Horse Chestnut Quotes

Save a horse, ride a cowboy.

I'm me," she whispered. "Me" Nel didn't know quite what she meant, but on the other hand she knew exactly what she meant. "I'm me. I'm not their daughter. I'm not Nel. I'm me. Me." Every time she said the word me there was a gathering in her like power, like joy, like fear. Back in bed with her discovery, she stared out the window at the dark leaves of the horse chestnut. "Me," she murmured. And then, sinking deeper into the quilts, "I want... I want to be... wonderful. Oh, Jesus, make me wonderful.

When I was a kid," Orr replied, "I used to walk around all day with crab apples in my cheeks. One in each cheek." ... A minute passed. "Why?" [Yossarian] found himself forced to ask finally. Orr tittered triumphantly. "Because they're better than horse chestnuts... When I couldn't get crab apples," Orr continued, "I used horse chestnuts. Horse chestnuts are about the same size as crab apples and actually have a better shape, although the shape doesn't matter a bit." "Why did you walk around with crab apples in your cheeks?" Yossarian asked again. "That's what I asked." "Because they've got a better shape than horse chestnuts," Orr answered. "I just told you that." "Why," swore Yossarian at him approvingly, "you evil-eyed, mechanically aptituded, disaffiliated son of a bitch, did you walk around with anything in your cheeks?" "I didn't," Orr said, "walk around with anything in my cheeks. I walked around with crab applies in my cheeks. When I couldn't get crab apples I walked around with horse chestnuts. In my cheeks.

Do you want to break Roach’s back?’ ‘Is it Roach? Roach was a bay, and she’s a chestnut.’ ‘All of my horses are called Roach.

She felt a little betrayed and sad, but presently a moving object came into sight. It was a huge horse-chestnut tree in full bloom bound for the Champs Elysees, strapped now into a long truck and simply shaking with laughter - like a lovely person in an undignified position yet confident none the less of being lovely. Looking at it with fascination, Rosemary identified herself with it, and laughed cheerfully with it, and everything all at once seemed gorgeous.

That night he dreamt of horses in a field on a high plain where the spring rains had brought up the grass and the wildflowers out of the ground and the flowers ran all blue and yellow far as the eye could see and in the dream he was among the horses running and in the dream he himself could run with the horses and they coursed the young mares and fillies over the plain where their rich bay and their rich chestnut colors shone in the sun and the young colts ran with their dams and trampled down the flowers in a haze of pollen that hung in the sun like powdered gold and they ran he and the horses out along the high mesas where the ground resounded under their running hooves and they flowed and changed and ran and their manes and tails blew off of them like spume and there was nothing else at all in that high world and they moved all of them in a resonance that was like a music among them and they were none of them afraid neither horse nor colt nor mare and they ran in that resonance which is the world itself and which cannot be spoken but only praised.

For luck you carried a horse chestnut and a rabbit’s foot in your right pocket. The fur had been worn off the rabbit’s foot long ago and the bones and the sinews were polished by the wear. The claws scratched in the lining of your pocket and you knew your luck was still there.

Until recently, I believed all horses were alike. They’ve been giant, four-footed animals with ugly dispositions and alarmingly large teeth for so long that it’s a bit startling to notice how different they are from each other. Mara’s mare, for instance, is a chestnut bay except for a wide white blaze down her nose that makes her seem perpetually surprised. My huge plodding mount is a dark brown near to black creature, with the most unruly mane I’ve ever seen. Her shaggy forelock covers her right eye and reaches almost to her mouth. Mara’s mare head-butts her in the chest. Grinning, Mara plants a kiss between her wide, dumb eyes, then murmurs something. “Have you named her?” I ask. “Yes! Her name is Jasmine.” I grimace. “But jasmine is such a sweet, pretty flower.” Mara laughs. “Have you named yours?” “Her name is Horse.” She rolls her eyes. “If you want to get along with your mount you have to learn each others’ languages. That means starting with a good name.” “All right.” I pretend to consider. “What about Imbecile? Or Poops A Lot?

The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful) the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by wear. The claws scratched in the lining of your pocket and you knew your luck was still there.

The horse is brown or chestnut or one of those other technical terms horsepeople use to make it clear that they know stuff other people don’t; the freemasonry of the hoof.

In the morning I walked down the Boulevard to the rue Soufflot for coffee and brioche. It was a fine morning. The horse-chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early-morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The flower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work.

I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe. I was a child yesterday. I had not forgotten. But Maxim’s grandmother, sitting there in her shawl with her poor blind eyes, what did she feel, what was she thinking? Did she know that Beatrice was yawning and glancing at her watch? Did she guess that we had come to visit her because we felt it right, it was a duty, so that when she got home afterwards Beatrice would be able to say, “Well, that clears my conscience for three months”? Did she ever think about Manderley? Did she remember sitting at the dining room table, where I sat? Did she too have tea under the chestnut tree? Or was it all forgotten and laid aside, and was there nothing left behind that calm, pale face of hers but little aches and little strange discomforts, a blurred thankfulness when the sun shone, a tremor when the wind blew cold? I wished that I could lay my hands upon her face and take the years away. I wished I could see her young, as she was once, with color in her cheeks and chestnut hair, alert and active as Beatrice by her side, talking as she did about hunting, hounds, and horses. Not sitting there with her eyes closed while the nurse thumped the pillows behind her head. “We’ve got a treat today, you know,” said the nurse, “watercress sandwiches for tea. We love watercress, don’t we?

After the service, a crowd gathered by the grave. It is not a pauper's grave. It is the sort of grave that ordinary people dream of: under the boughs of a horse chestnut, in the company of yews and flocks of rooks, in a Norman churchyard. Beyond the aged wall that borders this blissful cemetery the hills and copses rise like waves.

Why,' swore Yossarian at him approvingly, 'you evil-eyed, mechanically-aptituded, disaffiliated son of a -----, did you walk around with anything in your cheeks?' 'I didn't,' Orr said, 'walk around with anything in my cheeks. I walked around with crab apples in my cheeks. When I couldn't get crab apples, I walked around with horse chestnuts. In my cheeks.

A chestnut-haired child Cheering up, went and stood in his stall. And took the whole incident like a young colt - and to live seemed worthwhile, and to labor, worthy.

