Horns Up Quotes

Oh no, honey, I'm an angel, I swear. The horns are only there to hold up the halo.

Have you slept yet?' 'Sure. I took a power nap on the way over.' 'Didn't you drive there?' 'Yeah. Other drviers kept waking me up. Car horns should be illegal.' - Charley & Cookie

Maybe all the schemes of the devil were nothing compared to what man could think up.

So... Italian gelato. Take the deliciousness of a regular ice-cream cone, times it by a million, then sprinkle it with crushed-up unicorn horns.

How you live your life is up to you. You have to go out and grab the world by the horns. Rope it before it ties you down and decides for you.

Beauty, the world seemed to say. And as if to prove it (scientifically) wherever he looked at the houses, at the railings, at the antelopes stretching over the palings, beauty sprang instantly. To watch a leaf quivering in the rush of air was an exquisite joy. Up in the sky swallows swooping, swerving, flinging themselves in and out, round and round, yet always with perfect control as if elastics held them; and the flies rising and falling; and the sun spotting now this leaf, now that, in mockery, dazzling it with soft gold in pure good temper; and now again some chime (it might be a motor horn) tinkling divinely on the grass stalks—all of this, calm and reasonable as it was, made out of ordinary things as it was, was the truth now; beauty, that was the truth now. Beauty was everywhere.

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.

If anyone asks you if you’re taken,” I said, “the answer is yes.” “I think I can live with that,” he promised. “Good,” I said. “Because you don’t want to see me be cross.” “Too late.” “Shut up and dance, Walt.” “Shut up and dance, Walt.” We did—with the music of a psychotic griffin screaming behind us, and the sirens and horns of Brooklyn wailing below. It was quite romantic.

Whenever other Lore creatures like the nymphs and satyrs turned their noses up at the “hex-hacks,” Carrow would raise both her hands in the rock-on horns gesture and shout, “Double, double, toil and trouble, muthafuckas! You just got cursed!” Then she actually would curse them.

Well, then, go you into hell? BEATRICE No, but to the gate; and there will the devil meet me, like an old cuckold, with horns on his head, and say 'Get you to heaven, Beatrice, get you to heaven; here's no place for you maids:' so deliver I up my apes, and away to Saint Peter for the heavens; he shows me where the bachelors sit, and there live we as merry as the day is long.

I knelt and opened up my lute case. Moving the lute aside, I pressed the lid of the secret compartment and twisted it open. I slid Threpe's sealed letter inside, where it joined the hollow horn with Nina's drawing and a small sack of dried apple I had stowed there. There was nothing special about the dried apple, but in my opinion if you have a secret compartment in your lute case and don't use it to hide things, there is something terribly, terribly wrong with you.

In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face. All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen. "You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!" The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter. "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade. Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.

If you are a monster, stand up. If you are a monster, a trickster, a fiend, If you’ve built a steam-powered wishing machine If you have a secret, a dark past, a scheme, If you kidnap maidens or dabble in dreams Come stand by me. If you have been broken, stand up. If you have been broken, abandoned, alone If you have been starving, a creature of bone If you live in a tower, a dungeon, a throne If you weep for wanting, to be held, to be known, Come stand by me. If you are a savage, stand up. If you are a witch, a dark queen, a black knight, If you are a mummer, a pixie, a sprite, If you are a pirate, a tomcat, a wright, If you swear by the moon and you fight the hard fight, Come stand by me. If you are a devil, stand up. If you are a villain, a madman, a beast, If you are a strowler, a prowler, a priest, If you are a dragon come sit at our feast, For we all have stripes, and we all have horns, We all have scales, tails, manes, claws and thorns And here in the dark is where new worlds are born. Come stand by me.

Listen to me. Love is a Yeti. It is bigger than you and frightening and terrible. It makes loud and vicious noises. It is hungry all the time. It has horns and teeth and the force of its fists is more than anyone can bear. It speeds up time and slows it down. And it has its own aims and missions that those who are lucky enough to see it cannot begin to guess. You might see a Yeti once in your life or never. You might live in a village of them. But in the end, not matter how fast you think you can go, the Yeti is always faster than you, and you can only choose how you say hello to it, and whether you shake its hand.

And then, in boating supplies, Margo located an air horn. She took it out of the box and held it up in the air, and I said, "No," and she said, "No what?" And I said, "No don't blow the air horn," except when I got to the b in blow, she squeezed on it and it let out an excruciatingly loud honk that felt in my head like the auditory equivalent of an aneurysm, and then she said, "I'm sorry, I couldn't hear you. What was that?" And I said, "Stop b-" and then she did it again.

Hey, angel, your horns are sticking up.

Beasts bounding through time. Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by the Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly

There was a scuffling and a great thump: someone else had clambered out of the tunnel, overbalanced slightly and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn - rimmed glasses and said, 'Am I too late? Has it started? I only just found out, so I - I -' Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, 'So - 'ow eez leetle Teddy?' Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. 'I - oh yes - he's fine!' Lupin said loudly. 'Yes, Tonks is with him - at her mother's.' Percy and the other Weasleys were still staring at one another, frozen. 'Here, I've got a picture!' Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuff of bright turquoise hair, waving fat fists at the camera. 'I was a fool!' Percy roared, so loudly that Lupin nearly dropped his photograph 'I was an idiot, I was a pompous prat, I was a - a -' 'Ministry - loving, family - disowning, power - hungry moron,' said Fred. Percy swallowed. 'Yes I was!

