Holloway Quotes

We've searched our database for all the quotes and captions related to Holloway. Here they are! All 100 of them:

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Everywhere he touches is fire. My whole body is burning up, the two of us becoming twin points of the same bright white flame.
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Lauren Oliver (Delirium (Delirium, #1))
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So in sum, what are we? We are the creatures that know and know too much. That leaves us with such a burden again we have a choice, to laugh or cry. No other animal does either. We do, depending on the season and the need.
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Ray Bradbury (Something Wicked This Way Comes)
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We'll walk together holding hands, and kiss in broad daylight, and love each other as much as we want to, and no one will ever try to keep up apart.
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Lauren Oliver (Delirium (Delirium, #1))
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Your kiss thrilled me beyond imagining,” he whispered. β€œEvery night for the rest of my life, I’ll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I’m an old man, and my brain has fallen to wrack and ruin, I’ll remember the sweet fire of your lips under mine, and I’ll say to myself, β€˜Now, that was a kiss.’” Silver-tongued devil, Pandora thought, unable to hold back a crooked grin.
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Lisa Kleypas (Devil in Spring (The Ravenels, #3))
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Daddy had a strict rule about firearms. Anything we killed we had to eat. No amount of barbecue sauce would make a hairy guy like you palatable.
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Diane Kelly (Death, Taxes, and a French Manicure (Tara Holloway, #1))
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Human beings do terrible things to each other and the tragic thing about it all is the way the remembrance of past hurt can rob us of our future and become the narrative of our lives.
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Richard Holloway (On Forgiveness: How Can We Forgive the Unforgivable?)
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The truth was that in the end, sad felt better than rage - a lot better. But rage came easier. Sad felt like the world was ending. (150)
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Monica Holloway (Driving with Dead People)
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Fresh from a costume fitting, where I had been posing in front of the mirror assuming what I thought was a strong position - arms folded, butch-looking...you know - I met with the woman in charge of Holloway police station. She gave me the most invaluable advice: never let them see you cry, and never cross your arms. When I asked why, she said 'because it is a defensive action and therefore weak.
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Helen Mirren
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He has left nothing except for a note, which I find neatly folded under one of my sneakers. The Story of Solomon is the only way I know how to explain. And then, in smaller letters: Forgive me.
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Lauren Oliver (Requiem (Delirium, #3))
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She wondered how Dr. Watson - a clever man in his own right - had lasted so many years without bashing his roommate over the head out of sheer frustration.
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Emma Jane Holloway (A Study in Darkness (The Baskerville Affair, #2))
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Everything has taken on a strange, distant quality - the sounds of running and shouting outside get warped and weird like they're being filtered through water, and Alex looks miles away. I start to think I might be dreaming, or about to pass out. And then I decide I'm definitely dreaming, because as I'm watching, Alex starts peeling his shirt off over his head.
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Lauren Oliver (Delirium (Delirium, #1))
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Fate and destiny go hand in hand. It is impossible to change our destiny. Only the path upon which we walk to reach our destination alters. If we should stray from that path, fate will take control and guide us in the right direction.
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J.A. Belfield (Darkness & Light (Holloway Pack, #1))
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I'll always be damaged in a way. I had hoped that I could completely heal those cracks, but I'm starting to think the real trick is learning to live a full life in spite of them. Cracked people are everywhere, and so I can forgive myself for being overly anxious or easily frightened. But I will no longer allow myself to be swallowed by my past. I insist on having the happiest life I can muster, and I am in control of that now.
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Monica Holloway
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A meeting of the hearts of two Gemini has been known to end with explosive results, Mr Holloway.
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(Jem) J.A. Belfield (Instinct (Holloway Pack, #0.25))
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Fortuitous mostly for me,Lady Holloway," she said, her gaze steadfast on her husband. "For without our being childhgood neighbors, I am certain that my husband woud never have found me." Michael's gaze lit with admiration, and he lifted his glass in her direction. "At some point I would have realized what I was missing, darling. An I would have come looking for you.
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Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
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Knowing there is no cavalry is much better than hoping for a cavalry that never comes. I am strong because I have to be. I am the cavalry. (314)
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Monica Holloway (Driving with Dead People)
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Not that Dr Watson wasn't benign - he was one of the best souls in the Empire - but a man didn't get to be her uncle's right-hand man without a good uppercut and the stamina of a draft horse.
