Holly Near Quotes

We've searched our database for all the quotes and captions related to Holly Near. Here they are! All 100 of them:

Mental illnesses grab you by the leg, screaming, and chow you down whole.They make you selfish. They make you irrational. They make you irrational. They make you self-absorbed. They make you needy. They make you cancel plans last minute. They make you not very fun to spend time with. They make you exhausting to be near.
Holly Bourne (Am I Normal Yet? (The Spinster Club, #1))
Maybe it was that nearly everyone else was dead and she felt a little bit dead too, but she figured that even a vampire deserved to be saved. Maybe she ought to leave him, but she wasn't going to.
Holly Black (The Coldest Girl in Coldtown)
As the last Seelie left the hall, Roiben, self-declared King of the Unseelie Court, nearly fell into his throne. Kaye tried to smile at him, but he was not looking at her. He was staring out across the brugh with eyes the color of falling ash. Corny had not stopped laughing.
Holly Black (Tithe (Modern Faerie Tales, #1))
Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me." That makes me nearly spit out beer, I laugh so hard. "No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat." That only makes me laugh harder. "Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope." "Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound. "It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy." "I am a nice guy." I try to be. Sam snorts. "She liked you because you scared her. And then you scared her too much.
Holly Black (Red Glove (Curse Workers, #2))
His wax-white skin was cool to the touch when she brushed his neck to find the knot of cloth. She'd never been this close to a vampire,never realized what it would be like to be so near to someone who didn't breathe, who could be as still as any statue. His chest neither rose not fell. Her hands shook.
Holly Black (The Coldest Girl in Coldtown)
Moments before she planted a massive kiss right on his mouth. Call’s eyes went wide. Hers were closed as she leaned into him. They stood like that for a moment. Call was aware that people were staring at them — Tamara looking shocked, and Aaron, standing near her, started to laugh. Call was pretty sure Aaron was laughing at the fact that Call, having no idea where to put his hands, was waving his arms around like a squid underwater.
Holly Black (The Copper Gauntlet (Magisterium, #2))
Tana would sit near the door to the basement with fingers in her ears, tears and snot running down her face as she cried and cried and cried. And little Pearl would toddle up, crying, too. They cried while they ate their cereal, cried while they watched cartoons, and cried themselves to sleep at night, huddled together in Tana's little bed. 'Make her stop' Pearl said, but Tana couldn't.
Holly Black (The Coldest Girl in Coldtown)
Jung observed that everyone has a pathological secret, something so scary, so shameful perhaps, so humiliating, that one will protect it nearly any cost.
James Hollis (Hauntings: Dispelling the Ghosts Who Run Our Lives)
Call laughed bitterly. “So you didn’t come near me because you didn’t want to blow my cover, and all that time, I didn’t even know I had a cover? That’s freaking hilarious.” “I see nothing amusing about it.” Master Joseph didn’t change expression.
Cassandra Clare (The Iron Trial (Magisterium, #1))
alighted near Hazel and Fiver. “How’s Holly?” asked Hazel. “’E sad,” said Kehaar. “’E say you no come back.” Then he added, “Mees Clover, she ready for mudder.” “That’s good,” said Hazel. “Is anyone doing anything about it?” “Ya, ya, ees all to fight.” “Oh, well, I suppose it’ll sort itself out.
Richard Adams (Watership Down)
It still had that buzz, that same energy all rest stops had: that clash of those too heavy-eyed and those too wired, the nearly-theres and the just-beguns
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
She looked straight at him. “The love of your life is waiting for you.” Justin swore. He wasn’t going near Holly. He had nothing to offer her. Nothing. Myron smiled at him. “Naked.” He was out the door before she could pick up another card. Her cackling laugh followed him down the path.
Sara Daniel (A Man Worth Fighting For (Wiccan Haus #2))
He pushed up from his booth. ‘Well, Reyna, you don’t have to worry about finding the courage now.’ He coughed, a smile still stretched across his lips, splitting the near-red flesh into seams. ‘You and I are over. I could always do better than you.
Holly Jackson (Five Survive)
Dear Holly: Heart lesson #3: post-heartbreak survival. The heart is resilient, I mean literally. When a body is burned, the heart is the last organ to oxidize. While the rest of the body can catch flame like a polyester sheet on a campfire, it takes hours to burn the heart to ash. My dear sister, a near-perfect organ! Solid, inflammable. Heart lesson #4: the unrequited heart. You can't make anyone love you back.
Ibi Kaslik (Skinny)
He waves away a knight who proffers his cloak, despite being clad only in blood. 'I haven't worn anything in days,' the High King drawls, and if there is something brittle in his eyes, nearly everyone is too awed to notice. 'I don't see why I ought to start now.' 'Modesty?' I force out, playing along, surprised he can joke about the curse, or anything. He gives me a dazzling, insouciant smile. The kind of smile you can hide behind. 'Every part of me is a delight.' My chest hurts, looking at him. I feel like I can't breathe. Though he is in front of me, the pain of losing him hasn't faded.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, 'She is near, she is near;' And the white rose weeps, 'She is late;' The larkspur listens, 'I hear, I hear;' And the lily whispers, 'I wait.' Alfred, Lord Tennyson
Holly Ringland (The Lost Flowers of Alice Hart)
Artemis put his decaf cappuccino down gently, so as not to rattle the saucer. “We’re at the Nice Library trying to dig up anything on this Minerva person. Perhaps we can find out if she has a villa near here.” “Glad to hear it,” said Holly. “I had visions of you two drinking tea at the beach while I sweat it out here.” Twenty yards from where Artemis was sitting, waves swirled along the beach like emerald paint poured from a bucket. “Tea? At the beach? No time for luxuries, Holly.
Eoin Colfer (The Lost Colony (Artemis Fowl, #5))
Cardan half-turns, and I shove him so hard that his back hits one of the trees. His eyes go wide. ¨I dont know what you said to her, but you dont ever go near my sister again,¨ I tell him,my hand still on the front of his velvet doublet.¨You gave her your word.¨ I can feel the eyes of all the other students on me. Everyones breath is drawn. For a moment, Cardan just stares at me with stupid, cow-black eyes. Then one corner of his mouth curls. ¨Oh,¨ He says. ¨You´re going to regret doing that.¨ page 66
Holly Black (The Cruel Prince (The Folk of the Air, #1))
He stumbled past, revealing the canvas of his back. My sword ripped across it in so many rapid successions, I nearly wrote my name. Zorro could kiss my ass.
Holly Jennings (Arena (Arena, #1))
Oh, tell me the rest. I like tricks and snares. Even ones I was nearly caught in.