Well then," he said, 'I hope you are good-tempered; I do not like any one next door who bites." Just then a horse's head looked over from the stall beyond; the ears were laid back, and the eye looked rather ill-tempered. This was a tall chestnut mare, with a long handsome neck; she looked across to me and said, "So it is you have turned me out of my box; it is a very strange thing for a colt like you to come and turn a lady out of her own home.

They reached the entrance to Oweynagat. “When is Samhain?” Chad asked, whispering in a timid voice. “Tomorrow,” Caplait answered. “Tomorrow?” Chad’s voice wobbled. “But the stories that Banban told us, of ghosts and two-headed monsters and the Morrigan—shouldn’t we wait until after Samhain?” “A week? But tomorrow is Samhain; you all heard what Banban told us! About the graves opening, and the spirits in this cave; the emerging of creatures from Oweynagat; the Morrigan on a chariot pulled by a onelegged chestnut horse; and the Ellen Trechen, the tripleheaded monster!

Lincoln characterized Stephen Douglas's argument as "a specious and fantastic arrangement of words, by which a man can prove a horse chestnut to be a chestnut horse.

She stalked off into the trees, wishing she could just saddle her horse and ride home. She was a good horse, a chestnut mare with a white blaze on her forehead. She could gallop off and never see any of them, unless she wanted to. Only then she'd have no one to scout ahead of her, or watch behind, or stand guard while she napped, and when the gold cloaks caught her, she's be all alone. It was safer to stay with Yoren and the others.

strawberry roan, a black and brown skewbald and a motley assortment of buckskins and bays. At the rear of the herd was a grey mare and a chestnut skewbald with a white face, both of them with foals running at their feet.

That ride was perhaps the most wonderful thing that happened to them in Narnia. Have you ever had a gallop on a horse? Think of that; and then take away the heavy noise of the hoofs and the jingle of the bit and imagine instead the almost noiseless padding of the great paws. Then imagine instead of the black or grey or chestnut back of the horse the soft roughness of golden fur, and the mane flying back in the wind. And then imagine you are going about twice as fast as the fastest racehorse. But this is a mount that doesn't need to be guided and never grows tired. He rushes on and on, never missing his footing, never hesitating, threading his way with perfect skill between tree trunks, jumping over bush and briar and the smaller streams, wading the larger, swimming the largest of all. And you are riding not on a road nor in a park nor even on the downs, but right across Narnia, in spring, down solemn avenues of beech and across sunny glades of oak, through wild orchards of snow-white cherry trees, past roaring waterfalls and mossy rocks and echoing caverns, up windy slopes alight with gorse bushes, and across the shoulders of heathery mountains and along giddy ridges and down, down, down again into wild valleys and out into acres of blue flowers.

one cup of it took the place of the evening papers, of all the old evenings in cafés, of all chestnut trees that would be in bloom now in this month, of the great slow horses of the outer boulevards, of book shops, of kiosques, and of galleries, of the Parc Montsouris, of the Stade Buffalo, and of the Butte Chaumont, of the Guaranty Trust Company and the Ile de la Cité, of Foyot’s old hotel, and of being able to read and relax in the evening; of all the things he had enjoyed and forgotten and that came back to him when he tasted that opaque, bitter, tongue-numbing, brain-warming, stomach-warming, idea-changing liquid alchemy.

When the striped pole slips by I slide low in the saddle and give Kali room to go. One moment she's bottled up, and the next she's a stream of copper, her chestnut mane smacking me hard in the face while her strides lengthen and everything becomes a droning rumble of hooves and wind.

...He was irritable with Orr, who had found two crab apples somewhere and walked with them in his cheeks until Yossarian spied them there and made him take them out. Then Orr found two horse chestnuts somewhere and slipped those in until Yossarian detected them and snapped at him again to take the crab apples out of his mouth. Orr grinned and replied that they were not crab apples but horse chestnuts and that they were not in his mouth but in his hands, but Yossarian was not able to understand a single word he said because of the horse chestnuts in his mouth and made him take them out anyway.

When I was a kid, I used to walk around all day with crab apples in my cheeks. One in each cheek.” I threw the book down. It was impossible to read anything with a guy like Orr around you. “Why?” I finally asked. “Because they’re better than horse chestnuts,” he answered with a twinge of triumph in his voice. “Why’d you walk around with crab apples in your cheeks? That’s what I asked,” I said, glaring at him. He didn’t notice, of course. He was still pacing around the room. “When I couldn’t get crab apples, I used horse chestnuts. They’re about the same size and actually have a better shape, though the shape don’t matter much. Who belongsa this?” He was holding the hunting knife from the mosquito-net bar by the dead man in our tent. That guy Orr’d pick up anything. I told him it was the dead man’s. So he chucked it backwards, and it landed three inches away from the dead man’s head. If Old Orr had better aim, it probably woulda killed the guy, if he weren’t already dead. “Why did you walk around with anything in your cheeks?” I was losing my patience now. You always lose your patience when you’re talking with a guy like Orr. “I didn’t walk around with anything in my cheeks. I walked around with crab apples in my cheeks, and when I couldn’t get crab apples I used horse chestnuts. In my cheeks. One in each cheek.” “Why?” “Because I wanted…

When he played that violin for us, I thought about his stories and the history he talked of, about paintings I had seen and books I had read. His violin made a smoky, mysterious sound. I heard it in the explosions of chestnuts cooking on a brazier at the edge of a river, and horses clopping across cobblestones in Siena and Florence, and also the rustle of leaves that fell on Garibaldi's troops as they marched. The violin sang 'Roma o morte,' and it wailed for the mountains of dead in an American Civil War across the sea, and for Paris glittering with the Second Empire. It rose and fell with voices reading Victor Hugo aloud by whale oil, and it sang about dynamite, about Ottomans and Englishmen falling under their horses in the Crimea, and the feet of crowds shuffling through international expositions. Above all, Stoyan's violin sang about places - places its maker had been, places the teacher of its maker had been, places its current owner would someday see, and the many, many places where he would someday perform on it.

Be winged. Be the father of all flying horses," roared Aslan in a voice that shook the ground. "Your name is Fledge." The horse shied, just as it might have shied in the old, miserable days when it pulled a hansom. Then it roared. It strained its neck back as if there were a fly biting its shoulders and it wanted to scratch them. And then, just as the beasts had burst out of the earth, there burst out from the shoulders of Fledge wings that spread and grew, larger than eagles', larger than swans', larger than angels' wings in church windows. The feathers shone chestnut color and copper color. He gave a great sweep with them and leapt into the air. Twenty feet above Aslan and Digory he snorted, neighed, and curvetted. Then, after circling once round them, he dropped to the earth, all four hoofs together, looking awkward and surprised, but extremely pleased. "Is it good, Fledge?" said Aslan. "It is very good, Aslan," said Fledge.

