Hint Pass Quotes

For the first twenty years of my life, I rocked myself to sleep. It was a harmless enough hobby, but eventually, I had to give it up. Throughout the next twenty-two years I lay still and discovered that after a few minutes I could drop off with no problem. Follow seven beers with a couple of scotches and a thimble of good marijuana, and it’s funny how sleep just sort of comes on its own. Often I never even made it to the bed. I’d squat down to pet the cat and wake up on the floor eight hours later, having lost a perfectly good excuse to change my clothes. I’m now told that this is not called “going to sleep” but rather “passing out,” a phrase that carries a distinct hint of judgment.

Do you scent the same things I do?” Ransom made a face when she described what she’d picked up from the passing vamp. “Yeah, except I don’t say shit like ‘cinnamon spice with a hint of burnt oak.’ I say ‘dude smells like an electrified tree with a side of doughnut topping.

Havana is like a woman who was grand once and has fallen on hard times, and yet hints of her former brilliance remain, traces of an era since passed, a photograph faded by time and circumstance, its edges crumbling to dust.

The air's warm with hopeful hints of spring in it. Spring would be a good time for an uprising, I think. Everyone feels less vulnerable once winter passes.

His hatred for all was so intense that it should extinguish the very love from which it was conceived. And thus, he ceased to feel. There was nothing further in which to believe that made the prospect of feeling worthwhile. Daily he woke up and cast downtrodden eyes upon the sea and he would say to himself with a hint of regret at his hitherto lack of indifference, 'All a dim illusion, was it? Surely it was foolish of me to think any of this had meaning.' He would then spend hours staring at the sky, wondering how best to pass the time if everything—even the sky itself— were for naught. He arrived at the conclusion that there was no best way to pass the time. The only way to deal with the illusion of time was to endure it, knowing full well, all the while, that one was truly enduring nothing at all. Unfortunately for him, this nihilistic resolution to dispassion didn’t suit him very well and he soon became extremely bored. Faced now with the choice between further boredom and further suffering, he impatiently chose the latter, sailing another few weeks along the coast , and then inland, before finally dropping anchor off the shores of the fishing village of Yami.

His education had been neither scientific nor classical—merely “Modern.” The severities both of abstraction and of high human tradition had passed him by: and he had neither peasant shrewdness nor aristocratic honour to help him. He was a man of straw, a glib examinee in subjects that require no exact knowledge (he had always done well on Essays and General Papers) and the first hint of a real threat to his bodily life knocked him sprawling.

Out of the cradle endlessly rocking, Out of the mocking-bird’s throat, the musical shuttle, Out of the Ninth-month midnight, Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d alone, bare-headed, barefoot, Down from the shower’d halo, Up from the mystic play of shadows, twining and twisting as if they were alive, Out from the patches of briers and blackberries, From the memories of the bird that chanted to me, From your memories, sad brother—from the fitful risings and fallings I heard, From under that yellow half-moon, late-risen, and swollen as if with tears, From those beginning notes of sickness and love, there in the transparent mist, From the thousand responses of my heart, never to cease, From the myriad thence-arous’d words, From the word stronger and more delicious than any, From such, as now they start, the scene revisiting, As a flock, twittering, rising, or overhead passing, Borne hither—ere all eludes me, hurriedly, A man—yet by these tears a little boy again, Throwing myself on the sand, confronting the waves, I, chanter of pains and joys, uniter of here and hereafter, Taking all hints to use them—but swiftly leaping beyond them, A reminiscence sing.

Consider these questions: Did Jesus ever suggest by word of example that we should aspire to acquire, let alone take over, the power of Caesar? Did Jesus spend any time and energy trying to improve, let alone dominate, the reigning government of his day? Did he ever word to pass laws against the sinners he hunt out with and ministered to? Did he worry at all about ensuring that his rights and the religious rights of his followers were protected? Does any author in the New Testament remotely hint that engaging in this sort of activity has anything to do with the kingdom of God? The answer to all these questions is, of course, no.

There's power in knowledge passed between generations, whether it's by those books of yours or by an elders mouth.

Great beauty and youth capture our attention, excite a deep pleasure; however, why shouldn't our souls gaze at a countenance over which the years have passed? Isn't there a story there, one unknown, full of pain or beauty, which pours its reflection into the features, a story we can read with some compassion or at least get a slight hint of its meaning? The young point toward the future; the old tell of a past.

You ever get gut feelings? Like you see something and just know?' Ty asked, feeling stupid but not caring. He felt Zane squeeze his hand. "First time I saw you, after I got over hating you, I knew, I knew we'd die together. I could just feel it deep down.' Zane exhaled heavily. 'Not today. And not tomorrow. And not for a long time to come, Ty Grady. You hear me? A hell of a long time.' Ty nodded jerkily... ...Several heartbeats of quiet passed before Zane spoke. 'First time I saw you, after i got over hating you, I knew,' he said echoing Ty's words, 'I knew I'd fall in love with you...I laughed at myself,' Zane continued, a hint of pleading in his voice, 'and then I denied it, and then I did everything I could to prove myself wrong, but it didn't work...Ty,' Zane's even, soothing tones finally broke on the short gasp of his name. 'I love you and I'm scared I'll lose you. Please don't leave me a lone in the dark.

Like the wheeling of stars,' muttered the Count as he paced. "That is how time passes when one is left waiting unaccountably. The hours become interminable. The minutes relentless. And the seconds? Why, not only does every last one of them demand its moment on the stage, it insists upon making a soliloquy full of weighty pauses and artful hesitations and then leaps into an encore at the slightest hint of applause.