Holly Black (The Wicked King (The Folk of the Air, #2))
The girl shakes my hand. Her palm is warm, her grip nearly nonexistent.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The bravest warriors are the ones who stand for peace.
Holly Near (The Great Peace March)
Poverty without a people's government looks like hopelessness, but to see poverty in organized communities is to see relief-in-progress.
Holly Near (Fire in the Rain...Singer in the Storm: An Autobiography)
There are so many memories, lurking in all the spaces of everywhere. They lie trapped like frozen ghosts, existing only when someone who knows of that memory thinks about that particular time and place and their mind reactivates it. We walk through these ghosts all the time, not knowing we tread the footprints of another person’s story. Just one bench on top of a viewpoint could be harbouring so many stories. It could be the bench where a couple broke up, or where another couple had their first kiss. It could be the bench where someone thought about taking their own life, or where they got the phone call that something amazing had happened. Layered in just one bench there’s an infinite amount of memories. Multiple people living near one particular bench could all share it as special without even knowing each other. We leave behind echoes of our lives everywhere we go, trapping them into the fabric of the world around us.
Holly Bourne (The Places I've Cried in Public)
Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.' I am shocked in to silence. 'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand. ... He doesn't look up as I walk around the desk to him. I place the tip of the blade against the bottom of his chin, as I did the day before in the hall, and I tilt his face toward mine. He shifts his gaze with obvious reluctance. The horror and shame on his face look entirely too real. Suddenly, I am not so sure what to believe. I lean toward him, close enough for a kiss. His eyes widen. The look in his face is some commingling of panic and desire. It is a heady feeling, having power over someone. Over Cardan, who I never thought had any feelings at all. 'You really do want me,' I say, close enough to feel the warmth of his breath as it hitches. 'And you hate it.' I change the angle of the knife, turning it so it's against his neck. He doesn't look nearly as alarmed by that as I might expect. Not nearly as alarmed as when I bring my mouth to his.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
You have an unusual voice,' he says. 'Raspy. Quite fetching, really.' 'I damaged my vocal cords a long time ago,' I inform him. 'Screaming.' Oak steps between us, and I am grateful for the reprieve. 'What a fine gentleman you make, Jack.' Jack turns to the prince, his sinister smile dropped back into place. 'Oak and Wren, Wren and Oak. Delightful. Named for woodland creatures, but neither of you so simple.' He glances at Tiernan and Hyacinthe. 'Not nearly as simple as these two.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
That’s the thing I’ve never really understood about emotions. We’re given unhelpful words for them—sad, happy, angry, scared, disgusted—but they’re not accurate and there never seems to be anywhere near enough of them. How could there be? Emotions aren’t binary or finite: they change, shift, run into each other like colored water. They are layered, three-dimensional and twisted; they don’t arrive in order, one by one, labeled neatly. They lie on top of each other, twisting like kaleidoscopes, like prisms, like spinning bird feathers lit with their own iridescence.
Holly Smale (Cassandra in Reverse)
In my parents’ house, nothing was ever thrown away. Clothes piled up, formed drifts that grew into mountains Philip, Baron, and I would climb and leap from. The heaps of garments filled the hallway and chased my parents out of their own bedroom, so that they eventually slept in the room that was once Dad’s office. Empty bags and boxes filled gaps in the clutter, boxes that once held rings and sneakers and clothes. A trumpet that my mother wanted to make into a lamp rested atop a stack of tattered magazines filled with articles Dad planned to read, near the heads and feet and arms of dolls Mom promised she would stitch together for a kid from Carney, all beside an endless heap of replacement buttons, some still in their individual glassine bags. A coffeemaker rested on a tower of plates, propped up on one end to keep coffee from flooding the counters.
Holly Black (White Cat (Curse Workers, #1))
To hide inside MI5 for nearly thirty years, while protecting a host of Soviet spies and covering his tracks, would have required a spy of rare intellectual agility. No one would have described Roger Hollis that way. He was a plodding, slightly droopy bureaucrat with the imaginative flair of an omelet.
Ben Macintyre (Agent Sonya: Moscow's Most Daring Wartime Spy)
A destiny that makes you wish you were anywhere else.” He chuckled softly just as he moved in front of me. “Tell me, Starblessed. Is it your want for me that makes your breath catch in your throat when I am near or your boredom? If you simply need a man to cure your temptation, then please allow me the pleasure.
Holly Renee (A Kingdom of Stars and Shadows (Stars and Shadows, #1))
He tipped his head up. "Do you think that stars have shadows?" She followed his gaze. They were close enough to Springfield for light pollution to dull the night skies, but galaxies still spangled above them. The moon had marched nearly to the end of her night, ready to stagger to her own bed at dawn. "I guess if there's some brighter star," she said, thinking of lying on the couch months ago, a deep-voiced man explaining the universe on her television while she tried to convince herself to apply for a new job. "Like the kind that's about to become a black hole. Don't they flare first?" Vince nodded. "Quasars. They flare as they're dying. I guess that would give any other star nearby a shadow.
Holly Black (Book of Night (Book of Night, #1))
I grabbed a robe and a fireplace poker and headed down the stairs at a snail's pace. I was sure I loved him, but I wasn’t prepared to be brutally murdered to save a man of his size. He was on his own. Unless of course, it was a mob of uncompromising zombies. Then I might have attempted to fight beside him. I shook my head, nearly laughing at this point.
Holly Hood (Prison of Paradise (Wingless, #4))
Randalin rushes toward the door, nearly running into Heather in his haste. He blinks at her in astonishment, clearly not prepared for the presence of a second mortal. Then he departs, avoiding even a glance in my direction. 'Big horns,' Heather mouths, looking after him. 'Little dude.' Cardan leans against the doorframe, looking very satisfied with himself.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Striped mintbush Meaning: Love forsaken Prostanthera striatiflora | Centtral Australia Found in rocky gorges and near outcrops. Very strongly mint-scented. Narrow leathery leaves. The white flower is bell-shaped with purple stripes inside the bloom and yellow spots in the throat. Should not be ingested, as it can cause difficulty in sleeping. Vivid dreams are also symptomatic.
Holly Ringland (The Lost Flowers of Alice Hart)
You’re my baby, my sweet baby, my darling, and I need your help. You’re scared, but if you let me out, we’ll be together forever, Tana, you and me and Pearl. We’ll go to the park and eat ice cream and feed the squirrels. We’ll dig for worms in the garden. We’ll be happy again. You’ll get the key, won’t you? Get the key. Please get the key. Please, Tana, please. Get the key. Get the key. Tana would sit near the door to the basement with her fingers in her ears, tears and snot running down her face as she cried and cried and cried. And little Pearl would toddle up, crying, too. They cried while they ate their cereal, cried while they watched cartoons, and cried themselves to sleep at night, huddled together in Tana’s little bed. Make her stop, Pearl said, but Tana couldn’t.
