Honourable Woman Quotes

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All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Éorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.
J.R.R. Tolkien
Yet not for a single moment did I have any doubts about my own integrity and honour as a woman. I knew that my profession had been invented by men, and that men were in control of both our worlds, the one on earth, and the one in heaven. That men force women to sell their bodies at a price, and that the lowest paid body is that of a wife. All women are prostitutes of one kind or another.
Nawal El Saadawi (Woman at Point Zero)
She is a woman of honour and smartness whose wild leaves out luck, always taking risks, and there is something in her brow now, that only she can recognize in a mirror. Ideal and idealistic in that shiny dark hair! People fall in love with her. She is a woman I don’t know well enough to hold in my wing, if writers have wings, to harbour for the rest of my life.
Michael Ondaatje (The English Patient)
She was intelligent, accomplished, beautiful. She was everything I could have asked for in a woman. But she was a king maker. She wanted power. She must have thought her only path to the throne was through Kastor.' 'My honourable barbarian. I wouldn't have picked that as your type.' 'Type?' 'A pretty face, a devious mind and a ruthless nature.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
I know men and women. An honourable man is an honourable man, and a liar is a liar; both are born and not made. One cannot change to the other any more than that same old leopard can change its spots. After a man tells a woman the first untruth of that sort, the others come piling thick, fast, and mountain high.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
And therefore I am come amongst you at this time, not as for my recreation or sport, but being resolved, in the midst and heat of the battle, to live or die amongst you all; to lay down, for my God, and for my kingdom, and for my people, my honour and my blood, even the dust. I know I have but the body of a weak and feeble woman; but I have the heart of a king, and of a king of England, too.
Elizabeth I
A time may come soon," said he, "when none will return. Then there will be need of valour without renown, for none shall remember the deeds that are done in the last defence of your homes. Yet the deeds will not be less valiant because they are unpraised." She answered: "All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death." "What do you fear, lady?" he asked. "A cage," she said. "To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more.
J.R.R. Tolkien
I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
Charles Dickens (A Tale of Two Cities)
Well,” said the third. “Somebody’s got to do the honours.” “I shall,” said the queen, gently. She lowered her face to the sleeping woman’s. She touched the pink lips to her own carmine lips and she kissed the sleeping girl long and hard.
Neil Gaiman (The Sleeper and the Spindle)
There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.
E.M. Forster (A Room With a View)
Oh! What honour for the female sex! It is perfectly obvious that God has special regard for it when all these wretched people who destroyed the whole Kingdom – now recovered and made safe by a woman, something that 5000 men could not have done – and the traitors [have been] exterminated. Before the event they would scarcely have believed this possible.
Christine de Pizan (Ditié de Jehanne d'Arc (Medium Aevum monographs))
Wherein does a woman’s honour reside, old chap? In her vagina or in her spirit?
Angela Carter (Nights at the Circus)
And she answered: 'All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.' 'What do you fear, lady?' he asked. 'A cage,' she said.
J.R.R. Tolkien
Why aren’t you asking a hundred other guys why they don’t write strong women characters? I believe that what I’m doing should not be remarked upon, let alone honoured… Because equality is not a concept. It’s not something we should be striving for. It’s a necessity. Equality is like gravity. We need it to stand on this earth as men and women. And the misogyny that is in every culture is not a true part of the human condition. It is life out of balance, and that imbalance is sucking something out of the soul of every man and woman who is confronted with it. We need equality. Kinda now. 'So, why do you write these strong female characters?' Because you’re still asking me that question." [Equality Now speech, May 15, 2006]
Joss Whedon
Heavens! let me not suppose that she dares go about Emma Woodhouse-ing me! But, upon my honour, there seems no limits to the licentiousness of that woman's tongue!
Jane Austen (Emma)
Don't settle… The worst thing will be to find the man or woman that truly deserves you after you've married one who doesn't.
Nike Thaddeus
And she answered: ‘All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.
J.R.R. Tolkien (The Lord of the Rings)
And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman’s wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.
Arthur Conan Doyle (A Scandal in Bohemia (The Adventures of Sherlock Holmes, #1))
Your wife is psychotic." "Michaela is just angry. Anger does fascinating things to a woman - not two react the same." "Yeah, well, she's overreacting. With a knife." He nodded with a small, almost nostalgic smile. "It was my wedding gift to her. The handle is ivory." Sick bastard. "Well, at least my murder weapon will have sentimental value." "That's actually an honour, you know." "I'll keep that in mind as my life flashes before my eyes.
Rachel Vincent (Blood Bound (Unbound, #1))
Show me a woman with both feet planted firmly on the ground - and I'll show you a girl who can't get her knickers off.
Kathy Lette (To Love, Honour and Betray (Till Divorce Us Do Part))
If love were the only thing, I would follow you—in rags, if need be—to the world's end; for you hold my heart in the hollow of your hand! But is love the only thing? "I know people write and talk as if it were. Perhaps, for some, Fate lets it be. Ah, if I were one of them! But if love had been the only thing, you would have let the King die in his cell. Honour binds a woman too, Rudolf. My honour lies in being true to my country and my House. I don't know why God has let me love you; but I know that I must stay.
Anthony Hope (The Prisoner of Zenda (The Ruritania Trilogy, #2))
Taken from the dedication in my debut novel Exactly 23 days. To honour all women on International Women's day. For women everywhere: When you know you are finally mended, spread the word, hold out your hand, share some love from your heart and some laughter from your soul and be there for a new member of the sisterhood who needs your help. Let's all help our sisters worldwide to stand tall and know, they can and they will recover, survive and thrive, to live the life they deserve. To all the sisters who reached out and held my hand in whatever way you could, who cried my tears with me, and laughter my laughter too, I thank every one of you. I survived.
Jayne Higgins (Exactly 23 Days)
Breastfeeding is a beautiful thing, one of the most beautiful things that exist in nature. Think about how a woman can literally feed her baby with her body! In my eyes, this is a certain form of beauty, of divinity! To know that my body can not only form and bring another human being into the world, but that I can actually feed babies with my own milk from my own breasts— that puts me in a state of awe each time I think about it. It is an honour to be a woman.
C. JoyBell C.
Are you sure? A man’s task is to die with honour, but a woman’s task is to endure.
Remittance Girl (Gaijin)
Every other woman since Eve has asked to be loved more than honour. But not you.
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
There may be no great honour in killing a woman; such a victory can bring no fame. But I shall have some credit for having stamped dead a mortal sin, and punished a wrong which cries out for justice; and it will be joy to have gutted my desire for the vengeance of the fire and satisfied the ashes of all that were ever dear to me.
