History Will Be Rewritten Quotes

Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

And he loved her. He loved her. He loved her. He loved her. He loved her so much he’d rewritten history.

Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.

My argument is that history is made by men and women, just as it can also be unmade and rewritten, always with various silence and elisions, always with shapes imposed and disfigurements tolerated.

History has rewritten itself so many times I'm not really sure how it was to begin with -- it's a bit like trying to guess the original color of a wall when it's been repainted eight times.

I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember. We rewrite memory much as history is rewritten. How can one remember thirst?

How much evil throughout history could have been avoided had people exercised their moral acuity with convictional courage and said to the powers that be, 'No, I will not. This is wrong, and I don't care if you fire me, shoot me, pass me over for promotion, or call my mother, I will not participate in this unsavory activity.' Wouldn't world history be rewritten if just a few people had actually acted like individual free agents rather than mindless lemmings?

History is a pack of lies about events that never happened told by people who weren't there. . . . History is always written wrong, and so always needs to be rewritten

Who was I, really? I was the sole occupant of my mother's totalitarian state, my own personal history rewritten to fit the story she was telling that day. There were so many missing pieces. I was starting to find some of them, working my way upriver, collecting a secret cache of broken memories in a shoebox.

History books are being re-written all the time

History has to be rewritten in every generation, because although the past does not change, the present does; each generation asks new questions of the past and finds new areas of sympathy as it re-lives different aspects of the experiences of its predecessors.

He loved her. He loved her. He loved her. He loved her so much he’d rewritten history.

You don't think history gets rewritten, sometimes?

I feel as though my history is being rewritten, infinite paragraphs scratched out and hastily revised. Old and new images--memories--layer atop each other until the ink runs, rupturing the scenes into something new, something incomprehensible.

history wasn’t just written by the victors. First it had to be erased and rewritten. Replacing troublesome truth with self-serving myth.

History might easily be rewritten, but someone somewhere always remembers what truly happened.

When I looked at her, she appeared to be a different person from the one I'd known... She had rewritten everything, our history together, our friendship. Now I was the girl who'd stolen Andres; the girl who'd lied to her about who I was. Therefore, she owned me nothing.

History is always written wrong, and so always needs to be rewritten.

The only reason people want to be masters of the future is to change the past. They are fighting for access to the laboratories where photographs are retouched and biographies and histories rewritten.

Jacks idly stroked her jaw with his fingers. 'I love you,' he said simply. Then his face went abruptly serious. 'I'm never going to let you out of my sight.' 'You say that as if it should be a threat.' He continued to look at her solemnly.'This isn't just for now, it's for always, Little Fox.' 'I like the sound of always.' She smiled against his fingers and then she reached up to touch his cheek, because now he was smiling, too. And he loved her. He loved her. He loved her. He loved her. He loved her so much he'd rewritten history. He'd given up what he had believed was his only chance at love. And now he had finally broken the spell that he never thought he'd escape.

The Whitney exists as a laboratory for historical ambition, an experiment in rewriting what long ago was rewritten.

A lot of what we know to be history isn’t…it serves a purpose. Events are exaggerated, heroes fabricated, goals are rewritten to appear more noble than they actually were. All to manipulate public opinion, to manufacture a common purpose or enemy. And the cornerstone of a really great movement? A powerful symbol. Take away or tarnish that and everything starts to crumble, everything’s questioned.

It is too often forgotten that when the Europeans emerged and began to extend themselves into the broader world of Africa and Asia during the fifteenth and sixteenth centuries, they went on to colonize most of mankind. Later they would colonize world scholarship, mainly the writing of history. History was then written or rewritten to show or imply that Europeans were the only creators of what could be called a civilization. In order to accomplish this, the Europeans had to forget, or pretend to forget, all they previously knew about Africa.

I'm a history teacher...within my memory the history textbook has been rewritten three times. I taught children with three different textbooks...Ask us while we're alive. Don't rewrite afterward without us. Ask...

Every record has been destroyed or falsified, every book has been re-written, every picture has been re-painted, every statue and street and building has been re-named, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.

Our family history was erased and rewritten a thousand times.

History lessons were superficial. The past was not set in stone, and was occasionally rewritten.

all the records and memories we’d kept were soon forgotten, for history is all too easily rewritten and the past is all too easily erased.

