Hitting A Brick Wall Quotes

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A wall is a very big weapon. It's one of the nastiest things you can hit someone with.
Banksy (Banging Your Head Against a Brick Wall)
The figure in the doorway ducked; the brick hit the wall, and Luke straightened up and looked at her curiously. I hope when we're married, that's not the way you greet me every day when I come home, he said.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I thought we’d turned a corner. Maybe we did, but we hit a brick wall anyway.
Sylvia Day (Bared to You (Crossfire, #1))
That was when I first observed a phenomenon I now call the "New York Slide": you offer your words to try to communicate and connect with someone, but your words just hit a brick wall the person has erected to ward off human contact- the words slide down it and roll away.
Kelly Cutrone (If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You)
Racing up the wide staircase, I barreled through the double doors and smacked right into a brick wall. Stumbling backward, my arms flailed like a cracked-out crossing guard. My over-packed messenger bag slipped, pulling me to one side. My hair flew it front of my face, a sheet of auburn that obscured everything as I teetered dangerously. Oh dear God, I was going down. There was no stopping it. Visions of broken necks danced in my head. This was going to suck so— Something strong and hard went around my waist, stopping my free fall. My bag hit the floor, spilling overpriced books and pens across the shiny floor. My pens! My glorious pens rolled everywhere. A second later I was pressed against the wall. The wall was strangely warm. The wall chuckled. “Whoa,” a deep voice said. “You okay, sweetheart?
J. Lynn (Wait for You (Wait for You, #1))
When all else fails, when you hit a brick wall, let the enemy reveal themselves by giving them what they're looking for.
Jane Prowse (The Revenge of Praying Mantis (Hattori Hachi, #1))
Because, what does it mean, to say that things aren't going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that's not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can't spend those moments saying that the second car is much better off than the first. Death and disaster are at our shoulders every second of our lives, trying to get at us. Missing, a lot of the time. A lot of miles on the motorway without a front wheel blow-out. A lot of viruses that slither through our bodies without snagging. A lot of pianos that fall a minute after we've passed. Or a month, it makes no difference. So unless we're going to get down on our knees and give thanks every time disaster misses, it makes no sense to moan when it strikes. Us, or anyone else. Because we're not comparing it with anything.
Hugh Laurie (The Gun Seller)
Curran let our a ragged snarl and punched the other wall. It burst and the entire wreck of the house came down in a fountain of dust. He shook his hand, his knuckles bloody. "Bricks are hard," I told him patiently, as if to a child. "Don't hit bricks. No, no." Curran picked up a brick and snapped it in half. Idiot
Ilona Andrews (Magic Slays (Kate Daniels, #5))
[...] and as I walked, I tried to see the funny side. It wasn't easy, and I'm still not sure that I managed it properly, but it's just something I like to do when things aren't going well. Because what does it mean, to say that things aren't going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that's not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can't spend those moments saying that the second car is much better off than the first.
Hugh Laurie (The Gun Seller)
I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.
Jim Butcher (Dead Beat (The Dresden Files, #7))
I stop reading after half an hour. I’ve had enough. Humanity has hit a brick wall. We’re facing our end, like the dinosaurs millions of years before us. The only difference is we’ve got journalists on hand to document every blow and setback, cataloguing our rapid, painful downfall in vibrant, vicious detail. Personally, I think the dinosaurs had the better deal. When it comes to impending, unavoidable extinction, ignorance is bliss.
Darren Shan (Demon Apocalypse (The Demonata, #6))
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
The drug dealer leaned forward and covered his mouth conspiratorily with the back of his hand. In a voice softer than a gust of wind, he said: ‘Got some new merch, though. High tech, top of the line. Muy experimental. Packs quite the punch they say, and hits you like a brick wall, espiritualmente,’ he pushed three fingers together and planted them a kiss. ‘Real sweet. Un dragón muy poderoso.’ ‘Any... particular side-side-side-effects?’ Mario scratched his chin, thinking back on his aggresive nosebleeds. ‘Not a dicky bird,’ affirmed the dealer. ‘This stuff’s cleaner than la cocina de tu abuela. Mind you, it does call for some weird shit, no doubt about it. And you gotta watch yourself for sharp table corners and the lot, cause you WILL be tripping.
Louise Blackwick (The Underworld Rhapsody)
Because what does it mean, to say that things aren't going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that's not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can't spend those moments saying the second car is much better off than the first. Death and disaster are at our shoulders every second of our lives, trying to get at us. Missing, a lot of the time. A lot of miles on the motorway without a front wheel blow-out. A lot of viruses that slither through our bodies without snagging. A lot of pianos that fall a minute after we've passed. Or a month, it makes no difference. So unless we're going to get down on our knees and give thanks every time disaster misses, it makes no sense to moan when it strikes. Us, or anyone else. Because we're not comparing it with anything. And anyway, we're all dead, or never born, and the whole thing really is a dream There, you see. That's a funny side.
Hugh Laurie (The Gun Seller)
He needs the Lord, but I think right now God scares him.” Jim exhaled hard. “As if he knows God’s chasing him, and he’s determined to run until he hits a brick wall.
Karen Kingsbury (Reunion (Redemption, #5))
A brick could be duct taped in front of your eyes, like a blindfold, so you can have that feeling of hitting your head against a brick wall all the time. 

Jarod Kintz (Brick)
but … we hit a roadblock. Time will tell if it’s a bump in the road or more of a brick wall.
Jasmine Guillory (The Wedding Date (The Wedding Date, #1))
I look like walking proof evolution has hit a brick wall.