It was dark in the corridor; they were standing near a light. For a minute they looked silently at each other. Razumikhin remembered that minute all his life. Raskolnikov's burning and fixed look seemed to grow more intense every moment, penetrating his soul, his consciousness. All at once Razumikhin gave a start. Something strange seemed to pass between them . . . as if the hint of some idea, something horrible, hideous, flitted by and was suddenly understood on both sides . . . Razumikhin turned pale as a corpse. "You understand now?

The seed of a bamboo tree is planted, fertilized and watered. Nothing happens for the first year. There´s no sign of growth. Not even a hint. The same thing happens - or doesn´t happen - the second year. And then the third year. The tree is carefully watered and fertilized each year, but nothing shows. No growth. No anything. For eight years it can continue. Eight years! Then - after the eight years of fertilizing and watering have passed, with nothing to show for it - the bamboo tree suddently sprouts and grows thirty feet in three months!

Finally, it follows from the preceding proposition that the joy by which the drunkard is enslaved is altogether different from the joy which is the portion of the philosopher,--a think I wished just to hint in passing.

This to hear Would Desdemona seriously incline: But still the house-affairs would draw her thence: Which ever as she could with haste dispatch, She'ld come again, and with a greedy ear Devour up my discourse: which I observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate, Whereof by parcels she had something heard, But not intentively: I did consent, And often did beguile her of her tears, When I did speak of some distressful stroke That my youth suffer'd. My story being done, She gave me for my pains a world of sighs: She swore, in faith, twas strange, 'twas passing strange, 'Twas pitiful, 'twas wondrous pitiful: She wish'd she had not heard it, yet she wish'd That heaven had made her such a man: she thank'd me, And bade me, if I had a friend that loved her, I should but teach him how to tell my story. And that would woo her. Upon this hint I spake: She loved me for the dangers I had pass'd, And I loved her that she did pity them. This only is the witchcraft I have used: Here comes the lady; let her witness it.

Do you get off on being difficult, or does it just come naturally to you?” Both. A small growl of frustration slipped out. Vuk’s mouth twitched. On anyone else, it might’ve passed for a hint of a smile, but the mere idea of Vuk Markovic smiling was so far-fetched, I was certain I was imagining things.

Why do you not believe you’re the father?” “Because elves and humans can no’ procreate.” As an afterthought, in the interest of clarity, he added, “With each other. It’s a biological fact not up to interpretation. The chromosomes do no’ line up.” Monq barked out a laugh that clearly offended Ram. “And what could you be findin’ amusin’ about this… situation?” “She’s an elf, you idiot! Her DNA is 99.9% the same as yours. The .01% difference is that her ears are not pointed.” While Ram stood there with his mouth open, trying to absorb that astonishing news, Elora turned to Monq with a hint of menace. “And you didn’t think this was information you should pass along?” “First, is it my job to keep up on gossip and know that the two of you are an item? No. Second, aren’t elves supposed to recognize each other as mates? That didn’t happen in your case?” Slowly a grin spread over his face. “Aye. ‘Tis exactly what did happen. Great Paddy! We’re havin’ a baby. I need to call my mother.

But what is [the] quality of originality? It is very hard to define or specify. Indeed, to define originality would in itself be a contradiction, since whatever action can be defined in this way must evidently henceforth be unoriginal. Perhaps, then, it will be best to hint at it obliquely and by indirection, rather than to try to assert positively what it is. One prerequisite for originality is clearly that a person shall not be inclined to impose his preconceptions on the fact as he sees it. Rather, he must be able to learn something new, even if this means that the ideas and notions that are comfortable or dear to him may be overturned. But the ability to learn in this way is a principle common to the whole of humanity. Thus it is well known that a child learns to walk, to talk, and to know his way around the world just by trying something out and seeing what happens, then modifying what he does (or thinks) in accordance with what has actually happened. In this way, he spends his first few years in a wonderfully creative way, discovering all sorts of things that are new to him, and this leads people to look back on childhood as a kind of lost paradise. As the child grows older, however, learning takes on a narrower meaning. In school, he learns by repetition to accumulate knowledge, so as to please the teacher and pass examinations. At work, he learns in a similar way, so as to make a living, or for some other utilitarian purpose, and not mainly for the love of the action of learning itself. So his ability to see something new and original gradually dies away. And without it there is evidently no ground from which anything can grow.

I would see him, Edward.' It was no request; he knew it to be an ultimatum. He shook his head violently, not trusting his voice. Time passed. She was staring at him, saying nothing, and on her face was a look of stunned disbelief, of anguished accusation he knew would haunt him for the rest of his life. But when she spoke, her voice held no hint of tears. It was not a voice to offer either understanding or absolution, spoke of no quarter given, of a lifetime of love denied. 'God may forgive you for this,' she said, very slowly and distinctly, 'but I never shall.

Now and then, all of this struck me as being not so much ridiculous as faintly ominous. What if, by chance, these early-stage symptoms didn’t pass? If the hints at hysteria, delusion, weak nerves and so on, that I thought I could detect in what she said, ended up leading to something more?

But all these hints at foreseeing what actually did happen on the French as well as on the Russian side are only conspicuous now because the event has justified them. If the event had not come to pass, these hints would have been forgotten, as thousands and millions of suggestions and supposition are now forgotten that were current at the period, but have been shown by time to be unfounded and so have been consigned to oblivion.

