Holding On Too Tightly Quotes

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I'd found heaven and grabbed it as tightly as I could, but it was unraveling, an insubstantial thread sliding between my fingers, too fine to hold.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We’re too much ourselves. Afraid of letting go of what we are, in case we are nothing, and holding on so tight, we lose everything else.
Clive Barker (Imajica)
He closed his eyes and let out a jagged breath. "Okay." He settled between my legs holding himself over me. "I've never been with a virgin, Eva. I'm going to try real hard not to hurt you." "Will it hurt you?" I asked, thinking about his pained expression when he'd said I was too tight. He smiled, "It's going to be the closest to heaven I'll ever get, baby.
Abbi Glines (While It Lasts (Sea Breeze, #3))
I do not remember very many things from the inside out. I do not remember what it felt like to touch things, or how bathwater traveled over my skin. I did not like to be touched, but it was a strange dislike. I did not like to be touched because I craved it too much. I wanted to be held very tight so I would not break. Even now, when people lean down to touch me, or hug me, or put a hand on my shoulder, I hold my breath. I turn my face. I want to cry.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
I am not a believer in love at first sight. For love, in its truest form, is not the thing of starry-eyed or star-crossed lovers, it is far more organic, requiring nurturing and time to fully bloom, and, as such, seen best not in its callow youth but in its wrinkled maturity. Like all living things, love, too, struggles against hardship, and in the process sheds its fatuous skin to expose one composed of more than just a storm of emotion–one of loyalty and divine friendship. Agape. And though it may be temporarily blinded by adversity, it never gives in or up, holding tight to lofty ideals that transcend this earth and time–while its counterfeit simply concludes it was mistaken and quickly runs off to find the next real thing.
Richard Paul Evans (The Letter (The Christmas Box, #3))
Sam: I felt like things were getting away from me. I'd found heaven and grabbed it as tightly as I could, but it was unravelling, an insubstancial thread sliding between my fingers, too fine to hold.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
for those memories are now just like these little kittens I hold in my hands those can be kissed and treasured but not held too tightly.
Sanober Khan (Turquoise Silence)
Non-attachment is not complacency. It doesn't imply a lack of caring and commitment. The philosophy of non-attachment is based in the understanding that holding on too tightly to those things, which in any case are always going to be slipping through our fingers, hurts and gives us rope burn.
Surya Das (Letting Go Of The Person You Used To Be: lessons on change, love and spiritual transformation from highly revered spiritual leader Lama Surya Das)
Relationships - of all kinds - are like sand held in your hand. Held loosely, with an open hand, the sand remains where it is.The minute you close your hand and squeeze tightly to hold on, the sand trickles through your fingers. You may hold onto it, but most will be spilled. A relationship is like that. Held loosely, with respect and freedom for the other person, it is likely to remain intact. But hold too tightly, too possessively, and the relationship slips away and is lost.
Kaleel Jamison (The Nibble Theory and the Kernel of Power: A Book about Leadership, Self-Empowerment, and Personal Growth)
people used to tell me that i had beautiful hands told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model” to which he said no way, i dont remember the reason he gave me and i wouldve been upset, but there were far too many stuffed animals to hold too many homework assignment to write, too many boys to wave at too many years to grow, we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three. hands learn more than minds do, hands learn how to hold other hands, how to grip pencils and mold poetry, how to tickle pianos and dribble a basketball, and grip the handles of a bicycle how to hold old people, and touch babies , i love hands like i love people, they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future, but i read hands to tell your past, each scar marks the story worth telling, each calloused palm, each cracked knuckle is a missed punch or years in a factory, now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies. even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer. one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom. kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long, but hands are not about politics, when did it become so complicated. i always thought its simple. the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
Sarah Kay
A few minutes later, he said suddenly: 'Kath, can we stop? I'm sorry, I need to get out a minute.' ...I could make out in the mid-distance, near where the field began to fall away, Tommy's figure, raging, shouting, flinging his fists and kicking out. I caught a glimpse of his face in the moonlight, caked in mud and distorted with fury, then I reached for his failing arms and held on tight. He tried to shake me off, but I kept holding on, until he stopped shouting and I felt the fight go out of him. Then I realised he too had his arms around me. And so we stood together like that, at the top of the field, for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us being swept away into the night.
Kazuo Ishiguro (Never Let Me Go)
Sometimes we hold on too tight to the wrong people, until it hurts so much we have to let go.
Alice Feeney (His & Hers)
You hold on tight from now on, so tight it hurts. Got it? Don’t let go of me, not ever. Don’t worry about hurting me, don’t worry about suffocating me, don’t worry about holding on too tight. You hold on and you never let go. You’ll only hurt me, I’ll only suffocate, if you let go. Promise.
Lindy Zart (Take Care, Sara)
the past would only fester and eat away at us if we tried to hold on to it too tightly.
Renee Carlino (Swear on This Life)
I don’t …” I sound like I am being strangled. “My family is all dead, or traitors; how can I …” I am not making any sense. The sobs take over my body, my mind, everything. He gathers me to him, and bathwater soaks my legs. His hold is tight. I listen to his heartbeat and, after a while, find a way to let the rhythm calm me. “I’ll be your family now,” he says. “I love you,” I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me. I am his, and he is mine, and it has been that way all along. He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. “Say it again.” “Tobias,” I say, “I love you.” His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips. “I love you, too,” he says.
Veronica Roth (Insurgent (Divergent, #2))
You trap yourself sometimes, by thinking desire and need is love. Love is something far more precious, but something far more fragile. As fragile as one of our tiniest, most intricate, most delicately crafted toys. Hold on to it too tightly, and it will crumble on your fingers, but hold on to it loosely, and the wind might blow it away and shatter it on the cold ground. Listen to the voice comes from your heart, but be absolutely sure the voice comes from your heart.
V.C. Andrews
A KISS! A KISS!" the crowd chanted. (...) "I dont know," Cleo began, sickened by the thought of it. How far was she willing to go to appear agreeable? "Quite honestly, it seems like a bad--" Magnus took a tight hold of her arm and turned her around. Before she could say another word, he put his hand behind her neck, drew her closer to him, and kissed her. Every muscle in her body stiffened. It was the sensation of being a bird caught in a hinter's trap. Her wings screamed out for her to fly away as fast and as far as possible. But he held her firmly in place, his mouth against hers, soft but demanding a response. She gripped the front of his shirt. It was all too much--she wasn't sure if she was pushing him away or pulling him closer. Much like diving into deep water, she had no idea which way would find her air to breathe or which way would drag her down deeper into the depths where she would surely drown. And for a moment, just a moment, she found it didn't seem to matter. The warmth of his body against hers on such a cold day, his now-familiar scent of sandalwood, the heat of his mouth against hers...it all made her head spin, and logic fell away.
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
Denys understood how nothing ever holds still for us, or should. The trick is learning to take things as they come and fully, too, with no resistance or fear, not trying to grip them too tightly or make them bend.
Paula McLain (Circling the Sun)
He held her so tightly it hurt, but this pain she didn't mind. She'd let him crush her, let him break her, just as long as he never let her go. This was what she wanted, and she refused to believe that he didn't want it, too.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Adam Parrish was lonesome. There is no good word for the opposite of lonesome. One might be tempted to suggest togetherness or contentment, but the fact that these two other words bear definitions unrelated to each other perfectly displays why lonesome cannot be properly mirrored. It does not mean solitude, nor alone, nor lonely, although lonesome can contain all of those words in itself. Lonesome means a state of being apart. Of being other. Alone-some. Adam was not always alone, but he was always lonesome. Even in a group, he was slowly perfecting the skill of holding himself separate. It was easier than one might expect; the others allowed him to do it. He knew he was different since aligning himself more tightly with the ley line this summer. He was himself, but more powerful. Himself, but less human. If he were them, he would silently watch him draw away, too. It was better this way. He had not fought with anyone for so long. He had not been angry for weeks.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Hope is secular. And life is fragile. And sometimes we hold on too tight, even though we know it’ll break.
Chris Whitaker (We Begin at the End)
If you hold on too tightly to people who have already let you go, you won’t have the chance to grab hold of all the beautiful things that are actually meant for you. —Let go.
Charlotte Freeman (Everything You’ll Ever Need: You Can Find Within Yourself)
When we hold on too tightly to our attachments we are trying to keep them just as they are, to make them permanent. But nothing in life is permanent.
Gyalwa Dokhampa (The Restful Mind)
She'd been criticized for holding the reins of parenthood too tightly, of controlling her children too completely, but she didn't know how to let go. From the moment she'd first decided to become a mother, it had been an epic battle.
Kristin Hannah
Our memories and the events of our lives are untidy things. We wish that we could file them away and shut the door, or we wish the opposite - that they would stay with us forever. You want to banish the remembrance of a tight hold on your ankle, a rope under a bed, the amber-colored medicine bottles of your father, the door your mother slams after a night of too much wine and jealousy. You want to keep close to you always that first sweet kiss, a maple leaf, that growing sense of yourself; you want to hold the sight of your dying father on that last boat trip, the calm you remember as your mother held you. Her voice.
Deb Caletti (Stay)
The thing about me is, I let things go. I let people go. I don’t know how to hang on to them—I try, but I hold too tight or not tight enough or something in between and they go. They always go.
Sarah Gailey (Magic for Liars)
Like petals what's beautiful is often delicate. Take care of the ones you love by not holding them too tightly
Nicola An (The Universe at Heartbeat)
If you hold a bird too tightly, you'll crush its wings
V.C. Andrews (Forbidden Sister)
I text Alex and tell her good night, she responds with the same, and I hold my phone tightly, too aware that the present is all we have if I can’t mention the past and she won’t talk about the future.
Mindy McGinnis (The Female of the Species)
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.” The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.” Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
Catherynne M. Valente (Deathless)
People had to want to stay, choose to be with you, or it meant nothing. There were physical cages and there were emotional ones. Holding onto someone too tightly made it hard for them to breathe, and eventually, inevitably, they’d do one of two things: suffocate or run, leaving you feeling like hell either way.
Karen Marie Moning (High Voltage (Fever, #10))
When you grow up as I have, a lost girl without any real past, you latch on to the people who seem to love you. At least that’s what I did. It started early, my holding on too tightly and needing too much. I always craved love. The unconditional, even unearned kind. I needed someone to say it to me. Not to sound poor me, but my mother never said it.
Kristin Hannah (Fly Away (Firefly Lane #2))
We sat with our arms around each other, holding too tightly and not tightly enough.
Samantha Shannon (The Song Rising (The Bone Season, #3))
When you hold on too tight to something, it can start to hurt.
Alice Feeney (Daisy Darker)
That’s what you like in a girl: cute and sad, with enough disorders that you could count them to fall asleep. The kind you can show off at parties as the latest broken thing you fixed. Where will you hang your awards for loving someone who can’t walk in a straight line without being supported? Is there room next to your collection of glasses you shattered by holding them too tightly? The blood on your hands does not make you a martyr. Do not curse when your hammers do nothing but scar her. Do not use your words to remind her that everybody else would have left by now. If she could speak, she would tell you: you think it’s beautiful to love somebody as light as me but you don’t know how heavy I had to be to become this empty.
Lora Mathis
When we disown parts of ourself, we tend to judge others who display those same qualities. We lay claim to moral superiority. This holding too tightly to a role can create a chasm between people that’s difficult to cross.
Frank Ostaseski (The Five Invitations: Discovering What Death Can Teach Us About Living Fully)
As self-possessed as he is, when he’s tired from working too hard, his whole demeanor softens with vulnerability… which makes me want to tuck him right beneath my heart and hold on tight.
Nina Lane (Arouse (Spiral of Bliss, #1))
Well, you're going to have to put your arms around me. Then hold on really tight. You may want to close your eyes too." "All that is for transporting?" "Was there something else you'd prefer to be doing?" Fortunately, Dad intervened before I could respond to his comment. "Really, Chase? Still in the room here. That's my daughter you're flirting with. You really want to go there?
Heather Self (The One (The Portal Trilogy, #1))
The difference between being mediocre and magical is often the difference between letting people take creative risk and holding them too tightly accountable. Accountability is important, but it’s not the only thing that’s important.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers—Straight Talk on the Challenges of Entrepreneurship)
Love is not the sharp-edged thing she's always believed it to be. It's not like the sea, liable to slip through her fingers if she holds on too tight. It's not a currency, something to be earned or denied or bartered for. Love can be steadfast. It can be certain and safe, or as wild as an open flame. It's a slice of buttered bread at dinner table. It's a grudge born of worry. It's broken skin pulled over swollen knuckles.
Allison Saft (A Far Wilder Magic)
None of us do. Being a parent is like driving a car without brakes. You grip the wheel and hold on tight, pray you don’t crash too hard.
Tal Bauer (You & Me)
The reason you hold on to someone too tightly isn’t always to protect them—sometimes it’s to protect yourself.
Jodi Picoult (A Spark of Light)
How could I have ever loved Peg? I love you." And too late, he realized that the words he had just spoken were the truth. He closed his eyes, holding her even more tightly, allowing himself to finally realize and identify his feelings. He was stunned by their enormity, their intensity, their power. ~Sean O'Neill
Brenda Joyce (The Stolen Bride (deWarenne Dynasty, #6))
You are my sunlight in the dark and the ground beneath my feet. Because of you, I can survive. I hope that you can find strength in me, too, V. That because of me, you will find a way to be strong. Hold my daughter tightly tonight, and tell her that somewhere far away, her papa is thinking of her. And tell her I will return.
Kristin Hannah (The Nightingale)
We might start off by paraphrasing Oscar Wilde’s poem, substituting the word ‘Art’ for ‘Love’. Art will fly if held too lightly, Art will die if held too tightly, Lightly, tightly, how do I know Whether I’m holding or letting Art go?
Ray Bradbury (Zen in the Art of Writing)
... I realized that my father had learned something in his recovery that I still hadn't totally grasped: the past would only fester and eat away at us if we tried to hold on to it too tightly.
Renee Carlino (Swear on This Life)
No. There are no second chances in life, no rewind button. You don’t get a do-over, so if you want something you have to run, smash into it and grab it with everything you have. You have to take it and hold onto it tightly before it’s too late.
Emma Hart (Never Forget (Memories, #1))
We have to dive below to discover the basic problem: these couples have disconnected emotionally; they don’t feel emotionally safe with each other. What couples and therapists too often do not see is that most fights are really protests over emotional disconnection. Underneath all the distress, partners are asking each other: Can I count on you, depend on you? Are you there for me? Will you respond to me when I need, when I call? Do I matter to you? Am I valued and accepted by you? Do you need me, rely on me? The anger, the criticism, the demands, are really cries to their lovers, calls to stir their hearts, to draw their mates back in emotionally and reestablish a sense of safe connection.
Sue Johnson (Hold Me Tight: Your Guide to the Most Successful Approach to Building Loving Relationships)
But then you ... you come along. You screwed up my plan. Suddenly my life’s not liveable, it’s not fine and I’m no longer happy. My life’s worse, much more worse than before ... and it’s all because of you. I’m scared of you. I run from you. And I push you away ... but why? Because I am scared of you, I’m scared of my feelings for you ... I’m scared of losing you. But mostly ... mostly I’m scared that if I don’t hold on too tight ... I’m scared that I’ll lose you forever.
Joanne McClean (The Secret Life of Jamie Sykes)
We’re going bowling tomorrow. Can’t you wait until then?” “I went from being with you every second of the day to seeing you for ten minutes if I’m lucky.” I smiled and shook my head. “It’s only been two days, Trav.” “I miss you. Get your ass on the seat and let’s go.” I couldn’t argue. I missed him, too. More than I would ever admit to him. I zipped up my jacket and climbed on behind him, slipping my fingers through the belt loops of his jeans. He pulled my wrists to his chest and then folded them across one another. Once he was satisfied that I was holding him tightly enough, he took off, racing down the road.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
If one day I look at you and don’t remember who you are or how much you mean to me, know that your importance is still as real then as it is now. Know that you are locked away someplace safe. Know that the me who loved you is still sitting on that beach, forever feeling the sunlight. And know that I’m okay with not having that memory right now, because the me that holds it tight is keeping it safe and uncorrupted and glorious. And she loves you. And I do too. Remember that.
Jenny Lawson (Broken (In the Best Possible Way))
When you hold too tightly to a plan, you risk missing out on these things. And when you wake up one day in that future, you will feel boxed in by a life that, at best, reflects only a piece of who you thought you were at one moment in time.