Teddy wandered amongst the graves. Most of the people in them had died long before his time. Ursula was picking up conkers from the stand of magnificent horse chestnuts at the far end of the churchyard. They were enormous trees and Teddy wondered if their roots had intertwined with the bones of the dead, imagined them curling a path through ribcages and braceleting ankles and fettering wrists. When

In the midst of this imagining, I heard, out from nowhere, the distant sound of sleigh bells. I was going crazy. But there, right in front of me, across the street, was a horse – chestnut, with white spots – trotting down the street. It trotted long purposefully, cheerfully, unhurried, down Broadway. Holding my breath, I managed to find my phone and snap a photo before it disappeared from sight…. I uploaded the photo I just took. I added a caption: If a horse rides through Times Square and no one is there to see it, did it actually happen? If New York is breaking down and no one documents it, is it actually happening? I clicked Publish.

All the world over we are very conscious of the trees in spring, and watch with delight how the network of twigs on the wych-elms is becoming spangled with tiny puce flowers, like little beetles caught in a spider’s web, and how little lemon-colored buds are studding the thorn. While as to the long red-gold buds of the horse-chestnuts — they come bursting out with a sort of a visual bang. And now the beech is hatching its tiny perfectly-formed leaves

It was a huge horse-chestnut tree in full bloom bound for the Champs-Elysees, strapped now into a long truck and simply shaking with laughter-like a lovely person in an undignified position yet confident none the less of being lovely.

Knee-deep in the wild oats of the hillside grazed two horses, chestnut-sorrels the pair of them, perfectly matched, warm and golden in the sunshine, their spring-coats a sheen of high-lights shot through with color-flashes that glowed like fiery jewels.

The horse was a pure-bred Arab. She came, bright and dancing, flaunting into the ring, her tail held high over her quarters, her silken mane flowing over the crest of her neck. Her head was fine-boned and delicate, with the concave line of the true Arab horse. Her dark, lustrous eyes were fringed with long lashes and the nostrils wrinkling her velvet muzzle were huge black pits. She moved around the ring like a bright flame, her pricked ears delicate as flower petals. Her legs were clean and unblemished and her small hooves were polished ivory. After the dull ache of the rosinbacks, she was all light and fire. Jinny sat entranced, hardly breathing, and then her breath burst out of her in a throbbing gasp. She loved the chestnut mare. As if all their long day's travelling had only been for this. As if she had come all the way from Stopton only for this, to see this sudden gift of perfection.

For his son-in-law the Pope suffered no further spasms of morality. Rather, judging from Burchard’s diary, the last inhibitions, if any, dropped away. Two months after Alfonso’s death, the Pope presided over a banquet given by Cesare in the Vatican, famous in the annals of pornography as the Ballet of the Chestnuts. Soberly recorded by Burchard, fifty courtesans danced after dinner with the guests, “at first clothed, then naked.” Chestnuts were then scattered among candelabra placed on the floor, “which the courtesans, crawling on hands and knees among the candelabra, picked up, while the Pope, Cesare and his sister Lucrezia looked on.” Coupling of guests and courtesans followed, with prizes in the form of fine silken tunics and cloaks offered “for those who could perform the act most often with the courtesans.” A month later Burchard records a scene in which mares and stallions were driven into a courtyard of the Vatican and equine coupling encouraged while from a balcony the Pope and Lucrezia “watched with loud laughter and much pleasure.” Later they watched again while Cesare shot down a mass of unarmed criminals driven like the horses into the same courtyard.

Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets! Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.

Hippogriffs!" Hagrid roared happily, waving a hand at them. "Beau'iful, aren' they?" Harry could sort of see what Hagrid meant. Once you got over the first shock of seeing something that was half horse, half bird, you started to appreciate the hippogriffs' gleaming coats, changing smoothly from feather to feather, each of them a different color: stormy gray, bronze, pinkish roan, gleaming chestnut, and inky black.

For nothing, as I now see it, equals the value of life - not the wealth they say prosperous Ilium possessed in earlier days, when there was peace, before the coming of the Greeks, nor all the treasure pilled up behind the stone threshold of Phoebus Apollo in rocky Delphi. Cattle and fat sheep can be lifted. Tripods and chestnut horses can be procured. But you cannot lift or procure a man's life, when once the breath has left his lips.

He ducked down under the wooden slats used to separate the stalls in the barn and crawled into the adjacent stall where he began rubbing the belly of the chestnut mare. "Lay down, Lady. Please . . . it's awful cold tonight. Please lay down." The mare complied as she always did to the soothing tone in his voice. Drawing the blanket up tightly around him, he lay down beside the horse, moving in close to her side. He was careful to place his frozen feet near enough to her for warmth, but not so near that she'd protest. "They had a real purty tree, Lady, with candles. Bet it didn't look as purty from the inside, though. Weren't no snow on the inside." He snuggled in closer to the warm beast. "Merry Christmas, Lady," he whispered. The mare nickered and moved her head in closer to the boy as he drifted off to sleep, the scent of hay and livestock surrounding them.

Did a horse kick you in the head as a child when I wasn’t watching?” Cade asks. “Beau beat your ass too hard one time? If I shake you hard enough, will it get you thinking straight?” Cade is mad, but my dad just looks sad. His blink lasts a few beats too long as he nods his head and folds his newspaper. “When is Summer coming back?” he asks as he pushes himself up from the table. “I don’t know.” I stare at my feet when I say it. Cade scoffs.

Scattered trees, never thick enough to be a forest, were everywhere. Shasta, who had lived all his life in an almost tree-less grassland, had never seen so many or so many kinds. If you had been there you would probably have known (he didn't) that he was seeing oaks, beeches, silver birches, rowans, and sweet chestnuts. Rabbits scurried away in every direction as they advanced, and presently they saw a whole herd of fallow deer making off among the trees.

