“
I am Plato's Republic. Mr. Simmons is Marcus. I want you to meet Jonathan Swift, the author of that evil political book, Gulliver's Travels! And this other fellow is Charles Darwin, and-this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr. Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr. Lincoln, if you please. We are also Matthew, Mark, Luke, and John.
”
”
Ray Bradbury (Fahrenheit 451)
“
The good thing about the studium is the that you learn from your teachers, true, but even more from your fellows, especially those older than you, when they tell you what they have read, and you discover that the world must be full of wondrous things and to know them all - since a lifetime will not be a enough for you to travel through the whole world - you can only read all the books.
”
”
Umberto Eco (Baudolino)
“
Some people read for instruction, which is praiseworthy, and some for pleasure, which is innocent, but not a few read from habit, and I suppose that is neither innocent nor praiseworthy. Of that lamentable company am I. Conversation after a time bores me, games tire me, and my own thoughts, which we are told are the unfailing resource of a sensible man, have a tendency to run dry. Then I fly to my book as the opium-seeker to his pipe. I would sooner read the catalogue of the Army and Navy stores or Bradshaw's Guide than nothing at all, and indeed I have spent many delightful hours over both these works. At one time I never went out without a second-hand bookseller's list in my pocket. I know no reading more fruity. Of course to read in this way is as reprehensible as doping, and I never cease to wonder at the impertinence of great readers who, because they are such, look down on the illiterate. From the standpoint of what eternity is it better to have read a thousand books than to have ploughed a million furrows? Let us admit that reading with us is just a drug that we cannot do without who of this band does not know the restlessness that attacks him when he has been severed from reading too long, the apprehension and irritability, and the sigh of relief which the sight of a printed page extracts from him? and so let us be no more vainglorious than the poor slaves of the hypodermic needle or the pint-pot.
And like the dope-fiend who cannot move from place to place without taking with him a plentiful supply of his deadly balm I never venture far without a sufficiency of reading matter. Books are so necessary to me that when in a railway train I have become aware that fellow-travellers have come away without a single one I have been seized with a veritable dismay. But when I am starting on a long journey the problem is formidable.
”
”
W. Somerset Maugham (Collected Short Stories: Volume 4)
“
Here was intellectual life, he thought, and here was beauty, warm and wonderful as he had never dreamed it could be. He forgot himself and stared at her with hungry eyes. Here was something to live for, to win to, to fight for—ay, and die for. The books were true. There were such women in the world. She was one of them. She lent wings to his imagination, and great, luminous canvases spread themselves before him whereon loomed vague, gigantic figures of love and romance, and of heroic deeds for woman’s sake—for a pale woman, a flower of gold. And through the swaying, palpitant vision, as through a fairy mirage, he stared at the real woman, sitting there and talking of literature and art. He listened as well, but he stared, unconscious of the fixity of his gaze or of the fact that all that was essentially masculine in his nature was shining in his eyes. But she, who knew little of the world of men, being a woman, was keenly aware of his burning eyes. She had never had men look at her in such fashion, and it embarrassed her. She stumbled and halted in her utterance. The thread of argument slipped from her. He frightened her, and at the same time it was strangely pleasant to be so looked upon. Her training warned her of peril and of wrong, subtle, mysterious, luring; while her instincts rang clarion-voiced through her being, impelling her to hurdle caste and place and gain to this traveller from another world, to this uncouth young fellow with lacerated hands and a line of raw red caused by the unaccustomed linen at his throat, who, all too evidently, was soiled and tainted by ungracious existence. She was clean, and her cleanness revolted; but she was woman, and she was just beginning to learn the paradox of woman.
”
”
Jack London (Martin Eden)
“
Knowing that wisdom waits to be gathered, I actively search her out. I will change my actions TODAY! I will train my eyes and ears to read and listen to books and recordings that bring about positive changes in my personal relationships and a greater understanding of my fellow man. I will read and listen only to what increases my belief in myself and my future.
I will seek wisdom. I will choose my friends with care.
I am who my friends are. I speak their language, and I wear their clothes. I share their opinions and their habits. From this moment forward, I will choose to associate with people whose lives and lifestyles I admire. If I associate with chickens, I will learn to scratch at the ground and squabble over crumbs. If I associate with eagles, I will learn to soar to great heights. I am an eagle. It is my destiny to fly.
I will seek wisdom. I will listen to the counsel of wise men.
The words of a wise man are like raindrops on dry ground. They are precious and can be quickly used for immediate results. Only the blade of grass that catches a raindrop will prosper and grow.
I will seek wisdom. I will be a servant to others.
A wise man will cultivate a servant’s spirit, for that particular attribute attracts people like no other. As I humbly serve others, their wisdom will be freely shared with me. He who serves the most grows the fastest.
I will become a humble servant. I will look to open the door for someone. I will be excited when I am available to help. I will be a servant to others. I will listen to the counsel of wise men. I will choose my friends with care.
I will seek wisdom.
”
”
Andy Andrews (The Traveler's Gift: Seven Decisions that Determine Personal Success)
“
The famous Babylonian “Code of Hammurabi” states that tavern owners must always pour a sufficient amount of beer or face the death penalty. Trade and travel then brought beer to Egypt, where it was again associated with the work of the gods. Workers at the Giza Pyramids were given beer rations several times a day and over a hundred medicines recipes included the beverage. The Egyptians believed beer to be healthier than water and shared it with their fellow men of all ages, young and old.
”
”
James Weber (Ancient History in 50 Events: From Ancient Civilizations to the Fall of the Roman Empire (History in 50 Events Series Book 9))
“
Tradition? Kadash, did I ever tell you about my first sword trainer?
Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough.
He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it.
I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas.
I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master.
I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice?
The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!'