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Emma Jane Holloway (A Study in Silks (The Baskerville Affair, #1))
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My name's Sean, Jem. I'm Sean.
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J.A. Belfield (Darkness & Light (Holloway Pack, #1))
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I was relieved in some weird way that the accident had actually occurred. It was a physical manifestation of what had already been going on inside the car. The outside now matched the inside - damaged beyond repair. (113)
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Monica Holloway (Driving with Dead People)
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If people are honest with themselves when they choose a tattoo, the art will represent them better than anything that will ever come out of their mouth. The things that are most important to me are represented in the art that covers my body. My God, my family, my friends, my job, my social and historical beliefs and the aggressive or even violent nature with which I will protect all of them.....basically in that order of importance. Is it scarey or repulsive to some people? Yes. Does it change who I am? No. If anything it works as an outward conscience that will forever remind me of who I am and what is important during times of trial or long after my mind starts to fade due to old age if I'm blessed with a long life.Remove
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Troy Holloway
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That's the trouble with gathering truth. It's never neat and tidy...
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Emma Jane Holloway (A Study in Silks (The Baskerville Affair, #1))
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My heart left me no choice.
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J.A. Belfield (Instinct (Holloway Pack, #0.25))
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I wished there had been obvious signs of destruction on all of us kids: bruises or burn marks, something that indicated how violent our house was, but words and neglect don't leave visible marks. And that confuses even the person who knows better. (169)
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Monica Holloway (Driving with Dead People)
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Conversation between Jem and Ethan on Sean: '"... Has it never occurred to you that maybe your brother brings out the worst in people?" "Or the best," he said, "depending on which way you look at it." "You're as bad as he is." "Actually, I'm much worse.
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J.A. Belfield (Darkness & Light (Holloway Pack, #1))
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You're an interesting person, Jack." Sullivan said. "I wish I could figure out what you were thinging when you punched Stern and turned on Isabel." "Well, I think that's the thing." Holloway said. "I think it's clear that sometimes I just don't think." "I think you do." Sullivan said. "It's just you think about you first. The not thinking part comes right after that.
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John Scalzi (Fuzzy Nation (Fuzzy Sapiens, #7))
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My whole life, I wanted to be dead, but I didn't actually do anything about it. I guess I didn't want to be dead; I wanted relief. I wanted to be happy and peaceful." "That's it," she said. "It's not about dying; it's about stopping the pain." (289)
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Monica Holloway (Driving with Dead People)
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This sent me into an inappropriate laughing fit. I wasn't allowed to get angry, and I couldn't cry, so I laughed - a lot. (114)
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Monica Holloway (Driving with Dead People)
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At that moment, I wished I were the wind, free to dance across her flesh, seep through her clothing, and explore the forbidden depths of her body beneath.
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Sean Holloway. (J.A. Belfield) (Instinct (Holloway Pack, #0.25))
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Welcome back, Jem.
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J.A. Belfield (Darkness & Light (Holloway Pack, #1))
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Jack Holloway told me he would get the son of a bitch who killed my child and the mate of my child," Papa continued. "Jack Holloway did get that son of a bitch. Jack Holloway got you. You are the man who killed my child. Get off my planet, you son of a bitch.
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John Scalzi (Fuzzy Nation (Fuzzy Sapiens, #7))
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Well, I’m sorry you might possibly be out a bit of money, Jack,” Isabel said. β€œJesus, Isabel,” Holloway said. He opened the door. β€œA bit of money? Try at least a couple billion credits. That’s billion, with a b. Saying that’s a bit of money is like saying a forest fire is a nice way to roast some marshmallows.
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John Scalzi (Fuzzy Nation)
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Comradeship, dignity, amorosity, love, solidarity, fraternity, friendship, ethics: all these names stand in contrast to the commodified, monetised relations of capitalism, all describe relations developed in struggles against capitalism and which can be seen as anticipating or creating a society beyond capitalism.