But the long tunnels of art through which I walked in Rome that day had no ragged edges, cowardly colors, or shades of pastel that didn't know what to do with themselves. The wisdom, perfection, and beauty of the colors and forms I passed were more than enough, in their collectivity, to hint at the principles which govern the hereafter, whatever that may be. Indeed, even a detail of one painting can offer solid direction in this regard if one knows how to look

The change will do you good,” she said simply, when he had finished; “and you must be sure to go and see Ellen,” she added, looking him straight in the eyes with her cloudless smile, and speaking in the tone she might have employed in urging him not to neglect some irksome family duty. It was the only word that passed between them on the subject; but in the code in which they had both been trained it meant: “Of course you understand that I know all that people have been saying about Ellen, and heartily sympathize with my family in their effort to get her to return to her husband. I also know that, for some reason you have not chosen to tell me, you have advised her against this course, which all the older men of the family, as well as our grandmother, agree in approving; and that it is owing to your encouragement that Ellen defies us all, and exposes herself to the kind of criticism of which Mr. Sillerton Jackson probably gave you this evening, the hint that has made you so irritable… Hints have indeed not been wanting; but since you appear unwilling to take them from others, I offer you this one myself, in the only form in which well-bred people of our kind can communicate unpleasant things to each other: by letting you understand that I know you mean to see Ellen when you are in Washington, and are perhaps going there expressly for that purpose; and that, since you are sure to see her, I wish you to do so with my full and explicit approval—and to take the opportunity of letting her know what the course of conduct you have encouraged her in is likely to lead to.” Her hand was still on the key of the lamp when the last word of this mute message reached him. She turned the wick down, lifted off the globe, and breathed on the sulky flame. “They smell less if one blows them out,” she explained, with her bright housekeeping air. On the threshold she turned and paused for his kiss.

She was herself unconscious of that faint hint of offishness which hung about her and repelled advances, an arrogance that stirred in people a peculiar irritation. They noticed her, admired her clothes, but that was all, for the self-sufficient uninterested manner adopted instinctively as a protective measure for her acute sensitiveness, in her child days, still clung to her.

But here’s my little trade secret that I put into every All Is Lost moment just for added spice, and it’s something that many hit movies have. I call it the whiff of death. I started to notice how many great movies use the All Is Lost point to kill someone. Obi Wan in Star Wars is the best example — what will Luke do now?? All Is Lost is the place where mentors go to die, presumably so their students can discover “they had it in them all along.” The mentor’s death clears the way to prove that. But what if you don’t have an Obi Wan character? What if death isn’t anywhere near your story? Doesn’t matter. At the All Is Lost moment, stick in something, anything that involves a death. It works every time. Whether it’s integral to the story or just something symbolic, hint at something dead here. It could be anything. A flower in a flower pot. A goldfish. News that a beloved aunt has passed away. It’s all the same.

The worst deformities, the foulest stains, disfiguring and blackening all the rest, are the very parts of Fijian nature which, while the most strongly characteristic, are such that may only be hurriedly mentioned, dimly hinted at, or passed by altogether in silence.

When Love comes suddenly and taps on your window, run and let it in but first shut the door of your reason. Even the smallest hint chases love away like smoke that drowns the freshness of the morning breeze. To reason Love can only say, the way is barred, you can't pass through but to the lover it offers a hundred blessings. Before the mind decides to take a step Love has reached the seventh heaven. Before the mind can figure how Love has climbed the Holy Mountain. I must stop this talk now and let Love speak from its nest of silence.

She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.

It took Aaron a minute to find his voice again. He still sounded angry, but there was a muted edge to his, "You wouldn't even look at me. You wouldn't say a word to me unless I said something first. I'm not psychic. How was I supposed to know?" "Because I made you a promise," Andrew said. "I did not forget it just because you chose not to believe me. I did what I said I would do, and fuck you for expecting anything else." There it was again: a hint of that infinite anger at Andrew's core. Aaron opened his mouth, closed it again, and dropped his eyes. Andrew stared at his brother's bowed head for an endless minute. Aaron had given up the fight, but every passing second seemed to put more tension in Andrew's frame. Neil watched Andrew's fingers curl against his thighs, not into fists but a mimicry of crushing the life from someone, and knew Andrew's temper was nearing a breaking point. He put his hand up between them, trying to block Andrew's view of Aaron, and Andrew cut a vicious look at him. A heartbeat later Andrew's expression went dead. Neil regretted his intervention immediately. No one could let go of that much rage that easily; Andrew had simply buried it where it could hurt only him. It was too late to take it back, so Neil dropped his hand to his lap in defeat.

Spring is such a hopeful time on the island, and despite the pall that continues to hover over our nation, I find it impossible to resist. The air is still chilly as a well-digger's ear first thing in the morning, but as the hours pass it hints at the warmth to come in later months. As the days become longer, the rains change. They are less punishing and more promising, bringing out the native grasses and glimpses of green on the trees. Then there are the little families of deer, grazing as if the entire island is a spring buffet, and wild rabbits are hopping everywhere.

Most of the trees were covered in leaves, some streaked with pink in the first hints of autumn. But we passed under one dead tree, leafless but still standing, and I looked up through its branches, which intersected to fracture the cloud-less blue sky into all kings of irregular polygons.

When Vivian describes how it felt to be at the mercy of strangers, Molly nods. She knows full well what it’s like to tamp down your natural inclinations, to force a smile when you feel numb. After a while you don’t know what your own needs are anymore. You’re grateful for the slightest hint of kindness, and then, as you get older, suspicious. Why would anyone do anything for you without expecting something in return? And anyway—most of the time they don’t. More often than not, you see the worst of people. You learn that most adults lie. That most people only look out for themselves. That you are only as interesting as you are useful to someone. And so your personality is shaped. You know too much, and this knowledge makes you wary. You grow fearful and mistrustful. The expression of emotion does not come naturally, so you learn to fake it. To pretend. To display an empathy you don’t actually feel. And so it is that you learn how to pass, if you’re lucky, to look like everyone else, even though you’re broken inside.