Norah Wilson (Saving Grace (Serve and Protect, #2))
The Charcoal Sky Sometimes you go to the wrong place, but the right way comes and finds you. It might make you trip over it or speak to it. Or it might come to you when a day is stripped apart by night and ask you to take its hand and forget this wrong place, this illusion where you stand. I think of this mess in my mind and the girl who walked through it to stand before me and let her voice come close. I remember brick walls. There are moments when you can only stand and stare, watching the world forget you as you remove yourself from it - when you overcome it and cease to exist as the person you were. It calls your name, but you're gone. You hear nothing. See nothing. You've gone somewhere else. You've gone somewhere to find a different definition of yourself, and it's a place where nothing else can touch you. Nothing else can swing on your thoughts. It's only yourself, flat against the charcoal sky, for one moment. Then flat on the earth again, where the world doesn't recognize you anymore. Your name is what it always was. You look and sound like you always did, yet you're not the same, and when a city wind begins to call you, it's voice doesn't only hit the edges. It connects. It blows into you rather than in spite of you. Sometimes you feel like it's calling out for you.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
Ethan’s parents constantly told him how brainy he was. “You’re so smart! You can do anything, Ethan. We are so proud of you, they would say every time he sailed through a math test. Or a spelling test. Or any test. With the best of intentions, they consistently tethered Ethan’s accomplishment to some innate characteristic of his intellectual prowess. Researchers call this “appealing to fixed mindsets.” The parents had no idea that this form of praise was toxic.   Little Ethan quickly learned that any academic achievement that required no effort was the behavior that defined his gift. When he hit junior high school, he ran into subjects that did require effort. He could no longer sail through, and, for the first time, he started making mistakes. But he did not see these errors as opportunities for improvement. After all, he was smart because he could mysteriously grasp things quickly. And if he could no longer grasp things quickly, what did that imply? That he was no longer smart. Since he didn’t know the ingredients making him successful, he didn’t know what to do when he failed. You don’t have to hit that brick wall very often before you get discouraged, then depressed. Quite simply, Ethan quit trying. His grades collapsed. What happens when you say, ‘You’re so smart’   Research shows that Ethan’s unfortunate story is typical of kids regularly praised for some fixed characteristic. If you praise your child this way, three things are statistically likely to happen:   First, your child will begin to perceive mistakes as failures. Because you told her that success was due to some static ability over which she had no control, she will start to think of failure (such as a bad grade) as a static thing, too—now perceived as a lack of ability. Successes are thought of as gifts rather than the governable product of effort.   Second, perhaps as a reaction to the first, she will become more concerned with looking smart than with actually learning something. (Though Ethan was intelligent, he was more preoccupied with breezing through and appearing smart to the people who mattered to him. He developed little regard for learning.)   Third, she will be less willing to confront the reasons behind any deficiencies, less willing to make an effort. Such kids have a difficult time admitting errors. There is simply too much at stake for failure.       What to say instead: ‘You really worked hard’   What should Ethan’s parents have done? Research shows a simple solution. Rather than praising him for being smart, they should have praised him for working hard. On the successful completion of a test, they should not have said,“I’m so proud of you. You’re so smart. They should have said, “I’m so proud of you. You must have really studied hard”. This appeals to controllable effort rather than to unchangeable talent. It’s called “growth mindset” praise.
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
O'Shaughnessy is hitting Denholt on the side of his head with his free arm, great, walloping, pile-driver blows. The two of them stagger together, like partners in a crazy dance. Glass is breaking all around them. Gray smoke from the six shots, pink-and-white dust from the chipped brick-and-plaster walls, swirl around them in a rainbow haze. Something vividly green flares up from one of the overturned retorts, goes right out again. O'Shaughnessy tears the emptied gun away, flings it off somewhere. More breaking glass, and this time a tart pungent smell that makes the nostrils sting. The crunch of pulverized tube glass underfoot makes it sound as if they were scuffling in sand or hard-packed snow. ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
I wonder what would happen if I tried the same reasoning on you. 'I have received your insurance premium invoice. My conclusion is this fee is not financially appropriate for you. It is my decision that you should be paid in bags of rocks deposited directly on your testicles. You may appeal this decision by screaming and hitting your head against a brick wall until you get tired, then read this letter again because I'm not fucking listening.
Jenny Lawson (Broken (In the Best Possible Way))
The hidden room was large and open, desks and tables laden throughout. Stained glass windows, depicting various scenes of evil and torture, were evenly spaced along the beige brick walls, bringing in a warm array of light over the space. The cobwebbed chandelier above them glinted as the light hit it, reminding Evie of the severed heads still hanging from the rafters below. She really hoped that scream from the torture chambers wasn’t another head about to be displayed as well.
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
To be a boy without a father is to grow guns in place of arms and a loaded cannon for a mouth. Always, at all times to be under siege with no reinforcements. To sprint at full speed into the pitch dark with fury trumping your fear, not aware that what you actually want is to hit a brick wall, or stumble into a pit, to find some limits, some restrictions and discipline. A broken leg. A concussion. Punishment from a surrogate father, even if that father is merely physics, to slap you down and make you toe some ultimate line.
Anonymous
Chapter 1 14th November 1940: Coventry, England. Boom. Boom. The ground vibrated with each explosion. Unfamiliar sounds surrounded Rose Sherbourne as her body received blow after blow from displaced items of furniture. She jumped when shattering glass hit falling bricks, and everything around her crashed under their weight. Boom. Another explosion, followed by the sound of metal hitting metal, echoed out around Rose’s ears and her breath came thick and fast. Through the opening of what was once the front room, a sudden blast of hot air blew both her and her mother off their feet. Rose’s body fell against something hard and a searing pain shot through her back. For a few seconds she could not see, and she blinked, only to feel fine dust fall on her cheeks and into her eyes yet again. She wiped it away with the back of her hand and prepared herself to scrabble upright. Boom. A wall fell around her and, unable to move both with fear and because something was pinning down her right leg, Rose took a moment to catch her breath. Above her an intense whistling sound screamed from the sky, followed by an eerie whooshing sound. A continuous whistle followed. Rose held her breath.