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John Holloway (Crack Capitalism)
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The world wasn't safe today. The truth was, this world was never safe. (19)
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Monica Holloway (Driving with Dead People)
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The last time Sean found trouble, she arrived in a package of blonde hair and blue eyes.” ~ Giles on Jem
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J.A. Belfield (Eternal (Holloway Pack, #0.5))
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Fool. He's as bad as Watson, trying to throw himself in harm's way for the sake of the Great Detective.
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Emma Jane Holloway (A Study in Darkness (The Baskerville Affair, #2))
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Sean Holloway is a ladies' man, and not to be trusted.
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J.A. Belfield (Instinct (Holloway Pack, #0.25))
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This is one symptom of the deliria no one ever tells you about: Apparently the disease turns you into a world-class liar.
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Lauren Oliver (Delirium (Delirium, #1))
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But until you make up your mind, I cannot give you the answer you wish to hear since you don't know what that is.
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Emma Jane Holloway
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The struggle is lost from the beginning, long before the victorious party or army conquers state power and β€˜betrays’ its promises. It is lost once power itself seeps into the struggle, once the logic of power becomes the logic of the revolutionary process, once the negative of refusal is converted into the positive of power-building.
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John Holloway
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Finding a proper husband is rather like selecting a hound. They all have more bark than bite, my girl. One day you'll look across the breakfast table and realize the only option is obedience training. -Grandmamma Holmes
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Emma Jane Holloway (A Study in Silks (The Baskerville Affair, #1))
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You can give me a thousand reasons why not to do something, but give me one good reason why, and I'll do it.
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Lorraine Holloway-White
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I'd been right, even when I was in fourth grade and saw Sarah Keeler lying in her coffin: When you're dead, no one can hurt you. (228)
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Monica Holloway (Driving with Dead People)
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He holds up two fingers - his pointer and middle - places them under his eyes, and then points in front of us.
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Victoria Scott (Fire & Flood (Fire & Flood, #1))
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The devil get you," Holloway hissed. "One day. But not today. I be too busy.
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C.J. Archer (The Last Necromancer (The Ministry of Curiosities, #1))
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That night, JoAnn didn't want to leave, but she knew she had to go. She understood, in that quiet hour, things that only people who've walked to the edge know. Dying seemed almost compassionate - a way to escape the living hell. (283)
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Monica Holloway (Driving with Dead People)
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She was right about one thing - I did need a caring, responsible adult around. If I could have cried on the shoulder of someone I trusted, I never would have stopped. Where were all the adults?
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Monica Holloway (Driving with Dead People)
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Every night for the rest of my life, I’ll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I’m an old man, and my brain has fallen to wrack and ruin, I’ll remember the sweet fire of your lips under mine, and I’ll say to myself, β€˜Now, that was a kiss.’” Silver-tongued
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Lisa Kleypas (Devil in Spring (The Ravenels, #3))
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He manipulated love into something perverse, confusing me about what love is, causing me to sexualize friendships and relationships, teaching me without words that I was worth. Violence would have been more honest
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Monica Holloway (Driving with Dead People)
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Just as Sarah Keeler had taught me that children die, Wendy taught me that you don't have to wade through the insanity; you can get off the bus. This scared me so much that a sweaty panic swept over me. From that moment on I knew it was possible to end my own life. (157)
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Monica Holloway (Driving with Dead People)
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Would I ever have the courage to tell Wills the truth? That he wasn't just imagining the world was a more difficult place for him to understand than for some of his buddies - that it was, in fact, more difficult for him. That he'd been dealt a rotten hand in that regard, but only in that one regard. Because I wouldn't change one freckle, one misunderstood moment, one tiny piece of him for anything in the world. I would change myself. I would change the things other people said or thought out of ignorance or fear. I would change so many things, but I would absolutely never, in a million years, change him.
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Monica Holloway (Cowboy & Wills)
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I like anything that sparkles - mainly diamonds and champagne
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Lorraine Holloway-White
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But remember, dear sister, that the easiest men for us to love are often the same ones who hurt us the most.
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Susan Holloway Scott (I, Eliza Hamilton)
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Side by side, breath for breath, beat for beat.
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J.A. Belfield (Instinct (Holloway Pack, #0.25))
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Better make sure you’re not in my way when I go down.” My eyebrow lifted as I dipped my head to his level. β€œYou wouldn’t want to get squashed.
