Hot Buttons Quotes

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He's naked except for those soft ripped jeans, top button casually undone. Jeez, he looks so freaking hot. My subconscious is frantically fanning herself, and my inner goddess is swaying and writhing to some primal carnal rhythm.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Good evening, Mrs. Grey," Christian says softly. He's standing by the piano, dressed in a tight black T-shirt, and jeans...those jeans- the ones he wore in the playroom. Oh my. They are over washed pale-blue denim, snug, ripped at the knee and hot. He saunters over to me, his feet bare, the top button of the jeans undone, his smoldering eyes never leaving mine. "Good to have you home. I've been waiting for you.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Being a successful couple was learning what you were willing to compromise on, and what you weren't; learning when to stand your ground, and when to give it up; what was truly important enough to fight over, and what was just you being pissy. You learned each other's hot buttons, the places that hurt, or angered, when you pressed them. Love makes you learn where all the pitfalls are, and how to avoid them, or how to set them off.
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn’t know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn’t care pushed a button. I thought about how my grandfather’s family had been taken from him and how because of that my dad grew up feeling like he didn’t have a dad. And how I had acute stress and nightmares and was sitting alone in a falling down house and crying hot stupid tears all over my shirt. All because of a seventy year old hurt that had somehow been passed down to me like some poisonous heirloom.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill. She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
A person's true character lies somewhere until after you might have pressed the wrong button without knowing, then you'll realize that there are dogs in human form.
Michael Bassey Johnson
Dear lord, the flash of his gleaming white teeth was like a hot button to my nether regions. Down vagina! Down, girl.” Bad Rep by A. Meredith Walters
A. Meredith Walters
He'd been so angry at her -always pushing his buttons, that girl. But then he'd taken her into his arms, and all that anger had blazed into a darker, hotly possessive need that had urged him to bend his head, bite down on the throbbing pulse in her neck, leave a mark.
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
Carter looked awful—I mean even worse than usual. Honestly, the boy had never been in a proper school, and he dressed like a junior professor, with his khaki trousers and a button-down brown shirt and loafers. He’s not bad looking, I suppose. He’s reasonably tall and fit and his hair isn’t hopeless. He’s got Dad’s eyes, and my mates Liz and Emma have even told me from his picture that he’s hot, which I must take with a grain of salt because (a) he’s my brother, and (b) my mates are a bit crazed. When it came to clothes, Carter wouldn’t have known hot if it bit him on the bum.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
With women, the best part is the discovery. There's nothing like the first time, nothing. You don't know what life is until you undress a woman for the first time. A button at a time, like peeling a hot sweet potato on a winter's night.
Carlos Ruiz Zafón
Trying to seduce Alec at all was a waste of time; he came preseduced anyway. Like a microwave entrée. You pressed his buttons, and he got hot.
Jennifer Crusie (Trust Me on This)
Asparagus in a lean in a lean is to hot. This makes it art and it is wet weather wet weather wet
Gertrude Stein (Tender Buttons)
They sit here in the darkness, trusting. That the coffee will be hot and unpoisoned. That no raging madman will come in with a gun or bomb. It leaves him breathless at times, how much faith people put in one another. So fragile, the social contract: we will all stand by the rules, move with care and gentleness, invest in the infrastructure, agree with the penalties of failure. That this man driving his truck down the street won't, on a whim, angle into the plate glass and end things. That the president won't let his hand hover over the red button and, in moment of rage or weakness, explode the world. The invisible tissue of civilization: so thin, so easily rendable. It's a miracle that it exists at all.
Lauren Groff (Arcadia)
A cool red rose and a pink cut pink, a collapse and a sold hole, a little less hot. - Red roses.
Gertrude Stein (Tender Buttons)
He came off so lost, which of course hit all my buttons because who doesn’t dream of finding an incredibly hot boy and fixing him? Straight guys may have cars and gadgets, but girls and gay boys, we like to fix broken boys.
John Goode (Distant Rumblings (Lords of Arcadia, #1))
She thrusts hurriedly into your hand an extremely hot buttered roll, flashes out a tiny pair of scissors, snips off the second button of your overcoat, meaningly ejaculates the one word, "parallelogram!" and swiftly flies down a cross street, looking back fearfully over her shoulder. That
O. Henry (The Four Million)
Before Rohan could reply, a new voice entered the conversation. "What's this?" It was Leo, who had just arisen from bed and pulled on his clothes. He came barefoot from the direction of his bedroom. His bleary gaze moved over the pair of them. "Why are you on the floor with your buttons undone?" Amelia considered the question. "I decided to have a spontaneous tryst in the middle of the hallway with a man I hardly know." "Well, try to be quiet about it next time. A fellow needs his sleep." Amelia stared at him quizzically. "For heaven's sake, Leo, aren't you worried that I may have been compromised?" "Were you?" "I..." Her face turned hot as she glanced into Rohan's vivid topaz eyes. "I don't think so." "If you're not sure about it," Leo said, "you probably weren't.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
To Have Without Holding: Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm. It hurts to love wide open stretching the muscles that feel as if they are made of wet plaster, then of blunt knives, then of sharp knives. It hurts to thwart the reflexes of grab, of clutch, to love and let go again and again. It pesters to remember the lover who is not in the bed, to hold back what is owed to the work that gutters like a candle in a cave without air, to love consciously, conscientiously, concretely, constructively. I can't do it, you say it's killing me, but you thrive, you glow on the street like a neon raspberry, You float and sail, a helium balloon bright bachelor's buttons blue and bobbing on the cold and hot winds of our breath, as we make and unmake in passionate diastole and systole the rhythm of our unbound bonding, to have and not to hold, to love with minimized malice, hunger and anger moment by moment balanced.
Marge Piercy
You walk into a room and flip a switch and the room fills with light. You leave your garbage in bags on the curbside, and a truck comes and transports it to some invisible place. When you're in danger, you call for the police. Hot water pours from faucets. Lift a receiver or press a button on a telephone, and you can speak to anyone. All the information in the world is on the Internet, and the Internet is all around you, drifting through the air like pollen on a summer breeze. There is money, slips of paper that can be traded for anything: houses, boats, perfect teeth. There are dentists. She tried to imagine this life playing out somewhere at the present moment. Some parallel Kristen in an air-conditioned room, waking from an unsettling dream of walking through an empty landscape.
Emily St. John Mandel (Station Eleven)
In public discourse, the challenge is not to stifle robust debate, but rather to make sure that it is real debate. The first obligation for Christians is to listen carefully to opponents and if they are not willing to do so, then Christians should simply be silent. To engage in a war of words is to engage in a symbolic violence that is fundamentally at odds with the gospel. And too often, on such hot button issues as poverty, abortion, race relations, and homosexuality, the poor, children, minorities, and gays are used as weapons in ideological warfare. This too is an expression of instrumentalization.16
James Davison Hunter (To Change the World: The Irony, Tragedy, and Possibility of Christianity in the Late Modern World)
While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded. She squirmed in his arms. “What are you—” He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides. Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate. Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.
Katie Ashley (The Proposition (The Proposition, #1))
Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere – buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. And there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.
E.M. Forster (The Machine Stops)
One of the few things that August didn't know about her was that sometimes when she looked at her collection of pictures she tried to imagine and place herself in that other, shadow life. You walk into a room and flip a switch and the room fills with light. You leave your garbage in bags on the curb, and a truck comes and transports it to some invisible place. When you're in danger, you call for the police. Hot water pours from faucets. Lift a receiver or press a button on a telephone, and you can speak to anyone. All of the information in the world is on the Internet, and the Internet is all around you, drifting through the air like pollen on a summer breeze. There is money, slips of paper that can be traded for anything: houses, boats, perfect teeth. There are dentists. She tried to imagine this life playing out somewhere at the present moment. Some parallel Kirsten in an air-conditioned room, waking from an unsettling dream of walking through an empty landscape.
Emily St. John Mandel (Station Eleven)
In the United States, the two-party system works as a way to manufacture an artificial group identity, akin to an ethnic or national one or an allegiance to a sports team. Part of the identity seems to consist in allegiance to certain conclusions on a range of “hot button” political issues. On those issues, political party affiliation does seem to result in rigidly held belief and loyalty in the voting booth. Allegiance to the group identity forged by political party affiliation renders Americans blind to the essential similarities between the agendas of the two parties, similarities that can be expected to be exactly the ones that run counter to public interest, in other words, those interests of the deep-pocketed backers of elections to which any politician must be subservient in order to raise the kind of money necessary to run for national office. Satisfaction at having one’s group “win” seems to override the clearly present fundamental dissatisfaction with the lack of genuine policy options.33 If the function of the two parties is to hide the fact that the basic agenda of both is shared, and irrational adherence to one of the two parties is used propagandistically to mask their fundamental overlap, then we can see how Burnham’s prediction may have come to pass, despite the existence of two distinct political parties.
Jason F. Stanley (How Propaganda Works)
Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.
Kim Addonizio (Tell Me)
He’s wearing a white button down, black pants, and suspenders. He’s not my type, but the getup is pretty sexy. Like, put your brother in suspenders and he might become hot too. Okay, that was too far, and I need to stop watching Game of Thrones. Kit
Tarryn Fisher (F*ck Love)
Ella is much younger. Maybe thirty. I don’t know. And you certainly can’t tell from the way she dresses. Middle of winter she finds a way to show her belly button. And she’s got four hundred of these little elastic bands that can only pass for a skirt if you never move your legs. Top that with this unbelievable iridescent red hair and you’ve got one hot seventeen-year-old. At least that’s what she thinks.