Glynis Peters (The Secret Orphan)
Luc, however, was not following them. Instead he raced back to the corner where he had left his sister. Reaching the spot, he slammed on the brakes, jumped out—leaving the engine running—and ran over to Monique, who was still weeping and shivering against a brick wall. With no time to be gentle, he grabbed her by the arms and pulled her to the truck, and then, opening the passenger-side door, he pushed her inside and slammed the door shut. Back in the driver’s seat, he slammed his own door and hit the gas. “Hold on!” he yelled to the people in the back, then turned to Monique and ordered her to do the same.
Joel C. Rosenberg (The Auschwitz Escape)
Instead Lise, lying unmoving in bed, knew; it was as if she had been upended over the wall of a well like that one in the last paragraph and had been falling in the same monotonous nothing way for weeks, down into it like Alice hazily pondering bats and cats, through nothing but languid gravity, in a place where a second of time was stretched so long and so thin that you could see veins in it; and all these seconds, all this time, she (Lise) had seemed to be hardly moving, though in reality the sides of the tunnel were flying up past her at thousands, maybe millions of miles an hour, the curved wall and its slime-cold roughly surfaced bricks only inches from the skin of her nose and chin and the knuckles of her hands and feet, and her whole body tensed, ready, waiting, always about to hit it, the surface of the water.
Ali Smith (Hotel World)
Part of it is personal. It’s the same way for athletes: an athlete wants to be in a big game, wants to compete on the field or in the ring. But another part, a bigger part I think, is patriotism. It’s the sort of thing that if it has to be explained, you’re not going to understand. But maybe this will help: One night a little later on, we were in an exhausting firefight. Ten of us spent roughly forty-eight hours in the second story of an old, abandoned brick building, fighting in hundred-degree-plus heat wearing full armor. Bullets flew in, demolishing the walls around us practically nonstop. The only break we took was to reload. Finally, as the sun came up in the morning, the sound of gunfire and bullets hitting brick stopped. The fight was over. It became eerily quiet. When the Marines came in to relieve us, they found every man in the room either slumped against a wall or collapsed on the floor, dressing wounds or just soaking in the situation. One of the Marines outside took an American flag and hoisted it over the position. Someone else played the National Anthem—I have no idea where the music came from, but the symbolism and the way it spoke to the soul was overwhelming; it remains one of my most powerful memories.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
I was nineteen at the time, and like any other besotted teenage girl, I was desperately eager to please the object of my affections. I didn’t argue the point, but set to work producing the desired loaf. The result was barely chewable when it emerged hot from the oven. By the time it cooled, it seemed significantly more resistant to fire, flood, or earthquakes than my dormitory’s concrete walls. After a brief discussion, Gabriel and I both decided that this rye-brick was more appropriate food for crows than for humans. I carried the slab to the balcony of my eighth-floor dormitory apartment, expecting that a fall from that height would smash it to crumbs. I peered over the edge to make sure no one was below me; I didn’t want to drop the hardened mass onto someone’s head and make a murderess of myself. After verifying that the concrete walkway below was clear, I dropped the rye-brick over the side of the balcony. Down, down, it plummeted—past the seventh floor, the sixth, the fifth … Nearly a hundred feet below, and traveling somewhere around eighty feet per second, the rye-brick finally hit the ground—and didn’t break. Despite an eight-story drop onto concrete, the rye-brick maintained its integrity. One of my roommates inspected the situation and expressed surprise that the stones of the walkway itself remained unscathed. I didn’t try making any wheat-free loaves for a while after that.
Sarah A. Chrisman (This Victorian Life: Modern Adventures in Nineteenth-Century Culture, Cooking, Fashion, and Technology)
He ducked his head and started walking. “Go away.” “I don’t know why I was worried,” Hunter said from behind him. “Considering you only seem to know how to run and hide.” Gabriel swung around and hit him. Or he tried to. Hunter had some serious military training, and he deflected the blow easily. But Gabriel was no stranger to fighting dirty. He caught Hunter with a solid punch to the stomach. Hunter got him in the jaw. And then they were fighting in earnest. Christ, it felt fantastic to drive his fist into something. Especially when Hunter fought back with enough force to really make it worth it. Enough force that Gabriel started to wonder if this would turn into a test of endurance. Enough force that Gabriel started to wonder if he could win. His back slammed into the concrete wall of the mall. Breath rushed out of his lungs. He braced against the wall to throw Hunter off, getting enough leverage to shove the other boy to the ground. He followed him down to pin him there. “Whoa, hold up,” Hunter said, breathless. He made his hands into a T. “If I tear my clothes, my grandmother will shit a brick.” Gabriel stared down at him, unsure whether to let him go. Then he caught the glint of light on steel under Hunter’s jacket. “You are one crazy bastard. You really did come armed.” “Sure.” “You had a gun and you still fought me like that?” Hunter grinned. “Wait you were fighting for real? ” Yeah, he had been but suddenly it didn’t seem so important. Gabriel let him go. Hunter rolled to his feet and dusted bits of grass from his hair. “You want a ride home?