I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
”
”
Brandon Sanderson (Oathbringer (book 1 of 6) (Stormlight Archive #3, Part 1 of 6))
“
At a friend’s house in Greenwich Village I remember talking of the frustration of trying to find the precise word for one’s thoughts, saying that the ordinary dictionary was inadequate. ‘Surely a system could be devised,’ I said, ‘of lexicographically charting ideas, from abstract words to concrete ones, and by deductive and inductive processes arriving at the right word for one’s thought.’ ‘There is such a book,’ said a Negro truck-driver: ‘Roget’s Thesaurus’ A waiter working at the Alexandria Hotel used to quote his Karl Marx and William Blake with every course he served me. A comedy acrobat with a Brooklyn ‘dis’, ‘dem’ and ‘dose’ accent recommended Burton’s Anatomy of Melancholy, saying that Shakespeare was influenced by him and so was Sam Johnson. ‘But you can skip the Latin.’ With the rest of them I was intellectually a fellow-traveller.
”
”
Charlie Chaplin (My Autobiography (Neversink))
“
Then I would turn aside into some chapel, and even there, such was my disturbance, it seemed that the preacher gibbered "big thinks" even as the Ape Man had done; or into some library, and there the intent faces over the books seemed but patient creatures waiting for prey. Particularly nauseous were the blank expressionless faces of people in trains and omnibuses - they seemed no more my fellow creatures than dead bodies would be, so that I did not dare to travel unless I was assured of being alone. And even it seemed that I, too, was not a reasonable creature, but only an animal tormented with some strange disorder in its brain, that sent it to wander alone like a sheep stricken with the gid.
”
”
H.G. Wells (The Island of Doctor Moreau)
“
I want you to meet Jonathan Swift, the author of that evil political book, Gulliver’s Travels! And this other fellow is Charles Darwin, and this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr Lincoln, if you please. We are also Matthew, Mark, Luke and John.
”
”
Ray Bradbury (Fahrenheit 451)
“
The radical wolves in sheep’s clothing fall into two categories. First are the Crypto-Marxists, calling themselves radical feminists, post-structuralists, post-modernists, or merely progressives, whose agendas remain totalitarian. Then come the Fellow-Travelling Liberals, who acknowledge the bankruptcy of socialism and make a grudging commitment to free markets, but who still do not want to give up the agenda of “social justice”—the idea that government can arrive at a standard of what is just, and that the state can implement such a standard without destroying economic and political freedom.
”
”
David Horowitz (The Black Book of the American Left: The Collected Conservative Writings of David Horowitz (My Life and Times 1))
“
Philip Conwell-Evans, who three years earlier had witnessed the book burning at Königsberg University with such equanimity. Choosing to operate discretely behind the scenes, Conwell-Evans had been instrumental in bringing together a number of influential British figures with leading Nazis. It was he, for instance who in December 1934, had been the driving force behind the first major dinner party Hitler ever hosted for foreigners and at which Lord Rothermere had been guest of honour. And it was now Conwell-Evans, in harness with his close friend Ribbentrop, who was masterminding the Lloyd-George expedition. 'He is so blind to the blemishes of the Germans,' Dr Jones wrote of his fellow Welshman in his diary,' as to make one see the virtues of the French.
”
”
Julia Boyd (Travellers in the Third Reich)
“
Like God,
you hover above the page staring down
on a small town. Outside a window
some scenery loafs in a sleepy hammock
of pastoral prose and here is a mongrel
loping and here is a train approaching
the station in three long sentences and
here are the people in galoshes waiting.
But you know this story about the galoshes
is really About Your Life, so, like a diver
climbing over the side of a boat and down
into the ocean, you climb, sentence
by sentence, into this story on this page.
You have been expecting yourself
as a woman who purrs by in a dress
by Patou, and a porter manacled to
the luggage, and a man stalking across
the page like a black cloud in a bad mood.
These are your fellow travelers and
you are a face behind or inside these
faces, a heartbeat in the volley of these
heartbeats, as you choose, out of all
the journeys, the journey of a man
with a mustache scented faintly with
Prince Albert. "He must be a secret
sensualist," you think and your awareness
drifts to his trench coat, worn, softened,
and flabby, a coat with a lobotomy, just
as the train pulls into the station.
No, you would prefer another stop
in a later chapter where the climate is
affable and sleek. But the passengers
are disembarking, and you did not
choose to be in the story of the woman
in the white dress which is as cool and
evil as a glass of radioactive milk. You
did not choose to be in the story of the
matron whose bosom is like the prow
of a ship and who is launched toward
lunch at the Hotel Pierre, or even the
story of the dog-on-a-leash, even though
this is now your story: the story of the
person-who-had-to-take-the-train-and-walk-
the-dark-road described hurriedly
by someone sitting at the tavern so you could
discover it, although you knew all along
the road would be there, you, who have
been hovering above this page, holding
the book in your hands, like God, reading.
”
”
Lynn Emanuel
“
He had been a timid child in New York City, cut off from schoolboy society by illness, wealth, and private tutors. Inspired by a leonine father, he had labored with weights to build up his strength. Simultaneously, he had built up his courage “by sheer dint of practicing fearlessness.” With every ounce of new muscle, with every point scored over pugilistic, romantic, and political rivals, his personal impetus (likened by many observers to that of a steam train) had accelerated. Experiences had flashed by him in such number that he was obviously destined to travel a larger landscape of life than were his fellows. He had been a published author at eighteen, a husband at twenty-two, an acclaimed historian and New York State Assemblyman at twenty-three, a father and a widower at twenty-five, a ranchman at twenty-six, a candidate for Mayor of New York at twenty-seven, a husband again at twenty-eight, a Civil Service Commissioner of the United States at thirty. By then he was producing book after book, and child after child, and cultivating every scientist, politician, artist, and intellectual of repute in Washington. His career had gathered further speed: Police Commissioner of New York City at thirty-six, Assistant Secretary of the Navy at thirty-eight, Colonel of the First U.S. Volunteer Cavalry, the “Rough Riders,” at thirty-nine. At last, in Cuba, had come the consummating “crowded hour.” A rush, a roar, the sting of his own blood, a surge toward the sky, a smoking pistol in his hand, a soldier in light blue doubling up “neatly as a jackrabbit” … When the smoke cleared, he had found himself atop Kettle Hill on the Heights of San Juan, with a vanquished empire at his feet.