Holly Black (The Coldest Girl in Coldtown)
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.” I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back. “As charming as you are, how can that be?” I say. He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.” Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask. “Well, there was you,” the prince says. “When we were children.” “Me?” I ask incredulously. “You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.” I cannot help snorting over the sheer absurdity of his statement. He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women. He cannot expect me to believe he had real feelings. “Stop with your games.” “Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.” “You do like cruel women,” I say. “Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show. I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words. “That resulted in my accidentally killing a person she liked better than me.” “Oh,” I say. “That is three levels of unfortunate.” “Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.” The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?” “Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.” “Surely,” I say, wondering if he was. Wondering if I wanted him to be.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
A sudden gust made the branches of the trees shiver, raining down a few bright green leaves. A fly buzzed in the grass near her shoulder, making her think suddenly of the bodies inside, of the way flies would be landing on them, of the opalescent maggots that would hatch and tunnel, multiplying endlessly, spreading like an infection, until black flies covered the room in a shifting carpet. Until all anyone could hear was the whirring of their glassy wings.
Holly Black (The Coldest Girl in Coldtown)
any. Make sure your drink doesn’t get spiked. Don’t drink too much to make yourself vulnerable. Make sure you don’t get an unlicensed cab. Don’t let yourself get picked in the wrong way. Look at this woman in the papers who has had more than three boyfriends – the slut. A guy grabbing your arse in the club is a compliment. A guy telling you you’re ugly is actually him saying he likes you. Do you know how many men are falsely accused of rape? Isn’t it disgusting? Don’t ever lie about something so terrible. We won’t believe you anyway. Go to a festival and see no women onstage, but try to have fun, when it’s not safe to be near the front. You’re so basic to put a flower in your hair. Go to the cinema and see men grow, and women help them grow while wearing next to no clothes and then getting raped and dying. Give it an Oscar. Fuck like a porn star. Make me a sandwich. Stop being difficult. Shut up. Put up. Use this anti-ageing cream. Nobody wants to fuck you any more, Karen. Oh, come on, it’s only a joke.
Holly Bourne (Girl Friends: the unmissable, thought-provoking and funny new novel about female friendship)
Everyone in my story has it's own character, GreenHollyWood cheeky, hypocritical and near to mad guy. A guy who really can't understand you and have very wrong conclusion so far I can say they are full of doubt. John Barker, wow that's one of my favourite characters, he is the guy who always lies and always somebody is behind him, he works at the bakery, he tries to devastate a lot of stuff. James Downder, the drunkard who knows probably he takes drugs or not, so far he is full of depression and so far the depression kills people....
Deyth Banger
A young man with goat feet and horns, wearing a shirt of golden scale mail and holding a thing-bladed rapier, steps in the pool of light near a building. His face is expressionless, like someone in a dream. I note the curls of his tawny blond hair tucked behind his pointed ears, the garnet-coloured cloak tossed over wide shoulders, the scar along one side of his throat, a circlet at his brow. He moves as though he expects the world to bend to his will. ... His amber eyes are bright, like those of a fox, but there is nothing warm in them.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Is he going to-will he live?" "No," said Gavriel. "No chance of that. He wants to die, so he will. But not tonight and not because of me." "Oh," Tana said. "So he's okay?" Under the floodlights, Gavriel's skin looked nearly white, his mouth stained red despite his rubbing it. It was the first time she'd seen him standing and again she was struck by the incongruity of him-tall, bare feet, jeans, and a black T-shirt turned inside out, messy black hair, chains gone, looking like the shadow of a regular boy, a boy her age, who wasn't a boy at all. And there was a body slumped at his feet.
Holly Black (The Coldest Girl in Coldtown)
I like that Dr. Linley,” Holly murmured. “I thought you would,” Zachary said dryly. “I nearly turned him away at the door when I saw his appearance. It was only because of his excellent reputation that I let him inside.” “Oh, well…” Making an effort, Holly dismissed the subject of the handsome doctor with a feeble gesture. “He's moderately attractive, I suppose… if one likes that golden Adonis sort.” Zachary grinned briefly. “Fortunately you prefer Hades.” She made a sound that, given more breath, would have been a chuckle. “At this moment, you bear the god of the underworld… more than a passing resemblance,” she informed him.
Lisa Kleypas (Where Dreams Begin)
Again, we are daily forced to choose between depression and anxiety. Depression results from the wounding of the individuation imperative; anxiety results from moving forward into the unknown. That path of anxiety is necessary because therein lies the hope of the person to more nearly become an individual. My analyst once said to me, "You must make your fears your agenda." When we do take on that agenda, for all the anxiety engendered, we feel better because we know we are living in 'bonne foi' [good faith] with ourselves. Courage is not the absence of fear. It is the perception that some things are more important to us than what we fear.
James Hollis (Swamplands of the Soul: New Life in Dismal Places (Studies in Jungian Psychology by Jungian Analysts, 73))
Don’t say anything if you see him, okay? He’s never told me about her, but it’s a small town. I hear things. And I saw them once, up near Velvet Road, arguing. She was gorgeous. And I definitely don’t want him to think I care. He knows what I used to be, so it might be awkward for him.” “What you used to be?” Tana echoed, frowning in confusion. “I wasn’t born a girl,” Valentina said, shifting her long, elegant limbs to stand. “At least not on the outside. He knows I came here because I couldn’t afford surgery. If I was turned, I figured at least I could keep looking like I do now. At least my face wouldn’t change. But things haven’t exactly worked out.
Holly Black (The Coldest Girl in Coldtown)
The wise old hag told them to gather up snow and form it into the shape of a daughter. 'They did this. The girl they made was delicate in form, with eyes of snow, and lips of frozen rose petals, and the sharply pointed ears of their people. When they finished sculpting her, they smiled at each other, captivated by her beauty.' ... 'When my breath blew across the girl, the spark of life lit within her, and they could see her eyelashes twitch, her tresses shiver. The child began to move. Her little limbs were slender and nearly as pale a blue as the reflection of the sky on the snow she'd been made from. Her hair, a deeper blue, like the flowers that grew nearby. Her eyes, that of the lichen that clung to rocks. Her lips, the red of that fresh-spilled blood.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
He doesn't look up as I walk around the desk to him. I place the tip of the blade against the bottom of his chin, as I did the day before in the hall, and I tilt his face toward mine. He shifts his gaze with obvious reluctance. The horror and shame on his face look entirely too real. Suddenly, I am not so sure what to believe. I lean toward him, close enough for a kiss. His eyes widen. The look in his face is some commingling of panic and desire. It is a heady feeling, having power over someone. Over Cardan, who I never thought had any feelings at all. 'You really do want me,' I say, close enough to feel the warmth of his breath as it hitches. 'And you hate it.' I change the angle of the knife, turning it so it's against his neck. He doesn't look nearly as alarmed by that as I might expect. Not nearly as alarmed as when I bring my mouth to his.