Francine Pascal (Fearless (Fearless, #1))
To have without holding Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm. It hurts to love wide open stretching the muscles that feel as if they are made of wet plaster, then of blunt knives, then of sharp knives. It hurts to thwart the reflexes of grab, of clutch ; to love and let go again and again. It pesters to remember the lover who is not in the bed, to hold back what is owed to the work that gutters like a candle in a cave without air, to love consciously, conscientiously, concretely, constructively. I can’t do it, you say it’s killing me, but you thrive, you glow on the street like a neon raspberry, You float and sail, a helium balloon bright bachelor’s button blue and bobbing on the cold and hot winds of our breath, as we make and unmake in passionate diastole and systole the rhythm of our unbound bonding, to have and not to hold, to love with minimized malice, hunger and anger moment by moment balanced.
Marge Piercy (The Moon Is Always Female: Poems)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
One business practice I want to eliminate is the use of microtargeting in political advertising. Facebook, in particular, enables advertisers to identify an emotional hot button for individual voters that can be pressed for electoral advantage, irrespective of its relevance to the election. Candidates no longer have to search for voters who share their values. Instead they can invert the model, using microtargeting to identify whatever issue motivates each voter and play to that. If a campaign knows a voter believes strongly in protecting the environment, it can craft a personalized message blaming the other candidate for not doing enough, even if that is not true. In theory, each voter could be attracted to a candidate for a different reason. In combination with the platforms’ persuasive technologies, microtargeting becomes another tool for dividing us. Microtargeting transforms the public square of politics into the psychological mugging of every voter.
Roger McNamee (Zucked: Waking Up to the Facebook Catastrophe)
Slowly, I drag myself out of bed and into the shower. I arbitrarily punch buttons on the control board and end up hopping from foot to foot as alternating jets of icy cold and steaming hot water assault me. Then I’m deluged in lemony foam that I have to scrape off with a heavy bristled brush. Oh, well. At least my blood is flowing.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I couldn't stop myself, so I thought about all the bad things and I fed it and fed it until I was crying so hard I had to gasp for breath between sobs. I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn't know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn't care pushed a button. I thought about how my grandfather's family had been taken from him, and how because of that my dad grew up feeling like he didn't have a dad, and now I had acute stress and nightmares and was sitting alone in a falling-down house and crying hot, stupid tears all over my shirt. All because of a seventy-year-old hurt that had somehow been passed down to me like some poisonous heirloom, and monsters I couldn't fight because they were all dead, beyond killing or punishing or any kind of reckoning. At least my grandfather had been able to join the army and go fight them. What could I do?
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
You raise one eyebrow and regard me with another intense stare. “Start by stripping please Jenna.” I hear what you say and yet on some level I can’t quite process it. “Strip?” I ask, as though I don’t understand your demand. “Yes, strip. Take off all of your clothes. I want to see you naked. Now please.” I feel dazed, yet I let my jacket fall to the floor, and start work on my shirt buttons. Your eyes never leave me. I can feel them mining into me whilst I tackle the third button. Why is this so weird? You’re my husband after all. You’ve seen me undress and naked countless times. Yet this is different. I am not just undressing, I am stripping. It’s not my decision; it’s at your command. You are not just Oliver now; you’re my Husband – some dominant entity now in charge. For some strange reason, I am finding it really hot! The look in your eyes is not just appreciative; it’s carnal. Waves begin to rise in my pool of desire.
Felicity Brandon (Friday's Lesson)
They were all women’s magazines, but they weren’t like the magazines my mother and sister read. The articles in my mother’s and sister’s magazines were always about sex and personal gratification. They had titles like “Eat Your Way to Multiple Orgasms,” “Office Sex—How to Get It,” “Tahiti: The Hot New Place for Sex,” and “Those Shrinking Rain Forests—Are They Any Good for Sex?” The British magazines addressed more modest aspirations. They had titles like “Knit Your Own Twin Set,” “Money-Saving Button Offer,” “Make This Super Knitted Soap-Saver,” and “Summer’s Here—It’s Time for Mayonnaise!
Bill Bryson (Notes from a Small Island)
He opened two blouse buttons and traced a line along the top of my bra with his fingertip. He bent his head, brushed a kiss across my breast, and slipped his hand inside my bra. I think I might have moaned a little, and I steadied myself by sliding my hand up the inside of his thigh. It turns out that just because I think I could have a future with Morelli doesn’t mean I’m entirely immune to Ranger’s hotness.
Janet Evanovich (Notorious Nineteen (Stephanie Plum, #19))
His mouth claimed hers again, hotly and hungrily. It drew breath from her. As he kissed her, his hand moved to the front of her slacks. He fumbled with the button and zipper until they were undone. When his hand slid into the elastic waistband of her panties, Rusty gasped. She had thought there would be a sensual buildup, a flirtatious progression, extended foreplay. She didn't regret that there wouldn't be. His boldness, his impatience, was a powerful aphrodisiac. It set off explosions of desire deep within her. She tilted her hips forward and filled his palm with her softness. He muttered swearwords that were in themselves arousing because they explicitly expressed the height of his arousal. Like a Rod Stewart song, they were viscerally sexy, one couldn't hear them without thinking of a male and a female mating.
Sandra Brown (Two Alone)
You look like a pagan. A pagan warrior queen.” He scraped his teeth along her throat. “Naked, glowing, wearing nothing but ropes of diamonds.” “I want you inside me.” Breath tearing, she bit at his ear. “Hot, hard inside me.” “My hands are busy at the moment.” He filled them with her breasts. “I’ll need help getting out of this shirt.” She reached up, tore it open, sending buttons flying. “Well, that’s one way.” “It’s how it works when you’re a pagan warrior queen. Take me.” She gripped his hair, yanked his mouth to hers. “I want you to take me like there’s nothing you need more.” “There isn’t. It’s you. It’s always you.
J.D. Robb (Celebrity in Death (In Death, #34))
What if I were turned on by seemingly innocent words such as “scumble,” “pinky,” or “extrapolate?” What if I maneuvered conversation in the hope that others would pronounce these words? Perhaps the excitement would come from the way the other person touched them lightly and carelessly with his tongue. What if “of” were such a hot button? “Scumble of bushes.” What if there were a hidden pleasure in calling one thing by another’s name?
Rae Armantrout (Versed (Wesleyan Poetry Series))
Gina Rippon believes that sex difference research continues to suffer from bad research because it remains such a hot-button topic. For scientists and journals, a sexy study on sex difference can equal instant global publicity.
Angela Saini (Inferior: How Science Got Women Wrong—and the New Research That's Rewriting the Story)
So if I tell you I want to re-do our senior year in one day…to go ice-skating at Rockefeller Center and let you get to second base like two teenagers…” I erased the gap between us, kissing a sliver of his exposed neck, and his breath stilled. “And go eat at P.J. Clarke’s and move to third base in the bathroom…” I rasped the words against his hot flesh and dragged my eyes up to meet his stormy ones. “And end the day at a Broadway show where I’d do something very inappropriate under your seat…” We melted into each other, and sure enough, I felt the swelling in his slacks getting bigger against my stomach. “You’d say…no?” His face was the funniest thing on earth as it moved from surprised to eager, then finally to turned on. “Fuck,” he muttered, pressing his hard cock against me. From the outside, it must’ve looked like we were sharing the dirtiest hug ever. “I’m about to go ice-skating for a hand job, and I’m not even sixteen anymore.” “You’re totally going on a day date,” I joked. He rolled his eyes but followed me back outside and into the nearest subway station, buttoning his pea coat to cover the massive bulge between his legs. “Lead the way.
L.J. Shen (Vicious (Sinners of Saint, #1))
He got out of bed in sections, like a poorly made automaton, and carried his hands into the bathroom. He turned on the cold water. When the basin was full, he plunged his hands in up to the wrists. They lay quietly on the bottom like a pair of strange aquatic animals. When they were thoroughly chilled and began to crawl about, he lifted them out and hid them in a towel. He was cold. He ran hot water into the tub and began to undress, fumbling with the buttons of his clothing as though he were undressing a stranger. He was naked before the tub was full enough to get in and he sat down on a stool to wait. He kept his enormous hands folded quietly on his belly. Although absolutely still, they seemed curbed rather than resting.
Nathanael West (The Day Of The Locust)
He imagined her upstairs in her room, lying in bed with her hair spread across the pillow, that nightgown with the pearl buttons down the front tangled around her legs, nothing beneath the delicate fabric but her softness and warmth. Desire pulsed through his body, hungry and hot and needy. It was unbearable to want her with such intensity, unthinkable to need her with such desperate longing, dangerous to believe that she could somehow keep the demons away. He did not want to need her, for in need, there was dependence. He could not trust, for in trust, there was betrayal. Better never to see heaven at all than to catch a glimpse of it, grab for it, and lose it. He went to his room. He slept with his demons, and he woke alone.