History was being rewritten by the minute. All of his childhood heroes were now being viewed as villains, their lives judged in hindsight by the current fad of political correctness.

Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right. I know, of course, that the past is falsified, but it would never be possible for me to prove it, even when I did the falsification myself. After the thing is done, no evidence ever remains. The only evidence is inside my own mind, and I don’t know with any certainty that any other human being shares my memories.

My argument is that history is made by men and women, just as it can also be unmade and rewritten, always with various silences and elisions, always with shapes imposed and disfigurements tolerated, so that “our” East, “our” Orient becomes “ours” to possess and direct. I should say again that I have

Science" is itself one of the greatest utopian illusions ever created by humankind. I am by no means suggesting that we should take the path of antiscience—the utopia offered by science is complicated by the fact that science disguises itself as a value-neutral, objective endeavor. However, we now know that behind the practice of science lie ideological struggles, fights over power and authority, and the profit motive. The history of science is written and rewritten by the allocation and flow of capital, favors given to some projects but not others, and the needs of war.

One of the great unwritten chapters of retail intelligence programming featured a “personal shopper” program that all-too-accurately modeled the shoppers’ desires and outputted purchase ideas based on what shoppers really wanted as opposed to what they wanted known that they wanted. This resulted in one overcompensatingly masculine test user receiving suggestions for an anal plug and a tribute art book for classic homoerotic artist Tom of Finland, while a female test user in the throes of a nasty divorce received suggestions for a small handgun, a portable bandsaw, and several gallons of an industrial solvent used to reduce organic matter to an easily drainable slurry. After history’s first recorded instance of a focus group riot, the personal shopper program was extensively rewritten.

If someone had told her that she would be transported to what was for all purposes a magical land, where history could be rewritten at a whim, or people could suddenly be shrunk to the size of poppy seeds, but that at least for this moment, her most pressing concern would have been the absence of cigarettes, she would have thought them mad.

Every record has been destroyed or falsified, every book has been rewritten, every picture has been re-painted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

...for history is all too easily rewritten and the past is all to easily erased.

History was once rewritten by the victors. Now we write our own immutable histories with every email, text, and post.

History was rewritten as it pleased the victor or buried when it was an inconvenient truth.

How has the United States survived its terrible past and emerged smelling so sweet? Not by owning up to it, not by making reparations, not by apologizing to black Americans or native Americans, and certainly not by changing its ways (it exports its cruelties now). Like most other countries, the United States has rewritten its history. But what sets the United States apart from other countries, and puts it ahead in the race, is that it has enlisted the services of the most powerful, most successful publicity firm in the world: Hollywood.

For Homo sapiens has rewritten the rules of the game. This single ape species has managed within 70,000 years to change the global ecosystem in radical and unprecedented ways. Our impact is already on a par with that of ice ages and tectonic movements. Within a century, our impact may surpass that of the asteroid that killed off the dinosaurs 65 million years ago.

Inevitably those remarks will suggest that the member of a mature scientific community is, like the typical character of Orwell’s 1984, the victim of a history rewritten by the powers that be.

Exhibit A: I’m guessing you’re no fan of socialism, which was a founding principle of the Nazi movement. The name “Nazi” is an acronym for the National Socialist German Workers’ Party, which most of today’s Democrat socialists conveniently forget. Actually, that’s an understatement. These people don’t just overlook this truth, they’ve totally rewritten history on the matter. These days, Nazism gets associated with conservatism at the drop of a hat, but historically it stems from the left. Adolf Hitler? An art-loving vegetarian who seized power by wooing voters away from Germany’s Social Democrat and communist parties. Italy’s Benito Mussolini? Raised on Karl Marx’s Das Kapital before starting his career as a left-wing journalist and, later, implementing a deadly fascist regime.

Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. History has stopped. Nothing exists except in an endless present in which the Party is always right.

Robbing people of their actual history is the same as robbing them of part of themselves. It’s a crime." Fuka-Eri thought about that for a moment. Tengo went on, “Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.

Do you realize that the past, starting from yesterday, has been actually abolished? If it survives anywhere, it's in a few solid objects with no words attached to them, like that lump of glass there. Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the party is always right.