Our sense of time passing can even depend on the way we feel about our physical well-being. The psychologist John Bargh gave people anagrams to solve, then noted the time it took them to walk to the lift to go home after the experiment. Half the people were given anagrams of everyday words, but half were given words that might be associated with older people, such as ‘grey’ and ‘bingo’. When these people walked to the lift, these subtle hints about old age had primed them to such a degree that it changed their sense of timing and they walked more slowly.

Abeke stopped to smile at a little boy with dirty cheeks who stooped at the entrance of an alley, quietly watching them pass. As she did, the boy sneered at her, then spit in her direction before running off. She watched him go with her mouth open. “With my remarkable powers of perception,” Rollan said beside her, “I’m getting the very subtle hint that people might … possibly … not like us here. But it’s hard to tell.

By the Wyrd!” Dorian laughed. “He’s trained you well already!” He nudged Chaol with his elbow. “From the way you two are blatantly ignoring me, I’d say she could pass for your sister! Though you don’t really look like each other—it would be hard to pass off someone so pretty as your sister.” Celaena was unable to keep a hint of a smile from her lips. Both she and the prince had grown up under strict, unforgiving fathers—well, father figure in her case. Arobynn had never replaced the father she’d lost, nor had he ever tried to. But at least Arobynn had an excuse for being equal parts tyrannical and doting. Why had the King of Adarlan let his son become anything but an identical copy of himself? “There!” Dorian said. “A reaction—thank the gods I’ve amused her.

Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.

And your novel?" "Oh, I put in my hand and rummage in the bran pie." "That's so wonderful. And it's all different." "Yes, I'm 20 people." That's it: the hand, the bran pie, twenty people. But, you see, in the space of a few self-mocking remarks there are two hints: first, the act of writing is a pure tempting of fate; second, what writing captures doesn't pass through the sieve of a singular I, solidly planted in everyday life, but is twenty people, that is, a number thrown out there to say: when I write, not even I know who I am

You always look up at the sky,” she noted then, voice thick with emotion. “Is there something beyond the stars you’re looking for?” “I’m looking at the moon.” A beat passed. A breath escaped. A soft caress of the clement breeze over the bridge of his nose when he felt her gaze upon his face, akin to a shower of starlight penetrating their cosmos of solace. “Why?” she asked so quietly, so curiously without a hint of malice in her tone. Silver met green, and a grin spread across his lips at the sight of her moonlit face. “It makes me think of you.

There were more violent quarrels in our deeply religious home than in the home of a gangster, a burglar, or a prostitute, a fact which I used to hint gently go Granny and which did my cause no good. Granny bore the standard for God, but she was always fighting. The peace that passes understanding never dwelt with us. I, too, fought; but I fought because I felt I had to keep from being crushed, to fend off continuous attack. But Granny and Aunt Addie quarreled and fought not only with me, but with each other over minor points of religious doctrine, or over some imagined infraction of what they chose to call their moral code. Wherever I found religion in my life I found strife, the attempt of one individual or group to rule another in the name of God. The naked will to power seemed always to walk in the wake of a hymn.

Don’t help anybody’s expectation of you to grow. Don’t even give them a hint that you will fulfill it. Whatsoever suffering you pass through, be ready to pass through it, but don’t allow others to have expectations about you. Otherwise the world will close you in and there will be imprisonment. Once you nod yes to doing something, then you are closed in. You are in the tunnel already, and now with every step, every new act, you will fall into a new misery, new unfulfillment, new lies, new failures. Drop fulfilling others’ expectations, and drop expecting others to fulfill yours. Remember, if you suffer, you suffer because of you; if others suffer, they suffer because of them. Nobody suffers because of others – remember that deeply. Only then will you be able to be really sincere to your inner self; and that sincerity is religiousness.

The mistake I had made, obviously, was in overestimating human intelligence. By and large, one can not deny certain of mankind's achievements, such as the invention of lamb chops and central heating, but many people are strangely unreceptive to nuance. The hint, the diplomatic nudge, the oblique statements--these very often pass straight over their heads, and man and dog find themselves looking at each other through a fog of incomprehension. Thus it was with the management and myself. Delightful and welcoming, they certainly were, but not, it seemed, too quick on the uptake.

So it was that the Red Tower put into production its new, more terrible and perplexing, line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stages of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight and insistently grew back should one attempt to clip them. Numerous natural objects, mostly bulbous gourds, were designed to produce a long, deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough, igneous forms were sent a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling 'hands' were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of a kind which might pass through a fever-stricken or even permanently damaged brain.

The Gift Time wants to show you a different country. It's the one that your life conceals, the one waiting outside when curtains are drawn, the one Grandmother hinted at in her crochet design, the one almost found over at the edge of the music, after the sermon. It's the way life is, and you have it, a few years given. You get killed now and then, violated in various ways. (And sometimes it's turn about.) You get tired of that. Long-suffering, you wait and pray, and maybe good things come-maybe the hurt slackens and you hardly feel it any more. You have a breath without pain. It is called happiness. It's a balance, the taking and passing along, the composting of where you've been and how people and weather treated you. It's a country where you already are, bringing where you have been. Time offers this gift in its millions of ways, turning the world, moving the air, calling, every morning, "Here, take it, it's yours.

Psychologists have devised some ingenious ways to help unpack the human "now." Consider how we run those jerky movie frames together into a smooth and continuous stream. This is known as the "phi phenomenon." The essence of phi shows up in experiments in a darkened room where two small spots are briefly lit in quick succession, at slightly separated locations. What the subjects report seeing is not a succession of spots, but a single spot moving continuously back and forth. Typically, the spots are illuminated for 150 milliseconds separated by an interval of fifty milliseconds. Evidently the brain somehow "fills in" the fifty-millisecond gap. Presumably this "hallucination" or embellishment occurs after the event, because until the second light flashes the subject cannot know the light is "supposed" to move. This hints that the human now is not simultaneous with the visual stimulus, but a bit delayed, allowing time for the brain to reconstruct a plausible fiction of what has happened a few milliseconds before. In a fascinating refinement of the experiment, the first spot is colored red, the second green. This clearly presents the brain with a problem. How will it join together the two discontinuous experiences—red spot, green spot—smoothly? By blending the colors seamlessly into one another? Or something else? In fact, subjects report seeing the spot change color abruptly in the middle of the imagined trajectory, and are even able to indicate exactly where using a pointer. This result leaves us wondering how the subject can apparently experience the "correct" color sensation before the green spot lights up. Is it a type of precognition? Commenting on this eerie phenomenon, the philosopher Nelson Goodman wrote suggestively: "The intervening motion is produced retrospectively, built only after the second flash occurs and projected backwards in time." In his book Consciousness Explained , philosopher Daniel Dennett points out that the illusion of color switch cannot actually be created by the brain until after the green spot appears. "But if the second spot is already 'in conscious experience,' wouldn't it be too late to interpose the illusory content between the conscious experience of the red spot and the conscious experience of the green spot?

That is how time passes when one is left waiting unaccountably. The hours become interminable. The minutes relentless. And the seconds? Why, not only does every last one of them demand its moment on the stage, it insists upon making a soliloquy full of weighty pauses and artful hesitations and then leaps into an encore at the slightest hint of applause.

Is that coffee?” Hunt busied himself with pouring three cups, passing one to Quinlan first. “A drop of coffee in a cup of milk, just as you like it.” “Asshole.” She swiped the mug. “I don’t know how you drink it straight.” “Because I’m a grown-up.” Hunt passed the second mug to Ithan, whose large hands engulfed the white ceramic cup that said I Survived Class of 15032 Senior Week and All I Got Was This Stupid Mug! Ithan peered at it, his mouth twitching. “I remember this mug.” Hunt fell silent as Bryce let out a breathy laugh. “I’m surprised you do, given how drunk you were. Even though you were a sweet baby frosh.” Ithan chuckled, a hint of the handsome, cocky male Hunt had heard about. “You and Danika had me doing keg stands at ten in the morning. How was I supposed to stay sober?” The wolf sipped from his coffee. “My last memory from that day is of you and Danika passed out drunk on a couch you’d moved right into the middle of the quad.” “And why was that your last memory?” Bryce asked sweetly. “Because I was passed out next to you,” Ithan said, grinning now.

So"--he gestured impatiently--"when will you marry him?" "Who?" She seethed, plucking at the folds of her gown. Clouds passed over the moon, momentarily obscuring him from her view. His eerily disembodied voice was mildly reproaching. "Try to follow the conversation, lass. Quinn." "By Odin's shaft--" "Spear," he corrected with a hint of amusement in his voice.

Meridian First daylight on the bittersweet-hung sleeping porch at high summer; dew all over the lawn, sowing diamond- point-highlighted shadows; the hired man's shadow revolving along the walk, a flash of milkpails passing; no threat in sight, no hint anywhere in the universe, of that apathy at the meridian, the noon of absolute boredom; flies crooning black lullabies in the kitchen, milk-soured crocks, cream separator still unwashed; what is there to life but chores and more chores, dishwater, fatigue, unwanted children; nothing to stir the longueur of afternoon except possibly thunderheads; climbing, livid, turreted alabaster lit up from within by splendor and terror -- forded lightening's split-second disaster.

But at the same time there is always a transcendent aspect to the kingdom, expressed in the above sayings in which Jesus hints at repayment to come in eternal life. Or, in psychological terms, one who seeks to establish wholeness in his or her life comes to belong to Life. Having served the purposes of life in this earthly lifetime, he or she continues to serve a spiritual life in a world to come. Exactly what life after death consists of we cannot know in this earthly existence. But if life has a meaning, so does death; and if we become whole, something indestructible is forged in us that, in ways that pass our understanding, joins us to the fabric of eternal life. This is the ultimate promise of the kingdom of God. The

Tengo had no particular desire for other women. What he wanted most of all was uninterrupted free time. If he could have sex on a regular basis, he had nothing more to ask of a woman. He did not welcome the unavoidable responsibility that came with dating a woman his own age, falling in love, and having a sexual relationship. The psychological stages through which one had to pass, the hints regarding various possibilities, the unavoidable collisions of expectations: Tengo hoped to get by without taking on such burdens. The concept of duty always made Tengo cringe. He had lived his life thus far skillfully avoiding any position that entailed responsibility, and to do so, he was prepared to endure most forms of deprivation.

During her time at Miss Porter’s School in Farmington she had often become depressed and was hobbled by fatigue. In 1887, when she was twenty, she wrote in her diary, “Tears come without any provocation. Headache all day.” The school’s headmistress and founder, Sarah Porter, offered therapeutic counsel. “Cheer up,” she told Theodate. “Always be happy.” It did not work. The next year, in March 1888, her parents sent her to Philadelphia, to be examined and cared for by Dr. Silas Weir Mitchell, a physician famous for treating patients, mainly women, suffering from neurasthenia, or nervous exhaustion. Mitchell’s solution for Theodate was his then-famous “Rest Cure,” a period of forced inactivity lasting up to two months. “At first, and in some cases for four or five weeks, I do not permit the patient to sit up or to sew or write or read,” Mitchell wrote, in his book Fat and Blood. “The only action allowed is that needed to clean the teeth.” He forbade some patients from rolling over on their own, insisting they do so only with the help of a nurse. “In such cases I arrange to have the bowels and water passed while lying down, and the patient is lifted on to a lounge at bedtime and sponged, and then lifted back again into the newly-made bed.” For stubborn cases, he reserved mild electrical shock, delivered while the patient was in a filled bathtub. His method reflected his own dim view of women. In his book Wear and Tear; or, Hints for the Overworked, he wrote that women “would do far better if the brain were very lightly tasked.

