Hotel Lobby Quotes

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After all, what can a first impression tell us about someone we’ve just met for a minute in the lobby of a hotel? For that matter, what can a first impression tell us about anyone? Why, no more than a chord can tell us about Beethoven, or a brushstroke about Botticelli. By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.
Amor Towles (A Gentleman in Moscow)
If you're ever in a big hotel lobby, and they start to play "The Blue Danube Waltz," get the hell out. Don't think. Run.
Chuck Palahniuk (Asfixia)
‎There's no way to cheat a sensualist like me, somebody who can die laughing for hours over the pattern of the carpet in a hotel lobby.
Anne Rice (Memnoch the Devil (The Vampire Chronicles, #5))
I was going to walk him outside the hotel lobby and then stand and watch him go. Any moment now we were going to say goodbye. Suddenly part of my life was going to be taken away from me now and would never be given back.
André Aciman (Call Me by Your Name)
Which is nonsense, for whatever you live is Life. That is something to remember when you meet the old classmate who says, "Well now, on our last expedition up the Congo-" or the one who says, "Gee, I got the sweetest little wife and three of the swellest kids ever-" You must remember it when you sit in hotel lobbies or lean over bars to talk to the bartender or walk down a dark street at night, in early March, and stare into a lighted window. And remember little Susie has adenoids and the bread is probably burned, and turn up the street, for the time has come to hand me down that walking cane, for I got to catch that midnight train, for all my sin is taken away. For whatever you live is life
Robert Penn Warren (All the King's Men)
The other thing that troubled me: Dad was clutching his workbag. Usually when he does that, it means we're in danger. Like the time gunmen stormed into our hotel in Cairo. I heard shots coming from the lobby and ran downstairs to check on my dad. By the time I got there, he was just calmly zipping up his workbag while three unconscious gunmen hung by their feet from the chandelier, their robes falling over their heads so you could see their boxer shorts. Dad claimed not to have witnessed anything, and in the end the police blamed a freak chandelier malfunction.
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
Miracles are like meatballs, because nobody can exactly agree on what they are made of, where they come from, or how often they should appear. Some people say that a sunrise is a miracle, because it is somewhat mysterious and often very beautiful, but other people say it is simply a fact of life, because it happens every day and far too early in the morning. Some people say that a telephone is a miracle, because it sometimes seems wondrous that you can talk with somebody who is thousands of miles away, and other people say it is merely a manufactured device fashioned out of metal parts, electronic circuitry, and wires that are very easily cut. And some people say that sneaking out of a hotel is a miracle, particularly if the lobby is swarming with policemen, and other people say it is simply a fact of life, because it happens every day and far too early in the morning. So you might think that there are so many miracles in the world that you can scarcely count them, or that there are so few that they are scarcely worth mentioning, depending on whether you spend your mornings gazing at a beautiful sunset or lowering yourself into a back alley with a rope made of matching towels.
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
Never forget," a Stranger said to me once in the lobby of the Midland Hotel in Manchester, "that only dead fish swim with the stream.
Malcolm Muggeridge (The Very Best of Malcolm Muggeridge)
I don't remember getting out of the elevator and going through the lobby. Everything is becoming increasingly foggy. I just find myself standing in front of the hotel all of a sudden. A Blue and white car stops in front of me. Numbly, I open the back door and slide into the seat. "Can I help you" the dark haired driver asks, swiveling his head to look at me. "I need to get home to Hidden Cove." "Lady, this isn't a cab" Oh. Great. "Sorry', I mutter, quickly sliding back out. This time I make sure the car says cab on it before I get in.
Nicole Christie (Falling for the Ghost of You)
There are lives to be lived if only you didn't care. Care for what, for what; the opinion of mankind, money, success, hotel lobbies, health, umbrellas, Uneeda biscuits . . .?
John Dos Passos (Manhattan Transfer)
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
I've already spent ten years of my life apologizing for that band. As their manager, that's all I really did. Apologize. For years afterward I'd walk into a hotel lobby and the receptionist would call to me, 'Mr. McGhee.' And I'd run up and drop to my knees and say, 'Oh, Jesus, I'm really sorry.' They'd look at me funny and say, 'No, nothing's wrong. You have a telephone call.' And I'd breathe a sigh of relief and thank the good Lord above that I wasn't managing Mötley Crüe anymore. ~ Doc McGhee.
Motley Crue (The Dirt: Confessions of the World's Most Notorious Rock Band)
The critical scene of the mystery is when the detective enters. The action shifts to Sherlock’s sitting room. The little Belgian man with the waxed moustache appears in the lobby of the grand hotel. The gentle old woman with a bag of knitting comes to visit her niece when the poison pen letters start going around the village. The private detective comes back to the office after a night of drinking and finds the woman with the cigarette and the veiled hat this is when things will change.
Maureen Johnson (Truly, Devious (Truly Devious, #1))
Hang in there, Frank!' Freud called - to the entire lobby. 'Don't let anyone tell you you're queer! You're a prince, Frank!' Freud cried. 'You're better than Rudolf!' Freud yelled to Frank. 'You're more majestic than all the Hapsburgs, Frank!' Freud encouraged him. Frank couldn't speak, he was crying so hard.
John Irving (The Hotel New Hampshire)
Yearning is a red-haired girl sitting on the hood of her silver sedan, reading about Marilyn Monroe. A cherry orchard at night, houselights in the distance. It's the painstaking neatness of a paint-by-number sunset, a yellowed letter held between graceful fingers, a cautious step into the sun-filled lobby of a famous hotel. It's the way I feel every time I think about Ava.
Nina LaCour (Everything Leads to You)
Gregory Corso, Allen Ginsberg, and William Burroughs were all my teachers, each one passing through the lobby of the Chelsea Hotel, my new university.
Patti Smith (Just Kids)
SEALs, like the name said, were trained to operate in all conditions - SEa, Air, Land. But Stuffy Victorian Hotel Lobby hadn't made the list.
Laura Griffin (Beyond Limits (Tracers, #8))
Okay, listen up, dudes. We have to book. Yesterday, when I find you guys are, like, AWOL? I, like, freak. Yelling at everybody–where are they, why did you let them leave–the hotel people are, like, whaaaa? Anyway, I pack up all your stuff, figuring I may never see the place again, and down in the lobby I find my man Arif. I'm, like, help me, and he takes all of our stuff to this launch–and then we're halfway across the sea when Arif gets this radio message, and he's all excited, but I don't know what he's saying until he's, like, 'POLICE!' in English. And we see these cop cars and somebody's getting a big old boat, so we're, like, sayonara, only in Indonesian, and we tool out into this boat-traffic jam to try to loose them, and I'm hearing these radio reports that are half English–there's been a fire and somebody's dead, yada yada, and I'm totally wigging out–Why did you do that? Why did you and your sister leave me in a hotel without even a note?