I had started climbing trees about three years earlier, or rather, re-started; for I had been at a school that had a wood for its playground. We had climbed and christened the different trees (Scorpio, The Major Oak, Pegagsus), and fought for their control in territorial conflicts with elaborate rules and fealties. My father built my brother and me a tree house in our garden, which we had defended successfully against years of pirate attack. In my late twenties, I had begun to climb trees again. Just for the fun of it: no ropes, and no danger either. In the course of my climbing, I learned to discriminate between tree species. I liked the lithe springiness of silver birch, the alder and the young cherry. I avoided pines -- brittle branches, callous bark -- and planes. And I found that the horse chestnut, with its limbless lower trunk and prickly fruit, but also its tremendous canopy, offered the tree-climber both a difficulty and an incentive.

Within, a cheerful bustle in the bar announced the near arrival of opening time. Eight ducks crossed the road in Indian file. A cat sprang up upon the bench, stretched herself, tucked her hind legs under her and coiled her tail tightly round them as though to prevent them from accidentally working loose. A groom passed, riding a tall bay horse and leading a chestnut with a hogged mane; a spaniel followed them, running ridiculously, with one ear flopped inside-out over his foolish head.

I wondered if Maxim's grandmother realized that people spoke to her in this way. I wondered when they had done so for the first time, and if she had noticed then. Perhaps she had said to herself, "They think I'm getting old, how very ridiculous," and then little by little she had become accustomed to it, and now it was as though they had always done so, it was part of her background. But the young woman with the chestnut hair and the narrow waist who gave sugar to the horses, where was she?

What are you talking about?” Major Danby asked in confusion. “What are you both talking about?” “Bring me apples, Danby, and chestnuts too. Run, Danby, run. Bring me crab apples and horse chestnuts before it’s too late, and get some for yourself.” “Horse chestnuts? Crab apples? What in the world for?” “To pop into our cheeks, of course.” Yossarian threw his arms up into the air in a gesture of mighty and despairing self-recrimination. “Oh, why didn’t I listen to him? Why wouldn’t I have some faith?” “Have you gone crazy?” Major Danby demanded with alarm and bewilderment. “Yossarian, will you please tell me what you are talking about?” “Danby, Orr planned it that way. Don’t you understand—he planned it that way from the beginning. He even practiced getting shot down. He rehearsed for it on every mission he flew. And I wouldn’t go with him! Oh, why wouldn’t I listen? He invited me along, and I wouldn’t go with him! Danby, bring me buck teeth too, and a valve to fix and a look of stupid innocence that nobody would ever suspect of any cleverness. I’ll need them all. Oh, why wouldn’t I listen to him. Now I understand what he was trying to tell me.

Late that night after the fire was made, the cold supper eaten, the surface dust removed, Nel lay in bed thinking of her trip. [...] It had been an exhilarating trip but a fearful one. She had been frightened of the soldiers' eyes on the train, the black wreath on the door, the custard pudding she believed lurked under her mother's heavy dress, the feel of unknown streets and unknown people. But she had gone on a real trip, and now she was different. She got out of bed and lit the lamp to look in the mirror. There was her face, plain brown eyes, three braids and the nose her mother hated. She looked for a long time and suddenly a shiver ran through her. "I'm me," she whispered. "Me" Nel didn't know quite what she meant, but on the other hand she knew exactly what she meant. "I'm me. I'm not their daughter. I'm not Nel. I'm me. Me." Every time she said the word me there was a gathering in her like power, like joy, like fear. Back in bed with her discovery, she stared out the window at the dark leaves of the horse chestnut. "Me," she murmured. And then, sinking deeper into the quilts, "I want... I want to be... wonderful. Oh, Jesus, make me wonderful.

He moves through the white glare of a Key West afternoon in that curious, rolling, cantilevered, ball-of-the-foot, and just-off-kilter gait that suggests a kind of subtle menace. He’s on dense and narrow and aromatic streets bearing people’s first names—Olivia, Petronia, Thomas, Emma, Angela, Geraldine. He’s Tom Sawyer on a Saturday in Hannibal, tooting like a steamboat, rid now of Aunt Polly’s clutches, left to his own devices, not to show back home until the sun is slanting in long bars. He’s Jake Barnes on a spring morning in Paris, when the horse chestnut trees are in bloom in the Luxembourg gardens. Jake is expert at shortcutting down the Boul’Mich’ to the rue Soufflot, where he hops on the back platform of an S bus, and rides it to the Madeleine, and then jumps off and strolls along the boulevard des Capucines to l’Opéra, where he then turns in at his building and rides the elevator up to his office to read the mail and sit at the typewriter and prepare a few cables for his newspaper across the Atlantic. “There was the pleasant early-morning feel of a hot day,” is the way Jake’s creator, living in this different region of light, had said it at the start of chapter 5 of The Sun Also Rises.

Approaching the trail, he broke through the thicket a short distance ahead of the Empath. Causing the Empaths horse to startle as the surprised rider jerked on the reins. Cap was equally surprised to find a young girl before him instead of an older, experienced male Empath. Cap brought his horse to a quick halt. The young girl pulled a small knife from her boot and cautioned him. "I don't know where you came from, but I'm not easy prey.” Her voice shook slightly with fear as she raised the knife. Not sure how to proceed, they stared silently at each other. Cap had always believed that Empaths didn't carry weapons. This pretty, chestnut haired girl couldn't be more than 18 years old. Her long straight tresses covered the spot on her jacket where the Empathic Emblem was usually worn, causing Cap to doubt she was the one he sought. Not wanting to frighten her any more than he already had, Cap tried to explain. "I'm Commander Caplin Taylor. I’m looking for an Empath that is headed for the Western Hunting Lodge.” "My name is Kendra; I am the Empath you seek.” She answered cautiously, still holding the blade. A noise from the brush drew her attention as a small rodent pounced out, trying to evade an unseen predator. Cap was just close enough to lurch forward and snatch the dirk from her hand. Her head jerked back in alarm. "Bosen May has been mauled by a Sraeb, his shoulder is a mass of pulp." Cap spoke quickly not wanting to hesitate any longer. That was all Kendra needed to hear. She pushed her horse past him and headed quickly down the trail. "Wait!" Cap called after her, turning his horse around. Reining in the horse, she turned back to face him annoyed by the delay. "Are you a good horseman?" Cap asked, as he stuffed her dirk in his jacket. "I've been in the saddle since I was a child." She answered, abruptly. "Okay so just a few years then?" Cap's rebuke angered her. Jerking the horse back toward the trail, she ignored him. "Wait, I'm sorry!" Cap called after her. "It's just that I know a quicker way, if you can handle some rough terrain." "Let’s go then." Kendra replied, gruffly, turning back to face him. Without another word, Cap dove back into the brush and the girl followed.