Laura Lee Guhrke (Conor's Way)
Lincoln found himself in a stifling courtroom one hot summer day, pleading his client’s case. The opposing lawyer, in a concession to the oppressive heat, took off his coat and vest as the debate went on. The man’s shirt had its buttons in the back, a style which was unusual even then. Lincoln looked at his opponent and sized up the man’s apparel. Knowing that the rural jury disliked pretension of any kind, or any attempt to show superior social rank, he said: "Gentlemen of the jury, having justice on my side, I don't think you will be at all influenced by the gentleman's pretended knowledge of the law, when you see he does not even know which side of his shirt should be in front." The jury burst into laughter, and Lincoln won the case.
Rriiver Nyile (Abraham Lincoln: Abraham Lincoln Facts, Jokes and Quotes ( President's Day) (Black History Kids Series Book 3))
 It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off. I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.” I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing: “PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.” I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous. “Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly. “I think you have me confused with someone else,” I tease. His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?” “Maybe if you put your hands onme, I might.” “Don’t go getting my hopes up like that.” “Oh, your hopes should be up. Way up.” “Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.” “Pfft. You don’t know me at all.” “I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
Jenn Bennett (Alex, Approximately)
He returns to the blur of velvet and firelight in the main room, kicking off his shoes as he walks, managing to remove his suit jacket and vest before he reaches the bed but he is asleep before he can deal with additional buttons, linen sheets, and lamb's-wool pillows swallowing him like a cloud and he welcomes it, his last thoughts before sleeping a fleeting mix of reflections on the evening that has finally ended, questions and worries about everything from his sanity to hot to get paint out of his hair and then it is gone, the last wisp of thought wondering how you go to sleep if you're already dreaming.
Erin Morgenstern (The Starless Sea)
Every generation has its hottest of all hot-button issues, the issue that becomes the litmus test of everyone’s orthodoxy and provokes conflicts sometimes leading to schism. In earlier generations it was slavery, or segregation, or apartheid, or Nazism, or abortion, or temperance, or Sabbath or tongue-speaking
David P. Gushee (Changing Our Mind: Definitive 3rd Edition of the Landmark Call for Inclusion of LGBTQ Christians with Response to Critics)
Brogan was all strong angles and broad shoulders. Normally my reaction to forced proximity with a hot guy in an elevator was that of a) glee b) praying I didn’t have horrible coffee breath, and c) the obvious hope of said hot guy jamming the big red stop button and proceeding to give a mind-blowing elevator romp.
Jennifer Blackwood (The Rule Book (The Rule Breakers #1))
Please do not take life advice from someone who is in the middle of a major crisis. Unless they are gleaning from time-tested, biblical wisdom and pointing you to Christ (not yourself), it would be wise to hit the pause button on that hot mess and just wait and see how it all pans out over the next ten years or so.
Alisa Childers (Live Your Truth and Other Lies: Exposing Popular Deceptions That Make Us Anxious, Exhausted, and Self-Obsessed)
My hands are shaking. he captures them and kisses my knuckles with a kind of reverence. ¨I want to tell you so many lies,¨ he says. I shudder, and my heart hammers as his hands skim over my skin,one sliding between my thighs. I mirror him, fumbling with the buttons of his breeches. He helps me push them down, his tail curling against his leg then twisting to coil against mine, soft as a whisper. I reach over to slide my hand over the flat plane of his stomach. I dont let myself hesitate, but my inexperince is obvious. His skin is hot under my palm, against my calluses. His fingers are too clever by half. I feel as though i am drowning in sensation. His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarassing noises. Its more intimate than the way hes touching me, to be looked at like that. I hate that he knows what hes doing and i dont. I hate being vulnerable. I hate that I throw my head back, barring my throat. I hate the way i cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that i like him better than ive ever liked anyone and that of all the things hes ever done to me, making me like him so much is by far the worst. pages 145-146
Holly Black (The Wicked King (The Folk of the Air, #2))
Basket of Figs” Bring me your pain, love. Spread it out like fine rugs, silk sashes, warm eggs, cinnamon and cloves in burlap sacks. Show me the detail, the intricate embroidery on the collar, tiny shell buttons, the hem stitched the way you were taught, pricking just a thread, almost invisible. Unclasp it like jewels, the gold still hot from your body. Empty your basket of figs. Spill your wine. That hard nugget of pain, I would suck it, cradling it on my tongue like the slick seed of pomegranate. I would lift it tenderly, as a great animal might carry a small one in the private cave of the mouth. Ellen Bass, Mules of Love (BOA Editions Ltd.; 1st edition (April 1, 2002)
Ellen Bass (Mules of Love)
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
¿SABES QUÉ ES UN "HOT BUTTON"? TEN CUIDADO QUE SABER UTILIZARLOS PUEDE DARTE UN PODER PELIGROSAMENTE PODEROSO... ESTO NO ES FICCIÓN... son generalmente palabras, pero pueden ser también imágenes e incluso aromas o situaciones, que se encuentran asociados con sentimientos y recuerdos muy profundos y fuertes, ya sean buenos o malos. Al activarse el Hot Button, la persona evoca casi involuntariamente estos sentimientos, provocando muchas veces una desestabilización emocional o cambios abruptos de actitud –explicó Augustus mientras Nicolás lo escuchaba atentamente. Todos tenemos en nuestro interior Hot Buttons, algunos evidentes, otros, ocultos en la profundidad de nuestro inconsciente. Al ser “presionados”, disparan automáticamente fuertes emociones. Como dije anteriormente, los Hot Buttons pueden ser a veces positivos y en otras, negativos. Por ejemplo, en el amor solemos encontrar abundantemente de los dos tipos. Un lugar, una foto, un perfume, una canción, una persona, una palabra, un texto, hasta cosas aparentemente insignificantes, a veces te hacen transportar casi inevitablemente a fuertes recuerdos y sensaciones. Uno va caminando por la calle, concentrado en temas laborales y justo escucha sin querer “aquella” canción del primer beso de un GRAN AMOR. Si esta canción te hace acordar a un amor frustrado, posiblemente estemos hablando de un Hot Button negativo; si -en cambio- te recuerda al actual amor, probablemente sea positivo. En ambos casos, es muy probable que a causa del mismo nos cambie el humor del momento, la concentración y hasta incluso actuemos diferente respecto a si no hubiésemos escuchado “esa” canción. Más de uno en estos casos, habrá llegado casi desesperado a su trabajo, y rastreado ese viejo número telefónico que estaba guardado en algún lugar recóndito… Negativos, hay miles también. Muchos se relacionan con complejos y malas experiencias sufridas. El que se quema con leche, ve una vaca y llora, dicen con sabiduría. Los complejos de inferioridad, en todas sus variantes, contienen muchísimos Hot Buttons. Ni que hablar de aquellas personas que tienen problemas con su ego y autoestima. ¡Qué tema el EGO!… Muchas veces, en peleas entre personas cercanas, se suelen decir “verdades” espantosas y crueles, ya que embargadas por su ira, no se contienen, no filtran y no miden entonces sus palabras, ni sus consecuencias. En estas ocasiones, se suele meter el dedo en la llaga y esto suele provocar un aumento estrepitoso de la riña, que muchas veces incluso deriva en secuelas no deseadas… Meter el dedo en la llaga, es sin duda haber apretado un Hot Buttons muy concreto... La cuestión es que si alguien logra identificar tus Hot Buttons, se imaginan lo que pueden provocar en vos si sabe utilizarlos… qué miedo… ¿no?... ¿Vos tenes identificados cuáles son tus Hot Buttons? Contanos… Gonzalo GUMA
Gonzalo Guma (Equinoccio. Susurros del destino)
The thigh pressing his legs apart rubbed side to side, massaging the growing bulge in his jeans. James groaned and bit down on one corner of his lower lip to hold back a startled yelp when the pressure increased to the point of near pain. "Does that feel good to you, baby? Like that? Like it slow and gentle?" He lessened the pressure and slipped a hand between them, thumbing open the buttons of James’ jeans as he talked. Finding nothing under them except heated flesh, he shoved his hand inside and grabbed James’ cock, dragging calluses and fingernails lightly over the sensitive organ. James squirmed and made a strangled, animal sound in the back of his throat. "No, you wouldn’t be on this side of town, in this bar, if gentle was what you were looking for. Maybe you want it a little rougher." He shoved his fingers down farther and captured the tight sac beneath. "A little harder." He massaged James, grinning at the increased squirming and guttural whimpers his heavy caress produced. "A little deeper." Kicking James’ legs farther apart, he slid two fingers behind the sac, tracing the thin ridge of sensitive flesh that led up to his opening. Without hesitation, he shoved both fingers into James’ body, twisting and stroking the hot, slippery walls of muscle within. A guttural gasp rewarded his efforts. He chuckled low and throaty, nudging James’ cheek with his nose, silently commanding him to look up until their eyes met. "You got yourself all ready for me, baby. All nice," the long agile fingers twisted roughly, "and slick," plunged deeper, "and tight.