Michael Puett (The Path: What Chinese Philosophers Can Teach Us About the Good Life)
Reading a Book Don’t actually read the book, just hold it really tight so your forearms bulge out. Every time you turn a page, rip it out, because you are too strong to hold paper.
Dom Mazzetti (The Swoly Bible: The Bro Science Way of Life)
She put her hand on my shoulder, and her eyes let me know, just crouch down, hold tight, there's a little bit of pain for you, but not too much.
Rebecca Lee (Bobcat and Other Stories)
Maybe she was right to burn my things, little wing. I love you once, and I love you still, but not all migrations end with a return home. Even memory begins to cut if you hold on to it too tight. I don't know anymore if I believe in angels and signs. Perhaps we are the miraculous creatures my mother was looking for.
Zeyn Joukhadar (The Thirty Names of Night)
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me. He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late. "Your hands," I croak. "My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering. What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth. "Tris," he says, speaking against my fingers. "I'm all right." "Why were you there?" I ask, letting my hand drop. "I was coming back from the control room. I heard a scream." "What did you do to them?" I say. "I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say." "He's in bad shape?" "He'll live," he replies. He adds bitterly, "In what condition, I can't say." It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm. "Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead. Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful. "I could report this," he says. "No," I reply. "I don't want them to think I'm scared." He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that." "You think it would be a bad idea if I sat up?" "I'll help you." Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan. He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
Veronica Roth (Divergent (Divergent, #1))
What we have...is something most folks wait a lifetime for, and only touch for a heartbeat. They let go too quickly, or they're too scared to hold on, or they never see what's right in front of them. But we're going to hold on as tight as we can." - Jonah Walker
Molli Moran (As You Turn Away (The Walker Boys #1))
My mother holds Bram tightly. I draw i ragged breath, the kind you take when the pain is too deep to cry, when you can;t cry because all you are is pain, and if you let some of it out, you might cease to exist.I want to do something to make this better, even though I know tha nothing can change the fact of my father gone and under ground
Ally Condie (Reached (Matched, #3))
Every Day You Play.... Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind.  The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here.  Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Loving someone isn’t about wanting them to evolve into someone better. My mom taught me that. Real love is saying: here, take my still-beating heart and hold it in your hands and please, please, please, promise not to squeeze too tight or drop it on the pavement. Love is being naked and afraid, but refusing to flinch.
Julie Johnson (Cross the Line (Boston Love, #2))
He didn't want to think about this, didn't want to feel this, so he thought about the Foxes instead. He clung tight to the memory of their unhesitating friendship and their smiles. He pretended the heartbeat pounding a sick pace in his temples was an Exy ball ricocheting off the court walls. He thought of Wymack holding him up in December and Andrew pushing him down against the bedroom floor. The memories made him weak with grief and loss, but they made him stronger, too. He'd come to the Foxhole Court every inch a lie, but his friends made him into someone real. He'd hit the end of his rope before he wanted to and he hadn't accomplished everything he'd hoped to this year, but he'd done more with his life than he'd ever thought possible. That had to be enough. He traced the outline of a key into his bloody, burnt palm with a shaky finger, closed his eyes, and wished Neil Josten goodbye.
Nora Sakavic (The King's Men (All for the Game, #3))
I took the steps down Angel’s Flight to Hill Street: a hundred and forty steps, with tight fists, frightened of no man, but scared of the Third Street Tunnel, scared to walk through it – claustrophobia. Scared of high places too, and of blood, and of earthquakes; otherwise, quite fearless, excepting death, except the fear I’ll scream in a crowd, except the fear of appendicitis, except the fear of heart trouble, even that, sitting in his room holding the clock and pressing his jugular vein, counting out his heartbeats, listening to the weird purr and whirr of his stomach. Otherwise, quite fearless.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
You know what I think? I think the reason high school sucks is because it feels so small. Like a too-tight turtleneck, " Noah says. "And even if you are brave enough to molt, there's all these people around you still, like, holding up and showing you your old skin.
Julie Buxbaum (Hope and Other Punchlines)
When the storm seems to overpower you, hold tight, for it is only passing.
Hiral Nagda
I'm sure Tommy felt it too, because we'd always hold each other very tight after times like that, as though that way we'd manage to keep the feeling away.
Kazuo Ishiguro (Never Let Me Go)
Don’t hold me too tight, my fingers will snap, my heart will shatter.
K.P.K.
I’m highly contagious, quarantined to another body I’ve since infected. I will seep into you if you hold me too tightly.
Joseph Fink (Mostly Void, Partially Stars (Welcome to Night Vale Episodes, #1))
Sometimes we cannot control our world and hold it too tightly without squeezing some of the life from it.
Matt Richtel (An Elegant Defense: The Extraordinary New Science of the Immune System: A Tale in Four Lives)
Sometimes when you really want something, you’re scared to go for it. You’re scared to let go and try. You hold on too tight.
Rob Buyea (Saving Mr. Terupt)
If you hold on too tightly to what you have, it'll only hurt more once it's gone
David Chang (Eat a Peach)
Maybe you're holding on too tight, and the magic comes in letting go.
Scott Stabile
Love is a funny thing to describe. It's so easy to feel and yet so slippery to talk about. It's like a bar of soap in the bathtub - you have it in your hand until you hold on too tight.
Michael Jackson
Once you’ve held a book and really loved it, you forever remember the feel of it, its specific weight, the way it sits in your hand. My thumb knows the grain of this book’s leather, the dry dust of red rot that’s crept up its spine, each waving leaf of every page that holds a little secret or one of Peabody’s flourishes. A librarian remembers the particular scent of glue and dust, and if we’re so lucky—and I was—the smell of parchment, a quiet tanginess, softer than wood pulp or cotton rag. We would bury ourselves in books until flesh and paper became one and ink and blood at last ran together. So maybe my hand does clench too tightly to the spine. I may never again hold another book this old, or one with such a whisper of me in it.
Erika Swyler (The Book of Speculation)
Seeing her look at me this way causes my soul to leap from its rest and give of what I too have been feeling. Her eyes compare to that still river raising light from the moon that passes through the sky. I am now as indestructible and as fragile as I’ve ever been as she reaches out for me to grab her and hold her tightly. The burning inside of me initiates a pure joy and peace that I haven’t felt in so long. To love and be loved has become the most incredible experience ever granted unto me. She is now my every breath and the very beating of my heart. I hold her close as the tense weave of my muscles break free and give warmth to every part of her.
Luccini Shurod (The Painter)
The right person will know how to hold your love. The right person will choose you just as deeply as you choose them. You will not have to quiet the way you care, you will never feel like you are too much. You will not have to beg for the love you deserve. One day, you will be met where you are. One day, you will be someone’s favorite thing, and you will not be confused — you will not feel like you are fighting for someone who isn’t fighting for you. One day, you will understand that it never mattered how tightly you held on to the wrong people, how intensely you tried, because the right people were always going to find you. The right people were always going to stay.
Bianca Sparacino (A Gentle Reminder)
And in Kandahar he was taught about survival, about fighting and killing and hunting, and he learned much else without being taught, such as looking out for himself and watching his tongue and not saying the wrong thing, the thing that might get him killed. About the dignity of the lost, about losing, and how it cleansed the soul to accept defeat, and about letting go, avoiding the trap of holding on too tightly to what you wanted, and about abandonment in general, and in particular fatherlesness, the lessness of fathers, the lessness of the fatherless, and the best defenses of those who are less against those who are more: inwardness, forethought, cunning, humility and good peripheral vision. The many lessons of lessness. The lessening from which growing could begin.
Salman Rushdie (The Enchantress of Florence)
Sade jolted with Mercy’s embrace from behind. “Sade!” she cried. “You have it! You have my love, I do love you, look at me.” She got in front of him and held his face. “I’m scared of you because I’ll die if I lose you. I’m scared I’ll never be enough, or what you need. I’m scared you’ll send me away,” she sobbed, hitting him in the chest. “I can’t lose you! I love you! I just want to be good enough for you!” Sade pulled her into his arms at hearing those words. “Mercy,” he gasped. “Say it again.” “I love you,” she cried holding him tight. “I love you so much. I never want to be apart from you." “I’m too fucking broken for you Mercy.” She shook her head and cried, “No! Don’t say that! I can fix it! We can fix it, and if we can’t,” she gasped, “we can be broken together,
Lucian Bane (Mercy (Mercy, #1))
But to Sonja, Ove was never dour and awkward and sharp-edged. To her, he was the slightly disheveled pink flowers at their first dinner. He was his father’s slightly too tight-fitting brown suit across his broad, sad shoulders. He believed so strongly in things: justice and fair play and hard work and a world where right just had to be right. Not so one could get a medal or a diploma or a slap on the back for it, but just because that was how it was supposed to be. Not many men of his kind were made anymore, Sonja had understood. So she was holding on to this one. Maybe he didn’t write her poems or serenade her with songs or come home with expensive gifts. But no other boy had gone the wrong way on the train for hours every day just because he liked sitting next to her while she spoke.
Fredrik Backman (A Man Called Ove)
Life seems to flood by, taking our loves quickly in its flow. In the growth of children, in the aging of beloved parents, time's chart is magnified, shown in its particularity, focused, so that with each celebration of maturity there is also a pang of loss. This is our human problem, one common to parents, sons and daughters, too - how to let go while holding tight, how to simultaneously cherish the closeness and intricacy of the bond while at the same time letting out the raveling string, the red yarn that ties our hearts.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
here it is -- the final page you turn it and walk away you dreamt that you were flying and you realize that somehow, you were breathing under the weight of it all you marvel at the height of the fall don't you remember why you don't have a mother do you know how you got here? memories fade, left behind anxieties forgotten in the back of your mind are your friends lost, too? did you hold them tight or did you let them go? were they buried under the weight of it all such a high place from which to fall didn't you love them? when have you last spoken?
Andrew Hussie
What comes next will be trickier, of course. Snowfall and a drop in temperature, a world tilting, the suddenness of something new. Best to keep on, wherever this is possible. Best, in time, to swim back from a drowning place and continue, struggle back into dailiness, and to live with the icing-over of windows, the frozen pipes and bad wiring and increasing impossibility. Better, in whatever small way, to go on until it becomes too cold to do so. Better to hold one’s hands to whatever warmth there is, to kiss and talk and grieve and fuck and hold tight against the whitening of the sky.
Julia Armfield (Private Rites)
For a man so strong, he was gentle. When his hands, his arms, his mouth were on her, he moved as if afraid she might shatter if held too tightly. Their nights together had been and remained a blaze of passion, for he was a wickedly patient lover who took delight in her responses to him. But more than that, in the quiet hours after he would hold her, both of them weary, content, sleepy. She would lie in his arms and feel no worry, or sadness, or anxiety. She only felt beautiful. And desired. And safe.
Jim Butcher (Academ's Fury (Codex Alera, #2))
She wanted to walk slowly and smell the wafting perfumes of bouquets that men had bought for their sweethearts and watch couples holding each other tight as they dashed along the pavement on their way to or from something that made them grateful to be in each other's company. Going home felt the same as going to sleep, and she was too bouncing, too overcome with bliss for that.
Anna Godbersen
Afterward, he had held Iris so tightly. If she hadn’t said, I can’t even breathe right now, he would have still been holding on to her, wanting to pull her inside of him. Even bent in front of the side mirror, just inches from him, Iris still felt too far away.
Jacqueline Woodson (Red at the Bone)
He took her in his arms then, imagining the life growing inside of her and the future they would have together, a family, more love to fill the absences left by those they'd lost, more love than either of them had ever imagined still possible. The future was so precarious, shadowed by a looming danger neither of them fully understood, and Jem wondered what kind of world his child would be born into. He thought of all the blood that had been shed these last few years, the growing sense among the Shadowhunters he knew that something dark was rising, that this Cold Peace after the war might be only the eerie calm at the eye of the hurricane, those still, silent moments in which it was possible to deceive yourself into imagining the worst was over. He and Tessa have been alive too long to deceive themselves, and he thought about what might happen to a child born at the eye of such a storm. He thought about Tessa, her will and her strength, her refusal to let loss after loss harden her against love, her refusal to hide any longer from the brutality of the mortal world, her determination to fight, to hold on. She too had been a child born of storms, he thought, as had he, as had Will. All three had risen in love through their struggles to find happiness - and without the struggle, would the happiness have been so great? He closed his eyes and pressed a kiss to Tessa's hair. Behind his lids, he did not see darkness but the light of a London morning and Will there, smiling at him. "A new soul made of you and Tessa," Will said. "I can hardly wait to meet such a paragon." "Do you see him too?" Tessa whispered. "I see him," Jem said, and he held her even more tightly against him, the new life they had created together between them.
Cassandra Clare (Ghosts of the Shadow Market)
There's a school of wisdom about love that says the surest way to lose someone is to hold on to them too tightly -- as demonstrated over and over again by the split-ups of lovers, but also by parents and children. Although there it's more complicated by far. Lovers, initially strangers, become strangers again; the tie between parent and child pulls and twists for a lifetime, taking on the strangest forms.
Joyce Johnson (Minor Characters: A Beat Memoir)
Meanwhile, across the country, a certain innkeeper was about to discover that when you hold tight to the little magic you find, when years go by and the world loses much of its colour and still you refuse to forget the magic, magic will go out of its way to show you that it remembers you too.
Sangu Mandanna (A Witch's Guide to Magical Innkeeping)
Love is not the sharp-edged thing she's always believed it to be. It's not like the sea, liable to slip through her fingers if she holds on too tight. It's not a currency, something to be earned or denied or bartered for. Love can be steadfast. It can be certain and safe, or as wild as an open flame.
Allison Saft (A Far Wilder Magic)
So, too, with the caste system as it goes about its work in silence, the string of a puppet master unseen by those whose subconscious it directs, its instructions an intravenous drip to the mind, caste in the guise of normalcy, injustice looking just, atrocities looking unavoidable to keep the machinery humming, the matrix of caste as a facsimile for life itself and whose purpose is maintaining the primacy of those hoarding and holding tight to power.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
When the full-grown poet came, Out spake pleased Nature (the round impassive globe, with all its shows of day and night,) saying, He is mine; But out spake too the Soul of man, proud, jealous and unreconciled, Nay, he is mine alone; — Then the full-grown poet stood between the two, and took each by the hand; And to-day and ever so stands, as blender, uniter, tightly holding hands, Which he will never release until he reconciles the two, And wholly and joyously blends them.
Walt Whitman (Selected Poems)
In twenty years you could say and do a lot you wish you hadn't. In twenty years you could store up a lot of regrets. And then, when it was too late, when there was no one left to say "I'm sorry" to, "I didn't mean it" to, you could stop sleeping for regret, stop eating, talking, working, for regret. You could stop wanting to live. You could want to die for regret. It was only remembering the good times that kept you from taking the knife from the kitchen drawer and, holding it so, tightly in your fist, on the bed, naked to no purpose except that that was how you came into the world and how your best moments in the world had been spent--holding it so, roll onto the blade, slowly so that it slid like love between your ribs and into that stupidly pumping muscle in your chest that kept you regretting.
Joseph Hansen (Fadeout (Dave Brandstetter, #1))
NO ONE EVER says it’ll be easy. All you can do is close your eyes and feel the wind sweep through your hair and savor the salty, sweet treats life tosses in your direction. Don’t become bitter, and never ever hold on too tight, because you’ll not only blister your hands, you’ll choke the precious love you hold within them.
Alexia Purdy (Keep Breathing)
The world used to contain two Bens--the real Ben, who didn't know I existed and the imaginary Ben, who fed me popcorn with buttery fingers. Now there were three. The first two and the one sitting two inches too close, wearing a tight black sweater and sporting stubble that made him look like an indie rocker taking a break in the green room between sets. That's a lot of Bens to hold in your head at once. I should give them different names to keep them straight: Ben, Has-Ben and What-Might-Has-Ben. -Cassie
Rick Yancey
Old pain was heavy in the heart, hard to move, and anyway, Dolores Umber kept a tight hold of her pains and grievances. She thought her pain was the last thing she really owned, the last thing that she could keep all to herself. Her very own thing, and she didn’t much care for the idea of someone else trying to take that away from her too.