The world is too much with us; late and soon, Getting and spending, we lay waste our powers; Little we see in Nature that is ours; We have given our hearts away, a sordid boon! This Sea that bares her bosom to the moon, The winds that will be howling at all hours, And are up-gathered now like sleeping flowers, For this, for everything, we are out of tune; It moves us not.—Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.

I had two dreams about him after he died. I dont remember the first one all that well but it was about meetin him in town somewheres and he give me some money and I think I lost it. But the second one it was like we was both back in older times and I was on horseback goin through the mountains of a night. Goin through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept on goin. Never said nothin. He just rode on past and he had this blanket wrapped around him and he had his head down and when he rode past I seen he was carryin fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.

I blew the horn a few times, hoping to call up an iguana. Get the buggers moving. They were out there, I knew, in that goddamn sea of cactus--hunkered down, barely breathing, and every one of the stinking little bastards was loaded with deadly poison.

No Fletcher. Wake up, boy. Those are the flames of Hell. Dermont dropped out of school, so that's where he's headed. See the little horns? -Ms. Quinn

Where have you been?" she cried. "Damn you, where have you been?" She took a few steps toward Schmendrick, but she was looking beyond him, at the unicorn. When she tried to get by, the magician stood in her way. "You don't talk like that," he told her, still uncertain that Molly had recognized the unicorn. "Don't you know how to behave, woman? You don't curtsy, either." But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. "Where have you been?" Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn's old dark eyes that looked down. "I am here now," she said at last. Molly laughed with her lips flat. "And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?" With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. "I wish you had never come. Why did you come now?" The tears began to slide down the sides of her nose. The unicorn made no reply, and Schmendrick said, "She is the last. She is the last unicorn in the world." "She would be." Molly sniffed. "It would be the last unicorn in the world to come to Molly Grue." She reached up then to lay her hand on the unicorn's cheek; but both of them flinched a little, and the touch came to rest on on the swift, shivering place under the jaw. Molly said, "It's all right. I forgive you.

Don't be an asshole" Rhage summed up the regurgitation with two words: "Kettle.Black." Fucking hell. "Did you guys plan that out?" "Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time" "Spare me." "Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..." The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers. Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough. "For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home" Someone else chimed in, "You know, I never thought there were advantages to being blind..." "Or deaf" "Or mute," somebody added

Sprinkled across the black waters below were at least a hundred small boats set out to greet the Leviathan, their navigation lights like shifting stars. Among them loomed a glittering cruise liner, her fog horn bellowing in the night. The low groan grew into a chorus as the other great ships in the harbor joined in. Perched on Volger's desk, Bovril attempted to imitate the horns, but wound up sounding like a badly blown tuba. Alek smiled. "But they're already singing our praises!" "They are Americans," Volger said. "They toot their horns for anything.

Blessed are they that mourn, for they shall be kicked in the nuts as soon as they try to get back up. That wasn’t in the Bible, but maybe it should’ve been.

The Audi tires squealed as the vehicle tracked the same path. Jake hammered down the avenue, hunting for a getaway. Traffic thickened at the juncture ahead. A green light flickered into amber. He ramped up over the limit, punching over the white lines on a red signal. Tires screeched and a horn beeped. The needle sat on one hundred kilometers per hour. He fishtailed at a laneway. The GPS showed a right angle, car slid into a slot in an overhang. Jake got out and crept toward the opening, hugged the brick wall. He pulled the SIG and flicked off the safety. The Audi braked at the mouth. Door slammed. A shadow fell over the concrete. The swish of clothing indicated a possible weapon draw.

Hey, Red.” Josh looked me over, his eyes heating. “Nice to see you looking presentable for once.” “Nice to see you looking human for once.” I gave him an equally deliberate once-over. “How much did you pay for the skin suit to cover up your devil's horns and reptile skin?” “It was free. I'm just that charming,” he drawled. “I think the seller was just scared you'll suffocate him with your giant ego if you didn't leave soon.” His laugh rolled through me like molten caramel, rich and sweet. “I fucking missed you.

Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.

The study was slowly lit up as the candle was brought in. The familiar details came out: the stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long wanted mending, his father's sofa, a large table, on the table an open book, a broken ash-tray, a manuscript-book with his handwriting. As he saw all this, there came over him for an instant a doubt of the possibility of arranging this new life, of which he had been dreaming on the road. All these traces of his life seemed to clutch him, and to say to him: 'No, you're not going to get away from us, and you're not going to be different, but you're going to be the same as you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to amend, and falls, and everlasting expectations, of a happiness which you won't get, and which isn't possible for you.

Here are some passing thoughts. Imagine looking up at the moon and seeing it burning. Imagine seeing the grocery store’s checkout girl grow horns. Imagine growing younger instead of older. Imagine feeling more powerful and more capable of falling in love with life every new day instead of being scared and sick and not knowing whether to stay under a sheet or venture forth into the cold.

It was something... the way a person's life picked up speed, the way a life was like a bullet aimed at one final target, impossible to slow or turn aside, and like the bullet, you were ignorant of what you were going to hit, would never know anything except the rush and the impact.

Aye, aye! and I'll chase him round Good Hope, and round the Horn, and round the Norway Maelstrom, and round perdition's flames before I give him up.

Getting up too early is a vice habitual in horned owls, stars, geese, and freight trains. Some hunters acquire it from geese, and some coffee pots from hunters.

