Hot Baths Quotes

We've searched our database for all the quotes and captions related to Hot Baths. Here they are! All 100 of them:

Noble deeds and hot baths are the best cures for depression.
Dodie Smith (I Capture the Castle)
There must be quite a few things that a hot bath won't cure, but I don't know many of them.
Sylvia Plath
There's no trouble in this world so serious that it can't be cured with a hot bath, a glass of whiskey, and the Book of Common Prayer.
Elizabeth Gilbert (Eat, Pray, Love)
Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.
Sylvia Plath (The Bell Jar)
Okay, this is the wisdom. First, time spent on reconnaissanse is never wasted. Second, almost anything can be improved with the addition of bacon. And finally, there is no problem on Earth that can't be ameliorated by a hot bath and a cup of tea.
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
Poetry is not the most important thing in life... I'd much rather lie in a hot bath reading Agatha Christie and sucking sweets.
Dylan Thomas
You have to learn to love the small things in life, like a hot bath. You have to love the small things, when you have nothing else.
Joe Abercrombie (The Blade Itself (The First Law, #1))
There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: "I'll go take a hot bath.
Sylvia Plath (The Bell Jar)
All I wanted was to take a hot bath, to go to sleep, and to not wake up. EVER.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
It was ironic, really - you want to die because you can't be bothered to go on living - but then you're expected to get all energetic and move furniture and stand on chairs and hoist ropes and do complicated knots and attach things to other things and kick stools from under you and mess around with hot baths and razor blades and extension cords and electrical appliances and weedkiller. Suicide was a complicated, demanding business, often involving visits to hardware shops. And if you've managed to drag yourself from the bed and go down the road to the garden center or the drug store, by then the worst is over. At that point you might as well just go to work.
Marian Keyes (Lucy Sullivan Is Getting Married)
He's a hot bath, a short breath, five days of summer pressed into five fingers writing stories on my body.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
I will bathe in your warmth ma petite. Roll you around me until my heart beats only for you. My breath will grow warm from your kiss.
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
The cure for a broken heart is simple, my lady. A hot bath and a good night's sleep.
Margaret George (Mary Queen of Scotland and The Isles)
Good-by, Good-by, world. Good-by, Grover's Corners... Mama and Papa. Good-by to clocks ticking... and Mama's sunflowers. And food and coffee. And new-ironed dresses and hot baths...and sleeping and waking up. Oh, earth, you're too wonderful for anybody to realize you.
Thornton Wilder (Our Town)
Life is like a hot bath. It feels good while you're in it, but the longer you stay, the more wrinkled you get.
Jim Davis
We’re playing Three Wishes,” she told her friend. “Cake, hot bath, soft bed. How about you?” “World peace,” said Karou. Zuzana rolled her eyes. “Yes, Saint Karou.” “Cure for cancer,” Karou went on. “And unicorns for all.” “Bluh. Nothing ruins Three Wishes like altruism. It has to be something for yourself, and if it doesn’t include food, it’s a lie.” “I did include food. I said unicorns, didn’t I?” “Mmm. You’re craving unicorn, are you?” Zuzana’s brow furrowed. “Wait. Do they have those here?” “Alas, no.” “They did,” said Mik. “But Karou ate them all.” “I am a voracious unicorn predator.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
But you can't muscle through a five-hour run that way; you have to relax into it like easing your body into a hot bath, until it no longer resists the shock and begins to enjoy it.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
I think best in a hot bath, with my head tilted back and my feet up high.
Elizabeth Jane Howard (Mr. Wrong)
I want you to take a red-hot bath as hot as you can bear it, and just relax your nerves. You can read in the tub if you wish.
F. Scott Fitzgerald (This Side of Paradise)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
I wish we could spend July by the sea, browning ourselves and feeling water-weighted hair flow behind us from a dive. I wish our gravest concerns were the summer gnats. I wish we were hungry for hot dogs and dopes, and it would be nice to smell the starch of summer linens and the faint odor of talc in blistering summer bath houses ... We could lie in long citoneuse beams of the five o'clock sun on the plage at Juan-les-Pins and hear the sound of the drum and piano being scooped out to sea by the waves.
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
I love the magic of a hot bath, how time pauses and every grievance melts away.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Teenage hormones plus a few hot guys equals Barbie blood bath.
Veronica Wolff (Isle of Night (The Watchers, #1))
There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: 'I’ll go take a hot bath.' I meditate in the bath.The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck. I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the damp spots and the light fixtures. I remember the tubs, too: the antique griffin-legged tubs, and the modern coffin-shaped tubs, and the fancy pink marble tubs overlooking indoor lily ponds, and I remember the shapes and sizes of the water taps and the different sorts of soap holders. I never feel so much myself as when I’m in a hot bath.
Sylvia Plath (The Bell Jar)
Say nice things about your body, dress it up, and take it out. Give it hot sex, luxurious baths, and massages. Move it, stretch it, nourish it, hydrate it, pay attention to it—The better our bodies feel, the happier and more productive we are.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
I never feel so much myself as when I'm in a hot bath.
