Honduras Love Quotes

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This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.' Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.
Jeanine Cummins (American Dirt)
El amor sólo es posible cuando dos personas se comunican entre sí desde el centro de sus existencias, por lo tanto, cuando cada una de ellas se experimenta a sí misma desde el centro de su existencia. Experimentado en esa forma, el amor es un desafío constante; no un lugar de reposo, sino un moverse, crecer, trabajar juntos; que haya armonía o conflicto, alegría o tristeza, es secundario con respecto al hecho fundamental de que dos seres se experimentan desde la esencia de su existencia, de que son el uno con el otro al ser uno consigo mismo y no al huir de sí mismos. Sólo hay una prueba de la presencia de amor: la hondura de la relación y la vitalidad y la fuerza de cada una de las personas implicadas; es por tales frutos por los que se reconoce al amor.
Erich Fromm (The Art of Loving)
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Mama Pinto
There were many people who left a mark at Incarnation, but I’ll pick out just one, a counselor and unit director named Wes Wubbenhorst. He was a big, athletic, goofy man-child. His conversation was all overflowing enthusiasm, interspersed with whistles, pops, weird exclamations, sudden laughter, and good cheer. He was always interrupting himself mid-sentence as another thing that delighted him sprang into consciousness. He lived to be over sixty and walked through the darkest parts of the world, but I don’t think he ever learned to talk in that serious way adults do. Some piece of him always remained a Holy Child. I’ve come to recognize people who were formed by a camp, and they often had what Wes had: bubbling enthusiasm, a radiance, a wardrobe mostly of old sneakers, tattered shorts, and ripped T-shirts. Wes later became an Episcopal priest. He ministered to the poor in Honduras, comforted victims of domestic violence. His God was a God of love, and his life at camp was training for his mission of selfless love. He was, as the saying goes, a man for others: enthusiastically waking you up in the morning and singing you to bed each night, the best passer on the basketball court I’ve ever encountered. When someone did something extraordinarily stupid, he would just smile and sigh in wonder at the wackiness of life.
David Brooks (The Second Mountain: The Quest for a Moral Life)