Holly Black (The Cruel Prince / The Wicked King / The Queen of Nothing (The Folk of the Air, #1-3))
Tina, who worked at the Hampshire Gazette and drank like a journalist in a movie, was loudly musing about getting her shadow altered to have a cat tail. “Guys love a tail,” Tina proclaimed, to protests by nearly everyone. Aimee thought Tina shouldn’t consider fetishes along a gender binary. Ian wanted it to be known that he thought it was disgusting, and that men did not want to molest animals. The artist agreed it was kind of hot, but his comic was about saucy mice. Charlie told Tina that maybe she had misunderstood what “getting some tail” actually meant. “Mermaids, right?” Vince asked, in such a clueless just-joined-the-conversation tone that it was hard to know if he was joking, or if he’d misheard the earlier part. It didn’t matter. Everyone laughed. It was funny either way. As Charlie poured more bourbon—with ice this time—she decided she was glad she’d come. She was just buzzed enough to feel an expansive warmth for the people in the room. See, she was fine being a normal person and doing normal-person things.
Holly Black (Book of Night (Book of Night, #1))
She looked out the window, and her heart jumped: the expanse of the pie pantry and orchard shimmered in the early-morning light in front of her, the bay and LaKe Michigan glimmering in the distance. To Sam, it looked as if one of her grandmother's paintings had come to life: red apples bobbed as tree limbs swayed in the breeze; bushes thick with the bluest of blueberries shimmied; peaches, fuzzy and bright, nestled snugly against branches; shiny cars and people dressed in bright T-shirts and caps danced into the pie pantry and into the orchards; near the distance, the cornfields seemed to move as if they were doing the wave at a football game, while cherry trees dotted with the deep red fruit resembled holly bushes out of season. And yet there was an incredible uniformity to the scene despite the visual overload: everything was lined up in neat rows, as if each tree, bush, and person understood its purpose at this very moment. I've forgotten this view, Sam thought, recalling the one from her own bedroom window earlier in the morning. There is an order to life's chaos, be it the city or country, if we just stop for a moment and see it.
Viola Shipman (The Recipe Box)
We'll have something private and very quiet, and above all, small,” she said. “It's the only choice, really.” “I agree,” he said readily. “On second thought, we don't need to invite more than three hundred guests.” Holly gave him an incredulous glance. “When I said ‘small,’ I had a different number in mind. Perhaps half a dozen.” His jaw set obstinately. “I want all of London to know that I've won you.” “They'll know,” she said dryly. “I'm sure the ton will talk of little else… and it's a certainty that none of my scandal-avoiding former friends would attend the wedding, extravagant or otherwise.” “Nearly all of mine would,” he said cheerfully. “Undoubtedly,” she agreed, knowing that he was referring to the crowd of ruffians, dandies and social climbers who ran the gamut from being bad ton to complete wastrels. “Nevertheless, the wedding will be as discreet as possible. You can save the doves and trumpeters and such for Elizabeth's wedding.” “I suppose it would be faster that way,” he said grudgingly. Holly stopped on the graveled path and smiled up at him. “We'll keep our wedding small, then, and get on with it.” She slid her arms around his lean waist. “I don't want to wait a day longer than necessary to belong to you.
Lisa Kleypas (Where Dreams Begin)
At the sight of Ruth, singing and crying in the moonlight, they say Jacob Wyld crouched wordlessly and planted seeds at her feet, in the earth between the roots of the gum tree. What grew from that night, where Ruth's tears fell to the earth, was a heath of wild vanilla lilies, and an equally heady love affair between Ruth and Jacob. They met at the river whenever Ruth could get away. He brought her flower seeds and she brought him whatever meager food scraps she could sneak from the house. Soon Ruth had enough seeds to till a small, shaded corner of dirt near the house, where a nearly dead, lone wattle tree stood. The dirt was so dry it took her a month to soften it with whatever water she could carry from the river. Eventually, the wattle tree exploded into flower, a winter blaze of sweet yellow. Ruth fell to her knees at the sight. The scent floated all the way into town. Bees droned around the tree, drunk on its nectar. Beneath the wattle were circles of green shoots. Ruth sketched each one in her small notebook. As they bloomed, so different to the foxgloves and snowdrops of her mother's songs, Ruth noted down what they meant to her, adapting the Victorian language of flowers. The strange and beautiful native flowers, able to flourish in the harshest conditions, enchanted Ruth; none more so than the deep scarlet flowers with red centres the color of the darkest blood. Meaning, Ruth wrote in her notebook, have courage, take heart.
Holly Ringland (The Lost Flowers of Alice Hart)
But the crown jewel was the columned Greek Revival mansion, which dated from the mid-1800s, along with the manicured boxwood gardens that would serve as the backdrop for the couple's ceremony. Of course, everything was not only very traditional but also a standard to what one might imagine an over-the-top Southern wedding to be. As I said, "Steel Magnolias on steroids." The ceremony would take place outdoors in the garden, but large custom peach-and-white scalloped umbrellas were placed throughout the rows of bamboo folding chairs to shade the guests. Magnolia blossoms and vintage lace adorned the ends of the aisles. White, trellis-covered bars flanked the entrance to the gardens where guests could select from a cucumber cooler or spiked sweet tea to keep cool during the thirty-minute nuptials. It was still considered spring, but like Dallas, Nashville could heat up early in the year, and we were glad to be prepared. By the time we arrived the tent was well on its way to completion, and rental deliveries were rolling in. The reception structure was located past the gardens near the enormous whitewashed former stable, and inside the ceiling was draped in countless yards of peach fabric with crystal chandeliers hanging above every dining table. Custom napkins with embroidered magnolias on them complemented the centerpieces' peach garden roses, lush greenery, and dried cotton stems. Cedric's carpentry department created floor-to-ceiling lattice walls covered in faux greenery and white wisteria blooms, a dreamy backdrop for the band.