You’re not weak.” He stalked toward her. The gleam in those grey eyes sent heat to her sex. “What did you mean by finding me and not letting me go?” She swallowed. “I…you’re the one who’s my potential true mate.” He stopped a couple of inches from her and cupped her face. She covered his hand with hers and watched shock, confusion, and hint of joy pass over his handsome features in a swirl of emotion.

Apartment windows are cracked open to the cold to balance overzealous radiators, and there's comfort in the sounds drifting out. Each window Amelia passes hints at the warmth inside: people talking, people laughing, kitchen sounds, the steady pulse of music. Now salsa, now reggae. Now opera, now rock. voices in English, in Spanish in Korean, in junkie gibberish. And she's a part of it, at least as long as the sounds of all those lives wash over her.

His wings burned and he felt ashamed. This life in Italy had been a dark and ugly death for her. One of the worst. He would never stop blaming himself for the horrible way she had passed out of this life. But that was years after where Daniel stood today. This was the hospital where they'd first met, when Lucia was so young and lovely, innocent and saucy in the same breath. Here she had loved him instantly and completely. Though she was too young for Daniel to show he loved her back,he had never discouraged her affection. She used to slip her hand inside his when they strolled under the orange trees on the Piazza della Repubblica,but when he squeezed her hand,she would blush.It always made him laugh,the way she could be so bold, then suddenly turn shy.She used to tell him that she wanted to marry him someday. "You're back!" Daniel spun around. He hadn't heard the door behind him opening. Lucia jumped when she saw him. She was beaming, showing a perfect row of tiny white teeth. Her beauty took his breath away. What did she mean,he was back? Ah, this was when he'd hidden from Luce,frightened of killing her by accident. He was not allowed to reveal anything to her; she had to discover the details for herself. Was he even to hint broadly,she would simply combust. Had he stayed,she might have grilled him and perhaps forced the truth out of him...He didn't dare.

It was surreal, looking at the photographs and realizing how many people had walked these halls before them. Members of the first class would be in their fifties by now. Yet there they were in their photo, immortalized behind glass, forever nineteen and twenty and twenty-one. Farrah detected a shadow of her friends in all of them—a hint of Sammy’s good-natured grin, a trace of Kris’s regal haughtiness, a mischievous twinkle in the eye that would make Courtney proud. The superficial resemblances were there, but she wondered if they laughed as hard and loved as deep, if they had their hearts broken and if they found family here, or if they were just ships passing in the night. Did they keep in touch decades later? Did Shanghai change them, or was it a mere footnote in the stories of their lives? Inexplicably, her heart ached for these strangers. She would never know their stories and secrets, but she knew them. She was, after all, walking in their footsteps.

In every direction upon these moors there were traces of some vanished race which had passed utterly away, and left as its sole record strange monuments of stone, irregular mounds which contained the burned ashes of the dead, and curious earthworks which hinted at prehistoric strife. The glamour and mystery of the place, with its sinister atmosphere of forgotten nations, appealed to the imagination of my friend, and he spent much of his time in long walks and solitary meditations upon the moor. The

He cleared his throat and read from the book: “ ‘It was at moments such as these that Joseph recognized the face of God in human form. It glimmered in their kindness to him, it glowed in their keenness, it hinted in their caring, indeed it caressed in their gaze.’ ” He paused and took off his reading glasses again. “It glimmered in their kindness to him,” he repeated, smiling. “Such a simple thing, kindness. Such a simple thing. A nice word of encouragement given when needed. An act of friendship. A passing smile.” He

It must be remembered that in Mark’s mind hardly one rag of noble thought, either Christian or Pagan, had a secure lodging. His education had been neither scientific nor classical—merely “Modern.” The severities both of abstraction and of high human tradition had passed him by: and he had neither peasant shrewdness nor aristocratic honor to help him. He was a man of straw, a glib examinee in subjects that require no exact knowledge (he had always done well on Essays and General Papers) and the first hint of a real threat to his bodily life knocked him sprawling.

It was dark in the corridor, they were standing near the lamp. For a minute they were looking at one another in silence. Razumihin remembered that minute all his life. Raskolnikov's burning and intent eyes grew more penetrating every moment, piercing into his soul, into his consciousness. Suddenly Razumihin started. Something strange, as it were, passed between them.... Some idea, some hint, as it were, slipped, something awful, hideous, and suddenly understood on both sides.... Razumihin turned pale. "Do you understand now?" said Raskolnikov, his face twitching nervously. "Go back, go to them," he said suddenly, and turning quickly, he went out of the house. I will not attempt to describe how Razumihin went back to the ladies, how he soothed them, how he protested that Rodya needed rest in his illness, protested that Rodya was sure to come, that he would come every day, that he was very, very much upset, that he must not be irritated, that he, Razumihin, would watch over him, would get him a doctor, the best doctor, a consultation.... In fact from that evening Razumihin took his place with them as a son and a brother.

