedly. “Never you mind, you just keep your wand out of your back pocket!” growled Mad-Eye. “Elementary wand safety, nobody bothers about it anymore . . .” He stumped off toward the kitchen. “And I saw that,” he added irritably, as the woman rolled her eyes at the ceiling.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Would you tell me, please, which way I ought to go from here?' 'That depends a good deal on where you want to get to,' said the Cat. 'I don't much care where -' said Alice. 'Then it doesn't matter which way you go,' said the Cat. '- so long as I get SOMEWHERE,' Alice added as an explanation. 'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.
Lewis Carroll (Alice in Wonderland)
A good poem is a contribution to reality. The world is never the same once a good poem has been added to it. A good poem helps to change the shape of the universe, helps to extend everyone's knowledge of himself and the world around him.
Dylan Thomas
It was one thing to make a mistake; it was another thing to keep making it. I knew what happened when you let yourself get close to someone, when you started to believe they loved you: you'd be disappointed. Depend on someone, and you might as well admit you're going to be crushed, because when you really needed them, they wouldn't be there. Either that, or you'd confide in them and you added to their problems. All you ever really had was yourself, and that sort of sucked if you were less than reliable.
Jodi Picoult (Handle with Care)
Love must not entreat,' she added, 'or demand. Love must have the strength to become certain within itself. Then it ceases merely to be attracted and begins to attract.
Hermann Hesse (Demian. Die Geschichte von Emil Sinclairs Jugend)
My life is like tofu—it's what gets added that makes it interesting.
Angela Johnson (A Certain October)
Hey Mason, wipe the drool off your face. If you're going to think about me naked, do it on your own time." [...] "This is my time, Hathaway. I'm leading today's session." "Oh yeah?" I retorted. "Huh. Well, I guess this is a good time to think about me naked, then." "It's always a good a time to think about you naked," added someone nearby, breaking the tension further.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
F. Scott Fitzgerald (The Great Gatsby)
He was smoking hot. As in H-O-T-T, hott. I’d never understood until that moment why girls insisted on adding an extra t. This guy was extra-t-worthy.
Wendy Higgins (Sweet Evil (Sweet, #1))
Per aspera ad astra. I’d heard a variety of translations, but the one I liked best was Through the thorns, to the stars.
M.L. Rio (If We Were Villains)
I ate civilization. It poisoned me; I was defiled. And then," he added in a lower tone, "I ate my own wickedness.
Aldous Huxley (Brave New World)
My reading list grows exponentially. Every time I read a book, it'll mention three other books I feel I have to read. It's like a particularly relentless series of pop-up ads.
A.J. Jacobs (The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible)
And I don’t see how Sebastian can be all that fond of Jace, either. He was horribly jealous of him all his life. He thought Jace was Valentine’s favorite,” added Clary. “Not to mention,” Magnus noted, “that Jace killed him. That would put anyone off.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Meanwhile,” Simon added, “I wanted to tell you that lately I‘ve been cross-dressing. Also, I‘m sleeping with your mom. I thought you should know.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Remorse.-- Never yield to remorse, but at once tell yourself: remorse would simply mean adding to the first act of stupidity a second.
Friedrich Nietzsche
Love thy enemies, it says in the scriptures. My foster mother always added, "At the very least, you will be polite to them.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
Be compassionate," Morrie whispered. And take responsibility for each other. If we only learned those lessons, this world would be so much better a place." He took a breath, then added his mantra: "Love each other or die.
Mitch Albom (Tuesdays with Morrie)
Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars... Hate cannot drive out hate: only love can do that.
Martin Luther King Jr.
Today was a very cold and bitter day, as cold and bitter as a cup of hot chocolate, if the cup of hot chocolate had vinegar added to it and were placed in a refrigerator for several hours.
Lemony Snicket
Then he was stepping back, away, letting distance flood between us again. His voice was low, rough. "Give 'em hell, darlin'." "And for the love of God, bitch, don't get stabbed this time!" Vida added.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I think we ought to live happily ever after," and she thought he meant it. Sophie knew that living happily ever after with Howl would be a good deal more hair-raising than any storybook made it sound, though she was determined to try. "It should be hair-raising," added Howl. "And you'll exploit me," Sophie said. "And then you'll cut up all my suits to teach me.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Christian, Jew, Muslim, shaman, Zoroastrian, stone, ground, mountain, river, each has a secret way of being with the mystery, unique and not to be judged
Rumi (Jalal ad-Din Muhammad ar-Rumi)
Thank you...for gracing my life with your lovely presence, for adding the sweet measure of your soul to my existence.