Mary Hollis Huddleston (Without a Hitch)
Midnight Mass was required, and at Saint Aloysius, it lasted ninety minutes. Because the church was crowded with what Mother called “one timers” who attended Mass only on Christmas Eve, we arrived at 11:00 p.m. to get a seat near the front. The church was splendidly decorated. Poinsettias bloomed everywhere, huge wreaths and sprigs of holly tied with red bows hung on every pillar, potent incense enveloped us, and six tall candles burning on the main altar lighted our way out of the long, cold darkness. Carols sung from the choir loft filled the church and evoked the sensuous beauty and mystery of this holy night. While other children chatted with friends and showed off their holiday apparel, My PareNTs, gail aNd i, Mara aNd NiCho- las; ChrisTMas, 1974; CaNToN, ohio I sat quietly, awaiting the chimes that announced the first minutes of Christmas and heralded the solemn service: the priest’s white and gold vestments, his ritualized gestures, the Latin prayers, the incense, the communion service with the transfigured bread and wine, and the priest’s blessings from the high altar that together
Michael Shurgot (Could You Be Startin' From Somewhere Else?: Sketches From Buffalo And Beyond)
The kiss which they had very nearly shared was nothing more than a distant memory now, but neither of them experienced any regret. They were friends; very close friends, but nothing more.
Holly Sharp (Staying Her: A Transgender Romance)
Humanity it's strange race, if I can say this. There a lot of secrets and stuff which are still mysteries for this race! I know that most people are like the characters the guy near GreenWind, GreenHollyWood, the people like DeYtH are rare. GreenHollywood blocked me on skype because what??? Can't understand a joke, so he can joke with me but I can't??? WOW! Just Humanity or most people just stop us from doing the stuff which will make us better.
Deyth Banger
moving toward Martina Franca, a fortified town near the city of Brindisi. As far as we can tell, he stumbled into vent E7. It was on cooldown after a surface shot; that’s why the troll isn’t crispy barbecue right now.” Holly grimaced. Charming, she thought. “We’ve been lucky in that our target has bumped into
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
They find something -- even if you're near perfect, they find something. You can't protect yourself from the world, Evie. God knows, I know you try. But bad stuff happens, people are mean, there are no steps you can take that ensure the world leaves you alone. All you can do is try not to be one of those people who contributes to the bad.
Holly Bourne (Am I Normal Yet? (The Spinster Club, #1))
Lady Asha, as the mother of a prince, found herself much in demand with the Court, if not the High King. Given to whimsy and frivolity, she wished to return to the merry life of a courtier. She couldn't attend balls with an infant in tow, so she found a cat whose kitten were still born to act as his wet nurse. That arrangement lasted until Prince Cardan was able to crawl. By then, the cat was heavy with a new litter and he'd begun to pull at her tail. She fled to the stables, abandoning him, too. And so he grew up in the palace, cherished by no one and checked by no one. Who would dare stop a prince from stealing food from the grand tables and eating beneath them, devouring what he'd taken in savage bites? His sisters and brothers only laughed, playing with him as they would with a puppy. He wore clothes only occasionally, donning garlands of flowers instead and throwing stones when the guard tired to come near him. None but his mother exerted any hold over him, and she seldom tried to curb his excesses. Just the opposite.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Lady Asha, as the mother of a prince, found herself much in demand with the Court, if not the High King. Given to whimsy and frivolity, she wished to return to the merry life of a courtier. She couldn't attend balls with an infant in tow, so she found a cat whose kittens were still born to act as his wet nurse. That arrangement lasted until Prince Cardan was able to crawl. By then, the cat was heavy with a new litter and he'd begun to pull at her tail. She fled to the stables, abandoning him, too. And so he grew up in the palace, cherished by no one and checked by no one. Who would dare stop a prince from stealing food from the grand tables and eating beneath them, devouring what he'd taken in savage bites? His sisters and brothers only laughed, playing with him as they would with a puppy. He wore clothes only occasionally, donning garlands of flowers instead and throwing stones when the guard tired to come near him. None but his mother exerted any hold over him, and she seldom tried to curb his excesses. Just the opposite.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It is difficult, though, not to be shamed be being nearly undressed, with bed hair and bad breath.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Mary Ellen called dibs on sending off the DJ, but by her expression when she met back up with us near the pool, we could tell something bad had happened. "Well, the DJ isn't going anywhere, but we certainly are," she said. "What do you mean? He isn't leaving?" "While we were dealing with this train wreck of a wedding, Alfie's daughters convinced the DJ to stick around and play for a party they've arranged inside the mansion." "You've got to be kidding me," I said. "Nope. He told me that he doesn't work for me and that we should just go. I'd almost say screw them and let's just leave, but we've got to pack up, so we might as well see what those little she-devils are up to." We stepped into the foyer to find the entire men's soccer team for the nearby university toting bottles of liquor up the giant circular staircase. Right behind them were the evil daughters, who informed us the party was just beginning for them. Not only did they pay the DJ to stay, but they also took all the remaining liquor from the caterers. Apparently, the girls were resetting the house for a party of their own while Alfie and Camila were gone for the night. "We are so not getting paid enough to deal with this," said Mary Ellen. "Agreed." I watched five frat stars stumble out of the kitchen with more half-eaten cake in their hands. After all, these girls were of age, they technically "lived there," and it wasn't our gig anymore. "Let's make sure everything from the wedding is accounted for and then get the hell out of this house of horrors," she said. As we left we could hear the bombastic strains of the DJ blasting "Gold Digger" again. This time, no one cried.
Mary Hollis Huddleston (Without a Hitch)
The Eye Linc was watching shot upward twenty feet in a convulsive jerk, hung there for an instant, then started a wobbling decent. There were two holes in it. It skimmed the heads of the men, coming for Linc's group. Tears streamed out of the corners of it, dripping to the ground like a trail of rain. And as it neared Linc, blood started to come, seeping from the holes, mixed with fluid.