You must convince your chiefs that what you're telling 'em is important, which ain't difficult, since they want to believe you, having chiefs of their own to satisfy; make as much mystery of your methods as you can; hint what a thoroughgoing ruffian you can be in a good cause, but never forget that innocence shines brighter than any virtue, "Flashman? Extraordinary fellow - kicks 'em in the crotch with the heart of a child"; remember that silence frequently passes for shrewdness, and that while suppressio veri is a damned good servant, suggestio falsi is a perilous master.

So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling "hands" were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.

The next year, in March 1888, her parents sent her to Philadelphia, to be examined and cared for by Dr. Silas Weir Mitchell, a physician famous for treating patients, mainly women, suffering from neurasthenia, or nervous exhaustion. Mitchell’s solution for Theodate was his then-famous “Rest Cure,” a period of forced inactivity lasting up to two months. “At first, and in some cases for four or five weeks, I do not permit the patient to sit up or to sew or write or read,” Mitchell wrote, in his book Fat and Blood. “The only action allowed is that needed to clean the teeth.” He forbade some patients from rolling over on their own, insisting they do so only with the help of a nurse. “In such cases I arrange to have the bowels and water passed while lying down, and the patient is lifted on to a lounge at bedtime and sponged, and then lifted back again into the newly-made bed.” For stubborn cases, he reserved mild electrical shock, delivered while the patient was in a filled bathtub. His method reflected his own dim view of women. In his book Wear and Tear; or, Hints for the Overworked, he wrote that women “would do far better if the brain were very lightly tasked.

There are problems I never tackle, which do not lie in my path or belong to my world. Problems of the intellectual world of the West which Beethoven (& perhaps Goethe to a certain extent) tackled & wrestled with but which no philosopher has ever confronted (perhaps Nietzsche passed close to them). And perhaps they are lost to western philosophy, that is there will be no one there who experiences and so can describe the development of this culture as an epic. Or more precisely it just is no longer an epic, or is one only for someone who observes it from outside & perhaps Beethoven did this with prevision (as Spengler hints in one place).

since beauty in a human being is different from the beauty of a thing, since we feel it belongs to a unique person with an awareness of the world and a will, no sooner had the girl’s individuality, a vague hint of soul, a will unknown to me, taken shape in a microscopic image, minute but complete, caught from her passing glance, than I could feel quickening within myself, like a mysterious replica of pollens ready for the pistils, the equally vague and minute embryo of the desire not to let this girl go on her way without having her consciousness register my presence, without my intervening between her and her desire for somebody else, without my being able to intrude upon her idle mood and take possession of her heart. The carriage passed the beautiful girl, leaving her behind us; and since her eyes, which had barely glimpsed me, had gathered nothing of the person in me, she had forgotten me already. Had I thought her so lovely only because I had caught a mere glimpse of her? Perhaps. For one thing, the impossibility of stopping and accosting a woman, the likelihood of not being able to find her again some other day, gives her the same sudden charm as is acquired by a place when illness or poverty prevents one from visiting it, or by the succession of drab days of one’s unlived future when it is forfeit to death in battle.

D’you think he knew the Ministry would confiscate his will and examine everything he’d left us?” asked Harry. “Definitely,” said Hermione. “He couldn’t tell us in the will why he was leaving us these things, but that still doesn’t explain…” “…why he couldn’t have given us a hint when he was alive?” asked Ron. “Well, exactly,” said Hermione, now flicking through The Tales of Beedle the Bard. “If these things are important enough to pass on right under the nose of the Ministry, you’d think he’d have let us know why…unless he thought it was obvious?” “Thought wrong, then, didn’t he?” said Ron. “I always said he was mental. Brilliant and everything, but cracked. Leaving Harry an old Snitch--what the hell was that about?” “I’ve no idea,” said Hermione. “When Scrimgeour made you take it, Harry, I was so sure that something was going to happen!” “Yeah, well,” said Harry, his pulse quickening as he raised the Snitch in his fingers. “I wasn’t going to try too hard in front of Scrimgeour, was I?” “What do you mean?” asked Hermione. “The Snitch I caught in my first every Quidditch match?” said Harry. “Don’t you remember?” Hermione looked simply bemused. Ron, however, gasped, pointing frantically from Harry to the Snitch and back again until he found his voice. “That was the one you nearly swallowed!” “Exactly,” said Harry, and with his heart beating fast, he pressed his mouth to the Snitch.

The ruined island contains special markers around the borders, to trick the radiation detectors the Silvers use to survey the old battlefields. This is how they protect it, the home of the Scarlet Guard. In Norta, at least. That’s what Farley said, hinting at more bases across the country. And soon, it will be the sanctuary of every Red refugee fleeing the king’s new punishments. Every building we pass looks decrepit, coated in ash and weeds, but upon closer inspection, there’s something much more. Footprints in the dust, a light in a window, the smell of cooking wafting up from a drain. People, Reds, have a city of their own right here, hiding in plain sight. Electricity is scarce but smiles are not.

Imagine a vast hall in Anglo-Saxon England, not long after the passing of King Arthur. It is the dead of winter and a fierce snowstorm rages outside, but a great fire fills the space within the hall with warmth and light. Now and then, a sparrow darts in for refuge from the weather. It appears as if from nowhere, flits about joyfully in the light, and then disappears again, and where it comes from and where it goes next in that stormy darkness, we do not know. Our lives are like that, suggests an old story in Bede’s medieval history of England. We spend our days in the familiar world of our five senses, but what lies beyond that, if anything, we have no idea. Those sparrows are hints of something more outside – a vast world,

I have never been in a building as forlorn as this old library, with its bruised beauty, its loneliness. Abandoned buildings have a quaking, aching emptiness deeper than the emptiness of a building that has never been filled up. This building was full of what it was missing. It was as if the people who passed through had left a small indent in the air: Their absence was present, it lingered. The kid who learned to read here; the student who wrote a term paper here; the bookworm who wandered happily through these shelves: all gone, gone, gone. A few books were still on the shelves—books that had mysteriously been overlooked when the place was cleared out, like survivors of a neutron bomb. They made the ones that were missing have a slippery, hinted-at presence, as if I were seeing ghosts.