Richard Matheson (What Dreams May Come)
Isabelle snorted, "All the boys are gay. In this truck, anyway. Well, not you, Simon." "You noticed," said Simon. "I think of myself as a freewheeling bisexual," added Magnus. "Please never say those words in front of my parents," said Alec.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Chastity—the most unnatural of all the sexual perversions, he added parenthetically, out of Remy de Gourmont.
Aldous Huxley (Eyeless in Gaza)
What are we drinking to?" "The living," said Rhy. "The dead," said Alucard and Lila at the same time. "We're being thorough," added Rhy.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Oh soul, you worry too much. You have seen your own strength. You have seen your own beauty. You have seen your golden wings. Of anything less, why do you worry? You are in truth the soul, of the soul, of the soul.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness. We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things. We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less. These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete... Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side. Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent. Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you. Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
Bob Moorehead (Words Aptly Spoken)
You need something," he said, and when I stared at him, he added, "Your face." "My face?" "It's in need of my kisses.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
Poetry can be dangerous, especially beautiful poetry, because it gives the illusion of having had the experience without actually going through it.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Book of Love: Poems of Ecstasy and Longing)
He hung up on me. I stared at the phone in disbelief, then ripped a clean sheet of paper from my notebook. I scribbled Jerk on the first line. One the line beneath it, I added, Smokes cigars. Will die of lung cancer. Hopefully soon. Excellent physical shape. I immediately scribbled over the last observation until it was illegible.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Now the tattoos," Zia announced. "Brilliant!" I said. "On your tongue," she added. "Excuse me?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Thank you for the oil," he added. "My skin was a little dry.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I'm sorry Sandstorm" he murmured. "I never meant to hurt you" His voice barely more than a whisper, he added,"I love you." Sandstorm's eyes glowed."I love you too,Fireheart.
Erin Hunter (A Dangerous Path (Warriors, #5))
Thanks,” I muttered and added under my breath, “Douchebag.” He laughed, deep and throaty. “Now that’s not very ladylike, Kittycat.” I whipped around. “Don’t ever call me that,” I snapped. “It’s better than calling someone a douchebag, isn’t it?” He pushed out the door. “This has been a stimulating visit. I’ll cherish it for a long time to come.” Okay. That was it. “You know, you’re right. How wrong of me to call you a douchebag. Because a douchebag is too nice of a word for you,” I said, smiling sweetly. “You’re a dickhead.” “A dickhead?” he repeated. “How charming.” I flipped him off.
Jennifer L. Armentrout (Obsidian (Lux, #1))
So, Grace, how's school?" I asked myself. Dad nodded, eyes on the baby koala now struggling in the guest's arms. "Oh, it's fine," I continued, and Dad made a mumbling noise of agreement. I added, "Nothing special, aside from the load of pandas they brought in, and the teachers abandoning us to cannibalistic savages-" I paused to see if I'd caught his attention yet, then pressed on. "The whole building caught fire, then I failed drama, and then sex, sex, sex." Dad's eyes abruptly focused, and he turned to me and frowned. "What did you say they were teaching you in school?
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I do not believe that sheer suffering teaches. If suffering alone taught, all the world would be wise, since everyone suffers. To suffering must be added mourning, understanding, patience, love, openness, and the willingness to remain vulnerable.
Anne Morrow Lindbergh (Gift from the Sea)
It is easy to mourn the lives we aren't living. Easy to wish we'd developed other other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn't make and the work we didn't do the people we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy. We can't tell if any of those other versions would of been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on.
Matt Haig (The Midnight Library)
Really, Sage? A date?” I sighed. “Yes, Adrian. A date.” “A real date. Not, like, doing homework together,” he added. “I mean like where you go out to a movie or something. And a movie that’s not part of a school assignment. Or about something boring.” “A real date.