I sit in the Tom Andrews Studio and read chapter after chapter of Pliny’s Natural History. He is half-genius, half-lunatic. It is as though Borges has rewritten Aristotle, patched in some Thoreau, then airmailed it to Calvino to revise.

Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us—is rewritten—we lose the ability to sustain our true selves.

My argument is that history is made by men and women, just as it can also be unmade and rewritten, always with various silences and elisions, always with shapes imposed and disfigurements tolerated, so that “our” East, “our” Orient becomes “ours” to possess and direct.

In the prologue, I explained the gradual and subtle process in which history is re-written to fit a country's present self-image. As a result, many rich-country people recommend free-trade, free-market policies in the honest belief that these are policies that thier own ancestors used in order to make their countries rich. When the poor countries protest that those policies hurt, those protests are dismissed as being intellectually misguided or as serving the interests of their corrupt leaders. It never occurs to those Bad Samaritans that the policies they recommend are fundamentally at odds with what history teaches us to be the best development policies. The intention behind their policy recommendations may be honourable, but their effects are no less harmful than those from policy recommendations motivated by deliberate ladder-kicking.

We are now edging across the boundary - always a porous one - between self-justification and fantasy. Matthews' story is by no means a complete fantasy: we can recognise every event. But the frame of reference is somehow shrinking, and momentous world events being rewritten around the actions of a minor player.

There is a remarkable degree of consistency in the way mediaeval literature affirms humanity. With all its faults, humanity emerges as more realistic than heavenly ideals. ...... Because the mediaeval period is seen from our own times as historically distant, 'behind' the Renaissance with all the changes which that period brought, it has been undervalued for its own debates, developments and changes. The fact that mediaeval times have been revisited, re-imagined and rewritten, especially in the Romantic period, has tended to compound the ideas of difference and distance between this age and what came after. But in many ways the mediaeval period presages the issues and concerns of the Renaissance period and prepares the way for what was to come.

We identify with the inner system that takes the crazy chaos of life and spins out of it seemingly logical and consistent yarns. It doesn’t matter that the plot is full of lies and lacunas, and is rewritten again and again, so that today’s story flatly contradicts yesterday’s. The important thing is that we always retain the feeling that we have a single unchanging identity from birth to death (and perhaps even beyond).

It is too often forgotten that when the Europeans emerged and began to extend themselves into the broader world of Africa and Asia during the fifteenth and sixteenth centuries, they went on to colonize most of mankind. Later they would colonize world scholarship, mainly the writing of history. History was then written or rewritten to show or imply that Europeans were the only creators of what could be called a civilization.

He was worried about his country. Something was rotting from the inside—a slow decay of what was right and wrong. It was as if hundreds of cynical little rats were chewing at its very fiber, gnawing away year by year, until it was collapsing into a vat of gray slime and self-loathing. It had oozed under the doors of the classrooms, the newscasts, and in the movies and television shows and had slowly changed the national dialogue until it was now a travesty to be proud of your country, foolish to be patriotic, and insensitive to even suggest that people take care of themselves. History was being rewritten by the hour, heroes pulled down to please the political correctors. We were living in a country where there was freedom of speech for some, but not all. What was it going to take to get America back on track? Would everything they had fought for be forgotten? He was so glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves. Now the land of the free meant an entirely different thing. Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free ride—even expecting it. Hell, kids wouldn’t even leave home anymore. He felt like everything was going downhill.

Trump and much of his cohort, who appear to want the country to collapse. A depopulated, partitioned United States is easier to exploit and control, particularly in a chaotic era of climate change, which they anticipated decades ago. To them, the state is just something to sell. They do not care if the buyers are foreign or domestic. The United States of America is merely a landmass to split into oligarch fiefdoms. It inspires no sentimentality and requires no veneration. Its laws are irrelevant, its rights ephemeral, its population disposable. Its history can be rewritten.

In the 1930s, the Nazis borrowed the frugal image of the one-pot meal, putting it to ideological use. In 1933, Hitler’s government announced that Germans should put aside one Sunday, from October to March, to eat a one-pot meal: Eintopf. The idea was that people would save enough money in this way to donate whatever was saved to the poor. Cookbooks were hastily rewritten to take account of the new policy. One recipe collection listed no fewer than sixty-nine Eintopfs, including macaroni, goulash, Irish stew, Serbian rice soup, numerous cabbagey medleys, and Old German potato soup.