Ari Berk (Death Watch (The Undertaken, #1))
If an eagle gives you a feather, keep it safe. Remember: that giants sleep too soundly; that witches are often betrayed by their appetites; dragons have one soft spot, somewhere, always; hearts can be well-hidden, and you betray them with your tongue. Do not be jealous of your sister. Know that diamonds and roses are as uncomfortable when they tumble from one's lips as toads and frogs: colder, too, and sharper, and they cut. Remember your name. Do not lose hope -- what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. When you come back, return the way you came. Favors will be returned, debts be repaid. Do not forget your manners. Do not look back. Ride the wise eagle (you shall not fall). Ride the silver fish (you will not drown). Ride the grey wolf (hold tightly to his fur). There is a worm at the heart of the tower; that is why it will not stand. When you reach the little house, the place your journey started, you will recognize it, although it will seem much smaller than you remember. Walk up the path, and through the garden gate you never saw before but once. And then go home. Or make a home. Or rest.
Neil Gaiman
How are we to help? We need to become aware of all the ways in which we hold the child back from becoming a fully functioning human being: the sink and counter that she cannot reach, the mirror that is too high for her to see herself, the chair that is too big for her to sit comfortably in...the pants that are too tight for her to pull up and down...
Paula Polk Lillard (Montessori from the Start: The Child at Home, from Birth to Age Three)
Prime numbers are divisible only by 1 and by themselves. They hold their place in the infinite series of natural numbers, squashed, like all numbers, between two others, but one step further than the rest. They are suspicious, solitary numbers, which is why Mattia thought they were wonderful. Sometimes he thought that they had ended up in that sequence by mistake, that they'd been trapped, like pearls strung on a necklace. Other times he suspected that they too would have preferred to be like all the others, just ordinary numbers, but for some reason they couldn't do it. This second thought struck him mostly at night, in the chaotic interweaving of images that comes before sleep, when the mind is too weak to tell itself lies. In his first year at university, Mattia had learned that, among prime numbers, there are some that are even more special. Mathematicians call them twin primes: pairs of prime numbers that are close to each other, almost neighbors, but between them there is always an even number that prevents them from truly touching. Numbers like 11 and 13, like 17 and 19, 41 and 43. If you have the patience to go on counting, you discover that these pairs gradually become rarer. You encounter increasingly isolated primes, lost in that silent, measured space made only of ciphers, and you develop a distressing presentiment that the pairs encountered up until that point were accidental, that solitude is the true destiny. Then, just when you're about to surrender, when you no longer have the desire to go on counting, you come across another pair of twins, clutching each other tightly. There is a common conviction among mathematicians that however far you go, there will always be another two, even if no one can say where exactly, until they are discovered.
Paolo Giordano (The Solitude of Prime Numbers)
I'm sure she felt it too, because we'd always hold each other very tight after times like that, as though that way we'd manage to keep the feeling away.
Kazuo Ishiguro
Marie,” he whispered against my hair. “Yes?” I closed my eyes, bracing. “You’re holding me too tight.” “Oh, sorry.” I loosened my arms, having to use a mental crowbar in the process.
Penny Reid (Dating-ish (Knitting in the City, #6))
First, be wary of holding on to any belief too tightly. We all have beliefs, but the more tightly we hold on to them, the more inflexible we become in our attitudes and behaviors. If you’ve ever tried having an argument with someone who absolutely believes they are right, then you know how pointless it is—they will never see any point of view other than their own.
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
Jak’ri stared at her. “There are no Gathendiens on Purvel, Ava.” The Lasarans and their Aldebarian Alliance allies had decimated the Gathendien military and driven whatever remained to the outer reaches of the galaxy a long time ago. His heart clenched when a tear spilled over her lashes and trailed down one cheek. Her throat worked in a swallow. “That’s why I don’t think I’m on Purvel.” Jak’ri just stared at her, uncomprehending. She motioned to the vast blue ocean beyond the cliff. “I don’t think this is real.” Another tear slipped down her cheek. “And I really want this to be real, Jak’ri.” Easing forward, she slid her arms around him, pressed her face to his neck, and hugged him tight. “I wish this were real,” she said brokenly. “I wish you were real.” Sliding an arm around her, he cradled her close as he kept them afloat. “I am real, Ava. I’m right here, holding you.” He pressed a kiss to her hair. “It’ll be all right. I won’t let anyone hurt you again.” Squeezing him tighter, she whispered, “I wish this were real.” And the despair in her sweet voice made him want to weep, too.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
Despite having no definitive path, we all have places to go, people to meet, feelings to feel. Love, friendship and happiness are the luck you get given to you. What you do with them is the luck you make for yourself. We all have a meant to be, whether we believe in fate, destiny, or nothing at all. Do we decide our meant to be, or do we get it chosen for us? Do we get more than one option? If we do, what if we go through them all then decide the first one was the best option, do we get a second chance? No. There are no second chances in life, no rewind button. You don't get a do-over, so if you want something you have to run, smash into it and grab it with everything you have. You have to take it and hold onto it tightly before it's too late. One life. One chance. One love.
Emma Hart (Never Forget (Memories, #1))
With those dimples flashing, he murmurs, “I love you.”  His eyes continue holding mine as he releases those three sweet words into the cold air of the rink. In answer, a huge smile blooms across my face as I drop my bag and fly back into the warm confines of his arms before he wraps them tightly around me, picking me up and swinging me around in a tight circle.  “I love you, too,” I whisper
Jennifer Sucevic (Stay (Stay #1))
This time I shall not lead you into a new corner of the house of the world. We know it so well by now, after all. We know where the Fairies live and where the shadows fall, where the cobwebs really ought to be cleaned up if anyone ever gets around to it, where a window is loose, where a door creaks. We are annoyed by the stove that will not light, by the weeds in the garden, by that ungodly mess in the closet. A thing too familiar becomes invisible. It is time for us to Go Out. But do not fear, even if it is colder outside than you might prefer, if Spring has once again been rudely tardy, if the trees only have a breath of green at their tips like a fine lady's jade rings, if the sun is pale and high and makes you squint, if the wind, for there is always wind, bites and pierces deep. Tug up your best coat round your neck and tie your longest scarf tight. You may hold my hand if you like. I promise, it is good for your health to step outside the house of the world. After all, we are not going far. Only so far as the mailbox.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
On safari, I saw Denys in sharper relief than I ever had. He had an infallible compass, and a way of seeing everything as if he knew it would never be there exactly the same again. More than anyone I’d known, Denys understood how nothing ever holds still for us, or should. The trick is learning to take things as they come and fully, too, with no resistance or fear, not trying to grip them too tightly or make them bend.
Paula McLain (Circling the Sun)
Believing time is on our side is difficult because the lens of our lives is too narrowly focused. We see only what is in our direct view, whether trials or bliss. We hold so tightly to the positive experiences for fear we won’t have another just as good and those that are negative we hope will disappear. With our vision set to the crown of our nose, we miss being exposed to a world of possibility lying in the vastness of our periphery.
Tina Leigh
How long?” Jayce’s scalding breath singed the side of Wes’ neck as he spoke against his skin. “Does Scotto know about you and me? Does he know I’m the one who ruined you for him and all men?” Bastard was so full of himself. Wes remained quiet and ceased his struggles. He could breathe since Jayce’s hold wasn’t too tight. But his chest heaved and his groin throbbed like a mother. He hated how he responded to the slightest touch from Jayce.
Avril Ashton (Make Me Burn (Bringing the Heat, #2))
What I do when it distresses me that there’s something I can’t remember, is. Are you listening? Yes, Elisabeth said through the crying. I imagine that whatever it is I’ve forgotten is folded close to me, like a sleeping bird. What kind of bird? Elisabeth said. A wild bird, Daniel said. Any kind. You’ll know what kind when it happens. Then, what I do is, I just hold it there, without holding it too tight, and I let it sleep. And that’s that.
Ali Smith (Autumn (Seasonal, #1))
I had a dream you died, it was so horrible, it was worse than anything, I don't want you to go, please don't leave me, I can't bear being alive without you, I just want our souls to fly around forever and have adventures together. She cries raw as a child, sliming Isidol's toes with hot saltwater and mucus. Isidol starts crying too. She sinks to the floor and holds Vellus so tight and their hair tangles together in the smear of their faces. For days after, when Isidol is sleeping, Vellus will listen to see if she's still breathing. When Isidol goes outside, she will go with her, no matter how she feels, and hold her arm tightly. It was so hard, she sobs. I was alone for so long.
Porpentine Charity Heartscape (PSYCHO NYMPH EXILE)
Ming is not just about the tragedies that befall us. It’s about the good things, too; the unexpected opportunities, unforeseen chances to do something we love, the chance encounter with someone who will change the trajectory of our whole life. When you hold too tightly to a plan, you risk missing out on these things. And when you wake up one day in that future, you will feel boxed in by a life that, at best, reflects only a piece of who you thought you were at one moment in time.
Michael Puett (The Path: What Chinese Philosophers Can Teach Us About the Good Life)
Suddenly there were two strong arms around her, holding her tightly, more tightly than Triss's parents had ever dared to hug Triss. Violet smelt of oil, cigarettes, and some kind of perfume. Her coat was rough against Not-Triss's face. Not Triss could feel Pen there too, scrambling to be part of it, resting her head against Not-Triss's back. "You're all thorny," whispered Pen, shifting position. "I'll hurt you both," whispered Not-Triss. "My thorns - they'll hurt you." "What, me?" answered Violet. "Don't be silly. I'm tough as nails. I've got a hide like a dreadnought." Violet did not feel cold or metallic lke nails or a battleship. She felt warm. Her voice was a bit shaky, but her hug was as firm as the hills or the horizons.
Frances Hardinge (Cuckoo Song)
Even though many of us are working very hard at it, we rarely, if ever, experience the joy and peace that are promised in the Bible. So what’s the problem? Perhaps we are still holding the reins of our lives too tightly, afraid to surrender ourselves to God’s Spirit.
Ann Spangler (The One Year Devotions for Women: Becoming a Woman at Peace (The One Year Book))
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
Don’t get all grumpy,” I tease, wrapping my arms around him and leaning close. He growls and then turns, grabbing me up and squeezing my ass. “You’re lucky you’re hot,” I say, kissing his lips. “Yeah, well, I’m cursed that my wife is so damn hot. Can’t keep them off of you.” “Well, I did wear my best yoga pants,” I say, and shrug. “I told you your ass looked too good in them.” “Give me my smile,” I say, and he does as I ask. He beams at me, giving me that cocky-ass grin with dimples showing. I kiss each one before I kiss his lips, and he grins against me.
Alexa Riley (Hold Tight (For You, #2))
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
Ronan Lynch was becoming a jagged, shaggy horror of a thing. She could feel the same wordless dread that the Lace invoked rising in her. Hennessy hugged him. She didn't even know where the impulse came from. She was not a sentimental hugger. She had not been hugged as a child, unless the hug was being emotionally weaponized for later. And Ronan Lynch did not seem like the sort of person who would care about getting a hug. Giving someone care and receiving it were two unrelated actions. At first it did not seem to do anything. Ronan kept screaming. The hug had not made him appear more human. He seemed more like Bryde than ever--and not Bryde when he was his most man-shaped. He just seemed like a dream entity that hated everything. "Ronan Lynch, you asshole," Hennessy said. Once, he'd hugged her. At the time, she had thought it didn't help, but she'd been wrong. So she held on now, and kept holding on, though he became even less recognizable as Ronan Lynch for a little bit. Then, after a while, the scream gave way to quiet. She could feel his body quivering. Like a pencil sketch, it conveyed misery with the smallest of gestures. And then there was nothing at all, just stillness. Finally, she realized he was hugging her, too, tightly. There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understand you'd been using words and silence the wrong way for a long time.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?" As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights. She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order." "Suspension?" He took a step closer and heard her breath catch in her throat. "A little bit stiff." She licked her lips. "I think we're in for a rough ride." "Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears. "A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling." Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation." She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft. "Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.
Sara Desai (The Singles Table (Marriage Game, #3))
WHAT did it cost the soul to lie? At every step, with every breath, with every Soviet Information Bureau report, with every casualty list and every monthly ration card? From the moment Tatiana woke up until she fell into a bleary sleep, she lied. She wished Alexander would stop coming around. Lies. She wished he would end it with Dasha. Alas. More lies. No more trips to St. Isaac’s. That was good news. Lies. No more tram rides, no more canals, no more Summer Garden, no more Luga, no more lips or eyes or palpitating breath. Good. Good. Good. More lies. He was cold. He had an uncanny ability to act as if there were nothing behind his smiling face, or his steady hands, or his burned-down cigarette. Not a twitch showed on his face for Tatiana. That was good. Lies. Curfew was imposed on Leningrad at the beginning of September. Rations were reduced again. Alexander stopped coming every day. That was good. More lies. When Alexander came, he was extremely affectionate with Dasha, in front of Tatiana and in front of Dimitri. That was good. Lies. Tatiana put on her own brave face and turned it away and smiled at Dimitri and clenched her heart in a tight fist. She could do it, too. More lies. Pouring tea. Such a simple matter, yet fraught with deceit. Pouring tea, for someone else before him. Her hands trembled with the effort. Tatiana wished she could get out from the spell that was Leningrad at the beginning of September, get out from the circle of misery and love that besieged her. She loved Alexander. Ah, finally. Something true to hold on to.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The memos I’ve written for myself are neither right nor wrong; they are just mine. They’re written in sand so that I can revise them whenever I feel, know, imagine a truer, more beautiful idea for myself. I’ll be revising them until I take my last breath. I am a human being, meant to be in perpetual becoming. If I am living bravely, my entire life will become a million deaths and rebirths. My goal is not to remain the same but to live in such a way that each day, year, moment, relationship, conversation, and crisis is the material I use to become a truer, more beautiful version of myself. The goal is to surrender, constantly, who I just was in order to become who this next moment calls me to be. I will not hold on to a single existing idea, opinion, identity, story, or relationship that keeps me from emerging new. I cannot hold too tightly to any riverbank. I must let go of the shore in order to travel deeper and see farther. Again and again and then again. Until the final death and rebirth. Right up until then.
Glennon Doyle (Untamed)
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Lassiter, where do you go?” He stopped. “You know my name.” “I… yes, I do. Of course, I do.” She wrung her hands, an anxiety striking her. “Oh, Lassiter.” Riding a sudden surge of emotion, she jumped into the space between them, and the instant she did, he caught her, his arms wrapping around her and drawing her flush against his strong body. With his great strength, he lifted her easily from the wild flowers he had created for her, holding her so tight that they nearly became one. And in response, she attempted to encircle his shoulders. They were far too large, so she settled for his neck to hold him back. She had the sense this was a beginning for them. But also an end.
J.R. Ward (Lover Arisen (Black Dagger Brotherhood, #20))
If i could tell the misfits something to make the journey through school and beyond more comfortable, it would be this: you will always be the same person the bus driver was so happy to see on the first day of school. Never stop noticing things like a bus driver opening and closing a door from way past her reach. Don’t worry too much about show and tell – toys and lunch boxes don’t make you happy and some people are fibbing. Just try to get some laughs. If you’re scared about something you’ve never done before like reading or multiplication or dating, say this: “I’ll figure it out.” Then, remind yourself of everything you’ve figured out so far. It’s okay if it takes you a while to make friends – you’ll better appreciate what a friend is worth. As you grow, so will your world. And the bigger your world, the more people will hear your story and say, “I know how you feel.” In the meantime, hold on tight to your Joanies, Billys, Finns, Lauries, and Sades. And never forget this – all the great laughs come from the minds of misfits.
Gary Gulman (Misfit: Growing Up Awkward in the '80s)
The drawings make you smile,” he replied with a grin. “Working on the speech doesn’t do anything.” That...that was so sweet, I wanted to hug him tight, kiss him, too. “Working on your speech will make me smile, too.” His brows lifted and then he flipped his notebook closed. “I know what else will make you smile.” “What? You actually doing some homework?” “Nope.” He glanced at the door again and then rose. “I think me sitting closer to you will make you smile.” The boy knew me well. He took a step closer. “I think holding your hand will make you smile.” I straightened as I watched him. “And I think...” He sat on the edge of the bed and twisted his body toward mine. “I think kissing you will make you smile, too.
Jennifer L. Armentrout (The Problem with Forever)
It is not worth it being a public success and a private failure. You can stand out of the crowd, but not at the expense of your family and friends. Find the balance and strike it. Hold onto it dearly and carefully, like the way you cup something delicate like a butterfly in your hands. Hold it too tight and you will crush it, hold it lightly and it will fly away.