Virgil (The Aeneid)
tell me this: how was it you came to love me? LADY. I don't know; but I'll try to remember. (Pause.) Well, you had the masculine courage to be rude to a lady. In me you sought the companionship of a human being and not merely of a woman. That honoured me; and, I thought, you too.
August Strindberg (The Road to Damascus)
Nay the honour of the woman is not made even to depend on her will.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Honour'd Sir— Look to your Wife if you do love her as much as she do love you. For she is sore put to by an Enemy in the shape of a Friend. Sir, there is one near her who ought to be Away. A woman should not be try'd beyond her Strength, and continual dropping will wear away a Stone—ay, more—a Diamond.                                              From Two Well-Wishers
Thomas Hardy (Tess of the D'Urbervilles)
Give a man a noble cause and he would fight to the death for what he believed in,but get the woman he loves to leave him and his once honourable principles would cease to be quite so important.
Mike Gayle (My Legendary Girlfriend)
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic. One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these: "I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
Men of our generation often disappear once they’ve got a woman to say ‘I love you’ back to them, because it’s almost like they’ve completed a game. Because they’re the first boys who grew up glued to their PlayStations and Game Boys, they weren’t conditioned to develop any sense of honour and duty in adolescence the way our fathers were. PlayStations replaced parenting. They were taught to look for fun, complete the fun, then get to the next level, switch players or try a new game. They need maximum stimulation all the time. ‘I love you’ is the relationship equivalent of Level 17 of Tomb Raider 2 for a lot of millennial men.
Dolly Alderton (Ghosts)
I have the honour to be quite of your Lordship's opinion," said Mr. Lovel, looking maliciously at Mrs. Selwyn, "for I have an insuperable aversion to strength, either of body or mind, in a female." "Faith, and so have I," said Mr. Coverley; "for egad I'd as soon see a woman chop wood, as hear her chop logic." "So would every man in his senses," said Lord Merton; "for a woman wants nothing to recommend her but beauty and good nature; in every thing else she is either impertinent or unnatural. For my part, deuce take me if ever I wish to hear a word of sense from a woman as long as I live!" "It has always been agreed," said Mrs. Selwyn, looking round her with the utmost contempt, "that no man ought to be connected with a woman whose understanding is superior to his own. Now I very much fear, that to accommodate all this good company, according to such a rule, would be utterly impracticable, unless we should chuse subjects from Swift's hospital of idiots.
Frances Burney (Evelina)
He nearly groaned out loud. How could he have let his experience with Sana make him so cynical, so judgemental? He loved Aisha, but he hadn’t trusted her. And so, he had lost her. It felt as if his heart was being ripped out of his chest. His jaw clenched. The pain of trusting the wrong person? It was nothing compared to the pain of not trusting the right one. The repercussions of valuing an undeserving woman? They were far less devastating than those of maligning an honourable woman. He recalled the agonised, betrayed expression that had replaced Aisha’s initial shock at his ill-founded accusations, and a shudder tore through him. It felt as if his soul was shrivelling inside his body. No matter how much it hurt to have your trust broken, it hurt a million times more to break someone’s trust in you.
Ramla Zareen Ahmad (The One for Me)
This night the woman of his belittling deprecations was thinking how great and good her husband was. But over them both there hung a deeper shade than the shade which Angel Clare perceived, namely, the shade of his own limitations. With all his attempted independence of judgment this advanced and well-meaning young man, a sample product of the last five-and-twenty years, was yet the slave to custom and conventionality when surprised back into his early teachings. No prophet had told him, and he was not prophet enough to tell himself, that essentially this young wife of his was as deserving of the praise of King Lemuel as any other woman endowed with the same dislike of evil, her moral value having to be reckoned not by achievement but by tendency. Moreover, the figure near at hand suffers on such occasions, because it shows up its sorriness without shade; while vague figures afar off are honoured, in that their distance makes artistic virtues of their stains. In considering what Tess was not, he overlooked what she was, and forgot that the defective can be more than the entire.
Thomas Hardy (Tess of the D’Urbervilles)
Let's just run, huh?" Bob picked up the pace, hoping to tire his partner into silence. "That reminds me," Bernie puffed, "you know what you've told me is buried in the Fort Knox of my brain. The whole Gestapo couldn't get it out of me. But--" "But what?" "I'd really like to tell Nance. I mean husbands and wives shouldn't have secrets from each other." Bob did not respond. "Beckwith, I swear, Nancy's the soul of honour. The epitome of discretion. Besides, she'll notice I'm holding something out on her. I mean, God knows what she'll think it is." "She'd never guess," Bob said wryly. "That's just the point. Please, Beckwith, Nance'll be discreet. I swear on my clients' lives." The pressure was too great. "Okay, Bern," he sighed, "but not too many details, huh?" "Don't sweat. Just the essential wild fact--if you know what I mean." "Yeah. When will you tell her?" Three strides later Bernie answered sheepishly, "Last night.