Instead, over the past thirty years, in the world of action and adventure sports, in situations where asses really were on the line, the bounds of the possible have been pushed further and faster than ever before in history. We’ve seen near-exponential growth in ultimate human performance, which is both hyperbolic paradox and considerable mystery. Somehow, a generation’s worth of iconoclastic misfits have rewritten the rules of the feasible, not just raising the bar but often obliterating it altogether. And this brings up one final question: Where–if anywhere–do our actual limits lie?

Revisionist history can be a tricky thing. Time passes, memories fade, oral history muddies, and transgressions, while sometimes subconsciously, are conveniently rewritten. It would be so very easy to now say that I was an eager and attentive audience, the dutiful granddaughter lapping up every last detail of her grandmother's life and stories. It would be so very simple to say that I sat with her and talked for hours, asking if she was lonely when Papou left for America, afraid when the Nazis ransacked her home or hesitated before opening the door to welcome her Jewish friends inside. But that isn't the case. Not even close.

The alteration of the past is necessary for two reasons, one of which is subsidiary and, so to speak, precautionary. The subsidiary reason is that the Party member, like the proletarian, tolerates present-day conditions partly because he has no standards of comparison. He must be cut off from the past, just as he must be cut off from foreign countries, because it is necessary for him to believe that he is better off than his ancestors and that the average level of material comfort is constantly rising. But by far the more important reason for the readjustment of the past is the need to safeguard the infallibility of the Party. It is not merely that speeches, statistics, and records of every kind must be constantly brought up to date in order to show that the predictions of the Party were in all cases right. It is also that no change in doctrine or in political alignment can ever be admitted. For to change one’s mind, or even one’s policy, is a confession of weakness. If, for example, Eurasia or Eastasia (whichever it may be) is the enemy today, then that country must always have been the enemy. And if the facts say otherwise, then the facts must be altered. Thus history is continuously rewritten. This day-to-day falsification of the past, carried out by the Ministry of Truth, is

At some point the future becomes reality. And then it quickly becomes the past. In his novel, George Orwell depicted the future as a dark society dominated by totalitarianism. People are rigidly controlled by a dictator named Big Brother. Information is restricted, and history is constantly being rewritten. The protagonist works in a government office, and I'm pretty sure his job is to rewrite words. Whenever a new history is written, the old histories all have to be thrown out. In the process, words are remade, and the meanings of current words are damaged. What with history being rewritten so often, nobody knows what is true anymore. They lose track of who is an enemy and who an ally. It's that kind of story.

Most of us identify with our narrating self. When we say ‘I’, we mean the story in our head, not the onrushing stream of experiences we undergo. We identify with the inner system that takes the crazy chaos of life and spins out of it seemingly logical and consistent yarns. It doesn’t matter that the plot is full of lies and lacunas, and is rewritten again and again, so that today’s story contradicts yesterday’s. The important thing is that we always retain the feeling that we have a single unchanging identity from birth to death (and perhaps even beyond). This gives rise to the questionable liberal belief that I am an individual, and that I possess a clear and consistent inner voice that provides meaning to the universe.

Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.

This is where these writers placed their bets, striking a dangerous balance between silence and art. How do writers and readers find each other under such dangerous circumstances? Reading, like writing, under these conditions is disobedience to a directive in which the reader, our Eve, already knows the possible consequences of eating that apple but takes a bold bite anyway. How does that reader find the courage to take this bite, open that book? After an arrest, an execution? Of course he or she may find it in the power of the hushed chorus of other readers, but she can also find it in the writer’s courage in having stepped forward, in having written, or rewritten, in the fi rst place. Create dangerously, for people who read dangerously. Th is is what I’ve always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them. Coming from where I come from, with the history I have—having spent the first twelve years of my life under both dictatorships of Papa Doc and his son, JeanClaude—this is what I’ve always seen as the unifying principle among all writers. This is what, among other things, might join Albert Camus and Sophocles to Toni Morrison, Alice Walker, Osip Mandelstam, and Ralph Waldo Emerson to Ralph Waldo Ellison. Somewhere, if not now, then maybe years in the future, a future that we may have yet to dream of, someone may risk his or her life to read us. Somewhere, if not now, then maybe years in the future, we may also save someone’s life, because they have given us a passport, making us honorary citizens of their culture.