Richard Mwebesa (Out of the Crowd)
Stephen felt himself overtaken by a climactic surge of feeling. It frightened him because he thought it would have some physical issue, in spasm or bleeding or death. Then he saw that what he felt was not an assault but a passionate affinity. It was for the rough field running down to the trees and for the path going back into the village where he could see the tower of the church: these and the forgiving distance of the sky were not separate, but part of one creation, and he too, still by any sane judgement a young man, by the repeated tiny pulsing of his blood, was one with them. He looked up and saw the sky as it would be trailed with stars under darkness, the crawling nebulae and smudged lights of infinite distance: these were not different worlds, it seemed now clear to him, but bound through the mind of creation to the shredded white clouds, the unbreathed air of May, to the soil that lay beneath the damp grass at his feet. He held tightly on to the gate and laid his head on his arms, in some residual fear that the force of binding love he felt would sweep him from the earth. He wanted to stretch out his arms and enfold in them the fields, the sky, the elms with their sounding birds; he wanted to hold them with the unending forgiveness of a father to his prodigal, errant but beloved son. Isabelle and the cruel dead of the war; his lost mother, his friend Weir: nothing was immoral or beyond redemption, all could be brought together, understood in the long perspective of forgiveness. As he clung to the wood, he wanted also to be forgiven for all he had done; he longed for the unity of the world's creation to melt his sins and anger, because his soul was joined to it. His body shook with the passion of the love that had found him, from which he had been exiled in the blood and the flesh of long killing.
Sebastian Faulks (Birdsong)
In the middle of a negotiation, what they planned to ask for suddenly seems ridiculous, excessive, too much. If this happens to you, hold on tight to the information you’ve collected, and don’t suddenly revise your goals downward. Focus on your target and fight the impulse to concede too quickly. After all your hard work, don’t make the mistake of walking away too soon.
Linda Babcock (Ask For It: How Women Can Use the Power of Negotiation to Get What They Really Want)
Joe stepped in front of them, blocking it from their view. "All of you listen to me." Three pairs of eyes locked on his face: hopeful, expectant, still dark with anger and fear. Protectiveness erupted , so strong Joe wanted to shout with it. He drew one breath, then another, but Jesus it didn't help. "You're mine now," he told them, and he knew his voice was hoarse, trembling with furious conviction. He hadn't meant to rush Luna, to spill his guts so soon. He'd meant to give himself time, to give her and the kids time. But he couldn't hold it in. "All of you. I protect what's mine. No one is going to hurt you, and no one is going to run us off. I'll find the son of a bitch, I swear it. And when I do, he'll pay." Luna's eyes, narrowed with rage only a moment ago, now softened with an expression far too close to concern. She gave a reluctant nod and spoke very softly. "All right, Joe." He had an awful suspicion she agreed more to soothe him than because she believed what he said. Willow swallowed, nodded, then gave him a trembling smile. "All right," she said, agreeing with Luna, and she, too, seemed to want to comfort him. Women. Austin launched himself forward, hugging himself around Joe's knees and hanging on tight. Joe almost fell over. He felt as though he'd been stomped on already, his muscles, his mind, his deepest emotions. Hell, he hadn't known he had deep emotions until the kids and Luna had dredged them from a dark, empty place. He wasn't all that steady on his feet, and Austin hit him with the impact of a small tank. But it was more the punch to his heart than the impetus against his legs that threw him off balance. Joe touched the tangled mop of blond hair. "Austin?" Austin squeezed him, then said against Joe's knees, "Okay." He finally tipped up his face to give Joe a crooked, admiring grin. "I sure like it when you're disrespectful." That ridiculous comment lightened Joe's mood, and he laughed. "Rodent.
Lori Foster (Say No To Joe? (Winston Brothers #5) (Visitation, North Carolina, #1))
The boy was tied up under the table, scrabbling his way through an empty packet of biscuits, licking his fingers to gather the crumbs.The kitchen was freezing; Tina could see the warmth of her breath in the air. It got like that sometimes in winter. The cold got trapped inside.Her first glance had made the boy a dog, just a mongrel tied up to the table leg, but a second glance told the truth. People saw what they wanted to see. Tina hadn’t wanted to see the boy. She thought she had perfected the art of tunnel vision. There were a lot of things she didn’t want to see.But she saw everything in the kitchen, everything.She felt it too. The despair in the air had a familiar feel. Hopeless defeat. It came off the boy in waves and she had to hold on tight to prevent it knocking her over.
Nicole Trope (The Boy Under the Table)
I don't really enjoy experiencing pain. No one does. But we will become less human if we learn to detach ourselves from one another to the point that when we experience death of a beautiful being (our mothers, our fathers, our sisters, our brothers, our soul mates, our friends etc.) that it will not bother us that we will not feel. But see that's suppression. It will bother us somewhere deep inside. So, love someone. Hold them tight. Don't fear the loss. Fear the part of being too afraid to love someone. Love Everyone. It's inevitable: we all die. Thats the ugly part of life. But Love and being alive is so beautiful and so strong that the love, the memories stay even in death. Life is love, life is being alive to feel pain. The love the beautiful love always remains. Love. Life. Joy. Peace
Jill Telford
When we stepped out of the car, I heard the ghosts. Lots of them here, too many, swirling and battling for my attention. My father’s won out. The lake was hold-your-breath still, but I swore I could still hear Dad’s howl of delight as he cannonballed off the dock, his knees pressed tightly against his chest, his smile just south of sane, the upcoming splash a virtual tidal wave in the eyes of his only son. Dad liked to land near my sunbathing mother’s raft. She’d scold him, but she couldn’t hide the laugh. I blinked and the images were gone. But I remembered how the laugh and the howl and the splash would ripple and echo in the stillness of our lake, and I wondered if ripples and echoes like those ever fully die away, if somewhere in the woods my father’s joyful yelps still bounced quietly off the trees.
Harlan Coben (Tell No One)
few days. Everywhere hurts, even my hands. I have cried so much that I do not think I have any water left in my body. I have never believed in God but I find myself praying. I am not sure who to, but I feel like I have to. If there is a God, how could He let this happen? I do not believe there is any kind of higher being who can help me now. My prayers are not to any kind of God, they are silent messages to keep me strong. Thoughts of Liliana and my mother fill my mind. I wish I could talk to them and tell them I miss them so much there is an ache squeezing my heart. I want to hear their voices and hold them tight. I want to wake up from this nightmare and be safe in their arms. I think of my father and my husband Stefan, too. They have been dead several years, and for once, I am glad. It would rip them apart to know what has
Sibel Hodge (Trafficked: The Diary of a Sex Slave)
Late-Flowering Lust My head is bald, my breath is bad, Unshaven is my chin, I have not now the joys I had When I was young in sin. I run my fingers down your dress With brandy-certain aim And you respond to my caress And maybe feel the same. But I've a picture of my own On this reunion night, Wherein two skeletons are shewn To hold each other tight; Dark sockets look on emptiness Which once was loving-eyed, The mouth that opens for a kiss Has got no tongue inside. I cling to you inflamed with fear As now you cling to me, I feel how frail you are my dear And wonder what will be-- A week? or twenty years remain? And then--what kind of death? A losing fight with frightful pain Or a gasping fight for breath? Too long we let our bodies cling, We cannot hide disgust At all the thoughts that in us spring From this late-flowering lust.
John Betjeman (Collected Poems)
Remain Healthy All Day: Drink a spoonful of oil every morning. Reach up with your arms and extend your body to its full height. Use a warm towel to dry the cat. Consider a philosophical idea larger than your area of expertise. Avoid getting cancer. Chalk up bad decisions to outside influences. Don't take your father too seriously. Play a game where you close your eyes very tightly, and when you open your eyes, you have amnesia and you must draw the details of your life from your surroundings. Give up smoking, drinking, and poetic verse. Remind yourself how important you are to your friends or at least your animals. Wax the floor in socks. Enter into a healthy, monogamous relationship. Consider briefly the idea of a soulmate. Light an entire box of matches and throw it into the sink. Hold a metal rod to the heavens and beg for whatever comes next.
Amelia Gray (AM/PM)
Hold on tight then. I hope you're not afraid of the dark.” He thrust forward, slamming himself inside me, and I screamed. Not from the pain. There wasn't any. Only a stretching, and a fullness, and an awesome wave of energy that fired up my spine in a series of bursts that felt like small explosions. It was so much, all at once, that I had to scream. As if he were experiencing something very similar, Fisher threw his head back, the muscles in his neck straining, his jaw clenched tight, roaring through his teeth. 'Fuuuuck!” Just one stroke. He'd entered me once, and I was done for. I was a ball of sensation, humming with energy. In the darkness, Fisher slowly lowered his head, his lips parted, hair mussed, and the dazed look of surprise on his face sent a rush of adrenalin powering through me. Gods and Martyrs. I would never forget seeing him like this. If I did manage to make my way back home, the image of him like this, seated inside me, skin slick with sweat, chest hitching, would sustain me until the day I died. Fisher. Kingfisher. Lord of Cahlish. I hated him, I did. But you couldn't hate something without caring about it just a little, too. “Witch,” he accused. “You do have magic.” He was so fucking big; his hard length twitched inside me, and my body answered in kind, tightening around him. His fingers gouged into my skin, digging deeper into my hips. With a mantle of black smoke swirling around him like a dark wind, he moved. Slowly, at first. The tendons in his neck stood proud as he pulled back and eased out of me just an inch. The smallest of movements drew him home. Again, he shifted, rolling his hips, working his cock a little deeper each time he thrust back into me. The pace he set was torturous.
Callie Hart (Quicksilver (Fae & Alchemy, #1))
Rig looked over at Dick for a long minute and then shook his head and sighed, pushing the cake away. "I can't do this. Dick was right. I'm tearing us all apart and I hoped that... I wanted you two to be happy enough together that I wouldn't. All I could think in that ambulance was that I was losing you and it happened anyway. I'm sorry." "No!" Dick shook his head and took Rigger's hand. "You only lose us if you keep pushing us away." Rock didn't know what to say, he just knew he was more scared now than he had been when Julie had first called that night so many months ago now. He took Rigger's other hand and squeezed. "I'm a stubborn son of a bitch, Rig. I'm not going anywhere." "I don't know if I can stay, Blue." Grey eyes landed on him, filled with tears. "I'm lost and can't seem to figure my way home." Rig's hand was trembling, holding him tight. Rock thought it probably would have hurt less if Rigger had picked up the knife and stabbed him with it. He slid from his chair and pulled Rig's so he could kneel between his lover's legs. His hands found their way into Rigger's shorn hair. "I will do anything, Rabbit. Anything. But I can't let you go. P-please don't ask me to let you go." His voice broke and he laid his head down against Rigger's belly, arms wrapping around the too-thin waist.
Sean Michael (Tempering (Jarheads, #4))
You need to learn some patience,” I tell him. But shit, I’m teasing myself as much as I’m teasing him. My balls are so tight they hurt, already tingling with the telltale signs of impending release. “Screw patience,” he grumbles. “Wanna come.” “Sulking ain’t helping your cause, dude.” “No? How about this then?” He pushes his ass back against me and starts fucking my cock, fast and greedy. Holy hell. There’s no way I can hold back now. It’s too good. I’m too horny. My fingers dig into his hips as I slam into him, each deep thrust sending me closer and closer to the edge. Our breathing grows labored as our bodies slap together, but I need more. I need… I plant my hands on his chest and tug him up so his back is plastered to me. The new angle makes him cry out in pleasure, and then he twists his head toward me and our lips meet in a scorching kiss that fogs my brain.
Sarina Bowen (Him (Him, #1))
So... Dell had been a good boy with bad friends. I knew this – I used to be one of them. I’d always known Dell would disappear one day; he was too decent, too golden. This place never tainted that, and I don’t know why. He made me feel dirty. Dark and corrupt. It hadn’t always that way, and I don’t know when it changed... but I felt it now. I only knew I couldn’t hold onto him tight enough to stop those long legs carrying him away somewhere better. A day’ll come when everybody’s had you and nobody wants you anymore... As Dell drove Erin away in their rent-a-car from the Holiday Inn into the early evening traffic, I felt the walls closing in, the world swelling around me, and I knew that day had finally come. Tomorrow, I leave Paradise. It’s true. Shanise was right. I turned away as the car disappeared up the slushy street. That was the last time I saw them alive.
H. Alazhar (City of Paradise)
I smiled at her, but that brooding cloud still hung over me, even as I lay there so full of happiness. I had never thought I could love another person this much. I also never thought I'd live in such fear of losing another person. Was that how everyone in love felt? Did they all cling tightly to their beloved and wake up terrified in the middle of the night, afraid of being alone? Was that an inevitable way of life when you loved so deeply? Or was it just those of us who walked on a precipice who lived in such a panic? I brought my face a mere whisper from hers. "I love you so much." She blinked in that way I'd come to recognize, when she was afraid she might cry. "I love you too. Hey." She slid one of her hands up and rested it on my cheek. "Don't look like that. Everything's going to be okay. The center will hold." "How do you know?" "Because we are the center.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
He didn't want to think about this, didn't want to feel this, so he thought about the Foxes instead. He clung tight to the memory of their unhesitating friendship and their smiles. He pretended the heartbeat pounding a sick pace in his temples was an Exy ball ricocheting off the court walls. He thought of Wymack holding him up in December and Andrew pushing him down against the bedroom floor. The memories made him weak with grief and loss, but they made him stronger, too. He'd come to the Foxhole Court every inch a lie, but his friends made him into someone real. He'd hit the end of his rope before he wanted to and he hadn't accomplished everything he'd hoped to this year, but he'd done more with his life than he'd ever thought possible. That had to be enough. He traced the outline of a key into his bloody, burnt palm with a shaky finger, closed his eyes, and wished Neil Josten goodbye.
Nora Sakavic (The King's Men (All for the Game, #3))
Mum bought me �kite for my sixth birthday. It was beautiful. Snowy white with � long tail of ribbons. She held the string, and I� ran and ran as fast as I �could, but it kept dropping to� clumsy heap on the ground. When� I got tired Mum took over, holding it high above her head and running and running until, all at once, �sudden wonderful gust of wind took the kite soaring high, high into the sky, so� I had to squint to see it. “Hold on, Rosie!” Mum had called. “Hold tight!” And �I did, gripping the string with all my might as the kite danced high up above, gleaming bright white against the blue sky, its ribbons sparkling in the sunlight as it flew, soaring and dipping like �bird, forever pulling at the string in my hand —higher, higher — tugging to get free. Then� I let go.The string snapped from my grip and was gone. Mum raced after it,but it was too fast,soaring up,up and away, higher than the trees. She scooped me up in �hug and told me it was all right, she'd buy me another one. But� I didn't want another one. That was my kite,and it was free. I’d let it go.It’d wanted so much to be free that I just couldn't hold on, couldn’t hold it down.� I smiled as I� watched it whirl away — above the trees, above the birds, above the clouds, sparkling into the heavens, dancing free. It was the most beautiful thing I �have ever seen.
Katie Dale (Someone Else's Life)
The ceilings had set off a ghostly echo, giving all the desperate hilarity the quality of a memory even as I sat listening to it, memories of things I'd never known. Charlestons on the wings of airborne biplanes. Parties on sinking ships, the icy water bubbling around the waists of the orchestra as they sawed out a last brave chorus of "Auld Lang Syne." Actually, it wasn't "Auld Lang Syne" they'd sung, the night the Titanic went down but hymns, lots of hymns, and the Catholic priest saying Hail Marys, and the first-class salon which had really looked a lot like this: dark wood, potted palms, rose silk lampshades with their swaying fringe. I really had had too much to drink. I was sitting sideways in my chair, holding tight to the arms (Holy Mary, Mother of God), and even the floors were listing, like the decks of a foundering ship; like we might all slide to the other end with a hysterical wheeee! piano and all.
