Hip Opener Quotes

We've searched our database for all the quotes and captions related to Hip Opener. Here they are! All 100 of them:

His head turns fractionally toward me, his eyes darkest slate. I bite my lip. “Oh, fuck the paperwork,” he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, he’s got both of my hands in one of his in a vice-like grip above my head, and he’s pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. It’s only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
The elevator doors opened, and Ranger stepped out and spied Tank stretched out on the carpet. "Fainted," I said. Ranger walked to Tank and stood hands on hips, staring down at him. "Tank doesn't faint. I've been in firefights with him. He's a rock." "Well, the rock fainted.
Janet Evanovich (Fearless Fourteen (Stephanie Plum, #14))
You know what’s really, powerfully sexy? A sense of humor. A taste for adventure. A healthy glow. Hips to grab on to. Openness. Confidence. Humility. Appetite. Intuition. … Smart-ass comebacks. Presence. A quick wit. Dirty jokes told by an innocent-looking lady. … A storyteller. A genius. A doctor. A new mother. A woman who realizes how beautiful she is.
Courtney E. Martin
He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest. Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now. "Take off your hat," I said, the words tumbling out before I could stop them. He slid it around, the brim facing backward. I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind. He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me. I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way. "You should go," I breathed. "You should definitely go." "Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck. My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin... "My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all through my body, legs included. "I could solve that." Patch’s hands closed on my hips.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Or perhaps is is that time doesn't heal wounds at all, perhaps that is the biggest lie of them all, and instead what happens is that each wound penetrates the body deeper and deeper until one day you find that the sheer geography of your bones - the angle of your hips, the sharpness of your shoulders, as well as the luster of your eyes, the texture of your skin, the openness of your smile - has collapsed under the weight of your griefs.
Thrity Umrigar (The Space Between Us)
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
Donna Tartt (The Goldfinch)
Don’t try to be hip or cool. Being open and honest about what you like is the best way to connect with people who like those things, too.
Austin Kleon (Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered (Austin Kleon))
I was all, "Oh, dog, Countess gonna crack open a forty of whup-ass on you now. Oh, you in the sh*t now, wigga!" (I am not incline to use hip-hop vernacular often, but there are times when, like French, it just better expresses the sentiment of the moment.) -Abby
Christopher Moore (You Suck (A Love Story, #2))
What’s three?” I asked, hoping to move away from this uncomfortable topic. The smile pulled at his lips again. “Three.” One of his hands cupped my face and the other slid around my back. He pulled my body against his and my heart began to pound. I took advantage of my free hand and pushed at his chest. “I don’t think so, Lily,” he said. “If you want to get rid of me, you’ll need to do better than that.” I drew a sharp breath and tried to wiggle away, but he held me firmly in place, watching me struggle. He grinned as he lifted me up onto the sink. “What are you doing?” I started to panic. “Someone could come in!” “If they see us, they’ll just turn around and get out of here,” he murmured, lips touching my ear. “No one crosses me.” His hips pressed against my knees, opening them, pushing my skirt up my legs. I gripped his shirt, clinging to him so I wouldn’t fall into the sink. His hand pushed into my lower back. I gasped as his body fitted against mine. Heat flooded my chest, my pelvis. I thought I would drown in it. “We can’t—” His lips stopped my words. The kiss just made me dizzier. I dug my fingers into his shoulders. “You said you didn’t want to be left alone.” His tongue flicked over my cheekbone. “This is me pestering you.” “Aren’t you breaking the rules?” I could barely get the words out. “What about the union?” “I’d rather have you on my own terms.” His hand slipped between my thighs. All strength fled my limbs. “I can’t breathe.” “That means you like it.” He kissed me again.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Jen put her hands on her hips and pinned Sally with the famous 'you're going to spit it out or I'm going to rip it out of you’ look. "You talked?" Jen asked sarcastically. "Sally," she cleared her throat then continued, "you have a mate. A guaranteed husband. A sure thing. Not to mention he's hot, funny, sweet, and he has a dimple. You talked?" She repeated. This time Jen's voice was skeptical. Before Sally could defend herself, however, her door opened slowly, calculatingly. "I know you weren't describing me Jennifer. So who is this male who has caught your eye so descriptively? Please do tell, so that I can rip him to pieces." Decebel's power filled the room and Sally took an involuntary step away from the very angry Alpha.
Quinn Loftis
Matthias,” Nina said breathlessly, and then they were kissing again. She was sweet as the first rain, lush as new meadows. His hands curled along her back, tracing her shape, the line of her spine, the emphatic flare of her hips. “Matthias ,” she said more insistently, pulling away. He opened his eyes, certain he’d made some horrible mistake. Nina was biting her lower lip—it was pink and swollen. But she was smiling, and her eyes sparkled. “Did I do something wrong?” “Not at all, you glorious babink , but—” Zoya cleared her throat. “I’m glad you two found a way to spend the time while you waited.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I see them standing at the formal gates of their colleges, I see my father strolling out under the ochre sandstone arch, the red tiles glinting like bent plates of blood behind his head, I see my mother with a few light books at her hip standing at the pillar made of tiny bricks with the wrought-iron gate still open behind her, its sword-tips black in the May air, they are about to graduate, they are about to get married, they are kids, they are dumb, all they know is they are innocent, they would never hurt anybody. I want to go up to them and say Stop, don't do it--she's the wrong woman, he's the wrong man, you are going to do things you cannot imagine you would ever do, you are going to do bad things to children, you are going to suffer in ways you never heard of, you are going to want to die. I want to go up to them there in the late May sunlight and say it, her hungry pretty blank face turning to me, her pitiful beautiful untouched body, his arrogant handsome blind face turning to me, his pitiful beautiful untouched body, but I don't do it. I want to live. I take them up like the male and female paper dolls and bang them together at the hips like chips of flint as if to strike sparks from them, I say Do what you are going to do, and I will tell about it
Sharon Olds
And he'd railed at her, his voice booming so loud the bed had seem to shake. "You canna do this - take my goddamned heart and then leave me! You think I will no' follow?" She knew he was constantly there, was aware of his movement and comprehended his words, but she couldn't seem to open her heavy eyelids or speak. At night, he would wrap his body around hers, keeping her warm, whispering against her hair, "You enjoy being contrary. Then prove them all wrong and get better." He'd clutched her hip, then balled his fist there.
Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
My theory was that if I behaved like a confident, cheerful person, eventually I would buy it myself, and become that. I always had traces of strength somewhere inside me, it wasn't fake, it was just a way of summoning my courage to the fore and not letting any creeping self-doubt hinder my adventures. This method worked then, and it works now. I tell myself that I am the sort of person who can open a one-woman play in the West End, so I do. I am the sort of person who has several companies, so I do. I am the sort of person WHO WRITES A BOOK! So I do. It's the process of having faith in the self you don't quite know you are yet, if you see what I mean. Believing that you will find the strength, the means somehow, and trusting in that, although your legs are like jelly. You can still walk on them and you will find the bones as you walk. Yes, that's it. The further I walk, the stronger I become. So unlike the real lived life, where the further you walk, the more your hips hurt.
Dawn French (Dear Fatty)
I swing my arms to loosen myself up. Place my fists on my hips. then drop them to my sides. Saliva's filling my mouth at a ridiculous rate and i feel vomit at the back of my throat. I swallow hard and open my lips so I can get the stupid line out and go hide in the woods and-that's when i start crying.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
They dream of men with gentle hands, eloquent with tenderness, fingers that brushed along a cheek, that outlined open lips in the lovers' braille. Hands that sculpted sweetness from sullen flesh, that traced breast and ignited hips, opening, kneading. Flesh becomes bread in the heat of those hands, braided and rising.