”
”
Edmund Morris (Theodore Rex)
“
THE DEMANDS MADE by a work of this nature upon the generosity of specialists are very numerous, and the Editor would be wanting in all title to the generous treatment he has received were he not willing to make the fullest possible acknowledgment of his indebtedness. His thanks are due in the first place to the scholarly and accomplished Bahadur Shah, baggage elephant 174 on the Indian Register, who, with his amiable sister Pudmini, most courteously supplied the history of ‘Toomai of the Elephants’ and much of the information contained in ‘Servants of the Queen’. The adventures of Mowgli were collected at various times and in various places from a multitude of informants, most of whom desire to preserve the strictest anonymity. Yet, at this distance, the Editor feels at liberty to thank a Hindu gentleman of the old rock, an esteemed resident of the upper slopes of Jakko, for his convincing if somewhat caustic estimate of the national characteristics of his caste–the Presbytes. Sahi, a savant of infinite research and industry, a member of the recently disbanded Seeonee Pack, and an artist well known at most of the local fairs of Southern India, where his muzzled dance with his master attracts the youth, beauty, and culture of many villages, have contributed most valuable data on people, manners, and customs. These have been freely drawn upon, in the stories of ‘Tiger-Tiger!’ ‘Kaa’s Hunting’, and ‘Mowgli’s Brothers’. For the outlines of ‘Rikki-tikki-tavi’ the Editor stands indebted to one of the leading herpetologists of Upper India, a fearless and independent investigator who, resolving ‘not to live but know’, lately sacrificed his life through over-application to the study of our Eastern Thanatophidia. A happy accident of travel enabled the Editor, when a passenger on the Empress of India, to be of some slight assistance to a fellow-voyager. How richly his poor services were repaid, readers of the ‘White Seal’ may judge for themselves.
”
”
Jonathan Swift (The Adventure Collection: Treasure Island, The Jungle Book, Gulliver's Travels, White Fang, The Merry Adventures of Robin Hood (The Heirloom Collection))
“
he was no mountaineer when he decided to climb the Hindu Kush. A few days scrambling on the rocks in Wales, enchantingly chronicled here, were his sole preparation. It was not mountaineering that attracted him; the Alps abound in opportunities for every exertion of that kind. It was the longing, romantic, reasonless, which lies deep in the hearts of most Englishmen, to shun the celebrated spectacles of the tourist and without any concern with science or politics or commerce, simply to set their feet where few civilized feet have trod. An American critic who read the manuscript of this book condemned it as ‘too English’. It is intensely English, despite the fact that most of its action takes place in wildly foreign places and that it is written in an idiomatic, uncalculated manner the very antithesis of ‘Mandarin’ stylishness. It rejoices the heart of fellow Englishmen, and should at least illuminate those who have any curiosity about the odd character of our Kingdom. It exemplifies the essential traditional (some, not I, will say deplorable) amateurism of the English. For more than two hundred years now Englishmen have been wandering about the world for their amusement, suspect everywhere as government agents, to the great embarrassment of our officials. The Scotch endured great hardships in the cause of commerce; the French in the cause of either power or evangelism. The English only have half (and wholly) killed themselves in order to get away from England. Mr Newby is the latest, but, I pray, not the last, of a whimsical tradition. And in his writing he has all the marks of his not entirely absurd antecedents. The understatement, the self-ridicule, the delight in the foreignness of foreigners, the complete denial of any attempt to enlist the sympathies of his readers in the hardships he has capriciously invited; finally in his formal self-effacement in the presence of the specialist (with the essential reserve of unexpressed self-respect) which concludes, almost too abruptly, this beguiling narrative – in all these qualities Mr Newby has delighted the heart of a man whose travelling days are done and who sees, all too often, his countrymen represented abroad by other, new and (dammit) lower types. Dear reader, if you have any softness left for the idiosyncrasies of our rough island race, fall to and enjoy this characteristic artifact. EVELYN
”
”
Eric Newby (A Short Walk in the Hindu Kush: An unforgettable travel adventure across Afghanistan's landscapes)
“
That I haven’t told you the parable of the man, the boy, and the mule.” Cettie nodded eagerly. He stared down at the book, thumbing through its pages. “I heard this one when I first went away to study the Mysteries. It was shared with all of us, but I don’t think all of us heard it the same way. That’s the thing about stories. They can touch on truths that some people just are not ready to hear. The tale goes like this. Long before the first flying castles and sky ships and cauldrons of molten steel—before the Fells—life was simpler. A man and his son needed to sell their mule to buy food to last the winter. So they started walking to get to the market, which was very far. They met a fellow traveler along the way who criticized them for not riding the mule. So the man, realizing that his beast of burden wasn’t being used for its purpose, put his son on it to ride. But when they arrived at the first village on their path, some men in the square scoffed and said how inconsiderate the son was for making his father walk. They stopped and watered the beast, and so the father ordered the boy to walk while he rode. Again, they reached the next village, and what did they hear? Some washerwomen complained that the father must be evil to force his son to walk while he rode. Ashamed by their words, the father decided to change yet again. Do you know what he did?” Cettie shook her head no, eager for him to continue. Fitzroy wagged his finger at her. “So they both rode the mule into the next town. By this time, the mule was getting very tired, and when they reached the next village, they were ridiculed for being lazy and working the poor beast half to death! The market was in the very next town, and they feared they’d not be able to sell the poor creature, now it was so spent. And so the father and son cut down a sapling, lashed the mule to the pole, and carried it to the next town. You can imagine what the townsfolk thought as they saw the father and son laboring and exhausted as they approached the town. Who were these country bumpkins who carried a mule on their own shoulders? As they crossed the bridge into town, suffering the jeers and taunts of passersby, one of the ropes broke loose, and the mule kicked free. The boy dropped his end of the pole, and the beast fell into the river and drowned.” “No!” Cettie said, mouth wide open. Fitzroy nodded sagely. “A man with a crooked staff had been following them into town. As