Sylvia Plath (The Bell Jar)
There is no problem on earth that can't be ameliorated by a hot bath and a cup of tea.
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
Let's really look at one another!...It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed... Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? (Emily)
Thornton Wilder (Our Town)
But yeah, Ann [Trason] insisted, running was romantic; and no, of course her friends didn't get it because they'd never broken through. For them, running was a miserable two miles motivated solely by size 6 jeans: get on the scale, get depressed, get your headphones on, and get it over with. But you can't muscle through a five-hour run that way; you have to relax into it, like easing your body into a hot bath, until it no longer resists the shock and begins to enjoy it.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
Frightened of change? But what can exist without it? What’s closer to nature’s heart? Can you take a hot bath and leave the firewood as it was? Eat food without transforming it? Can any vital process take place without something being changed? Can’t you see? It’s just the same with you—and just as vital to nature.
Marcus Aurelius (Meditations)
Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
I never feel so much myself as when I'm in a hot bath. I lay in that tub on the seventeenth floor of this hotel for-women-only, high up over the jazz and push of New York, for near onto an hour, and I felt myself growing pure again. I don't believe in baptism or the waters of Jordan or anything like that, but I guess I feel about a hot bath the way those religious people feel about holy water.
Sylvia Plath (The Bell Jar)
I DRAW A HOT SORROW BATH IN MY DESPAIR ROOM WITH A MISERY CANDLE BURNING I WASH MY HAIR WITH REGRET SHAMPOO AFTER CLEANING MYSELF WITH PAIN SOAP I DRY MYSELF WITH MY GORGEOUS WHITE ONE HUNDRED PERCENT AND IT WILL NEVER CHANGE TOWEL THEN SMOOTH ON MY I DON’T DESERVE LOTION AND I HATE MYSELF FACE CREAM THEN I PUT ON MY ALONE AGAIN SILK PYJAMAS AND GO TO SLEEP WHEN THE HUE HAS GONE BLUE AND YOU CAN’T QUITE GRIN AND BEAR IT LET THIS WORD PICTURE REMIND YOU IT CAN ALWAYS BE WORSE
Keanu Reeves (Ode to Happiness)
An emotionally abusive relationship, in very simplistic terms, is much like standing up in a too hot bath and sinking back in so as not to feel so dizzy.
Jackie Haze, Borderless
[My guilty pleasure is a] deep, eco-unfriendly, hot bath. Preferably with a glass of champagne and someone sitting on the loo seat gossiping.
Prue Leith
Death was the hot bath you promised yourself while you endured small talk and uncomfortable shoes. You could stop pretending to have a good time when you were dead.
Liane Moriarty (Three Wishes)
I lay in that tub on the seventeenth floor of this hotel for-women-only, high up over the jazz and push of New York, for near unto an hour, and I felt myself growing pure again. I don't believe in baptism or the waters of Jordan or anything like that, but I guess I feel about a hot bath the way those religious people feel about holy water.
Sylvia Plath (The Bell Jar)
Father says hot water can be as stimulating as an alcoholic drink and though I never come by one...I can well believe it.
Dodie Smith (I Capture the Castle)
I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
Gillian Flynn (Sharp Objects)
Happiness is a hot bath on a Sunday afternoon.
A.D. Posey
I'm sure love has its own means of survival, its preferred host, its ideal temperature, its own law of thermodynamics. Why else would women crave hot baths?
Michael Ben Zehabe (Persianality)
Doreen is dissolving, Lenny Shepherd is dissolving, Frankie is dissolving, New York is dissolving, they are all dissolving away and none of them matter anymore.I don't know them. I have never known them and I am very pure.
Sylvia Plath (The Bell Jar)
Stuff your conscious mind with information, then unhook your rational thought process. You can help this process by going for a long walk, or taking a hot bath, or drinking half a pint of claret.