Laura Baumbach
Why didn't you talk about whether women are funny or not? I just felt that by commenting on that in any real way, it would be tacit approval of it as a legitimate debate, which it isn't. It would be the same as addressing the issue of 'Should dogs and cats be able to care for our children? They're in the house anyway.' I try not to make it a habit to seriously discuss nonsensical hot-button issues.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Sophie, Sophie, Sophie,” he groaned, his lips moving frantically along her face until they found her mouth again. “I need you.” He pressed his hips hotly against hers. “Do you feel how I need you?” “I need you, too,” she whispered. And she did. There was a fire burning within her that had been simmering quietly for years. The sight of him had ignited it anew, and his touch was like kerosene, sending her into a conflagration. His fingers wrestled with the large, poorly made buttons on back of her dress. “I’m going to burn this,” he grunted, his other hand relentlessly stroking the tender skin at the back of her knee. “I’ll dress you in silks, in satins.” He moved to her ear, nipping at her lobe, then licking the tender skin where her ear met her cheek. “I’ll dress you in nothing at all.” -Benedict & Sophie
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Most of the messages we receive every day are from people selling easy buttons. Marketers need us to believe that our pain is a mistake that can be solved with their product. And so they ask, Feel lonely? Feel sad? Life hard? Well that’s certainly not because life can be lonely and sad and hard, so everybody feels that way. No, it’s because you don’t have this toy, these jeans, this hair, these countertops, this ice cream, this booze, this woman … fix your hot loneliness with THIS. So we consume and consume but it never works, because you can never get enough of what you don’t need. The world tells us a story about our hot loneliness so that we’ll buy their easy buttons forever. We accept this story as truth because we don’t realize that their story is the poison in our air. Our pain is not the poison; the lies about the pain are.
Glennon Doyle Melton (Love Warrior)
You walk into a room and flip a switch and the room fills with light. You leave your garbage in bags on the curb, and a truck comes and transports it to some invisible place. When you’re in danger, you call for the police. Hot water pours from faucets. Lift a receiver or press a button on a telephone, and you can speak to anyone. All of the information in the world is on the Internet, and the Internet is all around you, drifting through the air like pollen on a summer breeze.
Emily St. John Mandel (Station Eleven (Picador Collection))
One of our most dangerous missions before hunting season is de-snaking our blinds. Because of the location of most of our blinds, they’re a hot spot for cottonmouth moccasins and other venomous snakes. During one cleaning we killed a couple of cottonmouths and a black widow spider. Phil walked out onto the shooting porch and said, “I think we got it.” As I looked at Phil, I saw a cottonmouth hanging from a button willow only inches from his head. After prompting my dad to duck, I shot the snake over his head.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
You fantasize about the elevator?” Izzy leaned forward on her elbows. “Ohmigod, I do, too. All the time.”   His eyes dipped down to her mouth as he said, “About you hitting the stop button?”   She ran her tongue over her bottom lip. “That’s where it starts.”   “Tell me where it finishes, Shay,” he said, quietly and calmly. No one around them would ever guess that he was asking her to share a sexual fantasy.  No one who’d ever known her would guess that she would.   “With my hands on the wall,” she said, stuck somewhere between embarrassment and total arousal. “And with you behind me, most of the time.”   He raised his eyebrows like he was amused, but his jaw was rigid. “Most of the time.”   “It varies, y’know?”   “Yeah, I fucking do know,” he said, and Izzy's stomach dipped.   “So tell me, Chest,” she said, intimidated and totally turned on by his hot eyes. “Where it finishes for you.”   She didn’t know what she’d been expecting – Blake wasn’t the kind of guy to back down from a challenge so of course he'd answer – but it wasn’t, “Your back against the elevator wall, your legs wrapped around my waist, and my name on your tongue.
Lynn Painter (Accidentally Amy)
nothing knee-jerk about their politics. Two out of three of them say that abortion is “always” or “usually” morally wrong. They are far more likely than voters age thirty and over to identify themselves as politically “strictly independent.” In fact, more than any other generation I’ve tracked in my polling, Globals seem determined to find a middle ground on the hot-button issues of the day and to decide each one on a case by case basis, not because their party leaders are urging them in one direction or the other. I like to tell audiences that while First Globals might not be more...
John Zogby (The Way We'll Be: The Zogby Report on the Transformation of the American Dream)
It was awfully quiet. Chicago only gets this quiet when it snows, he thought. And then he flipped open the phone, pressed the voice button, and said “Katherine.” He said it softly, reverently. Five rings and then her voice mail. Hey, it’s Katherine, he heard, and in the background cars rushed by. They’d been walking home together from the RadioShack when she recorded the message. I’m not, uh. And she uhed, he remembered, because he’d goosed her butt as she tried to talk. Uh, at my cell phone, I guess. Leave me a message and I’ll call you back. And he remembered everything about it, and also everything about everything else, and why couldn’t he forget and beep. “Hey, it’s Col. I’m standing in a soybean field outside of Gutshot, Tennessee, which is a long story, and it’s hot. K. I’m standing here sweating like I had hyperhidrosis, that disease where you sweat a lot. Crap. That’s not interesting. But anyway, it’s hot, and so I’m thinking about cold to stay cool. And I was remembering walking through the snow coming back from the ridiculous movie. Do you remember that, K? We were on Giddings, and the snow made it so quiet, I couldn’t hear a thing in the world but you. And it was so cold then, and so silent, and I loved you so much. Now it’s hot, and dead quiet again, and I love you still.” Five minutes later, he was trudging back when his phone began vibrating. He raced back to the spot with good reception and, breathless answered. “Did you listen to the message?” he asked immediately. “I don’t think I need to,” she answered. “I’m sorry, Colin. But I think we made a really good decision.” And he didn’t even care to point out that they hadn’t made a decision, because the sound of her voice felt so good –well not good exactly. It felt like the mysterium tremedum et fascinans, the fear and the fascination. The great and terrible awe.
John Green (An Abundance of Katherines)
They sit here in the darkness, trusting. That the coffee will be hot and unpoisoned. That no raging madman will come in with a gun or a bomb. It leaves him breathless at times, how much faith people put in one another. So fragile, the social contract: we will all stand by the rules, move with care and gentleness, invest in the infrastructure, agree with the penalties of failure. That this man driving his truck down the street won’t, on a whim, angle into the plate glass and end things. That the president won’t let his hand hover over the red button and, in moment of rage or weakness, explode the world. The invisible tissue of civilization: so thin, so easily rendable. It’s a miracle that it exists at all.
Lauren Groff (Arcadia)
All these thoughts flashed through Amelia’s mind in one searing mass. But as she stiffened and waited for the ax to fall, Rohan came to her in two long strides. And before Amelia could move, or think, or even breathe, he had jerked her full length against him, and pulled her head to his. Rohan kissed her with an indecent frankness that sent her reeling. His arms were firm around her, keeping her steady while his mouth caught hers at just the right angle. Her hands moved in tentative objection, her palms encountering the tough muscles of his chest, the catch of his shirt buttons. He was the only solid thing in a kaleidoscopic world. She stopped pushing as her body absorbed the arousing details of him, the hard masculine contours, the fresh outdoors scent, the sensuous probing of his mouth. She had relived his kiss a thousand times in her dreams. She just hadn’t realized it until now. Graceful fingers cupped around her neck and jaw, turning her face upward. The tips of his fingers found the fine skin behind her ears, where it met the silken edge of her hairline. And all the while he continued to fill her with concentrated fire, until the inside of her mouth prickled sweetly and her legs shook beneath her. He used his tongue delicately, exploring without haste, entering her repeatedly while she clung to him in bewildered pleasure. His mouth lifted, his breath a hot caress against her lips. He turned his head as he spoke to whoever had entered the room. “I beg your pardon, my lord. We wanted a moment of privacy.” Amelia turned crimson as she followed his gaze to the doorway, where Lord Westcliff stood with an unfathomable expression. An electric moment passed while Westcliff appeared to marshal his thoughts. His gaze moved to Amelia’s face, then back to Rohan’s. A smile flickered in his dark eyes. “I intend to return in approximately a half hour. It would probably be best if my study were vacated by then.” Giving a courteous nod, he took his leave. As soon as the door closed behind him, Amelia dropped her forehead to Rohan’s shoulder with a groan. She would have pulled away, but she didn’t trust her knees to hold. “Why did you do that?” He didn’t look at all repentant. “I had to come up with a reason for both of us to be in here. It seemed the best option.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Oscar hung his jacket on the back of a chair and undid the first few buttons of his checked shirt. Camille’s fingers trembled as she reached for the lamp on the dresser and twisted the knob, lowering the wick until the light it gave off was that of a small candle’s flame. She sat on the bed, and the other side of the hand-rolled mattress dipped with Oscar’s weight. She didn’t know how to look at him, if she should lie down or just come to her senses and ask him to leave. God, she wasn’t doing any of this right. “You sleep sitting up?” he asked. Camille smiled, thankful he’d lightened the moment enough for her to lean back onto one of the pillows. Turning on her side, she saw he’d already taken the same position. They lay without touching, without talking, only looking. His eyes grazed her body, slowly absorbing the pink skin of her neck, the slight curves of her breasts, and the arc of her hip. He didn’t need to lay a finger on her for the breath to stall in her lungs. He breeched the few inches between them by sliding his hand atop hers, his skin warm and dry while beads of nervous sweat formed hot on her back. Camille reached out and let her fingertip travel along the fullness of his lower lip and down the curve of his chin. With one sweeping movement, Oscar pulled her tight against his chest and kissed her. A sensation kindled between her hips, spreading to every nerve ending in her body. This was it, the fire and heat she’d always yearned for. All these years, and Oscar had been right in front of her the whole time.
