Hollywood Boulevard Quotes

We've searched our database for all the quotes and captions related to Hollywood Boulevard. Here they are! All 55 of them:

The stores along Hollywood Boulevard were already beginning to fill up with overpriced Christmas junk, and the daily papers were beginning to scream about how terrible- it would be if you didn't get your Christmas shopping done early.
Raymond Chandler
How was it they had cut to Hollywood Boulevard for a fluff piece and ended up with Gangs of New-Fucking-York?! Bonnie looked to her co-Anchor. He was wearing a good mouth for cooling soup.
David Louden (Heroes of Hollywood Boulevard)
One way or another we’re taking your bank. All you have to do is decide the level of persuasion we need to apply.
David Louden (Heroes of Hollywood Boulevard)
Marilyn Monroe is pissing me off, Charlie Chaplin owes me twenty bucks, that fucker Shrek tried to fuck my girlfriend at Baskin Robbins.
David Louden (Heroes of Hollywood Boulevard)
We drove back through the valley, down to Ventura Boulevard, and over the hills to Hollywood and then west to the Château Marmont, waiting like Tangiers for strangers to find happiness. The land of self-enchantment had, once more, upheld its end of the deal—to be there for those willing to stay. By then, the jacaranda flowers had all fallen and squashed onto the streets in sticky mush, no longer turning the town lavender with clouds, but still they’d be there again next May and so would I.
Eve Babitz (Black Swans: Stories)
I went for a walk on Hollywood Boulevard. I looked down and there was a large white dog walking beside me. his pace was exactly the same as mine, we stopped at traffic signals together. a woman smiled at us. he must have walked 8 blocks with me. then I went into a grocery store and when I came out he was gone. or she was gone. the wonderful white dog with a trace of yellow in its fur. the large blue eyes were gone. the grinning mouth was gone. the lolling tongue was gone. things are so easily lost. things just can't be kept forever. I got the blues. I got the blues. that dog loved and trusted me and I let it walk away.
Charles Bukowski
drive past Stansbury and make a right onto Ventura and let it take me through Studio City, where the boulevard became Cahuenga, and then head into Hollywood, cruising along Sunset until I hit Beverly Glen
Bret Easton Ellis (The Shards)
Weetzie and My Secret Agent Lover Man and Dirk and Duck and Cherokee and Witch Baby and Slinkster Dog and Go-Go Girl and the puppies Pee Wee, Wee Wee, Teenie Wee, Tiki Tee, and Tee Pee were driving down Hollywood Boulevard on their way to the Tick Tock Tea Room for turkey platters.
Francesca Lia Block
Ken steepled his fingers and gazed thoughtfully up at the ceiling. 'Dwarves have done very well for us in primetime.
Melissa Jo Peltier (Reality Boulevard)
They stood either side of him like haunting little genetic bookends. The one thing he’ll leave behind, two kids who called another man for help with their homework.
David Louden (Heroes of Hollywood Boulevard)
There are no silicon mines in Silicon Valley. The wealth resides in the minds of Google engineers and Hollywood script doctors, directors and special-effects wizards, who would be on the first plane to Bangalore or Mumbai long before the Chinese tanks rolled into Sunset Boulevard.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Imagine a brain floating in a tank with millions and millions of electrodes attached to specific nerve centers. Now imagine these electrodes being selectively stimulated by a computer to cause the brain to believe that it was walking down Hollywood Boulevard chomping on a hamburger and checking out the chicks.

Now, if there was a technological foul-up, or if the tapes got jumbled, the brain would suddenly see Jesus Christ pass by down Hollywood Boulevard on his way to Golgotha, pursued by a crowd of angry people, being whipped along by seven Roman Centurions.

The brain would say, "Now hold on there!" And suddenly the entire image would go "pop" and disappear.

I've always had this funny feeling about reality. It just seems very feeble to me sometimes. It doesn't seem to have the substantiality that it's suppose to have.
Philip K. Dick
Mirabelle knows, and she lets this be unspoken, that all free things require conversation. Sitting in a darkened movie theatre requires absolutely no conversation at all, whereas a free date, like a walk down Hollywood Boulevard in the busy evening, requires comments, chatter, observations, and with luck, wit. She worries that since they have only exchanged perhaps two dozen words between them, these free dates will be horrible.