”
”
Jeff Wheeler (Storm Glass (Harbinger, #1))
“
Keynes was a voracious reader. He had what he called ‘one of the best of all gifts – the eye which can pick up the print effortlessly’. If one was to be a good reader, that is to read as easily as one breathed, practice was needed. ‘I read the newspapers because they’re mostly trash,’ he said in 1936. ‘Newspapers are good practice in learning how to skip; and, if he is not to lose his time, every serious reader must have this art.’ Travelling by train from New York to Washington in 1943, Keynes awed his fellow passengers by the speed with which he devoured newspapers and periodicals as well as discussing modern art, the desolate American landscape and the absence of birds compared with English countryside.54
‘As a general rule,’ Keynes propounded as an undergraduate, ‘I hate books that end badly; I always want the characters to be happy.’ Thirty years later he deplored contemporary novels as ‘heavy-going’, with ‘such misunderstood, mishandled, misshapen, such muddled handling of human hopes’. Self-indulgent regrets, defeatism, railing against fate, gloom about future prospects: all these were anathema to Keynes in literature as in life. The modern classic he recommended in 1936 was Forster’s A Room with a View, which had been published nearly thirty years earlier. He was, however, grateful for the ‘perfect relaxation’ provided by those ‘unpretending, workmanlike, ingenious, abundant, delightful heaven-sent entertainers’, Agatha Christie, Edgar Wallace and P. G. Wodehouse. ‘There is a great purity in these writers, a remarkable absence of falsity and fudge, so that they live and move, serene, Olympian and aloof, free from any pretended contact with the realities of life.’ Keynes preferred memoirs as ‘more agreeable and amusing, so much more touching, bringing so much more of the pattern of life, than … the daydreams of a nervous wreck, which is the average modern novel’. He loved good theatre, settling into his seat at the first night of a production of Turgenev’s A Month in the Country with a blissful sigh and the words, ‘Ah! this is the loveliest play in all the world.’55
Rather as Keynes was a grabby eater, with table-manners that offended Norton and other Bloomsbury groupers, so he could be impatient to reach the end of books. In the inter-war period publishers used to have a ‘gathering’ of eight or sixteen pages at the back of their volumes to publicize their other books-in-print. He excised these advertisements while reading a book, so that as he turned a page he could always see how far he must go before finishing.
A reader, said Keynes, should approach books ‘with all his senses; he should know their touch and their smell. He should learn how to take them in his hands, rustle their pages and reach in a few seconds a first intuitive impression of what they contain. He should … have touched many thousands, at least ten times as many as he reads. He should cast an eye over books as a shepherd over sheep, and judge them with the rapid, searching glance with which a cattle-dealer eyes cattle.’ Keynes in 1927 reproached his fellow countrymen for their low expenditure in bookshops. ‘How many people spend even £10 a year on books? How many spend 1 per cent of their incomes? To buy a book ought to be felt not as an extravagance, but as a good deed, a social duty which blesses him who does it.’ He wished to muster ‘a mighty army … of Bookworms, pledged to spend £10 a year on books, and, in the higher ranks of the Brotherhood, to buy a book a week’. Keynes was a votary of good bookshops, whether their stock was new or second-hand. ‘A bookshop is not like a railway booking-office which one approaches knowing what one wants. One should enter it vaguely, almost in a dream, and allow what is there freely to attract and influence the eye. To walk the rounds of the bookshops, dipping in as curiosity dictates, should be an afternoon’s entertainment.
”
”
Richard Davenport-Hines (Universal Man: The Seven Lives of John Maynard Keynes)
“
Those who have nothing can share nothing; those who are going nowhere can have no fellow travelers.
”
”
Timothy J. Keller (God's Wisdom for Navigating Life: A Year of Daily Devotions in the Book of Proverbs)
“
Book Descriptions:
Amazon Rainforest Magic: The Adventures of Namowë, a Yanomami Boy, Volume 1
The magic of the Amazon rainforest enchanted artist Barbara Crane Navarro as she spent the winter months with the Yanomami communities in Venezuela and Brazil over a period of twelve years and inspired her to write her children's book series. The vividly illustrated stories in this series evoke daily life in the rainforest and the magical quality of the Yanomami's relation to the plants and animals around them. The first book, "Amazon Rainforest Magic: The Adventures of Namowë, a Yanomami Boy", recounts the journey of Namowë, a thirteen year old Yanomami boy living in the rainforest, as he seeks a cure for his baby sister.
Amazon Rainforest Magic: The Adventures of Meromi, a Yanomami Girl, Volume 2
The second volume recounts the surprising voyage of Meromi, a 9 year old Yanomami girl who is swept into an unexpected adventure in the rivers and jungles of the Amazon. With the help of improvised allies, she seeks a way to discourage intruders and make them leave the forest. Aspects of traditional Yanomami life in the Rainforest are woven into the fanciful story. The author’s enchanting illustrations transform readers into fellow travelers on Meromi’s magical quest.
”
”
Barbara Crane Navarro (Amazon Rainforest Magic: The adventures of Namowë, a Yanomami boy)
“
In this world we’re all travelers on the same ship that has set sail from one unknown port en route to another equally foreign to us; we should treat each other, therefore, with the friendliness due to fellow travelers.