Angie Frazier (Everlasting (Everlasting, #1))
I’m sipping cranberry-and-ginger-ale punch and talking to Aunt D. about her divorce when Peter Kavinsky walks in wearing a hunter-green sweater with a button-down shirt underneath, carrying a Christmas tin. I almost choke on my punch. Kitty spots him when I do. “You came!” she cries. She runs right into his arms, and he puts down the cookie tin and picks her up and throws her around. When he sets her down, she takes him by the hand and over to the buffet table, where I’m busying myself rearranging the cookie plate. “Look what Peter brought,” she says, pushing him forward. He hands me the cookie tin. “Here. Fruitcake cookies my mom made.” “What are you doing here?” I whisper accusingly. “The kid invited me.” He jerks his head toward Kitty, who has conveniently run back over to the puppy. Josh is standing up now, looking over at us with a frown on his face. “We need to talk.” So now he wants to talk. Well, too late. “We don’t have anything to talk about.” Peter takes me by the elbow and I try to shake him off, but he won’t let go. He steers me into the kitchen. “I want you to make up an excuse to Kitty and leave,” I say. “And you can take your fruitcake cookies with you.” “First tell me why you’re so pissed at me.” “Because!” I burst out. “Everyone is saying how we had sex in the hot tub and I’m a slut and you don’t even care!” “I told the guys we didn’t!” “Did you? Did you tell them that all we did was kiss and that’s all we’ve ever done?” Peter hesitates, and I go on. “Or did you say, ‘Guys, we didn’t have sex in the hot tub,’ wink wink, nudge nudge.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Blake took off his jacket and blanketed her undergarments on the ground. He unbuttoned his shirt with the carelessness of a man standing in front of his dresser. His hands never hitched. Livia wanted to cheer as he revealed his chest to the sun. But Blake had other plans. He put his chest against hers, and his sun-drenched hands ran from her shoulders to her lower back, pulling her to him with a hard jerk. He was a gentleman, but not necessarily a gentle lover. Their hearts beat as if they were trying to touch from the inside out. Blake ghost-kissed Livia, not quite letting their lips touch. She felt his hot mint breath on her cheek. Blake reached for his pants, and Livia longed to release the button for him, but he needed to do this. He removed his pants and boxer briefs in one swift motion. He kicked off his socks and shoes. All that remained was the mask. Blake and Livia stood apart for a moment before he gathered her again in his arms. With no more material between their bodies, he touched every part of her. He spun her so her back pressed against his chest and he could warm her breasts with his hands. “I always wanted to know if your lips were the same color as your nipples. But they’re not. I think the sun has faded your lips just a bit.” Blake’s liquid silk voice tickled her neck. Livia could feel the scratch of the ski mask. She remembered that the first time she’d heard his voice it was just like this, from behind her. She begged her hands not to remove his mask. They were having a hard time listening. She squirmed until she and Blake were chest to chest again. She kissed his shoulder instead of his mouth. Blake was glorious naked. Powerful.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
Chuck Palahniuk (Fight Club)
Gloria-in-human-resources wants an answer by tonight,” I heard Brad say. “Should I pick the smart one or the hot one?” I froze, appalled. “Always pick the smart one,” the other agent replied, and I wondered which one Brad considered me to be. An hour later, I got the job. And despite finding the question outrageously inappropriate, I felt perversely hurt. Still, I wasn’t sure why Brad had pegged me as smart. All I’d done that day was dial a string of phone numbers (repeatedly disconnecting calls by pressing the wrong buttons on the confusing phone system), make coffee (which was sent back twice), Xerox a script (I pushed 10 instead of 1 for number of copies, then hid the nine extra screenplays under a couch in the break room), and trip over a lamp cord in Brad’s office and fall on my ass. The hot one, I concluded, must have been particularly stupid.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
All about them the golden girls, shopping for dainties in Lairville. Even in the midst of the wild-maned winter's chill, skipping about in sneakers and sweatsocks, cream-colored raincoats. A generation in the mold, the Great White Pattern Maker lying in his prosperous bed, grinning while the liquid cools. But he does not know my bellows. Someone there is who will huff and will puff. The sophmores in their new junior blazers, like Saturday's magazines out on Thursday. Freshly covered textbooks from the campus store, slide rules dangling in leather, sheathed broadswords, chinos scrubbed to the virgin fiber, starch pressed into straight-razor creases, Oxford shirts buttoned down under crewneck sweaters, blue eyes bobbing everywhere, stunned by the android synthesis of one-a-day vitamins, Tropicana orange juice, fresh country eggs, Kraft homogenized cheese, tetra-packs of fortified milk, Cheerios with sun-ripened bananas, corn-flake-breaded chicken, hot fudge sundaes, Dairy Queen root beer floats, cheeseburgers, hybrid creamed corn, riboflavin extract, brewer's yeast, crunchy peanut butter, tuna fish casseroles, pancakes and imitation maple syrup, chuck steaks, occasional Maine lobster, Social Tea biscuits, defatted wheat germ, Kellogg's Concentrate, chopped string beans, Wonderbread, Birds Eye frozen peas, shredded spinach, French-fried onion rings, escarole salads, lentil stews, sundry fowl innards, Pecan Sandies, Almond Joys, aureomycin, penicillin, antitetanus toxoid, smallpox vaccine, Alka-Seltzer, Empirin, Vicks VapoRub, Arrid with chlorophyll, Super Anahist nose spray, Dristan decongestant, billions of cubic feet of wholesome, reconditioned breathing air, and the more wholesome breeds of fraternal exercise available to Western man. Ah, the regimented good will and force-fed confidence of those who are not meek but will inherit the earth all the same.
Richard Fariña (Been Down So Long It Looks Like Up to Me)
Incentives are the cornerstone of modern life. And understanding them - or, often, deciphering them - is the key to understanding a problem, and how it might be solved. Knowing what to measure, and how to measure it, can make a complicated world less so. There is nothing like the sheer power of numbers to scrub away lawyers of confusion and contradiction, especially with emotional, hot-button topics. The conventional wisdom is often wrong. And a blithe acceptance of it can lead to sloppy, wasteful, or even dangerous outcomes. Correlation does not equal causality. When two things travel together, it is tempting to assume that one causes the other. Married people, for instance, are demonstrably happier than single people; does this mean that marriage causes happiness? Not necessarily. The data suggest that happy people are more likely to get married in the first place. As one researcher memorably put it, "If you're grumpy, who the hell wants to marry you?
Steven D. Levitt (Think Like a Freak)
The name is Mr. Mehta," Sam interrupted. "Sam is for friends." "Do you have friends?" Daisy inquired. "You don't look the type." "Of course I have friends." He'd lost touch with many of them after Nisha's accident, but he still saw John regularly at the gym, along with his sparring partner, Evan. "Are they imaginary or real?" Daisy gave him a condescending smile. "I'm guessing imaginary because no one wants to be friends with a jerk." Sam scowled. "This is a place of business. If you wish to socialize, I suggest you go elsewhere." "He's cute when he's annoyed," Daisy said. "Maybe you should keep him around for eye-candy purposes." Layla gave him a sideways glance through the thicket of her lashes. "Don't compliment him. His ego is already so big, his top shirt button is about to pop." The women chuckled and Sam's jaw tightened. Women adored him. Men admired him. Employees detested him. But no one ever, ever dismissed him. "He is, in fact, sitting right here." "We're very aware of your presence." Daisy flashed him a sultry smile. "It's hard to miss the steam coming out of your ears.
Sara Desai (The Marriage Game (Marriage Game, #1))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I still refused to believe him and started walking towards the exit area. But Sam was faster. He strode behind me, grabbed me and whirled me around. He pointed a finger towards me and said, “Don’t you dare walk on me like that. I have had enough of your non sense for last one month. Don’t you think you owe me an explanation?” he hissed. I cocked my head. Craned my neck to meet his eyes, I purred like a kitten and started to speak. But suddenly a guard appeared out of nowhere and said, “I am really sorry to bother you but fighting is not allowed in the lobby. It distracts people like us from more important things you know. However if you want to continue I suggest you go to the north-east corner of the upper basement. We don’t have a CC Camera there.” I had never been more humiliated. My ears burnt hot. I murmured a note of thanks and boarded the elevator. Sam followed suit. He looked quite normal and amused. How could he be so normal after being whacked out by a security guard from his own office lobby? In fact, I thought, he was suppressing a grin. Was he insane? Sulking with mute anger I pressed the UB button in the elevator.
