Hop On Hop Off Bus Quotes

We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.

Maybe we are all Beths, boarding other people's life journeys, or letting them hop aboard ours. For a while we ride together. A few minutes, a few miles. Companions on the road, sharing our air and our view, our feet swaying to the same beat. Then you get off at your stop, or I get off at mine. Unless we decide to stay on longer together. p 251

I feel some nostalgia for the old red buses of the past that you could hop on and off at will. Nowadays the only way out of a bus is a door you can't open with your own hands. How smugly proud we are of our new-found freedoms in the West - always bragging about them and trying to export them further afield - and yet every year some sly little technological theft of our autonomy is surreptitiously introduced into everyday life. I mean, what better definition of prison is there than an enclosed space whose door you can't open with your own hands?

Consider the average worker in almost any urban industrialized city. The alarm rings at six forty-five and our workingman or -woman is up and at it. Check the phone. Shower. Dress in the professional uniform—suits for some, coveralls for others, scrubs for the medical professionals, jeans and T-shirts for construction workers. Breakfast, if there’s time. Grab commuter mug and briefcase (or lunch box). Hop in the car for the daily punishment called rush hour or get on a bus or train packed crushingly tight. On the job from nine to five (or longer). Deal with the boss. Deal with the coworker sent by the devil to rub you the wrong way. Deal with suppliers. Deal with clients/customers/patients. E-mails pile up. Act busy. Scroll through social media feeds. Hide mistakes. Smile when handed impossible deadlines. Give a sigh of relief when the ax known as “restructuring” or “downsizing”—or just plain getting laid off—falls on other heads. Shoulder the added workload. Watch the clock. Argue with your conscience but agree with the boss. Smile again. Five o’clock. Back in the car or on the bus or train for the evening commute. Home. Act human with your partner, kids, or roommates. Cook. Post a picture of your dinner online. Eat. Watch an episode of your favorite show. Answer one last e-mail. Bed. Eight hours of blessed oblivion—if we’re lucky.

He moves through the white glare of a Key West afternoon in that curious, rolling, cantilevered, ball-of-the-foot, and just-off-kilter gait that suggests a kind of subtle menace. He’s on dense and narrow and aromatic streets bearing people’s first names—Olivia, Petronia, Thomas, Emma, Angela, Geraldine. He’s Tom Sawyer on a Saturday in Hannibal, tooting like a steamboat, rid now of Aunt Polly’s clutches, left to his own devices, not to show back home until the sun is slanting in long bars. He’s Jake Barnes on a spring morning in Paris, when the horse chestnut trees are in bloom in the Luxembourg gardens. Jake is expert at shortcutting down the Boul’Mich’ to the rue Soufflot, where he hops on the back platform of an S bus, and rides it to the Madeleine, and then jumps off and strolls along the boulevard des Capucines to l’Opéra, where he then turns in at his building and rides the elevator up to his office to read the mail and sit at the typewriter and prepare a few cables for his newspaper across the Atlantic. “There was the pleasant early-morning feel of a hot day,” is the way Jake’s creator, living in this different region of light, had said it at the start of chapter 5 of The Sun Also Rises.

Kitty was torn when it came to their arrival in Cork. The only way they could stay on schedule was by splitting up. While Ambrose and Eugene went to the butterfly symposium at Cork University, Achar and Jedrek went to Cork English Market where the Irish food board, Bord Bia, had arranged a corporate adjudicator from Guinness World Records to recognise the largest number of people dressed as eggs ever to gather in the same place. This was part of a scheme to promote the local organic egg farmers. Kitty knew that she needed to be at both events, and that Steve needed to be too, and so she quickly hopped off the bus on a mission to push her way through the people dressed as eggs, their faces popping out of holes in the egg costumes, their legs in gold spandex leggings, to find the adjudicator. Jedrek and Achar were searching just as anxiously

Eddie Grace's buick Got four bullet holes in the side Charley Delisle is sittin' at the top Of an avocado tree Mrs Storm will stab you with a steak knife If you step on her lawn I got a half a pack of lucky strikes man So come along with me Let's fill our pockets With macadamia nuts And go over to Bobby Goodmanson's And jump off the roof Hilda plays strip poker When her mama's across the street Joey Navinsky says she put Her tongue in his mouth Dicky Faulkner's got a switchblade And some gooseneck risers That eucalyptus is a hunchback There's a wind down from the south So let me tie you up with kite string I'll show you the scabs on my knee Watch out for the broken glass Put your shoes and socks on And come along with me Let's follow that fire truck I think your house is burning down Then go down to the hobo jungle And kill some rattlesnakes with a trowel And we'll break all the windows In the old Anderson place We'll steal a bunch of boysenberrys And smear 'em on your face I'll get a dollar from my mama's purse Buy that skull and crossbones ring And you can wear it round your neck On an old piece of string Then we'll spit on Ronnie Arnold And flip him the bird Slash the tires on the school bus Now don't say a word I'll take a rusty nail Scratch your initials in my arm I'll show you how to sneak up on the roof Of the drugstore I'll take the spokes from your wheelchair And a magpie's wings And I'll tie 'em to your shoulders And your feet I'll steal a hacksaw from my dad Cut the braces off your legs And we'll bury them tonight Out in the cornfield Just put a church key in your pocket We'll hop that freight train in the hall We'll slide all the way down the drain To New Orleans in the fall

I stood in the doorway and studied him while he, in turn, watched me.  We were finally alone, and I was determined to set some rules. “First, I’d like to clarify that this does not qualify as getting to know each other.  Second, you smell like wet dog.  If you want to continue to sleep in my room, on my bed, you’ll let Rachel give you a bath when she gets home.”  He snorted at that but didn’t get off the bed.  “Third, once I’m awake, you get out.  I know what you are, and I am not changing in front of you.” He outright harrumphed at that one, and I swore I saw a canine smile.  But, he did hop down from the bed.  He left the room with quiet dignity. I closed the door behind him, remade the bed—thankfully, he didn’t appear to shed—and grabbed some clothes.  I had two goals for the day.  First, I needed to figure out how long it would take me to walk to the campus from here.  Then, I needed to learn the bus schedule for the days I ran late or the weather prevented walking.  If worst came to worst, I’d buy a beater car to drive. Opening the door, I was startled to see Clay sitting there patiently waiting for me. “What are you doing?” I asked when he didn’t move.  Of course, he didn’t answer. I eyed him warily and walked past him.  In the kitchen, I grabbed the house key from the counter then moved to the back door.  Clay’s nails clicked on the floor as he followed me. “I’m going for a walk, and you’re staying here,” I said when he made to follow me outside. Clay growled slightly in response. His deep growl gave me pause.  He sounded scary. “Please don’t do that.  Unless you really are trying to scare me.”  His fur continued to bristle, but his growl stopped.  Our relationship wouldn’t go anywhere if he thought he could bully and maneuver me to his way of thinking. “And don’t crab at me.  I’m not the unlicensed dog without a leash.  Do you want me to talk Rachel into buying a pink collar for you?” He coughed out a strangled bark then turned and walked back to the living room. “See you later,” I said, feeling a little smug. The

Sweden’s capital is an expansive and peaceful place for solo travellers. It is made up of 14 islands, connected by 50 bridges all within Lake Mälaren which flows out into to the Baltic Sea. Several main districts encompass islands and are connected by Stockholm’s bridges. Norrmalm is the main business area and includes the train station, hotels, theatres and shopping. Őstermalm is more upmarket and has wide spaces that includes forest. Kungsholmen is a relaxed neighbourhood on an island on the west of the city. It has a good natural beach and is popular with bathers. In addition to the city of 14 islands, the Stockholm Archipelago is made up of 24,000 islands spread through with small towns, old forts and an occasional resort. Ekero, to the east of the city, is the only Swedish area to have two UNESCO World Heritage sites – the royal palace of Drottningholm, and the Viking village of Birka. Stockholm probably grew from origins as a place of safety – with so many islands it allowed early people to isolate themselves from invaders. The earliest fort on any of the islands stretches back to the 13th century. Today the city has architecture dating from that time. In addition, it didn’t suffer the bombing raids that beset other European cities, and much of the old architecture is untouched. Getting around the city is relatively easy by metro and bus. There are also pay‐as‐you‐go Stockholm City Bikes. The metro and buses travel out to most of the islands, but there are also hop on, hop off boat tours. It is well worth taking a trip through the broad and spacious archipelago, which stretches 80 kms out from the city. Please note that taxis are expensive and, to make matters worse, the taxi industry has been deregulated leading to visitors unwittingly paying extortionate rates. A yellow sticker on the back window of each car will tell you the maximum price that the driver will charge therefore, if you have a choice of taxis, choose

As the bus pulled away, he seized and hit the ground in a heap. Adam was out the doors before the driver could stop to let him off, prying them open and hopping down to rush to Bridger’s side. The others followed after him. “Hey,” Adam said. “Hey, hey, hey.” Adam scooped Bridger up and turned him over to pull him into his lap. He wiped the blood away from Bridger’s nose and checked his eyes as they rolled around in his skull. A bruise blossomed on his forehead where he hit his skull on the pavement. His muscles shook in violent waves, locking his arms and twisting his legs. Behind his eyelids, his brain was on fire as images popped and fizzed in the dark like burst bulbs or poorly packed fireworks.

Maybe this is how it goes, I think, watching Beth and Melanie, remembering the people I have loved, and the ones I wish I hadn't lost. Maybe we are all Beths, boarding other people's life journeys, or letting them hop aboard ours. For a while we ride together. A few minutes, a few miles. Companions on the road, sharing our air and our view, our feet swaying to the same beat. Then you get off at your stop, or I get off at mine. Unless we decide to stay on longer together.

Thus many of the new revisers of hell contend that it is only remedial. In effect, you take a really nasty purgatorial bus ride, like Greyhound with a better destination. I’m sure it’s bumpy, and crowded with people who should never take off their shoes but do, and Keanu Reeves is driving and screaming about not being able to go slower than 50 mph or the bus will explode. But this particular hypothetical hell does have “good news”—once you see the error of your ways, there is an exit. My guess is that you pull the cord as an act of repentance, the bell rings, and as you hop off at the next stop Keanu says he was just kidding about the bus blowing up and hands you a transfer pass allowing you to jump on an express bus to the good and happy place.

In the next room, the streetlight coming in through the windows outlined the bed. It looked massive. Monumental. As if it should have been a stop on the hop-on, hop-off bus for tourists.

He does, however, make one small attempt to stay interested. During the Hop-on-Hop-off Bus Tour of Paris, as the taped program drones out the names of the different fascinating locations with massive historical significance in eight languages, a thought comes unasked for into Dexter’s slowly suffocating brain.

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