Richelle Mead (The Golden Lily (Bloodlines, #2))
I'll be gentle," Noah added. My breath caught in my throat as he looked at me from beneath those lashes, ruining me. "You're evil." "And you're mine.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Since we're keeping it primal, you smell good," he observed. "It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought. "Naked. I know the drill," Jev said, something unreadeble passing over his eyes.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Sometimes the truth is arrived at by adding all the little lies together and deducting them from the totality of what is known.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
One day," you said to me, "I saw the sunset forty-four times!" And a little later you added: "You know-- one loves the sunset, when one is so sad..." "Were you so sad, then?" I asked, "on the day of the forty-four sunsets?" But the little prince made no reply.
Antoine de Saint-Exupéry (The Little Prince)
Who’s there?” he called, then frowned. “Of course,” he added, addressing the darkness all around, “even I, as a Shadowhunter, have seen enough movies to know that anyone who yells ‘Who’s there?’ is going to be instantly killed.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
... It's perfect! Locke would appreciate it." "Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'" "Rivalled only by 'Locke taught me a new trick,'" added Galo. "The only person who gets away with Locke Lamora games ..." "... is Locke ..." "... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..." "... and fifty thousand cheering spectators.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
I couldn't get myself to read the want ads. The thought of sitting in front of a man behind a desk and telling him that I wanted a job, that I was qualified for a job, was too much for me. Frankly, I was horrified by life, at what a man had to do simply in order to eat, sleep, and keep himself clothed. So I stayed in bed and drank. When you drank the world was still out there, but for the moment it didn't have you by the throat.
Charles Bukowski
I love you, Roza." He kissed me again. "I'll always be here for you. I'm not going to let anything happen to you." The words were wonderful and dangerous. He shouldn't have said anything like that to me. He shouldn't have been promising he'd protect me, not when he was supposed to dedicate his life to protecting Moroi like Lissa. I couldn't be first in his heart, just like he couldn't be first in mine. That was why I shouldn't have said what I said next-but I did anyway. "And I won't let anything happen to you," I promised. "I love you." He kissed me again, swallowing off any other words I might have added.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Isabelle waved a hand. "No need to worry, big brother. Nothing happened. Of course," she added as Alex's shoulders relaxed, "I was totally passed-out drunk, so he could really have done whatever he wanted and I wouldn't have woken up." "Oh, please," said Simon. "All I did was tell you the entire plot of Star Wars." "I don't think I remember that," said Isabelle, taking a cookie from the plate on the table. "Oh, yeah? Who was Luke Skywalker's best childhood friend?" "Biggs Darklighter," Isabelle said immediately, and then hit the table with the flat of her hand."That is so cheating!
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
A dragon just gave me a piece of jewelry,” she said. She took another swig and handed the bottle back to Graydon. “Have I been added to his hoard?” He shook his head and drank too. “No, cupcake,” he said. “I’m pretty sure you’ve replaced it.
Thea Harrison (Dragon Bound (Elder Races, #1))
Isabelle snorted. 'All the boys are gay. In this truck, anyway. Well, not you, Simon.' 'You noticed' said Simon. 'I think of myself as a freewheeling bisexual,' added Magnus. 'Please never say those words in front of my parents,' said Alec. 'Especially my father.' 'I thought your parents were okay with you, you know, coming out,' Simon said, leaning around Isabelle to look at Alec, who was — as he often was — scowling, and pushing his floppy dark hair out of his eyes. Aside from the occasional exchange, Simon had never talked to Alec much. He wasn’t an easy person to get to know. But, Simon admitted to himself, his own recent estrangement from his mother made him more curious about Alec’s answer than he would have been otherwise. 'My mother seems to have accepted it,' Alec said. 'But my father — no, not really. Once he asked me what I thought had turned me gay.' Simon felt Isabelle tense next to him. 'Turned you gay?' She sounded incredulous. 'Alec, you didn’t tell me that.' 'I hope you told him you were bitten by a gay spider,' said Simon. Magnus snorted; Isabelle looked confused. 'I’ve read Magnus’s stash of comics,' said Alec, 'so I actually know what you’re talking about' A small smile played around his mouth. 