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
When they stepped out of the taxi and approached the hotel lobby, she mustered up the courage to take Nick’s hand. He quickly let go, frowning at her. “I thought we were supposed to be married,” she said, a little hurt. “We are. Five years, Elaine. No married couple holds hands after five years.
Mike Wells (Lust (Lust, Money & Murder, #1))
Humming and singing my new song, I led them up and down the stairs, pressing my fingers against the wall like I was about to push it over; down to the lobby, where I stood in a pot plant; and finally into the alley behind the studio, where I jumped on top of the car that had brought us from the hotel, leaving dents in the roof so the car would remember me.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Someone said the rain would mean nothing if thirst had never been named.
Adam Clay (A Hotel Lobby at the Edge of the World: Poems)
Nuns go by as quiet as lust, and drunken men with sober eyes sing in the lobby of the Greek hotel.
Toni Morrison (Jazz (Beloved Trilogy, #2))
Normally I'd have given up by now, but he was so cute I decided that he was entitled to be difficult. I mean, I may get distracted sometimes, but I always saved a special space at the back of my mind for Sean, like the Presidential Suit at Ritz Carlton. Throughout the first two years of high school, I let him stay there in peace, undisturbed by my meaningless flings which came and went in the hotel lobby.
rainbowbrook (Kissing Is the Easy Part)
I might take you to fancy hotels, baby. Might walk you through those elegant lobbies and demand you be treated like a queen.” He drops forward, bending down to lick a path between my breasts, up and down. Again and again, before lifting his head. “But I will always be the man who fucks you nasty on the floor once we’re upstairs, with your thong twisted around your dripping cunt. We clear?
Tessa Bailey (Follow)
Inside the woods is an abandoned hotel. Trees grow in the lobby and up through the rooms. Limbs jut out through the windows. It looks like outside inside. I climb the trees through 1000 rooms. I look for you in each of them. You’re a long shiny line.
Zachary Schomburg (Scary, No Scary)
After three hours, I come back to the waiting room. It is a cosmetic surgery office, so a little like a hotel lobby, underheated and expensively decorated, with candy in little dishes, emerald-green plush chairs, and upscale fashion magazines artfully displayed against the wall. A young woman comes in, frantic to get a pimple "zapped" before she sees her family over the holidays. An older woman comes in with her daughter for a follow-up visit to a face-lift. She is wearing a scarf and dark glasses. The nurse examines her bruises right out in the waiting room. And you are in the operating room having your body and your gender legally altered. I feel like laughing, but I know it makes me sound like a lunatic.
Joan Nestle
Mississippi begins in the lobby of a Memphis, Tennessee, hotel and extends south to the Gulf of Mexico.
William Faulkner
We cross the expansive, bustling lobby of the hotel toward the entrance, but Grey avoids the revolving door, and I wonder if that’s because he’d have to let go of my hand.
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
They don’t want black musicians in hotel lobbies, but blowing a horn to Jim Europe’s up-tempo beat is fine and dandy.
Julie Berry (Lovely War)
The lobby of the Nelson Hotel always smells of the river -- it's in the pores of the place -- but this evening the smell is heavier than usual. It's a smell that makes us think of bad ideas, blown investments, forged checks, deteriorating health, stolen office supplies, unpaid alimony, empty promises, skin tumors, lost ambition, abandoned sample cases filled with cheap novelties, dead hope, dead skin, and fallen arches. This is the kind of place you don't come to unless you've been here before and all your other options are pretty much foreclosed. It's a place where men who left their families two decades before now lie on narrow beds with pee-stained mattresses, coughing and smoking cigarettes.
Stephen King (Black House (The Talisman, #2))
That night in my apartment, and other nights, too, burrowed under the covers, I watch the shadows on the wall and think of meeting men, meeting men like in movies, and meeting men like Alice and her mysterious friends seem to - seem to at least in Alice’s stories - men met on buses between stops, in the frozen foods aisle, at Woolworth’s when buying a spool of thread, at the newsstand, perusing Look, in hotel lobbies, at supper clubs, while hailing cabs or looking in shop windows. Men with smooth felt hats and pencil mustaches, men with Arrow shirts and shiny hair, men eager to rush ahead for the doors and to steady your arm as you step over a wet patch on the road, men with umbrellas just when you need them, men who hold you up with a firm grip as the bus lurches before you can reach a seat, men with flickering eyes who seem to know just which coat you are trying to reach off the rack in the coffee shop, men with smooth cheeks smelling of tangy lime aftershave who would order you a gin and soda before you even knew you wanted one.
Megan Abbott (Die a Little)
Martin thought of the iron El trestles winding and stretching across the city, of department store windows and hotel lobbies, of electric elevators and street-car ads, of the city pressing its way north on both sides of the great park, of dynamos and electric lights, of ten-story hotels, of the old iron tower near the depot at West Brighton with its two steam-driven elevators rising and falling in the sky--and in his blood he felt a surge of restlessness, as if he were a steam train spewing fiery coal smoke into the black night sky as he roared along a trembling El track, high above the dark storefronts, the gaslit saloons, the red-lit doorways, the cheap beer dives, the dance halls, the gambling joints, the face in the doorway, the sudden cry in the night.
Steven Millhauser (Martin Dressler: The Tale of an American Dreamer)
Looking back, it seems to me that there are people who play an essential role at every turn. And I don’t just mean the Napoleons who influence the course of history; I mean men and women who routinely appear at critical junctures in the progress of art, or commerce, or the evolution of ideas—as if Life itself has summoned them once again to help fulfill its purpose. Well, since the day I was born, Sofia, there was only one time when Life needed me to be in a particular place at a particular time, and that was when your mother brought you to the lobby of the Metropol. And I would not accept the Tsarship of all the Russias in exchange for being in this hotel at that hour.
Amor Towles (A Gentleman in Moscow)
Staying put was out of the question. A hotel? But this was London, a city with more cameras than pigeons, and the Service had access to any CCTV system they chose. Showing his face in a hotel lobby would be as discreet as popping up on The X Factor. Leaving town was a better bet, but he couldn’t use his car . . .