Donna Tartt (The Secret History)
He loves me like a monster, all teeth and talk and hiding in the dark. That’s my specialty— men with strong bodies and fragile hearts, and if you hold them too tightly they will crumble beneath you like an avalanche that’s waiting. Still, he looks at me like all things beautiful and burning and we love each other recklessly with hearts so empty our names echo against vandalized walls that say, “There was someone here before me, listen closely and you’ll hear their name.” He has matches for hands, and I, a paper heart. Gasoline will drip from our mouths and we will call that holy. We will burn at the stake and pollute the sky with smoke and selfishness, and we will say it was in the name of a crooked love. We will burn our own bodies to the ground and we will call that sacrifice. We will tear ourselves open like there’s something left inside. Nobody ever taught us how to love. ―Lindsey Hobart
Lindsey Hobart
I wanted to rip him apart limb by limb with my teeth and fingers turned into claws. I wanted to hold his lion’s heart in my hands too tightly and feel it beat and throb for me, against me. I wanted to disassemble him, piece by bloody piece, to satisfy my burning passion, my crushing rage at the changes he’d wrought on my life and me. But then…I wanted to sit crossed-legged in the middle of the mess, smooth my claws turned fingers over the jagged edges of him and put him back together again. I wanted to trace the outline of each of his limbs, knot together his muscles and slot his bones into their joints. I wanted to sew myself into every atom of his DNA and live there forever, intrinsically tied to him so that if any force tried to tear me away like I knew they would, they’d have to kill him to separate us. It was a gruesome way to love someone, but it was the way I felt about Lionel Danner and I knew that would never change.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
Surely you will not jump into the water?" "I'm not such a simpleton as that!" yelled the little man. "Don't you see that a wretch of a fish is pulling me in?" The dwarf had been sitting angling from the side of the stream when, by ill-luck, the wind had entangled his beard in his line, and just afterwards a big fish taking the bait, the unamiable little fellow had not sufficient strength to pull it out; so the fish had the advantage, and was dragging the dwarf after it. Certainly, he caught at every stalk and spray near him, but that did not assist him greatly; he was forced to follow all the twistings of the fish, and was perpetually in danger of being drawn into the brook. The girls arrived just in time. They caught hold of him firmly and endeavored to untwist his beard from the line, but in vain; they were too tightly entangled. There was nothing left but again to make use of the scissors; so they were taken out, and the tangled portion was
Jacob Grimm (Grimm's Fairy Stories)
The ancient Greeks had an appropriate metaphor for this: the rider and the horse. The horse is our emotional nature continually impelling us to move. This horse has tremendous energy and power, but without a rider it cannot be guided; it is wild, subject to predators, and continually heading into trouble. The rider is our thinking self. Through training and practice, it holds the reins and guides the horse, transforming this powerful animal energy into something productive. The one without the other is useless. Without the rider, no directed movement or purpose. Without the horse, no energy, no power. In most people the horse dominates, and the rider is weak. In some people the rider is too strong, holds the reins too tightly, and is afraid to occasionally let the animal go into a gallop. The horse and rider must work together. This means we consider our actions beforehand; we bring as much thinking as possible to a situation before we make a decision. But once we decide what to do, we loosen the reins and enter action with boldness and a spirit of adventure. Instead of being slaves to this energy, we channel it. That is the essence of rationality. As an example of this ideal in action, try to maintain a perfect balance between skepticism (rider) and curiosity (horse). In this mode you are skeptical about your own enthusiasms and those of others. You do not accept at face value people’s explanations and their application of “evidence.” You look at the results of their actions, not what they say about their motivations. But if you take this too far, your mind will close itself off from wild ideas, from exciting speculations, from curiosity itself. You want to retain the elasticity of spirit you had as a child, interested in everything, while retaining the hard-nosed need to verify and scrutinize for yourself all ideas and beliefs. The two can coexist. It is a balance that all geniuses possess.
Robert Greene (The Laws of Human Nature)
I am looking at this shiny star tonight, Wishing wishes could come true... I wonder if by any chance, He sees the same star too!! The overwhelming darkness tickles the lonely heart tonight, I wonder if he sees the star I am watching, May be he would stand within its light! There are many miles between us, but still our souls can meet... At this point when we look at this star together, May be our hearts could find their beat! Don't you feel the need for someone to come, Into your life... I am wishing for the same thing, As I watch this star tonight! This gentle light on my face, Cheers and comforts and holds me tight... I wonder if by some chance, I find you holding me with love and sitting by my side! But this remains a wish as he is still unseen and unknown, I wonder who he might be, to whom I would be prone! A hopeless or born romantic, Everyone is searching for true love, Wishing wishes in the darkness, To this magical star that hangs above!
Anamika Mishra
When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.
Cyn Balog (Fairy Tale)
Some people are never overcome by anything: not by grief, not by love, not by anything or anyone. They never hold on too tight and they never push too hard. And other people are overcome by almost everything: by grief, by love, by almost everything. They hold on too tight and they push too hard. Both the flower and the storm bring awe and admiration. Do we live life pushing and pulling and gasping at lightning bolts? Or do we live life poised and positive and breathing clandestine proportions? Who knows! Who can ever say?
C. JoyBell C.Bell C.
It was that boy. I said “Here; you better take a holt of my hand” and he waited and held to me. I be durn if it wasn’t like he come back and got me; like he was saying They wont nothing hurt you. Like he was saying about a fine place he knowed where Christmas come twice with Thanksgiving and lasts on through the winter and the spring and the summer, and if I just stayed with him I’d be all right too. When I looked back at my mule it was like he was one of these here spy-glasses and I could look at him standing there and see all the broad land and my house sweated outen it like it was the more the sweat, the broader the land; the more the sweat, the tighter the house because it would take a tight house for Cora, to hold Cora like a jar of milk in the spring: you’ve got to have a tight jar or you’ll need a powerful spring, so if you have a big spring, why then you have the incentive to have tight, wellmade jars, because it is your milk, sour or not, because you would rather have milk that will sour than to have milk that wont, because you are a man. And
William Faulkner (As I Lay Dying)
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.” Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.” Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her. “Do that again.” He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him. “You’re sensitive here,” he murmured. “Yes.” His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening. “Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.” Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?” Sensation shot through her. “Hmmm?” “Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer. Her eyes flew open. “Wait, what?” She leaned back. “I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.” She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did? His lips twitched as his eyes danced with mirth. Relief filled her. “Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.” He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
The glove comes off, flops loosely over, and there's suddenly horror beating into his brain, smashing, pounding, battering. He reels a little in his chair, has to hold onto the edge of the table with both hands, at the impact of it. A clawlike thing - two of the finger extremities already bare of flesh as far as the second joint; two more with only shriveled, bloodless, rotting remnants of it adhering, only the thumb intact, and that already unhealthy-looking, flabby. A dead hand - the hand of a skeleton - on a still-living body. A body he was dancing with only a few minutes ago. A rank odor, a smell of decay, of the grave and of the tomb, hovers about the two of them now. A woman points from the next table, screams. She's seen it, too. She hides her face, cowers against her companion's shoulder, shudders. Then he sees it too. His collar's suddenly too tight for him. Others see it, one by one. A wave of impalpable horror spreads centrifugally from that thing lying there in the blazing electric light on O'Shaughnessy's table. The skeleton at the feast! ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
He leaned forward, his voice softening. “I get that representation, identity, and history are important, but when you hold on too tightly to something, any fault becomes a fault line, the very thing the world will use to bring you down.” He paused, his gaze shifting between Regina and me. “Whatever happens in this archaeological battle of sexes, the fact remains that the world is unfair, and I give you my word that history, whatever it may be, won’t stop me from being your ally and trying to fix, not the past we can’t control, but the present.
Amalia Rose (Decoded (The Ex-Files - Unsolved Mysteries Investigations Book 1))
In front of me, Gabe’s hands trembled. His face was drained of blood, mouth set in a grim line. “Hey Gabe, hold my hand,” I said. He squinted, hesitating, then glanced up at his mom. The makeup girl was dabbing her nose with powder and she didn’t look down. I nudged my hand into his balled-up fist and leaned closer. “I’m scared too.” He peered up, blinked, and decided to believe me. Why shouldn’t he? It was true. My hand was disgustingly clammy, but I think that was comforting to him, proof that I was as terrified as he was. He squeezed it tight.
Jennifer Marie Thorne (The Wrong Side of Right)
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
Andrew followed the direction of her elegant hand and was surprised to see that there was, indeed, a woman in the garden below. “Yes?” He turned toward Vivien and found she was holding out a spyglass for him. “Look a little closer, you could hardly see any detail of her from all the way up here.” He tilted his head in increasing confusion. “Vivien—” “Please,” she insisted, her tone firm. With a grunt, Andrew took the glass from her hand and peered through the viewer to the young woman below. As he focused on her face, his breath caught. She was utterly lovely. Chestnut locks framed a face with high cheekbones and full lips, not to mention china-blue eyes that lit up with delight as she paused to sniff this flower or that. Her clothing was well-worn, but when she twisted to observe her surroundings, it accentuated soft curves. Andrew shifted as a most unfamiliar feeling began to stir his loins. Desire, hot and powerful, pumped through his veins, and he lowered the spyglass in shock. He hadn’t had such a strong reaction to a woman in years. “I assume you like what you see,” Vivien said softly. Andrew clenched his teeth. There was no hiding the swelling of his cock through the tight breeches he wore, and Vivien was too aware of such things not to notice. “She is, obviously, very pretty,” he said coolly as he handed the glass back to Vivien and turned away. He tried to think of anything, anyone, that might force the inconvenient blood upward. “She is looking for a protector,” Vivien said from behind him. “I thought you might be the right match for her.” Andrew spun around, no longer caring if his erection was obvious. “I beg your pardon?” he barked.
Jess Michaels (An Introduction to Pleasure (Mistress Matchmaker, #1))
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Lutch Crawford always talked straight to the point. That’s how he got so much work done. “Fawn, about the other night, with all that moon. How do you feel now?” “I feel the same way,” she said tightly. Lutch had a little habit of catching his lower lip with his teeth and letting go when he was thinking was hard. There was a pause about long enough to do this. Then he said, “You been hearing rumors about you and me?” “Well I—” She caught her breath. “Oh, Lutch—” I heard the wicker, sharp and crisp, as she came up out of it. “Hold on!” Lutch snapped. “There’s nothing to it, Fawn. Forget it.” I heard the wicker again, slow, the front part, the back part. She didn’t say anything. “There’s some things too big for one or two people to fool with, honey,” he said gently. “This band’s one of ’em. For whatever it’s worth, it’s bigger than you and me. It’s going good and it’ll go better. It’s about as perfect as a group can get. It’s a unit. Tight. So tight that one wrong move’ll blow out all its seams. You and me, now—that’d be a wrong move.” “How do you know? What do you mean?” “Call it a hunch. Mostly, I know that things have been swell up to now, and I know that you—we—anyway, we can’t risk a change in the good old status quo.” “But—what about me?” she wailed. “Tough on you?” I’d known Lutch a long time, and this was the first time his voice didn’t come full and easy. “Fawn, there’s fourteen cats in this aggregation and they all feel the same way about you as you do about me. You have no monopoly. Things are tough all over. Think of that next time you feel spring fever coming on.” I think he bit at his lower lip again. In a soft voice like Skid’s guitar with the bass stop, he said, “I’m sorry, kid.” “Don’t call me kid!” she blazed. “You better go practice your scales,” he said thickly. The door slammed. After a bit he let me out. He went and sat by the window, looking out. “Now what did you do that for?” I wanted to know. “For the unit,” he said, still looking out the window. “You’re crazy. Don’t you want her?” What I could see of his face answered that question. I don’t think I’d realized before how much he wanted her. I don’t think I’d thought about it. He said, “I don’t want her so badly I’d commit murder for an even chance at her. You do. If anyone wants her worse than I do, I don’t want her enough. That’s the way I see it.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume V: The Perfect Host)
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)
ohnny Heart loved Francesca Valentine the way no one had ever loved anyone, and his love for her was so deep, that it consumed him. There's nothing left in that attic now, but a statue of them entwined with each other—that's all that's left to say that they were together once. But if you were to pull open the secret door in the attic, the door that no one knew about, you would find Johnny's hidden gallery—paintings and sketchings—all of Francesca Valentine. He loved her so much, he spent nearly every waking moment drawing or painting her. It was an obsession and he just couldn't quit. Johnny never wanted to be away from her. He never showed these painting or portraits to Francesca, in fear they weren't good enough. He kept trying to capture her just right. She'd never really know how beautiful she was to him. But if you were to look at the portraits you could see the love he had for this one girl, how deeply he romanticized her. And you'll know—because you'll be able to feel it—how hard it was for him to let her go. It was an impossibility. One that Frankie agreed with, too. She couldn't let go either. But holding on so tightly to each other, and feeling what they could never have, never keep, it destroyed them both, and she became one with her monster. It's Frankie and Johnny. For always.   And never.
Rae Hachton (Frankie's Monster)
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
Harper Dallas (Ride (The Wild Sequence, #1))
Song I try to make the step-down call of the chickadee, but do it too insistently, over and over so it loses sense, the air going equally out and back, not slower in the opening, then quickening as the tight hinge retracts, but absolutely evenly, too even, the way one breathes and regulates breath for a doctor, to present the body’s equanimity. There’s a bird in a tree with a hinge in its throat, a door opening to let the sweet air pass from a high, thin place down a notch. There’s phlox out there, opening between one black and another black, hanging branch of an apple tree—the very tree that holds the bird that bends the air so parenthetically around itself, and its song around anything listening.
Lia Purpura (On Looking: Essays)
I couldn't stop picturing you naked and wet." "If you knew the things you've done in my imagination..." "I touched myself while thinking of you." He groaned against her lips. "Jesus Christ, that's one of them." She whimpered in protest as his fingers withdrew from her body. He slid his hands to her bottom and lifted her off her feet, carrying her across the room, to where a floor-length mirror in a thick gilded frame stood propped against the wall. It must have been too heavy to move. He spun her to face it, positioning himself behind her. Their gazes locked in the mirrored reflection. His eyes were dark, fierce, demanding. "Show me." He yanked her skirts to her waist- frock, petticoat, chemise, and all- exposing her completely. "Show me how you touched yourself." Penny's heartbeat stalled. The gruff command both scandalized and excited her. With a rough flex of his arms, he hauled her to him. His erection throbbed against the small of her back. "Show me." Penny stared into the mirror. A bolder, naughtier version of herself gazed back. She placed a hand on her belly and eased it downward, until her fingertips disappeared into a thatch of amber curls. She hesitated, holding her breath. "More," he demanded. "I want to see you." His gruffness aroused her, but she wasn't intimidated. With him, she knew she was safe. She raised her free arm above her head, clasping his neck for balance and resting her head against his chest. He wrapped his arm about her torso, holding her tight and pinning her lifted skirts at the waist. Her joints softened, and her thighs fell slightly apart. "That's it. Spread yourself for me. Let me see." The woman in the mirror did as she was told, sending her fingers downward to part the pink, swollen folds of her sex. A single fingertip settled over the sensitive bud at the crest, circling gently. His ragged breath warmed her ear. "God, you're beautiful." She stared at the reflection, transfixed by the eroticism of the image within. She felt like a woman in a boudoir painting, flushed with desire and unashamed of her body's curves and shadows. Aware of the power she held, even in her vulnerable, naked state. As her excitement mounted, she strummed faster. She was panting, arching her back.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
We see the old women again. A laugh that is a little too forced and shrill jazz music have made them start. One of them whispers, worried: “Perhaps ... we should go and see ...” “The youngsters don’t like it when we are obviously watching them, and besides, what can we do? It’s us, the adults, with our suspicions who put evil thoughts in their minds.” The other lady (hesitant): “All the same, my dear, we’re meant to be chaperoning them.” We see the ballroom where about twenty couples are holding each other tightly and dancing a sensual tango in the semidarkness. Nadine, the young lady of the house, wearing very modern clothes, notices her mother and her aunt coming over to them, and tells everyone in a playful whisper: “Yikes! The cops are here!