We noted in Section II that an increasing reliance on textbooks or their equivalent was an invariable concomitant of the emergence of a first paradigm in any field of science. The concluding section of this essay will argue that the domination of a mature science by such texts significantly differentiates its developmental pattern from that of other fields. For the moment let us simply take it for granted that, to an extent unprecedented in other fields, both the layman’s and the practitioner’s knowledge of science is based on textbooks and a few other types of literature derived from them. Textbooks, however, being pedagogic vehicles for the perpetuation of normal science, have to be rewritten in whole or in part whenever the language, problem-structure, or standards of normal science change. In short, they have to be rewritten in the aftermath of each scientific revolution, and, once rewritten, they inevitably disguise not only the role but the very existence of the revolutions that produced them. Unless he has personally experienced a revolution in his own lifetime, the historical sense either of the working scientist or of the lay reader of textbook literature extends only to the outcome of the most recent revolutions in the field. Textbooks thus begin by truncating the scientist’s sense of his discipline’s history and then proceed to supply a substitute for what they have eliminated. Characteristically, textbooks of science contain just a bit of history, either in an introductory chapter or, more often, in scattered references to the great heroes of an earlier age. From such references both students and professionals come to feel like participants in a long-standing historical tradition. Yet the textbook-derived tradition in which scientists come to sense their participation is one that, in fact, never existed. For reasons that are both obvious and highly functional, science textbooks (and too many of the older histories of science) refer only to that part of the work of past scientists that can easily be viewed as contributions to the statement and solution of the texts’ paradigm problems. Partly by selection and partly by distortion, the scientists of earlier ages are implicitly represented as having worked upon the same set of fixed problems and in accordance with the same set of fixed canons that the most recent revolution in scientific theory and method has made seem scientific. No wonder that textbooks and the historical tradition they imply have to be rewritten after each scientific revolution. And no wonder that, as they are rewritten, science once again comes to seem largely cumulative.

How do you build a history based on ceaseless self-slaughter and betrayal? Do you deny it? Forget it? But then you are left orphaned. So history is rewritten to suit the present. As the President looks for a way to validate his own authoritarianism, Stalin is praised as a great leader who won the Soviet Union the war. On TV the first attempts to explore the past, the well-made dramas about Stalin’s Terror of the 1930s, are taken off screen and replaced with celebrations of World War II. (But while Stalin’s victory is celebrated publicly and loudly, invoking him also silently resurrects old fears: Stalin is back! Be very afraid!) The architecture reflects these agonies. The city writhes as twentyfirst-century Russia searches, runs away, returns, denies, and reinvents itself. “Moscow is the only city where old buildings are knocked down,” says Mozhayev, “and then rebuilt again as replicas of themselves with straight lines, Perspex, double glazing.

Marx was troubled by the question of why ancient Greek art retained an ‘eternal charm’, even though the social conditions which produced it had long passed; but how do we know that it will remain ‘eternally’ charming, since history has not yet ended? Let us imagine that by dint of some deft archaeological research we discovered a great deal more about what ancient Greek tragedy actually meant to its original audiences, recognized that these concerns were utterly remote from our own, and began to read the plays again in the light of this deepened knowledge. One result might be that we stopped enjoying them. We might come to see that we had enjoyed them previously because we were unwittingly reading them in the light of our own preoccupations; once this became less possible, the drama might cease to speak at all significantly to us. The fact that we always interpret literary works to some extent in the light of our own concerns - indeed that in one sense of ‘our own concerns’ we are incapable of doing anything else - might be one reason why certain works of literature seem to retain their value across the centuries. It may be, of course, that we still share many preoccupations with the work itself; but it may also be that people have not actually been valuing the ‘same’ work at all, even though they may think they have. ‘Our’ Homer is not identical with the Homer of the Middle Ages, nor ‘our’ Shakespeare with that of his contemporaries; it is rather that different historical periods have constructed a ‘different’ Homer and Shakespeare for their own purposes, and found in these texts elements to value or devalue, though not necessarily the same ones. All literary works, in other words, are ‘rewritten’, if only unconsciously, by the societies which read them; indeed there is no reading of a work which is not also a ‘re-writing’. No work, and no current evaluation of it, can simply be extended to new groups of people without being changed, perhaps almost unrecognizably, in the process; and this is one reason why what counts as literature is a notably unstable affair.