Mick Herron (Slough House (Slough House #7))
I HAD TO GO to America for a while to give some talks. Going to America always does me good. It’s where I’m from, after all. There’s baseball on the TV, people are friendly and upbeat, they don’t obsess about the weather except when there is weather worth obsessing about, you can have all the ice cubes you want. Above all, visiting America gives me perspective. Consider two small experiences I had upon arriving at a hotel in downtown Austin, Texas. When I checked in, the clerk needed to record my details, naturally enough, and asked for my home address. Our house doesn’t have a street number, just a name, and I have found in the past that that is more deviance than an American computer can sometimes cope with, so I gave our London address. The girl typed in the building number and street name, then said: “City?” I replied: “London.” “Can you spell that please?” I looked at her and saw that she wasn’t joking. “L-O-N-D-O-N,” I said. “Country?” “England.” “Can you spell that?” I spelled England. She typed for a moment and said: “The computer won’t accept England. Is that a real country?” I assured her it was. “Try Britain,” I suggested. I spelled that, too—twice (we got the wrong number of T’s the first time)—and the computer wouldn’t take that either. So I suggested Great Britain, United Kingdom, UK, and GB, but those were all rejected, too. I couldn’t think of anything else to suggest. “It’ll take France,” the girl said after a minute. “I beg your pardon?” “You can have ‘London, France.’ ” “Seriously?” She nodded. “Well, why not?” So she typed “London, France,” and the system was happy. I finished the check-in process and went with my bag and plastic room key to a bank of elevators a few paces away. When the elevator arrived, a young woman was in it already, which I thought a little strange because the elevator had come from one of the upper floors and now we were going back up there again. About five seconds into the ascent, she said to me in a suddenly alert tone: “Excuse me, was that the lobby back there?” “That big room with a check-in desk and revolving doors to the street? Why, yes, it was.” “Shoot,” she said and looked chagrined. Now I am not for a moment suggesting that these incidents typify Austin, Texas, or America generally or anything like that. But it did get me to thinking that our problems are more serious than I had supposed. When functioning adults can’t identify London, England, or a hotel lobby, I think it is time to be concerned. This is clearly a global problem and it’s spreading. I am not at all sure how we should tackle such a crisis, but on the basis of what we know so far, I would suggest, as a start, quarantining Texas.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
A man bumps into a woman in a hotel lobby and as he does, his elbow goes into her breast. They are both quite startled.       The man turns to her and says, 'Ma'am, I'm so sorry, but if your heart is as soft as your breast, I know you'll forgive me.' Without batting an eye, she replies, 'If your thing is as hard as your elbow, I'll be in room 221.'   5
E. King (Best Adult Jokes Ever)
As they walked through the hotel lobby to reach the beach-access boardwalk, Gabe watched three different men give Nic the once-over. Whether it was the clichéd pregnancy glow or the easing of her fears of the future or simply the effect of a good vacation, his new wife glowed. She was as relaxed and carefree as he had ever seen her—beautiful, vivacious, and sparkling. He
Emily March (Angel's Rest (Eternity Springs, #1))
Lucky for you, I am not very curious. A famous criminal, assisted by a protection egregore, and a flying octopus have a knock-down drag-out ruckus in my lobby over a girl hiding behind a false name, who has arrived at my hotel in the company of a Pacifica express agent. Most people would be very curious. But I am not nosy by nature. All I care about is who is going to pay for the damages.
Ysabeau S. Wilce (Flora's Fury (Flora Trilogy, #3))
FORTY-SEVEN We found Diva in a shriek of Divas, in the lobby of the President hotel. The three of them stopped, staring at us with well-practised aghast. Didier was in a rumpled, white linen jacket and
Gregory David Roberts (The Mountain Shadow: The long-awaited sequel to Shantaram)
You lean into life. Even now, even when you're being hunted by the Lions, you gape at the streets of Edinburgh, light up over the sight of a Christmas tree in a hotel lobby, ask five thousand questions about the Scottish countryside, and plan movie nights with enthusiasm. It's not just about the end goal for you; you look at the everyday world like it's something special, and you make me see it that way, too.
Adriana Mather (Hunting November (Killing November, #2))
Like the time gunmen stormed our hotel in Cairo. I heard shots coming from the lobby and ran downstairs to check on my dad. By the time I got there, he was just calmly zipping up his workbag while three unconscious gunmen hung by their feet from the chandelier, their robes falling over their heads so you could see their boxer shorts. Dad claimed not to have witnessed anything, and in the end the police blamed a freak chandelier malfunction.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
This hotel, this lobby, is precisely what she wants--the cool nowhere of it, the immaculate non-smell, the brisk unemotional comings and going's. She feels, immediately, like a citizen of this place. It is so competent, so unconcerned.
Michael Cunningham (The Hours)
In business since 1948 and claiming to serve 10,000 meals a day, the Rendezvous lies in a busy cellar down an alley near the grand Peabody Hotel, known for the trained ducks that waddle through its lobby twice daily to the music of John Philip Sousa.
Patricia Schultz (1,000 Places to See in the United States & Canada Before You Die)
Gregory [Corso] made lists of books for me to read, told me the best dictionary to own, encouraged and challenged me. Gregory Corso, Allen Ginsberg, and William Burroughs were all my teachers, each one passing through the lobby of the Chelsea Hotel, my new university.
Patti Smith (Just Kids)
War in Europe, a speech by Hitler, trouble in Poland, these were the topics of the day. What piffle! You warmongers, you old folks in the lobby of the Alta Loma Hotel, here is the news, here: this little paper with all the fancy legal writing, my book! To hell with that Hitler, this is more important than Hitler, this is about my book. It won't shake the world, it won't kill a soul, it won't fire a gun, ah, but you'll remember it to the day you die, you'll lie there breathing your last, and you'll smile as you remember the book. The story of Vera Rivken, a slice out of life.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
Our minds are like a hotel. The manager can’t keep people from coming into the lobby, but he can keep them from getting a room. It is the same with our thoughts. It is not a sin when an impure thought goes through our minds. The sin comes when we give it a room and let it settle down there.
O.S. Hawkins (The Jesus Code: 52 Scripture Questions Every Believer Should Answer (The Code Series))
there’s no substitute for constant study to master one’s craft. Living in history builds your own shock absorber, because you’ll learn that there are lots of old solutions to new problems. If you haven’t read hundreds of books, learning from others who went before you, you are functionally illiterate—you can’t coach and you can’t lead. History lights the often dark path ahead; even if it’s a dim light, it’s better than none. If you can’t be additive as a leader, you’re just like a potted plant in the corner of a hotel lobby: you look pretty, but you’re not adding substance to the organization’s mission.