Guy de Maupassant (A Very French Christmas: The Greatest French Holiday Stories of All Time))
Ronan Lynch was becoming a jagged, shaggy horror of a thing. She could feel the same wordless dread that the Lace invoked rising in her. Hennessy hugged him. She didn't even know where the impulse came from. She was not a sentimental hugger. She had not been hugged as a child, unless the hug was being emotionally weaponized for later. And Ronan Lynch did not seem like the sort of person who would care about getting a hug. Giving someone care and receiving it were two unrelated actions. At first it did not seem to do anything. Ronan kept screaming. The hug had not made him appear more human. He seemed more like Bryde than ever--and not Bryde when he was his most man-shaped. He just seemed like a dream entity that hated everything. "Ronan Lynch, you asshole," Hennessy said. Once, he'd hugged her. At the time, she had thought it didn't help, but she'd been wrong. So she held on now, and kept holding on, though he became even less recognizable as Ronan Lynch for a little bit. Then, after a while, the scream gave way to quiet. She could feel his body quivering. Like a pencil sketch, it conveyed misery with the smallest of gestures. And then there was nothing at all, just stillness. Finally, she realized he was hugging her, too, tightly. There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understanding you'd been using words and silence the wrong way for a long time.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
Do you want to make the dream come true? Do you want to make the dream come true? These five ways for you! I am Sajal Ahmed and I love to dreams, and tell you- Keep dreaming. Never forget to dream, after you can make your dreams come true. Yes its not false! You can also fulfill your dreams. How to know? Friend but let's go- 1) Keep dreaming. Look like a good, bad, black and white dreams. Friends remember that, these are the bad, good, bright and dark dreams of your whole life. 2) You never think of yourself as a little. Yes friend, Do not think you're too little. If you think of yourself as s a little, you are lost! What did Sajal Ahmed say? Why he smiling? Do not worry about this.  Never tell anyone about your dreams. Perhaps they will laugh or think your dream will be trivial. When they smile, you start thinking trivial about your own dream. Can not move forward...... Remember friend god has given you the power to endure. Come on yourself as you say. Those who laugh at you, leave piss in their mouth and Keep your dreams in yourself. If you want to make it true, you will have to keep it in yourself until it is successful. Those who saw you one day laugh, they will be jealous of you one day. 3) Do not think of my dream sometimes small. Never think your dreams worthless. Remember, everyone can not see dream, dream is a great gift of God! If you've see dream you will feel lucky. Because the dream is like a revelation. It is not revealed to everyone. 4) Friend, I tell you, do not forget to see a bad dream or curse yourself to see bad dreams. Because good things come from bad hands. And always remember this, "Every good thing on the earth was bad for some.'' 5) Listen friends, then think about the dream you want to make the truth. Until you get the keys to the secret door of that dream. If you find groping and do not throw it. Hold it tight. What? Why? How? with whom? for what reason? Where? Keep asking and find out the answer itself. Your brain is a huge answer shit. The answer to all the questions of the world is stored in it. You just find them. Be patient even if the breach of patience breaks "This is my dream" And search. And keep searching...... Then you will find the key and with that you get the path to success. Cuse "You can dream it, you can do it.
Sajal Ahmed
Nothing had changed in that moment when Violet and Jay had finally decided to have sex. Nothing-and everything. Violet was amazed by what they’d done. Amazed that they’d shared themselves with each other, like that. It was wonderful, and beautiful, and not anything that Violet had expected it to be. The pain had been more intense than she could have imagined, and she’d done her best not to cry out. But, of course, Jay had noticed as her body tensed, and then she shuddered. Tears dampened her lashes, yet she’d refused to let them fall. Jay had insisted that they stop, but Violet wouldn’t let him. Instead they’d waited, with Jay holding her, stroking her hair, her shoulders, her face, until the pain subsided, becoming something…less. Later, when she was lying in his arms, she shuddered again. Jay hugged her tight. “What’s wrong? You’re not sorry, are you?” The tenderness of his words made her heart twist. “Of course not. How could I be sorry for that?” He kissed her eyes, gently. “Then why are you shivering? I didn’t mean to hurt you, Vi.” She shook her head, clumsily bumping his chin. “I don’t know why.” She ran her fingertips over his arm, memorizing the feel of his coarse hairs, his skin, the muscles beneath it all. “It’s just…it’s a lot. You know?” Jay smiled. It was a satisfied smile. “Yeah.” He leaned back and pulled her to him, tucking her against his shoulder. “It was a lot. A really good lot.” She wanted to shove him, to banter, to play, but she was too exhausted. When Jay finally got up to leave, Violet leaned up on her elbow and watched as he buttoned his jeans. She wished they could stay like that-together-for longer. Forever. She already missed the feel of him beside her, and the scent of him around her. She sat up to give him back the T-shirt she was wearing. His lazy smile was far too beautiful to be real. “Keep it,” he insisted. “I like it better on you anyway.” The way he stared at her made her stomach flip. It was a look brimming with tenderness. They were a part of something more now; they belonged to each other. He tugged his hoodie over his bare chest, and then he leaned down to kiss her one last time, his lips lingering. His thumb traced the line of her cheek. “I love you, Violet Marie. I’ll always love you.” And then he left. And, once again, Violet slept deeply, soundly, wrapped in Jay’s shirt. He was the perfect remedy to all her worries.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Caleb told me that our mother said there was evil in everyone, and the first step to loving someone else is to recognize that evil in ourselves, so we can forgive them. So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me? “Hey,” I say, crushing Caleb’s directions into my back pocket. He turns, and his expression is stern, familiar. It looks the way it did the first few weeks I knew him, like a sentry guarding his innermost thoughts. “Listen,” I say. “I thought I was supposed to figure out if I could forgive you or not, but now I’m thinking you didn’t do anything to me that I need to forgive, except maybe accusing me of being jealous of Nita…” He opens his mouth to interject, but I hold up a hand to stop him. “If we stay together, I’ll have to forgive you over and over again, and if you’re still in this, you’ll have to forgive me over and over again too,” I say. “So forgiveness isn’t the point. What I really should have been trying to figure out is whether we were still good for each other or not.” All the way home I thought about what Amar said, about every relationship having its problems. I thought about my parents, who argued more often than any other Abnegation parents I knew, who nonetheless went through each day together until they died. Then I thought of how strong I have become, how secure I feel with the person I now am, and how all along the way he has told me that I am brave, I am respected, I am loved and worth loving. “And?” he says, his voice and his eyes and his hands a little unsteady. “And,” I say, “I think you’re still the only person sharp enough to sharpen someone like me.” “I am,” he says roughly. And I kiss him. His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of wind. I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that’s true of beginnings, but it’s not true of this, now. I fell in love with him. But I don’t just stay with him by default as if there’s no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
Veronica Roth (Allegiant (Divergent, #3))
America,” Maxon said sweetly, forcing me to wipe my eyes and face him. “I know you see a king here, but let me be clear; this isn’t a command. This is a request, a plea. I beg you; make me the happiest man alive. Please do me the honor of becoming my wife.” I couldn’t get out how much I wanted this. But where my voice failed, my body succeeded. I crawled into Maxon’s arms, holding on to him tightly, certain that nothing could ever pull us apart. When he kissed me, I felt my life settle into place. I had found everything I’d ever wanted—things I didn’t even know I was looking for—here in Maxon’s arms. And if I had him to guide me, to hold me, then I could take on the world. It seemed too soon our kiss slowed, and Maxon pulled back to look into my eyes. I saw it in his face. I was home. And I finally found my voice. “Yes.
Kiera Cass (The One (The Selection, #3))
Oscar’s breath warmed the back of her head, his lips brushing against her hair, loosened from a braid. He drew a lock away from her neck and kissed the skin just beneath her earlobe, against the throb of her quickening pulse. Like the blackness outside the dome of lamplight, there seemed to be nothing more in the world than his lips, his touch, and the flood of heat consuming her. With a gentle nudge, Oscar turned her toward him. He looked at her the way he had in the Grampains meadow-as if she was the most fascinating woman he’d ever seen. Under his gaze she felt fascinating, too. Capivating…wanted. He traced her jaw with his lips, kissing the angle of her neck ever so tenderly, as though he weren’t certain she wanted him, too. Camille closed the inch of space left between them, her body pressing against his. The muscles in his chest and arms tightened. He was wanted, and she needed to show him how much. No one was there to watch, no one to judge, or tell her the lips caressing her were unworthy of tasting her skin. With those very thoughts, Oscar’s grip loosened. His lips retreated. “This isn’t right,” he whispered, catching his breath. Camille stared at him, her hurt and disappointment plain on her face. “You’re engaged, Camille.” He looked around the room. His eyes rested on the bed. “I shouldn’t be here.” All of a sudden, Camille completely and fully detested Randall. Good, sweet, well-meaning Randall infuriated her with his mere existence, with his big sapphire ring and his marriage proposal and his bright, wealthy future as the savior of Rowen & Company. She didn’t want any of it if it meant she couldn’t have Oscar’s kisses, the return of his hands, and his body pressed close to her own. “I want you here,” she said, the words unable to express the desires stampeding her mind. Oscar licked his lips but stepped toward the doorway. “I can’t. If you’re going to marry Randall-“ Camille hushed him. “No, don’t. Please, don’t.” She didn’t want to hear Randall’s name coming from Oscar’s lips, not when she so desperately wanted to kiss them. “He’s not here. And you are, and…what if you stayed?” she asked, unable to believe the words had come from her mouth. He lost the tense hold of his shoulders and stared at her with disbelief. “Nothing improper, of course,” she added quickly. “What if you just stayed until…until I fell asleep?” Citrus and cloves charged through her sense with their dizzying effect as Oscar stepped back inside the room. He tilted his head and looked sideways at her. “Just until you fall asleep?” She nodded, her throat too tight with nerves to speak.
Angie Frazier (Everlasting (Everlasting, #1))
There were stars here and there, dotting the sky among thin clouds, but no moon. Annemarie shivered, standing at the foot of the steps. “Come,” Mama murmured, and she moved away from the house. One by one the Rosens turned and hugged Annemarie silently. Ellen came to her last; the two girls held each other. “I’ll come back someday,” Ellen whispered fiercely. “I promise.” “I know you will,” Annemarie whispered back, holding her friend tightly. Then they were gone, Mama and the Rosens. Annemarie was alone. She went into the house, crying suddenly, and closed the door against the night. The lid of the casket was closed again. Now the room was empty; there was no sign of the people who had sat there for those hours. Annemarie wiped her eyes with the back of her hand. She opened the dark curtains and the windows; she curled once more in the rocker, trying to relax; she traced their route in her mind. She knew the old path, too—not as well as her mother, who had followed it almost every day of her childhood with her dog scampering behind. But Annemarie had often walked to town and back that way, and she remembered the turns, the twisted trees whose gnarled roots pushed the earth now and then into knotted clumps, and the thick bushes that often flowered in early summer. She walked with them in her mind, feeling the way through the darkness. It would take them, she thought, half an hour to reach the place where Uncle Henrik was waiting with his boat. Mama would leave them there—pausing a minute, no more, for a final hug—and then she would turn and come home. It would be faster for Mama alone, with no need to wait as the Rosens, unfamiliar with the path, slowly felt their way along. Mama would hurry, sure-footed now, back to her children.
Lois Lowry (Number the Stars)
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly. His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily. “So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.” He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective. She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.” His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.” “She likes you. Maybe we could adopt her.” “Better if our son marries her.” She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided. “The same is true for me,” he replied. She searched his eyes, already facing her departure. She would have to go back to the reservation, home. He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.” She was surprised. She didn’t know what to say. “I love you,” he said. “I never stopped. Forgive me and say yes.” She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated. “Your life is so different from mine,” she began. “Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.” “There will be parties, benefits…” He pulled her down into his arms and kissed her tenderly. “I don’t know much about etiquette,” she tried again. He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her. “Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested. “Arthritis?” he asked. “Osteoarthritis.” “Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped. She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Erin. “No matter what else has happened, you’re water and your element is welcome in our circle, but we don’t need any negative energy here—this is too important.” I nodded to the spiders. Erin’s gaze followed mine and she gasped. “What the hell is that?” I opened my mouth to evade her question, but my gut stopped me. I met Erin’s blue eyes. “I think it’s what’s left of Neferet. I know it’s evil and it doesn’t belong at our school. Will you help us kick it out?” “Spiders are disgusting,” she began, but her voice faltered as she glanced at Shaunee. She lifted her chin and cleared her throat. “Disgusting things should go.” Resolutely, she walked to Shaunee and paused. “This is my school, too.” I thought Erin’s voice sounded weird and kinda raspy. I hoped that meant that her emotions were unfreezing and that, maybe, she was coming back around to being the kid we used to know. Shaunee held out her hand. Erin took it. “I’m glad you’re here,” I heard Shaunee whisper. Erin said nothing. “Be discreet,” I told her. Erin nodded tightly. “Water, come to me.” I could smell the sea and spring rains. “Make them wet,” she continued. Water beaded the cages and a puddle began to form under them. A fist-sized clump of spiders lost their hold on the metal and splashed into the waiting wetness. “Stevie Rae.” I held my hand out to her. She took mine, then Erin’s, completing the circle. “Earth, come to me,” she said. The scents and sounds of a meadow surrounded us. “Don’t let this pollute our campus.” Ever so slightly, the earth beneath us trembled. More spiders tumbled from the cages and fell into the pooling water, making it churn. Finally, it was my turn. “Spirit, come to me. Support the elements in expelling this Darkness that does not belong at our school.” There was a whooshing sound and all of the spiders dropped from the cages, falling into the waiting pool of water. The water quivered and began to change form, elongating—expanding. I focused, feeling the indwelling of spirit, the element for which I had the greatest affinity, and in my mind I pictured the pool of spiders being thrown out of our campus, like someone had emptied a pot of disgusting toilet water. Keeping that image in mind, I commanded: “Now get out!” “Out!” Damien echoed. “Go!” Shaunee said. “Leave!” Erin said. “Bye-bye now!” Stevie Rae said. Then, just like in my imagination, the pool of spiders lifted up, like they were going to be hurled from the earth. But in the space of a single breath the dark image reformed again into a familiar silhouette—curvaceous, beautiful, deadly. Neferet! Her features weren’t fully formed, but I recognized her and the malicious energy she radiated. “No!” I shouted. “Spirit! Strengthen each of the elements with the power of our love and loyalty! Air! Fire! Water! Earth! I call on thee, so mote it be!” There was a terrible shriek, and the Neferet apparition rushed forward. It surged from our circle, breaking over Erin
P.C. Cast (Revealed (House of Night #11))
He sweeps his fingers over her folds, teasing her entrance. "So nice and wet for me," he hums. "I'm going to make you feel so fucking good, sweetheart. Would you like that? Want me to fill you up?" Eden shivers, electricity arcing from nerve to nerve. "Y-yes. Yes, Shang, I do." He rubs the head of his cock against her clit, torturously teasing. "I don't know. What do good girls say if they want my cock?" "Please," Eden shouts. "Please, I want---" "Use your words. Come on, sweetheart. I know you can do it." "I want your cock in me," she whines. "Fuck me like you own me---" A loud moan rips itself from her throat as Shang presses into her. Splits her open. Stretched her to the fullest. It feels so good, it's almost blinding. All she can focus on is the way he thrusts in and out of her, makes her take his full length just to pull back and do it all over again. The sound of wet skin on skin drives her up the wall, but nothing makes her lose it quite like the way Shang grunts with each snap of his hips. Feral. An animal. A man on a mission. "'Like you own me,'" he growls. "You really know how to drive me fucking crazy, Eden." "Shang---" "What is it, sweetheart? Don't tell me I'm too much for you." "No, never. I want---" "What? You want what? You close already?" Eden both loves and hates the pride in his voice. "Cocky bastard," she murmurs, too dizzy to see straight. He grins. "Yep, that's me. This cocky bastard owns you and your tight little pussy. Look how well you take me, sweetheart. Like you were made for me." "Fuck---" It's a whine. It's a whimper. It's desperate and choked off and needy. He grips her waist and fucks her hard against the shower wall. "You sound so fucking hot, Eden. Come on. Take it. Fucking take it." Her back arches as she climaxes, drags her nails across his back, waves of pleasure washing over her so hard and fast, she thinks she might collapse. Shang doesn't let her, though. He holds her steady through her orgasm, still pumping his cock into her in pursuit of his own pleasure.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
She let herself be had. With two women in the room behind her and her staff wandering the halls, she relaxed into his hold and returned his kiss. He tasted of the tea, of the sweetness of sugar; he tasted like a very bad idea that she would soon regret, but not now. Never now, while he kissed her yet. His hand skimmed down her body, shaping her breast. She opened her eyes and discovered him watching her, so blue his eyes were, and his palm over her stiffening nipple suddenly seemed to carry a message, too. The audacity of his touch, paired with the frank boldness of his look, made her laugh from sheer delight. She felt him grin against her mouth. His hand slipped farther yet, seizing her by the waist and pulling her more solidly against him. Her joints felt like melting waxworks, incapable of supporting her. She flung her arms around him and let him have all of her weight—and hit the wall harder yet as he stepped straight into her. Now she was doubly pinned, the tight, taut planes of his body as unyielding as the plaster behind her. Again he kissed her, harder yet, as though trying to convince her of something. What? What was the aim of his persuasion? She kissed him back eagerly, for did he not see? She was already convinced. She found his hair, soft and a touch too long, where it brushed against his collar. The skin beneath was hot and smooth. Her palm wrapped around his nape, and as she gripped him, she shuddered. This need felt elemental. Like hunger or thirst. From the entry hall far below came the sound of voices. They froze. Her eyes snapped open. His were so very, very blue. Someone would see them. They stood in plain view. His face turned into her neck. She heard, felt, the great breath he drew. Very low, against her skin, the roughness of his jaw abrading her, he spoke. “Friendship is not what I want.” Her hands broke free of her caution. They found his back, gathering in handfuls the soft wool of his jacket. Think. There were reasons, very good reasons, to discourage him. Money: he had none. Power: he had too much over her. He simply didn’t realize it.