Rajrupa Gupta (The Crazy Algorithm of Love)
This is weird for me, too, you know. It’s like, ever since I got that letter…” He hesitates. “Forget it.” “Just say it,” I say. “Ever since I got that letter, things have been messed up between us. It’s not fair. You got to say everything you wanted to say, and I’m the one who has to rearrange the way I think about you; I have to make sense of it in my head. You totally blindsided me, and then you just shut me out. You start dating Kavinsky, you stop being my friend.” He exhales. “Ever since I got your letter…I haven’t been able to stop thinking about you.” Whatever I was expecting him to say, it wasn’t that. It definitely wasn’t that. “Josh…” “I know you don’t want to hear it, but just let me say what I need to say, okay?” I nod. “I hate that you’re with Kavinsky. I hate it. He’s not good enough for you. I’m sorry to say it, but he’s just not. In my opinion, no guy will ever be good enough for you. Least of all me.” Josh ducks his head, and then suddenly he looks up at me and says, “There was this one time, I guess it was a couple of summers ago. We were walking home from somebody’s house--I think it was Mike’s.” It was hot, around dusk. I was mad because Mike’s older brother Jimmy had said he’d give us a ride home, and then he went somewhere and didn’t come back, so we had to walk. I was wearing espadrilles and my feet were hurting something terrible. Josh kept telling me to keep up with him. Quietly he says, “It was just me and you. You had on that tan suede shirt you used to wear, with the straps, and it showed your belly button.” “My Pocahontas-meets-seventies-Cher-style shirt.” Oh, how I loved that shirt. “I almost kissed you that day. I thought about it. It was this weird impulse I had. I just wanted to see what it would be like.” My heart stops. “And then?” “And then I don’t know. I guess I forgot about it.” I let out a sigh. “I’m sorry you got that letter. You were never supposed to see that. It wasn’t meant for you to ever read. It was just for me.” “Maybe it was fate. Maybe this was all supposed to happen just like this, because…because it was always gonna be you and me.” I say the first thing that comes to mind. “No, it wasn’t.” And I realize it’s true. This is the moment I realize I don’t love him, that I haven’t for a while. That maybe I never did. Because he’s right there for the taking: I could kiss him again; I could make him mine. But I don’t want him. I want someone else. It feels strange to have spent so much time wishing for something, for someone, and then one day, suddenly, to just stop.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
He ran his hand up her calf, over her knee, and up the sensitive slope of her thigh, until he cupped her mound in his palm. She gasped at the shock of pleasure. His fingers caressed her gently, stroking up and down the seam of her sex, teasing her with light passes until she was breathless. She reached between their bodies, feeling for his trouser buttons and tugging at them with eager, inexpert fingers. At last, his placket fell open, and his erection sprang into her hand. Hot, hard, and heavy. She explored him the same way he touched her- skating her fingertips up and down his length, marveling at the silky softness of his skin and tracing the intriguing, yet entirely unfamiliar contours. "Let me see you," she whispered. He rose up on his knees, and his male organ jutted toward her. The dark hair on his chest arrowed straight toward it, like a signpost indicating a point of natural interest:THIS WAY TO THE MANHOOD. As if it could be missed. Rude, large, framed by dark hair, and impressively male. No surprises, really. It simply looked like a part of him. An intimidatingly large part of him, considering what was about to occur and where she hoped he could put it. But it wasn't foreign or frightening. As was the case with all the other parts of his body, she found it bold, strong, unabashed in its nature, and arousing in the extreme.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
I panted as he pulled me back through the entryway, hands on my waist, kissing the whole way, and collapsed backward onto the gray leather couch, which felt softer than my skin. I fell on top of him, straddling his lap. He kissed his way down my neck and across the collar of my blouse, leaving a trail of fire behind. "Enough of that," I panted, ripping my shirt over my head. Thank goodness I'd worn a decent bra today---blue satin with a bow in the middle, not frayed or torn anywhere. He eyed it with a growl of approval, but maybe it wasn't a growl for the bra at all, because a moment of fumbling over my back and---pop---I shook off my now unfastened bra. "And to think you didn't like me at first." He drank me in unabashedly, his eyes roaming from belly to breasts to nose to eyes, and each inch his eyes traveled made me feel more and more powerful. Like I could go anywhere, do anything. Except all I wanted to do was right here. I ground against him, feeling his cock already hard and strong under his zipper. "Who says I like you now?" He gasped and pulled me tighter onto him. "If this is what you do to people you don't like, what do you do to people you do like?" I silenced him with another kiss as I rubbed up and down him again. Now my own sex was throbbing, and I sucked in a breath with every movement. I kept moving up and down as he kissed my breasts, tongue tracing lightly over each nipple. When I couldn't take it anymore, I tumbled to the side, lying down on the couch and pulling him on top of me. Because his was an expensive couch and not the cheap one my old roommate had bought at Ikea, there was plenty of room for us to writhe without making me feel like I might topple off the edge. He went down to kiss my breasts again... and kept going. His tongue slid down my stomach, did a lazy circle around my belly button. I clenched my teeth, holding back a beg for more as he slowly, slowly, way too slowly unzipped my skirt and tugged it down. I kicked it off, along with my underwear, when he reached my knees, nearly clipping him on the ear. When I felt close to the edge, I reached down and pulled him up. My hand moved down and took over, zeroing in on just the right spot on my clit. It didn't take long. I shuddered against his shoulder, biting back a cry, then wondered why I was biting it back and let it out. Breathing hard, my head collapsed back into the cushion. I was a little worried that now post-orgasm clarity would descend upon me and be like, What the hell are you doing, Julie? but the post-orgasm clarity seemed to approve. With a wink and a nudge, it made me pull away, and the desire roared back inside me. "That's why it's great to have a clitoris," I told Bennett. "Multiple orgasms.
Amanda Elliot (Best Served Hot)
Lord,it's hot in here!" she exclaimed, waving a bedraggled towel in front of her face. "Wouldn't mind a swim myself." Paying him no mind, she unfastened a couple of buttons on her shirt, parted it, and blotted the swells of her breasts with the towel. As she bent down and reached into a cupboard, the shirt gaped. Paralysis afflicted Rider from his eyeballs down. Unaware of his stymied condition, Willow rummaged though the cupboard and asked, "Did Juan and Taylo get back yet?" No answer. "Sinclair?" She found a chunk of soap and a towel and rose from her stooped position to find Rider's eyes glued to her breasts. The soap thunked Rider on his chest and broke his trance. He glanced up just in time to get a towel in his face but managed to catch it before it joined the soap on the floor. "I'm sorry. What did you say?" "Never mind," She spun away to face the stove and to conceal her flaming face. Busily stirring with one hand, she nonchalantly rebuttoned her blouse with the other. "Don't tarry," she warned over her shoulder, "supper is almost ready." Tarry? Tarry? If he remained a minute longer, he was going to have dessert here and now and to hell with supper! He lowered his hat a few discreet inches to hide the evidence of his stirring desire. Then,with an ease he didn't feel, he picked up the soap. "I'll hurry, and thanks for the soap." He turned to leave, then stopped, a devilish glint in his eye. After the emotional turmoil she'd just put him through, she more than deserved a little teasing. "You're welcome to join me for a swim, if you like." His smile was wide and audacious. "I'm not shy." Willow turned to face him, fork in hand. "Let's you and me get something straight, Sinclair. I ain't shy and I don't shock easy neither. You see, I reckon you ain't got nothin' my brothers don't." Her bald remark shocked him as intended but Rider was not to be outdone. "Maybe I don't." He grinned rakishly. "But I've been told I have a rather...exceptional physique." Willow rolled her eyes. "Well, as you can see, I ain't got time to do any comparing. Now,go take your bath and get outta my hair!" Rider swung the towel over his shoulder and turned to leave again. Disappointed by his inability to rile her, he added, "Shucks, Freckles. I was kind of hoping you'd scrub my back. I've been told my back is a mighty fi-" She jabbed the air with the big fork, motioning to the door. "I'm going! I'm going! This place is hazardous to a man's health." He ducked out the door,laughing. "And stop calling me Freckles!" she yelled after him. Grinning and shaking her head, Willow directed her attention back to the stove. Rider Sinclair was an odd egg if ever she saw one. One minute the man was purely obnoxious, the next, teasing and charming.
Charlotte McPherren (Song of the Willow)
Social networks including Facebook, Twitter and Pinterest took a step closer to offering ecommerce on their own platforms this week, as the battle to win over retailers hots up. Facebook announced on Thursday it is trialling a “buy” button to allow people to purchase a product without ever leaving the social network’s app. The initial test, with a handful of small and medium-sized businesses in the US, could lead to more ecommerce companies buying adverts on the network. It could also allow Facebook to compile payment information and encourage people to make more transactions via the platform as it would save them typing in card numbers on smartphones. But the social network said no credit or debit card details will be shared with other advertisers. Twitter acquired CardSpring, a payments infrastructure company, this week for an undisclosed price as part of plans to feature more ecommerce around live events or, as it puts it, “in-the-moment commerce experiences”. CardSpring connects payment details with loyalty cards and coupons for transactions online and in stores. The home of the 140-character message hired Nathan Hubbard, former chief executive of Ticketmaster, last year to work on creating an ecommerce product. It has since worked with Amazon, to allow people to add things to their online basket by tweeting, and with Starbucks to encourage people to tweet to buy a coffee for a friend.