Janet Fitch
After three glasses, Cynthia flung the windows open and announced, “Zac Efron, I love you!” to the whole of Chelsea, while Lesley was crouched head down over the lavatory bowl throwing up, Maggie had made Sarah a declaration of love (“you’re sho, sho beautiful, marry me!”), and Sarah was shedding floods of tears without knowing why. It hit me worst of all. I had jumped on Cynthia’s bed and was bawling out “Breaking Free” in an endless loop. When Cynthia’s father came into the room, I’d held Cynthia’s hairbrush up to him like a microphone and called out, “Sing alone, baldie! Get those hips swinging!” Although the next day I couldn’t even being to explain why myself. After that embarrassing episode, Lesley and I had decided to give the demon drink a wide berth in future (we gave Cynthia’s father a wide berth as well for a couple of months), and we had stuck to that resolution.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Ethan naked in the bed was a sight I never tired of. He was male beauty personified. His arms, his chest, the washboard abs and V-cut hips, all of him— a delicious feast for my eyes.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
That hand slipped under my dress, running along the side of my leg and up to my hip. I burned where he touched me, and everything within me became focused on that hand. It was moving far too slowly, and I grabbed it, ready to urge it on. Adrian chuckled and caught hold of my wrist, pulling my hand away and pinning it down against the covers. “Never thought I’d be the one slowing you down.” I opened my eyes and met his. “I’m a quick study.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I opened the fire door to four lips none of which were mine kissing tightened my belt around my hips where your hands were missing and stepped out into the cold collar high under the slate grey sky the air was smoking and the streets were dry and I wasn't joking when I said Good Bye magazine quality men talking on the corner French, no less much less of them then us so why do I feel like something's been rearranged? you know, taken out of context I must seem so strange killed a cockroach so big it left a puddle of pus on the wall when you and I are lying in bed you don't seem so tall I'm singing now because my tear ducts are too tired and my brain is disconnected but my heart is wired I make such a good statistic someone should study me now somebody's got to be interested in how I feel just 'cause I'm here and I'm real oh, how I miss substituting the conclusion to confrontation with a kiss and oh, how I miss walking up to the edge and jumping in like I could feel the future on your skin I opened the fire door to four lips none of which were mine kissing I opened the fire door
Ani DiFranco
I pause, examining her eyes, and then move forward with caution. “So if I kissed you right now, I wouldn’t be taking advantage of you?” “No, but I might be taking advantage of you. Your breath smells about as bad as the bottle.” She fans her nose with a smile. “Trust me. You can take advantage of me and I won’t mind, even when I sober up.” I press my lips to hers, feeling my heart thump in my chest as her breath catches. It grows silent as we lie with our foreheads touching and our breaths mingling. I place my hand on her hip, shutting my eyes, feeling the intensity of the moment like an open wound.
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
Suddenly, Kat turned to face him again. “Oh, and Howard?” “Yes?” “FYI—my number is listed.” With her parting shot, she sashayed off, hips swinging, leaving him with his mouth hanging open. Slowly, a big, sappy grin spread across his face.He scores! Nothin’ but net.
Jo Davis (Trial by Fire (Firefighters of Station Five, #1))
Gingee, Gingee, it's meeeeeeeeeeee!!!' I could hear her panting up the stairs to my room. She kicked open my bedroom door and ran from the door and leapt onto the bed, covering me with kisses. 'I LOBE you, my big big sister.' I couldn't get her off me. 'Libby, just let me...' 'Kissy kissy kiss, snoggy snog.' 'That's enough, now let me...' 'Mmmmmm, groovy baby.' What is she talking about? She is supposed to be in kindergarten to learn how to grow up, not turn into an even madder person. Then she stood up on the bed and starting thrusting her hips out and singing her favorite: 'Sex bum sex bum I am a sex bum.' Quite spectacularly mad.
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
He lunges at me, pushing me against the wall of the elevator. Before I know it, he's got both of my hands in one of his in a vise-like grip above my head, and he's pinning me to the wall using his hips. Holy shit. His other hand grabs my hair and yanks down, bringing my face up, and his lips are on mine. It's only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this. My tongue tentatively strokes his and joins his in a slow, erotic dance that's all about touch and sensation, all bump and grind. He brings his hand up to grasp my chin and holds me in place. I'm helpless, my hands pinned, my face held, and his hips restraining me. His erection is against my belly. Oh my... He wants me. Christian Grey, Greek god, wants me, and I want him, here... now, in the elevator.
E.L. James
I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
Walt Whitman (Song of Myself)
His hands find my hips and his breathing slows. What are we doing? What is this exactly? He lowers his head and opens his eyes. They search mine and I know he's asking himself the same questions.
Skyla Madi (Consumed (Consumed, #1))
The dark was hissing and hot and hard with a jagged bone, a cold brutal bone, and hips packed tight. The dark wasn't just at night. The dark was any time, any place; you open your eyes and the dark is there, right up against you, pressing. You can't see anything and you don't know any names, not who they are or the names for what they do...
Andrea Dworkin (Mercy)
Hip-hop...has been the proverbial key that’s opened the door for me to roam this breathtaking planet.
Raquel Cepeda (Bird of Paradise: How I Became Latina)
I enjoyed sitting behind him, watching. God he was handsome. How many times had I admired him? His backside, his shoulders, slim hips, long legs, his oval eyes, fingers, ring finger. I should give him a ring to wear. I’d slip it on his finger. Usually I don’t like a ski-jump nose: I liked his. Can I say love? I was almost beside myself when Miss Sally opened the door at 2 p.m. and said she was leaving for the day.
G.M. Monks (Iola O)
It's very bad form to spy on one's host," he said, planting his hands on his hips and somehow managing to look both authoritative and relaxed at the same time. "It was an accident," she grumbled. "Oh, I believe you there," he said. "But even if you didn't intend to spy on me, the fact remains that when the opportunity arose, you took it." "Do you blame me?" He grinned. "Not at all. I would have done precisely the same thing." Her mouth fell open. "Oh, don't pretend to be offended," he said. "I'm not pretending." He leaned a bit closer. “To tell the truth, I'm quite flattered." "It was academic curiosity," she ground out. "I assure you." His smile grew sly. "So you're telling me that you would have spied upon any naked man you'd come across?" "Of course not!" "As I said," he drawled, leaning back against a tree, "I'm flattered." "Well, now that we have that settled," Sophie said with a sniff, "I'm going back to Your Cottage.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
New York! I say New York, let black blood flow into your blood. Let it wash the rust from your steel joints, like an oil of life Let it give your bridges the curve of hips and supple vines. Now the ancient age returns, unity is restored, The recociliation of the Lion and Bull and Tree Idea links to action, the ear to the heart, sign to meaning. See your rivers stirring with musk alligators And sea cows with mirage eyes. No need to invent the Sirens. Just open your eyes to the April rainbow And your eyes, especially your ears, to God Who in one burst of saxophone laughter Created heaven and earth in six days, And on the seventh slept a deep Negro sleep.
Léopold Sédar Senghor (The Collected Poetry (CARAF Books: Caribbean and African Literature Translated from French))
His hand was a claw, sharp enough to open her. She would be like all the others—Ruta Badowski, in her broken dancing shoes. Tommy Duffy, still with the dirt of his last baseball game under his nails. Gabriel Johnson, taken on the best day of his life. Or even Mary White, holding out for a future that never arrived. She’d be like all those beautiful, shining boys marching off to war, rifles at their hips and promises on their lips to their best girls that they’d be home in time for Christmas, the excitement of the game showing in their bright faces. They’d come home men, heroes with adventures to tell about, how they’d walloped the enemy and put the world right side up again, funneled it into neat lines of yes and no. Black and white. Right and wrong. Here and there. Us and them. Instead, they had died tangled in barbed wire in Flanders, hollowed by influenza along the Western Front, blown apart in no-man’s-land, writhing in trenches with those smiles still in place, courtesy of the phosgene, chlorine, or mustard gas. Some had come home shell-shocked and blinking, hands shaking, mumbling to themselves, following orders in some private war still taking place in their minds. Or, like James, they’d simply vanished, relegated to history books no one bothered to read, medals put in cupboards kept closed. Just a bunch of chess pieces moved about by unseen hands in a universe bored with itself.
Libba Bray (The Diviners (The Diviners, #1))
O Jesus, I could be a mule or plow the furrows with my hands if need be or hold those rickety walls up with my back if need be if I knew that somewhere in this world in the pocket of some night I could open my legs to some cowboy lean hips but you are trying to tell me no and O my sweet Jesus what kind of cross is that?