He was halfway to the house, thinking to set the cabbage inside the kitchen door,when a brown blur thundered past him. Joanna Robbins tore out of the barn astride a magnificent chestnut quarter horse. She leaned forward in the saddle,hat flopping against her back, hair streaming out behind her in a wild curly mass as she urged her mount to a full-out gallop. Unable to do anything but stare, Crockett stood dumbstruck as she raced past. She was the most amazing horsewoman he'd ever seen. Joanna Robbins. The shy creature who claimed painting and reading were her favorite pastimes had just bolted across the yard like a seasoned jockey atop Thoroughbred. She might have inherited her mother's grace and manners, but the woman rode like her outlaw father.Maybe better.

PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.

I Used to Love Winter" In the past, I was inclined to love winter, and I listen to my body. Rain, rain, like a love letter pours licentiously from the imprudent heavens. Winter. A cry. An echo hungry for the embrace of women. In the distance, the steamy breath of a horse carrying clouds...white, white. I used to love winter, to walk joyfully to my rendezvous in space drenched in water. My love used to dry my short hair with Long hair luxuriant with wheat and chestnuts. She was not content with singing I and winter love you, so stay with us! She would warm my heart on two hot gazelle fawns. I used to love winter, and I would listen to it, drop by drop. Rain, rain like an appeal to a lover, Pour down my body! Winter was not lament pointing to the end of life. It was the beginning. It was hope. So what shall I do, as life falls like hair? What will I do this winter? VOR Summer 2009

The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.

As an aside, Sheldon Rovin in his first draft of a guide to Systems Thinking, repeated this old chestnut: The often-quoted tribal wisdom of the Dakota Indians, passed on from generation to generation, says that, ‘When you discover that you are riding a dead horse, the best strategy is to dismount.’ However, in government more advanced strategies are often employed, such as: 1. Buying a stronger whip. 2. Changing riders. 29 3. Appointing a committee to study the horse. 4.    Arranging to visit other countries to see how other cultures ride horses. 5. Lowering the standards so that dead horses can be included. 6. Reclassifying the dead horse as living impaired. 7. Hiring outside contractors to ride the dead horse. 82 8. Harnessing several dead horses together to increase speed. 9. Providing extra funding/training to increase the dead horse’s performance. 10.  Doing a productivity study to see if lighter riders would improve the dead horse’s performance. 3 11.  Declaring that as the dead horse does not have to be fed, it is less costly, carries lower overhead and therefore contributes substantially more to the bottom line of the economy than live horses. 12.  Rewriting the expected performance requirements for all horses. And, of course… 13.  Promoting the dead horse to a supervisory position.

The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.

Maxim’s grandmother suffered her in patience. She closed her eyes as though she too were tired. She looked more like Maxim than ever. I knew how she must have looked when she was young, tall, and handsome, going round to the stables at Manderley with sugar in her pockets, holding her trailing skirt out of the mud. I pictured the nipped-in waist, the high collar, I heard her ordering the carriage for two o’clock. That was all finished now for her, all gone. Her husband had been dead for forty years, her son for fifteen. She had to live in this bright, red-gabled house with the nurse until it was time for her to die. I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe. I was a child yesterday. I had not forgotten. But Maxim’s grandmother, sitting there in her shawl with her poor blind eyes, what did she feel, what was she thinking? Did she know that Beatrice was yawning and glancing at her watch? Did she guess that we had come to visit her because we felt it right, it was a duty, so that when she got home afterwards Beatrice would be able to say, “Well, that clears my conscience for three months”? Did she ever think about Manderley? Did she remember sitting at the dining room table, where I sat? Did she too have tea under the chestnut tree? Or was it all forgotten and laid aside, and was there nothing left behind that calm, pale face of hers but little aches and little strange discomforts, a blurred thankfulness when the sun shone, a tremor when the wind blew cold? I wished that I could lay my hands upon her face and take the years away. I wished I could see her young, as she was once, with color in her cheeks and chestnut hair, alert and active as Beatrice by her side, talking as she did about hunting, hounds, and horses. Not sitting there with her eyes closed while the nurse thumped the pillows behind her head.

Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally "profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour.

What a mess I made of things,” Sophie sighed at last, smoothing the brush down Cisco’s side. “I practically threw Shane into Cheyenne’s arms. Why did I have to go and embarrass him in front of everybody?” “At least Shane isn’t hopelessly in love with someone else.” Liv stared straight ahead, the currycomb motionless in her hand. “Did you see the way he looked at her?” Sophie knew Liv was talking about Temo. “I saw.” Liv leaned against Cactus Jack’s warm chestnut shoulder for comfort. “It’s so hopeless. Temo would never look at me like that in a million years,” she said sadly. “And Dayna’s not good enough for him.” “I know,” said Sophie, straightening Cisco’s mane, “but I feel sort of sorry for her, too. She’s been hiding her feelings for Temo, maybe even from herself. Out there, in the cave, when he was helping her, there wasn’t any place to hide. She’s in trouble. I don’t think her father would let his daughter date a lowly cowhand.” “I know!” was Liv’s anguished cry. “But I don’t care! She’s rich and can have everything she wants. Why should she have Temo, too?

Asad waited in one of the end stalls, watching alertly as Kathleen approached. His head lifted, his ears perking forward in recognition. He was a compact gelding with powerful hindquarters, an elegant conformation that afforded both speed and endurance. His coloring was a shade of chestnut so light it appeared golden, his mane and tail flaxen. "There's my boy," Kathleen exclaimed gently, reaching out to him with her palm upward. Asad sniffed at her hand and gave her a welcoming nicker. Lowering his finely modeled head, he moved to the front of the stall. She stroked his nose and forehead, and he reacted with pure gladness, blowing softly and nudging closer. "I shouldn't have waited so long to see you," she said, overcome with remorse. Clumsily she leaned to kiss the space between the horse's eyes. She felt him nibble delicately at the shoulder of her dress, trying to groom her. A crooked grin twisted her lips. Pushing his head away, she scratched his satiny neck in the way she knew he liked. "I shouldn't have left you alone, my poor boy." Her fingers tangled in the white-blond mane. She felt the weight of his head come to rest on her shoulder. The trusting gesture caused her throat to cinch around a quick breath.