An era was over and a new Europe was being born. This much was obvious. But with the passing of the old order many longstanding assumptions would be called into question. What had once seemed permanent and somehow inevitable would take on a more transient air. The Cold-War confrontation; the schism separating East from West; the contest between ‘Communism’ and ‘capitalism’; the separate and non-communicating stories of prosperous western Europe and the Soviet bloc satellites to its east: all these could no longer be understood as the products of ideological necessity or the iron logic of politics. They were the accidental outcomes of history—and history was thrusting them aside. Europe’s future would look very different—and so, too, would its past. In retrospect the years 1945-89 would now come to be seen not as the threshold of a new epoch but rather as an interim age: a post-war parenthesis, the unfinished business of a conflict that ended in 1945 but whose epilogue had lasted for another half century. Whatever shape Europe was to take in the years to come, the familiar, tidy story of what had gone before had changed for ever. It seemed obvious to me, in that icy central-European December, that the history of post-war Europe would need to be rewritten.

Discovery first flew in 1984, the third orbiter to join the fleet. It was named for one of the ships commanded by Captain James Cook. Space shuttle Discovery is the most-flown orbiter; today will be its thirty-ninth and final launch. By the end of this mission, it will have flown a total of 365 days in space, making it the most well traveled spacecraft in history. Discovery was the first orbiter to carry a Russian cosmonaut and the first to visit the Russian space station Mir. On that flight, in 1995, Eileen Collins became the first woman to pilot an American spacecraft. Discovery flew twelve of the thirty-eight missions to assemble the International Space Station, and it was responsible for deploying the Hubble Space Telescope in 1990. This was perhaps the most far reaching accomplishment of the shuttle program, as Hubble has been called the most important telescope in history and one of the most significant scientific instruments ever invented. It has allowed astronomers to determine the age of the universe, postulate how galaxies form, and confirm the existence of dark energy, among many other discoveries. Astronomers and astrophysicists, when they are asked about the significance of Hubble, will simply say that it has rewritten the astronomy books. In the retirement process, Discovery will be the “vehicle of record,” being kept as intact as possible for future study. Discovery was the return-to-flight orbiter after the loss of Challenger and then again after the loss of Columbia. To me, this gives it a certain feeling of bravery and hope. ‘Don’t worry,’ Discovery seemed to tell us by gamely rolling her snow-white self out to the launchpad. 'Don’t worry, we can still dream of space. We can still leave the earth.’ And then she did.

A lot of what we know to be history isn’t,” said Gamache. “You know that, I know that. It serves a purpose. Events are exaggerated, heroes fabricated, goals are rewritten to appear more noble than they actually were. All to manipulate public opinion, to manufacture a common purpose or enemy. And the cornerstone of a really great movement? A powerful symbol. Take away or tarnish that and everything starts to crumble, everything’s questioned. Can’t have that.

Now, the first thing you must know is that the magic world used to be entwined with our own. Like this." Abraham threaded his knobby fingers together. "Was that way for thousands a' years. Till people--normal people, I'm talking about--started spreading out and multiplying, putting up towns and cities. Finally, the magical types saw that humankind was unstoppable. So they began carving out territories and made 'em invisible to human eyes and impossible to enter unless you knew the way. Whole chunks just vanished off the map. This went on a century or more. Then, last day a' December, 1899, what was left a' the magical world up and disappeared. Whoosh!" "But," Kate interrupted, "that's not that long ago! People would remember!" "This is deep magic we're talking about, girl. People was made to forget. Forget about the missing islands and forests. Forget such a thing as magic ever existed. Whole history of the world was rewritten. Only thing was, here and there a human town got dragged along.

When each experience had originally occurred they had been clean and pure, now however that was no longer true, now each memory was tainted, now each memory was dirty, clouded, jaded and impure as they'd been struck by the lightning of despair and frustration that her trapped status denoted, her present suffering now completely redefined and altered her past enjoyment as history was rewritten in front of her very eyes.

who, during the months since the criminal verdict, have rewritten history.