David Ogilvy (Ogilvy on Advertising)
There was a dragon who had a long-standing obsession with a queen's breasts," she said, growing breathless. "The dragon knew the penalty to touch her would mean death, yet he revealed his secret desire to the king's chief doctor. This man promised he could arrange for the dragon to satisfy his desire, but it would cost him one thousand gold coins." She spread her soapy hands over his nipples, then down his arms. "Though he didn't have the money, the dragon readily agreed to the scheme." Grace," Darius moaned, his erection straining against her stomach. She hid her smile, loving that she had this much power over such a strong man. That she, Grace Carlyle, made him ache with longing. "The next day the physician made a batch of itching powder and poured some into the queen's bra… uh, you might call it a brassiere… while she bathed. After she dressed, she began itching and itching and itching. The physician was summoned to the Royal Chambers, and he informed the king and queen that only a special saliva, if applied for several hours, would cure this type of itch. And only a dragon possessed this special saliva." Out of breath, she paused. Continue," Darius said. His arms wound around her so tightly she could barely breathe. His skin blazed hot against hers, hotter than even the steamy water. Are you sure?" Continue." Taut lines bracketed his mouth. Well, the king summoned the dragon. Meanwhile, the physician slipped him the antidote for the itching powder, which the dragon put into his mouth, and for the next few hours, the dragon worked passionately on the queen's breasts. Anyway," she said, reaching around him and lathering the muscled mounds of his butt, "the queen's itching was eventually relieved, and the dragon left satisfied and touted as a hero." This does not sound like a joke," Darius said. I'm getting to the punch line. Hang on. When the physician demanded his payment, the now satisfied dragon refused. He knew that the physician could never report what really happened to the king. So the next day, the physician slipped a massive dose of the same itching powder into the king's loincloth. And the king immediately summoned the dragon." -Heart of the Dragon
Gena Showalter
She envied Ralph his dying, for if one were thinking of rest that was the most perfect of all. To cease utterly, to give it all up and not know anything more - this idea was as sweet as a vision of a cool bath in a marble tank, in a darkened chamber, in a hot land. ... but Isabel recognized, as it passed before her eyes, the quick vague shadow of a long future. She should never escape; she should last to the end.
Henry James (The Portrait of a Lady)
But Gemma, you could change the world." "That should take far more than my power," I say. "True. But change needn't happen all at once. It can be small gestures." "Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away... We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again. "Oi! By all the saints!" a boy cries from the river. "Gone off the dock?" an old woman calls. The mud larks break into cackles. "'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. "We're rich mates! It's a hot bath and a full belly for every one of us!" Kartik eyes me suspiciously. "That was a strange stroke of good fortune." "Yes it was." "I don't suppose that was your doing." "I'm not sure I don't know what you mean," I say. And that is how change happens. One gesture. One person. One moment at a time.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: ‘I’ll go take a hot bath.
Sylvia Plath (The Bell Jar)
Ridiculous to think what indignities I would suffer in silence, if I knew that I was to be rewarded with an oversize bucket of hot water," the magus said as he settled into the bath the servants had filled for him.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
It's unbelievable really, the reviving power of a hot bath, a cup of tea and a roaring fire.
M.A. Bennett (S.T.A.G.S (S.T.A.G.S, #1))
As I sat in the hot, salty water, I thought, 'No wonder Mr. Bubble always gives me a urinary tract infection and hives.' Mr. Bubble was for common people. Mr. Bubble was for my so-called brother, their true child. I was a Vanderbilt. I should bathe in condiments and seasonings.
Augusten Burroughs (Magical Thinking: True Stories)
I feel all the same things when I do things alone as when Ole Golly was here. The bath feels hot, the bed feels soft, but I feel there's a funny little hole in me that wasn't there before, like a splinter in your finger, but this is somewhere above my stomach.
Louise Fitzhugh (Harriet the Spy)
There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: "I’ll go take a hot bath.
Sylvia Plath (The Bell Jar)
According to Thomas, the city [of Bath] had once been a veritable hotbed of manifestations, with every sorcerer, bunyip, golem, goblin, pict, pixie, demon, thylacine, gorgon, moron, cult, scum, mummy, rummy, groke, sphinx, minx, muse, flagellant, diva, reaver, weaver, reaper, scabbarder, scabmettler, dwarf, midget, little person, leprechaun, marshwiggle, totem, soothsayer, truthsayer, hatter, hattifattener, imp, panwere, mothman, shaman, flukeman, warlock, morlock, poltergeist, zeitgeist, elemental, banshee, manshee, lycanthrope, lichenthrope, sprite, wight, aufwader, harpy, silkie, kelpie, klepto, specter, mutant, cyborg, balrog, troll, ogre, cat in shoes, dog in a hat, psychic and psychotic seemingly having decided that this was the hot spot to visit.
Daniel O'Malley (The Rook (The Checquy Files, #1))
There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down so far and then I say: ‘I’ll go take a hot bath.
Sylvia Plath (The Bell Jar)
What other well-kept secrets of the universe do you know?” “Hmmm,” I pretend to ponder this. “Wednesday is the most underrated day of the week. Hot baths can take away just about any ailment. Phlegm is the most horrible word in existence—not moist, like my mother insists. The world is worth saving, and I want to call you by something other than Pestilence because, despite what you say, names do matter.
Laura Thalassa (Pestilence (The Four Horsemen, #1))
...she was really very pretty, one of the prettiest girls she knew. And as if to prove it she raised her arms and unloosed her hair, a thing she knew to be vaguely sinful, yet necessary, like a hot bath or a warm bed on a winter's night. She imagined herself for a truly sinful moment as someone wicked — a dancer, an actress.