”
”
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
“
When she met and fell in love with Paulo, a fellow student in grad school, Lima wasn’t interested in becoming a wife; she wanted to build an empire. She wrote in her bestselling book Believe IT, “I grew up believing that men hold women back, and that belief transitioned into the conviction that I didn’t want to get married.”17 Yet she was so in love with Paulo that, sensing deeply that she belonged with him, she surprised herself by answering yes when he proposed. “My intuition [to marry Paulo] shocked the heck out of me. . . . I set aside my fear and doubt to follow it.”18 Together, they worked on the business plan for her company while traveling for their honeymoon in 2007.
”
”
Josh Axe (Think This, Not That: 12 Mindshifts to Breakthrough Limiting Beliefs and Become Who You Were Born to Be)
“
Orwell found that communists and their fellow travellers at the celebration adopted the Marxist position that bourgeois freedoms were illusions, and intellectual honesty was a form of antisocial selfishness: ‘Out of this concourse of several hundred people, perhaps half of whom were directly connected with the writing trade, there was not a single one who could point out that freedom of the press, if it means anything at all, means the freedom to criticise and oppose.
”
”
Nick Cohen (You Can't Read This Book: Censorship in an Age of Freedom)
“
In this world we're all travelers on the same ship that has set sail from one unknown port en route to another equally foreign to us; we should treat each other therefore with the friendliness due to fellow travelers.
”
”
Fernando Pessoa (The Book of Disquiet)
“
Regardless of your needs, there is one quality that is especially important in choosing fellow travelers: Will they tell you the truth? There are many reasons why people may fail this test—the quality of your relationship, their position in the organization, their personality traits—but many perfectly nice individuals, with whom you could enjoy a drink or a dinner, may not be ideal helpers. Get very concrete about the help you are seeking and learn to “audition” people until you find what you need.
”
”
Jocelyn K. Glei (Maximize Your Potential: Grow Your Expertise, Take Bold Risks & Build an Incredible Career (99U Book 2))
“
Julian Street in his book, Abroad At Home: American Ramblings, Observations, and Adventures, painted a grim picture of Western Kansas as he traveled across the area in 1914. Street saw only a drab, treeless wasteland of brown and gray---“nothing, nothing, nothing”--images of incessant wind, violent cyclones, dust storms, and tragic desolation. As the train he was riding approached the small town of Monotony, which he felt was appropriately named, he listened sympathetically to the remarks of a fellow passenger: “God! How can they stand living out here? I’d rather be dead!
”
”
Daniel C. Fitzgerald (Sound and Fury: A History of Kansas Tornadoes, 1854-2013)
“
January 2013 Andy’s Message Hi Young, I’m home after two weeks in Tasmania. My rowing team was the runner-up at the Lindisfarne annual rowing competition. Since you were so forthright with your OBSS experiences, I’ll reciprocate with a tale of my own from the Philippines.☺ The Canadian GLBT rowing club had organised a fun excursion to Palawan Island back in 1977. This remote island was filled with an abundance of wildlife, forested mountains and beautiful pristine beaches. It is rated by the National Geographic Traveller magazine as the best island destination in East and South-East Asia and ranked the thirteenth-best island in the world. In those days, this locale was vastly uninhabited, except by a handful of residents who were fishermen or local business owners. We stayed in a series of huts, built above the ocean on stilts. These did not have shower or toilet facilities; lodgers had to wade through knee-deep waters or swim to shore to do their business. This place was a marvellous retreat for self-discovery and rejuvenation. I was glad I didn’t have to room with my travelling buddies and had a hut to myself. I had a great time frolicking on the clear aquiline waters where virgin corals and unperturbed sea-life thrived without tourist intrusions. When we travelled into Lungsodng Puerto Princesa (City of Puerto Princesa) for food and a shower, the locals gawked at us - six Caucasian men and two women - as if we had descended from another planet. For a few pesos, a family-run eatery agreed to let us use their outdoor shower facility. A waist-high wooden wall, loosely constructed, separated the bather from a forest at the rear of the house. In the midst of my shower, I noticed a local adolescent peeping from behind a tree in the woods. I pretended not to notice as he watched me lathe and played with himself. I was turned on by this lascivious display of sexual gratification. The further I soaped, the more aroused I became. Through the gaps of the wooden planks, the boy caught glimpses of my erection – like a peep show in a sex shop, I titillated the teenager. His eyes were glued to my every move, so much so that he wasn’t aware that his friend had creeped up from behind. When he felt an extra hand on his throbbing hardness, he let out a yelp of astonishment. Before long, the boys were masturbating each other. They stroked one another without mortification, as if they had done this before, while watching my exhibitionistic performance carefully. This concupiscent carnality excited me tremendously. Unfortunately, my imminent release was punctured by a fellow member hollering for me to vacate the space for his turn, since I’d been showering for quite a while. I finished my performance with an anticlimactic final, leaving the boys to their own devices. But this was not the end of our chance encounter. There is more to ‘cum’ in my next correspondence! Much love and kisses, Andy
”
”
Young (Turpitude (A Harem Boy's Saga Book 4))
“
This attitude is by no means unusual, even in Bagan. Nearly a hundred years ago, British writer Somerset Maugham passed through the region, recounting the visit in his book The Gentleman in the Parlour. Maugham enjoyed Bagan, calling it a “strange and melancholy spot,” but had no interest in exhausting himself through obsessive temple-hopping: “My curiosity,” he wrote, “was satisfied with a visit to half a dozen of the pagodas.” One night, as Maugham relaxed on the veranda of his guesthouse, a fellow traveler joined the author and began explaining the particulars of several notable temples—when they were built, under what king, etc. His lecture fell on deaf ears: But I did not want to know the facts he gave me. What did it matter to me what kings had reigned there, what battles they had fought and what lands they had conquered? I was content to see them as a low relief on a temple wall in a long procession, with their hieratic attitudes, seated on a throne and receiving gifts from the envoys of subjugated nations, or else, with a confusion of spears, in the hurry and skelter of chariots, in the turmoil of battle. No, no, no, that won’t do, said his companion. Facts and context are what matter, he insisted: “I want to know things. Whenever I go anywhere I read everything about it that has been written…. I am a mine of information.” To which Maugham replied, “But what is the good of information that means nothing to you? Information for its own sake is like a flight of steps that leads to a blank wall.” It is better, Maugham would probably say, to simply sit back and enjoy the view.