As I recall,” he said as his fingertip skimmed the tops of her breasts, “I enjoy the sounds a woman makes when I pleasure her.” “Ye’d not enjoy these sounds.” She slapped his hand away. “And if ye take me, there’d be no pleasure.” “As a maid, ye canna know that,” he said, lifting one of the long locks of her chestnut hair to his lips and inhaling her scent. “And I dinna think ye’ll scream, not in the way ye mean, in any case.” “Ye’d have to tie me up and force yourself on me, because I’d fight ye, tooth and claw,” she said with assurance. “Now there’s a thought,” he said. “I’ve heard some lassies enjoy being tied up.” He could picture her in his mind, bound tight, her breasts bared, her legs splayed with her soft core wet and ready. She’d be helpless before him. He’d make her beg for release. He stood and walked to his horse to retrieve a length of rope. “Shall we give it a try?” “No!” she said, scrabbling away. “Please, no.” “Dinna fret, Elspeth. I’ll no’ force ye,” he crooned softly, as if she were a frightened mare.

Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body? Waving his friends away, Hunter hunkered down and scooped a handful of dirt, pressing it to the shallow cut on his shoulder. Loretta stared at the blood trailing down his arm. If not for his quick thinking, it could have been her own. Survival instinct and common sense warred within her. She knew death might be preferable to what was in store for her, but she couldn’t help being glad she was alive. As if he felt her staring at him, the Comanche lifted his head. When his eyes met hers, the fury and loathing in them chilled her. He stood and jerked the feathers from his braid, wrapping them in his shirt. Never taking his gaze off her, he stuffed the bundle into a parfleche hanging from his surcingle. “Keemah,” he growled. Uncertain what he wanted and afraid of doing the wrong thing, Loretta stayed where she was. He caught her by the arm and hauled her to her feet. “Keemah, come!” He gave her a shake for emphasis, his eyes glittering. “Listen good, and learn quick. I have little patience with stupid women.” Grasping her waist, he tossed her on the horse and scooted her to the back of the blanket saddle. The hem of her nightgown rode high. She could feel all the men staring at her. Had he no decency? With trembling hands, she tugged at the gown and tried to cover her thighs. There wasn’t enough material to stretch. And it was so thin from years of wear, it was nearly transparent. The morning breeze raised gooseflesh on her naked arms and back. With a grim set to his mouth, her captor opened a second parfleche, withdrawing a length of braided wool and a leather thong. Before she realized what he was about to do, he knotted the wool around one of her ankles, looped it under his horse’s belly, and swiftly bound her other foot. “We must ride like the wind!” he yelled to the others. “Meadro! Let’s go!” The other men ran for their horses. Grasping the stallion’s mane, Hunter vaulted to its back and settled himself in front of her. When he reached for her arms and pulled them around him, she couldn’t stifle a gasp. Her breasts were flattened against his back. “Your woman does not like you, cousin,” someone called in English. Loretta turned to see who spoke and immediately recognized the brave who had encouraged Hunter to kill her that first day. His scarred face was unforgettable. He flashed her a twisted smile that seemed more a leer, his black eyes sliding insolently down her body to rest on her naked thighs. Then he laughed and wheeled his chestnut horse. “She won’t be worth the trouble she will make for you.” Hunter glanced over his shoulder at her. The fiery heat of his anger glowed like banked embers in his eyes. “She will learn.” With an expertise born of long practice, he lashed her wrists together with the leather. “She will learn quick.

I do show jumping—fancy white pants and horses imported from Europe—so while I know horses, cowboys are still a new ball game for me. But goddamn. What a ballgame it is.

Because I am a gentleman. And I’ll respect her wishes, even when I don’t like them. I clearly struck a nerve. So, I urge my horse into a jog and offer her a casual tip of my hat on the way past.

Summer: I feel like we live on the same piece of land and yet, I haven’t seen you at all. Willa: Been busy. Summer: With what? Willa: Saving horses. Summer: Oh, yeah? Willa: Sum, I’ve saved so many I might as well open a rescue. Summer: Good lord. Willa: Would it be legal for me to have Cade write me a charitable donation receipt to offset my taxes? Summer: I think he’s fucked you stupid, bestie.

For nothing, as I now see it, equals the value of life - not the wealth they say prosperous ilium possessed in earlier days, when there was peace, before the coming of the Greeks, nor all the treasure piled up behind the stone threshold of Phoebus Apollo in rocky Delphi. Cattle and fat sheep can be lifted. Tripods and chestnut horses can be procured. But you cannot lift or procure a man's life, when once the breath has left his lips.

But of course my horse had to go ruin all my plans and injure himself just in time for show season. Tux needed surgery and now I’ll just spend my summer feeding him carrots and obsessively brushing him.

I do show jumping—fancy white pants and horses imported from Europe—so while I know horses, cowboys are still a new ball game for me. But goddamn. What a ballgame it is. Cade sits on a dark horse, speckled with gray—a beautiful blue roan color with black mane and tail—which perfectly matches his black cowboy hat, signature bicep-hugging black T-shirt, and black leather chaps over worn jeans. He’s seated comfortably in the saddle. Leather-gloved hands on the horn of his saddle, hip popped comfortably, with a toothpick hanging out the side of his mouth and an amused smirk on his lips. He’s so fucking hot.

I snort. Oh, I feel like getting my back broken alright. By him. Not a horse.

You know that old saying,” Betty said, a look of approval on her face as Josh lowered the front ramp and led out two stunning chestnut warmblood showjumpers, one after the other. “Don’t drive a Rolls-Royce and bring out an old banger of a horse. Drive an old banger and bring out a Rolls-Royce of a horse.

all knew what horse he would ride, and when he dropped his rope on "Alazanito," he had not only picked his own mount of twelve, but the top horse of the entire remuda,—a chestnut sorrel, fifteen hands and an inch in height, that drew his first breath on the prairies of Texas. No man who sat him once could ever forget him. Now, when the trail is a lost occupation, and reverie and reminiscence carry the mind back to that day, there are friends and faces that may he forgotten, but there are horses that never will be.