Steve Martin (Shopgirl)
The boulevard was awash with the curious and the shocked as wave after wave of tourist crashed into the unmoving masses of families who had just witnessed a brawl between The Incredible Hulk and SpongeBob Squarepants over territory, boundaries and the age old issue of ownership.
David Louden (Heroes of Hollywood Boulevard)
In San Francisco one felt the spirit of optimism and enterprise. Los Angeles, on the other hand, was an ugly city, hot and oppressive, and the people looked sallow and anaemic. It was a much warmer climate but had not the freshness of San Francisco; nature has endowed the north of California with resources that will endure and flourish when Hollywood has disappeared into the prehistoric tar-pits of Wilshire Boulevard.
Charlie Chaplin (My Autobiography (Neversink))
Every day I walk down Hollywood Boulevard and see civilians making themselves crazy worrying about the meetings they're late for or did they put the rent check in the mail or is their ass starting to sag and I think, "I've seen the creaky clockwork that turns the stars and planets. I've gotten drunk with the devil and body-slammed angels. I've seen the Room of Thirteen Doors at the center of the universe. I know the taste of my own blood as well as you know your favorite wine. I've seen so much more than you'll ever see." And then it hits me like a runaway semi. I don't know anything that matters.
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
December 1931 was drawing to a close and Hollywood was aglow with Christmas spirit, undaunted by sizzling sunshine, palm trees, and the dry encircling hills that would never feel the kiss of snow. But the “Know-how” that would transform the Chaplin studio in the frozen Chilkoot Pass could easily achieve a white Christmas. In Wilson’s Rolls-Royce convertible, we drove past Christmas trees heavy with fake snow. An entire estate on Fairfax Avenue had been draped in cotton batting; carolers straight out of Dickens were at its gate, perspiring under mufflers and greatcoats. The street signs on Hollywood Boulevard had been changed to Santa Claus Lane. They drooped with heavy glass icicles. A parade was led by a band blaring out “Santa Claus is Coming to Town,” followed by Santa driving a sleigh. But Hollywood granted Santa the extra dimension of a Sweetheart and seated beside him was Clara Bow (or was it Mabel Normand?)
Anita Loos (Kiss Hollywood Good-By)
One evening I was walking along Hollywood Boulevard, nothing much to do. I stopped and looked in the window of a stationary shop. A mechanized pen was suspended in space in such a way that, as a mechanized roll of paper passed by it, the pen went through the motions of the same penmanship exercises I had learned as a child in the third grade. Centrally placed in the window was an advertisement explaining the mechanical reasons for the perfection of the operation of the suspended mechanical pen. I was fascinated, for everything was going wrong. Then pen was tearing the paper to shreds and splattering in all over the window and on the advertisement, which, nevertheless, remained legible.
John Cage (A Year from Monday: New Lectures and Writings)
Every little prick out there wants me to lift them. I had this one kid from Oklahoma, big fat shitter he was. Legs as fat as a Downers forehead screaming Up, up, Hulk up! at me for ten minutes until I had no other choice. Fat fucker damn near put my back out and then his old man stiffs me with Canadian dollars. Canadian, can you believe that shit?!
David Louden (Heroes of Hollywood Boulevard)
I stayed with you inside the room, as the warm white walls became a womb.
Dana Goodyear (The Oracle of Hollywood Boulevard: Poems)
Here, one wants to create the Paris of the Far West. Evening traffic on Hollywood Boulevard attempts to mimic Parisian boulevard life. However, life on the Boulevard is extinct before midnight, and the seats in front of the cafes, where in Paris one can watch street life in a leisurely manner, are missing. . . . At night the illuminated portraits of movie stars stare down from lampposts upon crowds dressed in fake European elegance – a declaration that America yearns to be something other than American here. . . . Yet, in spite of the artists, writers and aspiring film stars, the sensibility of a real Montmartre, Soho, or even Greenwich Village, cannot be felt here. The automobile mitigates against such a feeling, and so do the new houses. Hollywood lacks the patina of age.75
Mike Davis (City of Quartz: Excavating the Future in Los Angeles (The Essential Mike Davis))
Only when they have outrun the all-too-eager shadows of the Canyon and they are back in the glare of the billboards on Sunset Boulevard, do they wipe their clammy palms, and wonder to themselves how it was that in such a harmless
Clive Barker (Coldheart Canyon: A Hollywood Ghost Story)
The Strip was still lit by a million neon lights, though the crowds on the sidewalk had greatly decreased by this hour. Still, Bosch was awed by the spectacle of light. In every imaginable color and configuration, it was a megawatt funnel of enticement to greed that burned twenty-four hours a day. Bosch felt the same attraction that all the other grinders felt tug at them. Las Vegas was like one of the hookers on Sunset Boulevard in Hollywood. Even happily married men at least glanced their way, if only for a second, just to get an idea what was out there, maybe give them something to think about. Las Vegas was like that. There was a visceral attraction here. The bold promise of money and sex. But the first was a broken promise, a mirage, and the second was fraught with danger, expense, physical and mental risk. It was where the real gambling took place in this town.