'So would that give me the proportional gayness of a spider?' 'Only if it was a really gay spider,' said Magnus, and he yelled as Alec punched him in the arm. 'Ow, okay, never mind.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Whatever happened to the dragon?" I mustered my primmest tone. "He has a name, you know." Adrian pulled back and gave me a curious look. "I didn't know, actually. What'd you decide on?" "Hopper." When Adrian laughed, I added, "Best rabbit ever. He'd be proud to know his name is being passed on." "Yes, I'm sure he would. Did you name the Mustang too?" "I think you mean the Ivashkinator." He stared at me in wonder. "I told you I loved you, right? "Yes," I assured him. "Many times.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Xenophilius Lovegood," he said, extending a hand to Harry. "My daughter and I live over the hill, so kind of the Weasleys to invite us. I think you know my Luna?" he added to Ron. "Yes" said Ron. "Isn't she with you?" "She lingered in that charming little garden to say hello to the gnomes, such a glorious infestation! How few wizards realize just how much we can learn from the wise little gnomes — or, to give then their correct names, the Gernumbli gardensi." "Ours do know a lot of excellent swear words," said Ron, "but I think Fred and George taught them those.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
We don't need to have just one favorite. We keep adding favorites. Our favorite book is always the book that speaks most directly to us at a particular stage in our lives. And our lives change. We have other favorites that give us what we most need at that particular time. But we never lose the old favorites. They're always with us. We just sort of accumulate them.
Lloyd Alexander
Though Will was saying earlier,” Tessa added, “that heroes all come to bad ends, and he could not imagine why anyone would want to be one, anyway.” “Ah.” Jem’s hand squeezed hers briefly, and then let it go. “Well, Will is looking at it from the hero’s viewpoint, isn’t he? But as for the rest of us, it’s an easy answer.” “Is it?” “Of course.” His voice was almost a whisper now. “Heroes endure because we need them. Not for their own sakes. If Will …
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I liked the feeling of love,' [Jonas] confessed. He glanced nervously at the speaker on the wall, reassuring himself that no one was listening. 'I wish we still had that,' he whispered. 'Of course,' he added quickly, 'I do understand that it wouldn't work very well. And that it's much better to be organized the way we are now. I can see that it was a dangerous way to live.' ...'Still,' he said slowly, almost to himself, 'I did like the light they made. And the warmth.
Lois Lowry (The Giver (The Giver, #1))
Is there any point asking what you're going to make me do on Sunday?' 'Not really.' Okay. 'Is there any point asking what you're going to do to me?' He grinned wickedly. 'Not really.' Fabulous. 'Does it involve the use of a safe word?' 'That will depend entirely on you.' Noah moved impossibly closer, just inches away. A few freckles disappeared into the scruff on his jaw. 'I'll be gentle,' Noah added. My breath caught in my throat as he looked at me from beneath those lashes, ruining me. I narrowed my eyes at him. 'You're evil.' In response, Noah smiled, and raised his finger to gently tap the tip of my nose. 'And you're mine,' he said, then walked away.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Ready?" Despite the grim mood, I smiled and cracked my knuckles. "Ready to wrestle with my gorgeous boyfriend? Oh, I'd say I'm ready for that." Amusement softened his eyes. "I'll try to control where I put my hands, but in the heat of things, who knows what could happen?" I added. Patch grinned. "Sounds promising.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
After one look at this planet any visitor from outer space would say 'I want to see the manager.
William S. Burroughs (The Adding Machine: Selected Essays)
In Emma's defense, Cameron's annoying, but he's hot." Julian gave her a look. "I mean, if you like guys who look like a redheaded Captain America, which I... don't? "Captain America is definitely the most handsome Avenger," said Cristina. "But I like the Hulk. I would like to heal his broken heart." "We're Nephilim," said Julian. "We're not even supposed to know about the Avengers. Besides," he added, "Iron Man is obviously the best-looking.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
You are a man. You are an average, lazy, boring, cowardly, woman-fearing man. Without me, that's what you would have kept on being, ad nauseam. But I made you into something. You were the best man you've ever been with me. And you know it. The only time in your life you've ever liked yourself was pretending to be someone I might like.