I leaned against my door, struggling to catch my breath, and thought that maybe hell wasn't a place at all, but a thing. A contagious thing. A thing that could creep up the steps, seep through the crack under my door, grow horns and sprout fire - smelling faintly like sulfur. A thing that could sink its tendrils inside and take root, coloring everything gray and distorting a smile into a sneer. And while i got dressed for the play, swatted at my back and kept running my hands over my stomach because I could feel it, I swear, I could feel it reaching for me, trying to grab hold.

The war, therefore if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are incapable of hurting one another. But though it is unreal it is not meaningless. It eats up the surplus of consumable goods, and it helps to preserve the special mental atmosphere that the hierarchical society needs. War, it will be seen, is now a purely internal affair. In the past, the ruling groups of all countries, although they might recognize their common interest and therefore limit the destructiveness of war, did fight against one another, and the victor always plundered the vanquished. In our own day they are not fighting against one another at all. The war is waged by each ruling group against its own subjects, and the object of the war is not to make or prevent conquests of territory, but to keep the structure of society intact. The very word "war," therefore, has become misleading. It would probably be accurate to say that by becoming continuous war has ceased to exist. The peculiar pressure that is exerted on human beings between the Neolithic Age and the early twentieth century has disappeared and has been replaced by something quite different. The effect would be much the same if the three superstates, instead of fighting one another, should agree to live in perpetual peace, each inviolate within its own boundaries. For in that case each would still be a self-contained universe, freed forever from the sobering influence of external danger. A peace that was truly permanent would be the same as a permanent war. This--although the vast majority of Party members understand it only in a shallower sense--is the inner meaning of the Party slogan: WAR IS PEACE.

Is anyone anywhere happy? No, not unless they are living in a dream or in an artifice that they or someone else has made. For a time I was lulled in the arms of a blind organism with breasts full of champagne and nipples made of caviar. I thought she was true, and that the true was the beautiful. But the true is the ugly mixed up everywhere, like a peck of dirt scattered through your life. The true is that there is no security, no artifice to stop the unsavory changes, the rat race, the death unwish - the winged chariot, the horns and the motors, the Devil in the clock. Love is a desperate artifice to take the place of those two original parents who turned out not to be omnisciently right gods, but a rather pedestrian pair of muddled suburbanites who, no matter how bumbling they tried, never could quite understand how or why you grew up to your 21st birthday.

I'm an angel. The horns are only there to hold up the halo.

I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town.

Fear has a lot of flavors and textures. There's a sharp, silver fear that runs like lightning through your arms and legs, galvanizes you into action, power, motion. There's heavy, leaden fear that comes in ingots, piling up in your belly during the empty hours between midnight and morning, when everything is dark, every problem grows larger, and every wound and illness grows worse. And there is coppery fear, drawn tight as the strings of a violin, quavering on one single note that cannot possibly be sustained for a single second longer—but goes on and on and on, the tension before the crash of cymbals, the brassy challenge of the horns, the threatening rumble of the kettle drums. That's the kind of fear I felt. Horrible, clutching tension that left the coppery flavor of blood on my tongue. Fear of the creatures in the darkness around me, of my own weakness, the stolen power the Nightmare had torn from me. And fear for those around me, for the folk who didn't have the power I had.

What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!

I looked up at Lee when we stopped in front of Hector and informed him helpfully, “You might want to take your arm away. Blanca tells me Hector doesn’t like men touching me.” “Blanca told you that?” Lee asked, his smile (and arm) still firmly in place. “Yes. She’s known Hector, like, his whole life so I think she’s in the position to know.” Lee nodded, his smile somehow bigger like he was trying not to laugh then his eyes moved to Hector and he said, “I tried to stop it.” Hector looked at Lee then looked at me then he muttered, “Oh fuck.” “It was Ally’s idea,” Lee told Hector. “What was Ally’s idea?” Hector asked Lee. “It was not Ally’s idea!” I cried. “It wasn’t!” super-power-eared Ally yelled from the open back window of Lee’s Explorer. “It was Sadie’s idea. I just was offering moral support.” “Shut up, Ally!” Indy shouted out the open passenger side window. “I will not shut up! I’m not taking the fall for this one!” Ally shouted back. I turned to the car, dislodging Lee’s arm and lifted both my hands and pressed down. “No one’s going to take a fall. Everyone calm down. It’s all okay. It’s rock ‘n’ roll!” I screamed. “Righteous!” Ally screamed back. “Rock on, sister!” Indy screamed too. “It’s rock ‘n’ roll?” Lee asked, sounding as amused as he looked. “You all wanna quit screamin’ at three o’clock in the mornin’ in my fuckin’ neighborhood?” Hector suggested. Mm, well maybe we were being an eensy bit loud. “Time for beddie by,” I announced (sounding like Ralphie), got up on tiptoe, kissed Lee’s cheek (like Ralphie and Buddy would do to me), turned and gave Indy and Ally a double devil’s horns (like Ava taught me) and shouted, “Rock on!” They shouted back in unison, “Rock on!” “Christ,” Hector muttered.

I am she who lifts the mountains When she goes to hunt, Who wears mamba for a headband And a lion for a belt. Beware! I swallow elephants whole And pick my teeth with rhinoceros horns, I drink up rivers to get at the hippos. Let them hear my words! Nhamo is coming And her hunger is great. I am she who tosses trees Instead of spears. The ostrich is my pillow And the elephant is my footstool! I am Nhamo Who makes the river my highway And sends crocodiles scurrying into the reeds!

Horned lizards shoot jets of blood from their eyes for distances of up to 5 feet. I don’t know why they do this because whenever I reach the phrase “shoot jets of blood from their eyes” in an article I just stop there and stare at it until I need to lie down.