Michael Connelly (Trunk Music (Harry Bosch, #5; Harry Bosch Universe, #6))
going anyplace outside L.A. Just bothering to go someplace other than Santa Monica was incomprehensible when I could just wake up every morning at dawn, yank on my bathing suit still on the floor from the night before when I’d yanked it off, hurry down to Hollywood and Gower to catch the 91S bus down Hollywood Boulevard and then Santa Monica Boulevard to Beverly Hills and transfer to the 83 going straight out to the beach untilfinally there I’d be, at 8:00 A.M. or so, able to feel the cool sand get warm as the morning sun glazed over the tops of the palm trees up on the palisades while waves of the ocean crashed down day after day so anyone could throw himself into the tides and bodysurf throughout eternity.
Eve Babitz (L.A.WOMAN)
Most important, my mother was also given the chance to study acting with the brilliant Charles Laughton, eventually becoming a member of his acting company, the Charles Laughton Players, performing Chekhov and Shakespeare in a small theater on Beverly Boulevard, on the outskirts of Hollywood. Not only did she find herself onstage with Mr. Laughton, but she had the amazing good fortune to be directed by him as well. These moments stayed alive in her always.
Sally Field (In Pieces)
Jeremy Spencer, always religious to an obsessive degree, had disappeared hours before a show while on tour with Fleetwood Mac in the U.S. According to band lore, it had happened right here in Los Angeles in 1971. He walked out of the band’s hotel room announcing, “Just going out to a bookstore”, and never returned. Somewhere on Hollywood Boulevard he climbed into a van belonging to members of a religious group who called themselves the Children of God. After a long, frantic search involving the police and close friends, Jeremy was finally tracked down to a ramshackle house that was the headquarters of the Children of God. He’d become a full-fledged member of a religious group that some would label a cult. And there he stayed. He refused to come back to either Fleetwood Mac or his wife and children, choosing instead to join a group of religious fanatics and leave all that he had ever known behind. And now he was standing in
Carol Ann Harris (Storms: My Life with Lindsey Buckingham and Fleetwood Mac)
Nestor said to me. "A row of Hussars on horseback will come to take me. What will it be for you?" I remembered don Juan telling me once that death might be behind anything imaginable, even behind a dot on my writing pad. He gave me then the definitive metaphor of my death. I had told him that once while walking on Hollywood Boulevard in Los Angeles I had heard the sound of a trumpet playing an old, idiotic popular tune. The music was coming from a record shop across the street. Never had I heard a more beautiful sound. I became enraptured by it. I had to sit down on the curb. The limpid brass sound of that trumpet was going directly to my brain. I felt it just above my right temple. It soothed me until I was drunk with it. When it concluded, I knew that there would be no way of ever repeating that experience, and I had enough detachment not to rush into the store and buy the record and a stereo set to play it on. Don Juan said that it had been a sign given to me by the powers that rule the destiny of men. When the time comes for me to leave the world, in whatever form, I will hear the same sound of that trumpet, the same idiotic tune, the same peerless trumpeter.