John Fowles (The French Lieutenant’s Woman)
He was wearing a scuba mask and snorkel set pushed off his handsome face . . . a set of flippers that slapped over the slick floor as he approached the pool’s edge . . . a slingshot bathing suit that was hot pink . . . and a children’s
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
You are about to begin reading a new book, and to be honest, you are a little tense. The beginning of a novel is like a first date. You hope that from the first lines an urgent magic will take hold, and you will sink into the story like a hot bath, giving yourself over entirely. But this hope is tempered by the expectation that, in reality, you are about to have to learn a bunch of people's names and follow along politely like you are attending the baby shower of a woman you hardly know. And that's fine, goodness knows you've fallen in love with books that didn't grab you in the first paragraph. But that doesn't stop you from wishing they would, from wishing they would come right up to you in the dark of your mind and kiss you on the throat.
Rufi Thorpe (Margo's Got Money Troubles)
I FEEL ALL THE SAME THINGS WHEN I DO THINGS ALONE AS WHEN OLE GOLLY WAS HERE. THE BATH FEELS HOT, THE BED FEELS SOFT, BUT I FEEL THERE’S A FUNNY LITTLE HOLE IN ME THAT WASN’T THERE BEFORE, LIKE A SPLINTER IN YOUR FINGER, BUT THIS IS SOMEWHERE ABOVE MY STOMACH.
Louise Fitzhugh (Harriet the Spy)
I thought of crawling in between the bed sheets and trying to sleep, but that appealed to me about as much as stuffing a dirty, scrawled-over letter into a fresh, clean envelope. I decided to take a hot bath. There must be quite a few things a hot bath won't cure, but I don't know many of them.
Sylvia Plath (The Bell Jar)
First, a bath. I'm feeling soiled. Too much contact with cold reality, I think.
Kerry Greenwood (Death at Victoria Dock (Phryne Fisher, #4))
My firm resolve was to escape my wicked cousin and my English captors. But the wind was howling, and rain was coming down in sheets. And even as I relaxed in a hot bath in my snug apartments, the clamor of the storm outside was counseling me to be patient and wait. A wise woman never does anything in a hurry.
Margaret George (Mary Queen of Scotland and The Isles)
Emily: Oh, Mama, look at me one minute as though you really saw me. Mama, fourteen years have gone by. I'm dead. You're a grandmother, Mama! Wally's dead, too. His appendix burst on a camping trip to North Conway. We felt just terrible about it - don't you remember? But, just for a moment now we're all together. Mama, just for a moment we're happy. Let's really look at one another!...I can't. I can't go on.It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed. Take me back -- up the hill -- to my grave. But first: Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? Stage Manager: No. (pause) The saints and poets, maybe they do some. Emily: I'm ready to go back.
Thornton Wilder (Our Town)
A house is a machine for living in. Baths, sun, hot-water, cold-water, warmth at will, conservation of food, hygiene, beauty in the sense of good proportion. An armchair is a machine for sitting in and so on. Our
Le Corbusier (Towards a New Architecture (Dover Architecture))
Anyone who thinks heaven is not hot water behind a locked door has forgotten what it means to live.
Lucy Frank (Two Girls Staring at the Ceiling)
I turn the water to nearly scalding hot. I love water so hot it almost burns. I love the smell of shampoo. My happiest place might just be under a showerhead. It is here in the steam, covered in suds, that I do not feel like Monique Grant, woman left behind. Or even Monique Grant, stalled writer. I am just Monique Grant, owner of luxury bath products.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I never feel so much myself as when I'm in a hot bath. I lay in that tub on the seventeenth floor of this hotel for-women-only, high up over the jazz and push of New York, for near onto an hour, and I felt myself growing pure again. I don't believe in baptism or the waters of Jordan or anything like that, but I guess I feel about a hot bath the way those religious people feel about holy water.
Sylvia Plath (The Bell Jar)
What if you offered your body love instead of criticism? What if you offered it some compassion instead of insults? What if you saw the decades of abuse, wear-and-tear, and aging as cause for more love instead of less? What if you acknowledged the thousands of miles it has trekked through this rough and wild world and you felt nothing but appreciation and love for all it has withstood for you? What if you offered it more sleep, more hot baths, better foods, healthy exercise, fun activities, and more rest? What if you gave it more love? What if you stopped punishing it for belonging to you?
Emily Maroutian (The Book of Relief: Passages and Exercises to Relieve Negative Emotion and Create More Ease in The Body)
He thought about going out and buying a Sunday paper but decided not to. Arnold Stockton, Jessica’s boss, a many-chinned, self-made caricature of a man, owned all the Sunday papers that Rupert Murdoch had failed to buy. His own papers talked about him, and so did the rest. Reading a Sunday paper would, Richard suspected, probably end up reminding him of the dinner had failed to attend on Friday night. So instead Richard had a long hot bath and a number of sandwiches, and several cups of tea.