Erich Segal (Man, Woman, and Child)
My dearest Mary, Both my words and my conduct at our last meeting were ungentlemanly - born of haste and high emotion, rather than friendship and good judgement - and yet I cannot find it within me to apologize. I am glad I kissed you; glad to have revelled in your scent, your taste, the touch of your hands; glad, even, to have quarrelled with you because during those moments of anger, I was in your presence. Mary, you are the most singular woman I know: intelligent, brave and honest, and I crave your friendship. I confess to only the haziest notion of what I ask, having never been friends with a woman before. My friendships are male and conventional; pleasant and without distinction. But a friendship with you would be a bright, new, rare thing - if you would do me the honour. I expect that what I ask is impossible. But it is sweet to dream, Mary, and thus I tender one last, insolent, unapologetic request: write to me only if you can say yes. Yours, James
Y.S. Lee (The Traitor in the Tunnel (The Agency, #3))
I come not, Ambrosia for any of the purposes thou hast named," replied Marcela, "but to defend myself and to prove how unreasonable are all those who blame me for their sorrow and for Chrysostom's death; and therefore I ask all of you that are here to give me your attention, for will not take much time or many words to bring the truth home to persons of sense. Heaven has made me, so you say, beautiful, and so much so that in spite of yourselves my beauty leads you to love me; and for the love you show me you say, and even urge, that I am bound to love you. By that natural understanding which God has given me I know that everything beautiful attracts love, but I cannot see how, by reason of being loved, that which is loved for its beauty is bound to love that which loves it; besides, it may happen that the lover of that which is beautiful may be ugly, and ugliness being detestable, it is very absurd to say, "I love thee because thou art beautiful, thou must love me though I be ugly." But supposing the beauty equal on both sides, it does not follow that the inclinations must be therefore alike, for it is not every beauty that excites love, some but pleasing the eye without winning the affection; and if every sort of beauty excited love and won the heart, the will would wander vaguely to and fro unable to make choice of any; for as there is an infinity of beautiful objects there must be an infinity of inclinations, and true love, I have heard it said, is indivisible, and must be voluntary and not compelled. If this be so, as I believe it to be, why do you desire me to bend my will by force, for no other reason but that you say you love me? Nay—tell me—had Heaven made me ugly, as it has made me beautiful, could I with justice complain of you for not loving me? Moreover, you must remember that the beauty I possess was no choice of mine, for, be it what it may, Heaven of its bounty gave it me without my asking or choosing it; and as the viper, though it kills with it, does not deserve to be blamed for the poison it carries, as it is a gift of nature, neither do I deserve reproach for being beautiful; for beauty in a modest woman is like fire at a distance or a sharp sword; the one does not burn, the other does not cut, those who do not come too near. Honour and virtue are the ornaments of the mind, without which the body, though it be so, has no right to pass for beautiful; but if modesty is one of the virtues that specially lend a grace and charm to mind and body, why should she who is loved for her beauty part with it to gratify one who for his pleasure alone strives with all his might and energy to rob her of it?
Miguel de Cervantes Saavedra (Don Quixote)
I sincerely thank the Lord God Almighty for the amazing gift of writing that He bestowed upon me
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
she would become the general symbol at which the preacher and moralist might point, and in which they might vivify and embody their images of woman's frailty and sinful passion. Thus the young and pure would be taught to look at her, with the scarlet letter flaming on her breast—at her, the child of honourable parents—at her, the mother of a babe that would hereafter be a woman—at her, who had once been innocent—as the figure, the body, the reality of sin. And over her grave, the infamy that she must carry thither would be her only monument.
Nathaniel Hawthorne (The Scarlet Letter)
P. 37/784 - Return of the King Lady Éowyn to Aragorn: “All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.
J.R.R. Tolkien
The Black Woman is amazingly strong, truly powerful, deeply visionary, has incredible worth and much love and goodness within that she is willing to share. She is to be honoured, yet must begin first to see and honour all of this (and much more) within and about herself. Let us see this more in who we truly are and live, when we do, we will attract more of the greatness that we absolutely deserve.
Rebecca Gordon
He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.
Arthur Conan Doyle (The Complete Sherlock Holmes)
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
Leonard Cohen (Death of a Lady's Man)
Dreary beloved, we are gathered here in the sight of God and in the fate of this complication, to join together this man, Saint Anthony’ –she tapped the top of his urn –‘and this woman, The Lady of the Flowers’ –gesturing towards the photograph with an upturned palm –‘in holy macaroni which is the honourable estate. Saint Anthony takes The Lady of the Flowers to be the lawful wedding wife, to have and to hold from this day forward, for better for worse, richer or poorer, to love and to perish with death now you start. And it still rhymes,’ she added proudly to herself. She paused again, long enough this time for it to be almost uncomfortable, but no doubt with the intention of underscoring the sanctity of the occasion. ‘Earth to earth, ashes to ashes, funky to punky. We know Major Tom’s a monkey. We can be heroes just for today.
Ruth Hogan (The Keeper of Lost Things)
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
When a man kills another man, the people say he is a murderer, but when the Emir kills him, the Emir is just. When a man robs a monastery, they say he is a thief, but when the Emir robs him of his life, the Emir is honourable. When a woman betrays her husband, they say she is an adulteress, but when the Emir makes her walk naked in the streets and stones her later, the Emir is noble. Shedding of blood is forbidden, but who made it lawful for the Emir? Stealing one's money is a crime, but taking away one's life is a noble act. Betrayal of a husband may be an ugly deed, but stoning of living souls is a beautiful sight. Shall we meet evil with evil and say this is the Law? Shall we fight corruption with greater corruption and say this is the Rule? Shall we conquer crimes with more crimes and say this is Justice? Had not the Emir killed an enemy in his past life? Had he not robbed his weak subjects of money and property? Had he not committed adultery? Was he infallible when he killed the murderer and hanged the thief in the tree? Who are those who hanged the thief in the tree? Are they angels descended from heaven, or men looting and usurping? Who cut off the murderer's head? Are they divine prophets, or soldiers shedding blood wherever they go? Who stoned that adulteress? Were they virtuous hermits who came from their monasteries, or humans who loved to commit atrocities with glee, under the protection of ignorant Law? What is Law? Who saw it coming with the sun from the depths of heaven? What human saw the heart of God and found its will or purpose? In what century did the angels walk among the people and preach to them, saying, "Forbid the weak from enjoying life, and kill the outlaws with the sharp edge of the sword, and step upon the sinners with iron feet?
Kahlil Gibran (Spirits Rebellious / The Madman/ The Forerunner)
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
Sting (Broken Music: A Memoir)
She wants me for sex but not for a relationship, okay?” Aidan’s mouth gaped open. “You mean, she’s acting like…a dude?” “If you mean that she has pretty much refused to go to dinner with me or any other honourable event that a man and woman can partake in on a date and instead she would rather pursue a strictly physical relationship, then the answer is yes.” “My God, it’s like she’s turned into the old me,” Aidan muttered.
Katie Ashley (The Pairing (The Proposition, #3))
Our cycles ensure that we do not live static lives. Instead they demand that we live dynamically, constantly exploring the different gifts of feminine power that each portion of our cycle holds. Part of learning the art of being a woman is learning to honour each element of our cycles and ourselves.
Lucy H. Pearce (Moon Time: Harness the Ever-Changing Energy of Your Menstrual Cycle)
he explained to me that refusing a Head of State could be looked upon as an insult to a great man and lead to strained relations between the two countries. He added that if I really loved my country, if I was a patriot, I would go to him at once. So I told the man from the police that I knew nothing about patriotism, that my country had not only given me nothing, but had also taken away anything I might have had, including my honour and my dignity.
Nawal El Saadawi (Woman at Point Zero)
May every man find the softest and most fragile expression of his personality with the right woman who would treasure and honour the beauty of his femininity and not misuse it and may all women find empowering and supportive men who would exult in her self expression and success without fear of being overshadowed by the power of her masculinity and in that beautiful new world, shall we enter as partners, equal and empowering, supporting and caring, vulnerable and strong.