J. Hunter Holly (The Flying Eyes)
The crossbow is where I left it, in the drawer of Dain's desk. I draw it out, cock it back, and point it at Cardan. He draws a ragged breath. 'You're going to shoot me?' He blinks. 'Right now?' My finger caresses the trigger. I feel calm, gloriously calm. This is weakness, to put fear above ambition, above family, above love, but it feels good. It feels like being powerful. 'I can see why you'd want to,' he says, as though reading my face, and coming to some decision. 'But I'd really prefer if you didn't.' 'Then you shouldn't have smirked at me constantly- you think I am going to stand being mocked, here, now? You still so sure you're better than me?' My voice shakes a little, and I hate him even more for it. I have trained every day to be dangerous, and he is entirely in my power, yet I'm the one who is afraid. Fearing him is a habit, a habit I could break with a bolt to his heart. He holds up his hands in protest, long bare fingers splayed. I am the one with the royal ring. 'I'm nervous,' he says. 'I smile a lot when I'm nervous. I can't help it.' That is not at all what I expected him to say. I lower the crossbow momentarily. He keeps talking, as though he doesn't want to leave me too much time to think. 'You are terrifying. Nearly my whole family is dead, and while they never had much love for me, I don't want to join them. I've spent all night worrying what you're going to do, and I know exactly what I deserve. I have a reason to be nervous.' He's talking to me as though we're friends instead of enemies. It works, too; I relax a little. When I realise that, I am nearly freaked out enough to shoot him outright.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
An ombre ball gown, its colour deepening from white near my throat, through palest blue to deepest indigo at my feet. Over that is stitched the stark outlines of trees, the way I see them from my window as dusk is falling. The seamstress has even sewn on little crystal beads to represent stars. This is a dress I could never have imagined, one so perfect that for a moment, looking at it, I can think of nothing but its beauty.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Cardan's clothes are disarranged from crawling under tables or being captured and tied, and his infamous tail is showing under the white lawn of his shirt. It it slim, nearly hairless, with a tuft of black fur at the tip. As I watch, the tail forms one wavering curve after another snaking back and forth, betraying his cool face, telling its own story of uncertainty and fear. I can see why he hides that thing away.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I bury Valerian near the stables, but outside the paddock, so that even the most carnivorous of Madoc's sharp-toothed horses are unlikely to dig him up and gnaw on his bones.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I leave my books and cross the grass toward them. Cardan half-turns and I shove him so hard that his back hits one of the trees. His eyes go wide. 'I don't know what you said to her, but don't you ever go near my sister again,' I tell him, my hand still on the front of his velvet doublet. 'You gave her your word.' I can feel the eyes of all the other students on me. Everyone's breath is drawn. For a moment, Cardan just stares at me with stupid, crow-black eyes. Then one corner of his mouth curls. 'Oh,' he says. 'You're going to regret doing that.' I don't think he realises just how angry I am or how good it feels, for once, to give up on regrets.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Vivi picks stalks of ragwort that grow near the water troughs. After finding three that meet her specifications, she lifts the first and blows on it, saying, 'Steed, rise and bear us where I command.' With those words, she tosses the stalk to the ground, and it becomes a raw-boned yellow pony with emerald eyes and a mane that resembles lacy foliage. It makes an odd keening neigh. She throws down two more stalks, and moments later three ragwort ponies snort the air and snuffle at the ground. They look a little like sea horses and will ride over land and sky, according to Vivi's command, keeping their seeming for hours before collapsing back into weeds.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I lean toward him, close enough for a kiss. His eyes widen. The look in his face is some commingling of panic and desire. It is a heady feeling, having power over someone. Over Cardan, who I never thought had any feelings at all. “You really do want me,” I say, close enough to feel the warmth of his breath as it hitches. “And you hate it.” I change the angle of the knife, turning it so it’s against his neck. He doesn’t look nearly as alarmed by that as I might expect. Not nearly as alarmed as when I bring my mouth to his.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Thus, soul solicits us even as we seek it. The German poet Friedrich Hölderlin expressed the paradox this way: “That which thou seekst is near, and already coming to meet thee.
James Hollis (Finding Meaning in the Second Half of Life: How to Finally, Really Grow Up)
An ombré ball gown, its color deepening from white near my throat, through palest blue to deepest indigo at my feet. Over that is stitched the stark outlines of trees, the way I see them from my window as dusk is falling. The seamstress has even sewn on little crystal beads to represent stars.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
That America is home to nearly a quarter of the world’s incarcerated people, and 80 percent of them are incarcerated for drug-related offenses, was suffocating to learn about, but was just the tip of the iceberg that is our century-old, all-out assault on illicit drug consumption
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
Dammit, woman,” Kye cursed, rushing after me. “Slow down!” I whirled around then, slipping but catching myself. Please, let’s pile on the humiliation with busting my ass outside the lodge. “They think I don’t know I’m a mess?” I shouted, my voice shrill and filled with emotion I didn’t want to feel. “Well news flash: I know! I have to live with myself, it’s hard to miss!” And now snot was leaking out of my nose. Perfect! I swiped it with the back of my hand, grossed out and embarrassed. God, why couldn’t I get anything right? “Don’t look at me,” I cried when Kye was only a few steps away. “Why can’t I just be normal?” Kye’s eyes were crinkled at the edges and I saw pity there. It nearly killed me all over again. “Please don’t look at me that way.” I couldn’t deal with pity. “Holly?” Kye gently chucked his knuckles under my chin, lifting my gaze to his. “Fuck those people.” His poignant sentiment caught me off guard and I regrettably snorted, which was disgusting in my current state. “I mean it.” His fingers gave my chin a squeeze. And then he did the most startling, yet comforting, thing. He cupped my face, carefully brushing the cold tears off my cheeks with his thumbs while I stared up at him. I’d been mistaken. It wasn’t pity in his eyes. It was only kindness. Maybe even a little buried rage if his grimace was any clue. “They don’t deserve your time. They don’t even deserve the pleasure of your company.” I shook my head, sarcastically mumbling, “Because I’m such a gift.” “You’re damn right.” He smirked before his expression turned sincere. “You’re amazing Holly. This flawed, quirky, amazing woman.” Why did my heart speed up? His words replayed in my head. Again. And again. Flawed, quirky, amazing. He said those words with such earnestness, they burned into me. They stamped all over my heart what I already knew about Kye. What I forced myself to deny, to avoid at all costs, to pretend wasn’t real... I loved him. Against my better judgment and beyond all reason. I love you. I love you, my silent voice screamed inside my head. I was in love with Kye and I was doomed because I couldn’t free him. Didn’t know how and didn’t know if it was even possible. This relationship—real or fake—was on a ticking timer to its imminent demise and there was no emergency exit off this road to misery.
Poppy Rhys (While You Were Creeping (Women of Dor Nye))
The home I grew up in was something you might expect to find in an F. Scott Fitzgerald novel. Domed ceilings with ornate moldings, inlaid marble floors, and more powder rooms than people. It was a small palace. Mom loved French architecture and décor and would take trips overseas to find unique antiques. There were two exterior swimming pools, a tennis court, a pavilion, plus a rose garden, Italian stepped stone fountains, and grounds galore. A branch of the Trinity River flowed near stone-covered walking paths, swaths of carefully tended grass in green spaces waving nearby.