Neil Gaiman (Neverwhere (London Below, #1))
I am a battery hen. I live in a cage so small I cannot stretch my wings. I am forced to stand night and day on a sloping wire mesh floor that painfully cuts into my feet. The cage walls tear my feathers, forming blood blisters that never heal. The air is so full of ammonia that my lungs hurt and my eyes burn and I think I am going blind. As soon as I was born, a man grabbed me and sheared off part of my beak with a hot iron, and my little brothers were thrown into trash bags as useless alive. My mind is alert and my body is sensitive and I should have been richly feathered. In nature or even a farmyard I would have had sociable, cleansing dust baths with my flock mates, a need so strong that I perform 'vacuum' dust bathing on the wire floor of my cage. Free, I would have ranged my ancestral jungles and fields with my mates, devouring plants, earthworms, and insects from sunrise to dusk. I would have exercised my body and expressed my nature, and I would have given, and received, pleasure as a whole being. I am only a year old, but I am already a 'spent hen.' Humans, I wish I were dead, and soon I will be dead. Look for pieces of my wounded flesh wherever chicken pies and soups are sold.
Karen Davis
There is a corner of every man’s soul that would prefer him dead. That whispers poison in his ear in the still hours of the evening, puts spurs to his side when he stands atop a ledge. For the weak and the misbegotten, the suggestion alone proves sufficient, and the unfortunate runs himself a hot bath and adds his life-blood to it, or drinks a few pints of backyard whiskey and goes swimming in the canal. But most of us are too stubborn or cowardly to make a clean go of it, and this bit that hates us has to start thinking sly.
Daniel Polansky (Tomorrow, the Killing (Low Town #2))
There was a time when you were not a slave, remember that. You walked alone, full of laughter, you bathed bare-bellied. You say you have lost all recollection of it, remember. The wild roses flower in the woods. Your hand is torn on the bushes gathering the mulberries and strawberries you refresh yourself with. You run to catch the young hares you flay with stones from the rocks to cut them up and eat all hot and bleeding. You know how to avoid meeting a bear on the track. You know the winter fear when you hear the wolves gathering. But you can remain seated for hours in the treetops to await morning. You say there are no words to describe this time, you say it does not exist. But remember. Make an effort to remember. Or, failing that, invent.
Monique Wittig (Les Guérillères)
Opening myself to my own love and to life's tough loveliness not only was the most delicious, amazing thing on earth but also was quantum. It would radiate out to a cold, hungry world. Beautiful moments heal, as do real cocoa, Pete Seeger, a walk on old fire roads. All I ever wanted since I arrived here on earth were the same things I needed as a baby, to go from cold to warm, lonely to held, the vessel to the giver, empty to full. You can change the world with a hot bath, if you sink into it from a place of knowing you are worth profound care, even when you're dirty and rattled. Who knew?
Anne Lamott (Small Victories: Spotting Improbable Moments of Grace)
Pain is full of paradoxes. Its most self-evident characteristic is that it hurts–that’s what it is there for, after all–but sometimes pain feels slightly wonderful: when your muscles ache after a long run, say, or when you slide into a bath that is at once unbearably hot but also, somehow, deliciously not.
Bill Bryson (The Body: A Guide for Occupants)
The morning came, pale and clammy. Frodo woke up first, and found that a tree-root had made a hole in his back, and that his neck was stiff. "Walking for pleasure! Why didn't I drive?" he thought, as he usually did at the beginning of an expedition. "And all my beautiful feather beds are sold to the Sackville-Bagginses! These tree-roots would do them good." He stretched. "Wake up, hobbits!" he cried. "It's a beautiful morning." "What's beautiful about it?" said Pippin, peering over the edge of his blanket with one eye. "Sam! Get breakfast ready for half-past nine! Have you got the bath-water hot?" Sam jumped up, looking rather bleary. "No, sir, I haven't, sir!" he said. Frodo stripped the blankets from Pippin and rolled him over, and then walked off to the edge of the wood.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Well, what am I supposed to do?" "Well, you can take a nap, read a little of my book, or close your eyes. Or you could stare--get the thrill of your life." "She put her hands on her hips. "You really wouldn't care, would you?" "Not really. A bath is a serious business when it's that much trouble. And it's pretty quick in winter." He started to chuckle. "What's so funny?" she asked, a little irritated. "I was just thinking. It's cold enough in here, you might not see that much." Her cheeks went hot, so she pretended not to understand. "But in summer, you can lay in the tub all afternoon?" "In summer, I wash in the creek." He grinned at her. "Why don't you comb the snarls out of your hair? You look like a wild banshee." She stared at him a minute, then said, "Don't flirt with me. It won't do you any good." -Marcie and Ian
Robyn Carr (A Virgin River Christmas (Virgin River, #4))
A scratch at the door interrupted us. Colin dropped and rolled under the bed again. One of the maids poked her head in. "Miss?" I tried not to look as if I was hiding a handsome young lad under the mattress. "Yes?" "Lord Jasper sent me up to see if you need help getting ready for a ball." She smiled proudly. "I have a fair hand with a curling iron." "Oh.Thank you." I needed to get Colin out before I ended up naked in the middle of my bedroom. "I,um, could I get some hot water? To wash my face?" "Certainly,miss. I'll have the footmen bring up the bathtub, if you like, before all the fine ladies start calling for their own baths." "That would be great, thanks." I'd never actually been in a full reclining tub before. We had a battered hip bath in the kitchen. The maid curtsied and closed the door behind her. I let out a breath. Colin crawled back out. "They need to sweep under there," he said, sneezing.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