Jim Mattis (Call Sign Chaos)
what was the name of that hotel, you know [nose puckered], come on, you know—with those white columns and the marble swan in the lobby? Oh, you know [noisy exhalation of breath]—the hotel where you raped me. Okay, skip it. I mean, was it [almost in a whisper] The Enchanted Hunters? Oh, it was? [musingly] Was it
Vladimir Nabokov (Lolita)
I decide that if I ever get to come back here under different, nonstressful circumstances, I will stay at this hotel and drink fruity drinks and lay in the sand until my skin looks like it had a makeout session with the sun. But today, I’m looking for an inconspicuous way into the water. We head out of the lobby and get waylaid by hula dancers in grass skirts handing out necklaces of flowers. Apparently Toraf doesn’t like necklaces of flowers; as one of the women raises it above his head, he slaps her hand away. I show him, as I accept the gift around my neck, that the woman with the coconut boobs was just trying to be his friend. Just like all the women he’s come across so far. “Humans are too weird,” he whispers, unconvinced. I wonder what Toraf would think of Disney World. Our hotel is right on the water, so we pass through the lobby to the back. The beach is lined with lounge chairs and umbrellas and people scantily clad and people who shouldn’t be scantily clad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
There are some females in the world who slip away from the public eye. You might see them walking past you in the lobby or behind the tinted windows of a limousine. They travel so much, you might only meet them in hotels. Last night, you wondered if you’d ever see those intelligent women again. How can any man be good enough for them?
Kristian Ventura (The Goodbye Song)
You asked me why I wrote you all those years," he said suddenly. "You know, I'd seen you around that summer, always hanging back but with this intent look on your face--always quiet but pissed off. And then that day, I saw you wait till everyone had left before you climbed. And turned out you could climb higher than any of them." He smiled. "You know what I was thinking?" I shook my head. "I was thinking, this world is full of people making a big deal out of any little thing they do: look at me, look at this cappuccino I'm about to drink, look at me looking good in this hotel lobby. And here was someone who only did her most beautiful things when no one was watching." He paused. "And you're still like that.
Jodi Lynn Anderson (Each Night Was Illuminated)
As they neared the entrance to the hotel, Win saw a tall, dark form moving through the lobby. It was Merripen, looking moody and distracted as he walked with his gaze focused downward. She couldn't suppress the flutters of pleasure that went through her at the sight of him, the handsome, bad-tempered beast. He approached the stairs, glancing upward, and his expression changed as he saw her. There was a flash of hunger in his eyes before he managed to extinguish it. But that brief, bright flare caused Win's spirits to lift immeasurably. After the scene that morning, and Merripen's display of jealous rage, Win had apologized to Julian. The doctor had been amused rather than disconcerted. "He is exactly as you described," Julian had said, adding ruefully, "...only more." "More" was a fitting word to apply to Merripen, she thought. There was nothing understated about him. At the moment he looked rather like the brooding villain of a sensation novel. The kind who was always vanquished by the fair-haired hero. The discreet glances Merripen was attracting from a group of ladies in the lobby made it evident that Win was not the only one who found him mesmerizing.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
We walk into the lobby of the hotel and I try not to grin at the man behind the counter. I refrain from screaming, "I'm going to have sex! With this gorgeous woman. She want to have sex. I didn't even have to ask, she just want to have sex. With me! Can you believe it?" I take deep breaths and try to downplay that this moment is the highlight of my life. Air kicks and high-fives probably wouldn't be a cool more right now.
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
Attempts to thwart or muzzle the media continued as well. At a conservative caucus meeting in Charlottetown in August 2007, journalists assembled in the lobby of the hotel, as they usually do at such gatherings, to talk to caucus members as they passed by. The [Prime Minister's Office] communications team, however, was not prepared to allow it. Taking their cue, or so it appeared, from a police state, they had the RCMP remove the reporters from the hotel.
Lawrence Martin (Harperland: The Politics Of Control)
the posters around town made the group even more excited about the readings. Mrs. Peters pulled a thick itinerary out of her purse and went over it with her fellow travelers. “Let’s all take a quick nap when we arrive and then perhaps we can go for a walk around the city before dinner,” she said. “The stories will be read at the cemetery at noon tomorrow, so we’ll meet in the lobby at ten o’clock for the complimentary breakfast, or if you want to sleep in, we’ll be leaving the hotel at eleven o’clock sharp.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
People talk about Eisenhower's golden age.... It all happened without me. What is the vice presidency? The Constitution dictates only two duties: casting the deciding vote if the Senate is deadlocked and replacing the president if he dies or is impeached. apart from waiting for those two things to happen, you made the rest up and were duly forgotten by history. The exception being Aaron Burr, who shot someone, decisively lowering the bar for the rest of us. What I remember is small pieces of the world: the West Wing, the insides of planes and hotel lobbies and conference rooms. My life was dinners with Pat and the children; airplane flights; placeholder meetings with foreign dignitaries during which I nodded and reminded them I had no power to make and agreement but would speak to the president. Stomach-turning formal breakfasts, speeches to party elders and tradesmen. I opened factories in Detroit and Akron, breathing the various stinks of canneries, slaughterhouses, or rubber plans and bestowing that vice presidential combination of glamour, flattery, and the tacit reminder that they didn't quite rate a visit from the top guy.
Austin Grossman (Crooked)
It was twenty-five minutes past nine when he got to the corner of Seventh and Spring, where the Metropole was. It was an old hotel that had once been exclusive and was now steering a shaky course between a receivership and a bad name at Headquarters. It had too much oily dark wood paneling, too many chipped gilt mirrors. Too much smoke hung below its low beamed lobby ceiling and too many grifters bummed around in its worn leather rockers. The blonde who looked after the big horseshoe cigar counter wasn’t young any more and her eyes were cynical from standing off cheap dates. (Nevada Gas)
Raymond Chandler (The Simple Art of Murder)
The election of 1960 can, if one wills, be seen as an interlocking set of ifs: if Nixon had made up his mind which he wanted, the Northern Negro or Southern white vote; if the Puerto Rican Catholic bishops had made their intolerant intervention into Puerto Rican politics earlier and if Nixon had taken advantage of it; if the hysterical States-Righters of Dallas had not roughed up Lyndon and Lady Bird Johnson in the hotel lobby; if Eisenhower had been used earlier; if Nixon had moved as forthrightly as did John F. Kennedy and Robert Kennedy in the Martin Luther King arrest; if only the citizen Democrats of California and the new coagulating boss groups of California had been able to work together in harness, as they could not; if Nixon had clung to his original television strategy and not panicked; if Nixon had clung to the original Forward theme of Hall and Shepley—an interminable series of ifs can be strung together to account for, reverse or multiply the tiny margin of 112,000 popular votes by which Kennedy led Nixon. Yet when all these ifs are strung together, they are only the froth and the foam in the wake of the strategies of the two candidates who sought to lead the American people.
Theodore H. White (The Making of the President 1960: The Landmark Political Series)
Life at the Chelsea was an open market, everyone with something of himself to sell. (..) the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke down filmmakers, and French actors. Everybody passing through here is somebody, if nobody in the outside world (…) The Chelsea was like a doll’s house in the Twilight Zone, with a hundred rooms, each a small universe.