How do you build a history based on ceaseless self-slaughter and betrayal? Do you deny it? Forget it? But then you are left orphaned. So history is rewritten to suit the present. As the President looks for a way to validate his own authoritarianism, Stalin is praised as a great leader who won the Soviet Union the war. On TV the first attempts to explore the past, the well-made dramas about Stalin’s Terror of the 1930s, are taken off screen and replaced with celebrations of World War II. (But while Stalin’s victory is celebrated publicly and loudly, invoking him also silently resurrects old fears: Stalin is back! Be very afraid!) The architecture reflects these agonies. The city writhes as twentyfirst-century Russia searches, runs away, returns, denies, and reinvents itself. “Moscow is the only city where old buildings are knocked down,” says Mozhayev, “and then rebuilt again as replicas of themselves with straight lines, Perspex, double glazing.” The Moskva Hotel opposite the Kremlin, a grim Stalin gravestone of a building, is first deconstructed, then after much debate about what should replace it, is eventually rebuilt as a slightly brighter-colored version of itself. And this will be the fate of Gnezdnikovsky, demolished and then rebuilt to house restaurants in the faux tsarist style, where waiters speak pre-revolutionary Russian, the menu features pelmeni with brains, and tourists are delighted at encountering the “real Russia.” And

Our Archive is really what St Mary’s is all about. As Dr Bairstow always says – it’s important to have a true record of events. Not the political version, not the religious version, not the version put about by the winners – and definitely not the bought-and-paid-for version – but the actual, warts and all, correct version. Given the way History has been rewritten, reimagined or downright faked over the last hundred years or so, you can imagine how many people would like to get their hands on our Archive. To misrepresent, alter, amend or completely obliterate the inconvenient bits of History not quite in line with current fashionable thinking. And if that ever did happen, everything we had ever accomplished would be a complete waste of time because we wouldn’t be able to go back and do it again. There are no do-overs in History.

It is well known that the term ‘Pakistan’, an acronym, was originally thought up in England by a group of Muslim intellectuals. P for the Punjabis, A for the Afghans, K for the Kashmiris, S for Sind and the ‘tan’, they say, for Baluchistan. (No mention of the East Wing, you notice; Bangladesh never got its name in the tide, and so, eventually, it took the hint and seceded from the secessionists. Imagine what such a double secession does to people!) – So it was a word born in exile which then went East, was borne-across or translated, and imposed itself on history; a returning migrant, settling down on partitioned land, forming a palimpsest on the past. A palimpsest obscures what lies beneath. To build Pakistan it was necessary to cover up Indian history, to deny that Indian centuries lay just beneath the surface of Pakistani Standard Time. The past was rewritten; there was nothing else to be done. Who commandeered the job of rewriting history? – The immigrants, the mohajirs. In what languages? – Urdu and English, both imported tongues, although one travelled less distance than the other. It is possible to see the subsequent history of Pakistan as a duel between two layers of time, the obscured world forcing its way back through what-had-been-imposed. It is the true desire of every artist to impose his or her vision on the world; and Pakistan, the peeling, fragmenting palimpsest, increasingly at war with itself, may be described as a failure of the dreaming mind. Perhaps the pigments used were the wrong ones, impermanent, like Leonardo’s; or perhaps the place was just insufficiently imagined, a picture full of irreconcilable elements, midriffbaring immigrant saris versus demure, indigenous Sindhi shalwar-kurtas, Urdu versus Punjabi, now versus then: a miracle that went wrong.

and he loved her. he loved her. he loved her. he loved her. he loved her so much he’d rewritten history.

And he loved her. He loved her. He loved her. He loved her. He loved her so much he'd rewritten history.

It feels like history is being re-written. Like I’m being given a second chance to map out how our story ends. And I’m determined not to fuck it up again.

He loved her. He loved her. He loved her. He loved her so much he'd rewritten history.

History can be rewritten, but at what cost?

So the Young Hegelians thought Hegel’s philosophy both mystifyingly presented and incomplete. When rewritten in terms of the real world instead of the mysterious world of Mind, it made sense. ‘Mind’ was read as ‘human self-consciousness’. The goal of history became the liberation of humanity; but this could not be achieved until the religious illusion had been overcome.

Rewriting the history of technology. How, in science, history is rewritten by the losers and how I saw it in my own business and how we can generalize. Does knowledge of biology hurt medicine? Hiding the role of luck. What makes a good entrepreneur?