Brigid Kemmerer (Spark (Elemental, #2))
This is ridiculous. You’re bleeding. Don’t lie to me, I can smell it. You’re hurt. You need a medmage.” “I’m not hurt that badly.” His lips wrinkled, showing his teeth. “How badly do you have to be hurt?” “There is a right-to-life exemption, which permits us to leave the scene if our injuries are life threatening. We’d have to provide paperwork from a hospital, or a qualified medmage, showing that we had to get treatment or we would’ve died. My injuries are not life threatening.” “Paperwork is not a problem.” “Yes, but I won’t lie.” “How do you know your injuries aren’t life threatening? You’re covered in the fluid from its guts. How do you know it’s not poisonous?” “If it’s poisonous, we’ll deal with it when I feel sick.” “Fine. I’ll stay here with this thing, and you will drive yourself to the hospital.” “No.” He hit me with an alpha stare. I opened my eyes as wide as I could. “Why, of course, Your Majesty. What was I thinking? I will go and do this right away, just please don’t look at me.” “Kate, get in the car.” “Maybe you should growl dramatically. I don’t think I’m intimidated enough.” “I will put you in the car.” “No, you won’t. First, it took both of us to kill that thing, and if it reinvents itself again, it will take both of us again. I’m not leaving you alone with it. Second, if you try to physically carry me to the car, I will resist and bleed more. Third, you can possibly stuff me in the car against my will, but you can’t make me drive.” He snarled. “Argh! Why don’t you ever do anything I ask you to?” “Because you don’t ask. You tell me.” We glared at each other. “I’m not going to the hospital because of a shallow cut.” And possibly a strained shoulder, a few gashes to my legs, and a bruised right side. “It could be worse. I could’ve hit a brick wall instead of a nice, fragile old fence . . .” He held up his hand. “I’m going to get a medkit out of the car.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
It was clear just how much Tommy loved the city. New York City. The CKY Grocery on Amsterdam had giant, bright red Spartan apples every day of the year, even if it wasn’t the right season. He loved that grocery, and the old, shaky Persian man who owned it. Tommy emphatically, yet erroneously believed that the CKY Grocery was the genuine heart of the great city. All five boroughs embodied distinct feelings for him, but there was only one that he’d ever truly romanticized. To him, Manhattan was the entire world. He loved everything between the East River and the Hudson; from the Financial District up to Harlem; from Avenue A to Zabar’s. He loved the four seasons, although autumn was easily the most anticipated. To Tommy, Central Park’s bright, almost copper hues in the fall were the epitome of orange. He loved the unique perfume of deli meats and subway steam. He loved the rain with such verve that every time it so much as drizzled, he would turn to the sky so he could feel the drops sprinkle onto his teeth. Because every raindrop that hit him had already experienced that much envied journey from the tips of the skyscrapers all the way down to the cracked and foot-stamped sidewalks. He believed every inch of the city had its own predetermined genre of music that suited it to a tee. The modal jazz of Miles Davis and Wayne Shorter was absolutely meant for the Upper East Side, north of 61st Street. Precisely between Gershwin and gospel. He loved the view from his apartment, even if it was just the leaves of the tree outside in July or the thin shadows of its bare branches crawling along the plain brick wall in January. Tommy loved his career. He loved his friends. And he loved that first big bite of apple I watched him take each and every morning. Everything was perfect in the city, and as long as things remained the way he wanted them to, Tommy would continue to love the city forever. Which is exactly why his jaw dropped when he opened the letter he found in his mailbox that morning. The first bite of still un-chewed apple fell out of his mouth and firmly planted itself within the crack of that 113th Street sidewalk.
Ryan Tim Morris (The Falling)
Meanwhile, scientists are studying certain drugs that may erase traumatic memories that continue to haunt and disturb us. In 2009, Dutch scientists, led by Dr. Merel Kindt, announced that they had found new uses for an old drug called propranolol, which could act like a “miracle” drug to ease the pain associated with traumatic memories. The drug did not induce amnesia that begins at a specific point in time, but it did make the pain more manageable—and in just three days, the study claimed. The discovery caused a flurry of headlines, in light of the thousands of victims who suffer from PTSD (post-traumatic stress disorder). Everyone from war veterans to victims of sexual abuse and horrific accidents could apparently find relief from their symptoms. But it also seemed to fly in the face of brain research, which shows that long-term memories are encoded not electrically, but at the level of protein molecules. Recent experiments, however, suggest that recalling memories requires both the retrieval and then the reassembly of the memory, so that the protein structure might actually be rearranged in the process. In other words, recalling a memory actually changes it. This may be the reason why the drug works: propranolol is known to interfere with adrenaline absorption, a key in creating the long-lasting, vivid memories that often result from traumatic events. “Propranolol sits on that nerve cell and blocks it. So adrenaline can be present, but it can’t do its job,” says Dr. James McGaugh of the University of California at Irvine. In other words, without adrenaline, the memory fades. Controlled tests done on individuals with traumatic memories showed very promising results. But the drug hit a brick wall when it came to the ethics of erasing memory. Some ethicists did not dispute its effectiveness, but they frowned on the very idea of a forgetfulness drug, since memories are there for a purpose: to teach us the lessons of life. Even unpleasant memories, they said, serve some larger purpose. The drug got a thumbs-down from the President’s Council on Bioethics. Its report concluded that “dulling our memory of terrible things [would] make us too comfortable with the world, unmoved by suffering, wrongdoing, or cruelty.… Can we become numb to life’s sharpest sorrows without also becoming numb to its greatest joys?” Dr. David Magus of Stanford University’s Center for Biomedical Ethics says, “Our breakups, our relationships, as painful as they are, we learn from some of those painful experiences. They make us better people.” Others disagree. Dr. Roger Pitman of Harvard University says that if a doctor encounters an accident victim who is in intense pain, “should we deprive them of morphine because we might be taking away the full emotional experience? Who would ever argue with that? Why should psychiatry be different? I think that somehow behind this argument lurks the notion that mental disorders are not the same as physical disorders.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