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J.A. Belfield (Caged (Holloway Pack, #3))
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No one except Sherlock Holmes thought he should be going anywhere, least of all his long-suffering doctor, but the game was afoot.
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Emma Jane Holloway (A Study in Silks (The Baskerville Affair, #1))
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One of the most important elements in the evolution of human institutions is the emergence of the difficult customer within the system itself, the radical who starts to question its very being, the reformer who calls for changes in the way it runs.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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As usual, there were no obvious signs. And it would be a secret that my boyfriend had punched me in the face and terrorized me with a rifle for two and half hours - because it was more important that Mom keep up appearances than keep her children safe.
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Monica Holloway (Driving with Dead People)
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Because I have conducted my own operas and love sheep-dogs; because I generally dress in tweeds, and sometimes, at winter afternoon concerts, have even conducted in them; because I was a militant suffragette and seized a chance of beating time to The March of the Women from the window of my cell in Holloway Prison with a tooth-brush; because I have written books, spoken speeches, broadcast, and don't always make sure that my hat is on straight; for these and other equally pertinent reasons, in a certain sense I am well known.
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Ethel Smyth
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Before I met Isaac, before I auditioned for Hamlet, before I had anything else that was good here, I had you. You were the first person to break through the walls I’d built up around myself from all that shit with Xavier, and I just want to thank you for that.” β€œDammit, Holloway,” Angie said, swiping her fingertips under her eyes. β€œYou’re a life saver, McKenzie, okay?” I said. β€œYou’re a fucking life saver.
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Emma Scott (In Harmony)
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Happy birthday to me. Twenty-four. Mid-twenties. Yay. I guess I have one year of youth left. At least I can round out twenty-four to twenty. Not so lucky with twenty-five, I’ll essentially be pushing thirty.
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Caspar Vega (The Sexorcism of Amber Holloway (The Young Men in Pain Quartet, #2))
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Truth is rarely simple and seldom obvious, which is why mature institutions recognise the importance of conflict and disagreement. Christianity was born in conflict, and it has been characterised by conflict ever since. The Church's obsession with heresy is witness to this fact.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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I don’t want a girl who’s skinny and pretty. I want a girl who’s full of life and sexy as hell, with hair of fire and eyes of thunder, who makes me feel like I’ll go up in smoke with a single fucking taste of her lips.
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J.A. Belfield (Cornered (Holloway Pack, #5))
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That night, my heart softened around Wills's autism. Clearly, Katherine had been right. I couldn't isolate him. As painful as it was to watch him paralyzed with fright, I knew that he was happier when he tried. Not showing up was admitting defeat. Admitting that he couldn't do it. Admitting that the autism was bigger than him.
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Monica Holloway (Cowboy & Wills)
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Fundamentalists didn’t try to disprove science. They didn’t argue against it. They pronounced against it! It was the equivalent of a parent clinching an argument with a child by shouting: β€˜because I say so’. That’s what fundamentalist religion does. It refutes not by evidence but by authority. Why is Darwin wrong? Because the Bible says so! But they did more than pontificate. They tried to ban science itself. That’s
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Richard Holloway (A Little History of Religion (Little Histories))
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I never took you for the defender of Sunday picnics and tea at five
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Emma Jane Holloway (A Study in Silks (The Baskerville Affair, #1))
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Self understanding helps us connect our own weaknesses to the weaknesses of others and forgive them.
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Richard Holloway (Waiting for the Last Bus: Reflections on Life and Death)
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Any truth is better than indefinite doubt. β€”Sherlock Holmes, as recorded by John H. Watson, M.D., β€œThe Adventure of the Yellow Face
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Emma Jane Holloway (A Study in Silks (The Baskerville Affair, #1))
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Sure, swing your oscillating dick over there, and see how long you last before she runs screaming for the authorities.
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J.A. Belfield (Caged (Holloway Pack, #3))
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Doing is inherently plural, collective, choral, communal.
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John Holloway (Change the World Without Taking Power: The Meaning of Revolution Today)
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A lot had changed, and yet nothing had really changed at all.
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Iris Beaglehole (The Witches of Holloway Road (Myrtlewood))
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Her long life spanned American history from the colonial era to the eve of the Civil War, and she died as the last remaining widow of a Founding Father.