Srividya Srinivasan
All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the house of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
And she answered: ‘All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.’ ‘What do you fear, lady?’ he asked. ‘A cage,’ she said. ‘To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.
J.R.R. Tolkien (The Lord of the Rings)
He never tired of watching her breathe. Every night spent beside her was an honour.
Colin Cotterill (The Woman Who Wouldn't Die (Dr. Siri Paiboun #9))
be kind and gentle with yourself. Take time out to honour and appreciate your uniqueness.
Katrina Love Senn (Losing Weight is a Healing Journey: A Woman's Guide to Losing Weight Naturally)
And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.
Arthur Conan Doyle (The Adventures of Sherlock Holmes (The Sherlock Holmes Collection Book 1))
I want my honour to be about me as a person, not me as an object with boundaries and gateways, as if I were a field – someone can touch my hand, someone can see my face, someone else can’t even speak to me. If my honour is a real thing then it can’t depend on whether a man sees my face, or touches my hand, or kisses my lips. If I am an honourable woman then I am an honourable woman like a man is an honourable man – whatever I wear, however I appear. It is about my respect for myself – not how the world sees me, not what events happen. I know that I am an honourable woman, I don’t stoop to sin, I don’t embarrass myself, I don’t do things that I know to be wrong. I know I am a good woman whether I wear a veil or keep my hair plaited out of sight.
Philippa Gregory (Stormbringers (Order of Darkness, #2))
... she exclaimed, the innate respectability of the middle-class housewife rising impulsively to the surface through the acquired dilettantism of the 'light woman.' People who enjoyed 'picking-up' things, who admired poetry, despised sordid calculations of profit and loss, and nourished ideals of honour and love, she placed in a class by themselves, superior to the rest of humanity.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
My Kind of Girl A letter of inspiration from a loving Mother Understands who she is Stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My Kind of Girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence And knowing her importance My Kind of Girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My Kind of Girl Takes charge for her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
The real monsters are born, not made. They are the ones who watch behind friendly faces. The ones who come for the innocent trying to steal everything they have, be it their most treasured possessions, their honour or their lives. Not because they must, not because their very existence relies on it but simply because there is a thrill in it for them. To watch a man pierced by wrath and greed die a lonely death, to watch a woman pierced by lust and anger whimper away in fear. It thrills them to watch man burn and bleed. Real monsters love to turn the sound of beautiful life into many a terrified scream.
Narayan Liu (The Masks of Monsters)
And what an honour to have been chosen. How silly to have been so frightened! Naturally the great leaders of the State would not allow harm to come to an innocent citizen who worked hard and had no black marks on her zapiska. Suddenly she felt immensely grateful to the father-figure that was the State, and proud that she would now have a chance to repay some of her debt. Even the Klebb woman wasn’t really so bad after all.
Ian Fleming (From Russia With Love (James Bond, #5))
Shine Bright Take it from me This life is amazing You are the one with power To choose what you desire Please make the right choice Do not just make noise Have a voice Which people can listen to Be that special person Who is known for solutions And not for causing trouble You have what it takes To turn this world around Let go of any self-doubt Get out of the mud Shake off the dust Work hard, my child Make sure you shine bright
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
What man in his senses would say such things to a woman! But men aren't in their senses. What man with a spark of honour would put this ghastly burden of life-responsibility upon a woman, and leave her there, in the void?
D.H. Lawrence (Lady Chatterley's Lover)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evils of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. I see that I hold sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place – then fair to look upon, with not a trace of this day’s disfigurement – and I hear him tell the child my story, with a tender and faltering voice. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
The contents of this letter threw Elizabeth into a flutter of spirits in which it was difficult to determine whether pleasure or pain bore the greatest share. The vague and unsettled suspicions which uncertainty had produced of what Mr. Darcy might have been doing to forward her sister's match which she had feared to encourage as an exertion of goodness too great to be probable and at the same time dreaded to be just from the pain of obligation were proved beyond their greatest extent to be true He had followed them purposely to town he had taken on himself all the trouble and mortification attendant on such a research in which supplication had been necessary to a woman whom he must abominate and despise and where he was reduced to meet frequently meet reason with persuade and finally bribe the man whom he always most wished to avoid and whose very name it was punishment to him to pronounce. He had done all this for a girl whom he could neither regard nor esteem. Her heart did whisper that he had done it for her. But it was a hope shortly checked by other considerations and she soon felt that even her vanity was insufficient when required to depend on his affection for her—for a woman who had already refused him—as able to overcome a sentiment so natural as abhorrence against relationship with Wickham. Brother-in-law of Wickham Every kind of pride must revolt from the connection. He had to be sure done much. She was ashamed to think how much. But he had given a reason for his interference which asked no extraordinary stretch of belief. It was reasonable that he should feel he had been wrong he had liberality and he had the means of exercising it and though she would not place herself as his principal inducement she could perhaps believe that remaining partiality for her might assist his endeavours in a cause where her peace of mind must be materially concerned. It was painful exceedingly painful to know that they were under obligations to a person who could never receive a return. They owed the restoration of Lydia her character every thing to him. Oh how heartily did she grieve over every ungracious sensation she had ever encouraged every saucy speech she had ever directed towards him. For herself she was humbled but she was proud of him. Proud that in a cause of compassion and honour he had been able to get the better of himself. She read over her aunt's commendation of him again and again. It was hardly enough but it pleased her. She was even sensible of some pleasure though mixed with regret on finding how steadfastly both she and her uncle had been persuaded that affection and confidence subsisted between Mr. Darcy and herself.
Jane Austen (Pride and Prejudice)
that a woman’s happiness does not come through man’s glory and honour, nor through his generosity and affection, but through love that unites both of their hearts and affections, making them one member of life’s body and one word upon the lips of God.