Patti Smith (Just Kids)
Life at the Chelsea was an open market, everyone with something of himself to sell.” (p.107) (..)the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard [gerente do hotel] in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke down filmmakers, and French actors. Everybody passing through here is somebody, if nobody in the outside world.” (p.91). (…) The Chelsea was like a doll’s house in the Twilight Zone, with a hundred rooms, each a small universe.
Patti Smith (Just Kids)
And as she talked, the Count had to acknowledge once again the virtues of withholding judgment. After all, what can a first impression tell us about someone we’ve just met for a minute in the lobby of a hotel? For that matter, what can a first impression tell us about anyone? Why, no more than a chord can tell us about Beethoven, or a brushstroke about Botticelli. By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.
Amor Towles (A Gentleman in Moscow)
The most uniform and conspicuous feature of the towns and cities you travel through in North India, and also the most serious menace to civilized life in them, is noise. It accompanies you everywhere – in your hotel room, in the lobby, in the elevator, in the streets, in temples, mosques, gurdwaras, shops, restaurants, parks – chipping away at your nerves to the point where you feel breakdown to be imminent. It isn’t just the ceaseless traffic, the pointless blaring of horns, the steady background roar that one finds in big cities. It is much worse: the electronics boom in India has made cassette players available to anyone with even moderate spending power. Cassettes too are cheap, especially if you buy pirated ones.
Pankaj Mishra (Butter Chicken in Ludhiana: Travels in Small Town India)
Niagara Falls! Hordes of us! Husbands! Wives! Flowers! Chocolates! All streaming into cozy hotels All going to do the same thing tonight The indifferent clerk he knowing what was going to happen The lobby zombies they knowing what The whistling elevator man he knowing The winking bellboy knowing Everybody knowing! I'd be almost inclined not to do anything! Stay up all night! Stare that hotel clerk in the eye! Screaming: I deny honeymoon! I deny honeymoon! running rampant into those almost climatic suites yelling Radio belly! Cat shovel! O I'd live in Niagara forever! in a dark cave beneath the Falls I'd sit there the Mad Honeymooner devising ways to break marriages, a scourge of bigamy a saint of divorce--
Gregory Corso
ten years of living alone in the staff quarters and playing tour guide to the infrequent potential buyers who arrived by water taxi, a decade of weekly trips to Port Hardy for supplies, cleaning the hotel, mowing the grass, meeting with repairmen when necessary, reading in the afternoons, teaching himself to play piano on the abandoned Steinway in the lobby, walking to the village of Caiette for coffee with Melissa; ten years of wandering by himself in the forest, watching the first pale flowers push through dark earth in the springtime, swimming by the pier in the hottest days of summer and reading on a balcony under blankets in the clear autumn light, sitting alone in the lobby with the lights out for the thrill of winter storms.
Emily St. John Mandel (The Glass Hotel)
the building. The Regency Hotel was shaped like a wedge and the bingo hall was at the thin end. Connor climbed up the steps to the bingo hall and peered in through the porthole windows of the main entrance. Inside the place was as dark as could be, but when he tugged the door handle, it gave way. Surprised, Connor looked back over his shoulder before he risked anything further. There were a couple of seafront workers heading down the hill, but they seemed more than willing to ignore him. Connor walked into the darkness, and pulled the door shut behind him. He found himself in a dark lobby which stank of cheap carpet cleaner and cigarette smoke. Connor held his breath and walked through another set of double doors. As he pushed the doors, keys jangled on the other
Solomon Carter (The Final Trick (The Final Trick, #1))
If I’m ever tempted to let it get to my head, all I have to do is remember the first time I was recognized in public. I was with Jennie Garth, back in Season 3. She was way more famous than me (Derek Who?) and she was asked to the Eiffel Tower ceremony at the Paris Las Vegas hotel. They shut off half the strip and there were thousands of people outside the hotel lined up to see it. I was onstage supporting her, when I was suddenly hit with a wave of nausea. I knew instantly I had food poisoning from something I’d eaten earlier in the day. I knew if I didn’t get off the stage at that moment, I was going to throw up--and that would be the story on the evening news, not Jennie’s lighting! I jumped off the stage and just wanted to get back to my room where I could vomit in peace. As I was racing through the hotel lobby, a few people stopped me. “Aren’t you Derek Hough from Dancing with the Stars?” I was trying to be polite, but I just kept eyeing garbage cans in case I couldn’t hold it in any longer. “Yeah, thanks,” I said. I signed a few autographs and tried to push my way to the elevators. “Wait! Derek! Can I get you to sign this?” More people started coming at me. I swear, I had to hold my breath so I wouldn’t hurl! When I finally got upstairs, I threw up thirty-two times. I was deathly ill. But somewhere, in that haze of hellish food poisoning, it hit me: This is pretty cool! People know who I am! But I’ve tried my hardest not to let that change me. I’m kind of a free spirit; what you see is what you get. Inside is still that crazy little boy who liked to bounce off his living room walls.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
The male staff all wore gorgeous colored loin cloths that always seem to be about to fall off they’re wonderful hips. Their upper bodies were tanned sculpted and naked. The female staff wore short shorts and silky flowing tops that almost but didn’t expose their young easy breasts. I noticed we only ever encountered male staff, and the men walking through the lobby were always greeted by the female staff. Very ingenious, as Rebecca said later - if we had ticked Lesbians on the form I wonder what would have happened? -There was a place to tick for Lesbians, I said ? -Sexual Persuasion- it was on all the forms -Really. And, how many options were there? -You’re getting the picture, said Jillian. This was not your basic check in procedure as at say a Best Western. Our Doormen/Security Guards , held out our chairs for us to let us sit at the elegant ornate table. Then they poured us tea, and placed before each of us a small bowl of tropical fruit, cut into bite size pieces. Wonderful! Almost immediately a check in person came and sat opposite us at the desk. Again a wonderful example of Island Male talent. (in my mind anyway) We signed some papers, and were each handed an immense wallet of information passes, electronic keys, electronic ID’s we would wear to allow us to move through the park and its ‘worlds’ and a small flash drive I looked at it as he handed it to me, and given the mindset of the Hotel and the murals and the whole ambiance of the place, I was thinking it might be a very small dildo for, some exotic move I was unaware of. -What’s this? I asked him -Your Hotel and Theme Park Guide I looked at it again, huh, so not a dildo.