O VENENO ARDENTE DO DESGOSTO. THE WHITE HOT POISON OF ANGER. When others make us angry at them- at their shamelessness, injustice, inconsideration- then they exercise power over us, they proliferate and gnaw at our soul, then anger is like a white-hot poison that corrods all mild, noble and balanced feelings and robs us of sleep. Sleepless, we turn on the light and are angry at the anger that has lodged like a succubus who sucks us dry and debilitates us. We are not only furious at the damage, but also that it develops in us all by itself, for while we sit on the edge of the bed with aching temples, the distant catalyst remains untouched by the corrosive force of the anger that eats at us. On the empty internal stage bathed in the harsh light of mute rage, we perform all by ourselves a drama with shadow figures and shadow words we hurl against enemies in helpless rage we feel as icy blazing fire in our bowels. And the greater our despair that is only a shadow play and not a real discussion with the possibility of hurting the other and producing a balance of suffering, the wilder the poisonous shadows dance and haunt us even in the darkest catacombs of our dreams. (We will turn the tables, we think grimly, and all night long forge words that will produce in the other the effect of a fire bomb so that now he will be the one with the flames of indignation raging inside while we, soothed by schadenfreude, will drink our coffee in cheerful calm.) What could it mean to deal appropriately with anger? We really don't want to be soulless creatures who remain thoroughly indifferent to what they come across, creatures whose appraisals consist only of cool, anemic judgments and nothing can shake them up because nothing really bothers them. Therefore, we can't seriously wish not to know the experience of anger and instead persist in an equanimity that wouldn't be distinguished from tedious insensibility. Anger also teaches us something about who we are. Therefore this is what I'd like to know: What can it mean to train ourselves in anger and imagine that we take advantage of its knowledge without being addicted to its poison? We can be sure that we will hold on to the deathbed as part of the last balance sheet- and this part will taste bitter as cyanide- that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who suffered impotently, knew anything about. What can we do to improve this balance sheet? Why did our parents, teachers and other instructors never talk to us about it? Why didn't they tell something of this enormous significance? Not give us in this case any compass that could have helped us avoid wasting our soul on useless, self-destructive anger?
Pascal Mercier (Night Train to Lisbon)
Gail loved to talk about how stressed she was. She would do this thing where we'd be walking in the hallway, and suddenly she'd stop in her tracks, rub both of her temples with her index and middle fingers, and theatrically let out a deep guttural moan: "Mooooog." "Mooog. Minz. I am just so stressed out," she'd say. "I just want to go home, open a bottle of red wine, draw up a hot bath, light some candles and listen to David Gray." A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn't conversation. It'll never lead anywhere. No one is going to say, "Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
I could leave the room, if you want to keep talking about my hotness,” Liam offers and flops in the chair… I walk over and rip the beanie off. “Arrogance doesn’t suit you, Dempsey.” The giggle escapes me at the way his hair sticks out in various directions. “No one thinks you’re hot right now, buddy.” He stands and walks toward me slowly. His warm breath bathes my neck as he leans in so only I can hear, “I think we both know that’s not true.” Liam’s finger glides against my arm and I shiver. “We can pretend though.
Corinne Michaels (Consolation (Salvation, #3; The Consolation Duet, #1))
Why are you studying Italian? So that - just in case Italy ever invades Ethiopia again, and is actually successful this time - you can brag about knowing a language that’s spoken in two whole countries? But I loved it. Every word was a singing sparrow, a magic trick, a truffle for me. I would slosh home through the rain after class, draw a hot bath, and lie there in the bubbles reading the Italian dictionary aloud to myself, taking my mind off my divorce pressures and my heartache. The words made me laugh in delight. I started referring to my cell phone as il mio telefonino (“my teensy little telephone”) I became one of those annoying people who always say Ciao! Only I was extra annoying, since I would always explain where the word ciao comes from.
Elizabeth Gilbert
The hot water pools are steaming, Fagan and Monsanto and the others are all sitting peacefully up to their necks, they're all naked, but there's a gang of fairies also there naked all standing in various bath house postures that make me hesitate to take my clothes off just on general principles. (p. 106)
Jack Kerouac (Big Sur)
Now and again, one could detect in a childless woman of a certain age the various characteristics of all the children she had never issued. Her body was haunted by the ghost of souls who hadn't lived yet. Premature ghosts. Half-ghosts. X's without Y's. Y's without X's. They applied at her womb and were denied, but, meant for her and no one else, they wouldn't go away. Like tiny ectoplasmic gophers, they hunkered in her tear ducts. They shone through her sighs. Often to her chagrin, they would soften the voice she used in the marketplace. When she spilled wine, it was their playful antics that jostled the glass. They called out her name in the bath or when she passed real children in the street. The spirit babies were everywhere her companions, and everywhere they left her lonesome - yet they no more bore her resentment than a seed resents uneaten fruit. Like pet gnats, like phosphorescence, like sighs on a string, they would follow her into eternity.