Kahlil Gibran (11 Books: The Prophet / Spirits Rebellious / The Broken Wings / A Tear and a Smile / The Madman / The Forerunner / Sand and Foam / Jesus the Son of Man / Lazarus and His Beloved / The Earth Gods / The Wanderer / The Garden of the Prophet)
Our bodies speak, if you would only listen. They speak another language: the mother tongue. It’s half the puzzle, the missing pieces you have been searching for, the how and why behind the symptoms you fixate on, the whole behind the healing, which cannot be found at the bottom of a bottle of pills. But you do not speak our language. My sick sisterhood, whose bodies have been felled by mysterious illnesses, bearing the arcane names of men long dead, to signify their suffering with no cure, no hope. The mothers who long for answers to the questions that their bodies are living, for soul-utions to the protest against this cold, hard world. Into their dry hungry mouths are dropped pills not answers. Prescriptions and descriptions of symptoms – not cures or laws to halt the toxic corporate world that is allowed to carry on felling us like trees in the Amazon… Each woman is an Amazon. But she does not know it. Instead she is treated. Separately. Her pile of notes, her bills, growing higher. Each one believes the sickness is hers alone. Each is sent home, ignored, tolerated. Alone. In the darkness. Until one day Medicine Woman arises within her. And there in the centre of her pain she finds her outrage, her strength, her persistence as she searches for answers. She finds the will to die to this world and the right to live a different life where she is honoured for the value of her soul, not the sweat of her brow. She begins to understand the messages her body is sending… Things are not right. In here… out there. She begins to remember there is magic in her: the power to heal, the power to transform. Medicine Woman rises.
Lucy H. Pearce (Medicine Woman: Reclaiming the Soul of Healing)
On my sacred word of honour it is lucky for Society that modern chemists are, by incomprehensible good fortune, the most harmless of mankind. The mass are worthy fathers of families, who keep shops. The few are philosophers besotted with admiration for the sound of their own lecturing voices, visionaries who waste their lives on fantastic impossibilities, or quacks whose ambition soars no higher than our corns. Thus Society escapes, and the illimitable power of Chemistry remains the slave of the most superficial and the most insignificant ends.
Wilkie Collins (The Woman in White)
Remember that there’s no jewel in the world as valuable as a chaste and honourable woman, and that women’s honour lies exclusively in their good reputations; and since your wife’s reputation couldn’t be better, as you know, why do you insist on calling this truth into question? Remember, too, my friend, that woman is an imperfect animal, and that obstacles shouldn’t be placed before her to make her stumble and fall, but rather removed to free her way of pitfalls so that she can run on unhindered to achieve the perfection she needs, that of being virtuous.
Miguel de Cervantes Saavedra (Don Quixote)
They taught the women that the home is a shame and in doing so, they successfully decomposed nations. Instead of it being the greatest honour to build a family, it became a laughingstock. And in this becoming, they successfully deconstructed nations. They taught the men that loyalty is merely an option and in doing so, they successfully destroyed nations. Instead of it being the greatest pride to love one woman, it became a joke, a funny side comment. And in this becoming, they successfully poisoned nations. Your home is your atom, your cell, your genome. Your love is your honour, your word, your truth. You wonder why we live in deconstructed nations, you ask one another why you live on torn fibres, cracked ground, and yet you continue to listen to what they tell you. You have put shame where there should be a throne, you have placed a joke where there should be a crown. You have successfully destroyed your nations.
C. JoyBell C.
I Promise You A message of hope from a wonderful Mother I am here to walk you Through this journey called life I will look after you Until you can do so on your own I know you need my help for now Yes, I assure you my lovely one I shall hold your hand no matter what And stand by you, even in the darkest night Will ensure your days are bright Indeed, the Earth can be so rough Just like the ocean changes its tide Fear not, for I will be on your side With you, I will fly high Until we go to the skies And touch the shining stars I will not let my scars Stop me from being kind To you my precious child I will be there Until the end I promise you!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Diodorus wrote at great length of the worship of the Goddess Isis (the Greek translation for Au Set), who had incorporated the aspects of both Ua Zit and Hathor. Isis was also closely associated with the Goddess as Nut, who was mythologically recorded as Her mother; in paintings Isis wore the wings of Nekhebt. Diodorus explained that, according to Egyptian religion, Isis was revered as the inventor of agriculture, as a great healer and physician and as the one who first established the laws of justice in the land. He then recorded what we today may find a most startling description of the laws of Egypt, explaining that they were the result of the reverence paid to this mighty Goddess. He wrote, “It is for these reasons, in fact, that it was ordained that the queen should have greater power and honour than the king and that among private persons the wife should enjoy authority over the husband, husbands agreeing in the marriage contract that they will be obedient in all things to their wives.
Merlin Stone (When God Was a Woman)
The Winding Stair My Soul. I summon to the winding ancient stair; Set all your mind upon the steep ascent, Upon the broken, crumbling battlement, Upon the breathless starlit air, 'Upon the star that marks the hidden pole; Fix every wandering thought upon That quarter where all thought is done: Who can distinguish darkness from the soul My Self. The consecretes blade upon my knees Is Sato's ancient blade, still as it was, Still razor-keen, still like a looking-glass Unspotted by the centuries; That flowering, silken, old embroidery, torn From some court-lady's dress and round The wodden scabbard bound and wound Can, tattered, still protect, faded adorn My Soul. Why should the imagination of a man Long past his prime remember things that are Emblematical of love and war? Think of ancestral night that can, If but imagination scorn the earth And intellect is wandering To this and that and t'other thing, Deliver from the crime of death and birth. My Self. Montashigi, third of his family, fashioned it Five hundred years ago, about it lie Flowers from I know not what embroidery - Heart's purple - and all these I set For emblems of the day against the tower Emblematical of the night, And claim as by a soldier's right A charter to commit the crime once more. My Soul. Such fullness in that quarter overflows And falls into the basin of the mind That man is stricken deaf and dumb and blind, For intellect no longer knows Is from the Ought, or knower from the Known - That is to say, ascends to Heaven; Only the dead can be forgiven; But when I think of that my tongue's a stone. II My Self. A living man is blind and drinks his drop. What matter if the ditches are impure? What matter if I live it all once more? Endure that toil of growing up; The ignominy of boyhood; the distress Of boyhood changing into man; The unfinished man and his pain Brought face to face with his own clumsiness; The finished man among his enemies? - How in the name of Heaven can he escape That defiling and disfigured shape The mirror of malicious eyes Casts upon his eyes until at last He thinks that shape must be his shape? And what's the good of an escape If honour find him in the wintry blast? I am content to live it all again And yet again, if it be life to pitch Into the frog-spawn of a blind man's ditch, A blind man battering blind men; Or into that most fecund ditch of all, The folly that man does Or must suffer, if he woos A proud woman not kindred of his soul. I am content to follow to its source Every event in action or in thought; Measure the lot; forgive myself the lot! When such as I cast out remorse So great a sweetness flows into the breast We must laugh and we must sing, We are blest by everything, Everything we look upon is blest
W.B. Yeats
Miserable is the woman who arises from the inattentiveness and restlessness of youth and finds herself in the home of a man showering her with his glittering gold and precious gifts and according her all the honours and grace of lavish entertainment but unable to satisfy her soul with the heavenly wine which God pours from the eyes of a man into the heart of a woman. 