Germaine Gibson (Theme Park Erotica)
The hotel was a chain, crisp and white on the outside, warm and beige on the inside, with green neon announcing its name and function. There was a small crowd in the lobby. Maybe nine people, not exactly in line for the desk, mostly just standing around, either talking on cell phones, or looking frustrated, or both. Two equipment failures earlier in the day had caused chaos. Reacher was not a frequent flier, but he recognized the signs. The clerk at the reception desk beckoned them closer. She was a young woman in a fitted jacket, with a scarf around her neck. There was some kind of secret urgency in her gesture. She said, “Sir, madam, I have one room left. If you need it, you should probably grab it now.” Chang said, “Only one room?” “Yes, ma’am, because the airlines had a problem today.” “Is there another hotel?” “Not in the airport.” Reacher said, “We’ll take the room.
Lee Child (Make Me (Jack Reacher, #20))
This is slightly embarrassing,” Alkaitis said that night, when they’d left the bar and retired to a quieter corner of the lobby to discuss investments, “but you said you’re in shipping, and I realized as you said it that I’ve only the dimmest idea of what that actually means.” Leon smiled. “You’re not alone in that. It’s a largely invisible industry, but nearly everything you’ve ever bought traveled over the water.” “My made-in-China headphones, and whatnot.” “Sure, yes, there’s an obvious one, but I really mean almost everything. Everything on and around us. Your socks. Our shoes. My aftershave. This glass in my hand. I could keep going, but I’ll spare you.” “I’m embarrassed to admit that I never thought about it,” Jonathan said. “No one does. You go to the store, you buy a banana, you don’t think about the men who piloted the banana through the Panama Canal. Why would you?
Emily St. John Mandel (The Glass Hotel)
I stepped from the desert doorway with nothing except the clothes on my back and a shoulder bag filled with notebooks—blue-lined paper pads bound together with rubber bands and stained with my sweat, with camel shit, by smears of my own blood. The pages crazed with jottings about devastating heat. The bearings for remote wells. Inked maps of pilgrim roads. The divinations of Bedouin fire cures. Mile upon mile of sentences from an austere kingdom still largely closed to the world. I walked along the concrete highway and spotted the first alcoholic artifacts I had seen in seven months (bottles, cans), past a large potash mine, and up the wrinkled coast to a tourist town. I saw women in colorful sarongs. Some drove cars. Nobody watched me. I floated out of a desert wadi like windblown trash. I found an ATM. I asked directions to a posh hotel with knockoff Mies van der Rohe tubular furniture in the lobby. Men gave camel rides to tourists outside. “And where”—asked the clerk, without the least curiosity, as I signed the paperwork—”are you coming from, Mr. Salopek?
Paul Salopek
Recently, I was in New York with most of the Robertson family promoting the season-four premiere of Duck Dynasty. We were staying at the Trump International Hotel, which is a really nice place near Central Park. I was already uncomfortable being in the big city. I don’t like traffic or concrete, and there are a lot of both in New York. After we checked in, we gathered downstairs to go to a Broadway musical show. I know it might seem bizarre for me to be going to a musical, but my very attractive wife can be mightily persuasive, especially when I have nothing else to do. As we were waiting or the others in the lobby, I asked a doorman if there was a nearby bathroom. He gave me directions to the nearest restroom, which included a walk through the hotel restaurant. As I entered the restaurant, a well-dressed staffer offered his assistance. I informed him I was only going to the restroom. But he very nicely continued to offer assistance and took the role of my escort, which I thought was quite courteous and professional. At his direction, we took a quick left turn and walked out of the hotel. Befuddled, I asked him, “Where is the bathroom?” He painted down the street or maybe toward Central Park and said, “Good luck to you, sir. Have a nice day.” I circled back around to the main entrance of the hotel, where I found Missy, who had witnessed the entire episode. “I thought you had to go to the bathroom,” she said. I laughed and told her I had been escorted out of the hotel because of the way I looked. It was no big deal to us, and I laughed about the incident later that night with my family over dinner. I shared the story the next day with Kelly Ripa and Michael Strahan on Live! with Kelly and Michael because I thought it was funny. Well, the story went viral and was all over the news and Internet the next few days. My phone wouldn’t stop ringing and various media outlets were trying to contact me. I’d jokingly labeled the incident “facial profiling” because in my mind that’s exactly what it was. People were surprised that it didn’t bother me, but my family and I have endured those kinds of things our entire lives. I figured the hotel employee was only trying to protect other hotel guests. The incident culminated with a call from Donald Trump’s office. They offered an apology for any inconvenience. I assured them that no apology was needed, and I asked them not to punish my courteous escort.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
These two would have felt like old friends had they met just hours before. To some degree, this was because they were kindred spirits—finding ample evidence of common ground and cause for laughter in the midst of effortless conversation; but it was also almost certainly a matter of upbringing. Raised in grand homes in cosmopolitan cities, educated in the liberal arts, graced with idle hours, and exposed to the finest things, though the Count and the American had been born ten years and four thousand miles apart, they had more in common with each other than they had with the majority of their own countrymen. This, of course, is why the grand hotels of the world’s capitals all look alike. The Plaza in New York, the Ritz in Paris, Claridge’s in London, the Metropol in Moscow—built within fifteen years of each other, they too were kindred spirits, the first hotels in their cities with central heating, with hot water and telephones in the rooms, with international newspapers in the lobbies, international cuisine in the restaurants, and American bars off the lobby. These hotels were built for the likes of Richard Vanderwhile and Alexander Rostov, so that when they traveled to a foreign city, they would find themselves very much at home and in the company of kin.
Amor Towles (A Gentleman in Moscow)
To the delight of visiting American sailors, the British still had a military base there, Changi, and shared it with those stout lads from Down Under, the Australians, who naturally came supplied with Down Under lassies. Australian women were the glory of Singapore. These tall, lithe creatures with tanned, muscular legs and striking white teeth that were forever being displayed in dazzling smiles somehow completed the picture, made it whole. You ran into them at Raffles, the old hotel downtown with ceiling fans and rattan chairs and doddery old gentlemen in white suits sipping gin. You ran into them in the lobbies and restaurants of the new western hotels and in the bazaars and emporiums. You saw them strolling the boulevards and haggling with small Chinese women in baggy trousers for sapphires and opals. You saw them everywhere, young, tan, enjoying life, the center of attention wherever they were. It helped that their colorful tropical frocks contrasted so vividly with the drab trousers and white shirts that seemed to be the Singaporean national costume. They were like songbirds surrounded by sparrows. “If Qantas didn’t bring them here, the United Nations should supply them as a gesture of good will to all human kind.” Flap Le Beau stated this conclusion positively to Jake Grafton and the Real McCoy as they stood outside Raffles Hotel surveying the human parade on the sidewalk. “I think I’m in love,” the Real McCoy told his companions. “I want one of those for my very own.
Stephen Coonts (The Intruders (Jake Grafton #2))
One of our best dates was actually a weekend when we went to the wedding of a friend from the Teams. The couple married in Wimberley, Texas, a small town maybe forty miles south of Austin and a few hours’ drive from where we lived. We were having such a pleasant day, we didn’t want it to end. “It doesn’t have to end,” suggested Chris as we headed for the car. “The kids are at my parents’ for the weekend. Where do you want to go?” We googled for hotels and found a place in San Antonio, a little farther south. Located around the corner from the Alamo, the hotel seemed tailor-made for Chris. There was history in every floorboard. He loved the authentic Texan and Old West touches, from the lobby to the rooms. He read every framed article on the walls and admired each artifact. We walked through halls where famous lawmen-and maybe an outlaw or two-had trod a hundred years before. In the evening, we relaxed with coffee out on the balcony of our room-something we’d never managed to do when we actually owned one. It was one of those perfect days you dream of, completely unplanned. I have a great picture of Chris sitting out there in his cowboy boots, feet propped up, a big smile on his face. It’s still one of my favorites. People ask about Chris’s love of the Old West. It was something he was born with, really. It had to be in his genes. He grew up watching old westerns with his family, and for a time became a bronco-bustin’ cowboy and ranch hand. More than that, I think the clear sense of right and wrong, of frontier justice and strong values, appealed to him.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Russia, if you’re listening, I hope you’re able to find the thirty thousand emails that are missing,” Trump said, referring to the messages that Clinton had deleted from her private server. “I think you will probably be rewarded mightily by our press.” There was a hush in the hotel lobby, broken by the exclamation of a single editor: “Holy shit.” Hours later, GRU hackers for the first time launched spearphishing attacks against private email accounts used by Clinton’s personal office and seventy-six addresses associated with the campaign.
Greg Miller (The Apprentice)
There's a lot of water everywhere. The roads near the sea front are under two feet of it. Do they mention this in the brochures? I see a package of Nordic tourists washed up in a hotel lobby. The hotel looks as though it has absorbed its own weight of water.
Ted Simon (Jupiters Travels: Four Years Around the World on a Triumph)
The furniture looks like it was stolen from the lobby of a fancy hotel trying to pass itself off as folksy.
Richard Kadrey (Hollywood Dead (Sandman Slim, #10))
Well, since the day I was born, Sofia, there was only one time when Life needed me to be in a particular place at a particular time, and that was when your mother brought you to the lobby of the Metropol. And I would not accept the Tsarship of all the Russians in exchange for being in this hotel at that hour.
Amor Towles (A Gentleman in Moscow)
Unlike older generations, people under thirty are also less likely to have office jobs. Consequently, they are always looking for pleasant places to work outside their homes. Many end up in coffee shops and hotel lobbies or join the booming business of coworking spaces. Some of them are also discovering that libraries are society’s original coworking spaces and have the distinct advantage of being free.
Susan Orlean (The Library Book)
Unlike older generations, people under thirty are also less likely to have office jobs. Consequently, they are always looking for pleasant places to work outside their homes. Many end up in coffee shops and hotel lobbies or join the booming business of coworking spaces.
Susan Orlean (The Library Book)
I was pretty focused and stoic about another week without Bobby until my Glow app sent me the super-helpful pastel-purple alert, “Your fertile window is closing . . .” This led to my sobbing to Maggie Haberman over a chardonnay in the hotel lobby. She looked up from Twitter, over her glasses. “Okay, you need to take that app off your phone immediately,” Mags said.
Amy Chozick (Chasing Hillary: On the Trail of the First Woman President Who Wasn't)
(Skip Litz) was road managing Todd Snider one time, which meant he had to sneak Todd's tiny dog, Lulu, into hotels. In Atlanta, Skip checked Todd into a hotel that didn't accept dogs. Then Skip carried Lulu in his arms, right through the lobby, and a guy behind the hotel desk saw this happening and said, 'Is that a dog?' Skip looked the guy square in the eye and said, 'No.' Then he and Lulu got on the elevator, and no one said another word about it.
Peter Cooper (Johnny's Cash and Charley's Pride: Lasting Legends and Untold Adventures in Country Music)
The hotel is also the prettiest I've seen, and my jaw drops when I walk into the lobby. I find myself wondering about the way humans as a whole think. We save and save for a retirement that we'll only get to if we're extraordinarily lucky. How much life do we miss by playing it safe for a future that we're not promised?
C.R. Jane (The Breathe Me Duet (Breathe Me Duet #1-2))
We can see American English downtown in any city in the States. We would look up a block of “apartments” to a “penthouse,” be deluged by the “mass media,” go into a “chain store,” breakfast on “cornflakes,” avoid the “hot dog,” see the “commuters” walking under strips of “neon,” not “jaywalking,” which would be “moronic,” but if they were “executives” or “go-getters” (not “yes-men” or “fat cats”), they would be after “big business,” though unlikely to have much to do with an “assembly line” or a “closed shop.” There’s likely to be a “traffic jam,” so no “speeding,” certainly no space for “joy-riding” and the more “underpasses” the better. And of course in any downtown city we would be surrounded by a high forest of “skyscrapers.” “Skyscraper” started life as an English naval term — a high light sail to catch the breeze in calm conditions. It was the name of the Derby winner in 1788, after which tall houses became generally called skyscrapers. Later it was a kind of hat, then slang for a very tall person. The word arrived in America as a baseball term, meaning a ball hit high in the air. Now its world meaning is very tall building, as typified by those in American cities. Then you could go into a “hotel” (originally French for a large private house) and find a “lobby” (adopted from English), find the “desk clerk” and the “bell boy,” nod to the “hat-check girl” as you go to the “elevator.” Turn on the television, flick it all about and you’re bound to find some “gangsters” with their “floozies” in their “glad rags.” In your bedroom, where the English would have “bedclothes,” the Americans have “covers”; instead of a “dressing gown” you’ll find a “bathrobe,” “drapes” rather than “curtains,” a “closet” not a “wardrobe,” and in the bathroom a “tub” with a “faucet” and not a “bath” with a “tap.
Melvyn Bragg (The Adventure of English: The Biography of a Language)
Lisa, you’re a natural,” Lonnie said. “OK, Mike, now you give it a try.” I looked around, confused. “Excuse me?” He handed me the .38. “You came here to shoot, didn’t you?” I accepted the gun, and from then until the time we left, my name was Mike, which was more than a little demoralizing. Not getting the “Wait a minute—the David Sedaris?” I have come to expect when meeting someone was bad enough, but being turned into a Mike, of all things? I thought of the time a woman approached me in a hotel lobby. “Pardon me,” she said, “but are you here for the Lions Club meeting?” That’s the Mike of organizations.
David Sedaris (Happy-Go-Lucky)
The boys hurried into the hotel and made their way toward the restaurant. From the lobby they could see Aunt Gertrude and “Mrs. Harrison” seated at a table near the street door. Frank and Joe slipped in and sat down near a potted palm which shielded them from view. Seeing a waitress bring salads to the others, they ordered sandwiches and soda.
Franklin W. Dixon (The Phantom Freighter (Hardy Boys, #26))
the Saint Jacques Hotel. Revolving doors led into a stark white lobby with an artificial fireplace that took up almost the entire length of one wall; on the other wall a concierge desk stretched forever. Janice asked the doorman where the business service center was and disappeared, heels clattering, down
Brendan Slocumb (The Violin Conspiracy)
Cliffside’s lobby is one of the most spectacular spaces on the island. The hotel has twenty-three rooms (where you step out into sand), a pool and a fitness center, a small private café, and a private beach on Nantucket Sound. (The water is calm and good for swimming.) Cliffside is a splurge—if you can get in!
Elin Hilderbrand (The Hotel Nantucket)
And soon I was getting involved in one of the most amazing projects. Someone asked me to help design the digital part of the first hotel movie system, which was based on the very earliest VCRs. No one had VCRs then, of course. I was thinking, Oh my god! This is going to be incredible—designing movies for hotels! I couldn’t get over it. Their formula was this. They’d line up about six VCRs. Then they had a method of sending special TV channels to everybody’s room. They could play the movies on those channels. There was a filter in each room to block those channels. But the hotel clerk in the lobby could send a signal to unlock the filter in a particular room. Then the guest could watch the movie they ordered on their TV. Someone in the VCR room had to literally start the movie, but this was still a really cool system.
Steve Wozniak (iWoz: Computer Geek to Cult Icon)
January 14: At 1:46 p.m. Marilyn marries Joe DiMaggio. She gives Harry Brand, publicity director at Fox, only one hour’s notice, but one hundred reporters still manage to make it to the lobby and corridor of San Francisco’s Town Hall, where the marriage takes place. Only a few of Joe’s friends and family are present. Marilyn brings no guests to the three-minute ceremony. Photographs show Marilyn wearing a dark brown woolen suit with an ermine collar, holding three orchids in her hand. By the time the ceremony ends, an estimated two hundred photographers and three hundred fans crowd around Joe and Marilyn as the couple jumps into Joe’s night blue Cadillac. The couple spends their wedding night at the Hot Springs Hotel in Paso Robles, California.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Years later I saw McMahon in a St. Louis hotel lobby and explained the situation to him, but he shrugged it off as "No big thing, Bill." He was already a multi-millionaire and at this point, that show meant little him, if anything at all.
Bill Apter (Is Wrestling Fixed? I Didn't Know It Was Broken!: From Photo Shoots and Sensational Stories to the WWE Network ― My Incredible Pro Wrestling Journey! and Beyond ...)
The bar/restaurant was still open, and there was some kind of forgettable baseball game featured there, on the large screen, with no one watching, and you could see this from the uninhabited and threadbare lobby. The young man at the front desk looked like there was no sorrow he had not experienced, and you could imagine that the pariahs of Waterbury - the convicted frauds and disgraced politicians, the collectors of serial-killer memorabilia, the embezzlers of church donations, those found guilty of exposing themselves, the mortuary assistants with suppressed necrophiliac tendencies, the sadistic gym teachers and embittered traffic cops - all settled here when they were in search of the loneliest night imaginable, and nothing made them feel better than exceedingly loud smoove playing in the lobby. If you were experiencing catecholaminergic polymorphic ventricular tachycardia, some flügelhorn soloing just might do the trick, could render you functionally unconscious in that way that hotel life can often do, unaware of any aspect of civilization that involves continuity, stability, devotion. However, it's also possible that smoove could be seen as a music that requires absolute submission to the American economy, to the need to buy and consume, and, as such, it is straight out of the robber-baron playbook, the music that can and must drive you to your knees so that you can do nothing but purchase plastic trinkets of Southeast Asian manufacture.
Rick Moody (Hotels of North America)
There was probably some kind of anti-compulsive psychiatric medication liberally added to this trucked-in gross of cookies so that people like me, who could not stop eating the cookies once they were offered, would not continuously sneak down to the lobby in the soul-slaughtering hours between two and four a.m. to steal six at a time, finishing most of them before getting back to the room.
Rick Moody (Hotels of North America)
We went back to the hotel to take our clothes off immediately, as though this were our only purpose, and I recollect that this was about loneliness, as far as I was concerned. The thing you did to alleviate the loneliness was to take off your clothes and touch someone, even if you didn’t really know the person well. I could just as easily have asked her to let me lie down on top of her fully clothed on a couch in the lobby of the Hampton Inn and Suites, but I didn’t know that then. I thought I was supposed to take off my clothes, and I wanted her to take off her clothes, and somehow this seemed a foregone conclusion, perhaps because each of us had started with no face and no body, as a condition of modern life, and now we were here and we wanted to celebrate the fact that we were not hideous, not entirely, and we were in the flesh.
Rick Moody (Hotels of North America)
we broke the complimentary cookie obtained in the lobby into small pieces and flung it over the fence of the Indonesian embassy, thinking that the scheming and warlike Indonesians were probably out at the time, and in the event that the Indonesians had not fed their local squirrels.
Rick Moody (Hotels of North America)
1968 The Oriental Club   This was one such occasion when I felt liberated. With no chaperone or guardian in tow, a sense of autonomy washed over me as I dressed to meet my stalker. Tad was spiffed and ready for an entrancing evening when we met at the hotel lobby. He looked handsome in formal wear, and I was his date, the envy of many.
Young (Turpitude (A Harem Boy's Saga Book 4))
To wit: A van dropped him off at the lobby of his skid-row hotel. I
Victoria Sweet (God's Hotel: A Doctor, a Hospital, and a Pilgrimage to the Heart of Medicine)
Meet me at the hotel lobby in three hours,” announced the chafed Prince. “Yes, Your Highness!” My Valet spoke on my behalf before we departed to assist my host in documenting the groom’s grand entrance into the women’s hall.
Young (Unbridled (A Harem Boy's Saga, #2))
during the summer of 1989, the two sides sat down at a hotel in Hawaii and struck a truce. The Malaysians would keep quiet about hydrogenation, while the ASA would stop its efforts to lobby officials in Washington against tropical oils as well as any publicity efforts aimed at portraying palm oil as a saturated fat.
Nina Teicholz (The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet)