Historically Funny Quotes

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You’re far too prickly tempered to be a mistress. You’re far better suited as a wife.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
... but to remain historically accurate, I would have had to leave out an important question that I felt needed to be addressed, which is, 'What if Jesus had known kung fu?
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
The first time you went out, you became mixed up with a group of radical political terrorists.” “That could have happened to anyone!
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I'm asking you to tell Lady Cassandra about my good qualities as well as the bad ones." "What good qualities?" West inquired sharply. Tom had to think for a moment. "How rich I am?
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I suppose when you say you slept with him, it was more than just a nap?" Lillian shot her a withering glance. "Daisy, don’t be a pea wit.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
We men had a meeting a long time ago, and we all decided, 'It's trousers'. And that's what we've worn ever since.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Why write about the past? Well, there's more of it.
John Cleese
This was getting bloody ridiculous, he thought savagely. If she became any more adorable, endearing, or delectable, something was going to get broken. Most likely his heart.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
Courting sometimes has the unpleasant side effect of marriage.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
What the dev— er, deuce did you do that for? It hurt!” “Good,” said the angel. “I was afraid these new shoes would not be sturdy enough.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
Lord Carradice managed to look wicked, smug, and saintly, all at the same time.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
I was shy,” said six-foot-one of bashful male. He grunted as a sharp, feminine elbow thudded inconspicuously into his side.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
Do you think ladies’ eyebrows can communicate as well?” she asked. “No, they don’t have sufficient thicketry,” he said with authority. “Thicketry?” “Yes, that is the official term.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
You can say whatever you like to me. I'm your oyster.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
They were indeed what was known as 'old money', which meant that it had been made so long ago that the black deeds which had originally filled the coffers were now historically irrelevant. Funny, that: a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of.
Terry Pratchett (Making Money (Discworld, #36; Moist Von Lipwig, #2))
Well, go on then, Abby; run along and let the nice man compromise you.
Anne Gracie (The Autumn Bride (Chance Sisters, #1))
You’re not worried about being compromised, are you?” he asked. “Because I’ve already done that.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Since Love is a greased pig wasn't a particularly dignified motto, she decided the Latin translation was more elegant: Amor est uncta porcus.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Plans are for those without the good sense to savor the present. Others make plans and neglect their opportunities as they trickle through their fingers like dust. We find beauty in what is.
Harry F. MacDonald (Casanova and the Devil's Doorbell)
There are all different kinds of smut,” Pandora said, warming to the subject. “Smut balls, loose smut, stinking smut—” “Pandora,” West interrupted in an undertone, “for the love of mercy, stop saying that word in public.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
You may not know this, but talking about mathematics eliminates any possibility of being kissed in the first place.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation. Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
And if he was kind and friendly and funny, and if he told you about places so beautiful that you wanted to go with him to see them, and if he listened to you talk like he actually cared about what you were saying? And if he tried to protect you when other people tried to tell you what to do, as if they owned you? And if he has the handsomest face you've ever seen, no matter if the skin has been damaged, because he's just lovely even so?
Caroline Leech (Wait for Me)
Thomas Merton said it was actually dangerous to put the Scriptures in the hands of people whose inner self is not yet sufficiently awakened to encounter the Spirit, because they will try to use God for their own egocentric purposes. (This is why religion is so subject to corruption!) Now, if we are going to talk about conversion and penance, let me apply that to the two major groups that have occupied Western Christianity—Catholics and Protestants. Neither one has really let the Word of God guide their lives. Catholics need to be converted to giving the Scriptures some actual authority in their lives. Luther wasn’t wrong when he said that most Catholics did not read the Bible. Most Catholics are still not that interested in the Bible. (Historically they did not have the printing press, nor could most people read, so you can’t blame them entirely.) I have been a priest for 42 years now, and I would sadly say that most Catholics would rather hear quotes from saints, Popes, and bishops, the current news, or funny stories, if they are to pay attention. If I quote strongly from the Sermon on the Mount, they are almost throwaway lines. I can see Catholics glaze over because they have never read the New Testament, much less studied it, or been guided by it. I am very sad to have to admit this. It is the Achilles heel of much of the Catholic world, priests included. (The only good thing about it is that they never fight you like Protestants do about Scripture. They are easily duped, and the hierarchy has been able to take advantage of this.) If Catholics need to be converted, Protestants need to do penance. Their shout of “sola Scriptura” (only Scripture) has left them at the mercy of their own cultures, their own limited education, their own prejudices, and their own selective reading of some texts while avoiding others. Partly as a result, slavery, racism, sexism, classism, xenophobia, and homophobia have lasted authoritatively into our time—by people who claim to love Jesus! I think they need to do penance for what they have often done with the Bible! They largely interpreted the Bible in a very individualistic and otherworldly way. It was “an evacuation plan for the next world” to use Brian McLaren’s phrase—and just for their group. Most of Evangelical Protestantism has no cosmic message, no social message, and little sense of social justice or care for the outsider. Both Catholics and Protestants (Orthodox too!) found a way to do our own thing while posturing friendship with Jesus.
Richard Rohr
Do I have to stay in the nursery? With the babies?” “Darling, you’re four years old—” “Almost five!” Her lips quirked. There was a wealth of interest and empathy in the gaze she bent on her small son. “You may stay in my room, if you like,” she offered. The child was appalled by the suggestion. “I can’t sleep in your room,” he said indignantly. “Why not?” “People might think we were married!
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
…they looked about as careful and as discreet as a troupe of Visigoths at an afternoon tea party.
Harry F. MacDonald (Casanova and the Devil's Doorbell)
I do appreciate, Ernestine, that your first instinct is not to prevent me from doing something scandalous, but to help me get away with it.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Nothing said family more than shared soap.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
This was now officially the most inane conversation in which Griff had ever been a participant—and that included a drunken debate with Del over ostrich racing. “The color isn’t too awful?” She twisted a fold of the skirt. “The draper called it ‘dewy petal,’ but your mother said the shade was more of a ‘frosted berry.’ What do you say?” “I’m a man, Simms. Unless we’re discussing nipples, I don’t see the value in these distinctions.
Tessa Dare (Any Duchess Will Do (Spindle Cove, #4))
Gideon could not imagine any other young unmarried woman of his acquaintance passing up the opportunity to snare, if not himself, then the Carradice fortune. In any case, the number of women who’d rejected him in any way was gratifyingly small. Yet Miss Prudence Merridew had most unmistakably rejected him. Several times. Wielding that damned lethal reticule like a little Amazon, to emphasize her point.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
I'm familiar with the myth, I'm merely surprised that a female would be familiar with the classics." "You must have a very limited experience with my sex," Alexandra said, surprised. "My grandfather said most women are every bit as intelligent as men." She saw his eyes take on the sudden gleam of suppressed laughter and assumed, mistakenly, that he was amused by her assessment of female intelligence rather than her remark about his inexperience with women.
Judith McNaught (Something Wonderful (Sequels, #2))
Disgusting foods, as Madame de Pompadour discovered, do not arouse the senses. They only dull them. Seduction, as you know by now, for women starts with the ears and for men starts with the eyes and for both, travels directly to the stomach. Some say you need sweet murmurings in the ears, but I say laughter, intrigue and delicacies are more powerful.
Harry F. MacDonald (Casanova and the Devil's Doorbell)
Just look at the fellow, standing there like a bloody Greek god. Do you think she chose him because of his intellect?” “I graduated from Cambridge,” Christopher said acidly. “Should I have brought my diploma?
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
As libertines we seek to find and provide pleasures for others before pleasing ourselves. Libertines are never boorish, profane or blasphemous. We seek to lessen any cause for offence while maximizing pleasure. After our liaisons, our return is eagerly anticipated, and our departure is mourned. For most men the reverse is the case. In a world where most men are barely on before they are off again, we take the time and the care to be gentle lovers and build the sighs and the panting of true delight.
Harry F. MacDonald (Casanova and the Devil's Doorbell)
I could still box your ears.” “Nonsense,” he scoffed. “You couldn’t reach that high.
Anne Gracie (The Winter Bride (Chance Sisters, #2))
She couldn't hold in her irritation. "What's so funny?" He reached out and touched the tip of her nose. "You.
Caroline Fyffe (Under a Falling Star (Prairie Hearts, #4))
You're not supposed to be on the bed," he told the puppy. "It's contractually prohibited.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Now keep in mind, memories aren’t historical archives. They’re—improvisations, really. A lot of the stuff you associate with a particular event might be factually wrong, no matter how clearly you remember it. The brain has a funny habit of building composites. Inserting details after the fact. But that’s not to say your memories aren’t true, okay? They’re an honest reflection of how you saw the world, and every one of them went into shaping how you see it. But they’re not photographs. More like impressionist paintings. Okay?
Peter Watts (Blindsight (Firefall, #1))
The Decision ...I wiped my hands on my pinafore now sullied and stained not crisp or pressed as it had been before...
Muse (Enigmatic Evolution)
Don’t worry, Arabelle. I won’t bite.” “Is that supposed to be funny?” “No. That’s a promise.
Juliette Cross (The Black Lily (Vampire Blood, #1))
They’d be complaining about having to walk, and screeching at me to ‘do something, Freddy, do something!’” “But what could you do?” she said, puzzled. “Carry them, probably.” He gave her a hopeful look. “Do you want me to carry you?
Anne Gracie (The Winter Bride (Chance Sisters, #2))
I remembered attending one of Dr. Kerry's lectures, which he had begun by writing, "Who writes history?" on the blackboard. I remembered how strange the question had seemed to me then. My idea of a historian was not human; it was of someone like my father, more prophet than man, whose visions of the past, like those of the future, could not be questioned, or even augmented. Now, as I passed through King's college, in the shadow of the enormous chapel, my old diffidence seemed almost funny. Who writes history? I thought. I do.
Tara Westover (Educated)
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
Sherman Alexie (Face)
Want to know something funny? Even people capable of living in the past don't really know what the future holds.
Stephen King (11/22/63)
This is your home,’ he said. ‘You are mistress of Finchley Park, Vanessa. You may do whatever you wish.’ Her smile broadened. ‘Within reason,’ he added hastily.
Mary Balogh (First Comes Marriage (Huxtable Quintet #1))
It was if the devil himself had devised the perfect earthly torture for Lady Alicia Lawrence. “Now how will I occupy myself when I get to hell?
Celeste Bradley (Seducing the Spy (Royal Four, #4))
You don't know how to cuddle," she said. "No," Tom had admitted. "I'm not sure what it's for.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
The last time they had been together, they'd waltzed in a winter garden. Now, they were de-lousing a pestilent street urchin.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
It felt odd to have Regina laundering his clothes. 'Oh. If you’d rather clean them yourself . . .' No, that didn’t sound right, either.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
In his letter, he’d written three different words. 'You’re not alone.' They swirled inside her head, solid and deep and resonant in a way that ethereal 'I love you' could never be.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
I thought she liked you now. I've seen her kiss you and she says your name the special way she says Rina's and mine - like it tastes good.
Deborah Hale (Carpetbagger's Wife (Harlequin Historical Series, No. 595))
Did everyone from your little Hans Christian Andersen village look the same?
Libba Bray (The King of Crows (The Diviners, #4))
Percy, you are dismissed from my service." "Me? Why, my lord?" "Why? Because, Percy, far from being a fit consort for a prince of the realm, you would bore the leggings off a village idiot. You ride a horse rather less well than another horse would. Your brain would make a grain of sand look large and ungainly, and the part of you that can't be mentioned, I am reliably informed by women around the court, wouldn't be worth mentioning even if it could be. If you put on a floppy hat and a funny codpiece, you might just get by as a fool, but since you wouldn't know a joke if it got up and gave you a haircut, I doubt it. That's why you're dismissed." "Oh, I see." "And as for you, Baldrick..." "Yes." "You're out, too.
Richard Curtis (Blackadder: The Whole Damn Dynasty, 1485-1917)
Maddie squirmed out from under him. “I’m sorry. So sorry. I know this is supposed to be physical. Impersonal. It’s only that I keep thinking of lobsters.” He flipped onto his back and lay there, blinking up at the ceiling. “Until just now, I would have said there was nothing remaining that could surprise me in bed. I was wrong.” She sat up, drawing her knees to her chest. “I am the girl who made up a Scottish lover, wrote him scores of letters, and kept up an elaborate ruse for years. Does it really surprise you that I’m odd?” “Maybe not.” “Lobsters court for months before mating. Before the male can mate with her, the female has to feel secure enough to molt out of her shell. If a spiny sea creature is worth months of effort, can’t I have just a bit more time? I don’t understand the urgency.
Tessa Dare
I’m glad,” she murmured. “That we desire each other with equal fervor.” Oh, now what had said that was funny? “Darling,” he managed over his mirth. “If you wanted me like I wanted you, we’d be on our second time by now.
Kerrigan Byrne (Dancing With Danger (Goode Girls, #3))
He’d almost redoubled his efforts to charm her. Prepared a wink and a smile and a glib response but stopped. Every time he tried to charm her, she stiffened, so he’d given her the truth instead. 'I’ve nowhere else to be.' Surprisingly, it had worked.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
Son of a bitch!" Cash erupted. "He's wearing Nate's guns." Reese had been too occupied gazing into those eyes to notice the oddity of a gun belt strapped around a naked waist. Cash was right. Those were Nate's pretty pearl pistols. Reese had never liked those guns. He liked them even less now. "Sullivan, ask him where he got those," Cash demanded. "What gave you the idea I can speak Comanche?" "Because you are one?" "You're a jackass, but I don't expect you to talk to a donkey." "This is no time to be funny, breed." "Then quit trying so hard.
Lori Handeland (Nate (Rock Creek Six, #5))
As with Inglourious Basterds using World War II, Tarantino once again managed to find a traumatic cultural experience of a marginalized people that has little to do with his own history, and used that cultural experience to exercise his hubris for making farcically violent, vaguely funny movies that set to right historical wrongs from a very limited, privileged position.
Roxane Gay (Bad Feminist: Essays)
I said. “I’m fine. I have a little bit of a head ache, but I’m not dizzy or nauseous. I can walk and talk just fine, and I can remember everything.” “Everything, huh? Don’t self-diagnose, Doctor Fisher. Do you remember when the Battle of Bunker Hill was fought?” “The what?” “The Battle of Bunker Hill. We covered it in World Civ.” “No, we did not.” “We did, too. The unit on the American Revolution.” “Davin, that was like, two years ago! I don’t remember stuff like that!” “So, not everything.” “Everything important.” “That happens to have been a very significant battle,” Davin reminded me, in a smug tone.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.” Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.” Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.” Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.” Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.” Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.” The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.” She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.” (...) “We are the ultimate expression of human rationality.” She said: “We need humans to form a pool of individuality and innovation on which we can draw.” He said, “And you’re funny.” She said, “And we love you.
John C. Wright (The Phoenix Exultant (Golden Age, #2))
Sam dragged her over to a small plot. Unlike the historic ones, this seemed like an ordinary grave. The headstone read Paul Danvers 1950-1997. “And this guy,” Sam said through clenched teeth. “Got so drunk one night, he accidentally set his house on fire, killing himself and his seventeen-year-old son.” Margot pulled back. This date had turned as sour as the feeling in her gut. “Murdered his own son.” Sam’s voice was tight and full of emotion. “He was going to college in the fall. Got a full ride and everything.” “That’s awful,” said Margot. “Where’s the son buried?” “So glad you asked.” Sam smiled so mournfully that Margot regretted asking at all. He pointed to the headstone next to Paul’s. In the darkness, it was nearly impossible to make out the young man’s name. Margot knelt on the soft grass and leaned forward, using the light from her cellphone to see the engraving. She gasped and nearly dropped the phone. “Sam Danvers,” she said, barely getting out the words. “That’s not funny.” Margot’s hands shook. “Is your name really Sam?” He no longer smiled, just nodded. “It is.” Sam came in close and said her name in such a soft whisper, Margot ached to touch him. He reached up to her face and tucked a strand of wavy hair behind her ear. “If things were different at all…” She put her hands on his. His skin felt dry and cold while hers felt clammy. “What does that mean? If what was different?” Sam leaned in, his face encased in shadows, and kissed Margot. She gasped before being taken in by the kiss. His breath tasted oddly of licorice and she was suddenly aware of the scent of fresh-cut grass. His lips were soft, but his kiss was urgent. He gripped the belt loops of Margot’s jean shorts and pulled her in tight against his chest. Her head swam and her heart pounded. She pulled away from him and attempted to catch her breath. She looked at him, her eyes bright with fury. “That wasn’t an answer.” He ran his hands through his hair. A typical guy stall tactic, thought Margot. But Sam wasn’t stalling. He was struggling. “Margot, I’m Sam Danvers,” he said. Margot shook her head — “No. No. No.” — and marched away from him.
Kimberly G. Giarratano (One Night Is All You Need: A Short Story)
Why should I mind?” She drummed her fingertips against his knee. “Because you got asked to play baseball, while I got a lecture on circumspection, Jezebels, and leading men into sin?” “Did you really?” He managed to sound annoyed, fascinated, and amused all at once. “It’s not funny.” “Of course it’s not.” He was quick to try and placate her. “But we can do something about those lectures real quick. All you have to do is marry me.” Coyote Bluff had too many secrets that weren’t hers to share. She couldn’t put him in that position. He was a federal marshal. And she’d seen what all the lies her father told had done to her mother. She’d died hating him. The last remnants of her earlier contentment vanished. “I like my independence.” “Then I guess you’ll have to get used to the lectures, Sheriff Jezebel,” he replied.
Paula Altenburg (Pale Moon Walking)
I’ve had a cats’ meat round in the City and …so I’m a man of independent means.’ ‘What,’ cried the magistrate, ‘You’ve made a fortune out of cats’ meat?’ ‘Yes,’ said Meatman Cractchitt, ‘Funny isn’t it.
Grace Elliot (Cat Pies: Feline Historical Trivia)
Sitcom Jesus had all the right ingredients but wasn’t funny enough for anyone to want to buy the entire first season on DVD.
Zig Zag Claybourne (Historical Inaccuracies)
Jean-Baptiste Say may have coined the term 'entrepreneur' but he totally missed the opportunity to put it on a t-shirt and sell it.
Ryan Lilly
the white tents. 17. Two views of The Wild West in Paris, igo5. Colonel Cody, a Hawkeye by birth, is personally lionized by the Parisians, and his unique exhibition, so full of historical and dramatic interest, made a wonderful impression upon the susceptible French public. The twenty lessons I took in French, at the Berlitz School of Languages, London, only gave me a faint idea of what the language was like, but as I was required to make my lectures and announcements in French, I had my speeches translated, and was coached in their delivery by Monsieur Corthesy, editeur, le journal de Londres. Well, I got along pretty fair, considering that I did not know the meaning of half the words I was saying. Anyway it amused them, so I was satisfied. I honestly believe that more people came in the side show in Paris to hear and laugh at my "rotten" French than anything else, and when I found that a certain word or expression excited their risibilities, I never changed it. I can look back now and see where some of my own literal translations were very funny. Colonel Cody's exhibition is unique in many ways, and might justly be termed a polyglot school, no less than twelve distinct languages being spoken in the camp, viz.: Japanese, Russian, French, Arabic, Greek, Hungarian, German, Italian, Spanish, Holland, Flemish, Chinese, Sioux and English. Being in such close contact every day, we were bound to get some idea of each other's tongue, and all acquire a fair idea of English. Colonel Cody is, therefore, entitled to considerable credit for disseminating English, and thus preserving the entente cordiale between nations. 18. Entrance to the Wild West, Champs de Mars, Paris, Igo5. The first place of public interest that we visited in Paris was the Jardin des Plantes (botanical and zoological garden) and le Musee d'Histoire Naturelle. The zoological collection would suffer in comparison with several in America I might mention, but the Natural History Museum is very complete, and is, to my notion, the most artistically arranged of any museum I have visited. Le Palais du Trocadero, which was in sight of our grounds and facing the
Charles Eldridge Griffin (Four Years in Europe with Buffalo Bill)
She cleared her throat, let go of the rail, and stood up straighter. “Because I have come here today to ask you to marry me.” His lips twitched. “It is not funny,” she cried. It was, of course, but she did not wish to be laughed at. Particularly when he had not answered. “You must admit, it is a little funny. To an outside party, we must be exceedingly comical.” “Yes, well, it is the worry of an outside party that is the reason we are here in the first place,” she muttered, looking down at her feet. A finger was placed gently under her chin, lifting her head up. “Pray, continue.” His dark eyes were serious, his lips playful. It was an irresistible combination. “It is the first time I have been proposed to and I must admit I find the experience intriguing.” Her eyes flashed. “I have already asked. It is now your turn to answer.” His amused expression deepened. “Oh, no. You have not asked. You merely announced your intention to ask. There is a large difference between stating the purpose of your visit and posing the question. Wouldn’t you say?
Fenna Edgewood (Mistakes Not to Make When Avoiding a Rake (The Gardner Girls, #1))
Are you mad?” Briar gasped. “I’m not going to marry either of you!” She shook her head frantically. “I have no plans to marry in the immediate future. I most certainly will not limit my prospects to… to… Well, I’m sorry Percy, but…” “Me?” Percy retorted. He pointed across the carriage. “What about him? He’s a gardener! You can’t tell me you prefer him to me.” “Neither of us are ideal suitors,” Wren said firmly. “I am sure on that Percy and I can agree.” “Well, I certainly—” Percy began, only to be silenced by a glare from Wren. He pursed his lips. “But yer prospects, I’m afraid, Lady Briar, are limited to the men in this carriage. Or I suppose ye could extend yer field of choice to the men riding with us. Though some are sure to be married already. Angus, for one.” “Angus!” Briar exclaimed. “I have no wish to marry Mr. Macleod, thank you very much. Not that he isn’t a good man in his way, I’m sure,” she added hastily. “Oh, yes,” Percy said dryly. “He has only kidnapped you and Mr. Spencer here, then gone back on his word to me. He’s sure to make you a wonderful husband.” “Shut up, Percy,” Briar snapped. “I am not taking a husband.” “Ye shall, and ye must,” Wren said tersely. “It’s no’ a matter of wanting or no’ wanting. Ye’ve been placed in a terrible position, Lady Briar. What would yer brother say?” “He’d likely just shoot first and talk later,” Briar said sweetly. “And in this case, I might not blame him. I have reached the point in our journey where I should like nothing more than to be taken back home. Preferably immediately.
Fenna Edgewood (Lady Briar Weds the Scot (Blakeley Manor, #1))
Reviewed by Vincent Dublado for Readers' Favorite Another Time in a Vacuum by Roland Burisch is a witty fantasy adventure of anachronistic proportions. Meet Monty, a timetraveling historian who travels back to 1673. Imagine the thrill of excitement that greets him as he meets one of history’s most important diarists, Samuel Pepys. He musters the courage to tell Pepys that he has important information, but the eminent diarist is suspicious that he could be an extortionist. Monty tells Pepys that he is from the future and that he is familiar with the contents of Pepys’s diaries. Monty introduces the diarist to his mobile phone to lend authenticity to his claim. Monty remembers that Sir Isaac Newton is alive in the same period, with which Pepys concurs, unless Newton is beheaded for heresy. But Monty tells him that Newton will go down in history for his work. This fills Pepys with disbelief. Monty brings the two men into the present, and these two historical figures will witness the contemporary period with awe and bewilderment, an adventure that they will fill with many questions. Another Time in a Vacuum is a fascinating time-travel adventure that is intelligent, witty, and at times, sad. While this novel takes the idea of time travel as an essential element in the storyline, it is more about a comparative look at the lifestyle and norms of the past with the present. It is inevitable that the two famous men will not understand Monty initially. But Roland Burisch equips his plot with confidence in the intelligence of Pepys and Newton. They eventually understand why Monty exists in their time without many ramifications about the historical timeline getting altered. Burisch wisely hinges on the mechanics of dialogue and the interaction of the trio for the plot. It is also one of the reasons why this novel works because you like the quirks of the characters. They are wise, funny, and fish out of water. It sounds like a story that you will enjoy reading. It is.
Roland Burisch (Another TIME in a VACUUM)
Reviewed by Vincent Dublado for Readers' Favorite Another Time in a Vacuum by Roland Burisch is a witty fantasy adventure of anachronistic proportions. Meet Monty, a timetraveling historian who travels back to 1673. Imagine the thrill of excitement that greets him as he meets one of history’s most important diarists, Samuel Pepys. He musters the courage to tell Pepys that he has important information, but the eminent diarist is suspicious that he could be an extortionist. Monty tells Pepys that he is from the future and that he is familiar with the contents of Pepys’s diaries. Monty introduces the diarist to his mobile phone to lend authenticity to his claim. Monty remembers that Sir Isaac Newton is alive in the same period, with which Pepys concurs, unless Newton has been beheaded for heresy. But Monty tells him that Newton will go down in history for his work. This fills Pepys with disbelief. Monty brings the two men into the present, and these two historical figures will witness the contemporary period with awe and bewilderment, an adventure that they will fill with many questions. Another Time in a Vacuum is a fascinating time-travel adventure that is intelligent, witty, and at times, sad. While this novel takes the idea of time travel as an essential element in the storyline, it is more about a comparative look at the lifestyle and norms of the past with the present. It is inevitable that the two famous men will not understand Monty initially. But Roland Burisch equips his plot with confidence in the intelligence of Pepys and Newton. They eventually understand why Monty exists in their time without many ramifications about the historical timeline getting altered. Burisch wisely hinges on the mechanics of dialogue and the interaction of the trio for the plot. It is also one of the reasons why this novel works because you like the quirks of the characters. They are wise, funny, and fish out of water. It sounds like a story that you will enjoy reading. It is.
Roland Burisch (Another TIME in a VACUUM)
I would point out that the Season commenced mere weeks ago, and that is two bed partners I've had, which does not feel insignificant. How many have you -No, don't answer that." "Twelve." "Thank you, for that information I specifically requested you not divulge." It was a lie. He'd has no time for -and no inclination toward- swiving of late. "Which is not so well as I had done by this time last Season. I blame getting shot.
J.A. Rock (A Sanctuary for Soulden (The Lords of Bucknall Club, #4))
Chant gazed at Gale, amusement in his eyes. "I am very nice." "Nice is not an alibi," Gale remarked flatly. "In that case, I was in bed with Miranda." That brought forth several exclamations of astonishments. Crauford gestured between Gale and Chant. "But I thought you two were-" Gale held up a hand. "Miranda is a dog." A collective, "Ohhhh." And, from Notley, a whispered, "Is that not worse?" Rivingdon elbowed him.
J.A. Rock (A Sanctuary for Soulden (The Lords of Bucknall Club, #4))
We cannot go to your home. It's not even good enough for rats." Aumont snorted out a laugh. "Oh, that is untrue, sir! The rats are quite at home there! They are my dearest friends. I was going to knit them little scarves for the winter." Darling couldn't hold back his own laugh. "You never were!" "I swear it. I was." Aumont's smile was a rare and wonderful thing, and Darling had so rarely seen it without a sharp tinge of bitterness in the curl of his mouth. "I was going to sit there hunched over like a tricoteuse at the foot of the guillotine, needles clacking together as I made all my little rat scarves." Darling didn't know whether to laugh again, or to kiss him. Aumont snapped his twig in half, and mimed knitting. "You're just jealous that I did not offer to knit you one." "I'm not a rat, sir, and I am not jealous!
J.A. Rock (An Affair for Aumont (The Lords of Bucknall Club, #5))
Jobs fill your pockets, adventures fill your Spirit. I found my happy place by after recent visit to Thailand. A good problem with making travel plans is that there are a lot of funny activities in Travelling. Make your presence a simple clip and easily show you how rustic it is For all adrenaline fans and movements out there, you will be amazed to find that Thailand has so much to offer! Aside from the various temples, tuk-tuk and Pad Thai weighed down the streets, Thailand is a wonderful place to travel and thriving. Enjoy a wide variety of hiking activities from mountain biking, bungee jumping, all the way to the sky. The Kingdom of Smiles explores so many containers that make it an ideal destination for all travelers. You will find bustling cities, sandy beaches, lush forests, and ruins of historic empires. Delicacies are a delicacy in the world, and nightlife is a myth. This is one of the countries with the best travel prices. Your money will go some distance here, ensuring a good feeling about bank robbery.
Editor Shivi
Over the years, that trust proved difficult to sustain. In particular, the fault line of race strained it mightily. Accepting that African Americans and other minority groups might need extra help from the government—that their specific hardships could be traced to a brutal history of discrimination rather than immutable characteristics or individual choices—required a level of empathy, of fellow feeling, that many white voters found difficult to muster. Historically, programs designed to help racial minorities, from “forty acres and a mule” to affirmative action, were met with open hostility. Even universal programs that enjoyed broad support—like public education or public sector employment—had a funny way of becoming controversial once Black and brown people were included as beneficiaries.
Barack Obama (A Promised Land)
We’ll receive everyone in the parlor, but only after I have Gibbons leave them lingering about in the receiving room for a good ten minutes or so.” - A Match in the Making by Jen Turano
Jen Turano (A Match in the Making (The Matchmakers, #1))
Growing up in Orangeville, Ontario, a quaint, historic town about an hour outside of Toronto, we might have seemed like the picture of normalcy. If two out of the three of us were autistic, well, that was just part of our normal, too. Frankly, I’m not surprised that my little brother and I ended up on the spectrum. Our folks are both neurotypical, but if you smooshed their quirks together, you could see how they would produce an autistic child.
Michael McCreary (Funny, You Don't Look Autistic: A Comedian's Guide to Life on the Spectrum)
Climbing out of the sidecar, Warren grumbled under his breath, and Elliot tried not to crack a smile. Warren still hated riding in one, but he didn’t particularly enjoy driving a motorcycle either. Elliot gave his shoulder a reassuring pat, and in the moonlight caught the roll of Warren’s eyes. He couldn’t keep a smile down. “You’re lucky I like you,” Warren said, clearly trying for grumpy, but sounding much too fond. Nodding, Elliot agreed. “I have been blessed.” “Damn right.
Vanora Lawless (Twisted Tome)
Through the mirror of my mind Time after time, I see reflections of you and me Reflections of the way life used to be Reflections of the love you took from me
Diana Ross (ALL THE GREAT HITS)
11. No clerics. What would you think about a religion with no clergy? We here at SoulBoom are all for it. One of the miracles of the Twelve-Step Recovery Program at AA is the lack of leadership roles. The inmates are running the asylum! Elected servant-leaders run the meetings for limited terms while following the adage “principles above personalities.” As expertly quoted in the Twelve Traditions of the AA Big Book, “For our group purpose, there is but one ultimate authority—a loving God as He may express Himself in our group conscience. Our leaders are but trusted servants; they do not govern.” What if modern religion was like that? (Or politics, for that matter!) Leaders as trusted servants. We no longer need people with funny hats (whose only historical “expertise” was knowing how to read when most of the population didn’t) to interpret the holy writings for us. What if no member of this faith had more power or authority than any other member? What if, like at an AA meeting, there were regular, democratic elections, where a rotating staff of elected folks helped to serve the needs of the community… and nothing else?
Rainn Wilson (Soul Boom: Why We Need a Spiritual Revolution)
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
… A wonderful collection of truths, and almost all are inconvenient’. ‘… Something here to offend everyone’. ‘… Everything from burlesque to parody, and with a sprinkling of serious commentary to confound the believers’. In the interest of balance however, here are some quotes from reviews which might have been written by others less inclined to view Heresies favorably. Again, I have undertaken this task on their behalf: “…a random assortment of schoolboy jokes. Possibly enjoyable for those who like juvenile humour – assuming they find it funny at all.” “The attempts at serious commentary are laughable, while the so-called heretical viewpoints are the unfunny fancies of a feeble mind.” “… Betrays an underlying resentment – disguised as ‘heresy’ – of those of eminence and achievement in music’s historical record.” Hmm. Can they all be right?
Patrick Brislan (Heresies of Music: An A-Z diagnostic guide)
Time is a funny thing. You can go through it and meddle with it, but nothing can stay permanent. So even if everything so far had not happened, time would still have managed to find a way to make all this happen.
Erica Sehyun Song (Thorns in the Shadow)
But marriage is forever.' 'Oh, not really,' he assured her. 'Only until one of us dies.' Her eyes widened. 'I do not want you to die,' she said. 'Perhaps you will go first,' he said, though I rather think I hope not. I would probably have grown accustomed to you by then and would miss you.
Mary Balogh (Someone to Love (Westcott, #1))
But marriage is forever.' 'Oh, not really,' he assured her. 'Only until one of us dies.' Her eyes widened. 'I do not want you to die,' she said. 'Perhaps you will go first,' he said, 'though I rather think I hope not. I would probably have grown accustomed to you by then and would miss you.
Mary Balogh (Someone to Love (Westcott, #1))
Faz tempo que eu não faço uns crimes, ando com saudade.
Mariana Chazanas (A estrada para São Paulo)
It’s funny, ain’t it, that nobody holds giving men the illusion they want about themselves against wives, though they hold it against the sisters. And nobody holds it against the illusionists, though they do against spiritualists. I’m not quite sure how to explain what I’m driving at, except it seems to me that these things is all linked.
Elizabeth Bear (Stone Mad (Karen Memory, #2))
I don't know why your ma named you Mercy. There ain't a merciful bone in your body.
Michelle McLean (Hitched to the Gunslinger)
Public libraries are for all citizens in their communities. It's written in the American Library Association's Bill of Rights: 'Libraries should provide materials and information presenting to all points of view on current and historical issues. Materials should not be proscribed or removed because of partisan or doctrinal disapproval.
William Ottens (Librarian Tales: Funny, Strange, and Inspiring Dispatches from the Stacks)
Above his head, the drip had spread, dark and blooming across the plaster. A spider watched him from a gauzy web above the washstand. Light from his shrinking candle reflected in the grime on the window. He was pretty sure there was something crawling in his mattress. His stomach growled its displeasure, and somewhere a pig slept on his nightshirt. But for some reason, he was pleased.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
He was a river to her sandstone resolution. He flowed and she eroded.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
If u are returning to the party, could u also have some tea sent to me? Im nearly out" With a lopsided smile, Caleb bowed a dramatic fashion. Of course my Lord. I am but your humble servant.
Cinnamon Worth (The Duke and the Damsel)
The historical record contradicts the assumption that the Nazis sentenced large numbers of people to death during World War II for telling jokes. In the final phase of the Third Reich, some cases did receive capital sentences, but they were extreme exceptions to the rule. (We will return to them later.) The compilations of jokes that circulated in Germany after the war bore titles like Deadly Laughter and When Laughter Was Dangerous, but there is not much evidence that the jokes they contained were inevitably risky for the teller.
Rudolph Herzog (Dead Funny: Humor in Hitler's Germany)
If you do not flirt, how will you manage this marriage you anticipate making next season?” “I expect I will dance with her at balls a few times, call on her a few times, then propose.” “How dreadful you make it sound. Poor girl.” “Dreadful? Poor girl? She will be a duchess. Her family will be delirious with joy.
Madeline Hunter (Never Deny a Duke (Decadent Dukes Society, #3))
I can’t believe you admitted you’re not the best at something,” I said as we arrived at his house. “Remind me to mark it down in my calendar. It’s truly a historic moment.” “Funny.
Ana Huang (Twisted Hate (Twisted, #3))