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Susan Holloway Scott (I, Eliza Hamilton)
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Face it, George – unlike cholera, death is the only disease everyone is guaranteed to get.’ Heath nodded slowly. β€˜But usually only once, Hamish. Usually only once.
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Nigel Holloway (Second Death (The Hamish McAllister Chronicles, #1))
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We will go on producing myths, ways of explaining ourselves to ourselves but, like everything else about us, they are in constant transition and we must not fundamentalise any of them.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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Feminists in Greenwich Village had begun bobbing their hair in 1912. In 1915, it was still radical. β€œThe idea, it seems, came from Russia,” the New York Times reported. β€œThe intellectual women of that country were revolutionaries. For convenience in disguising themselves when the police trailed them, they cropped their hair.”2 Holloway was something of a revolutionary, too.
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Jill Lepore (The Secret History of Wonder Woman)
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know you believe that the politics in London are especially uncivil, but you’ll soon see that the style here in America is every bit as ferocious, and marked with backbiting, lies, deceit, and ill will.
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Susan Holloway Scott (I, Eliza Hamilton)
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Only then did she pause to read Juniper's card.Professor James Moriarty. She slipped it into her reticule without another thought. The name meant nothing to her, except that he looked more like a James than an Arnold.
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Emma Jane Holloway (A Study in Ashes (The Baskerville Affair, #3))
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She didn't answer, and in that moment I realized that she felt the same as I. The men we loved would determine our destinies along with their own, no matter how we might wish otherwise. We walked the rest of the way arm in arm, our heads bowed, in sisterly agreement. We said nothing more, nor did we need to. I, Eliza Hamilton
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Susan Holloway Scott (I, Eliza Hamilton)
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The institutions that claim to represent God, when they are not ignored altogether, are treated like other human institutions that have to earn their right to a hearing by the value of what they say, and not by virtue of who is saying it. Today, authority has to earn respect by the intrinsic value of what it says, not by the force of its imposition.
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Richard Holloway
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Christian theological history is filled with stories of groups who have developed theories of the election of themselves to salvation and the damnation of others; theories that demonstrate that their particular group has been exclusively endowed with divine truth, so that they possess a unique mission to the world and have a unique authority within it.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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Nonsubordination is the simple, unspectacular struggle to shape one's life. It is people's reluctance to give up the simple pleasures of life, their reluctance to become machines, the determination to forge and maintain some degree of power-to.
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John Holloway (Change the World Without Taking Power: The Meaning of Revolution Today)
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The real determinant of society is hidden behind the state and the economy: it is the way in which our everyday activity is organised, the subordination of our doing to the dictates of abstract labour,Β that is, of value, money, profit. It is this abstraction which is, after all, the very existence of the state. If we want to change society, we must stop the subordination of our activity to abstract labour, do something else.
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John Holloway (Crack Capitalism)
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So really there's almost no point in planning anything out at all, because life is so infinitely complex that you can almost never just take a straight road from A to B without going via the whole rest of the alphabet first, and all because a butterfly happened to flap its wings in Thailand
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Andrew Blackman (On the Holloway Road)
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It is a harsh world, indescribably cruel. It is a gentle world, unbelievably beautiful. It is a world that can make us bitter, hateful, rabid, destroyers of joy. It is a world that can draw forth tenderness from us, as we lean towards one another over broken gates. It is a world of monsters and saints, a mutilated world, but it is the only one we have been given. We should let it shock us not into hatred or anxiety, but into unconditional love.
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Richard Holloway (Between the Monster and the Saint)
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So yes, religion has caused and continues to cause some of the worst violence in history. And yes, it has used God to justify it. So if we mean by God the loving creator of the universe, then either he doesn’t exist or religion has got him wrong. Either way, religion should make us wary. That doesn’t necessarily mean we should abandon it altogether. We may decide to stick with it but to do so with humility, admitting the evil it has done as well as the good. It’s up to us.