Kahlil Gibran (11 Books: The Prophet / Spirits Rebellious / The Broken Wings / A Tear and a Smile / The Madman / The Forerunner / Sand and Foam / Jesus the Son of Man / Lazarus and His Beloved / The Earth Gods / The Wanderer / The Garden of the Prophet)
And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman’s wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
[...] The idea of honor in battle has been passed down for generations. It went from Greece to Rome, to the medieval world and the Crusades. It was beloved of Sir Philip Sidney, Essex and Southampton [...]. In many ways, the British Empire was founded on it [...] The idea came to a halt in the First World War [...] The poets, led by Wilfred Owen, told the truth about it "[...] The old lie : 'Dulce el decorum est pro patria mori'. [...]Henry IV Part I is a play with much "honor". Honor is its central theme. So let's examine Henry IV Part I for a moment, to understand the ingredients of "honor". [...] You will notice there are not many women in these plays [about honor]-and when they appear, they are usually whores or faifthful wives. Honor is not a woman's story[...] 'What is honour? A word', (...) a mere scutcheon" [says] Falstaff's iconoclasm and truthful vision about honor. {...]There are several things we can see in all this. The first is that war is a man´s game, it is intolerable, and the only way you can get people to do it is to make the alternative seem a hundred times worse [...] Therefore, valor must be glorified, if not deified. [...]
Tina Packer (Women of Will: Following the Feminine in Shakespeare's Plays)
I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbour’s or friend’s daughter She is like a flower Very fragile, yet so gorgeous An Angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated She needs to live, she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her if pain becomes a reality Embrace her should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her The honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb on a mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to wisely triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
The Men, who have taken care to engross the affairs of Religion, as well as others, to their own management, are no more guided in that than in any thing else by the dictates of reason. The religion they were bred up in, they blindly prefer to all others, without being able to give any stronger proof of it's being the best, than that it was the Faith of their fore-fathers. Upon the strength of this prejudice, they adhere to it as the only true one, and without ever examining into it, or comparing it with others; they condemn all beside it as erroneous. Is not this the case with most of the Men, our clergy not excepted? No country pleases a man so well as his own; nay, so far is he apt to carry prejudice, that he can seldom be induced to do justice to any other nation, even where truth is on it's side, if the honour and interest of his own is at stake: And this is a foible the very best Men are equally subject to. Nay, such is the imbecility of that sex, as well as ours, that even professions are a matter of prejudice.
Sophia Fermor (Woman Not Inferior to Man)
Then Anomander turned to Gripp Galas. ‘Old friend, long have you served me, with valour and with honour. As my most trusted servant I have set my weight upon you, and not once heard from you a word of complaint. You have dressed my wounds on the field of battle. You have mended the damage of my clumsy youth. Did you truly believe that now, on this fraught day, I would once more draw tight this leash? We are all weakened by distress, and indeed it seems every tender emotion lies exposed and trembling to a forest of knives. Gripp Galas, old friend, your service to me ends here and it ends now. You have won the heart of a woman who in all things is nothing less than breathtaking. If love needs permission, I give it. If your future with Lady Hish can be served by any sacrifice within my ability, I give it.’ He set his gaze upon Hish Tulla. ‘Nothing need be asked and nothing need be surrendered by you, my lady. On this, of all days, I will see love made right.’ He swung into the saddle. ‘Go well, my friends. We are done here.
Steven Erikson
But it’s a pretense, it’s artificial,” Adelia protested. “Love, honor, respect. When are they ever extended to everyday women? I doubt if that boy actually practices what he’s singing. It’s… it’s a pleasant hypocrisy.” “Oh, I have a high regard for hypocrisy,” the little nun said. “It pays lip service to an ideal which must, therefore, exist. It recognizes that there is a Good. In its own way, it is a token of civilization. You don’t find hypocrisy among the beasts of the field.” “What good does the Good do if it is not adhered to?” “That is what I have been wondering,” Mother Edyve said calmly. “And I have come to the conclusion that perhaps the early Christians wondered it, too, and perhaps that Eleanor, in her fashion, has made a start by setting a brick in a foundation on which, with God’s help, our daughters’ daughters can begin to build a new and better Jerusalem.” “Not in time for Emma,” Adelia said. “No.” Perhaps, Adelia thought drearily, it was only a very old woman who could look hopefully on a single brick laid in a wasteland.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)
... and for the first time in his life the possibility of death presented itself, not in relation to the living world, or any effect it might have on other people, but purely in relation to himself and his own soul, and it seemed so vivid, almost a dependable certainty, stark and terrible. And from the heights of this vision everything that had once tormentingly preoccupied him seemed suddenly bathed in a cold, white light with no shadows, no perspective, no outline. His whole life seemed like a magic-lantern show that he had been staring at through glass by artificial light. Now suddenly the glass was gone, and he could see those awful daubings in the clear light of day. 'Yes, yes, here they are, these false images that I used to find so worrying, enthralling and agonizing,' he told himself, giving his imagination a free rein to run over the main pictures in the magic lantern of his life, looked anew in the cold, white daylight brought on by a clear vision of death. 'Here they are, these crudely daubed figures that used to seem so magnificent and mysterious. Honour and glory, philanthropy, love of a woman, love of Fatherland -- how grand these pictures used to seem, filled with such deep meanings! And now it all looks so simple, colourless and crude in the cold light of the morning I can feel coming upon me.