Mary Hollis Huddleston (Piece of Cake)
Also known as sólja, the national plant of the Faroes. She survives harsh winters, to bloom near water again. In other words, through crisis, she transforms.
Holly Ringland (The Seven Skins of Esther Wilding)
You really do want me," I say, close enough to feel the warmth of his breath as it hitches. "And you hate it." ... He doesn't look nearly as alarmed by that as I might expect. Not nearly as alarmed as when I bring my mouth to his.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Like you'd follow him to hell and back, just to stay near him. Like you are in love.
Holly Roberds (Kissed by Death (Vegas Immortals: Death and the Last Vampire #2))
Kai’s black smoke poured from him and clouded the room in a mist so dark that I knew it would make it hard for them to see us. I reached inside myself, embracing my own powers, and I coaxed them forward. I felt for the elements around me, tasting the ash on my tongue from the lanterns burning near the guards, and drew it in.  My lungs filled with their smoke, and I let it consume me until I could hardly breathe. Only then did I draw back my arm, and the air around me hummed with energy. One of the guard’s swords whirred past my ear as he lunged at me, but I didn’t falter. The air around me crackled, and I grabbed his blade in my hand, the metal beginning to turn to liquid in my hold before I jerked it from his grasp and slammed the hilt into his stomach. The guard fell to the ground, his dazed eyes looking up at me, but I was already moving on to the next.
Holly Renee (The Veiled Kingdom (The Veiled Kingdom, #1))
I like to believe that even though I was drugged and nearly murdered at school yesterday, I am able to put that behind me today. I’m fine. But if I can’t laugh, maybe I’m not so fine after all.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Not nearly as alarmed as when I bring my mouth to his.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Perhaps Jung’s most compelling contribution is the idea of individuation, that is, the lifelong project of becoming more nearly the whole person we were meant to be—what the gods intended, not the parents, or the tribe, or, especially, the easily intimidated or inflated ego. While revering the mystery of others, our individuation summons each of us to stand in the presence of our own mystery, and become more fully responsible for who we are in this journey we call our life. So often the idea of individuation has been confused with self-indulgence or mere individualism, but what individuation more often asks of us is the surrender of the ego’s agenda of security and emotional reinforcement, in favor of humbling service to the soul’s intent. This is quite the opposite of self-indulgence; it is the service of the ego to the higher order manifested to us through the Self.
James Hollis (Finding Meaning in the Second Half of Life: How to Finally, Really Grow Up)
Don’t come any closer,” she warned, but her eyes begged me to. “You’ve done nothing to keep me away.” I looked back at the arrow that had been nowhere near me. “I already crave you, even though I know you’re keeping things from me. You think an ill-shot arrow will be the thing to stop me?
Holly Renee (The Veiled Kingdom (The Veiled Kingdom, #1))
Oriana looks like a rose in bloom beside him, wearing a massive necklace of rough- cut green emeralds at her throat, large enough to nearly count as armor.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The moon had marched nearly to the end of her night, ready to stagger to her own bed at dawn.
Holly Black (Book of Night (Book of Night, #1))
But most of all, I want to meet Taryn’s mysterious suitor and see what Madoc makes of his proposal.” “Do you have any idea who he is?” I ask. With everything that’s happened, I had nearly forgotten about him.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Why do we kill people, who have killed people, to show that killing people is wrong?
Holly Near
said Reel, shooting Robie a quick glance that he did not notice. “Maybe that was their plan. But Luke could never do that while he was with the skinheads. They wouldn’t have allowed it. And I doubt Luke would have wanted Holly anywhere near those people. They are bad news.” Robie said, “Maybe that’s why they came for him. Because he told them he was leaving the group so he could start a new life with Holly.” Reel said, “That actually makes sense. Too bad we don’t know where either one is so we can ask them. The police let Luke go and he’s disappeared.” “Did Holly have any other visitors?” asked Robie. “Her sister, Valerie, on a regular basis. A couple of young women she knew. Her parole officer also visited regularly, of course. But Luke came more often than anyone else. Now, let me see if there were any others. We keep records of all of them.” She turned to her computer and clicked some keys. “Yes, there was another person.” She glanced at the name on the screen. “Roger Walton.” Both Reel and Robie tensed. “When did he come by?” asked Reel. Fishbaugh clicked some more keys. “He came by only once.” “When was that?” “Five days ago.” “So, shortly before he disappeared. Did you talk to him?” “Briefly. He seemed to know
David Baldacci (End Game (Will Robie, #5))
A gentleman does not boast of his sexual conquests,” Holly had said, flushing at the information. “I wasn't boasting. I was stating a fact.” “Some facts are better kept to yourself.” The unusual sharpness of her tone seemed to interest him to no end. “There's a strange expression on your face, Lady Holly,” he said silkily. “It almost looks like jealousy.” A wave of rising annoyance nearly choked her. Zachary Bronson had a talent for rousing her temper more easily than anyone she had ever known. “Not at all. I was merely reflecting unpleasantly on the number of diseases one must catch from such a dedicated pursuit of gallantry.” “‘ Pursuit of gallantry,’” he repeated with a low laugh. “That's the prettiest way I've ever heard it put. No, I've never caught the pox or any other affliction from my whoring. There are ways a man can protect himself—” “I assure you, I do not wish to hear about them!” Horrified, Holly had clapped her hands over her ears. As the most sexually indulgent creature of her acquaintance, Bronson was all too willing to discuss intimate subjects that a gentleman should never admit to knowing. “You, sir, are a moral abyss.” Rather than look shamed, he actually grinned at the remark. “And you, my lady, are a prude.” “Thank you,” she said crisply. “That wasn't meant as a compliment.” “Any criticism of yours, Mr. Bronson, I will definitely receive as a compliment.