In this instance, she’d not heard him count. He’d not hit a wall, unless the brick-headed stubbornness of Dmitri’s face counted. Thwack! “Yay.” Yes, that was her cheering for her Pookie aloud. Since it seemed he hadn’t heard, she said it louder, yodeled it as a matter of fact. “You get him, Pookie. Show him who’s the biggest, baddest pussy around.” Leo turned his head at that, narrowing his blue gaze on her. Totally annoyed. Totally adrenalized. Totally hot. “Vex!” How sexy her nickname sounded when he growled it. She could tell he totally dug the encouragement. She waggled her fingers at him and meant to say, “You’re welcome,” but instead shouted, “Behind you!” During that moment of inattention— which really Leo should have known better than to indulge in— Dmitri threw a mighty hook. Had she mentioned just how sigh-worthy big her Pookie was? The perfectly aimed blow hit Leo in the jaw, and the force snapped his head to the side. But it certainly didn’t fell him. Not even close. On the contrary, the punch brought the predator in him alive. As he rotated his jaw, Leo’s gaze flicked her way, his eyes lit with a wildness, his lip quirked, almost in amusement, and then he acted. His fist retaliated then his elbow, snapping Dmitri in the nose. Any other man, even shifter, might have quickly succumbed, but the Russian Siberian tiger was more than a match for the hybrid lion/ tiger. Put them in a ring and they’d have brought in a fortune. They certainly put on a good show. Blood trailed from Dmitri’s lip from where Leo’s fist struck him. However, that didn’t stop the Russian from giving as good as he got. Size-wise, Leo held a slight edge, but what Dmitri lacked in girth, he made up for in skill. Even if Meena wasn’t interested in marrying him, it didn’t mean she couldn’t admire the grace of Dmitri’s movement and his uncanny intuition when it came to dodging blows. Leo wasn’t too shabby either. While he’d obviously not grown up on the mean streets of Russia, he knew how to throw a punch, wrestle a man, and look totally hot in defense of his woman. Sigh. A man coming to her rescue. Just like one of those romance novels Teena likes to read. Luna sidled up alongside her. “What did you do this time?” Why did everyone assume it was her fault? “I didn’t do anything.” Luna snorted. “Sure you didn’t. And it also wasn’t you who put Kool-Aid in Arik’s mom’s shampoo bottle and turned her hair pink at the family picnic a few years ago.” “I thought the short spikes she sported after she got it shaved looked awesome.” “Never said the outcome wasn’t worth it. Just like I’m totally intrigued about what’s happening here. That is Leo laying a smackdown on that Russian diplomat, right? Since I highly doubt they’re sparring over who makes the better vodka or who deserved the gold medal in hockey at the last winter Olympics, then that leaves only one other possibility.” Luna fixed her with a gaze. “This is your fault.” Meena’s shoulders hunched. “Okay, so maybe I’m a teensy tiny bit responsible. Like maybe I made sure my ex-fiancé and current fiancé got to meet.” “Duh. I already knew about that part. What I’m talking about is, how the hell did you get Leo to lose his shit? I mean when he gets his serious on, you couldn’t melt an ice cube in his mouth. Leo never loses control because to lose control is to lose one’s way, or some such bullshit. He’s always spouting these funny little sayings in the hopes of curbing our wild tendencies.” Pookie had the cutest personality. “What can I say?” Meena shrugged. “I guess he got jealous. Totally normal, given we’re soul mates.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
...and as I walked, I tried to see the funny side. It wasn’t easy, and I’m still not sure that I managed it properly, but it’s just something I like to do when things aren’t going well. Because what does it mean, to say that things aren’t going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that’s not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can’t spend those moments saying that the second car is much better off than the first. Death and disaster are at our shoulders every second of our lives, trying to get at us. Missing, a lot of the time. A lot of miles on the motorway without a front wheel blow-out. A lot of viruses that slither through our bodies without snagging. A lot of pianos that fall a minute after we’ve passed. Or a month, it makes no difference. So unless we’re going to get down on our knees and give thanks every time disaster misses, it makes no sense to moan when it strikes. Us, or anyone else. Because we’re not comparing it with anything. And anyway, we’re all dead, or never born, and the whole thing really is a dream. There, you see. That’s a funny side.
Hugh Laurie (The Gun Seller)
Nice hammer,” Harlow said from behind me. “Hey,” I said, glancing around casually to see if Winnie was with her. “Nice shiner.” “You should see the other chick,” she muttered. “Can we talk?” Setting down my hammer, I followed her away from the other guys. Harlow seemed tense and I worried something was wrong with Winnie. “This is awkward and I feel weird coming here like this,” she said, pushing her blonde hair behind her ears. “Are you dating anyone?” My breath caught. A fear rose up in my chest at the thought of Harlow wanting to date me. What would that mean for me and Winnie? The look in Harlow’s eyes calmed my terror. I might as well have been a brick wall based on the lack of attraction she showed. “No.” “Some girl was hugging you outside a restaurant. Wasn’t that a date?” Frowning, I scratched at my jaw where I forgot to shave that morning. “That was a girl from high school. She might have been into me, but we went out as friends. I’m not dating anyone.” “Winnie saw you with that girl and she got really upset. I know she’s not ready to have a boyfriend, but she wants you. Do you want her?” Playing it cool might be the stud move, but I didn’t want to be a player. I wanted Winnie. Besides, for the second time in twenty four hours, someone close to Winnie wanted to play matchmaker. “Yes.” Harlow nodded. “She’s messed up. You know that, right?” “I know she’s fragile, yeah.” “Winnie has a lot of phobias. Not stupid shit for attention, but real chronic problems that won’t go away because you’re hot. She’s been in therapy for years and gotten stronger, but she’ll never be okay.” “I understand.” Harlow bit her lip then nodded again. “Do you want to take her out to dinner tomorrow?” “Yes.” Harlow smiled. “You better be chattier than that on the date or else no one will say anything. Winnie likely won’t say anything all night, but that doesn’t mean she doesn’t want to. She just takes a long time to warm up to people.” I wasn’t sure what Harlow saw on my face, but she grinned. “She really wants to warm up to you, Dylan. Don’t fuck it up, okay?” “I’ll do my best.” When Harlow narrowed her eyes, I was pretty sure she might hit me. “I appreciate the way you tried to save us that day. You showed balls and I respect that. With that said, you better be taking this seriously, understand?” Leaning closer, I stared right into those suspicious eyes. “No one makes me feel like Winnie. If she needs to take it slow, we’ll go slow. If she wants to rush into it, we’ll rush. If she needs me to stand on my fucking head and sing the National Anthem, I’ll do it. So yes, I’m taking this very seriously,” I said, running a hand where short dark stubble took the place of my mohawk. “I told Winnie I would wait and I meant it. What you think is me being passive is just patience.” “Okay,” Harlow said softly. “You know when I came to Ellsberg, I was pretty messed up. My family was dead and I was in this new place with strangers. Winnie took care of me. She became my sister and best friend. I love her like she’s blood. Nothing personal, but if you hurt her, I’ll have to kill you.” “Fair enough,” I said, grinning. “Smile all you want, buddy, but I’ve got moves.” Harlow faked a punch, but I didn’t flinch. My mind was already focused on tomorrow. I hadn’t talked to Winnie since the day Nick’s dad showed up. I hadn’t seen her close up in weeks. I needed to be close to her even if she couldn’t do more than hide behind her hair all night.