Gillian Flynn (Gone Girl)
Of course we still want to know you!" Harry said, staring at Hagrid. "You don't think anything that Skeeter cow - sorry, Professor," he added quickly, looking at Dumbledore. "I have gone temporarily deaf and haven't any idea what you said, Harry," said Dumbledore, twiddling his thumbs and staring at the ceiling.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Frank stared at her. "But you throw Ding Dongs at monsters." Iris looked horrified. "Oh, they're not Ding Dongs." She rummaged under the counter and brought out a package of chocolate covered cakes that looked exactly like Ding Dongs. "These are gluten-free, no-sugar-added, vitamin-enriched, soy-free, goat-milk-and-seaweed-based cupcake simulations." "All natural!" Fleecy chimed in. "I stand corrected." Frank suddenly felt as queasy as Percy.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
And then Jack chopped down what was the world's last beanstalk, adding murder and ecological terrorism to the theft, enticement, and trespass charges already mentioned, and all the giant's children didn't have a daddy anymore. But he got away with it and lived happily ever after, without so much as a guilty twinge about what he had done...which proves that you can be excused for just about anything if you are a hero, because no one asks inconvenient questions.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Glaring at the doctor, Kev spoke in Romany. "Ka xlia ma pe tute" (I'm going to shit on you.) "Which means," Rohan said hastily, "'Please forgive the misunderstanding; let's part as friends.'" "Te malavel les i menkiva," Kev added for good measure. (May you die of a malignant wasting disease.) "Roughly translated," Rohan said, "that means, 'May your garden be filled with fine, fat hedgehogs.' Which, I may add, is considered quite a blessing among the Rom.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
And if that bastard’s innocent,” Rhage spoke up, “I’m the fucking Easter bunny.” “Oh, good,” someone quipped. “I’m calling you Hop-along Hollywood from now on.” “Beasty Bo Peep,” somebody else threw out. “We could put you in a Cadbury ad and finally make some money—” “People,” Rhage barked, “the point is that he is not innocent and I’m not the Easter bunny—” “Where’s your basket?” “Can I play with your eggs?” “Hop it out, big guy—” “Will you guys fuck off ? Seriously!
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth. Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
Man is the Reasoning Animal. Such is the claim. I think it is open to dispute. Indeed, my experiments have proven to me that he is the Unreasoning Animal... In truth, man is incurably foolish. Simple things which other animals easily learn, he is incapable of learning. Among my experiments was this. In an hour I taught a cat and a dog to be friends. I put them in a cage. In another hour I taught them to be friends with a rabbit. In the course of two days I was able to add a fox, a goose, a squirrel and some doves. Finally a monkey. They lived together in peace; even affectionately. Next, in another cage I confined an Irish Catholic from Tipperary, and as soon as he seemed tame I added a Scotch Presbyterian from Aberdeen. Next a Turk from Constantinople; a Greek Christian from Crete; an Armenian; a Methodist from the wilds of Arkansas; a Buddhist from China; a Brahman from Benares. Finally, a Salvation Army Colonel from Wapping. Then I stayed away for two whole days. When I came back to note results, the cage of Higher Animals was all right, but in the other there was but a chaos of gory odds and ends of turbans and fezzes and plaids and bones and flesh--not a specimen left alive. These Reasoning Animals had disagreed on a theological detail and carried the matter to a Higher Court.
Mark Twain (Letters from the Earth: Uncensored Writings)
It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, - is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate.
Rainer Maria Rilke
What was that?" Belgarath asked, coming back around the corner. "Brill," Silk replied blandly, pulling his Murgo robe back on. "Again?" Belgarath demanded with exasperation. "What was he doing this time?" "Trying to fly, last time I saw him." Silk smirked. The old man looked puzzled. "He wasn't doing it very well," Silk added. Belgarath shrugged. "Maybe it'll come to him in time." "He doesn't really have all that much time." Silk glanced out over the edge. "From far below - terribly far below - there came a faint, muffled crash; then, after several seconds, another. "Does bouncing count?" Silk asked. Belgarath made a wry face. "Not really." "Then I'd say he didn't learn in time." Silk said blithely.
David Eddings (Magician's Gambit (The Belgariad #3))
We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares. But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us. This book is about the possibility that Huxley, not Orwell, was right.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick. 'Yeah, don't bother to keep in touch,' said George, mounting his own. Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!' 'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge. 'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. 'Give her hell from us, Peeves.' And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly. I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'" I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'" He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..." He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?" I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house. "You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath. "Have I not...just been...saying so?