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Richard Holloway (A Little History of Religion)
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The real battle for Christians today is not Armageddon, it is the battle for a sensible approach to that ancient library of books we call the Bible. The Bible was written by human beings, with all the longings, prejudices and illusions that characterise us as a species. It is not an apocalyptic almanac, a mystical code book, an inerrant textbook for living. It is a compendium of a particular people's struggle with meaning; so it should encourage us to do the same in our day.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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In his lecture on Jesus, Brown meditated on the unlikely paradox that any institution could represent this man because institutions, by their very nature, have to follow particular laws if they are to survive and prosper; and the main law of institutional survival is that the many take precedence over the few. If institutions are to endure they have to place a higher value on their own endurance than on loyalty to individuals, no matter how attractive or charismatic they may be.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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Jack Byrne’s Fiction House became known for its powerful, invincible female heroes. At a time when many publishers had none, Fiction House employed more than twenty women artists.46 The popularity of comics soared. Gaines, who did not tend to hire women to do anything except secretarial work, began publishing All-American Comics in 1939. That same year, Superman became the first comic-book character to have an entire comic book all to himself; he could also be heard on the radio.47 The first episode of Batman appeared in Detective Comics #27, in May 1939. Three months later, Byrne Holloway Marston, staff artist for the Marston Chronicle, drew the first installment of β€œThe Adventures of Bobby Doone.
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Jill Lepore (The Secret History of Wonder Woman)
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Hannah Arendt scorned this preoccupation with death and proposed a new symbolism that emphasized not the inevitability of our dying, but the actuality of our living. She wanted us to think of ourselves, not as mortals, but as natals, as those who are alive; and she wanted us to act for love not hatred of the world....In her exposition of Arendt, [Jantzen] points out that Christianity's preoccupation with death and salvation worked against a sense of connection to the web of life,'and taught people to be homeless in the world'.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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We know you are going to be enthralled by the mystery of sexuality, which is hardly surprising since it is the energy of life itself. We know it will have the power to take you over for it's own purposes, and we know you won't always be able to resist it. Try at least to think about its possible consequences. Recognise that sex has the potential to hurt and devastate, as well as the capacity to thrill. Understand that it will get all tied up with your need for consolation and acceptance. And never forget the sheer fucking insanity of it all.
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Richard Holloway (Leaving Alexandria: A Memoir of Faith and Doubt)
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But if we are all God’s children, why does God spend so much time in history ordering one branch of his universal family to wipe out another branch? Why did his love for his Jewish children have to be expressed by the extermination of his Palestinian children? Why did he later abandon his Jewish children in favour of his Christian children and encourage his new favourites to torment their older siblings? Why did he order his Muslim children who worship him as One to persecute his pagan children who worship him as Many? Why is there so much violence in religious history, all done by groups who claim God is on their side? Unless you are prepared to believe that God actually plays favourites like some kind of demented tyrant, then there are only two ways out of this dilemma. The obvious one is to decide that there is no God. What is called God is a human invention used, among other things, to justify humankind’s love of violence and hatred of strangers. Getting rid of God won’t solve the problem of human violence but it will remove one of its pretexts.
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Richard Holloway (A Little History of Religion)
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If Holmes heard me, though, he gave no sign of it. He struggled with the next words. β€œLike a friendship, when sharing electrons in this way, both atoms become more stable. Their bond is more stable. It’s stronger than an ionic bond. They continue to share electrons, in the same way that people must continue to share experiences, emotions, and intimacy. They require ongoing effort and investment. Covalent bonds are often found in molecules; they allow individual atoms to become more than what they would be on their own.
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Gregory Ashe (The Old Wheel (The Adventures of Holloway Holmes #2))
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The best approach to religious codes that have become rigid and absolute is to acknowledge their arbitrariness and use them, if we use them at all, as a private discipline for ordering our own chaos. When they are proclaimed as the bearer of absolute and unchanging truth, defended in the traditional way, they enslave the human spirit rather than protect it from its own excesses. Jesus' vision burned through the external systems to the anxious human heart that lay beneath them and called for its transformation into a perfection of love.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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The theory they used to prevent women voting was that the female brain could not comprehend the complexity of politics. Politics was for men. Child-bearing was for women. And the best supplier of reasons for keeping people in their place has always been religion. We saw it at work in the debate over slavery. The Bible and the Qur’an both took slavery for granted. They took the subordination of women for granted too. So we run up against the awkward fact that sacred texts can be used to supply ammunition for those who want to keep people under control.