It’s amazing, the impunity with which history gets rewritten.

See, far above arrogance and selfishness on the rankings of undesirable Lifestyle traits, topping the lengthy list of carnal sins, occupying its very own stratosphere of unforgivable reprehensibility, is lying. Without question, fibbing is the fastest way to secure a one-way trip to blackball status in the swing community. So assured is a liar’s exile from the Lifestyle that should a perjurer come clean about a material untruth and still secure playtime, that individual will have rewritten the entire swing rulebook. And no matter how enticing it may be to rewrite history, I do not recommend attempting it. Not unless you’re lusting after a celibate existence.

The history of the party had been revised several times, when Trotsky or others fell into disfavor and thus some pages or chapters had to be rewritten as heroes became thugs; as heroic revolutionaries became bourgeois lackeys. We had a teacher of linguistics who talked about language, meaning Russian or Ukrainian. Poor guy, young comrade Lysenko knew so little and felt so out of place when asked about romance or germanic languages. He looked like a bantam fighter, small and chunky. When he got drunk at the New Year's party, he, the comrade, kissed every girl's hand like a little comic figure.

Whoever holds power is the one who writes history. There’s no more truth in history than there is on the news. It’s been written and rewritten so many times most of us have our heads in the sand and know absolutely nothing.

Some say history is made by the winners. Sometimes, it's rewritten by an author.

Our history textbooks were rewritten to describe Pakistan as a “fortress of Islam,” which made it seem as if we had existed far longer than since 1947, and denounced Hindus and Jews. Anyone reading them might think we won the three wars we have fought and lost against our great enemy, India.

Western culture is built around the fucked-up and demonstrably false premise that 'white men' are the natural peak of the human pyramid. By that measure, history becomes nothing more than a glorified mood diary for white men. But this history of art is not only sexist and racist, it has also totally rewritten the narrative of queer bodies, and by rewritten, I mean erased. We see ourselves all the time, but time and time again we have been gaslit out of ever existing, and yet, paradoxically, thinking about the history of art has only ever reminded me that I do exist. Because isn't it possible that hidden amongst all the things that history has forgotten is what holds the key to what we are missing now?

People are always shouting that they want to create a better future. It’s not true. The future is an apathetic void of no interest to anyone . . . . The only reason people want to be masters of the future is to change the past. They are fighting for access to the laboratories where photographs are retouched and biographies and histories rewritten.” —Milan Kundera (1929–), author

Do you realize that the past, starting from yesterday, has been actually abolished? If it survives anywhere, it’s in a few solid objects with no words attached to them, like that lump of glass there. Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

I leave you alone for twenty-four hours and you've rewritten history.

The Whitney exists as a laboratory for historical ambition. An experiment in rewriting what long ago was rewritten. it is a hammer attempting to unbend four centuries of crooked nails. It is a place asking the question 'how do you tell a story that has been told the wrong way for so long.' For some, it is a place that doesn't live up to its ambition. A scattered assortment of exhibits that fails to tell a cohesive story. For others it is a necessary even if imperfect corrective against the history that has been misrepresented or ignored for so long. A place that does far more good than harm. From both perspectives it has served as a catalyst for discussion around how plantations should reveal the truth around slavery in ways that few other places have.

When rewritten in terms of the real world instead of the mysterious world of Mind, it made sense. ‘Mind’ was read as ‘human self-consciousness’. The goal of history became the liberation of humanity; but this could not be achieved until the religious illusion had been overcome.

[My great-grandfather] warned my grandfather before he died about the danger of destroying books, because, no matter the justification, the action is always meant to eliminate the ideas and the history those books contain. History can only be rewritten if no one remembers the way it existed before.

So this is how history gets rewritten, she thought. This is how it begins, with exaltation. Now it is not enough for a man merely to have been a man; now the etiquette of grief demands that we change him into a prince, a king. Now the flaws of a man have to be ironed out like creases in a suit, until he is spread out before us as smooth and unblemished as the day he was born.

The history of Earth would be forgotten and rewritten by the victors. It would be as though we'd never existed, and the only thing standing between our species and total erasure was the crew that I was assembling.

The particular politics of one country for one fifty-year period will have rewritten the geological history of

And he loved her. He loved her. He loved her. He loved her. He loved her so much he'd rewritten history.