Diana Gabaldon (Outlander (Outlander, #1))
Actually," Clary said, "I think he stayed because of me." Jace's glaze flicked up to hers with a flash of gold. "Because of you? Hoping for another hot date, was he?" Clary felt herself flush. "No. And our date wasn't hot. In fact, it wasn't even a date. Anyway, that's not the point. When he came into the Hall, he kept trying to get me to go outside with him so we could talk. He wanted something from me. I just don't know what." "Or maybe he just wanted you," Jace said. Seeing Clary's expression, he added, "Not that way. I mean maybe he wanted to bring you to Valentine.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Sirrah, my companion chooses to engage you in knightly combat!" Halt said. The horseman stiffened, sitting upright in his saddle. Halt noticed that he nearly lost his balance at this unexpected piece of news. Nightly cermbat?" he replied, "Yewer cermpenion ers no knight!" Halt nodded hugely, making sure the man could see the gesture. Oh yes he is!" he called back. "He is Sir Horace of the Order of the Feuille du Chene." He paused and muttered to himself, "Or should that have been Crepe du Chene? Never mind." What did you tell him?" Horace asked, slinging his buckler around from where it hung at his back and setting it on his left arm. I said you were Sir Horace of the Order of the Oakleaf." Halt said to him, then added uncertainly, "At least, I think that's what I told him. I may have said you were of the Order of the Oak Pancake.
John Flanagan
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer." "The Answer?" said Deep Thought. "The Answer to what?" "Life!" urged Fook. "The Universe!" said Lunkwill. "Everything!" they said in chorus. Deep Thought paused for a moment's reflection. "Tricky," he said finally. "But can you do it?" Again, a significant pause. "Yes," said Deep Thought, "I can do it." "There is an answer?" said Fook with breathless excitement. "Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it." ... Fook glanced impatiently at his watch. “How long?” he said. “Seven and a half million years,” said Deep Thought. Lunkwill and Fook blinked at each other. “Seven and a half million years...!” they cried in chorus. “Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?" [Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started] "We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!" "The Universe...!" said Loonquawl. "And Everything...!" "Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!" There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel. "Good Morning," said Deep Thought at last. "Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..." "An Answer for you?" interrupted Deep Thought majestically. "Yes, I have." The two men shivered with expectancy. Their waiting had not been in vain. "There really is one?" breathed Phouchg. "There really is one," confirmed Deep Thought. "To Everything? To the great Question of Life, the Universe and everything?" "Yes." Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children. "And you're ready to give it to us?" urged Loonsuawl. "I am." "Now?" "Now," said Deep Thought. They both licked their dry lips. "Though I don't think," added Deep Thought. "that you're going to like it." "Doesn't matter!" said Phouchg. "We must know it! Now!" "Now?" inquired Deep Thought. "Yes! Now..." "All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable. "You're really not going to like it," observed Deep Thought. "Tell us!" "All right," said Deep Thought. "The Answer to the Great Question..." "Yes..!" "Of Life, the Universe and Everything..." said Deep Thought. "Yes...!" "Is..." said Deep Thought, and paused. "Yes...!" "Is..." "Yes...!!!...?" "Forty-two," said Deep Thought, with infinite majesty and calm.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
For millions of years flowers have been producing thorns. For millions of years sheep have been eating them all the same. And it's not serious, trying to understand why flowers go to such trouble to produce thorns that are good for nothing? It's not important, the war between the sheep and the flowers? It's no more serious and more important than the numbers that fat red gentleman is adding up? Suppose I happen to know a unique flower, one that exists nowhere in the world except on my planet, one that a little sheep can wipe out in a single bite one morning, just like that, without even realizing what he'd doing - that isn't important? If someone loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself 'My flower's up there somewhere...' But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
Antoine de Saint-Exupéry (The Little Prince)
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
You always were selfish. Your one fault. Not willing to share anything, are you?" Suddenly, Damon's lips curved up in a singularly beautiful smile. But fortunately the lovely Elena is more generous. Didn't she tell you about our little liaisons? Why? The first time we met she almost gave herself to me on the spot." "That's a lie!" "Oh, no, dear brother, I never lie about anything important. Or do I mean unimportant? Anyway, your beauteous damsel nearly swooned into my arms. I think she likes men in black." As Stefan stared at him, trying to control his breathing, Damon added, almost gently, "You're wrong about her, you know, You think she's sweet and docile like Katherine. She isn't. She's not your type at all, my saintly brother. She has a spirit and a fire in her that you wouldn't know what to do with." "And you would, I suppose." Damon uncrossed his arms and slowly smiled again. "Oh, yes.