Toni Morrison (Sula)
Title: Blue Light Lounge Sutra For The Performance Poets At Harold Park Hotel the need gotta be so deep words can't answer simple questions all night long notes stumble off the tongue & color the air indigo so deep fragments of gut & flesh cling to the song you gotta get into it so deep salt crystalizes on eyelashes the need gotta be so deep you can vomit up ghosts & not feel broken till you are no more than a half ounce of gold in painful brightness you gotta get into it blow that saxophone so deep all the sex & dope in this world can't erase your need to howl against the sky the need gotta be so deep you can't just wiggle your hips & rise up out of it chaos in the cosmos modern man in the pepperpot you gotta get hooked into every hungry groove so deep the bomb locked in rust opens like a fist into it into it so deep rhythm is pre-memory the need gotta be basic animal need to see & know the terror we are made of honey cause if you wanna dance this boogie be ready to let the devil use your head for a drum
Yusef Komunyakaa
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Travis slammed into my back, wrapping his arms around my waist. “You scared the shit outta me!” I complained. He ran his hands over my skin. I noticed they felt different; slow and deliberate. I closed my eyes when he pulled me against him and buried his face in my hair, nuzzling my neck. Feeling his bare skin against mine, it took me a moment to protest. “Travis…,” He pulled my hair to one side and grazed his lips along my back from one shoulder to the other, unsnapping the clasp of my bra. He kissed the bare skin at the base of my neck and I closed my eyes, the warm softness of his mouth felt oo good to make him stop. A quiet moan escaped from his throat when he pressed his pelvis against mine, and I could feel how much he wanted me through his boxers. I held my breath, knowing the only thing keeping us from that big step I was so opposed to a few moments before was two thin pieces of fabric. Travis turned me to face him, and then pressed against me, leaning my back against the wall. Our eyes met, and I could see the ache in his expression as he scanned the bare pieces of my skin. I had seen him peruse women before, but this was different. He didn’t want to conquer me; he wanted me to say yes. He leaned in to kiss me, stopping just an inch away. I could feel the heat from his skin radiating against my lips, and I had to stop myself from drawing him in the rest of the way. His fingers were digging into my skin as he deliberated, and then his hands slid from my back to the hem of my panties. His index fingers slid down my hips, in between my skin and the lacey fabric, and in the same moment that he was about to slip the delicate threads down my legs, he hesitated. Just when I opened my mouth to say yes, he clenched his eyes shut. “Not like this,” he whispered, brushing his lips across mine. “I want you, but not like this.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
With Hélène Cixous you must close your eyes and open your mouth. Wider. So open your throat opens. Your esophagus. Your lungs. Wider. So open your spine unclatters. Your hips swim loose. Your womb worlds itself. Wider. Open the well of your sex. Now speak your body from your other mouth. Yell corporeal prayer. This is writing.
Lidia Yuknavitch (The Chronology of Water)
Barbara appraised her with critical eyes. ‘Oh my. Well, this is going to need some work.’ She went right to Carmen’s hips and pulled the unfinished seams open. ‘Yes, we’ll have to take this way out. I’m not sure I have enough fabric. I’ll check when I get back to my office.’ You are a horrible witch, Carmen thought. She knew she looked absolutely awful in the dress. She was part Bourbon Street whore and part Latina first-communion spectacle.
Ann Brashares (The Sisterhood of the Traveling Pants (Sisterhood, #1))
Look-At-Me-Being-So-Totally-Open-And-Sincere-I-Rise-Above-The-Whole-Disingenuous-Posing-Process-Of-Attracting-Someone-,-And-I-Transcend-The-Common-Disingenuity-In-A-Bar-Herd-In-A-Particularly-Hip-And-Witty-Self-Aware-Way-,-And-If-You-Will-Let-Me-Pick-You-Up-I-Will-Not-Only-Keep-Being-This-Wittily,-Transcendently-Open-,-But-Will-Bring-You-Into-This-World-Of-Social-Falsehood-Transcendence,
David Foster Wallace (Infinite Jest)
when she was 7, a boy pushed her on the playground she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you he probably just thinks you’re cute’ but the thing is, when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same you teach her that boys show their affection through aggression and she grows into a young woman who constantly mistakes the two because no one ever taught her the difference ‘boys will be boys’ turns into ‘that’s how he shows his love’ and bruises start to feel like the imprint of lips she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist the one adult she tells scolds her ‘you know he loses his temper easily why the hell did you have to provoke him?’ so she shrinks folds into herself, flinches every time a man raises his voice by the time she’s 16 she’s learned her job well be quiet, be soft, be easy don’t give him a reason but for all her efforts, he still finds one ‘boys will be boys’ rings in her head ‘boys will be boys he doesn’t mean it he can’t help it’ she’s 7 years old on the playground again with a mouth full of rocks and blood that tastes like copper love because boys will be boys baby don’t you know that’s just how he shows he cares she’s 18 now and they’re drunk in the split second it takes for her words to enter his ears they’re ruined like a glass heirloom being dropped between the hands of generations she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment she touches the bruise the next day boys will be boys aggression, affection, violence, love how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war she draws tally marks on her walls ratios of kisses to bruises one entire side of her bedroom turns purple, one entire side of her body boys will be boys will be boys will be boys when she’s 20, a boy touches her hips and she jumps he asks her who the hell taught her to be scared like that and she wants to laugh doesn’t he know that boys will be boys? it took her 13 years to unlearn that lesson from the playground so I guess what I’m trying to say is i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things baby they exist in different universes my niece can’t even speak yet but I think I’ll start with her now don’t ever accept the excuse that boys will be boys don’t ever let him put his hands on you like that if you see hate blazing in his eyes don’t you ever confuse it with love baby love won’t hurt when it comes you won’t have to hide it under long sleeves during the summer and the only reason he should ever reach out his hand is to hold yours
Fortesa Latifi
Before he could answer, the front door flew open and a little girl ran out, skidding to a halt inches from them. “Daddy?” The concern in the tiny child’s eyes melted Shay’s heart. “Josie,” Shay whispered. Josie propped her fists on her hips, and she cocked her head to the side. “How do you know my name?” “Joselynn, be nice and go get your nana.” Her lower lip trembled, but she turned and ran back inside.
Lia Davis (A Tiger's Claim (Shifters of Ashwood Falls, #2))
It was always the same for her when she arrived to meet the body. After she unbuckled her seat belt, after she pulled a stick pen from the rubber band on the sun visor, after her long fingers brushed her hip to feel the comfort of her service piece, what she always did was pause. Not long. Just the length of a slow deep breath. That's all it took for her to remember the one thing she will never forget. Another body waited. She drew the breath. And when she could feel the raw edges of the hole that had been blown in her life, Detective Nikki Heat was ready. She opened the car door and went to work . . . Heat could have made it easier on herself by parking closer, but this was another of her rituals: the walk up. Every crime scene was a flavor of chaos, and these two hundred feet afforded the detective her only chance to fill the clean slate with her own impressions.
Richard Castle
Her clothes were almost dry by the time she reached the gatehouse. The portcullis was down and the gates barred, so she turned aside to a postern door. The gold cloaks who had the watch sneered when she told them to let her in. “Off with you,” one said. “The kitchen scraps are gone, and we’ll have no begging after dark.” “I’m not a beggar,” she said. “I live here.” “I said, off with you. Do you need a clout on the ear to help your hearing?” “I want to see my father.” The guards exchanged a glance. “I want to fuck the queen myself, for all the good it does me,” the younger one said. The older scowled. “Who’s this father of yours, boy, the city ratcatcher?” “The Hand of the King,” Arya told him. Both men laughed, but then the older one swung his fist at her, casually, as a man would swat a dog. Arya saw the blow coming even before it began. She danced back out of the way, untouched. “I’m not a boy,” she spat at them. “I’m Arya Stark of Winterfell, and if you lay a hand on me my lord father will have both your heads on spikes. If you don’t believe me, fetch Jory Cassel or Vayon Poole from the Tower of the Hand.” She put her hands on her hips. “Now are you going to open the gate, or do you need a clout on the ear to help your hearing?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
I lay the book on the floor, open to the middle. It's a lovely volume, green leather covers, engraved endpapers. I remove my shoes and step into it up to my ankles, knees, hips, chest, until only my head is showing and the pages spread around me and the words bob up and down and bump into my neck, and the punctuation sticks to my chin and cheeks so I look like I need a shave.
Lou Beach
Rehana regarded the saris and tried to recall the feeling they had given her, of being at once enveloped and set free, the tight revolutions of material around her hips and legs limiting movement, the empty space between blouse and petticoat permitting unexpected sensations -- the thrill of a breeze that has strayed low, through an open window, the knowledge of heat in strange places, the back, the exposed belly. It was the bringing together of night and day....
Tahmima Anam (A Golden Age)
opened the door. He was leaning with his arm up on the frame, and his other hand on his hip. The way he was standing caught me off-guard. I’d noticed the red T-shirt and the blue jeans he wore, but with his arm up like that, the muscles in his arm and shoulders were much more noticeable. My heart tripped in my chest at how handsome he was. His blue eyes swept over me. His face brightened. “Yeah. I like those.
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
you don’t need big reasons to love a woman. And the size of the love has nothing to do with the size of the reason. Sometimes one word she says is enough. Sometimes only the line of the hip, like a poppy stem. And sometimes it’s how her lips look when she says ‘seven’ or ‘thirteen.’ Look and see, with ‘seven’ the lips are starting out like with a kiss. Then you see the teeth are touching the lips a moment to make the ‘v.’ And then the mouth is opening a little … like this … se-ven. See? And with ‘thirteen,’ the tip of the tongue is peeping out for the ‘th.’ Then the mouth is opening and the tongue is touching the top of the mouth at the end.
Meir Shalev
While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded. She squirmed in his arms. “What are you—” He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides. Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate. Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.
Katie Ashley (The Proposition (The Proposition, #1))
She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. "Here," she said, "in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it, and the beat and beating heart, love that too. More than eyes or feet.More than lungs that have yet to draw free air. More than your life holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize." Saying no more, she stood up then and danced with her twisted hip the rest of what her heart had to say while the others opened heir mouths and gave her the music.
Toni Morrison (Beloved)
In these days of physical fitness, hair dye, and plastic surgery, you can live much of your life without feeling or even looking old. But then one day, your knee goes, or your shoulder, or your back, or your hip. Your hot flashes come to an end; things droop. Spots appear. Your cleavage looks like a peach pit. If your elbows faced forward, you would kill yourself. You’re two inches shorter than you used to be. You’re ten pounds fatter and you cannot lose a pound of it to save your soul. Your hands don’t work as well as they once did and you can’t open bottles, jars, wrappers, and especially those gadgets that are encased tightly in what seems to be molded Mylar. If you were stranded on a desert island and your food were sealed in plastic packaging, you would starve to death. You take so many pills in the morning you don’t have room for breakfast. You lose close friends and discover one of the worst truths of old age: they’re irreplaceable. People who run four miles a day and eat only nuts and berries drop dead. People who drink a quart of whiskey and smoke two packs of cigarettes a day drop dead. You are suddenly in a lottery, the ultimate game of chance, and someday your luck will run out. Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God.
Nora Ephron (I Remember Nothing)
Kate knocked on his door and sucked in some air when he opened the door fresh from a shower. His hair was wet and he had a towel wrapped low on his hips. "Jeez," Kate said, staring at the towel, her mind running amuck over what the towel was hiding, unable to drag her eyes to Nick's face. "Is that a good jeez or a bad jeez?" "It's just jeez. Don't you have a robe?" "The room didn't come with a robe." "Okay, so that's why you're wearing the towel. I can see that. Makes perfect sense." A smile twitched at the corners of Nick's mouth. "Is there something I can do for you?" "No! Gosh. Absolutely not." Kate stared at the towel. She was pretty sure she saw it move. Nick tightened his grip on the towel. "Kate?" "Yep?" "You're staring." "I know. I can't help myself." "Cute," Nick said. Kate squinched her eyes shut and wrinkled her nose. "Ugh! I hate being cute." "Cute is good." "It's not. I'm an FBI agent. There's no cute in the FBI. Cute is goofy." "I'd grab you and kiss you, but I'd lose my towel, and I'm afraid you'd faint at the sight of me naked." "I think I could handle it." Nick dropped his towel
Janet Evanovich (The Chase (Fox and O'Hare, #2))
Open your mouth,” Liam told me. I shook my head. He pushed forward into me again, and his dick felt even bigger and harder now. Holy shit, this was turning him on. Kidnapping girls turns him on. Fuck. FUCK. “Open. Your. Mouth,” he said again, and this time the menace in his voice was unmistakable. His prick nudged me again, and then his hips, shifting, sliding it slowly up the crack of my ass. I felt a whole new level of fear. Who is this man?
Joanna Wylde (Devil's Game (Reapers MC, #3))
Good girl,” Howl said, pressing his massive cock into my mouth as Finn moved behind me, kneeling. He grabbed my hips, pulling me toward him as Howl moved closer, keeping himself pressed against the back of my throat as I gagged. Howl didn’t withdraw though. He kept the head of his cock right there, waiting for Finn to enter in a different opening.  I sputtered as Finn’s hot cock spread open my lower lips. Howl’s hands wound through my hair as they both pushed in.  My throat spread as my pussy did, both of their cocks filling me as they thrust, as they moaned. I nearly collapsed under the heated want that was flooding through me, through the energy that was still wanting to escape. The pressure of the fire grew as they fucked me, as they grew closer to climax.  Howl pulled out, letting me breathe as Finn continued to slam into me, his fingers now playing with my clit that had me one step from losing it.
Rae Foxx (The Bloodwood Academy Shifter: Semester Two (The Bloodwood Academy, #2))
Bertinck has a chest wound. After a while a fragment smashes away his chin, and the same fragment has sufficient force to tear open Leer’s hip. Leer groans as he supports himself on his arm, he bleeds quickly, no one can help him. Like an emptying tube, after a couple of minutes he collapses. What use is it to him now that he was such a good mathematician at school.
Erich Maria Remarque (All Quiet on the Western Front)
Or perhaps it is that time doesn’t heal wounds at all, perhaps that is the biggest lie of them all, and instead what happens is that each wound penetrates the body deeper and deeper until one day you find that the sheer geography of your bones—the angle of your head, the jutting of your hips, the sharpness of your shoulders, as well as the luster of your eyes, the texture of your skin, the openness of your smile—has collapsed under the weight of your griefs.
Thrity Umrigar (The Space Between Us)
Even though she was still so tired she felt glued to the matress, the yelling made Helen's eyes open. She saw Ariadne, Cassandra, and Noel standing over her bed. Correction, they were standing over Lucas's bed and Helen was in it. Her eyes snapped open and her head whipped around to look at Lucas. He was frowning himself awake and starting to make some gravelly noise in the back of his throat. "Go argue someplace else," he groaned as he rolled over onto Helen. He tucked himself up against her, awkwardly fighting the drag of the casts on his legs as he tried to bury his face in Helen's neck. She nudged him and looked up at Noel, Ariadne, and a furious Cassandra. "I came to see how he was and then I couldn't get back to my bed," Helen tried to explain, absolutely mortified. She gasped involuntarily as one of Lucas's hands ran up the length of her thigh and latched on to the sloping dip from her hip to her waist. Then she felt him tense, as if he'd just realized that pillows weren't shaped like hourglasses. His head jerked up and he looked around, alert for a fight. "Oh, yeah," he said to Helen as he remembered. His eyes relaxed back into a sleepy daze. He smiled up at his family and stretched until he winced, then rubbed at his sore chest, no longer in a good mood. "Little privacy?" he asked. His mother, sister, and cousin all either crossed their arms or put their hands on their hips.
Josephine Angelini (Starcrossed (Starcrossed, #1))
Wait,' Della said 'Let me see if I understand... you want me to tell her this?' Sarcasm spilled out with her words. 'Yeah,' he said as if he didn't understand her issue. 'Why don't you tell her?' Della slipped a hand on her hip. He made a face. 'Shes's your ghost.' 'My ghost? Why the hell is she my ghost?' 'Because she's closer to you.' 'Says who?' He opened his mouth and nothing came out right away. Then words spurted out of his lips. 'Because...Because...' His eyes widened as if he figured something out. 'Because she gave you the picture of Natasha. And Natasha has some connection to your family.' His reasoning made sense, perfect sense, but Della didn't want to see it that way. Refused to see it that way. She didn't want to be alone with some dead person. Sharing it with him wasn't the ideal situation, but she hadn't come up with this plan. 'That doesn't make her mine,' Della insisted 'She talks to both of us. We've got joint custody here, buddy. You should have thought about this before you bonded with me And don't try to skip out of your responsibility.' 'It's a ghost,' he said 'Not a baby.
C.C. Hunter (Eternal (Shadow Falls: After Dark, #2))
Charles had tried to open the pond and called up for wolf to defeat the black magic and hadn't been able to. Brother Wolf had panicked because Charles had somehow mess up their bond—and then Anna threatened to leave them and Charles had panicked, too. If she hadn't allowed them to make love to her, to reestablish they're claim, things might have gotten... interesting, in the same way that a grizzly attack is interesting. Because neither he nor Brother Wolf was capable of letting her go. It had been a revelation. The bottom line was that he was selfish creature, Charles decided more cheerfully than he'd been about anything in a long time. He guided Anna around a hole in the ground with a subtle push of his hand on her hip. She probably had seen the hole, but it please him to take care of her in such a small way. He was willing to pay any price to keep safe...any price except for losing her.
Patricia Briggs (Fair Game (Alpha & Omega, #3))
The door creaked as it began to open. Gray moved like lightning, slapping his left palm against the door and slamming it shut before it had opened more than a fraction of an inch. "Hey!" a woman squawked indignantly from the other side. "This one’s occupied," he said hoarsely, not missing a beat with his plunging hips. "Go somewhere else." Faith couldn’t say anything. Her eyes widened with alarm, but all she could do was look helplessly up at him. Gray’s lips drew back over his teeth and his head dropped forward as he began hammering faster. His face was flushed, satisfaction only a few moments away. Faith shuddered wildly as the coil of tension suddenly released and the fierce, pulsing flood of sensation swept through her. Shivering and pushing hard against him, she buried her face against his chest and bit his shirt to muffle her gasping cries. He kept his hand flat against the door, gripping her bottom with his right hand to anchor himself. He shoved hard into her, twice, three times, again, then bucked violently. His head fell back and a harsh, guttural cry rumbled up from his chest. There was an insistent banging on the door. "What are you doing in there?" the woman said in shrill, grating tones. "That’s the lady’s room! You aren’t supposed to be in there!" Slowly Gray’s head came up. The expression in his eyes was indescribable, as if he couldn’t believe what was happening. He took a deep breath, and exploded. "Goddamn it, woman!" he roared with furious indignation. "Can’t you tell I’m busy?
Linda Howard
Why didn't you just let me run home?" she asked. "I wanted you here," he said simply. "But why?" she persisted. He shrugged. "I don't know.Punishment, perhaps, for spying on me." "I wasn't-" Sophie's denial was automatic, but she cut herself off halfway through, because of course she'd been spying on him. "Smart girl," he murmured. She scowled at him. She would have liked to have said something utterly droll and witty, but she had a feeling that anything emerging from her mouth just then would have been quite the opposite,so she held her tongue. Better to be a silent fool than a talkative one. "It's very bad to spy on one's host," he said, planting his hands on his hips and somehow managing to look both authoritative and relaxed at the same time. "It as an accident," she grumbled. "Oh,I believe you there," he said. "But even if you didn't intend to spy on me, the fact remains that when the opportunity arose, you took it." "Do you blame me?" He grinned. "Not at all.I would have done precisely the same thing." Her mouth fell open. "Oh,don't pretend to be offended," he said. "I'm not pretending." He leaned a bit closer. "To tell the truth, I'm quite flattered." "It was academic curiosity," she ground out, "I assure you." His smile grew sly. "So you're telling me that you would have spied upon any naked man you'd come across?" "Of course not!" "As I said," he drawled, leaning back against a tree, "I'm flattered.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
First I need to do something.’ He pulled me closer towards him until our lips were almost touching. ‘What might that be?’ I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn’t come. I opened my eyes. Alex had jumped to his feet. ‘Swim,’ he said, grinning at me. ‘Come on.’ ‘Swim?’ I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me. Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest – which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn’t a six-pack but actually a twelve-pack. My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex’s hands dropped to his shorts and he started undoing his belt. I reassessed the swimming option. I could definitely do swimming. He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn’t doing a fly-by. The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn’t resist because I’d forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water. I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn’t reattach. His resolve was as solid as a nuclear bunker’s walls. Alex had said there were always chinks. But I couldn’t seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression. ‘I’m just trying to protect your honour,’ he said, guessing it anyway. I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?
Sarah Alderson (Losing Lila (Lila, #2))
By the time we reached the front door of the party house—a total mansion, like Harrison had said—Nathan was far behind us. Well, he’d promised to stay out of our hair. “Wow,” I heard Bailey gasp as the front door swung open for us, though I wasn’t sure if that was her reaction to the freakishly large house or to the drop-dead-gorgeous guy standing in front of us. “Good evening, ladies,” he said, stepping aside to let us enter. Automatically, I found myself standing up taller and sliding my shoulder blades back for optimum cleavage exposure. It was like a flirting reflex. I just wished I wasn’t all sunburned. “Hello to you.” He grinned at me. A cocky, sexy grin. “I don’t believe we’ve met,” he said. He glanced at Bailey then. “Any of us. I’m sure I’d remember those pretty faces.” I swear, Bailey was blushing so hard I could feel the heat radiating from her body. “Oh, you’d remember,” I agreed, tossing back my hair and putting a hand on my hip. “I’m Whi—” “Whitley!” I jumped and spun around involuntarily. Harrison was standing beside me, looking thoroughly delighted. “Hello again, darling. You look gorgeous—and the lack of flip-flops is making my day. Those slingbacks are perfect!” I nodded, glancing over my shoulder at the hot guy, but he’d already moved on and was chatting with a group of kids a few feet away. Goddamn it. “Wesley is just so busy,” Harrison said, following my gaze. “You have to give him credit for being a great host. He talks to everyone. Seems like way too much work to me.
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
The Lover Reconsiders Wait... You. Come hither come closer come here, shrug and wriggle your way out of those clothes, shed them like baby teeth, like snakeskin, like feathers from the molt of a phoenix come here let me hold you let my arms draw you closer come hither let me be suffused with your scent come here now. I want to kiss you, I want to kiss you, I want to kiss my way down your body and back up again give me your guided tour, teach me of your landmarks those hips of yours are strangers to my touch but I mean to make their acquaintance so yes there here I want to kiss you I want to learn what you whisper when you kiss with your heart’s shutters open I want to nip at your lower lip I want the rush of blood to make that mouth tingle I want to talk in quiet tones to all of you come hither come closer come here Now, bolt the door, now, unplug the phone, now warn the neighbors to ignore the racket I do not want fifteen minutes of your time I want the whole fucking night. Now let me see the smile you save for special occasions Now don’t pick a favorite position pick five Now I want to bathe myself in you Now now now like the Ganges, like the Red Sea, like the Amazon I want to follow you down to your ocean Now I want to savor you, lover, come to me make time and I will make you breakfast I want to become overfamiliar with your tastes come hither come closer come here come now you.
Patrick Honovich (Thirst)
Deal resistance a death blow and make sweet love to your art all night long. Put on your fishnet thigh highs and your patent leather stilettos and your special occasion lingerie. Seduce the hell out of your own creative soul. It’s time for an epic lap dance. Dance for your paint and canvas, for fingers tripping across keyboard, for the open arms of motherhood, for the layers of flavor in the meals you create. Wind your hips down for the click of the shutter, for the 3 a.m. bathroom poem, for the late night lesson planning
Jeanette LeBlanc
Swinging the door open, I took a sip. All of the coffee in the world wouldn't help if more visitors showed up at my door this early in the morning but the caffeine fortification was a bonus. The delivery guy pushed his clipboard at me. I held up my cup and raided my eyebrows. We had an entire conversation in the next seven seconds with our eyes and eyebrows. I told him that I wasn't giving up my coffee for his delivery. He told me that if I'd just sign on the damned dotted line he would get the hell out of here. I replied in turn that if he'd hold the clipboard instead of shoving it at me (I threw in a nod here for good measure), I'd sign the damned line. He finally sighed, turned the clipboard around and held the pen out. I braced the door with my hip, grabbed the pen and scrawled Wilma Flinstone on the paper.
Nicole Hamlett (Huntress (Grace Murphy, #1))
(...) the small of his back slick with sweat, the surprisingly soft hair brushing my body when he took control. And moved over me. "Stop it", Pritkin grated, his voice somehow cutting through the fog. But he didn't let go. I suppose he was afraid to, because a Pythia or one of her senior initiates could shift without him if there was no contact. But that left us stuck together, and that was becoming really, really- Awesome, my body piped up enthusiastically. "I told you, cut it out!" Pritkin said, sounding pissed. "You first," I snarled, snapping my eyes open to glare at him, because he wasn't exactly helping. Of course, neither did that. He must have been jogging, probably his usual early morning ten-mile warm-up before coming to torture me. At least, I assumed that was why the rock-hard abs were outlined by a damp khaki T-shirt, the thin old sweatpants were clinging in all the right places, and the sleeves of the hoodie had been pushed to his elbows, showing the flexing muscles in his forearms. And then there were those hands and those eyes and that mouth... I shivered again, a full-on shudder this time, and he cursed. But that didn't seem to matter. Because it had come out like a growl, and my body liked that, too. My hips shifted automatically, pressing us together, and I gave a little gasp because it felt so good. And then gasped again when I was abruptly released.
Karen Chance (Tempt the Stars (Cassandra Palmer, #6))
Hold still baby girl. Hold still. I need you to do something for me,” he said quietly. I opened my mouth and said, “What?” but no words came out. I tried again. Nothing. He smiled. He continued to lick my hip bone. He kissed it and looked me in the eyes. “You listening?” he asked. As I squeezing the countertop with each hand, my arms beside my body, my hands beside my butt, I nodded. “Fuck my tongue. I want you to fuck my mouth, do you hear me?” I opened my mouth and squeaked. My eyes closed. I felt his tongue move from my hip to my clit. His palm slid slowly across my hip, and rested in the depression between my hip and my pussy. His thumb was positioned on the skin above my clit, and pushed upward, exposing my clit totally. As his tongue met my clit, I squirmed. I felt his lip on top of my clit, and his tongue on the bottom. He started a motion with his tongue and lip, with my clit in between. About three seconds into it, I was done…almost to climax. I felt myself begin to cum. No, not yet, not yet, please…make this last. He lifted his head, and looked me in the eye. He must have sensed I was going to cum. “No, don’t stop. Please, Erik, don’t fucking stop.” I begged. “Fuck my mouth. Grind your pussy on my face baby girl, do you hear me?” “Yes sir. Do it. Do that again. Exactly what you were doing, exactly,” I said, hoping he could duplicate what he was doing.
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
I believe that a new philosophy will be created by those who were born after Hiroshima which will dramatically change the human condition. It will have these characteristics: (1) It will be scientific in essence and science-fiction in style. (2) It will be based on the expansion of consciousness, understanding and control of the nervous system, producing a quantum leap in intellectual efficiency and emotional equilibrium. (3) Politically it will stress individualism, decentralization of authority, a Iive-and-let-Iive tolerance of difference, local option and a mind-your-own-business libertarianism. (4) It will continue the trend towards open sexual expression and a more honest, realistic acceptance of both the equality of and the magnetic difference between the sexes. The mythic religious symbol will not be a man on a cross but a man-woman pair united in higher love communion. (5) It will seek revelation and Higher Intelligence not in formal rituals addressed to an anthropomorphic deity, but within natural processes, the nervous system, the genetic code, and without, in attempts to effect extra-planetary communication. (6) It will include practical, technical neurological psychological procedures for understanding and managing the intimations of union-immortality implicit in the dying process. (7) The emotional tone of the new philosophy will be hedonic, aesthetic, fearless, optimistic, humorous, practical, skeptical, hip. We are now experiencing a quiescent preparatory waiting period. Everyone knows something is going to happen. The seeds of the Sixties have taken root underground. The blossoming is to come.
Timothy Leary (Neuropolitique)
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you." "I didn't know. If I'd known..." "It doesn't matter now." The girl's attention was unwavering. "This is where you are." "It is at that." The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you." "I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair. "Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now." "All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate.
Melissa Marr (Graveminder (Graveminder, #1))
I throw my arms around him and lift my chin expectantly, waiting for my good-night kiss. He nuzzles his face against mine, and I feel gladness for the fact that he has smooth cheeks and barely even needs to shave. I close my eyes, breathe him in, wait for my kiss. And he plants a chaste peck on my forehead. “Good night, Covey.” My eyes fly open. “That’s all I get?” Smugly he says, “You said earlier that I’m not that good at kissing, remember?” “I was kidding!” He winks at me as he hops in his car. I watch him drive away. Even after a whole year of being together, it can still feel so new. To love a boy, to have him love you back. It feels miraculous. I don’t go inside right away. Just in case he comes back. Hands on my hips, I wait a full twenty seconds before I turn toward the front steps, which is when his car comes peeling back down our street and stops right in front of our house. Peter sticks his head out the window. “All right then,” he calls out. “Let’s practice.” I run back to his car, I pull him toward me by his shirt, and angle my face against his— and then I push him away and run backward, laughing, my hair whipping around my face. “Covey!” he yells. “That’s what you get!” I call back gleefully. “See you on the bus tomorrow!
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Poem of Thanks Years later, long single, I want to turn to his departed back, and say, What gifts we had of each other! What pleasure — confiding, open-eyed, fainting with what we were allowed to stay up late doing. And you couldn’t say, could you, that the touch you had from me was other than the touch of one who could love for life — whether we were suited or not — for life, like a sentence. And now that I consider, the touch that I had from you became not the touch of the long view, but like the tolerant willingness of one who is passing through. Colleague of sand by moonlight — and by beach noonlight, once, and of straw, salt bale in a barn, and mulch inside a garden, between the rows — once- partner of up against the wall in that tiny bathroom with the lock that fluttered like a chrome butterfly beside us, hip-height, the familiar of our innocence, which was the ignorance of what would be asked, what was required, thank you for every hour. And I accept your thanks, as if it were a gift of yours, to give them — let’s part equals, as we were in every bed, pure equals of the earth.
Sharon Olds
I saw Orin in bars or at post-tournament dances go up to a young lady he would like to pick up and use this fail-safe cross-sectional pick-up Strategy that involved an opening like “Tell me what sort of man you prefer, and then I’ll affect the demeanor of that man.” Which in a way of course is being almost pathologically open and sincere about the whole picking-up enterprise, but also has this quality of Look-At-Me-Being-So-Totally-Open-And-Sincere-I-Rise-Above-The-Whole-Disingenuous-Posing-Process-Of-Attracting-Someone-,-And-I-Transcend-The-Common-Disingenuity-In-A-Bar-Herd-In-A-Particularly-Hip-And-Witty-Self-Aware-Way-,-And-If-You-Will-Let-Me-Pick-You-Up-I-Will-Not-Only-Keep-Being-This-Wittily,-Transcendently-Open-,-But-Will-Bring-You-Into-This-World-Of-Social-Falsehood-Transcendence, which of course he cannot do because the whole openness-demeanor thing is itself a purposive social falsehood; it is a pose of poselessness; Orin Incandenza is the least open man I know.
David Foster Wallace
If she’d had any doubts he was a real deal country boy, they disappeared when he unabashedly stripped down to nothing—the sun had kissed his arms to mid-bicep, although his torso wasn’t without a faint tan. She’d thought lazily that maybe he had a pond. She’d like to go skinny dipping with him. Leap onto his back and wrap her legs around his lean hips. Hold on to his broad shoulders and press her naked breasts into his back and drift into the cool water together. As he opened his button-fly jeans, revealing snug briefs underneath, she’d whispered for him to stop. He was hard and sinewy in all the right places, with shadows and valleys she wanted to explore with her mouth and hands and eyes, but her touch first went to the line where dark faded to light on his arm, neatly following the curve of his muscles. “Nice farmer’s tan.