Leo Tolstoy (War and Peace)
Rumours crop in the short summer nights. Dawn finds them like mushrooms in the damp grass. Members of Thomas Cromwell's household have been seeking a midwife in the small hours of the morning. He is hiding a woman at some country house of his, a foreign woman who has given him a daughter. Whatever you do, he says to Rafe, don't defend my honour. I have women like that all over the place. They will believe it, Rafe says. The word in the city is that Thomas Cromwell has a prodigious… Memory, he says. I have a very large ledger. A huge filing system, in which are recorded (under their name, and also under their offence) the details of people who have cut across me.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Better a fallen rocket than never a burst of light. Dante reserved a place in his Inferno for those who wilfully live in sadness - sullen in the sweet air, he says. Your 'honour' is all shame and timidity and compliance. Pure of stain! But the artist is the secret criminal in our midst. He is the agent of progress against authority. you are right to be a scholar. A scholar is all scruple, an artist is none. The artist must lie, cheat, deceive, be untrue to nature and contemptuous of history. I made my life into my art and it was an unqualified success. The blaze of my immolation threw its light into every corner of the land where uncounted young men sat each in his own darkness. What would I have done in Megara!? - think what I would have missed! I awoke the imagination of the century. I banged Ruskin's and Pater's heads together, and from the moral severity of one and the aesthetic soul of the other I made art a philosophy that can look the twentieth century in the eye. I had genius, brilliancy, daring, I took charge of my own myth. I dipped my staff into the comb of wild honey. I tasted forbidden sweetness and drank the stolen waters. I lived at the turning point of the world where everything was waking up new - the New Drama, the New Novel, New Journalism, New Hedonism, New Paganism, even the New Woman. Where were you when all this was happening?
Tom Stoppard (The Invention of Love)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
Charles Dickens (A Tale of Two Cities)
I suppose you only agree with me like that to please me. But, Liddy, he cannot be bad, as is said. Do you hear?" "Yes, miss, yes." "And you don't believe he is?" "I don't know what to say, miss," said Liddy, beginning to cry. "If I say No, you don't believe me; and if I say Yes, you rage at me!" "Say you don't believe it—say you don't!" "I don't believe him to be so bad as they make out." "He is not bad at all... My poor life and heart, how weak I am!" she moaned, in a relaxed, desultory way, heedless of Liddy's presence. "Oh, how I wish I had never seen him! Loving is misery for women always. I shall never forgive God for making me a woman, and dearly am I beginning to pay for the honour of owning a pretty face.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Once upon a time, when “God was a woman”, anywhere from 35000 years ago until about 3500 years ago in some parts of the world, the life-giving power of the Goddess was deeply respected. Consistent with this, women were respected as the life-givers, and the functions of pregnancy, birth, and nurturing were valued as reflections of the Great Mother, the mother of all. The rhythms and cycles of Nature were honoured in ceremonies and rituals, in daily practices that reflected a reverence for the feminine principle. Over the last few thousand years, this has changed so that the world in which we now live has little of this respect and acknowledgement. These changes have resulted in the loss of ancient ways of knowing.
Kaalii Cargill
aid an afflicted man to me, when I was last in a hospital like this, ‘Sir, I can frequently fly.’ I was half ashamed to reflect that so could I – by night. Said a woman to me on the same occasion, 'Queen Victoria frequently comes to dine with me, and her Majesty and I dine off peaches and maccaroni in our nightgowns, and His Royal Highness the Prince Consort does us the honour to make a third on horseback in a Field Marshal’s uniform.’ Could I refrain from reddening with consciousness when I remembered the amazing royal parties I myself have given (at night), the unaccountable viands I have put on table, and my extraordinary manner of conduction myself on those distinguished occasions? I wonder that the great master who knew everything when he called Sleep the death of each day’s life, did not call Dreams, the insanity of each day’s sanity
Charles Dickens (Night Walks)
Said an afflicted man to me, when I was last in a hospital like this, ‘Sir, I can frequently fly.’ I was half ashamed to reflect that so could I – by night. Said a woman to me on the same occasion, 'Queen Victoria frequently comes to dine with me, and her Majesty and I dine off peaches and maccaroni in our nightgowns, and His Royal Highness the Prince Consort does us the honour to make a third on horseback in a Field Marshal’s uniform.’ Could I refrain from reddening with consciousness when I remembered the amazing royal parties I myself have given (at night), the unaccountable viands I have put on table, and my extraordinary manner of conduction myself on those distinguished occasions? I wonder that the great master who knew everything when he called Sleep the death of each day’s life, did not call Dreams, the insanity of each day’s sanity
Charles Dickens (Night Walks)
A Remarkable Woman She is so exquisite Even without make-up on her face She is very special Even if she lets others seem important She is selfless Even when the selfish surround her She offers a lot of love Even so, she needs it often She has a big heart Even though she appears small She lets others belong But she longs to be appreciated She adds value Despite her own worth being undermined She is attentive Nonetheless; no one pays attention to her needs She is patient No matter how long it takes, she waits She is giving While no one could be willing to give She is forgiving Much as the worst was done against her She is trusting Albeit her trust was broken a countless times She is wise In spite of being treated otherwise by some She works hard Notwithstanding that she requires to rest She is helpful Yet, there is none to lend her a hand She makes life seem easy Whilst going through difficult times herself She stands by others Although there is no one to stand by her She chooses to be peaceful Against being somehow provoked She is calm Undeterred by what is not She is bold In defiance of tough battles ahead She shows bravery Still in the presence of adversity She is fearless Though she may seem helpless She is spirited Contrary to attempts to bring her down She is never destroyed Irrespective of storms she faces sometimes She keeps moving forward Granting the hindrances along the way She does not look down on others Regardless of some doing so to her She recognizes those who shielded her on rainy days Whenever the sun shines upon her She keeps on running her race Because she knows for her, grace is abundant She puts a smile on, always Since prayer keeps her in the right place She is an inspiration A pioneer of transformation True leader of economic revolution How the world aspires for such A remarkable woman!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
My voice comes from faraway, therefore it is faint and, also, because it is a woman’s voice, it is trembling of the emotion imposed by your presence, as much as of the honour of being listen to. My voice comes from faraway, but it hopes when you will listen to it that it will resound in your hearts. My voice comes from the midst of this nation, which having been placed on the threshold of Europe, will have loved and admired France and like France, and often through it, she would have strived for Freedom, vowed to have accomplished a splendid destiny and face bravely the changing mood of Fortune. You may well recognise in these qualities Romania, land of suffering, land of enlightenment and of valour placed across the promontory against the dredge of Asian invasions and like a beacon being mightily conscious of defending the civilization, which gave it its people and its laws. - Paris, 27th April 1925; addressing the League of Nations (translated Constantin Roman
Elena Văcărescu
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
What matter if the ditches are impure? What matter if I live it all once more? Endure that toil of growing up; The ignominy of boyhood; the distress Of boyhood changing into man; The unfinished man and his pain Brought face to face with his own clumsiness; The finished man among his enemies?— How in the name of Heaven can he escape That defiling and disfigured shape The mirror of malicious eyes Casts upon his eyes until at last He thinks that shape must be his shape? And what's the good of an escape If honour find him in the wintry blast? I am content to live it all again And yet again, if it be life to pitch Into the frog-spawn of a blind man's ditch, A blind man battering blind men; Or into that most fecund ditch of all, The folly that man does Or must suffer, if he woos A proud woman not kindred of his soul. I am content to follow to its source Every event in action or in thought; Measure the lot; forgive myself the lot! When such as I cast out remorse So great a sweetness flows into the breast We must laugh and we must sing, We are blest by everything, Everything we look upon is blest.