Anonymous
Between them, she undid the buttons holding the placket of his breeches closed; her small hand slid beneath the fabric, and found him. He sucked in breath at that first innocent touch; his control quaked as her grip firmed, then her fingers eased and she stroked, and he felt like growling. Releasing her waist, with a quick tug he raised her skirts and reached beneath. Found the soft flesh between her thighs and caressed, then lightly probed. She shuddered, caught her breath, then her fingers trailed tantalizingly down his length. Closing her hand about his turgid flesh, she gently tugged. Her meaning couldn't have been clearer. And this time he had no ability, no thought in his head, to deny her. Just a small adjustment of her body over his and he could draw her down and sheath his erection in her slick softness; despite the potent attraction, he knew that this time it couldn't be that way. Not for her. Not the first time. He was too large, too engorged, for her to take him easily that way; she might balk, and find it too difficult to go on... Deftly he turned her and tumbled her down to the cushions. She went readily, reassured when he moved with her, willingly surrendering to the pull of one small hand gripping his shoulder. He settled between her thighs, spread wide on either side of his hips, the fingers of one hand still buried within her sheath, his other hand cradling her head, keeping her immersed in their kiss.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
We lived in a safe, family-friendly area, but parts of London were rough, as you’d expect from any large city. Mark had a knack for attracting muggers. One time, we were in a train station and a little kid--no more than about eight years old--came up to him: “Oi, mate, give me your phone.” We always carried the cool Nokia phones with the Snake game on them, and they were the hot item. It was like inviting trouble carrying one around, but we didn’t care. Mark thought the mini-mugger was crazy: “Are you kidding me? No way.” Then he looked over his shoulder and realized the kid wasn’t alone; he had a whole gang with him. So Mark handed over his phone and the kid ran off. I never let him live down the fact that an eight-year-old had mugged him. I had my own incident as well, but I handled it a little differently. I got off the train at Herne Hill station and noticed that two guys were following me. I could hear their footsteps getting closer and closer. “Give us your backpack,” they threatened me. “Why? All I have is my homework in here,” I tried to reason with them. They had seen me on the train with my minidisc player and they knew I was holding out on them. “Give it,” they threatened. My bag was covered with key chains and buttons, and as I took it off my shoulder, pretending to give it to them, I swung it hard in their faces. All that hardware knocked one of them to the ground and stunned the other. With my bag in my hand, I ran the mile home without ever looking back. Not bad for a skinny kid in a school uniform.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
The accusation against the Church for being either right or left wing tells you more about the contemporary political assumptions than about the political inclination of Catholicism. The Church will seem both "right wing" (in promoting the traditional family, opposing abortion, euthanasia, embryonic research, etc.) and "left wing" (in advocating the rights of minorities, social justice, active state support for the poorest, etc.), depending on the political bias of the one accusing .The same bias afflicts Catholics. There are pro-life Catholics who think Catholic social teaching is "socialist," and pro-social-justice Catholics who think pro-life causes are right wing. The Church will always be accused of "interfering" or trying to "impose" its view when the critic disagrees with its stance; but the same critic will say nothing when the Church has intervened politically on a matter with which he or she agrees. And if the Church has stayed silent, the critic will accuse it of "failing to speak out." Put another way, people are against the Church "interfering" in what they would much rather have left alone; and in favor of "interfering" in what they believe should be changed. Why and when does the Church speak out on political questions? The answer is rarely and cautiously, and almost always because it is a matter which touches on the Gospel, on core freedoms and rights (such as the right to life, or to religious freedom), or on core principles of Catholic social teaching. In these cases, the Church not only needs to speak out; it has a duty to do so.
Austen Ivereigh (How to Defend the Faith Without Raising Your Voice: Civil Responses to Catholic Hot Button Issues)
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Top Dog" If I could, I would take your grief, dig it up out of the horseradish field and grate it into something red and hot to sauce the shellfish. I would take the lock of hair you put in the locket and carry it in my hand, I would make the light strike everything the way it hit the Bay Bridge, turning the ironwork at sunset into waffles. If I could, I would blow your socks off, they would travel far, always in unison, past the dead men running, past the cranes standing in snow, beyond the roads we rode, so small in our little car, it was like riding in a miner's helmet. If I could I would make everyone vote and call their public servants to say, “No one was meant for this.” I would go back to the afternoon we made love in the tall grass under the full sun not far from the ravine where the old owner had flung hundreds of mink cages. I would memorize gateways to the afterworld, the electric third rail, the blond braid our girl has hanging down her back, the black guppy we killed at our friends’ when we unplugged the bubbler and the fish floated to the top, one eye up at the ceiling, the other at the blue gravel on the bottom of the tank. I would beg an audience with Sister Lucia, the last living of the children visited by Our Lady of Fatima, I would ask her about the weight of secrets, if they let her sleep or if she woke at night with a body on her body, if the body said, “Let's play top dog, first I'll lie on you, then you lie on me.” I would ask how she lived with revelation, the normal state of affairs amplified beyond God, bumped up to the Virgin Mother, who no doubt knew a few things, passed them on, quietly, and I would ask Lucia how she lived with knowing, how she could keep it under her hat, under wraps, button up, zip her lip, play it close to the vest, never telling, never using truth as a weapon.
Barbara Ras (Bite Every Sorrow: Poems (Walt Whitman Award of the Academy of American Poets))
Hey, can I help you—whoa!” As he wheeled around and settled into his attack stance, the black human salesperson jumped back and put his palms up. “Forgive me,” Xcor muttered. At least he hadn’t outed one of his weapons. “No problem.” The handsome, well-dressed man smiled. “You looking for something specific?” Xcor glanced around, and nearly walked back to that fancy stairwell. “I require a new shirt.” “Oh, cool, you got a hot date?” “And pants. And socks.” Come to think of it, he never wore underwear. “And undergarments. And a jacket.” The salesman smiled and raised a hand as if he were going to clap his customer on the shoulder—but then caught himself as he clearly rethought the contact. “What kind of look are you going for?” he asked instead. “Clothed.” The guy paused like he wasn’t sure whether that was a joke. “Ah . . . okay, I can work with non-naked. Plus it’s legal. Come on with me.” Xcor followed, because he didn’t know what else to do—he’d gotten this ball rolling; there was no reason not to follow through. The man stopped in front of a display of shirts. “So I’m going to go with the it’s-a-date thing, unless you tell me otherwise. Casual? You didn’t mention a suit.” “Casual. Yes. But I want to look. . . .” Well, not like himself, at any rate. “Presentable.” “Then I think what you’re going to want is a button-down.” “A button-down.” The guy regarded him steadily. “You’re not from here, are you.” “No, I’m not.” “I can tell by the accent.” The salesman passed a hand over the dizzying array of folded-up squares with collars. “These are our traditional cuts. I can tell without measuring you that the European stuff isn’t going to do you right—you’re too muscled in the shoulders. Even if we could get the neck and arm size right, you’d bust out of them. Do you like any of these colors?” “I don’t know what to like.” “Here.” The man picked up a blue one that reminded Xcor of the backdrop on his phone. “This is good with your eyes. Not that I go that way—but you gotta work with what you got. Do you have any idea of your size?” “XXXL.” “We need to be a little more exact.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
I am assured that this is a true story. A man calls up his computer helpline complaining that the cupholder on his personal computer has snapped off, and he wants to know how to get it fixed. “Cupholder?” says the computer helpline person, puzzled. “I’m sorry, sir, but I’m confused. Did you buy this cupholder at a computer show or receive it as a special promotion?” “No, it came as part of the standard equipment on my computer.” “But our computers don’t come with cupholders.” “Well, pardon me, friend, but they do,” says the man a little hotly. “I’m looking at mine right now. You push a button on the base of the unit and it slides right out.” The man, it transpired, had been using the CD drawer on his computer to hold his coffee cup. I bring this up here by way of introducing our topic this week: cupholders. Cupholders are taking over the world. It would be almost impossible to exaggerate the importance of cupholders in automotive circles these days. The New York Times recently ran a long article in which it tested a dozen family cars. It rated each of them for ten important features, among them engine size, trunk space, handling, quality of suspension, and, yes, number of cupholders. A car dealer acquaintance of ours tells us that they are one of the first things people remark on, ask about, or play with when they come to look at a car. People buy cars on the basis of cupholders. Nearly all car advertisements note the number of cupholders prominently in the text. Some cars, like the newest model of the Dodge Caravan, come with as many as seventeen cupholders. The largest Caravan holds seven passengers. Now you don’t have to be a nuclear physicist, or even wide awake, to work out that that is 2.43 cupholders per passenger. Why, you may reasonably wonder, would each passenger in a vehicle need 2.43 cupholders? Good question. Americans, it is true, consume positively staggering volumes of fluids. One of our local gas stations, I am reliably informed, sells a flavored confection called a Slurpee in containers up to 60 ounces in size. But even if every member of the family had a Slurpee and a personal bottle of
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away)