Meredith Duran (That Scandalous Summer (Rules for the Reckless, #1))
Family was the people who protect you even when you don’t give a damn about them. It was the shared blood, the common name, and the memories of a time long past. It was missing what could have been and what should have been, but keeping close what you had. Family was the weak spot. It was not a pillar of safety and protection. It was not a comfort and promise of something good. It was the anxiousness slipping through your veins and the worry that it might go away. It was holding on tight because when you let go, it might not come back. Family was the bomb ready to blow—the one you didn’t see coming until it was too late. It was blood on the ground and your heart in your throat. It was terrifying. Sometimes family hurts. Sometimes it was the familiarity seeping into a cold heart. Because you don’t ever want to lose something that couldn’t be replaced. Family shouldn’t have been any of those things at all, but it still was. Family was sacred. Something pure, something that should have been held close and protected at all costs. Something untouchable; something loved.
Bethany-Kris (Chicago War: The Complete Series (The Chicago War, #1-4))
Each one of us carries in our heart a horrible religious fanatic. We would all like to be able to do something so spectacular that we could brag, “Look what I’ve done! With all my prayers and good works, I’ve done enough for God today that I can feel at peace.” This happens to me too after I have accomplished something in my ministry. I’m much happier than if I hadn’t done it. Being happy isn’t wrong in itself. But this joy is impure because it isn’t based on faith. It’s the kind of happiness that can make your conscience confused. Consciences are delicate. We need to guard them against the sin of arrogance. So we can’t be overconfident. We who confess Christ should always walk in fear and grow in faith. We should realize that we all carry in our hearts a horrible religious fanatic, who will destroy our faith with foolish delusions of good works. The Holy Spirit provides us with a way to counter this godless delusion. We need to hold tightly to what we have received through the grace of God. God’s approval doesn’t come to us by what we do. Rather, it comes through the holiness of Christ, who suffered for us and rose again from the dead. March 1
Martin Luther (Faith Alone: A Daily Devotional)
Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard." "That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting." The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath. "Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself." "Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?" I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it." I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words. "Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.
Kaitlyn Hill (Love from Scratch)
I’ve no intention of sitting by the fire on such a beautiful day,” Loki sad. “Then let us walk in the woods.” “Walk? Wouldn’t you rather ride with me?” “I couldn’t keep up.” “No,” he said, grasping her elbow gently. “With me. On Heror.” He whistled loudly and Heror turned and walked toward them. A shiver of fear frosted her skin. She was uncomfortable on horseback - preferred her feet on the ground-let alone a fast powerful beast like Heror with Loki at the reins. “I’m not sure…” “Didn’t you say you would keep me company? Come.” “Must we go very fast?” Loki laughed his wild laugh. “Of course we must!” With swift grace, he mounted Heror, then put down his hand for her. “Come, Aud. Don’t be frightened. You may trust me.” Trust Loki? Aud almost laughed. She wondered if Vidar would appreciate her actions when she told him this evening. “Very well,’ she said. She tied her skirts around her hips and, reaching up, allowed Loki to help her onto Heror’s back. “Hold on tight,” Loki said, slapping her thigh playfully. Aud needed no prompting. She locked her arms about his waist, her hands tight over his hollow stomach. No warmth emanated from his body. His black hair caught against her cheek and lip. She screwed her eyes tightly closed. Heror need little encouragement from Loki. Almost as soon as they were settled, he sped off like lightning. Aud cracked open one eye to see where they were going, but hurriedly closed it when the branches of the wood loomed close enough to terrify her and the shadows between the trees flew past like wild ghosts. She tightened her grip on Loki’s ribs wishing they were not so narrow and cool. From time to time, she could feel his body shake with mad laughter. Their journey, while it probably only lasted twenty minutes, seemed interminable as she willed him and willed him to slow down. Finally she felt Loki pull on Heror’s reins. The horse slowed to a walk, and she ventured to open her eyes. They had left the woods and were entering a sunlit field of waving grass, daisies and orange hawkweed. Heror stopped, they dismounted and Loki sent the horse off to cool down. Aud’s legs were shaking too much to stand so she sank into the grass, feeling the warm sunshine fill her hair. Loki sat next to her and began idly to pick daisies. “Did you enjoy our ride, Aud?” “No,” she answered, taking a deep breath and stilling her trembling hands. “I’ll try harder on the way home,” He said reaching over to twine a daisy in her hair.
Kim Wilkins (Giants of the Frost (Europa #2))
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow: Race in America Beyond Black and White)
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first. He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes. ‘Oh god, Doug, please just close them. I’m so tired.’ Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room. ‘Ready to say hello to Mum, mate?’ Doug asked. ‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy. Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark. ‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’ Sarah sat up, her eyes wide. ‘Hi, Mum,’ said Lockie again. ‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’ Doug could see her chest heaving. ‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
Nicole Trope (The Boy Under the Table)
The secret—to being you, to being Happy?” “Just keep on smiling. Even when you’re sad. Keep on smiling.” Not the most profound advice, admittedly. But Happy is wise, for only a fool or a philosopher would make sweeping generalizations about the nature of happiness. I am no philosopher, so here goes: Money matters, but less than we think and not in the way that we think. Family is important. So are friends. Envy is toxic. So is excessive thinking. Beaches are optional. Trust is not. Neither is gratitude. To venture any further, though, is to enter treacherous waters. A slippery seal, happiness is. On the road, I encountered bushels of inconsistencies. The Swiss are uptight and happy. The Thais are laid-back and happy. Icelanders find joy in their binge drinking, Moldovans only misery. Maybe an Indian mind can digest these contradictions, but mine can’t. Exasperated, I call one of the leading happiness researchers, John Helliwell. Perhaps he has some answers. “It’s simple,” he says. “There’s more than one path to happiness.” Of course. How could I have missed it? Tolstoy turned on his head. All miserable countries are alike; happy ones are happy in their own ways. It’s worth considering carbon. We wouldn’t be here without it. Carbon is the basis of all life, happy and otherwise. Carbon is also a chameleon atom. Assemble it one way—in tight, interlocking rows—and you have a diamond. Assemble it another way—a disorganized jumble—and you have a handful of soot. The arranging makes all the difference. Places are the same. It’s not the elements that matter so much as how they’re arranged and in which proportions. Arrange them one way, and you have Switzerland. Arrange them another way, and you have Moldova. Getting the balance right is important. Qatar has too much money and not enough culture. It has no way of absorbing all that cash. And then there is Iceland: a country that has no right to be happy yet is. Iceland gets the balance right. A small country but a cosmopolitan one. Dark and light. Efficient and laid-back. American gumption married to European social responsibility. A perfect, happy arrangement. The glue that holds the entire enterprise together is culture. It makes all the difference. I have some nagging doubts about my journey. I didn’t make it everywhere. Yet my doubts extend beyond matters of itinerary. I wonder if happiness is really the highest good, as Aristotle believed. Maybe Guru-ji, Sri Sri Ravi Shankar, is right. Maybe love is more important than happiness. Certainly, there are times when happiness seems beside the point. Ask a single, working mother if she is happy, and she’s likely to reply, “You’re not asking the right question.” Yes, we want to be happy but for the right reasons, and,
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
in the men's room. I couldn't control the want or the need." He moves his hands up my sides, pulling the dress with them. "That tight little body teasing me from across the room." I lift my hands above my head and he pulls the dress over. "I wanted you too," I whisper. "You came to the club to get fucked." He pulls the front clasp of my bra open. "You were made to be fucked by me." He takes one of my nipples into his mouth, twirling his tongue around it. I throw my head back at the sensation and I feel his hand push down my belly. "You're so wet and ready." He moves his finger quickly across my clit. The pressure is so light I can barely feel it. "Sometimes, at night, I close my eyes and think about how you taste and I jerk myself off." I moan at the thought of him coming to any thoughts of me. I push his hand back down, towards my center. He pulls it back up as I moan in protest. "I'm going to make you scream, Jessica." He holds my hips as he shifts his hips to the side, pulling himself down on his back. "You're going to ride my face until you can't take it anymore." I feel him pull my thighs towards him and I eagerly acquiesce. I move my body so my core is right above his mouth. I feel so close already and he hasn't even touched me with his tongue yet. He jerks my legs and I fall forward, my cleft meeting his mouth. He sucks the folds between his lips and
Deborah Bladon (Pulse - Part One (Pulse, #1))
That is when, I walked into the home as if I would have like any other day, with my head down, going to take a bath and get ready for supper, with guardian Hope. Plus went up to the steps up to my room dripping wet my braindead mind puzzled.' 'My sweet brown shaggy teddy bear was the only thing I grabbed covering my body from dinner, then I went into my room. My pink nighty top on my bed from the night before. Truly, I did not care about my nakedness anymore; after all, I am wild, continuous, unbroken, and untamed.' 'Moderate retardation books,' said Hope when she picked them up under her breath, showing them back into the unzipped backpack. 'I feel so weird, like never before; I sat stark naked in my bed soaking wet, rocking hoping for nightfall to come. to see if the next day I would have to go to school.' 'How? I don't know. Just like fast-forwarding it will only dawn another day. That's going to repeat all the hell ones more, I'm just sure of that.' 'Previously this is my question, I asked myself, as I am laying in my bed holding onto my teddy bear far too tightly. 'Is it me who is the problem, or the ones that are all around me?'' I answer myself- 'I know that there is not one person on this planet, who truly cares if I am even here or not.' Oh, 'God' - 'Why does my life have to be like this?' 'I do not think I can take any more of living in this town or going to this school!
Marcel Ray Duriez (Walking the Halls (Nevaeh))
After school, I hurry out the front doors to catch him. He’s on his motorcycle, getting ready to leave. “Alex, wait!” Feeling fidgety, I curl my hair behind my ears. “Hop on,” he orders. “What?” “Hop on. If you want to thank me for savin’ your ass in Mrs. P.’s class, come home with me. I wasn’t kiddin’ yesterday. You showed me a glimpse into your life, I’m gonna show you a glimpse of mine. It’s only fair, right?” I scan the parking lot. Some people are looking our way, probably ready to spread the gossip that I’m talking to Alex. If I actually leave with him, rumors will fly. The sound of Alex revving his motorcycle brings my attention back to him. “Don’t be afraid of what they think.” I take in the sight of him, from his ripped jeans and leather jacket to the red and black bandana he just tied on top of his head. His gang colors. I should be terrified. Then I remember how he was with Shelley yesterday. To hell with it. I shift my book bag around to my back and straddle his motorcycle. “Hold on tight,” he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he’s feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn’t going to make his stomach flutter. He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Mysterious death, yes, you suspected something even then, I knew it!” With a wave of his hand, he overrode her hasty attempt to interject an accidental in place of that ill-chosen mysterious. “Believe me, I understand your hideous dilemma perfectly. You don’t dare accuse the all-powerful Vorkosigan, the mutie lord.” Vormoncrief scowled at the name. “God knows what retaliation he could inflict on you. But Ekaterin, I have powerful relatives too! I came to offer you—and Nikki—my protection. Take my hand—trust me”—he opened his arms, reaching for her—“and together, I swear we can bring this little monster to justice!” Ekaterin sputtered, momentarily beyond words, and looked around frantically for a weapon. The only one that suggested itself was the fireplace poker, but whether to whap it on his skull or jam it up his ass . . . ? Nikki was crying openly now, thin strained sobs, and Vormoncrief stood between them. She began to dodge around him; ill-advisedly, Vormoncrief tried to wrap her lovingly in his arms. “Ow!” he cried, as the heel of her hand crunched into his nose, with all the strength of her arm behind it. It didn’t drive his nasal bone up into his brain and kill him on the spot the way the books said—she hadn’t really thought it would—but at least his nose began to swell and bleed. He grabbed both her wrists before she could muster aim and power for a second try. He was forced to hold them tight, and apart, as she struggled against his grip.
Lois McMaster Bujold
Since my biographer may be too staid Or know too little to affirm that Shade Shaved in his bath, here goes: "He'd fixed a sort Of hinge-and-screw affair, a steel support Running across the tub to hold in place The shaving mirror right before his face And with his toe renewing tap-warmth, he'd Sit like a king there, and like Marat bleed." The more I weigh, the less secure my skin; In places it's ridiculously thin; Thus near the mouth: the space between its wick And my grimace, invited the wicked nick. Or this dewlap: some day I must set free The Newport Frill inveterate in me. My Adam's apple is a prickly pear: Now I shall speak of evil and despair As none has spoken. Five, six, seven, eight, Nine strokes are not enough. Ten. I palpate Through strawberry-and-cream the gory mess And find unchanged that patch of prickliness. I have my doubts about the one-armed bloke Who in commercials with one gliding stroke Clears a smooth path of flesh from ear to chin, Then wipes his faces and fondly tries his skin. I'm in the class of fussy bimanists. As a discreet ephebe in tights assists A female in an acrobatic dance, My left hand help, and holds, and shifts its stance. Now I shall speak...Better than any soap Is the sensation for which poets hope When inspiration and its icy blaze, The sudden image, the immediate phrase Over the skin a triple ripple send Making the little hairs all stand on end As in the enlarged animated scheme Of whiskers mowed when held up by Our Cream.
Vladimir Nabokov (Pale Fire)
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  
Jennifer Givhan (Jubilee)
Someone shakes my shoulder. I jerk awake, my eyes wide and searching, and I see Tobias kneeling over me. He wears a Dauntless traitor jacket, and one side of his head is coated with blood. The blood streams from a wound on his ear--the top of his hear is gone. I wince. “What happened?” I say. “Get up. We have to run.” “It’s too soon. It hasn’t been two weeks.” “I don’t have time to explain. Come on.” “Oh God. Tobias.” I sit up and wrap my arms around him, pressing my face into his neck. His arms tighten around me and squeeze. Warmth courses through me, and comfort. If he is here, that means I’m safe. My tears make his skin slippery. He stands and pulls me to my feet, which makes my wounded shoulder throb. “Reinforcements will be here soon. Come on.” I let him lead me out of the room. We make it down the first hallway without difficulty, but in the second hallway, we encounter two Dauntless guards, one a young man and one a middle-aged woman. Tobias fires twice in a matter of seconds, both hits, one in the head and one in the chest. The woman, who was hit in the chest, slumps against the wall but doesn’t die. We keep moving. One hallway, then another, all of them look the same. Tobias’s grip on my hand never falters. I know that if he can throw a knife so that it hits just the tip of my ear, he can fire accurately at the Dauntless soldiers who ambush us. We step over fallen bodies--the people Tobias killed in the way in, probably--and finally reach a fire exit. Tobias lets go of my hand to open the door, and the fire alarm screeches in my ears, but we keep running. I am gasping for air but I don’t care, not when I’m finally escaping, not when this nightmare is finally over. My vision starts to go black at the edges, so I grab Tobias’s arm and hold on tight, trusting him to lead me safely to the bottom of the stairs. I run out of steps to run down, and I open my eyes. Tobias is about to open the exit door, but I hold him back. “Got to…catch my breath…” He pauses, and I put my hands on my knees, leaning over. My shoulder still throbs. I frown, and look up at him. “Come on, let’s get out of here,” he says insistently. My stomach sinks. I stare into his eyes. They are dark blue, with a patch of light blue on his right iris. I take his chin in hand and pull his lips down to mine, kissing him slowly, sighing as I pull back. “We can’t get out of here,” I say. “Because this is a simulation.” He pulled me to my feet with my right hand. The real Tobias would have remembered the wound in my shoulder. “What?” He scowls at me. “Don’t you think I would know if I was under a simulation?” “You aren’t under a simulation. You are the simulation.” I look up and say in a loud voice, “You’ll have to do better than that, Jeanine.” All I have to do now is wake up, and I know how--I have done it before, in my fear landscape, when I broke a glass tank just by touching my palm to it, or when I made a gun appear in the grass to shoot descending birds. I take a knife from my pocket--a knife that wasn’t there a moment ago--and will my leg to be hard as diamond. I thrust the knife toward my thigh, and the blade bends.