W.B. Yeats
I thought I should ask of thee---but I dared not---the rose wreath thou hadst on thy neck. Thus I waited for the morning, when thou didst depart, to find a few fragments on the bed. And like a beggar I searched in the dawn only for a stray petal or two. Ah me, what is it I find? What token left of thy love? It is no flower, no spices, no vase of perfumed water. It is thy mighty sword, flashing as a flame, heavy as a bolt of thunder. The young light of morning comes through the window and spread itself upon thy bed. The morning bird twitters and asks, `Woman, what hast thou got?' No, it is no flower, nor spices, nor vase of perfumed water---it is thy dreadful sword. I sit and muse in wonder, what gift is this of thine. I can find no place to hide it. I am ashamed to wear it, frail as I am, and it hurts me when press it to my bosom. Yet shall I bear in my heart this honour of the burden of pain, this gift of thine. From now there shall be no fear left for me in this world, and thou shalt be victorious in all my strife. Thou hast left death for my companion and I shall crown him with my life. Thy sword is with me to cut asunder my bonds, and there shall be no fear left for me in the world. From now I leave off all petty decorations. Lord of my heart, no more shall there be for me waiting and weeping in corners, no more coyness and sweetness of demeanour. Thou hast given me thy sword for adornment. No more doll's decorations for me!
Rabindranath Tagore (Gitanjali)
My brave husband came back from fighting the Turks and brought me a robe of silk and a necklace of human teeth. He sat up at night by his hearth telling tales of battle. Apparently the Turks are ten times more ferocious and fearless than the Scots. 'Perhaps we should invite them here to drive the Scots back,' I suggested, and he laughed, but he didn't kiss me. That's when I learned the truth about scars. A man with a battle scar is a veteran, a hero, given an honoured place at the fire. Small boys gaze up fascinated, dreaming of winning such badges of courage. Maids caress his thighs with their buttocks as they bend over to mull his ale. Women cluck and cosset, and if in time other men grow a little weary of that tale of honour, then they call for his cup to be filled again and again until he is fuddled and dozes quietly in the warmth of the embers. But a scarred woman is not encouraged to tell her story. Boys jeer and mothers cross themselves. Pregnant women will not come close for fear that if they look upon such a sight, the infant in their belly will be marked. You've heard of the tales of Beauty and the Beast no doubt. How a fair maid falls in love with a monster and sees the beauty of his soul beneath the hideous visage. But you've never heard the tale of the handsome man falling for the monstrous woman and finding joy in her love, because it doesn't happen, not even in fairytales. The truth is that the scarred woman's husband buys her a good thick veil and enquires about nunneries for the good of her health. He spends his days with his falcons and his nights instructing pageboys in their duties. For if nothing else, the wars taught him how to be a diligent master to such pretty lads.
Karen Maitland (Company of Liars)
I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside. There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back. Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled. The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head. There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!
David Cook (Blood on the Snow (The Soldier Chronicles, #3))
Many a time when I sat in the balcony, or hanging garden, on which my window opened, I have watched her rising in the air on her radiant wings, and in a few moments groups of infants below, catching sight of her, would soar upward with joyous sounds of greeting; clustering and sporting around her, so that she seemed a very centre of innocent delight. When I have walked with her amidst the rocks and valleys without the city, the elk-deer would scent or see her from afar, come bounding up, eager for the caress of her hand, or follow her footsteps, till dismissed by some musical whisper that the creature had learned to comprehend. It is the fashion among the virgin Gy-ei to wear on their foreheads a circlet, or coronet, with gems resembling opals, arranged in four points or rays like stars. These are lustreless in ordinary use, but if touched by the vril wand they take a clear lambent flame, which illuminates, yet not burns. This serves as an ornament in their festivities, and as a lamp, if, in their wanderings beyond their artificial lights, they have to traverse the dark. There are times, when I have seen Zee’s thoughtful majesty of face lighted up by this crowning halo, that I could scarcely believe her to be a creature of mortal birth, and bent my head before her as the vision of a being among the celestial orders. But never once did my heart feel for this lofty type of the noblest womanhood a sentiment of human love. Is it that, among the race I belong to, man’s pride so far influences his passions that woman loses to him her special charm of woman if he feels her to be in all things eminently superior to himself? But by what strange infatuation could this peerless daughter of a race which, in the supremacy of its powers and the felicity of its conditions, ranked all other races in the category of barbarians, have deigned to honour me with her preference?
Edward Bulwer-Lytton (The Coming Race)
Divorced women should wait for three menstrual cycles; it is unlawful for them, if they believe in God and the Last Day, to hide what God has created in their wombs. Their husbands have the right to take them back within that time, if they desire to be reconciled. The wives have rights corresponding to those which the husbands have, according to what is recognized to be fair, but men have a rank above them. God is almighty and all wise. 229 Divorce may be pronounced twice, and then a woman must be retained honourably or released with kindness. It is not lawful for you to take away anything of what you have given your wives, unless both fear that they would not be able to observe the bounds set by God. In such a case it shall be no sin for either of them if the woman opts to give something for her release. These are the bounds set by God; do not transgress them. Those who transgress the bounds of God are wrongdoers. 230 And if man finally divorces his wife, he cannot remarry her until she has married another man. Then if the next husband divorces her, there will be no blame on either of them if the former husband and wife return to one another, provided they think that they can keep within the bounds set by God. These are the bounds prescribed by God, which He makes clear to men of understanding. 231 Once you divorce women, and they have reached the end of their waiting period, then either retain them in all decency or part from them decently. Do not retain them in order to harm them or to wrong them. Whoever does this, wrongs his own soul. Do not make a mockery of God’s revelations. Remember the favours God has bestowed upon you, and the Book and the wisdom He has revealed to exhort you. Fear God and know that God is aware of everything. 232 When you divorce women and they reach the end of their waiting period, do not prevent them from marrying other men, if they have come to an honourable agreement. This is enjoined on every one of you who believes in God and the Last Day; it is more wholesome and purer for you. God knows, but you do not know.
Wahiduddin Khan (Quran)