If the devil decided to run for President, do you think he/she would put on their horns and wicked grin, or a suit with an angelic smile? If the wicked witch stayed green and ugly, would she have been able to give Snow White a poisoned apple? And if the Big Bad Wolf had not disguised himself as an old granny, would he have been able to lure Little Red Riding Hood into the house to eat her? And if a drug dealer wanted to seduce some school kids to get on his drugs, would he act like a greedy businessman — or a caring friend? Salt and sugar look exactly the same but taste very different. We live in a world of illusions, one filled with Luciferians acting like righteous men, and righteous men condemned as criminals.

There are twin Gates of Sleep. One, they say, is called the Gate of Horn and it offers easy passage to all true shades. The other glistens with ivory, radiant, flawless, but through it the dead send false dreams up toward the sky. And here Anchises, his vision told in full, escorts his son and Sibyl both and shows them out now through the Ivory Gate.

Poor kids often dressed up. It was rich kids who dressed down, carefully assembling a blue-collar costume: eighty-dollar designer jeans that had been professionally faded and tattered and worn-out

This is the creature there has never been. They never knew it, and yet, none the less, they loved the way it moved, its suppleness, its neck, its very gaze, mild and serene. Not there, because they loved it, it behaved as though it were. They always left some space. And in that clear unpeopled space they saved it lightly reared its head, with scarce a trace of not being there. They fed it, not with corn, but only with the possibility of being. And that was able to confer such strength, its brow put forth a horn. One horn. Whitely it stole up to a maid - to be within the silver mirror and in her.

In a rush this weekday morning, I tap the horn as I speed past the cemetery where my parents are buried side by side beneath a slab of smooth granite. Then, all day, I think of him rising up to give me that look of knowing disapproval while my mother calmly tells him to lie back down.

The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.

forgiveness was not a one-time act. It was a decision to move on and focus on a person’s good features each time the hurt over what they’ve done crept back up on you.

For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment o the 'Beale Street Blues' while a hundred pairs of golden and silver slippers shuffled the shiny dust. At the grey tea hour there were always rooms that throbbed incessantly with this low, sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.

I believe that when people die, they go to the same place as all the people who haven’t yet been born. That’s why it’s called the world to come, because that’s where they make the new souls for the future. And the reward when good people die” – her mother paused, swallowed, paused again – “the reward when good people die is that they get to help make the people in their families who haven’t been born yet. They pick out what kinds of traits they want the new people to have – they give them all the raw material of their souls, like their talents and their brains and their potential. Of course it’s up to the new ones, once they’re born, what they’ll use and what they won’t, but that’s what everyone who dies is doing, I think. They get to decide what kind of people the new ones might be able to become.

Somewhere on Earth is an insect that excretes a golden antibacterial ooze that also does a splendid job sweetening your tea; a terribly picturesque tree whose bark will fix your malaria right up; and a large four-legged, two-horned mammal whose reproductive system dispenses ice cream, brie, and buttercream frosting.

Didn't know she was spoken for." "You do now", Jack snarled. "And the next time you try to pass off your bloody Fae nectar on a human, I'll shove your little horned head up your arse and hold it there until you stop twitching.

We may see a Creature with forty-nine heads Who lives in the desolate snow, And whenever he catches a cold (which he dreads) He has forty-nine noses to blow. 'We may see the venomous Pink-Spotted Scrunch Who can chew up a man with one bite. It likes to eat five of them roasted for lunch And eighteen for its supper at night. 'We may see a Dragon, and nobody knows That we won't see a Unicorn there. We may see a terrible Monster with toes Growing out of the tufts of his hair. 'We may see the sweet little Biddy-Bright Hen So playful, so kind and well-bred; And such beautiful eggs! You just boil them and then They explode and they blow off your head. 'A Gnu and a Gnocerous surely you'll see And that gnormous and gnorrible Gnat Whose sting when it stings you goes in at the knee And comes out through the top of your hat. 'We may even get lost and be frozen by frost. We may die in an earthquake or tremor. Or nastier still, we may even be tossed On the horns of a furious Dilemma. 'But who cares! Let us go from this horrible hill! Let us roll! Let us bowl! Let us plunge! Let's go rolling and bowling and spinning until We're away from old Spiker and Sponge!

When the nettle is young, the leaves make excellent greens; when it grows old it has filaments and fibers like hemp and flax. Cloth made from the nettle is as good as that made from hemp. Chopped up, the nettle is good for poultry; pounded, it is good for horned cattle. The seed of the nettle mixed with the fodder of animals gives a luster to their skin; the root, mixed with salt, produces a beautiful yellow dye. It makes, however, excellent hay, as it can be cut twice in a season. And what does the nettle need? very little soil, no care, no culture; except that the seeds fall as fast as they ripen, and it is difficult to gather them; that is all. If we would take a little pains, the nettle would be useful; we neglect it, and it becomes harmful. Then we kill it. How much men are like the nettle! My friends, remember this, that there are no weeds, and no worthless men, there are only bad farmers.

What do you see? People in costumes, horns, false jewels, adorning themselves in tiny layers of illusion. They stand up straighter, suck in their stomachs, say things they don’t mean, indulge in flattery. They commit a thousand small acts of deception, lying to each other, lying to themselves, drinking to the point of delusion to make it easier. This is a night of compacts, between the seers and the seen, a night when people enter false bargains willingly, hoping to be duped and to dupe in turn for the pleasure of feeling brave or sexy or beautiful or simply wanted—no matter how fleetingly.