Tom Robbins (Fierce Invalids Home from Hot Climates)
Remember my experiments with the RTG and having a hot bath? Same principle, but I came up with an improvement: submerge the RTG. No heat will be wasted that way. I started with a large rigid sample container (or “plastic box” to people who don’t work at NASA). I ran a tube through the open top and down the inside wall. Then I coiled it in the bottom to make a spiral. I glued it in place like that and sealed the end. Using my smallest drill bit, I put dozens of little holes in the coil. The idea is for the freezing return air from the regulator to pass through the water as a bunch of little bubbles. The increased surface area will get the heat into the air better. Then I got a medium flexible sample container (“Ziploc bag”) and tried to seal the RTG in it. But the RTG has an irregular shape, and I couldn’t get all the air out of the bag. I can’t allow any air in there.
Andy Weir (The Martian)
Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere – buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. And there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.
E.M. Forster (The Machine Stops)
You struggle because you’re locating all of the magic in your life outside of yourself. When you are loved, then you are lovable. When you are left behind, you are unlovable. When you “arrive” at some point of success and fame as a writer, you will be worthy. Until then, you are worthless. As long as you imagine that the outside world will one day deliver to you the external rewards you need to feel happy, you will always perceive your survival as exhausting and perceive your life as a long slog to nowhere. Instead, you have to savor the tiny struggles of the day: The cold glass of water after a long run. The hot bath after hours of digging through the dirt. The satisfaction of writing a good sentence, a good paragraph. You MUST feel these things, because these aren’t small rewards on the path to some big reward; these tiny things are everything. Savoring these things requires tuning in to your feelings, and it requires loving yourself instead of shoving your nose into your own question marks hour after hour, day after day. You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in the middle of the suffocating dust. If you can learn to be where you are, without fear, then sooner than you know it, your life will quite naturally be filled with more love and more wonder than you can possibly handle. When that happens, you’ll look back and see that this was the most romantic time of your whole life. These are those terrible days, those gorgeous days, when you first learned to breathe and stand alone without fear, to believe not in finish lines but in the race itself. Your legs are aching and your heart is pounding and the world is electric. You will have 30 years or 50 years, or maybe you’ll be gone tomorrow. All that matters is this moment, right now. This is the moment you learn to be here, to feel your limbs, to feel your full heart, to realize, for the first time, just how lucky you are.
Heather Havrilesky
I believe it is customary to get get one's washing over first in baths and bask afterwards; personally, I bask first. I have discovered that the first few minutes are the best and not to be wasted--- my brain always seethes with ideas and life suddenly looks much better than it did...So I bask first, wash second and then read as long as the hot water holds out. The last stage of a bath, when the water is cooling and there is nothing to look forward to, can be pretty disillusioning.
Dodie Smith
I remember, around age ten, beholding the scene in The Shining in which the hot young woman whom Jack Nicholson is lewdly embracing in the haunted hotel bathroom ages rapidly in his arms, screeching from nubile chick to putrefying corpse within seconds. I understood that the scene was supposed to represent some kind of primal horror. This was The Shining, after all. But the image of that decaying, cackling crone, her arms outstretched in desire toward the man who is backing away, has stayed with me for three decades, as a type of friend. She’s part baths-ghost, part mad-Naomi. She didn’t get the memo about being beyond wanting or being wanted. Or perhaps she just means to scare the shit out of him, which she does.
Maggie Nelson (The Argonauts)
Vespers Little Boy kneels at the foot of the bed, Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. God bless Mummy. I know that's right. Wasn't it fun in the bath tonight? The cold's so cold, and the hot's so hot. Oh! God bless Daddy -- I quite forgot. If I open my fingers a little bit more, I can see Nanny's dressing-gown on the door. It's a beautiful blue, but it hasn't a hood. Oh! God bless Nanny and make her good. Mine has a hood, and I lie in bed, And pull the hood right over my head, And I shut my eyes, and I curl up small, And nobody knows that I'm there at all. Oh! Thank you, God, for a lovely day. And what was the other I had to say? I said "Bless Daddy," so what can it be? Oh! Now I remember. God bless Me. Little Boy kneels at the foot of the bed. Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers.