Lisa Kleypas (Where Dreams Begin)
Being thoroughly a man, one whose nature was rooted in competition, Zachary had experienced jealousy before. But nothing like this. Not this mixture of rage and alarm that shredded his insides. He was no idiot—he had seen the way Holly was looking at Ravenhill in the ballroom, and he had understood it all too well. They were cut from the same cloth, and they shared a past that he'd had no part of. There were bonds between them, memories, and even more, the comfort of knowing exactly what to expect from each other. All of a sudden Zachary hated Ravenhill with an intensity that approached fear. Ravenhill was everything he was not… everything he could never be. If only this were a more primitive time, the period of history when simple brute force overrode all else and a man could have what he wanted merely by staking his claim. That was how most of these damned bluebloods had originated, in fact. They were the watered-down, inbred descendents of warriors who had earned their status through battle and blood. Generations of privilege and ease had tamed them, softened and cultured them. Now these pampered aristocrats could afford to look down their noses at a man who probably resembled their revered ancestors more than they themselves did. That was his problem, Zachary realized. He had been born a few centuries too late. Instead of having to mince and prance his way into a society that was clearly too rarefied for him, he should have been able to dominate… fight… conquer. As Zachary had seen Holly leave the ballroom, her small hand tucked against Ravenhill's arm, it had required all his will to appear collected. He had nearly trembled with the urge to snatch Holly into his arms and carry her away like a barbarian. For a moment, the rational part of his brain had commanded him to let Holly go without a struggle. She had never been his to lose. Let her make the right decisions for herself, the comfortable decisions. Let her find the peace she deserved. The hell I will, he had thought savagely. He had followed the pair, intent as a prowling tiger, letting nothing stand in the way of what he wanted. And now he found Holly sitting here alone in the garden, looking dazed and dreamy, and he wanted to shake her until her hair cascaded loose and her teeth rattled.
Lisa Kleypas (Where Dreams Begin)
I suspected this might happen,” she said, struggling to regain some form of composure. “Kn-knowing of your reputation with women, I knew you might someday make an advance to me.” “What just happened between us was not an ‘advance,’” he said thickly. She did not look at him. “If I am to remain as a guest in your household, we must forget this incident.” “Incident,” he repeated scornfully. “This has been building between us for months, since the first time we met.” “It has not,” she countered, while her heart hammered in her throat, nearly choking her into silence. “I won't deny that I find you attractive, I… any woman would. But if you are under the misconception that I would become your mistress—” “No,” he said, his huge hands coming to the sides of her face, fingers curving around the back of her skull. He urged her face upward, and Holly quailed at the look in his dark, passionate eyes. “No, I never thought that,” he said, his voice turning raspy. “I want more from you than that. I want—” “Don't say anything else,” Holly begged, closing her eyes tightly. “We've both gone mad. Let me go this instant. Now, before you make it impossible for me to stay at your estate any longer.” Although she hadn't expected the words to affect him, they seemed to make great impact. There was a long, taut silence. Slowly his hands eased their possessive grip and dropped away. “There's no reason for you to leave my home,” he said. “We'll handle this however you like.” The clutch of panic began to ease from her throat. “I—I want to ignore this as if it never happened.” “All right,” he said at once, although his gaze was frankly skeptical. “You set the rules, my lady.
Lisa Kleypas (Where Dreams Begin)
There are only two ways to interpret Hollis’s behaviour: he was either a traitor or a fool. To hide inside MI5 for nearly thirty years, while protecting a host of Soviet spies and covering his tracks, would have required a spy of rare intellectual agility. No one would have described Roger Hollis that way. He was a plodding, slightly droopy bureaucrat with the imaginative flair of an omelette. Lying is easy. Maintaining a panoply of lies, cover-ups and diversions for years, and remembering them all, is exceptionally difficult. Even Kim Philby, with his preternatural talent for deception, left clues that exposed him in the end. Hollis simply was not equipped with those kinds of skills. The weight of evidence currently suggests that Hollis was not treacherous, but incompetent. He was really quite thick.
Ben Macintyre (Agent Sonya: Lover, Mother, Soldier, Spy)
My lesbianism is not linked to sexual preference. For me, it is part of my world view, part of my passion for women and central in my objection to male domination.
Holly Near (Fire in the Rain...Singer in the Storm: An Autobiography)
Cardinals appear when angels are near. Did anyone today even remember the old bit of folklore? Or did everyone scoot around it, avoiding such a sweet idea in the same manner they avoided stepping in potholes?
Holly Schindler (Sentimental Journey (The Ruby's Place Christmas Collection #3))
. Someone wrote: ‘Who is the most beautiful girl in school?’ in permanent marker in the boys’ bathrooms outside the geography classes and within a few days, ‘Holly Lawson’ was written around it in a bunch of other pens by hundreds of different people! (Someone also wrote ‘Jennifer Hunds’ in small, neat handwriting near the bottom, but everyone knows that was written by Kyle Williams who has had a crush on her since Kindergarten, so that doesn’t count.)
Katrina Kahler (Catastrophe (Body Swap #1))
Montpellier produced nearly 40 percent of all physicians in France, but the university had a troubled reputation as a party school where medical students were just as likely to drink and cavort with prostitutes as they were to learn the intricacies of the Hippocratic corpus.
Holly Tucker (Blood Work: A Tale of Medicine and Murder in the Scientific Revolution)
There has fallen a splendid tear        From the passion-flower at the gate. She is coming, my dove, my dear;        She is coming, my life, my fate; The red rose cries, ‘She is near, she is near;’        And the white rose weeps, ‘She is late;’ The larkspur listens, ‘I hear, I hear;’        And the lily whispers, ‘I wait.
Holly Ringland (The Lost Flowers of Alice Hart)
On February 3, 1959, near Fargo, North Dakota, an airplane carrying Holly, Richie Valens, and the Big Bopper (J. P. Richardson) crashed, killing all aboard. Waylon Jennings, who was in Holly's band at the time, gave his seat to the Big Bopper at the last minute.
Nick Tosches (Country: The Twisted Roots Of Rock 'n' Roll)
Michelle laid a hand softly on the table. “Exactly.” Jacqui looked from her mother to her father. “What’s bothering you both? Is it that I’m dating someone from another country?” Alan shook his head. “No, though I expect the two of you are going to have to have a difficult conversation about location in the near future.” “I know, the location difference isn’t ideal. But it’s nothing we can’t work out. I mean, he owns a jet, after all.” Her parents exchanged another look.
Holly Rayner (The Sheikh's Priceless Bride (The Sheikh's New Bride, #1))
Recently, Sandra had read that nearly one in three adults in the United States lived with a roommate or a parent, and that almost a quarter of people over forty sought out a roommate after being divorced or after the death of a spouse. What was fueling this trend, if it could be called that, toward a no-solitary domestic life? Loneliness alone? Or were economic factors just as important?
Holly Chamberlin (Summer Roommates (A Yorktide, Maine Novel Book 1))
I like to believe that even though I was drugged and nearly murdered at school yesterday, I am able to put that behind me today. I’m fine.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The ensuing pause drew out into a lengthy silence as the two men stared each other down. Then, in a single stride, Butcher was upon him. Even barefoot, he towered over Wren. Near enough to fill Wren’s lungs with his woodsmoke musk. Near enough for Wren to feel the heat of his body radiating through his woollen tunic. And near enough for Butcher to raise his hand to Wren’s jaw and gently lift his chin.
Sebastian Nothwell (Oak King Holly King)