And put myself in the hands of total strangers?" She snapped the lid shut, "What do you take me for? Of course I checked out their stories. I am a researcher, you know. They are who they say they are, and their stories are verifiable. You have nothing to fear. I wouldn't put my daughter in any danger." "Any danger!" I cried. "what do you call hunting unicorns? Big, sharp horns; fangs..." And those were just the goat-sized ones. "I call it your birthright." Lilith stood tall. "Honey, I know you've been down ever since that stupid boy broke up with you but this is about more than a prom date. Don't you realize that? You have a destiny. Most people would kill for something like that." If Lilith and this Cornelius guy had their way with me at this boot camp, I was going to kill.

to whatever extent the Hell’s Angels may or may be latent sadomasochists or repressed homosexuals is to me--after nearly a year in the constant company of outlaw motorcyclists--almost entirely irrelevant. There are literary critics who insist that Ernest Hemingway was a tortured queer and that Mark Twain was haunted to the end of his days by a penchant for interracial buggery. It is a good way to stir up a tempest in the academic quarterlies, but it won’t change a word of what either man wrote, nor alter the impact of their work on the world they were writing about. Perhaps Manolete was a hoof fetishist, or suffered from terrible hemorrhoids as a result of long nights in Spanish horn parlors…but he was a great matador, and it is hard to see how any amount of Freudian theorizing can have the slightest effect on the reality of the thing he did best.

Terry is sure that Ig has never even kissed another girl, let alone fucked one, and he has wished for a while now that Iggy had more experience. Not because Terry didn't want his brother to be with Merrin, but because...well, because. Because love requires context. Because first relationships are by their very nature immature. So Merrin wanted them both to have a chance to grow up. So what?

all bags are pack ready to go i am standing here outside your door i hate to wake you up to say goodbye dawn is braking its early morn the taxi waiting he blowing his horn already i am so lonesome i could die so kiss me and smile for me tell me that you'll wait for me and hold me like you never let me go cause leaving on a jet plane don't know when ill be back again oh babe i hate to go there so many let you down so many time i played around i tell you know that don't mean a thing every plase i go i'll think of you every song i sing i'll sing for you.

Ask you to keep an eye on her, keep her safe, and you allow my child to be used in that!" "Flatten your fur, Weiryn," replied the badger. "What makes you think I had a choice?" "The Great Ones can find another instrument! Why didn't you tell them so?" "I did tell them, you horn-headed idiot. They didn't listen. She didn't listen. If you have a complaint, you take it up with the Graveyard Hag.

It was the custom in those days for passengers leaving for America to bring balls of yarn on deck. Relatives on the pier held the loose ends. As the "Giulia" blew its horn and moved away from the dock, a few hundred strings of yarn stretched across the water. People shouted farewells, waved furiously, held up babies for last looks they wouldn't remember. Propellers churned; handkerchiefs fluttered, and, up on deck, the balls of yarn began to spin. Red, yellow, blue, green, they untangled toward the pier, slowly at first, one revolution every ten seconds, then faster and faster as the boat picked up speed. Passengers held the yarn as long as possible, maintaining the connection to faces disappearing onshore. But finally, one by one, the balls ran out. The strings of yarn flew free, rising on the breeze.

But they hushed, all at once and quite abruptly, when he stood still at center stage, his arms straight out from his shoulders, and went rigid, and began to tremble with a massive inner dynamism. Nobody present had ever seen anyone stand so still and yet so strangely mobile. He laid his head back until his scalp contacted his spine, that far back, and opened his throat, and a sound rose in the auditorium like a wind coming from all four directions, low and terrifying, rumbling up from the ground beneath the floor, and it gathered into a roar that sucked at the hearing itself, and coalesced into a voice that penetrated into the sinuses and finally into the very minds of those hearing it, taking itself higher and higher, more and more awful and beautiful, the originating ideal of all such sounds ever made, of the foghorn and the ship’s horn, the locomotive’s lonesome whistle, of opera singing and the music of flutes and the continuous moanmusic of bagpipes. And suddenly it all went black. And that time was gone forever.

Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both. When I picked up the skulls to add to my growing collection of what Vanessa called "Bobo's smelly pile," the hooked horns fell away from each other and the story of the impalas' death struggle was undone.

I intended that when the curtain went up the scene should confront the public like the exaggerating mirror in the stories of Madame Leprince de Beaumont, in which the depraved saw themselves with dragons' bodies, or bulls' horns, or whatever corresponded to their particular vice. It is not surprising that the public should have been aghast at the sight of its other self, which it had never before been shown completely. This ignoble other-self, as Monsieur Catulle Mendes has excellently said, is composed "of eternal human imbecility, eternal lust, eternal gluttony, the vileness of instinct magnified into tyranny; of the sense of decency, the virtues, the patriotism & the ideals peculiar to those who have just eaten their fill." Really, these are hardly the constituents for an amusing play, & the masks demonstrate that the comedy must at the most be the macabre comedy of an English clown, or of a Dance of Death.

And what other kind of man would you want leading you into battle?” he says, reading my Noise. “What other kind of man is suitable for war?” A monster, I think, remembering what Ben told me once. War makes monsters of men. “Wrong,” says the Mayor. “It’s war that makes us men in the first place. Until there’s war, we are only children.” Another blast of the horn comes roaring down at us, so loud it nearly takes our heads off and it puts the army off its stride for a second or two. We look up the road to the bottom of the hill. We see Spackle torches gathering there to meet us. “Ready to grow up, Todd?” the Mayor asks.