You should buy a potted plant.” I laugh at that as I sit on the wooden picnic table at the park in the dark, listening to Jack ramble through the speakerphone beside me. “A plant.” “Seriously, hear me out—you get a plant. You nurture it, keep it alive, and wham-bam, that’s how you know you’re ready for this whole thing.” “That’s stupid.” “No, it’s not. It’s a real thing. I saw it in that movie 28 Days.” “The zombie one?” “Nah, man, the Sandra Bullock one. You’re thinking about 28 Days Later.” “You steal your advice from Sandra Bullock movies?” “Oh, don’t you fucking judge me. It’s a hell of a lot better than that shit you keep making. And besides, it’s good advice.” “Buy a plant.” “Yes.” “Did you buy one?” “What?” “A plant,” I say. “Did you buy yourself a plant to prove you’re ready for a relationship?” “No,” he says. “Why not?” “Because I don’t need a plant to tell me what I already know,” he says. “I’m wearing a pair of emoji boxers and eating hot Cheetos in my basement apartment. Pretty sure the signs are all there.” “Emoji boxers?” I laugh. “Talk about a stereotypical internet troll.” “Yeah, yeah, whatever,” he says. “This isn’t about me, though. We’re talking about you.” “I’m tired of talking about me.” “Holy shit, seriously? Didn’t think that was possible!” “Funny.” “Remember that interview you did on The Late Show two years ago?” “I don’t want to talk about it.” “You were stoned out of your mind, kept referring to yourself in third person.” “Fuck off.” “Pretty sure that guy would never be tired of talking about himself.” “You’re an asshole.” He laughs. “True.” “You get on my nerves.” “You’re welcome.” Sighing, I shake my head. “Thank you.” “Now go buy yourself a plant,” he says. “I was in the middle of a game of Call of Duty when you called, so I’m going to get back to it.” “Yeah, okay.” “Oh, and Cunning? I’m glad you haven’t drowned yourself in a bottle of whiskey.” “Why? Would you miss me?” “More like your fangirls might murder me if I let you destroy yourself,” he says. “I don’t know if you’ve noticed, but they’re crazy. Have you seen some of their fan art? It’s insane.” “Goodbye, Jack,” I say, pressing the button on my phone to end the call
J.M. Darhower (Ghosted)
Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Her hands found the button of his jeans, and then glided his zipper down. She wasted no time in seizing his cock with her hand, stroking him up and down as he pulled down his pants, then his boxers. He stopped her only so he could sheathe himself. And when he looked back up, she'd removed her robe, which fell around her in waves like drizzled icing. As he did, she began to guide his cock to her entrance, stroking her clit with the tip of him. He was already so fucking hard, and he hadn't even sunk into her yet. "Ready?" she breathed into his ear. He nodded, and his hands found her hips. His fingertips dug into her as he eased himself inside her, so slowly he could barely breathe, and they both moaned as she cradled him with her pussy. She braced her hands against the table as he slid further, burying himself deep inside her. Fuck. How did Nina feel so good? They both paused, him filling her. She stretched and tightened against him. He hadn't even begun to fuck her the way he planned to, but she already felt better than anything he could've imagined. He rocked into her, hitting her core deeper, and her head rolled back as a moan escaped. She fit around him in such a silky way that he already knew he'd want every waking moment to be inside her. She moved back and forth on his dick, his hands steadying her hips. He wanted to make sure that every time he pumped into her, she felt all of him. He was going to delve into her so deeply that she'd have no other choice but to come all over him. He needed to feel her heat pulsing against him. Her breathing quickened, and she said, "I need you." All he wanted was to hear this woman moan so loudly that he'd be able to hear it whenever he closed his eyes. So when he slid his cock back inside her, he made sure to push until he was all the way in. She arched her back in response, and he slowly pulled out, then pumped back in. Their moans, their thighs meeting and the slap of his balls against her ass were the only sounds in the room. He reached toward her heavy breasts and pinched one nipple tightly as he continued to fill her. "I'm..." She couldn't get the words out, but he knew what she was trying to say. She was going to come. He moved the hand that pinched her nipple down to her clit and gently rubbed. "I'm almost there," she said. He grunted in approval and pushed into her slower, bringing his length almost fully out, then plunging back in. She tightened around him. As her groans reached a crescendo, he knew he was going to erupt as well. He thrust hard and deep until his aching cock came.
Erin La Rosa (For Butter or Worse)
One day, on the verge of dying of boredom, Uncle Johnny had had enough. He turned to me and said sternly, “Noah, I’m not gonna sit in here like we’re in an oversized coffin. We’re either opening the door or we’re turning the TV on. Which one do you want?” I rolled my eyes and grumbled for a few minutes before answering, “All right. Turn on the TV.” Without hesitation Uncle Johnny shot up out of that chair and reached up to hit the power button on the TV mounted from the ceiling. No sooner had his butt hit the chair seat than he was right back up again. “Fuck that. I am opening the door, too, because I want it open.” He vigorously emphasized his intention so I didn’t protest. He marched over and swung that door open. I swear he might have even taken a deep breath as if it were fresh mountain air. Then he came back to his chair and sat down. There was a movie on starring Matthew Broderick. I’d never heard of it before but Uncle Johnny was explaining to me that this was a remake and Gene Wilder had played Broderick’s character in the original film. In spite of myself, and my stubborn wish to sit and suffer in silence, I really liked the movie. And I remember thinking, I am really enjoying myself. I even turned to Uncle Johnny and said, “I’m glad we turned the TV on. This is great!” Uncle Johnny just smiled as if to say, “Of course! Finally!” We were right in the middle of the movie when one of my machines started to malfunction. The machine’s beeps drowned out the movie. A nurse came in to fix the problem and it just happened to be the hot nurse I had a crush on. She had short hair, a few tattoos on her arm, and she always wore a bandana over her head. The machine she was trying to fix was plugged in on the other side of the bed, up against the wall. “Oh, I see. Hold on. I have to move the bed out from the wall to fix this,” she said. At this point I was just watching her. She fixed the machine and pushed the bed back up against the wall. She actually hit the wall with the bed and zap! The TV went out! “WHAT?! NO!” I screamed. She couldn’t get it to turn back on. She tried but nothing worked. “Oh no, I’m sorry. We’ll have to get maintenance down here to fix it,” she said with an apologetic look that I met with a glare of disdain. She was no longer hot to me. She was just the nurse who broke the TV. Maintenance didn’t come to repair the TV until the next day. I didn’t get to watch the rest of the movie. In fact, I never saw the end of the movie and I didn’t even know the name of it until years later. Maybe one of these days I’ll get to see The Producers from start to finish.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.
Cherry Adair (Kiss and Tell (T-FLAC, #2; Wright Family, #1))
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
Sometimes when I observe contemporary U.S. culture, with its hard fronts and nasty culture wars, I have a strange sense that I’ve seen something like it before—in the Communist and semitotalitarian state in which I grew up. The issues and positions are very different, but the spirit is strangely familiar. In all public discussion, there was a party line that people had to toe; if you diverged, you were deemed disloyal and suspected of betraying the cause. I sense a similar spirit today among both progressives and conservatives in the United States when it comes to many hot-button issues, including Islam.
Miroslav Volf (Allah: A Christian Response)
Back in the early days of his career as a frontier lawyer, Lincoln was engaged in an important trial. It was a really hot day. His opponent was arguing his case, and as he paced around he was starting to sweat, so the man removed his jacket and vest. The lawyer’s shirt buttoned in the back, not in the front, as was customary. Lincoln was quick to notice the discrepancy, and said to the jury – “Gentlemen of the jury, having justice on my side, I don’t think you will at all be influenced by the gentleman’s pretended knowledge of law, when you see he does not even know which side of his shirt should be in front.” Lincoln’s story drew a laugh from the jury and the audience, and won him the case.
Nicholas L Vulich (Manage Like Abraham Lincoln)
He’s right. I want him so much it scares me. The worst part, I think as run my finger over the buttons: I know deep down that I don’t want him for his money, or because he’s hot, or because, in all his duality, he seems dangerous.
Ella James
Many churches skip our demographic and offer us nothing. They go from the college and career group to the young marrieds. They forget that many these days are in their thirties and forties, yet alone. Mother’s Day can also be a hot button for some women who desire children.
Cheryl McKay (Finally The Bride: Finding Hope While Waiting)
The challenge in delivering simplicity is, marketing wants to bring more functionality to bear, engineering wants to bring more options to bear—and all of that just adds to confusion and clutter. That’s when a task like printing a document becomes confounded with all these buttons and fields and tabs.
Max Chafkin (Design Crazy: Good Looks, Hot Tempers, and True Genius at Apple)
Longing to feel his hot flesh against mine, I roughly remove his jacket and start unbuttoning his shirt. I manage to successfully unbutton two, but my patience wanes, and I roughly pull open Jacob's shirt, sending the remaining buttons scattering across the room.
Emily Rose Philips (Ember Eternal: Eternal Fire Series)
Suddenly, he looked up at me and demanded, “Say my name.” My pride wouldn’t allow me to submit, so I mumbled, “What was it again? Vinnie? Vance? Something with a V, right?” His response was to pop the button on my shorts and tug them down to my ankles. I kicked them off along with my sandals then struggled to act unimpressed. Vaughn grinned in a way that made me a little nervous about what happened next. He likely sensed my fear because his grin widened. A kneeling Vaughn licked his lips then focused on the part of my body wanting him more than any other. “You’ll remember my name soon enough,” he promised, lifting my leg and resting it over his shoulder. Even though I wanted desperately to reply in a smartass way, his hot breath on my pussy made words a memory. The first lick sent me into a near brain-dead stupor. When he sucked at my clit, I would have toppled over if he didn’t hold me still. While unable to speak, I still made noises I would laugh about the next day. At the mercy of Vaughn’s hungry lips, I was in a state of heat like I’d never known before. I came quickly, yet Vaughn didn’t relent. Sucking steadily, he sent me over the edge again, stealing my ability to stand. By the time he stood in an easy movement and lifted me onto his hips, I was his slave. “Say it,” he whispered in my ear while kicking off his jeans. “Vaughn Fucking Majors.” A smirking Vaughn wrapped me into his arms and thrust hard inside my body. Resting my forehead against his shoulder, I tightened my legs around his hips and held on as he fucked me so hard I begged him to never leave. No man should have such power over me, yet there we were.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))