Lucien crossed the street moments before the horses reached him. He tackled Horatia, knocking her to the ground in an alley between the shops. The curricle’s wheels sliced through the snow and slush inches from his boots, soaking them with icy water. For a long moment, Lucien couldn’t move. She was alive. He’d made it. The curricle hadn’t run either of them over… Then his body seemed to realize it had a woman under it. A woman with the finest curves God had ever made to tempt a man. Her bonnet was askew, revealing long lustrous curls of deep chestnut hair. Her dark eyes, so innocent, fixed on his face in wonder. “My lord…” she murmured in a daze. Her gloved hands rested on his chest, holding him at bay. He felt the tremble of her hands all the way to his bones, and his body responded with interest. “What in blazes?” Charles rushed into the alley, gray eyes alight with fury. “Did you see who was driving that curricle?” Charles paused and took in the scene before him with a smile. “Horatia, love, how are you? Not too bruised I hope?” Charles had never in his life bothered with titles or propriety. Neither did Lucien for that matter. So it didn’t surprise Lucien that his friend treated Horatia as he did. “Oh Charles!” she exclaimed. She seemed to realize only now she was on her back in an alley just off Bond Street, with a street full of curious people peering in and Lucien on top of her. Lucien gritted his teeth. “Oh Charles!” she’d said, but Lucien was always “My lord.” It grated his nerves that she didn’t offer such intimacy to him. It was his own damned fault. He pushed her away at every opportunity, just to keep himself from tugging her into the nearest alcove and kissing her. Something about her seemed to render him into the most barbaric state possible. He had little else on his mind other than how she’d taste, how she’d moan and sigh if he could just get his hands on her. “Lucien…” Horatia stammered. His name on her lips was more erotic than a lover’s sated sigh. “What on earth just happened?” “I fear someone just tried to run me over, and you were, unfortunately, in the way,” he explained, worried by the dazed expression swallowing her dark eyes. “I say, Lucien, you might want to get off the girl, she’s turning blue,” Charles teased. “Besides, stay on top of her any longer and people are bound to talk." -Horatia, Lucien, & Charles

Because of this genuine love for horses, the beautiful wild-horse panorama beneath Pan swelled his heart. He gazed and gazed. From near to far the bands dotted the green-gray valley. Far away this valley floor shaded into blue. Near at hand the colors were easily distinguishable. Blacks and bays, whites and chestnuts, pintos that resembled zebras dotted this wild pasture land. The closest band to where Pan and Blinky stood could not have been more than a mile distant, in a straight line. A shiny black stallion was the leader of this herd. He was acting strangely, too, trotting forward and halting, tossing his head and long black mane.

When they reached his horse tethered two streets over, he assisted her into the saddle. Caradon’s horse was a beauty of a mare—chestnut with a black mane. As Marshal Caradon untied the reins, McKenna scooted back so she’d be riding behind him instead of afore. Her preference. But not his apparently, telling by his short-lived frown. He climbed into the saddle and guided the horse down the street. “Not much room back there.” She balanced easily enough, having ridden this way with her father when she was a girl. Though that seemed like another lifetime ago. She was accustomed to having her own mount these days. “I’m fine. I’m an experienced rider.” “With a hand that needs stitching.” She glanced at the bandage. “I’ll hold on. If the situation arises.” He gently urged the mare to a faster pace, as though challenging that statement. Sensing his test, McKenna smiled and held on to the cantle, with no fear of falling, but mindful of the close proximity of her hand to Caradon’s backside. He slowed the mare’s pace. “Can’t blame me for trying,” he spoke over his shoulder, grinning. “Marshaling must be lonelier work than I thought, Marshal Caradon.” She heard his soft laugh and was reminded again of who he was. Best to keep some distance between them, and not only in proximity.

The smile she gave the colt was dazzling, so purely beneficent Deene could not look away from the picture she made billing and cooing with the big chestnut horse. Willy was shamelessly flirting right back, batting his big, pretty eyes at her, wuffling into her palm, and wiggling his idiot lips in her hair. It wasn’t to be borne. “Would

One of the things Clovis had been most afraid of was being forced to ride. He had seen the horses in the stables, and they looked large and twitchy. If Sir Aubrey put him in the saddle, Clovis meant to confess straightaway and take the money Finn had given him to run away to his foster mother. But the week after he arrived at Westwood, Sir Aubrey asked Clovis to come into the library because he had some bad news for him. “Now I want you to be brave about this, my boy. I want you to take this like a man and a Taverner.” Clovis’s heart began to thump. Could someone have died--Maia perhaps, or his foster mother--and if so, how did Sir Aubrey know? Or was it just that he had been found out?” “I won’t hide from you the fact that the Basher--your aunt Joan, I mean--disagrees with me. She was all ready to teach you. She had picked out a fine mettlesome filly to start you on; nothing sluggish or second rate. A real Thoroughbred. You’d be going over jumps in a couple of weeks. But I’m afraid I cannot allow it.” “Can’t allow what, sir?” asked Clovis. “Can’t allow you to ride. Can’t allow you to go on a horse. You can imagine what it cost me to come to this decision; the Taverner children have always been up in the saddle from when they were two years old. But after Dudley’s terrible accident…” Tears came into Sir Aubrey’s eyes. He turned away. “If there was anyone else to inherit Westwood, I would let you take your chance, but with Bernard and Dudley both gone…” He pressed Clovis’s shoulder. “You’re taking this very well, my boy. Very well indeed. You’re taking it like a man. I confess I expected arguments, even tantrums.” “Well, it is a disappointment,” said Clovis, wondering whether to break down and cry, a thing all actors learn to do at the drop of a hat. But in the end he just gave a brave gulp instead. “I had, of course, been looking forward…” He looked out of the window to where the Basher, mounted on a bruising chestnut, was galloping across a field. “But I do understand. One must always think of Westwood.

Did a horse kick you in the head as a child when I wasn’t watching?” Cade asks. “Beau beat your ass too hard one time? If I shake you hard enough, will it get you thinking straight?

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

Oh, I feel like getting my back broken alright. By him. Not a horse.

Under his master’s watchful eye, the boy crossed to the door, which was made of a dark, unpainted wood with many whorls and grains. He had to struggle to turn the heavy brass knob, but the coolness of its touch pleased him. The door swung open soundlessly on oiled hinges and the boy stepped through to find himself at the top of a carpeted staircase. The walls were elegantly papered with a flowery pattern. A small window halfway down let in a friendly stream of sunlight. The boy descended carefully, one step at a time. The silence and sunlight reassured him and quelled some of his fears. Never having been beyond this point before, he had nothing but nursery stories to furnish his ideas of what might be waiting in his master’s study. Terrible images of stuffed crocodiles and bottled eyeballs sprang garishly into his mind. Furiously he drove them out again. He would not be afraid. At the foot of the staircase was another door, similar to the first, but smaller and decorated, in its center, with a five-sided star painted in red. The boy turned the knob and pushed: the door opened reluctantly, sticking on the thick carpet. When the gap was wide enough the boy passed through into the study. Unconsciously he had held his breath as he entered; now he let it out again, almost with a sense of disappointment. It was all so ordinary. A long room lined with books on either side. At the far end a great wooden desk with a padded leather chair set behind it. Pens on the table, a few papers, an old computer, a small metal box. The window beyond looked out toward a horse chestnut tree adorned with the full splendor of summer. The light in the room had a sweet greenish tint. The boy made for the table. Halfway there, he stopped and looked behind him.