What can I do? I can only breathe in deeply. I can only bellow in a church that is deep inside of myself. I can only blast a shell-shaped horn that would shake down the oldest buildings. I can only leap for joy in my sacred inner caves and ring out the message: I am alive. I woke up again. I might as well be sprouting leaves, I might as well be covered in little clams.

A beam or pillar can be used to batter down a city wall, but it is no good for stopping up a little hole - this refers to a difference in function. Thoroughbreds like Qiji and Hualiu could gallop a thousand li in one day, but when it came to catching rats they were no match for the wildcat or the weasel - this refers to a difference in skill. The horned owl catches fleas at night and can spot the tip of a hair, but when daylight comes, no matter how wide it opens its eyes, it cannot see a mound or a hill - this refers to a difference in nature. Now do you say, that you are going to make Right your master and do away with Wrong, or make Order your master and do away with Disorder? If you do, then you have not understood the principle of heaven and earth or the nature of the ten thousand things. This is like saying that you are going to make Heaven your master and do away with Earth, or make Yin your master and do away with Yang. Obviously it is impossible.

Magic is just magic!” Jackaby threw up his hands. “It’s not inherently special or strange or dangerous! It’s everywhere! It’s already all around you! If just being magical meant that something was dangerous, you’d have long since been killed by a butterfly, or a bubble, or an apple turnover.” “Those things aren’t magical.” “Of course they’re magical! Argh! You infuriating man! If a unicorn came and sat in the corner of your office every day, then by the end of the year you’d be hanging your coat on its horn. There is magic in your life! Not appreciating it does not make it any less magical. Yes, some of that magic is dangerous, but so are scissors and electricity and politics—and plenty of other completely human inventions!

I’m not this unusual,” she said. “It’s just my hair.” She looked at Bobby and she looked at me, with an expression at once disdainful and imploring. She was forty, pregnant, and in love with two men at once. I think what she could not abide was the zaniness of her life. Like many of us, she had grown up expecting romance to bestow dignity and direction. “Be brave,” I told her. Bobby and I stood before her, confused and homeless and lacking a plan, beset by an aching but chaotic love that refused to focus in the conventional way. Traffic roared behind us. A truck honked its hydraulic horn, a monstrous, oceanic sound. Clare shook her head, not in denial but in exasperation. Because she could think of nothing else to do, she began walking again, more slowly, toward the row of trees.

Let the light of late afternoon shine through chinks in the barn, moving up the bales as the sun moves down. Let the cricket take up chafing as a woman takes up her needles and her yarn. Let evening come. Let dew collect on the hoe abandoned in long grass. Let the stars appear and the moon disclose her silver horn. Let the fox go back to its sandy den. Let the wind die down. Let the shed go black inside. Let evening come. To the bottle in the ditch, to the scoop in the oats, to air in the lung let evening come. Let it come, as it will, and don't be afraid. God does not leave us comfortless, so let evening come.

I stay in bed for as long as possible, but eventually my bladder wins. When I come back from the bathroom, he's looking out my window. He turns around and laughs. "Your hair. It's sticking up in all different directions." St. Clair pronounces it die-rections and illustrates his point by poking his fingers up around his head like antlers. "You're one to speak." "Ah,but it looks purposeful on me. Took me ages to realize the best way to get that mussed look was to ignore it completely." "So you're saying it looks like crap on me?" I glance in the mirror,and I'm alarmed to discover I do resemble a horned beast. "No.I like it.

At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before: Arise, arise, Riders of Theoden! Fell deeds awake: fire and slaughter! spear shall be shaken, shield be splintered, a sword-day, a red day, ere the sun rises! Ride now, ride now! Ride to Gondor! With that he seized a great horn from Guthlaf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains. Ride now, ride now! Ride to Gondor! Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Eomer rode there, the white horsetail on his helm floating in his speed, and the front of the first eored roared like a breaker foaming to the shore, but Theoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Orome the Great in the battle of the Valar when the world was young. his golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.

Then at last the opening music came again, with all the different instruments bunched together for each note like a hard, tight fist that socked at her heart. And the first part was over. This music did not take a long time or a short time. It did not have anything to do with time going by at all. She sat with her arms held tight around her legs, biting her salty knee very hard. It might have been five minutes she listened or half the night. The second part was black-colored--a slow march. Not sad, but like the whole world was dead and black and there was no use thinking back how it was before. One of those horn kind of insturments played a sad and silver tune. Then the music rose up angry and with excitement underneath. And finally the black march again.

Baby Kochamma had installed a dish antenna on the roof of the Ayemenem house. She presided over the world in her drawing room on satellite TV. The impossible excitement that this engendered in Baby Kochamma wasn’t hard to understand. It wasn’t something that happened gradually. It happened overnight. Blondes, wars, famines, football, sex, music, coups d’etat—they all arrived on the same train. They unpacked together. They stayed at the same hotel. And in Ayemenem, where once the loudest sound had been a musical bus horn, now whole wars, famines, picturesque massacres and Bill Clinton could be summoned up like servants.

Sophie’s gasp echoed off the circle of trees, and she blinked to make sure her eyes were working. A few feet in front of her stood a shimmering pale horse with outstretched feathered wings. It wasn’t a pegasus—she knew from the books she’d studied at Havenfield that those were smaller and huskier, with deep blue spots and midnight blue manes. This horse had wavy silver hair that trailed up its neck and parted around a horn of swirled white and silver that jutted from its forehead like a unicorn. But the unicorns she’d seen didn’t have wings. “What are you?” Sophie whispered as she stared into the horse’s deep brown eyes. Usually she thought brown eyes were flat and boring—especially her own—but these had glinting flecks of gold, and gazed back at her so intently she couldn’t look away.

Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoyevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.

He turned and snarled at me, eyes blazing. “Eep!” I said, because even though it was scary, it was still a scary unicorn, and I couldn’t help but fall in love just a little bit more. “If you ever lock yourself in a room like a spoiled brat again, I will track down my horn, go on a quest to get said horn, defeat whatever creature has the horn, restore it to its rightful place atop my head, come back to the City of Lockes, march in a parade in my honor, and then come up to your room and gore you to death. Do you understand?” “Your eyelashes are made of stars,” I whispered reverently. “I know,” he hissed angrily. “It’s because I’m beautiful. Now are we clear?

....The wife is the heartbeat of the home. She serves as the thermometer--if she's warm, so is the rest of the family; if she's cold, so is the rest of the family. And if she's an extreme temp--boiling or frigid--the family will follow suit. Calm or chaos comes from her. I've resisted this responsibility often. It's much easier to point to my husband, the biblically appointed leader of the household, and to examine what I perceive are his flaws, his failures, his lack of whatever. But ultimately, I'm just denying what I really know--that I have a great role to honor and live up to in my marriage and in our home. The questions is, do I embrace it? Or do I run from it? My fear is that I've run from it for a while now. But I'm not running any more.

My argument for them is not altruistic in the least, but purely selfish. I should dislike to see them harassed by the law for two plain and sound reasons. One is that their continued existence soothes my vanity (and hence promotes my happiness) by proving to me that there are even worse fools in the world than I am. The other is that, if they were jailed to-morrow for believing in Christian Science, I should probably be jailed the next day for refusing to believe in something still sillier. Once the law begins to horn into such matters, I am against the law, no matter how virtuous its ostensible intent. No liberty is worth a hoot which doesn’t allow the citizen to be foolish once in a while, and to kick up once in a while, and to hurt himself once in a while.

[Stares at dead knight, killed by the Direwolves] Ersen: If he had sounded his horn... Theon: Try and imagine it was you up there, Ersen. Its dark and cold. You have been walking century for hours looking forward to the end of your watch. Then you hear a noise and you move forward to the gate, and suddenly, you see eyes glowing green and gold in the torchlight. Two shadows come rushing toward you faster than you can believe. You catch a glimpse of teeth, start to level your spear, and they slam into you and open your belly, tearing through leather as if it was cheese cloth. [Shoves Ersen hard] Theon: And now you're down on you back, your guts are spilling out and one of them has his teeth around your neck. [Grabs Ersen around the neck and sqeezes] Theon: Tell me, at what moment during all of this do you stop to blow your Fucking horn?" [Shoves Ersen roughly]

They also keep a horned cow as proud as any queen; But music turns her head like ale, And makes her wave her tufted tail and dance upon the green. ... So the cat on his fiddle played hey-diddle-diddle, a jig that would wake the dead: He squeaked and sawed and quickened the tune, While the landlord shook the Man of the Moon: 'It's after three' he said. They rolled the Man slowly up the hill and bundled him into the Moon, While his horses galloped up in rear, And the cow came capering like a deer, and a dish ran up with the spoon. Now quicker the fiddle went deedle-dum-diddle; the dog began to roar, The cow and the horses stood on their heads; The guests all bounded from their beds and danced upon the floor. With a ping and a pong the fiddle-strings broke! the cow jumped over the Moon, And the little dog laughed to see such fun, And the Saturday dish went off at a run with the silver Sunday spoon. The round Moon rolled behind the hill, as the Sun raised up her head. She hardly believed her fiery eyes; For though it was day, to her surprise they all went back to bed!

Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.

Too often we only identify the crucial points in our lives in retrospect. At the time we are too absorbed in the fetid detail of the moment to spot where it is leading us. But not this time. I was experiencing one of my dad’s deafening moments. If my life could be understood as a meal of many courses (and let’s be honest, much of it actually was), then I had finished the starters and I was limbering up for the main event. So far, of course, I had made a stinking mess of it. I had spilled the wine. I had dropped my cutlery on the floor and sprayed the fine white linen with sauce. I had even spat out some of my food because I didn’t like the taste of it. “But it doesn’t matter because, look, here come the waiters. They are scraping away the debris with their little horn and steel blades, pulled with studied grace from the hidden pockets of their white aprons. They are laying new tablecloths, arranging new cutlery, placing before me great domed wine glasses, newly polished to a sparkle. There are more dishes to come, more flavors to try, and this time I will not spill or spit or drop or splash. I will not push the plate away from me, the food only half eaten. I am ready for everything they are preparing to serve me. Be in no doubt; it will all be fine.” (pp.115-6)

Great Scott!” said Peter. “So it was the horn--your own horn, Su--that dragged us all off that seat on the platform yesterday morning! I can hardly believe it; yet it all fits in.” “I don’t know why you shouldn’t believe it,” said Lucy, “if you believe in magic at all. Aren’t there lots of stories about magic forcing people out of one place--out of one world--into another? I mean, when a magician in The Arabian Nights calls up a Jinn, it has to come. We had to come, just like that.” “Yes,” said Peter, “I suppose what makes it feel so queer is that in the stories it’s always someone in our world who does the calling. One doesn’t really think about where the Jinn’s coming from.” “And now we know what it feels like for the Jinn,” said Edmund with a chuckle. “Golly! It’s a bit uncomfortable to know that we can be whistled for like that. It’s worse than what Father says about living at the mercy of the telephone.