”
”
David Bockino (Greetings from Myanmar)
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The emaciated remains of the deceased traveller were soon afterwards taken to the place prepared. Over the heads of Farijala and Carras—Susi, Chumah, and Muanyaséré held a thick blanket as a kind of screen, under which the men performed their duties. Tofiké and John Wainwright were present. Jacob Wainwright had been asked to bring his Prayer Book with him, and stood apart against the wall of the enclosure. In reading about the lingering sufferings of Dr. Livingstone as described by himself, and subsequently by these faithful fellows, one is quite prepared to understand their explanation, and to see why it was possible to defer these operations so long after death: they say that his frame was little more than skin and bone. Through an incision carefully made, the viscera were removed, and a quantity of salt was placed in the trunk. All noticed one very significant circumstance in the autopsy. A clot of coagulated blood, as large as a man's hand, lay in the left side,[36] whilst Farijalapointed to the state of the lungs, which they describe as dried up, and covered with black and white patches.
”
”
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
“
All his past knowledge of nature and of books, all his favourite reading of voyages and of travels which had led his school-fellows to dub him Columbus, all his painful study of the Word, his experience of the love of Christ and expoundings of the meaning of His message to men for six years, were gathered up, were intensified, and were directed with a concentrated power to the thought that Christ died, as for him, so for these millions of dark savages whom Cook was revealing to Christendom, and who had never heard the glad tidings of great joy.
”
”
George Smith (The Life of William Carey)
“
Mom also believed that there is such a thing as a good secret. Maybe something kind you did for someone but didn’t want that person to know, because you didn’t want him to be embarrassed or feel as though he owed you anything. I thought back to a Harvard student of Mom’s, an aspiring playwright who won an award to travel in Europe—but the award didn’t exist. Mom had simply paid, anonymously, for him to have enough money to go on what turned out to be a life-changing trip. I write about this only because I was told that years later this fellow figured it all out, when he went to research who else had won this lucrative traveling fellowship and discovered that the answer was no one. As
”
”
Will Schwalbe (The End of Your Life Book Club)
“
Crow had few peers in the years before…before his transition. But of that latter—change—sufficient has already been recorded elsewhere. A one-time writer of macabre short stories, he occasionally chronicled his own adventures; at other times such work was undertaken by his lifelong friend Henri-Laurent de Marigny (son of Etienne, the world-famous New Orleans mystic), while others of his adventures were reported by mere acquaintances. All of the Titus Crow adventures, in short story or novelette form, are here collected in one volume. They are presented chronologically, as best as may be determined, and along with The Burrowers Beneath and the “post-transition” novels, they complete the Crow canon. In addition to the tales in which Titus Crow is a primary actor, there are three other closely related stories: The Mirror of Nitocris, the one and only personal chronicle of Crow’s apprentice and fellow traveller, de Marigny; Inception, in which Crow plays only a cameo role; and lastly The Black Recalled, in which nothing of Crow appears at all! …Or does it? Only one thing remains to be said. In the light of Titus Crow’s fascination and lifelong affair with matters of dark concern, much of this volume is naturally taken up with narratives of relentless horror. Therefore—it is not a book for the squeamish. You have been warned!
”
”
Brian Lumley (The Compleat Crow)
“
Since in being lonely we feel only the throes of emotional distance, it is through art, books, music, movies, that we can collect our glimpses of others’ lives, that we can collect those fellow travelers.
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”
Richard Deming (This Exquisite Loneliness: What Loners, Outcasts, and the Misunderstood Can Teach Us About Creativity)
“
Thus I have tried, at tedious length, I fear, to answer some of the questions which I began by asking. I have given an account of some of the difficulties which in my view beset the Georgian writer in all his forms. I have sought to excuse him. May I end by venturing to remind you of the duties and responsibilities that are yours as partners in this business of writing books, as companions in the railway carriage, as fellow travellers with Mrs. Brown? For she is just as visible to you who remain silent as to us who tell stories about her. In the course of your daily life this past week you have had far stranger and more interesting experiences than the one I have tried to describe. You have overheard scraps of talk that filled you with amazement. You have gone to bed at night bewildered by the complexity of your feelings. In one day thousands of ideas have coursed through your brains; thousands of emotions have met, collided, and disappeared in astonishing disorder. Nevertheless, you allow the writers to palm off upon you a version of all this, an image of Mrs. Brown, which has no likeness to that surprising apparition whatsoever. In your modesty you seem to consider that writers are of different blood and bone from yourselves; that they know more of Mrs. Brown than you do. Never was there a more fatal mistake. It is this division between reader and writer, this humility on your part, these professional airs and graces on ours, that corrupt and emasculate the books which should be the healthy offspring of a close and equal alliance between us. Hence spring those sleek, smooth novels, those portentous and ridiculous biographies, that milk and watery criticism, those poems melodiously celebrating the innocence of roses and sheep which pass so plausibly for literature at the present time.