Carlos Castaneda
Consider California. Its wealth was initially built on gold mines. But today it is built on silicon and celluloid – Silicon Valley and the celluloid hills of Hollywood. What would happen if the Chinese were to mount an armed invasion of California, land a million soldiers on the beaches of San Francisco and storm inland? They would gain little. There are no silicon mines in Silicon Valley. The wealth resides in the minds of Google engineers and Hollywood script doctors, directors and special-effects wizards, who would be on the first plane to Bangalore or Mumbai long before the Chinese tanks rolled into Sunset Boulevard. It is not coincidental that the few full-scale international wars that still take place in the world, such as the Iraqi invasion of Kuwait, occur in places where wealth is old-fashioned material wealth. The Kuwaiti sheikhs could flee abroad, but the oil fields stayed put and were occupied.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Together they were the three musketeers of the airwaves: all for one, one for all. They had met during China’s war with Japan, when all three had enlisted in the Chinese cause. After the war they returned to California to form the A-l Detective Agency. Their office was just off Hollywood Boulevard, one flight up, but they were seldom found there. Their cases took them to exotic locales, the titles themselves (The Fear That Creeps Like a Cat; Temple of Vampires; The Snake with the Diamond Eyes; etc.) dripping dangerous adventure. This was not standard juvenile fare. Children certainly listened, but often covertly, under blankets with the volume low. The fact that Mutual scheduled it at 10:15 p.m. says much about the content of I Love a Mystery.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
engages youth through film in the promotion of safer and more diverse learning environments, free from homophobia, transphobia and bullying.”) Follow him @razielreid. Table of Contents Preproduction Hair and Makeup The Set Child Star The Small Screen Rehab Movie Poster Flashback Sex Scene Train Wreck Sunset Boulevard Shoot-out Fight Sequence 9021-Opiates Typecast Hidden Feature Rewrite Hollywood Ending Director’s Cut
Raziel Reid (When Everything Feels like the Movies)
During this period, I served many celebrities, including Jennifer Aniston, Vince Vaughn, Gary Oldman, Leonardo DiCaprio, Juliette Lewis, Rob Lowe, Colin Farrell, Tom Selleck, David Spade, Thomas Haden Church, Sharon Osbourne, Brad Pitt, John Malkovich, Tara Reid, Toby Maguire and Diane Keaton. You know all of them, so no explanation needed. The hardest thing about serving such famous Hollywood icons, at least for the first time, is trying not to stare at them. It’s so otherworldly to see someone like Selleck, who’s not just huge -he’s bigger than life- and who you´ve watched on big screen and small for years… they are, invariably, taller or shorter than you’d imagined. And the women are either spectacularly beautiful or very ordinary without screen makeup. But you can’t stare. It’s verbatim by ownership. Brad Pitt was cool and very humble. He had a few Pyramid beers with a producer friend, and then took off on his motorcycle down Sunset Boulevard, heading West towards the Palisades. Am I saying that he was driving drunk? No. He was there for two hours and had two beers, so he wasn’t breaking the law. At least not with my assistance. He had been there many times before, I just hadn’t been the one serving him. I remember when he came in during his filming of Troy. He had long hair and a cast on his leg. Ironically, he had torn his Achilles’ tendon while playing Achilles in the epic film.
Paul Hartford (Waiter to the Rich and Shameless: Confessions of a Five-Star Beverly Hills Server)
There are serious doubts that Meghan saw any violence, not even the minor looting in a store near the ABC studio. In her absence the riots spread to Sunset and Hollywood Boulevards. After five days the curfew was lifted and they returned to Los Angeles. Meghan drove past burnt-out buildings, though no houses near her home were damaged. More than 20 years later Meghan recalled a different experience: ‘I remember the curfew and I remember rushing back home and on that drive home, seeing ash fall from the sky and smelling the smoke and seeing it billow out of buildings and seeing people run out of buildings carrying bags and looting.’22 She also saw ‘men in the back of a van just holding guns and rifles’. Equally memorable was a familiar tree outside her father’s home ‘completely charred. And those memories don’t go away.’23
Tom Bower (Revenge: Meghan, Harry and the war between the Windsors)
So I cruised slowly around Hollywood looking at the hustlers and pimps, the tourists and hookers, the people from Plainfield, New Jersey, looking for stars, the prom queens from Shakopee, Minnesota, veterans already of the casting couches. They were all there on the boulevard, frightened, eager, angry, desperate, just and unjust; mingling, hurrying, hanging around, trying to get ahead, get a stake, get a chance, a kind word; looking for money, for love, for a place to sleep, trying to score some dope, some booze, something to eat; most of them alone, almost all of them lonely.