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
What a lousy earth! He wondered how many people were destitute that same night even in his own prosperous country, how many homes were shanties, how many husbands were drunk and wives socked, and how many children were bullied, abused, or abandoned. How many families hungered for food they could not afford to buy? How many hearts were broken? How many suicides would take place that same night, how many people would go insane? How many cockroaches and landlords would triumph? How many winners were losers, successes failures, and rich men poor men? How many wise guys were stupid? How many happy endings were unhappy endings? How many honest men were liars, brave men cowards, loyal men traitors, how many sainted men were corrupt, how many people in positions of trust had sold their souls to bodyguards, how many had never had souls? How many straight-and-narrow paths were crooked paths? How many best families were worst families and how many good people were bad people? When you added them all up and then subtracted, you might be left with only the children, and perhaps with Albert Einstein and an old violinist or sculptor somewhere.
Joseph Heller (Catch-22)
Do you think I'm a whore?” Harry pulled over to the side of the road and turned to me. “I think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else. … “Isn't it awfully convenient,” Harry added, “that when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.” I laughed, my eyes still puffy and tired from crying. “So am I a whore or not?” “Who knows?” he said. “We're all whores, really, in some way or another. At least in Hollywood.” … “But I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Huxley added, "people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us".
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
We waste so much energy trying to cover up who we are when beneath every attitude is the want to be loved, and beneath every anger is a wound to be healed and beneath every sadness is the fear that there will not be enough time. When we hesitate in being direct, we unknowingly slip something on, some added layer of protection that keeps us from feeling the world, and often that thin covering is the beginning of a loneliness which, if not put down, diminishes our chances of joy. It’s like wearing gloves every time we touch something, and then, forgetting we chose to put them on, we complain that nothing feels quite real. Our challenge each day is not to get dressed to face the world but to unglove ourselves so that the doorknob feels cold and the car handle feels wet and the kiss goodbye feels like the lips of another being, soft and unrepeatable.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Athena stood in the middle of the road with her arms crossed and a look on her face that made me think Uh-oh. She'd changed out of her armor, into jeans and a white blouse, but she didn't look any less warlike. Her gray eyes blazed. "Well, Percy," she said. "You will stay mortal." "Um, yes, ma'am." "I would know your reasons." "I want to be a regular guy. I want to grow up. Have, you know, a regular high school experience." "And my daughter?" "I couldn't leave her," I admitted, my throat dry. "Or Grover," I added quickly. "Or-" "Spare me." Athena stepped close to me, and I could feel her aura of power making my skin itch. "I once warned you, Percy Jackson, that to save a friend you would destroy the world. Perhaps I was mistaken. You seem to have saved both your friends and the world. But think very carefully about how you proceed from here. I have given you the benefit of the doubt. Don't mess up." Just to prove her point, she erupted in a column of flame, charring the front of my shirt.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.' Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.' 'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.' Spook rushed over and fetched Breeze a cup of wine. 'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.' Spook frowned. 'Niceing the not on the playing without.' 'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.' Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.' 'Riding the rile of the rids to the right,' Spook said with a nod. 'What are you two babbling about?' Breeze said testily. 'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.' 'Ever wasing the doing of this,' Kelsier agreed. 'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.' Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.' Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
Brandon Sanderson (The Final Empire (Mistborn, #1))
A number of years ago, when I was a freshly-appointed instructor, I met, for the first time, a certain eminent historian of science. At the time I could only regard him with tolerant condescension. I was sorry of the man who, it seemed to me, was forced to hover about the edges of science. He was compelled to shiver endlessly in the outskirts, getting only feeble warmth from the distant sun of science- in-progress; while I, just beginning my research, was bathed in the heady liquid heat up at the very center of the glow. In a lifetime of being wrong at many a point, I was never more wrong. It was I, not he, who was wandering in the periphery. It was he, not I, who lived in the blaze. I had fallen victim to the fallacy of the 'growing edge;' the belief that only the very frontier of scientific advance counted; that everything that had been left behind by that advance was faded and dead. But is that true? Because a tree in spring buds and comes greenly into leaf, are those leaves therefore the tree? If the newborn twigs and their leaves were all that existed, they would form a vague halo of green suspended in mid-air, but surely that is not the tree. The leaves, by themselves, are no more than trivial fluttering decoration. It is the trunk and limbs that give the tree its grandeur and the leaves themselves their meaning. There is not a discovery in science, however revolutionary, however sparkling with insight, that does not arise out of what went before. 'If I have seen further than other men,' said Isaac Newton, 'it is because I have stood on the shoulders of giants.