I stomped down the hallway, twisted the latch on the front door, and yanked it open. ‘Are you… “Ozzy Zig”?’ said Guy Fawkes, in a thick Brummie accent. ‘Who wants to know?’ I said, folding my arms. ‘Terry Butler,’ he said. ‘I saw your ad.’ That was exactly what I’d hoped he was going to say. Truth was, I’d been waiting a long time for this moment. I’d dreamed about it. I’d fantasised about it. I’d had conversations with myself on the shitter about it. One day, I thought, people might write newspaper articles about my ad in the window of Ringway Music, saying it was the turning point in the life of John Michael Osbourne, ex-car horn tuner. ‘Tell me, Mr Osbourne,’ I’d be asked by Robin Day on the BBC, ‘when you were growing up in Aston, did you ever think that a simple advert in a music shop window would lead to you becoming the fifth member of the Beatles, and your sister Iris getting married to Paul McCartney?’ And I’d answer, ‘Never in a million years, Robin, never in a million years.’ It was a f**king awesome ad.

Imagine a day in which you feel generally fine. After waking up, you spend a few minutes in bed lightly thinking ahead about some of the people you will see and the things you will do. You hit traffic on the way to work, but you don’t fight it; you just listen to the radio and don’t let the other drivers bother you. You may not be excited about your job, but today you’re focusing on the sense of accomplishment you feel as you complete each task. On the way home, your partner calls and asks you to stop at the store; it’s not your favorite thing to do after work, but you remind yourself it’s just fifteen extra minutes. In the evening, you look forward to a TV show and you enjoy watching it. Now let’s look at the same day, but imagine approaching it in a different way. After waking up, you spend a few minutes in bed pessimistically anticipating the day ahead and thinking about how boring work will be. Today, the traffic really gets under your skin, and when a car cuts you off, you get angry and honk your horn. You’re still rankled by the incident when you start work, and to make matters worse, you have an unbelievable number of rote tasks to get through. By the time you’re driving home, you feel fried and don’t want to do a single extra thing. Your partner calls to ask you to stop at the store. You feel put upon but don’t say anything and go to the store. Then you spend much of the evening quietly seething that you do all the work around the house. Your favorite show is on, but it’s hard to enjoy watching it, you feel so tired and irritated. Over these two imaginary days, the same exact things happened. All that was different was how your brain dealt with them—the setting that it used.

Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route. You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit. When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving. On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers. And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour. Now…Guess what happened? Nothing! No horns and no fingers. But why? When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak. Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily. Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!

I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.

Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite. This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers. These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.

XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.

Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")

Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.

One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.

Well,” I said, trying to keep my tone light as I walked over to put my arms around his neck, though I had to stand on my toes to do so. “That wasn’t so bad, was it? You told me something about yourself that I didn’t know before-that you didn’t, er, care for your family, except for your mother. But that didn’t make me hate you…it made me love you a bit more, because now I know we have even more in common.” He stared down at him, a wary look in his eyes. “If you knew the truth,” he said, “you wouldn’t be saying that. You’d be running.” “Where would I go?” I asked, with a laugh I hoped didn’t sound as nervous to him as it did to me. “You bolted all the doors, remember? Now, since you shared something I didn’t know about you, may I share something you don’t know about me?” Those dark eyebrows rose as he pulled me close. “I can’t even begin to imagine what this could be.” “It’s just,” I said, “that I’m a little worried about rushing into this consort thing…especially the cohabitation part.” “Cohabitation?” he echoed. He was clearly unfamiliar with the word. “Cohabitation means living together,” I explained, feeling my cheeks heat up. “Like married people.” “You said last night that these days no one your age thinks of getting married,” he said, holding me even closer and suddenly looking much more eager to stick around for the conversation, even though I heard the marina horn blow again. “And that your father would never approve it. But if you’ve changed your mind, I’m sure I could convince Mr. Smith to perform the ceremony-“ “No,” I said hastily. Of course Mr. Smith was somehow authorized to marry people in the state of Florida. Why not? I decided not to think about that right now, or how John had come across this piece of information. “That isn’t what I meant. My mom would kill me if I got married before I graduated from high school.” Not, of course, that my mom was going to know about any of this. Which was probably just as well, since her head would explode at the idea of my moving in with a guy before I’d even applied to college, let alone at the fact that I most likely wasn’t going to college. Not that there was any school that would have accepted me with my grades, not to mention my disciplinary record. “What I meant was that maybe we should take it more slowly,” I explained. “The past couple years, while all my friends were going out with boys, I was home, trying to figure out how this necklace you gave me worked. I wasn’t exactly dating.” “Pierce,” he said. He wore a slightly quizzical expression on his face. “Is this the thing you think I didn’t know about you? Because for one thing, I do know it, and for another, I don’t understand why you think I’d have a problem with it.” I’d forgotten he’d been born in the eighteen hundreds, when the only time proper ladies and gentlemen ever spent together before they were married was at heavily chaperoned balls…and that for most of the past two centuries, he’d been hanging out in a cemetery. Did he even know that these days, a lot of people hooked up on first dates, or that the average age at which girls-and boys as well-lost their virginity in the United States was seventeen…my age? Apparently not. “What I’m trying to say,” I said, my cheeks burning brighter, “is that I’m not very experienced with men. So this morning when I woke up and found you in bed beside me, while it was really, super nice-don’t get me wrong, I enjoyed it very much-it kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…

Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")

Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.

The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.