Raymond Chandler (Poodle Springs)
He wouldn’t attract flies,’ was the verdict of a club owner invited to book Sinatra for a week of performances. Most believed that and because he’d angered so many people in the movies and recording industry few were willing to help including those who had made good money from his career. His friend Mickey Cohen stepped in with a ‘testimonial dinner’ in early 1951 at the Beverly Hills Hotel, the pink palace standing proudly on that tributary for fading stars, Sunset Boulevard, but it was a disappointing affair. Cohen had to outfit his own bodyguards and assorted other hoods in evening wear to make up the numbers. The invited ‘girls’ got more attention in the hotel’s Polo Lounge. Most of Hollywood thought it was all over for Frank Sinatra but across the country in New Jersey, which has a warm approach to all things Italian, was a pal who always believed the best was yet to come. Paul ‘Skinny’ D’Amato, a maestro of the entertainment business in Atlantic City, a Mafia indulged fixture of the Boardwalk, a gambler, and a fixer and, importantly, an entertaining and loveable man, met Sinatra in 1939. He proved a valuable connection and loyal ally.
Mike Rothmiller (Frank Sinatra and the Mafia Murders)
Hollywood Boulevard had been victimized by a burglar three times in two years. The criminal methods of each break-in were similar and so it was suspected by the Los Angeles Police Department that the same thief was responsible each time. But the thief was careful never to leave a fingerprint or any other clue to his identity. No arrests were
Michael Connelly (Angle of Investigation (Harry Bosch, #14.7; Harry Bosch Universe, #23.5))
Designed in a 'Pueblo Deco' style, which blends Mission with Art Deco influences, the DCA tower is a composite modeled after real Hollywood landmarks built in the 1920's; possible influences include the Hollywood Tower at 6200 Franklin Avenue, The Hollywood Roosevelt Hotel at 7000 Hollywood Boulevard and the Chateau Marmont at 8221 Sunset Boulevard.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - DCA: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
nature has endowed the north of California with resources that will endure and flourish when Hollywood has disappeared into the prehistoric tar-pits of Wilshire Boulevard.
Charlie Chaplin (My Autobiography (Neversink))
Anyone who has ever ventured to Hollywood with dreams of someday making it in this town, has ventured into Mel’s Drive-in on Sunset Boulevard.
Alex Storm (Kill The Dog: A Comic Novel)
Anyone who has ever ventured to Hollywood with dreams of someday making it in this town, has ventured into Mel’s Drive-in on Sunset Boulevard. This old dame has seen us all.
Alex Storm (Kill The Dog: A Comic Novel)
It is popular now to say that Hollywood is a state of mind more than an actual place, since the Boulevard itself has become as tasteless and as subject to bad elements as that other den of American excess, Times Square
Nina Revoyr (The Age of Dreaming)
Hollywood Boulevard looked like it always did in the morning, like a hooker with her make-up off.
Raymond Chandler (Poodle Springs)
I lived various places, Hancock Park, Beachwood Canyon, Studio City, and lastly in Nichols Canyon, not far from where I was staying. West Hollywood is known as an LGBTQ+ area of Los Angeles. Rows of queer bars run along Santa Monica Boulevard, mostly catering to cis white gay men. Rainbows line the streets.
Elliot Page (Pageboy: A Memoir)
If you drive up Wilshire Boulevard from LA, about a half mile before you cross San Vicente Boulevard and go on into Beverly Hills, you’ll see, to your right or on the north side of Wilshire, the very attractive Ghian Apartments. The apartments face south and the sea — less than ten miles distant to the southwest — while behind are the Hollywood Hills. That’s where I was at three-fifteen on this Tuesday morning in September. The so-called complex consisted of two identical and adjacent twelve-story units, joined only at the top by girders at the front and back. The Dual Gihan’s, somebody had dubbed them, and the name had stuck. They were separated by only forty feet but that space of just over thirteen yards was landscaped with what appeared to be at least fifty yards of variegated and thickly massed planting.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Five)
Like many detectives he preferred to use his own laptop because the computers provided by the department were old and slow and most of them carried more viruses than a Hollywood Boulevard hooker.