Isaac Asimov (Adding a Dimension: Seventeen Essays on the History of Science)
Athena called, "Annabeth Chase, my own daughter." Annabeth squeezed my arm, then walked forward and knelt at her mother's feet. Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements." Annabeth looked up, stunned. "My...my lady?" Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?" "You mean...I can design whatever I want?" "As your heart desires," the goddess said. "Make us a city for the ages." "As long as you have plenty of statues of me," Apollo added. "And me," Aphrodite agreed. "Hey, and me!" Ares said. "Big statues with huge wicked swords and-" All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Do you know when they say soul-mates? Everybody uses it in personal ads. "Soul-mate wanted". It doesn't mean too much now. But soul mates- think about it. When your soul-whatever that is anyway-something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape-when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to-even if you can't be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul's wedding must be too beautiful to even look at. It must be blinding. In must be like all the weddings in the world-gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets,showers of roses. And after that happens-that's it, this is it. But sometimes you have to let that person go. When you are little, people , movie and fairy tales all tell you that one day you're going to meet this person. So you keep waiting and it's a lot harder than they make it sound. Then you meet and you think, okay, now we can just get on with it but you find out that sometimes your sould brother partner lover has other ideas about that.
Francesca Lia Block (Dangerous Angels (Weetzie Bat, #1-5))
[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.
Sarah Williams (Twilight Hours: A Legacy of Verse)
Our opportunities to give of ourselves are indeed limitless, but they are also perishable. There are hearts to gladden. There are kind words to say. There are gifts to be given. There are deeds to be done. There are souls to be saved. As we remember that “when ye are in the service of your fellow beings ye are only in the service of your God,” (Mosiah 2:17) we will not find ourselves in the unenviable position of Jacob Marley’s ghost, who spoke to Ebenezer Scrooge in Charles Dickens’s immortal "Christmas Carol." Marley spoke sadly of opportunities lost. Said he: 'Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life’s opportunity misused! Yet such was I! Oh! such was I!' Marley added: 'Why did I walk through crowds of fellow-beings with my eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode? Were there no poor homes to which its light would have conducted me!' Fortunately, as we know, Ebenezer Scrooge changed his life for the better. I love his line, 'I am not the man I was.' Why is Dickens’ "Christmas Carol" so popular? Why is it ever new? I personally feel it is inspired of God. It brings out the best within human nature. It gives hope. It motivates change. We can turn from the paths which would lead us down and, with a song in our hearts, follow a star and walk toward the light. We can quicken our step, bolster our courage, and bask in the sunlight of truth. We can hear more clearly the laughter of little children. We can dry the tear of the weeping. We can comfort the dying by sharing the promise of eternal life. If we lift one weary hand which hangs down, if we bring peace to one struggling soul, if we give as did the Master, we can—by showing the way—become a guiding star for some lost mariner.
Thomas S. Monson
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer. What?” The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away. Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control. What?” he asked Halt, and the smaller man made a gesture of exasperation. That’s what I want to know,” he said irritably. “What?” Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper. What?” said Horace, now totally puzzled. Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?” Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.” Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him. What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?” Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.” Horace frowned. “I was?” Halt nodded. “You were. I saw you take a breath to ask it.” I see,” Horace said. “And what was it about?” For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak. That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.” I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded. Then what, if I may use that word once more, were you about to ask me?” Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson