Hoop Embroidery Quotes

The young ladies might behave like they were smooth and sealed as alabaster statues underneath their clothes, but then they would drop their soiled shifts on the bedchamber floor, to be whisked away and cleansed, and would thus reveal themselves to be the frail, leaking, forked bodily creatures that they really were. Perhaps that was why they spoke instructions at her from behind an embroidery hoop or over the top of a book: she had scrubbed away their sweat, their stains, their monthly blood; she knew they weren’t as rarefied as angels, and so they just couldn’t look her in the eye.

But the period I studied -- the rollicking eighteenth century engraved by Hogarth -- was the one that saw the birth of America, of women's rights, and of the novel. The novel started as a low-class form, fit only to be read by serving maids, and it is the only literary form where women have distinguished themselves so early and with such excellence that even the rampant misogyny of literary history cannot erase them. Ever wonder about women and the novel? Women, like any underclass, depend for their survival on self-definition. The novel permitted this -- and pages could still be hidden under the embroidery hoop. From the writer's mind to the reader's there was only the intervention of printing presses. You could stay at home, yet send your book abroad to London -- the perfect situation for women. In a world where women are still the second sex, many still dream of becoming writers so they can work at home, make their own hours, nurse the baby. Writing still seems to fit into the interstices of a woman's life. Through the medium of words, we have hopes of changing our class. Perhaps the pen will not always be equated with the penis. In a world of computers, our swift fingers may yet win us the world. One of these days we'll have class. And so we write as feverishly as only the dispossessed can. We write to come into our own, to build our houses and plant our gardens, to give ourselves names and histories, inventing ourselves as we go along.

Mr. Harrison is gallant, and he understands art. Deene says the menfolk chatted away an entire afternoon while Jenny eavesdropped, and Mr. Harrison had eyes only for her.” Maggie picked up Timothy, though how he’d gotten into the room was a mystery. “Mr. Harrison insisted Jenny be free to help him complete his commissions, though when I pop into the studio, Jenny’s always before her own easel, spattered in paint and looking…” “Happy,” Sophie said. “She looks happy when she paints.” The cat started purring in Maggie’s lap, loud enough for all to hear. “We’re agreed, then,” Louisa said. “Mr. Harrison makes Jenny happy, and Paris would make her miserable.” Eve yawned, Maggie stroked the cat, and Sophie picked up an embroidery hoop. “Paris would make her miserable, if she were allowed to go, which will never come to pass as long as Their Graces draw breath.

The train must have been late,” Pandora said crossly, playing with the dogs on the receiving room floor. “I hate waiting.” “You could occupy yourself with a useful task,” Cassandra said, poking away at her needlework. “That makes waiting go faster.” “People always say that, and it’s not true. Waiting takes just as long whether one is being useful or not.” “Perhaps the gentlemen have stopped for refreshments on the way from Alton,” Helen suggested, leaning over her embroidery hoop as she executed a complicated stitch. Kathleen looked up from an agricultural book that West had recommended to her. “If that’s the case, they had better be famished when they arrive,” she said with mock indignation. “After the feast Cook has prepared, nothing less than gluttony will suffice.

As I entered a home to make a pastoral visit, the person I came to see was sitting at a window embroidering a piece of cloth held taut on an oval hoop. She said, “Pastor, while waiting for you to come I realized what’s wrong with me—I don’t have a frame. My feelings, my thoughts, my activities—everything is loose and sloppy. There is no border to my life. I never know where I am. I need a frame for my life like this one I have for my embroidery.

Are you finished with your little meeting?” Audrey asked, setting down her magazine and smiling up at her brother. The way she’d said “little meeting” left Lucien with no doubt they were having fun at their expense, or perhaps it was her biting her bottom lip to prevent her laughter that gave her away. Regardless, Cedric’s sisters had challenged the men and they were in no mood to play games. Especially Cedric. “You.” Cedric pointed to Audrey. “Bed, now!” His accusing finger then swept towards Emily. “Since when do you embroider? I distinctly recall you telling me once that such a thing was a complete and utter waste of time.” “Considering your rather callous behavior tonight in leaving us out of your decisions, I decided to renew the rather useless habit,” Emily replied as though speaking of the weather. She politely held up the embroidery hoop, which was festooned with flowers around a simple phrase every single man in the room could read, Never Challenge a Woman. Lucien could only imagine how she must have embroidered that in so short a time. “We left you out of it because this matter doesn’t concern any of you ladies. Besides, it is a delicate and dangerous situation,” Cedric said. “Hmm,” Emily responded, the feminine sound came out strangely condescending. “Perhaps we ladies are keeping you out of a dangerous situation and haven’t bothered to inform you of our intentions. If you insist on keeping us in the dark, we will persist in our efforts to keep all of you alive regardless of your belief that we are incapable females.

People are like multi-coloured threads on your life's hoop. Your conversations with them, the designs. And then fate weaves it all for you, and interknits embroidery of all the incomplete colourful stories.