Veronica Roth (Insurgent (Divergent, #2))
When you buy from an independent, locally owned business, as opposed to nationally owned businesses, you strengthen the economic base of our city. And of course there’s no doubt that you’ll receive a better quality product or service. I share John Roeser’s amazement that people today tend to prefer saving a dollar or too two on a birthday cake, for example, by purchasing a sub-par cake made with artificial, cheap ingredients from a mass retailer, when Roeser’s Bakery offers some of the most delectable, housemade cakes in the world. How could anyone step into a fast food joint when we live in a city that has Lem’s barbecque rib tips, Kurowski’s kielbasa, Manny’s matzo ball soup, and Lindy’s chili within reach? You can’t even compare the products and services of the businesses featured in this book with those of mass retailers, either: Jjust try putting an Optimo hat on your head—you’ll ooze with elegance. Burn a beeswax lambathe from Athenian Candle and watch it glow longer than any candle you’ve ever lit. Bite into an Andersonville coffeecake from the Swedish Bakery—and you’ll have a hard time returning to the artificial ingredient– laden cakes found at most grocers. Equally important, local, family- owned businesses keep our city unique. In our increasingly homogenized and globalized world, cities that hold on tightly to their family-owned, distinctive businesses are more likely to attract visitors, entrepreneurs, and new investment. Chicago just wouldn’t be Chicago without these historic, one-of-a-kind places, and the people that run them from behind the scenes with nothing but love, hard work, and pride.
Amy Bizzarri (Discovering Vintage Chicago: A Guide to the City's Timeless Shops, Bars, Delis & More)
When the head of his cock sweeps past her sweet spot yet again, something explosive erupts out of nowhere. "Oh, fuuuuck," she whimpers. Her walls flutter around him as her whole body ignites into flames. The pleasure is all-consuming, knocking her thoughts from her mind. Alexander huffs, stunned. "Did you--- Just from me---" Eden covers her face with her hands, embarrassed. "I'm sorry. You just feel so good, I---" He chuckles, pushing her hands aside to pepper her face with kisses. "Don't be sorry, it's alright. Can I keep going?" "Yes. Yes, please. I want to make you come. Give it to me rough." "If you want it rough, you'd better hold on to me, sweetheart." She does so, circling his neck with her arms. He rolls his hips against her, pace picking up in rhythm. The slap of their skin combined with the sound of their filthy groans is music to her ears. He snaps his hips into her relentlessly, searching for more of that sweet friction. The bed creaks in protest beneath them, but they show no signs of slowing down. "Fucking God, your pussy feels so good." "Fuck, I--- Right there, oh God right there." "So nice and tight for me. Spread your legs wider--- that's it." Eden can feel herself growing tighter, hotter, brighter. She can hardly breathe, and her heart is racing a mile a minute. "I think--- Fuck, I think I'm going to come again. I'm gonna---" Alexander claims her mouth, tongue sweeping over hers as he pins both her wrists above her head against the pillow. He fucks her harder, claiming her, pushing her closer and closer toward climax. When it happens, she moans into his mouth, quaking beneath his weight. He finds release, too, his muscles tensing as he spills over.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
Our two taco specials get shoved up on the serving counter, crispy, cheesy goodness in brown plastic baskets lined with parchment paper, sour cream and guacamole exactly where they should be. On the side. There is a perfect ratio of sour cream, guac, and salsa on a shredded chicken tostada. No one can make it happen for you. Many restaurants have tried. All have failed. Only the mouth knows its own pleasure, and calibration like Taco Heaven cannot be mass produced. It simply cannot. Taco Heaven is a sensory explosion of flavor that defies logic. First, you have to eye the amount of spiced meat, shredded lettuce, chopped tomatoes, and tomatillos. You must consider the size and crispiness of the shells. Some people–I call them blasphemers–like soft tacos. I am sitting across from Exhibit A. We won’t talk about soft tacos. They don’t make it to Taco Heaven. People who eat soft tacos live in Taco Purgatory, never fully understanding their moral failings, repeating the same mistakes again and again for all eternity. Like Perky and dating. Once you inventory your meat, lettuce, tomato, and shell quality, the real construction begins. Making your way to Taco Heaven is like a mechanical engineer building a bridge in your mouth. Measurements must be exact. Payloads are all about formulas and precision. One miscalculation and it all fails. Taco Death is worse than Taco Purgatory, because the only reason for Taco Death is miscalculation. And that’s all on you. “Oh, God,” Fiona groans through a mouthful of abomination. “You’re doing it, aren’t you?” “Doing what?” I ask primly, knowing damn well what she’s talking about. “You treat eating tacos like you’re the star of some Mythbusters show.” “Do not.” “Do too.” “Even if I do–and I am notconceding the point–it would be a worthwhile venture.” “You are as weird about your tacos as Perky is about her coffee.” “Take it back! I am not that weird.” “You are.” “Am not.” “This is why Perky and I swore we would never come here with you again.” Fiona grabs my guacamole and smears the rounded scoop all over the outside of her soft taco. I shriek. “How can you do that?” I gasp, the murder of the perfect ratio a painful, almost palpable blow. The mashed avocado has a death rattle that rings in my ears. Smug, tight lips give me a grimace. “See? A normal person would shout, ‘Hey! That’s mine!’ but you’re more offended that I’ve desecrated my inferior taco wrapping with the wrong amount of guac.” “Because it’s wrong.” “You should have gone to MIT, Mal. You need a job that involves nothing but pure math for the sake of calculating stupid shit no one else cares about.” “So glad to know that a preschool teacher holds such high regard for math,” I snark back. And MIT didn’t give me the kind of merit aid package I got from Brown, I don’t add. “Was that supposed to sting?” She takes the rest of my guacamole, grabs a spoon, and starts eating it straight out of the little white paper scoop container thing. “How can you do that? It’s like people who dip their french fries in mayonnaise.” I shudder, standing to get in line to buy more guac. “I dip my french fries in mayo!” “More evidence of your madness, Fi. Get help now. It may not be too late.” I stick my finger in her face. “And by the way, you and Perky talk about my taco habits behind my back? Some friends!” I hmph and turn toward the counter.
Julia Kent (Fluffy (Do-Over, #1))
I was turned High Fae when an enemy shoved me into it. It’s raw power, but also … sentient.” “Like that mask you put on earlier.” Azriel folded his wings tightly, clearly wary of discussing such a powerful instrument with a potential enemy. But Nesta asked, “You detected a sentience in the Mask?” Bryce nodded. “It didn’t, like, talk to me or anything. I could just … sense it.” “What did it feel like?” Nesta asked quietly. “Like death,” Bryce breathed. “Like death incarnate.” Nesta’s eyes grew distant, grave. “That’s what the Mask can do. Give its wearer power over Death itself.” Bryce’s blood chilled. “And this is a … normal type of weapon here?” “No,” Azriel said from ahead, shoulders tense. “It is not.” Nesta explained, “The Mask is one of three objects of catastrophic power, Made by the Cauldron itself. The Dread Trove, we call it.” “And the Mask is … yours?” “I was also Made by the Cauldron,” Nesta said, “which allows me to wield it.” She spoke with no pride or boasting. Merely cold resignation and responsibility. “Made,” Bryce mused. “You said that my tattoo was Made.” “It is a mystery to us,” Nesta said. “You’d need to have had the ink Made by the Cauldron, in this world, for it to be so.” The Horn had come from here. Had been brought by Theia and Pelias into Midgard. Perhaps it, too, had been forged by the Cauldron. Bryce tucked away the knowledge, the questions it raised. “We don’t have anything like the Cauldron on Midgard. Solas is our sun god, Cthona his mate and the earth goddess. Luna is his sister, the moon; Ogenas, Cthona’s jealous sister in the seas. And Urd guides all—she’s the weaver of fate, of destiny.” Bryce added after a moment, “I think she’s the reason I’m here.” “Urd,” Nesta murmured. “The Fae say the Cauldron holds our fates. Maybe it became this Urd.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I love you," Avery whispered and slid his hands under Kane's back, gripping his shoulders as he slowly began to move his hips, pulling almost out and slowly pushing back into that delicious tightness, moving faster and harder with each thrust. "I…love…you…" Kane whimpered. Avery gritted his teeth and closed his eyes, burying his face in the crook of Kane's neck. He wanted this to last, but the force of Kane's muscles gripping him felt too good. "You're finally mine." "And you're…finally…mine…" Kane declared, his hips rising to meet Avery's, thrust for thrust. "I've been yours since the first moment I laid eyes on you. Today was for you, baby." Avery gripped Kane's shoulders tighter, holding him in place as he drove himself deep into Kane's body. His knees dug into the mattress as he tried to get better leverage. He couldn't get close enough to Kane, couldn't get deep enough in the man he loved. He slammed his hips wildly against Kane, their loud grunts and moans filled the room, and the sound of their bodies slapping together added to the heat of the moment. Avery managed to slide his hand between their sweat-coated bodies and pump Kane's hard cock. His rhythm was erratic, he couldn't keep the pace, not with the way Kane's tight ass grasped him, but he wanted Kane to come before he did. His body strained, and he screwed his eyes shut, trying to prevent his release. He hung on until he felt Kane's cock twitch and hot jets of thick cream shot between his fingers and splattered on his chest. Kane shuddered and moaned beneath him, and his ass contracted around him. The smell and feel of Kane's release drove him insane. He grabbed Kane's thighs, pushed them back, lifting him higher, and plunged into him, pistoning his hips like a jack hammer. "Yes. So…good, baby." It wasn't a second more before his own release hit, and his cock jerked deep inside Kane's hot ass as he filled him with his come. "You're amazing," Avery roared as he slumped forward, falling on top of Kane.
Kindle Alexander (Always (Always & Forever #1))
Ryder’s heart beats madly against my ear as we cling to each other, holding on for dear life. Adrenaline races through my veins, making my breath come in short gasps. I can feel Ryder’s fingers in my hair, his nails digging into my scalp as he presses me tightly against his body, his muscles bunched and rigid. I know I’m supposed to hate him, but all I can think right now is how glad I am he’s here--glad that I’m not alone. I’ve never been so scared in all my life, but I know it would be worse without him. It’s over in a matter of seconds. The freight-train roar quiets, the rain returning with a vengeance. I don’t need Jim Cantore to tell me it’s a rain-wrapped tornado. I’ve watched enough Storm Chasers to recognize it, even from my little hidey-hole under the stairs. If we had been outside, we probably wouldn’t have seen it coming, not till it was too late. Ryder releases his grip on my head, and I pull away slightly, peering up at him. His deep brown eyes are slightly wild-looking, but otherwise he looks okay. His face isn’t a shade of green, at least. I lean back against him, my head resting on his shoulder now. We’re still holding hands, our fingers intertwined. Somehow, it doesn’t seem at all weird. It just feels…safe. Neither of us says a word, not till the sirens are silenced a few minutes later. “I guess we should give it a few minutes,” I say, my voice slightly hoarse. “You know, just to make sure that’s it. No point in going out just to climb right back in.” He nods. “Besides, it’s perfectly comfortable in here.” “Well, I wouldn’t go that far.” “Okay, let me rephrase. It’s not uncomfortable.” I swallow hard. “I hope it’s not bad out there. I’m afraid of what we’re going to find.” “No matter how bad it is, we’re fine; the dogs and cats are fine. That’s what matters, Jemma. Anything else is replaceable.” “You sound like my dad, you know that? Have you been studying at the Bradley Cafferty School of Platitudes or something?” “Your dad’s a smart guy,” he says with a shrug.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I’ve gotta go,” I say, scowling at my phone. “Now?” Ryder asks, tipping my chin up with one hand so that our eyes meet. “Unfortunately. It’s my mom. Lucy and Morgan are covering for me, but I’ve got to get back. I’m supposed to be at the drugstore.” “What are we going to tell them? Our moms, I mean?” I shake my head. “We can’t tell them anything. At least, not yet. Can you imagine the pressure they’d put on us if they knew? I mean, they already drive us nuts and they think we hate each other.” “You’re right. So…we keep it a secret?” “Not exactly. I’ve got to tell Lucy and Morgan. Just…not our parents, okay? Besides, think how fun it will be, sneaking around.” His eyes light with mischief. “Good point.” “Don’t go getting any naughty ideas,” I tease. “C’mon, walk me to my car.” He takes my hand and falls into step beside me, glancing down at me with a wicked grin. “What?” I ask. “Hey, you’re the one who brought up ‘naughty,’ not me.” I poke him playfully in the ribs. “I’ve got an idea,” he says. “Let’s pretend we’ve got to do a school project together. You know, say that we’ve been paired up against our will. We can make a big fuss about it--complain about having to spend so much time together.” “While we secretly do lots of naughty things?” I offer. He nods. “Exactly.” I shiver, imagining the possibilities. Suddenly, I’m looking forward to those Sunday dinners at Magnolia Landing. And to Christmas and the inevitable Cafferty-Marsden winter vacation. In fact, the rest of the school year looms ahead like a lengthy stretch of opportunities, no longer filled with uncertainty and doubt, but with the knowledge that I’m on the right path now…the perfect path. And like Nan suggested, I’m going to grab it. Embrace it. Hold on to it tightly--just like I’m holding on to this boy beside me. We reach my car way too quickly. I’m not ready to go, to leave him, to begin this necessary charade. I lean against my car’s door with a sigh, drawing Ryder toward me. His entire body is pressed against mine, firing every cell inside me at once. My knees go weak as he kisses me softly, his lips lingering on mine, despite the urgency. “Good night,” I whisper. “Good night,” he whispers back, his breath warm against my cheek. Oh man. It just about kills me to slip inside the car and turn the key in the ignition. I’m grinning to myself as I drive away, watching as Ryder becomes a speck in my rearview mirror before melting into the night.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I’d known him just ten days, and it had just left his mouth in an unexpected whisper. It had been purely instinctive, it seemed--something entirely unplanned. He clearly hadn’t planned to say those words to me that night; that wasn’t the way he operated. He was a man who had a thought and acted on it immediately, as evidenced by his sweet, whispery phone calls right after our dates. He spent no time at all calculating moves; he had better things to do with his time. When we held each other on that chilly spring night and his feelings had come rushing to the surface, he’d felt no need to slap a filter over his mouth. It had come out in a breath: I love you. It was as if he had to say it, in the same way air has to escape a person’s longs. It was involuntary. Necessary. Natural. But as beautiful and warm a moment as it was, I froze on the spot. Once I realized it had been real--that he’d actually said the words--it seemed too late to respond; the window had closed, the shutters had clapped shut. I responded in the only way my cowardice would allow: by holding him tighter, burying my face deeper into his neck, feeling equal parts stupid and awkward. What is your problem? I asked myself. I was in the midst of what was possibly the most romantic, emotionally charged moment of my life, in the embrace of a man who embodied not only everything I’d ever understood about the textbook definition of lust, but everything I’d ever dreamed about in a man. He was a specimen--tall, strong, masculine, quiet. But it was much more than that. He was honest. Real. And affectionate and accessible, quite unlike J and most of the men I’d casually dated since I’d returned home from Los Angeles months earlier. I was in a foreign land. I didn’t know what to do. I love you. He’d said it. And I knew his words had been sincere. I knew, because I felt it, too, even though I couldn’t say it. Marlboro Man continued to hold me tightly on that patio chair, undeterred by my silence, likely resting easily in the knowledge that at least he’d been able to say what he felt. “I’d better go home,” I whispered, suddenly feeling pulled away by some imaginary force. Marlboro Man nodded, helping me to my feet. Holding hands, we walked around his house to my car, where we stopped for a final hug and a kiss or two. Or eight. “Thanks for having me over,” I managed. Man, I was smooth. “Any time,” he replied, locking his arms around my waist during the final kiss. This was the stuff that dreams were made of. I was glad my eyes were closed, because they were rolled all the way into the back of my head. It wouldn’t have been an attractive sight. He opened the door to my car, and I climbed inside. As I backed out of his driveway, he walked toward his front door and turned around, giving me his characteristic wave in his characteristic Wranglers. Driving away, I felt strange, flushed, tingly. Burdened. Confused. Tortured. Thirty minutes into my drive home, he called. I’d almost grown to need it. “Hey,” he said. His voice. Help me. “Oh, hi,” I replied, pretending to be surprised. Even though I wasn’t. “Hey, I…,” Marlboro Man began. “I really don’t want you to go.” I giggled. How cute. “Well…I’m already halfway home!” I replied, a playful lilt to my voice. A long pause followed. Then, his voice serious, he continued, “That’s not what I’m talking about.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)