Zoe York (Between Then and Now (Wardham, #0.5))
Pleasure eased the edges of Tiern-Cope's face, and with his mouth curved in a smile he resembled his brother more than ever. But the eyes gave him away. They were cold, a lifeless, icy blue. He grasped the woman's hips, and this woman who had Olivia's copper hair and even her features, cried out in a low, guttural moan of pleasure incapable of containment. "I am coming," he said. He opened his eyes again, looking at her, and she wanted to weep from the heartbreak. His hips came up, and he gasped and said, "My heart. My love. I'm coming." She slid away, down and away, and into the safety of Sebastian's embrace. His arms enfolded her, warm and tight. Hurry, she thought.
Carolyn Jewel (The Spare)
During this journey I realized that my robe had fallen open and he could see my nightie. Pale lavender satin, short, hitting me at the upper thighs but there was a three-inch hem of smoky gray lace below that. The same lace was at the bodice over the cups of material covering my breasts. The nightie fit close at my chest and midriff but there was room to move around my hips and thighs. It was nowhere near as risqué as Kenzie’s teddy. It left something to the imagination and that was good, unless you had an imagination. Carefully, I pulled the edges of my robe together and his eyes speeded up to hit mine and I knew the instant they did, without any doubt, he had an imagination.
Kristen Ashley
Going somewhere?” Tamlin asked. His voice was not entirely of this world. I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him. His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff. I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.” He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone. “Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild. “You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.” I couldn’t escape. I wasn’t entirely sure that I wanted to. “She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly. He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal. “Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck. I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight … His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips. He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I felt like we were a machine, working in unison with one another. This was perfect. With my eyes closed, there was no time, no space, no house, no kitchen, just us. We weren’t two people any more, we were an us. A we. We became one. His tongue sliding up and down, and pressing against my clit. Each time his tongue touched my clit, my hips were raised as high as I could raise them. When he released my clit from between his tongue and his lip, I lowered my hips. This system of movements worked perfectly. It was the same every time. With my eyes closed, I tried to focus on the movements. I don’t know how much time passed, but I heard my breathing change. I felt as if I was turning hot. I opened my eyes and looked at Erik. His eyes were open, and he was looking at my face. His mouth encompassed my entire mound. I opened my mouth. He raised his mouth off of me for a split second. “Do it, Kelli. Do it. Cum in my mouth. Do it. And when you do, scream. Scream, Kelli. Cum in my mouth and scream. Do you hear me?” In a short, shallow breath, I responded, “Yes.
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
Beth ached where they joined. The friction burned on her petals too long untouched, fire that made her want to open her legs wide. She did, sliding her feet on the covers, letting her hips arch upward. "Do you feel it?" Ian asked. A dozen phrases went through Beth's head, but she gasped out, "Yes." "Your cunny is tight, my Beth. Squeezing me so hard." He smiled when he said it, feral and raw. No man had ever done bawdy talk with her. Game girls had told her of it, but she'd never dreamed she'd hear it hot in her ear, spoken by a beautiful man. "Squeeze me some more, love," he murmured. "You feel so damn good." "Good," Beth echoed. She tightened her muscles, and he groaned. He felt good. All full and hard and moving inside her.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real. “Later,” he echoed, and leaned down to kiss me. It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him. He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went. I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched. His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I. He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh. A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
K.D. Enos
Savannah's fear was being pushed aside by the heated tenderness of Gregori's mouth, by the gentleness in his caressing hands. He carelessly shoved the sheet down, exposing her bare breasts to his hungry gaze. Hot. He was so hot. Savannah could not stand the feel of the thin sheet of her heated hips, twisting around her legs. Her hands were tangled in Gregori's thick hair, crushing it in her fingers like so much silk.His shirt was open to his tapered waist, his hard muscles pressing against her soft breasts. The rough,dark hair on his chest rasped erotically over nipples. A wave of heat heralded a storm of fire, through him, through her. Savannah's hands, of their own accord, pushed his shirt from his wide shoulders. She watched with enormous eyes as he slowly shrugged out of it, his silver gaze holding her blue one captive. She was drowning in those pale, mesmerizing eyes. Eyes filled with such intensity, with so much hunger for one woman. Her. Only her.
Christine Feehan (Dark Magic (Dark, #4))
I lick my lips as his teeth nibble on my earlobe. Between my muscles melting under his touch, my blood tingling with the teasing of my ear and the way my foot rubs against his calf, my thoughts become hazy. My shirt rides up and Isaiah rubs his thumb in small circles on the bare skin of my stomach. The sensation causes me to arch my back and Isaiah groans as I kiss his neck. I like these feelings. Actually, I more than like them. They’re addicting, and I love how every little thing I do causes Isaiah to kiss and touch me more. He rolls and I move with him. Our tangled legs become unraveled as my thighs fall open, accepting his weight. Isaiah’s body over mine is heavier than I would have imagined, but it’s a weight I craved without knowing it. Isaiah kisses up my neck and when his lips meet mine again, he rocks his hips. Suddenly very aware parts of him are touching very aware parts of me, and my head falls to the side as a new sensation spikes through my body.
Katie McGarry (Crash into You (Pushing the Limits, #3))
I stared down at the white bikini in horror. My cleavage was out in full form, while the bikini bottoms hugged my hips, tinier than anything I’d ever dare buy for myself. What the hell was Gavin Fletcher thinking putting me in something like this? And he wanted me to go outside in it, much less get my picture taken? Yeah, right! That was absolutely not happening. “We haven’t got all day, Lani,” Martin barked from on deck. I put my head in my hands, sighing deeply before brushing my hair back from my eyes. What the hell had I gotten myself into? There was a gentle rapping on the bedroom door, and I opened it, wishing I had a towel to cover up with. Gavin’s gold-flecked eyes met mine, and I stepped back to let him in. He sucked in a breath, looking me over in that brash way of his, his lips curling into a grin. “Now that’s what I’ve been hoping for,” he said. I laughed nervously and crossed my arms in front of my body. “I don’t know if I can do this. You heard Martin out there.” Gavin reached forward and put a hand on my arm, smoothing his large palm over my skin. I shivered beneath his touch, feeling the heat from a connection I wondered if he felt, too. Judging by the heat in his gaze, he did, but how was that even possible? I couldn’t be reading him right. “You look stunning, Aolani,” he said, that dangerous, bad-boy smile of his making my toes curl. “You’re exactly what I’ve been waiting for. Exactly what this campaign needs. Please say you’ll try? For me?
Delilah Fawkes (Lush Curves (Lush Curves , #1))
I turned onto my side, pulling the blanket up over my shoulder and closing my eyes. I wasn’t sure how long I’d been lying there when I felt a hand on my hip. I opened my eyes and saw Mack crouched next to me, balanced on the balls of his feet. Shirtless. My breath caught. He put a finger to his lips. My heart started to pound. Was this real or a dream? Without wanting to know for sure, I put my hand in his and rose from the couch. He led me through the dining room and into his bedroom, closing the door soundlessly behind me. “Mack. What are you doing?” I whispered. Instead of answering, he pushed me back against the door and kissed me hard and deep, his arms caging me on either side. “I changed my mind.” “Why?” “Because I’ve been lying here for fucking hours and I can’t stop thinking about how much I want you.” His voice was quiet but gravelly, more growl than whisper. “But you said—” “I know what I said. But I’ve decided I’d rather be reckless than responsible tonight. If you’re in, I’m in.” I put my hands on his chest and pushed him back. “I’m in.
Melanie Harlow (Irresistible (Cloverleigh Farms, #1))
What did I do to deserve you?” “You told me not to throw away my work. You chased me down and made me open up. Enough to see things I needed to see.” Xander stepped closer and put a hand carefully on Skylar’s hip. “This is how I make love to you, Skylar Stone. I make you take off your clothes and spread your legs for me. I get you to tell me stories of goddesses and turn you into one. I turn your deepest fears into the most beautiful painting I know how to create, and then I stay up all night to give it to you.” He rested his nose on Skylar’s shoulder, nipping him smartly. “The very idea I need to slobber on a body part to do it is insulting.” Without turning around, Skylar found Xander’s hand and laced their fingers tight. “What happens if I tell you that I love you?” Xander shut his eyes, smiling into Skylar’s skin as his heart soared. He squeezed their joined hands tighter. “I’ll tell you that I love you back.
Heidi Cullinan (Antisocial)
Now put your hands on the countertop, and bend over. I’m going to shove you so full of cock you won’t even remember how to spell your name for a week,” he said in his deep voice. “Oh my. Ok,” I said as I did what he asked. As I grabbed the edges of the countertop, I felt his foot kicking the insides of my shoes, spreading my legs farther apart. “You long legged, sexy little bitch. I have to get your pussy down here where I can get to it,” he said, as he slapped the right side of my butt, hard. The slap startled me, and the sting felt like fire. As soon as he stopped kicking my shoes and spreading my legs apart, I felt the head of his cock slide past my lips. His hands grabbed my waist, and he slid all the way inside of me. As soon as I felt his balls against my clit, I began to contract and felt as if I was going to cum. His cock slid out, and then back in again. He found a rhythm and began to fuck me slowly, his hips slapping lightly against my butt as he slid all the way into my wet pussy. As his hips slapped my ass, I could feel his balls against my clit. I couldn’t take it anymore. If he kept up this pace, I would explode. “Fuck me Erik, fuck me. Fuck me harder. Fuck me,” I said loudly. “Fuck me, Erik. Oh God. Fuck me.” “Fuck me.” “Harder.” I begged. “Who owns you, baby girl? Who fucking owns you?” he almost screamed. “Oh God, you do. You own me. You.” “Don’t forget it, do you hear me?” he said in a loud, stern tone. “Yes, I am yours. You own me,” I responded...I loved this. In and out he forced himself, each time it felt as I was being stretched open for the first time. Not a tremendous pain, but each stroke felt like it was the first, the entry stroke. It was a new feeling to me, and it was more than I could take. I was going to explode. “Please…Faster. Fuck me. Give me that cock. Give me that big fat….Oh my God. Give it to me.
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
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Adam Silvera
From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I don’t want you involved in any of that.” “Because you care about me?” “Of course.” I narrowed my eyes. “I don’t want to worry about you getting hurt.” He stepped in and his other hand settled just above my hip. “Because you want to be with me?” “Yes.” That word was easy to speak. Rider smiled then and the right dimple appeared. “You want to be my girlfriend.” I opened my mouth and then I laughed. It sounded strange after the seriousness of our conversation, but the statement was sweet and silly. His cheeks pinked. “Not sure how I feel about that laugh,” he teased. “But I do love the sound of it.” My breath caught at the word. Love. Oh, gosh, was that what was happening here? “So do you? Want to be my girlfriend?” he asked, and then chuckled. “Probably should’ve brought this up before I kissed you, but I want...I want to see where this goes, Mallory. I feel like we got a second chance, you know? I’ve been thinking that since I sat down in speech and saw you sitting there. We have a second chance. And who gets second chances?” I searched his gaze, feeling a rightness deep in my chest. I had thought the same thing before, about second chances. “I don’t want to pass that up.
Jennifer L. Armentrout (The Problem with Forever)
Matteo didn't lick a woman's pussy because he felt obligated, or at the very least not mine. I might have argued he enjoyed it more than I did if he wasn't so damn good at it. That talented tongue explored every part of me, thrusting in and out until I whimpered. When he turned his attention to my clit, it was so he could slide a finger inside me. I clenched around him on a cry, feeling the way he moaned in response vibrate through me. He withdrew that finger, only to add a second and curl them to stroke that spot inside me that made me quiver. "Teo," I whimpered, and the sound of his name seemed to push him over the edge. He wrapped his lips around the bundle of nerves at the apex of my thigh, sucking gently. My legs tightened around his head; my hand buried in his hair to hold him exactly where I wanted him as I shattered in a blinding orgasm that stole my ability to function. I laid there, panting and trying to regain my ability to move. When I opened my eyes, it was to Matteo shoving his own underwear down his legs and kicking them off. He pulled his fingers free of me and spread my legs wide from where they'd wrapped around his head. Sliding up my body, his hips lined up with mine so he could grind his length against my wet core. His lips found mine in a bruising, claiming kiss that seemed even more primal because he tasted like me. He reached down, sliding himself through my wet and notching his head at my entrance. Pulling away from my lips, he groaned, "Tell me you're mine." Still recovering from my orgasm, I nodded in a daze. "Words, Angel. Give me the words." "Yours," I murmured, cupping his cheek with a delirious smile and tugging him down to kiss him again. He slid inside me slowly, filling me until there wasn't a single inch that couldn't feel him. "Fuck," he groaned against my mouth. He reached down, wrapping my legs around his hips. Our foreheads pressed together; our mouths not quite touching as he started to move inside me. Even without his lips on mine, I could taste him, taste me in his breath on my face. One of his hands grabbed mine, our fingers intertwining while he wrapped his other under my shoulder to hold me where he wanted me. He slid in and out in slow, hard thrusts.
Adelaide Forrest (Bloodied Hands (Bellandi Crime Syndicate, #1))
And now, dear Emma, I'll show you just what you have to be wary of," he said, and his head moved down, blotting out the light. This was no slow, sensuous caress of mouth and lip. This was no chaste salute, nor was it the wet awkwardness of an untried boy or a randy old man. He opened his mouth over hers and kissed her, using his tongue, his teeth, and all the clever weapons he had in his arsenal. She told herself she was being kissed by a practiced rake. She told herself it meant nothing, it was a trick, an act, a small skill that anyone could acquire. She told herself that as her body trembled and melted beneath him, as her mouth opened to his skillful insistence. She told herself it meant absolutely nothing as his tongue pushed into her mouth, and the moan that came from deep inside her had to be one of displeasure, didn't it? It wasn't one kiss, it was twenty, it was a long series of unending kisses, leading one into another, so that she barely had time to begin to regain her sanity when he stripped it away once more. He kissed her eyelids, the side of her mouth, the beating pulse at the base of her neck. He kissed her nose and her chin, he bit her earlobe, and then he covered her mouth once more, kissing her with a devastating thoroughness that had her damp and trembling in his arms. His hands were on her petticoats, slowly drawing them up her long legs, and her hips cradled him. He was hard against her, she belatedly recognized that fact, and the knowledge panicked her.e wanted her, his body wanted to claim hers, and there was no way she could stop him. No way, God help her, that she wanted to stop him. He broke the kiss, rising up over her as she lay on the bed, staring down at her with a hooded expression in his eyes. His mouth was wet from hers, and his breathing was slightly labored. It would have been the only sign of his arousal, had it not been for the heat pressing against her hips. "Do you want me, Emma?" he murmured, his voice low and insistent. "You don't have to say a word. Just put your mouth against mine." Oh, God, she did want him, as terrifying as that notion was. She wanted to touch him, to feel his skin against hers, and she felt a dark burning deep inside her that she knew only he could assuage. She wanted his mouth, she wanted his heart, she wanted his soul.
Anne Stuart (To Love a Dark Lord)
In the meantime, she and Jay sat shoulder to shoulder throughout the movie, and the warmth of his pressed up against her made it difficult for Violet to concentrate. She tried to remember when exactly he’d started to smell so good to her, or when his touch had become like a mood-altering narcotic. She glanced sideways to see if she could tell what he was thinking, if their casual contact was affecting him the way it was her, but his face was blank, completely unreadable, as he watched the action on the oversized screen. She leaned toward him and whispered, “I have to go to the bathroom.” She stood up to go. And so did he. She gave him a questioning look. “I’ll be right back,” she said quietly. He followed right behind her. “What are you doing?” She was starting to get irritated. “I’m going with you.” “Yeah, I got that,” she said, her voice getting louder now. “Why?” He pushed her along from behind until they were out of the darkened theater and standing in the dimly lit hallway. “I can go to the bathroom by myself,” she insisted, putting her hands on her hips and cocking her head to the side. “No, Violet. You can’t. I told your parents I wouldn’t let you out of my sight, and I meant it. Besides, until you decide to stop hunting for this guy, I’m not letting you do anything by yourself.” That stubborn set to his jaw was back. “Now, hurry up,” he said as he leaned casually against the wall outside the ladies’ room. Violet didn’t want to water her time arguing, so she just shook her head as she opened the door. “You’re crazy! You know that, don’t you?” She didn’t wait for him to answer as she disappeared into the empty bathroom, but she swore she heard the sound of his laughter following her inside.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“ Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever. Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them. Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife. Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.” The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.” Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.” The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg. Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome. “I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.” His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.” Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek. With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.” Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
Judith McNaught (Almost Heaven (Sequels, #3))