”
”
Virginia Woolf (Mr. Bennett and Mrs. Brown)
“
We're like lemmings; surrounded on all sides by fellow travellers, chins tilted at the same angle towards the information boards. Lots of twitchy suitcases, ready to roll and we don't have seat reservations together because someone didn't book the tickets soon enough
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”
Juno Dawson
“
By their very nature, returnees seek a reconnection to a past life, a former identity marked more often than not by a single language or a single cultural frame of reference. We go back to what we know, including our native tongues. This process of reclaiming a homogenous existence runs counter to multi-culturalism on a societal level and hybridity on an individual level. Aren't we supposed to be complex, hybrid creatures containing multitudes? What about the concept of multiple belongings promoted by such internationally successful authors as Elif Shafak and Zadie Smith? On paper, where it mostly lives, this concept sounds ideal. "Multiple belongings are nurtured by cultural encounters but they are not only the preserve of people who travel", writes Shafak. "It is an attitude, a way of thinking, rather than the number of stamps on your passport. It is about thinking of yourself, and your fellow human beings, in more fluid terms than solid categories".
I wouldn't go as far as to suggest that returns imply a repudiation of a complex view of identity or of globalization - it's globalization that has allowed the many people you'll meet in this book, me included, to come and go, to cross borders and cultures - but they force us to think of movement in multi-directional ways. Some returnees find that the life they thoughts they would have back home is a fantasy, so they make their way back to the host country. Homeland returns remain unpredictable, in part because despite their historical contexts, they don't have the clear road maps and narratives that outward migrations enjoy.
”
”
Kamal Al-Solaylee (Return: Why We Go Back to Where We Come From)
“
Both Biruté and Jane are firmly rooted in the world of human endeavor. Jane has not become a chimp; Biruté has not become an orangutan. Yet the lives of all three women have been transformed by their visions; they are inexorably linked to the other nations through which they have traveled. In a sense they are, in the words of Henry Beston, living by voices we shall never hear; they are gifted with extensions of the senses we have lost or never attained. You need only listen to Jane’s excitement at seeing “a tree laden with luscious fruit”—fruit that to human senses is so tart it prompts a grimace. You need only remember how Dian would sing to the gorillas a gorilla song—praising the taste of rotting wood. You need only imagine what goes through Biruté’s mind when she does the “fruit stare” of the orangutan.
Western scientists do not like to talk about these things, for to do so is to voice what for so long has been considered unspeakable. The bonds between human and animal and the psychic tools of empathy and intuition have been “coded dark” by Western science—labeled as hidden, implicit, unspoken. The truths through which we once explained our world, the truths spoken by the ancient myths, have been hushed by the louder voice of passionless scientific objectivity.
But perhaps we are rediscovering the ancient truths. In his book Life of the Japanese Monkeys, the renowned Japanese primate researcher Kawai Masao outlines a new concept, upon which his research is built: he calls it kyokan, which translates as “feel-one.” He struck upon the concept after observing a female researcher on his team interacting with female Japanese macaques. “We [males] had always found it more difficult to distinguish among female [macaques],” he wrote. “However, a female researcher who joined our study could recognize individual females easily and understood their behavior, personality and emotional life better. . . . I had never before thought that female monkeys and women could immediately understand each other,” he wrote. “This revelation made me feel I had touched upon the essence of the feel-one method.”
Masao’s book, unavailable to Western readers until translated into English by Pamela Asquith in 1981, explains that kyokan means “becoming fused with the monkeys’ lives where, through an intuitive channel, feelings are mutually exchanged.” Embodied in the kyokan approach is the idea that it is not only desirable to establish a feeling of shared life and mutual attachment with the study animals—to “feel one” with them—but that this feeling is necessary for proper science, for discovering truth. “It is our view that by positively entering the group, by making contact at some level, objectivity can be established,” Masao wrote.
Masao is making a call for the scientist to return to the role of the ancient shaman: to “feel one” with the animals, to travel within their nations, to allow oneself to become transformed, to see what ordinary people cannot normally see. And this, far more than the tables of data, far more than the publications and awards, is the pioneering achievement of Jane Goodall, Biruté Galdikas, and Dian Fossey: they have dared to reapproach the Other and to sanctify the unity we share with those other nations that are, in Beston’s words, “caught with ourselves in the net of life and time, fellow prisoners of the splendor and travail of the earth.
”
”
Sy Montgomery (Walking with the Great Apes: Jane Goodall, Dian Fossey, Birute Galdikas)
“
On October 26, 2016—less than two weeks to election day—travel writer Zach Everson covered the ribbon cutting at the Trump International Hotel in the Old Post Office building in Washington, DC, just a few blocks from the White House. Everson frequently covered hotel openings, which often featured lavish food spreads and “the owners sipping champagne with a few travel writers.” But this one was different. A horde of political reporters trailed Donald and Ivanka Trump as they toured the hotel. “The political reporters were amazed they had complimentary pastries,” Everson said in an interview. 1 A couple months later, Everson got an assignment from Condé Nast Traveller to cover the growing political and social scene at the hotel. In the course of researching that story, Everson booked a night at the hotel. One of his fellow guests told Everson he was about to leave for a restaurant outside the hotel, when he noticed workers polishing the banisters and the manager nervously pacing. The guest concluded, correctly, that the president was on his way, cancelled his outside reservation, and ate at the hotel instead. To track presidential comings and goings for his story, Everson started monitoring social media feeds. And he noticed something: not even a year into Trump’s presidency, the hotel had become a unique locale in Washington. “It became like Melville’s white whale,” Everson said. “If you want it to be your opportunity and a place for you to go and rub elbows with the President, it’s that. If you’re a lobbyist or a businessman or a foreign leader and want to portray you are close to the president, it’s that too. It’s everything you hate or love about Donald Trump.” Everson quit travel writing to cover, full time, the Trump International Hotel. He began publishing a newsletter, 1100 Pennsylvania Avenue. He had plenty of material.