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
the hinder portion scalding-house good eating Curve B in addition to the usual baths and ablutions military police sumptuousness of the washhouse risking misstatements kept distances iris to iris queen of holes damp, hairy legs note of anger chanting and shouting konk sense of "mold" on the "muff" sense of "talk" on the "surface" konk2 all sorts of chemical girl who delivered the letter give it a bone plummy bare legs saturated in every belief and ignorance rational living private client bad bosom uncertain workmen mutton-tugger obedience to the rules of the logical system Lord Muck hot tears harmonica rascal that's chaos can you produce chaos? Alice asked certainly I can produce chaos I said I produced chaos she regarded the chaos chaos is handsome and attractive she said and more durable than regret I said and more nourishing than regret she said
Donald Barthelme (Sixty Stories)
It was such ecstacy to dream, and dream - till you got a bite. A scorpion bite. Then the first duty was to get up out of the grass and kill the scorpion; and the next to bathe the bitten place with alcohol or brandy; and the next to resolve to keep out of the grass in the future. Then came an adjournment to the bedchamber and the pastime of writing up the day's journal with one hand and the destruction of mosquitoes with the other - a whole community of them at a slap. Then, observing an enemy approaching - a hairy tarantula on stilts - why not set the spittoon on him? It is done, and the projecting ends of his paws give a luminous idea of the magnitude of his reach. Then to bed and become a promenade for a centipede with forty-two legs on a side and every foot hot enough to burn a whole through a raw-hide. More soaking with alcohol, and a resolution to examine the bed before entering it, in future. Then wait, and suffer, till all the mosquitoes in the neighborhood have crawled in under the bar, then slip out quickly, shut them in and sleep peacefully on the floor till morning. Meantime, it is comforting to curse the tropics in occasional wakeful intervals.
Mark Twain (Mark Twain in Hawaii: Roughing It in the Sandwich Islands: Hawaii in the 1860s)
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
In the car inching its way down Fifth Avenue, toward Bergdorf Goodman and this glamorous party, I looked back on my past with a new understanding. This sickness, the “endo-whatever,” had stained so much—my sense of self, my womanhood, my marriage, my ability to be present. I had effectively missed one week of each month every year of my life since I was thirteen, because of the chronic pain and hormonal fluctuations I suffered during my period. I had lain in bed, with heating pads and hot-water bottles, using acupuncture, drinking teas, taking various pain medications and suffering the collateral effects of them. I thought of all the many tests I missed in various classes throughout my education, the school dances, the jobs I knew I couldn’t take as a model, because of the bleeding and bloating as well as the pain (especially the bathing suit and lingerie shoots, which paid the most). How many family occasions was I absent from? How many second or third dates did I not go on? How many times had I not been able to be there for others or for myself? How many of my reactions to stress or emotional strife had been colored through the lens of chronic pain? My sense of self was defined by this handicap. The impediment of expected pain would shackle my days and any plans I made. I did not see my own womanhood as something positive or to be celebrated, but as a curse that I had to constantly make room for and muddle through. Like the scar on my arm, my reproductive system was a liability. The disease, developing part and parcel with my womanhood starting at puberty with my menses, affected my own self-esteem and the way I felt about my body. No one likes to get her period, but when your femininity carries with it such pain and consistent physical and emotional strife, it’s hard not to feel that your body is betraying you. The very relationship you have with yourself and your person is tainted by these ever-present problems. I now finally knew my struggles were due to this condition. I wasn’t high-strung or fickle and I wasn’t overreacting.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
Love is how the other person likes their coffee on a morning. How long they put their toast in the toaster for. How they like their throw pillows on the sofa to be arranged. How hot they have their shower water. How many bubbles in the bath. How they always leave empty glasses on the bar in the kitchen, and how they know exactly how you take your coffee. How they know how many candles to light around a bathtub before you get in, and how chilled your wine has to be before it’s an acceptable drinking temperature. We still have so much to learn about each other, and while I know there’s no rush, I want to know these things. I want to know if he prefers butter or jelly on his toast on a morning and if really he prefers tea over coffee, which I suspect he does. I want to know if he changes the temperature of the shower water to my preference of red hot instead of a normal hot. I want to know every little thing I don’t. Because at the end of the day, when it gets hard and you’re in the middle of the room shouting at each other over something trivial, you won’t remember the huge declarations of love. When you’re sitting against your bedroom door crying because you hate fighting, you’ll remember the way he smiles at you over breakfast and the way he trails his thumb down your spine to make you shiver. You’ll remember all the crazy little things that remind you that, no matter what, no matter how difficult or impossible it may seem, there’s no one else in this world more perfect for you than he is.
Emma Hart (Final Call (Call, #2))
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
Robert Browning
It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box. But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.
Virginia Woolf (Flush)
I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down. "You should have returned my calls. Or my texts," he says, his voice tight. As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?" You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma." "Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.” He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand. Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate? “Where are you taking me? I told you I want to go home.” “We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.” “I don’t want to talk. You might have realized that when I didn’t answer your calls.” He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.” One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?” “Absolutely. But I happen to be a nice guy, too.” Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.” “You threw Rayna through a window. Call it even?” “When are you going to get over that? Besides, she provoked me!” “Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.” “Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him. And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.
Bohumil Hrabal (Closely Observed Trains)
When I opened my eyes, we were still surrounded by darkness. A lantern, standing on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?” “Yes, but tell me what happened when you were on the white horse of the Profeta?” “I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons down there, quite black, standing in front of boilers, and they wield shovels and pitchforks and poke up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces … Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils, sniffed the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf!” - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)