Michael Connelly (The Overlook (Harry Bosch, #13; Harry Bosch Universe, #18))
When I lived on Hollywood Boulevard, its heyday had long passed and a tired seediness had settled in—the tuxedos threadbare, the fur stoles gone to mange, and the champagne bubbles long since popped. Buses belched smoke where limousines once idled, and a tourist was more likely to have a personal encounter with a pickpocket than a movie star.
Lorna Landvik (Best to Laugh: A Novel)
Don’t suppose you know where 8152 Sunset Boulevard is?” “What do I look like? A street map?
Martin Turnbull (The Garden on Sunset (Hollywood's Garden of Allah #1))
I used to like this town,” I said, just to be saying something and not to be thinking too hard. “A long time ago. There were trees along Wilshire Boulevard. Beverly Hills was a country town. Westwood was bare hills and lots offering at eleven hundred dollars and no takers. Hollywood was a bunch of frame houses on the interurban line. Los Angeles was just a big dry sunny place with ugly homes and no style, but goodhearted and peaceful. It had the climate they just yap about now. People used to sleep out on porches. Little groups who thought they were intellectual used to call it the Athens of America. It wasn’t that, but it wasn’t a neon-lighted slum either.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
There is no more hazardous task in Hollywood than trying to make a popular or critically acclaimed book into a television series or feature film. Hollywood Boulevard is lined with the skulls and bleached bones of all those who have tried and failed … and for every known failure, there are a hundred you have never heard of, because the adaptations were abandoned somewhere along the way, often after years of development and dozens of scripts.
Bryan Cogman (Inside HBO's Game of Thrones)
Hollywood Boulevard at night was a dream in neon. Mickey cruised along the strip, colorful lights blurring by like hallucinations. On his right, the El Capitan Theatre lured customers in like a Vegas casino, while the Walk of Fame preserved stardom on his left. Tourists bustled beneath the blinking signs like extras in the giant story of this land of stories, hoping for a real-life glimpse of that other world just behind the veneer of this place. In the ’50s, Hollywood Boulevard had looked different—less buildings, less vehicles, less pedestrians—but the aura of the strip, the energy, hadn’t changed at all.
Philip Elliott (Porno Valley)
the computers provided by the department were old and slow and most of them carried more viruses than a Hollywood Boulevard hooker.
Michael Connelly (The Overlook (Harry Bosch, #13; Harry Bosch Universe, #18))
HOLLYWOOD BOULEVARD IS THE HEART OF the heartless Hollywood legend. Like special moths attracted to the special glitter of the nihilistic movie capital, the untalented or undiscovered are spewed into the streets by the make-it legend.
John Rechy (City of Night)
Her eyes lit up when she mentioned the grand thoroughfare Central Avenue, where black nightclubs flourished and where the Dunbar Hotel, home to the black elite, stood like a mighty fortress.
Donald Bogle (Bright Boulevards, Bold Dreams: The Story of Black Hollywood)
When Los Angeles was founded in 1781—as a city of angels—by a group of eleven families, it seemed to throw out a welcome mat to people of color. After all, of that founding group—forty-four men, women, and children—twenty-six were of African descent, black or “black Spaniards,” as they were sometimes called.
Donald Bogle (Bright Boulevards, Bold Dreams: The Story of Black Hollywood)
Now, with only seventeen shopping days till Christmas, he blew into Hollywood, extending the season’s greetings at gunpoint to one and all. The first day, he stuck up a motel on Sunset Boulevard for $759. Haphazardly, he hit motels and restaurants and once paused on the street to relieve a passerby of $150. He wasn’t very bright, and he didn’t think big, but he was a busy mugg, and that kind causes just as much trouble to a detective. Forbes and Hubka were right behind, trying to make him a Christmas present for the division, as he ran up $5,168.15 in holdup loot. They missed their private goal by two days.
Jack Webb (The Badge: True and Terrifying Crime Stories That Could Not Be Presented on TV, from the Creator and Star of Dragnet)
I applied at Tower Records on Sunset Boulevard after my band broke up. I really wanted to work there because it involved the love of my life, music. It was also located on the world famous Sunset Strip, a place I dreamed of going to ever since I was a teenager in the 80's to become a rock star.
K.D. Sanders