”
”
Andrea Bernstein (American Oligarchs: The Kushners, the Trumps, and the Marriage of Money and Power)
“
MRS. POOLE: I would have done just the same as Alice, if I hadn’t remembered my training. A good servant never gives way to emotion, my father used to tell me when he was alive, bless his soul. You girls going so far away, and not knowing when you’d be back!
MARY: But we did get back safely in the end, Mrs. Poole.
MRS. POOLE: Eventually! But the worry I had along the way . . .
CATHERINE: Can you please do your best to not give away the plot? Like the fact that Mary eventually made it safely home . . . I won’t say whether or not the others did!
MARY: Oh please. If we hadn’t made it back, we wouldn’t be writing this book. The important thing is, what happened to us on the way?
CATHERINE: It’s unbelievable, what authors have to put up with from their own characters. Remind me why I agreed to do this?
MARY: Excuse me. We are not your characters, but fellow members of the Athena Club. And as to why you agreed . . . we need money, remember?
CATHERINE: Oh, right.
”
”
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
“
SOME IDIOTS WEAR BADGES - Anyone who reads an American newspaper watches the news on television or lives in the southern border state knows the U.S. has millions of illegal aliens in the country and hundreds, or more, crossing the border at will daily and little to nothing will be done to them. The South African man is a fortunate fellow and has taken time to backpack around the world. He obtained a legal visa to enter the U.S. for a six-month period to sightsee in America. On the last day of his legal visa, he decided to cross the border into Canada from Washington State but was refused for not having a visa for Canada. He was told to return to the U.S. border patrol station a few hundred feet away. When he went to the U.S. Border guard and asked what he should do now, the guard said nothing except to say the man was 30-minutes past his visa deadline and arrested the man who was jailed on a $7,500 bond. An immigration lawyer in Washington State was so outraged by the incident he offered his services to the traveler at no charge. After media publicity ICE decided to release the man after three weeks in jail. Now he must wait 35 days for a Canadian visa.
”
”
Jack West (DUMB ASS CRIMINALS + DUMBEST CRIMINALS EVER: DOUBLE FEATURE: DOUBLE BOOK OF HUNDREDS OF STUPID CROOKS AND CRIMINALS)
“
Rather than show contrition and resolve to finally address racism in their ranks, those appointed to serve and protect our communities engaged in further violence against Black Americans over the ensuing months, as well as nightly displays of unapologetic—indeed deliberate, performatively cruel—brutality against Black Lives Matter protesters. Cruelty and injustice are nothing new. It has always been easy to export violence and suffering to the rest of the world when we don’t imagine that the victims are real people leading real lives that matter. Weirdly, the very technologies that made the world a smaller place, that were supposed to create a global village, have only made it easier to dehumanize—to unmatter—poor people in the more remote corners of that village. Soldiers launch drone assassinations halfway around the globe from the comfort and safety of video-game consoles on American military bases.*55 Pixelated videos of innocents blown to bits in mistaken air strikes elicit yawns by those who pull the trigger and tough-minded excuses by the generals who consider such collateral murders necessary sacrifices in the ever-more-nebulous War on Terror. There’s a common theme in all this. The unmattering of Black, or brown, or transgender, or Muslim lives reveals an ever-more-defiant and deliberate refusal to imagine or care. It is a cancerous empathy deficit that could destroy our species if it is not confronted with some antidote, and a vaccine to halt its further spread. This empathy deficit may be as urgent an existential threat as the climate crisis, even if it is harder to perceive and define. I think it is what really lies at the root of that ecological catastrophe. I see the Long Self Revolution as a revolution of imagination and care, of empathy and anti-cruelty. When you directly experience your own self as a vast and sublime and unique four-dimensional formation in the block universe, you realize that every fellow traveler on this planet is similarly vast and sublime and unique—like threads in a tapestry, both irreducibly individual and completely interdependent. Precognitive dreamwork (and lifework) makes it impossible to ignore or deny the worth, value, and real reality of other, embodied lives—including lives very distant and different from ours.*56 Our planet is a splendid, multicolored tapestry woven from the intertwining of Long Selves. (Probably our universe is too, in ways we will discover in a few thousand years.) Caring for the future of the earth first requires imagining that each of its inhabitants has a future. That’s what a Long Self is: someone with a future. Thus the Long Self Revolution is incompatible both with cruelty and with the resentful apocalypticism of those who deny that our planet and our species are going somewhere, and going somewhere better.6 In a way, it recruits the future to save the present.
”
”
Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
“
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Besides, what can be so delightful as the perpetual novelty—the exhaustless current of new ideas suggested by travelling? We read, to gather thought and knowledge; travelling is a book of the Creator’s own writing, and imparts sublimer wisdom than the printed words of man. Were I exiled perforce, I might repine, for the heart naturally yearns for home. But to adorn that home with recollections; to fly abroad from the hive, like the bee, and return laden with the sweets of travel—scenes, which haunt the eye—wild adventures, that enliven the imagination—knowledge, to enlighten and free the mind from clinging, deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel, for which I am convinced every one is the better and the happier.
”
”
Mary Shelly
“
Besides, what can be so delightful as the perpetual novelty—the exhaustless current of new ideas suggested by travelling? We read, to gather thought and knowledge; travelling is a book of the Creator’s own writing, and imparts sublimer wisdom than the printed words of man. Were I exiled perforce, I might repine, for the heart naturally yearns for home. But to adorn that home with recollections; to fly abroad from the hive, like the bee, and return laden with the sweets of travel—scenes, which haunt the eye—wild adventures, that enliven the imagination—knowledge, to enlighten and free the mind from clinging, deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel, for which I am convinced every one is the better and the happier.
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”
Mary Shelley (Rambles in Germany and Italy: Volume II, European Travel in the 19th Century)