Bijou Hunter (Damaged and the Bulldog (Damaged, #6))
The muscles of Sue’s legs tensed, and the saddle lurched. One of the little girls screamed. And then the Tyrannosaur came down from the leap that had carried her over the besieged Wardens. Sue landed with one clawed foot on the street, and the other came down squarely on the Caddy’s hood, like a falcon descending upon a rabbit. There was an enormous sound of shrieking metal and breaking glass, and the saddle lurched wildly again. I leaned over to see what had happened. The car’s hood and engine block had been compacted into a two-foot-thick section of twisted metal. Even as I looked, Sue leaned over the car in a curiously birdlike movement, opened her enormous jaws, and ripped the roof off. Inside was Li Xian, dressed in a black shirt and trousers. The ghoul’s forehead had a nasty gash in it, and green-black blood had sheeted over one side of his face. His eyes were blank and a little vague, and I figured he’d clipped his head on the steering wheel or window when Sue brought his sliding car to an abrupt halt. Li Xian shook his head and then started to scramble out of the car. Sue roared again, and the sound must have terrified Li Xian, because all of his limbs jerked in spasm and he fell on his face to the street. Sue leaned down again, her jaws gaping, but the ghoul rolled under the car to get away from them. So Sue kicked the car, and sent it tumbling end over end three or four times down the street. The ghoul let out a scream and stared up at Sue in naked terror, covering his head with his arms. Sue ate him. Snap. Gulp. No more ghoul. “What’s with that?” Butters screamed, his voice high and frightened. “Just covering his head with his arms? Didn’t he see the lawyer in the movie?” “Those who do not learn the lessons of history are doomed to repeat them,” I replied, turning Sue around. “Hang on!” I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.
Anonymous
See, the main problem—the thing that really and truly holds him back, and always will—is that the thought of settling down, the thought of commitment, makes Barty want to scream at the top of his lungs and take off running. Anything past friendship and fucking, and Barty hits a brick wall. No, actually, it makes him turn and go in the opposite direction. It's just not for him. He doesn't want to do it; he doesn't want to find one person who calms him, who makes him feel safe, who can ease the brimming fire under his skin when he still wants to blaze on. He's not ready for it yet, and maybe it's not love, but it's something like it; maybe it's not love, but it could be; and that's enough for him to refuse it. Barty wants to live. He wants to make mistakes, and be reckless, and experience everything and everyone he can. He wants to care and not care in equal measure without any of the guilt. He wants to carry wild stories in the tips of his fingers and create memories that will light him up even when the world feels so dull. He wants to shag who he wants to shag, anyone he likes, and he wants to continue on to the next when the mood strikes. He wants to be young; he wants to slow down and feel every moment, not rushing, because he can't even conceptualize what he's meant to be rushing towards.
Zeppazariel (intermission)
Teenagers can communicate a lot with eye rolls. Which is just as well, seeing as oral communication hits something of a brick wall once they turn fifteen.
C.J. Tudor (The Burning Girls)
Life is our place of learning and seeking. Every now and then in life we are going to hit a brick wall and it’s our response that counts. Try to be calm and don’t lose focus that’s the motto of a disciplined student.
Euginia Herlihy
The door swung open, and the brick flew from her hand. The figure in the doorway ducked; the brick hit the wall, and Luke straightened up and looked at her curiously. “I hope when we’re married, that’s not the way you greet me every day when I come home,” he said.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
would definitely have been filed, and reported to the police as well.’ I bite down on my tongue. What is he saying? That I’m lying? ‘I am not doubting what you say,’ he adds hurriedly, breaking the terse silence. ‘Just that I will need to investigate this issue further with my colleagues.’ He asks me to put everything in an email and send it to him personally. When I end the call, I sit for a moment with my head in my hands. My first thought is that I’ve hit yet another brick wall but it’s swiftly followed by a far more troubling conclusion.
K.L. Slater (Single)
Bethany Anne considered finding another way to dismantle the brick wall she’d been banging her head against repeatedly since her Empire was dissolved—for all of a third of a second. “No. I’m done restricting myself in the name of peace. This is how it has to be. It’s gotten to the point where the shit is going to hit the fan whether I act or not.” She dropped her hands, clenching and unclenching them for a moment as her frustration became a physical thing. “I feel like I’m going to explode if I have to spend one more fucking minute wearing that mask while my people fall further into danger.” Michael ran a hand through her hair and leaned in to murmur into her ear, “Then you know what the solution is. Act.” Bethany Anne leaned back and looked up at him, a small smile on her lips. “That’s exactly what I intend to do.
Michael Anderle (Enter Into Valhalla (The Kurtherian Endgame, #6))
For his health, darling. The Berlin Wall was coming down. He didn’t want to be hit by a falling brick.
John Le Carré (Single & Single)
Other times I could be having a perfectly great day and abruptly at 4:00 pm feel like I’ve hit a brick wall. When that happens the priority becomes getting my kids to bed with kindness.
K.C. Davis
My first depression actually started when I was about thirteen years old. Now when I read back what I wrote in my diary at the time, it's quite clear - one page says in giant letters: "I hate this, I hate my life!" I also complained about stomach aches a lot. When I was fifteen, I really hit a brick wall. I was exhausted from copying behaviour, from trying to fit in, from acting "normal". I wouldn't go to school for days and eventually had to transfer to a lower level high school. I had a pretty negative self-image, and I couldn't understand why nothing ever worked out quite right. I was a quiet, shy girl who always stretched herself too thin and gave too much. It felt like a war going on in my head, and it was draining. My parents are still amazed I got my high school diploma, as I never had the energy to study.
Bianca Toeps (Maar je ziet er helemaal niet autistisch uit)
This is one reason Father wears the piece of mirror taped to the top of his engineer's cap, so it reflects back up whoever's face is trying to look down at him. As he walks the sun reflects in the mirror and slides shining lights all along the brick wall above his head. If he bends down to tie his shoes it can hit you sharp in the eyes.
Peter Rock (My Abandonment)
The heat hits her like a brick wall. Summer in Kansas would give hell a run for its money
Alex Finlay (If Something Happens to Me)
You think you can just kiss me like that and walk away?” he breathed, stepping closer to me as I backed up. My butt hit the brick wall and Kohen raised his arms, boxing me in and leaning against the wall on his forearms.
Leia Stone (Lies That Bleed (The Ember War, #1))
Because, what does it mean, to say that things aren't going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that's not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can't spend those moments saying that the second car is much better off than the first. Death and disaster are at our shoulders every second of our lives, trying to get at us. Missing, a lot of the time. A lot of miles on the motorway without a front wheel blow-out. A lot of viruses that slither through our bodies without snagging. A lot of pianos that fall a minute after we've passed. Or a month, it makes no difference. So unless we're going to get down on our knees and give thanks every time disaster misses, it makes no sense to moan when it strikes. Us, or anyone else. Because we're not comparing it with anything.
Hugh Laurie (The Gun Seller)
Will you let me move into your fortress with you?” I blurt out. Her brow furrows, and she looks so damn cute that I want to kiss her, but I know I can’t. “What?” she breathes out. I get up and walk to her. “That fortress where you reside? Will you let me live there with you?” “What the fuck are you talking about?” she asks. She puts her hands on her hips and glares at me. “I don’t want to blow all your walls to bits,” I say. She has a piece of hair stuck to her lips, so I pull it away and tuck it behind her ear. “I just want to live inside them with you. Fuck,” I say, throwing up my hands. “I fucking love your walls. Every single brick. But let me move in. Let me be there with you. Then you can find out if you love me, and you can invite me to stay if you find out that you do. Just let me inside.” I take a deep breath and watch her. “Did you hit your fucking head on the way to work?” she asks. I laugh and rub my forehead. “No, but Logan just slapped some sense into me.” “Then what the fuck is wrong with you?” “I’m in fucking love with you, Friday!” I cry. “I fucking love you, you irritating, obnoxious, sexy-ass woman that I can’t get out of my fucking head.” I hit myself in the head with my fists like I’m knocking. “I’m in love with you.” I drop down onto my knees in front of her, and she steps back, so I inch forward until I can pull her belly to touch my forehead. “I’m in love with you.” I look up at her. “I’m on my knees, and I’m not going to try to get you to marry me or make you do anything you don’t want to do. Just let me in, and I’ll be happy with it.” “So, you don’t want to talk me into marrying you?” I shake my head, staring up at her like a puppy. “You’re not going to hold it over my head and refuse intimacy until I cave to what you want?” “No.” “You’re not going to keep asking me again and again?” “No.” “You’re going to stop being stupid?” I grin. “I don’t know about that one.” “You have testicles,” she says, and she shrugs. “I can’t have it all, can I?” She sinks down onto her knees in front of me. She bites her lower lip and stares at me. “Say it,” I coax. She goes back to glaring at me. “Say what?” “Whatever you’re thinking.” “I’m thinking that my knees are uncomfortable on this fucking floor, and I’m wondering how long you’re going to fucking make me stay down here.” I laugh. God, she’s so contrary! She takes my face in her hands. “Tonight, can I make you dinner?” she asks. My heart does that pitter-patter thing again. “Like a date?” She rocks her head back and forth like she’s weighing her words. “I guess you could call it a date.” “Then yes, I’d love that.” Then I remember. “But I have Hayley tonight.” She brightens. “Good.” She kisses me quickly and grins. “Because that’s about as close to a threesome as you’ll ever get with me.” She points to the floor. “Can I get up now?” she asks. “Get the fuck up,” I growl. I get to my feet, too. She falls against me and wraps her arms around my waist. “So does this mean that you don’t want to marry me?” she asks, her voice muffled against my chest. Her words touch the tattoo I just got, and it stings a little. But I don’t pull back. I don’t want her to see it yet. “I didn’t say that.” “You didn’t say the opposite.” I set her back a little and look down into her upturned face. “Are you telling me you do want to marry me?” She shakes her head and jabs a finger at me. “But I want to leave the door open.” Oh, holy hell. She’s opening a fucking door and I didn’t even have to threaten her or withhold anything or torment her in any way. I might pass out. “Okay,” I say.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
A jolt of fear hit me as I felt someone grab me from behind. It was promptly replaced with elation when I saw that it was Isaac. He slammed me against the brick wall. His mouth crashed down on mine, sending my mind into a tailspin. His hands caressed my face and I ran a hand through his coarse hair. His touch and taste awakened my cock, making it harder than it had been in months. I moaned with delicious happiness. Our arms about each other, our embrace tighter than it ever had been. We didn't want to let go of each other.
Gideon Rathbone (The Masters of Willowhurst - The Final Part (Willowhurst, #1.3))
At the unexpected sight of Spence, Colbie startled hard. How was it that he was the one who needed glasses and yet she’d not seen him standing against the window? “No, I don’t kill a lot of people,” she said cautiously because she was wearing only a towelin front of a strange man. “But I’m happy to make an exception.” He laughed, a rough rumble that was more than a little contagious but she controlled herself because, hello, she was once again dripping wet before the man who seemed to make her knees forget to hold her up. “I didn’t mean to scare you,” he said and pushed off the wall to come close. She froze, but he held up his hands like, I come in peace, and crouched at her feet to scoop up the clothes she hadn’t realized she’d dropped. Leggings, a long forgiving tee, and the peach silk bra-and-panty set that hadn’t gotten so much as a blink from the TSA guy. But it got one out of Spence. He also swallowed hard as she snatched them back from him. “Hold on,” he said and caught her arm, pulling it toward him to look at her bleeding elbow. “Sit,” he said and gently pushed her down to a weight bench. He vanished into the bathroom and came back out with a first aid kit. It took him less than two minutes to clean and bandage the scrape. Then, easily balanced at her side on the balls of his feet, he did the same for both her knees, which she hadn’t noticed were also scraped up. “You must’ve hit the brick coping as you fell in the fountain,” he said and let his thumb slide over the skin just above one bandaged knee. She shivered, and not from the cold either. “Not going to kiss it better?” she heard herself ask before biting her tongue for running away with her good sense. She’d raised her younger twin brothers. Scrappy, roughhouse wild animals, the both of them, so there’d been plenty of injuries she’d kissed over the years. But no one had ever kissed hers. Not surprising, since most of her injuries tended to be on the inside, where they didn’t show. Still, she was horrified she’d said anything at all. “I didn’t mean—” She broke off, frozen like a deer in the headlights as Spence slowly lowered his head, brushing his lips over the Band-Aid on her elbow, then her knees. When he lifted his head, he pushed his glasses higher on his nose, those whiskey eyes warm and amused behind his lenses. “Better?” Shockingly better. Since she didn’t quite trust her voice at the moment, she gave a jerky nod and took her clothes back into the bathroom. She shut the door and then leaned against it, letting out a slow, deliberate breath. Holy cow, she was out of her league. He was somehow both cute and hot, and those glasses .
Jill Shalvis (Chasing Christmas Eve (Heartbreaker Bay, #4))
It was as if my subconscious realized my earlier resolve to figure out what I wanted and fight for it had stagnated due to all the proverbial brick walls I kept hitting my head against. I needed to find something else to strategize, organize, and put on a spreadsheet. At least it would keep me too occupied to dwell on my complete failure to move forward in any aspect of my life.
Karen White
What Kennedy had taught him, he said, was not to hit complex problems head-on. Instead, envision the problem as a wall of bricks. "Try to identify a few bricks -- if you take them out the wall will collapse by itself," Grant had said.
Adam Fifield (A Mighty Purpose: How Jim Grant Sold the World on Saving Its Children)
Nobody talked about it.” When M was in high school, they joined some friends who attended a youth group at a large nondenominational church in town. Rather than pews, M found comfy chairs and couches. Rather than hymns, there were praise songs. It felt as if faith was springing up fresh and new, and M took to it like a duck to water. Near the end of high school they began to discern a call to ministry, but the church M was now attending didn’t approve of women in ministry; so, as someone assigned female at birth, M hit a brick wall. “I was told, ‘Women can’t be ordained.’ So it took me two years, even when I was read as a cisgender straight woman, to overcome that basic gender
Austen Hartke (Transforming: The Bible and the Lives of Transgender Christians)
This type of left-brain, logical response would hit an unreceptive right-brain brick wall and create a gulf between them. After all, his logical left brain was nowhere to be found at that moment. So, had Tina responded with her left, her son would have felt like she didn’t understand him or care about his feelings. He was in a right-brain, nonrational, emotional flood, and a left-brain response would have been a lose-lose approach.
Daniel J. Siegel (The Whole-Brain Child: 12 Revolutionary Strategies to Nurture Your Child's Developing Mind)
I slam the car door behind me and march to the side entrance of the McDonald’s. The glass door opens more easily than I expect, and the handle hits the brick wall, bouncing the door back into me and pushing me inside like I’m in some sort of vaudeville act. Hollis watches the whole embarrassing scene from the car, his eyebrows raised in what could be either confusion or amusement.
Sarah Adler (Mrs. Nash's Ashes)
wore a suit, but even in that Kelly could see his body was hard and fit under it—his tall, lean form toned and strong. His intense gaze made her breath go ragged. She couldn’t imagine what it would be like to be alone in the room with him if he had this kind of effect on her with his aunt and cousin with them. Jack sat on the edge of his desk, legs stretched out and crossed at the ankles in front of him, arms crossed over his chest. He watched her quietly while she finished chatting with his aunt. Kelly wrapped things up and ushered Mabry out the door by four o’clock as she made excuses about her fiancé needing to get back to work. She closed the door behind his aunt and turned to Mr. Sutton. That’s when Kelly felt the ground fall out from under her and her world tilt on its axis. As she faced Jack Sutton she found herself feeling shaken and uneasy. She looked up at him and realized that, in essence, she had just waltzed into his office and proposed. “I can’t believe I did that.” She began to pace frantically. She wrapped her arms around her waist and circled the room. “Oh God, oh God, oh God.” She might hyperventilate. She slid down onto the couch that sat along the longest wall in Jack’s office and tried to breathe, but ended up taking in huge gulps of air that felt as if they might choke her. For the first time since she came up with her harebrained scheme to get her hands on enough money to attend Yale Law School, the reality of what she had done hit her like a ton of bricks. She’d just proposed to one of the country’s most eligible bachelors. And he’d said yes.
Lori Ryan (The Billionaire Deal)
It hit me like a freight train that I wanted, no … needed, to get under her skin and crumble her brick wall of resolve. I needed to see her come undone and offer herself to me like a sacrificial lamb. I needed to make her so thoroughly mine that she saw me when she looked in the mirror.
Jill Ramsower (Blood Always (The Five Families, #3))