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Richard Holloway (A Little History of Religion)
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This quarrel over the messianic status of Jesus within first-century Judaism had profound effects on Christianity and prompted it towards a fateful turning point that switched the emphasis from following the way of Jesus to believing things about Jesus. Gradually a Christian came to be thought of not as one who lives and acts in a certain way, but as one who holds certain convictions or theories. The trouble with religious convictions or beliefs is that, since we can rarely prove or disprove them, we get anxious about them and start quarrelling with people whose convictions or theories differ from our own.
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Richard Holloway (Doubts and Loves: What is Left of Christianity)
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He left for his day at the library. Today is research day. When he got there, he went directly to the microfiche machine and began looking through the newspaper obituaries for married men who died between 1980 and 1983. Their widows would be due for a little romance by now. He stayed there for hours, searching for her. His meticulous search netted seven names that merited further investigation. If some husband died and it made the first five pages of the paper, well, that meant a definite bonus because the dead man was powerful and with power came money. Their widows made excellent prospects for his future plans.
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Jean Holloway (Black Jack (DECK of CARDZ, #2))
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All theology is a doomed but necessary attempt to express the inexpressible. God is the elusive mystery we try to capture and convey in language, but how can that ever be done? If the word water is not itself drinkable, how can the words we use to express the mystery of God be themselves absolute? They are metaphors, analogies, figures of speech, yet religious people have slaughtered and condemned each other over these experimental uncertainties. Our glory and agony as humans is that we long to find words that will no longer be words, mere signifiers, but the very experience they are trying to signify; and our tragedy is that we never succeed. This is the anguish that lies at the heart of all religion, because, though our words can describe our thirst for the absolute, they can never satisfy it.
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Richard Holloway (The Four Gospels: The Pocket Canons Edition)
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The most revolutionary change that hit the world in the twentieth and twenty-first centuries was the liberation of women. The Bible and the Qur’an came from societies controlled by men. No surprise there. That’s how the world everywhere was run until fairly recently. And there is something worth noting before we go deeper into the issue. History shows that the men in charge never volunteer to give up their privileges. They don’t wake up one day and say, β€˜I’ve suddenly realised that the way I control and dominate others is wrong. I must change my ways. So I’ll share my power with them. I’ll give them the vote!’ That’s never how it works. History shows that power always has to be wrested from those who have it. The suffragettes who fought for the vote or suffrage for women learned that lesson. Men didn’t volunteer to give women the vote. Women had to fight them for it.
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Richard Holloway (A Little History of Religion)
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There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
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Lisa Kleypas (Devil in Spring (The Ravenels, #3))
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Capital exists because we create it. We created it yesterday (and every day for the last two hundred years or so). If we do not create it tomorrow, it will cease to exist. Its existence depends on the constant repetition of the process of exploitation (and of all the social processes that make exploitation possible). It is not like Frankenstein's creature. It does not have an existence independent of our doing. It does not have a duration, a durable independent existence. It only appears to have a duration. The same is true of all the derivative forms of capital (state, money, etc.). The continuity of these monsters (these forms of social relations) is not something that exists independent of us: their continuity is a continuity that is constantly generated and re-generated by our doing. The fact that we have reasons for generating capital does not alter the fact that capital depends for its existence from one day to the next, from one moment to the next, on our act of creation. Capital depends upon us: that is the ray of hope in a world that seems so black.
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John Holloway
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As we have seen so often in this book, religion may begin with mystical experiences but it always leads to politics. It starts with the voice heard by the prophets who are its chosen instruments. And what they hear always leads to actions that affect the way people live: with politics. Sometimes the politics are bad. People are persecuted for following the wrong faith or for listening to the wrong voice. Or they are forced to embrace the message announced by the latest hot prophet. So the history of religion becomes a study in different forms of oppression. But sometimes the politics are good. They are about liberation, not oppression. We saw good politics in the stand the Pennsylvanian Quakers made against slavery in 1688. And in the African American Church today the politics of Christianity are still about liberation. The tactics of Moses and the promises of Jesus are used to make the world a better place. Religion is no longer used as an opiate to dull the pain of injustice and inequality but as a stimulant to overcome it. That’s what keeps many people in the religion game.
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Richard Holloway (A Little History of Religion)