Yolenda couldn’t wait to arrive in a new village. Her chestnut mare seemed to agree, leaning into each step as they traversed the equator’s shifting red sand.

If Cade Eaton “likes” you, you’ll know because he won’t mention his preference for rolling around in horse shit.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

To the waist, a man, with red hair and beard, but below that was a horse’s gleaming chestnut body

ersatz Fleisch, meaning fake meat made from cooked rice mashed and fried in mutton fat, or ersatz Fisch, which was also mashed rice but mixed with onions and the oil from tinned fish. Baking bread became challenging as wheat supplies were mostly diverted to the army, but housewives swapped ideas for substituting ground horse chestnuts or pea meal or potato starch.

Where else would you find a nice pair of child-sized chaps?” She rolls her eyes. “I got them because I saw you staring at them. I saw the look on your face. And then you told me you had to quit riding when you got sick. I thought you’d want to start again at some point. Maybe out here. With me. Then I saw you on my horse—a fucking natural—and I knew I’d made the right call.

Forsythia and cherry blossom were out in a garden, flickering in the light, and there were pots of golden crocuses by doorsteps. Stella saw sticky-looking buds on a horse chestnut and climbing roses were sending out fresh pink shoots. Everything seemed to be resurgent. Burgeoning. Fecund.

After writing so bitterly about the clothes of my youth, I must now be just, and admit that they had one great advantage over the clothes we wear nowadays. We had Pockets. What lovely hoards I kept in them: always pencils and india-rubbers and as mall sketch-book and a very large pocket-knife; beside string, nails, horse-chestnuts, lumps of sugar, bits of bread-and-butter, a pair of scissors, and many other useful objects. Sometimes even a handkerchief. For a year or two I also carried about a small book of Rembrandt’s etchings, for purposes of worship. Why mayn’t we have Pockets? Who forbids it? We have got Woman’s Suffrage, but why must we still always be inferior to Men?

Oh, don’t be silly, Stella! There are loads of horses who are the same colour and it doesn’t mean they’re related or anything!” Kate said sensibly. “But, I mean, they even have the same colour manes and white socks as Blaze. Deep liver chestnut with flaxen mane and tail? It’s not a boring, common colour like bay…” Kate glared at her. Stella realised what she had said. “I don’t mean that Toby is common and boring. I just meant…Anyway,” Stella continued, ignoring the fact that Kate was now in a sulk, “if Blaze isn’t related to the El Caballo mares then why was Francoise sneaking around like that? What does she want?” Issie looked serious. “Stella, we don’t know that it was Francoise. She seemed really worried about Blaze when she bolted in the paddock.” “Why did Blaze bolt?” Stella was puzzled. “It was weird,” Issie said. “Francoise did this whistle with her hands and then Blaze just went crazy. I don’t know why, but that’s how it seemed anyway. I mean, why would someone whistling make her act so strangely. I’ve never seen her rear up like that before and it took ages to calm her down.

I am well aware already of the tricks that memory plays, of the traps that snare my mind do I recall only the good things, of how it chooses the nice apples from the tray and tosses out the bad things – like peels, like horse chestnuts – as if they’d never happened. I don’t know what hurts more: thinking only of the good memories and giving in to the piercing longing that never lets up, that intoxicated the soul, or bathing in the streams of thought that lead me to sad memories, the dark and cloudy ones that choke my heart and leave me feeling even more orphaned…

She's (a stuff toy horse) pretty much good as new. Just a cool badass scar and a wild story to tell. The smiles that touches Willa's lips now is soft, not the maniacal grin from before. Kinda like Beau, she says,

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded.

You missing anything about the city?” “No. Just riding.” She steps closer, and I feel the press of her against me. The heat. The friction. My hand splays on her back. “I’ll find you a horse to ride.

One does wonder, however, what Gallo would have made of Dylan's tribute to him; and one receives a possible answer in [Donald] Goddard's book, where Gallo's ex-wife describes borrowing a hundred bucks from Joey's father to buy records so that the Prince of Brooklyn, always a fan of contemporary music, could catch up on what had been happening in soundsville during that decade he'd been away reading [Wilhelm] Reich in the slams: 'He got especially mad over a Byrds album called "Chestnut Mare" that I wanted him to hear. "Listen to the lyrics," I said. "They're so pretty, and so well done." "I don't want to hear any fags singing about any fucking horse," he says--and he's really venomous. "It's not about a fucking horse," I said. "If you'll listen, it's about life." But he doesn't want to hear about life either. . . . Next thing I know, he jumps out of the bathtub, snatches the record off the machine, stomps out in the hall stark-naked and pitches it down the incinerator.

The bark of the willow has, indeed, been justly considered as a succedaneum for Peruvian bark, as has also that of the horse-chestnut tree, the leaf of the holly, the snake-root,

Dark Chestnut Horse—that dies before it gets tired.” Unlike Maximino, Santos lived

In the churchyard, the late days of autumn have robbed the trees, stripping the bronze from the horse chestnuts, the gold from the sycamores and beech.

The mane and tail may be black or chestnut. Black A horse that is truly black must be solid black with no white anywhere on his body.  The mane and tail must be black as well.

of Number Four. “Well now,” she thought, “things seem to be in a terrible muddle, but there are always the pictures. Whenever things get unbearable I’ll slip down to the Odeon, even if I have to come home before the supporting picture and the news.” Judith returned to the Avenue when she had official confirmation of Tim’s death. She would have returned soon enough in any case, for Maud Somerton engaged a new assistant when Judy put her wedding forward from New Year’s Day to September, on account of the war, and Tim’s enlistment. But now, like everything else, the riding-school business was in the doldrums, and Maud was talking of selling off horses, and economising all round. When she was told that Tim had been drowned in a troopship off the Western Approaches, Judy had been unable to cry. Instead she had saddled up Jason, the big chestnut, and ridden out to the corner of