A graveyard. It's the largest cemetery I've ever seen--a place Jack would surely love. A long rectangle of green lawn lined with rows and rows of old, moss-coated and weather-worn gravestones. Rain pounds the earth, and the cold tickle of air against my neck reminds me of the cemetery in Halloween Town. A feeling that exists in every cemetery, it seems. That hint of death. Of sorrow. Of lives brought to an end. But I don't have to go far before I find a small stone structure, an ornate mausoleum with spires along the roofline and a copper door, tarnished green from the rain. A tomb where the dead are placed to rest. I glance up the path, the cemetery glistening in the wet air. I have passed through many realms, all the way into the human world to a city made strangely silent, and now this mausoleum is my way home. My way back to Jack.

Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.

Descriptions of a killer global flood that inundated the inhabited lands of the world turn up everywhere amongst the myths of antiquity. In many cases these myths clearly hint that the deluge swept away an advanced civilization that had somehow angered the gods, sparing 'none but the unlettered and the uncultured' and obliging the survivors to 'begin again like children in complete ignorance of what happened ... in early times'. Such stories turn up in Vedic India, in the pre-Columbian Americas, in ancient Egypt. They were told by the Sumerians, the Babylonians, the Greeks, the Arabs and the Jews. They were repeated in China and south-east Asia, in prehistoric northern Europe and across the Pacific. Almost universally, where truly ancient traditions have been preserved, even amongst mountain peoples and desert nomads, vivid descriptions have been passed down of global floods in which the majority of mankind perished.

I would like to see you cheat,” Elizabeth said impulsively, smiling at him. His hands stilled, his eyes intent on her face. “I beg your pardon?” “What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.” Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards. Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand. In it there were four kings. Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards. She won three shillings and was pleased as could be. He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?” “Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her. “Who is Celton?” Jordan inquired. “Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand. In it there were four aces. She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening. Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?” “Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.” “There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration. “Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.” The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting. “It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.” Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips. “With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.” Ian chuckled. “Not a bad idea. What would your role be?” “Breaking us out of Newgate!” Elizabeth laughed. “Exactly.

Let’s imagine a woman has let pass several opportunities to pursue a relationship with a suitor. Every hint, response, action, and inaction has communicated that she is not interested. If the man still pursues at this point, though it will doubtless appear harsh to some, it is time for an unconditional and explicit rejection. Because I know that few American men have heard it, and few women have spoken it, here is what an unconditional and explicit rejection sounds like: No matter what you may have assumed till now, and no matter for what reason you assumed it, I have no romantic interest in you whatsoever. I am certain I never will. I expect that knowing this, you’ll put your attention elsewhere, which I understand, because that’s what I intend to do. There is only one appropriate reaction to this: acceptance. However the man communicates it, the basic concept would ideally be: “I hear you, I understand, and while I am disappointed, I will certainly respect your decision.

The joy and power of portraiture is that it freezes us in time. Before the portrait, we were younger. After it has been created we will age or we will rot. Even Marc Quinn's chilled nightmare self-protraits in liquid silicone and blood can only preserve a specific moment in time: they cannot age and die as Quinn does and will. Ask the question, Who are we? and the portraits give us answers of a sort. We came from here, the old ones say. These were our kings and queens, our wise ones and our fools. We walk into the BP exhibition hall and they tell us who we are today: a confluence of artistic styles and approaches, of people we could pass in the streets. We look like this, naked and clothed, they tell us. We are here, in this image, because a painter had something to say. Because we are all interesting. Because we cannot gaze into a mirror without being changed. Because we do not know who we are, but sometimes there is a light caught in someone's eyes, that comes close to giving us the tiniest hint of an answer.

You would expect the loss of a stable existence on earth to drive a search for fixity on a higher sphere. If this is the case, a rise in the appeal of fundamentalism will testify to the experience of impermanence. That takes me deep into the realm of subjectivity, but there are empirical hints and signs. In Egypt, we saw, the old regime was initially replaced by the Muslim Brotherhood, which won the country’s only fair elections to date. The hard reality in the Middle East is that Islamist groups have prospered wherever secular Arab authoritarians have wobbled. In the US, the more demanding faiths — evangelists, Mormons, Hasidics — have grown at the expense of older institutions which too much resemble the earth-bound hierarchies of the Center. The spread of Christianity in China is among today’s best-kept secrets. For the governing classes and articulate elites of the world, this turn to religion is both appalling and incomprehensible — but this is a denial of human nature. If the City of Man becomes a passing shadow, people will turn to the City of God.

He brushed past us, and did not interrupt what he was saying to her, but gave us, out of the corner of his blue eye, a little sign, which began and ended, so to speak, inside his eyelids, and as it did not involve the least movement of his facial muscles, managed to pass quite unperceived by the lady; but, striving to compensate by the intensity of his feelings for the somewhat restricted field in which they had to find expression, he made that blue chink, which was set apart for us, sparkle with all the animation of cordiality, which went far beyond mere playfulness, and almost touched the border-line of roguery; he subtilised the refinements of good-fellowship into a wink of connivance, a hint, a hidden meaning, a secret understanding, all the mysteries of complicity in a plot, and finally exalted his assurances of friendship to the level of protestations of affection, even of a declaration of love, lighting up for us, and for us alone, with a secret and languid flame invisible by the great lady upon his other side, an enamoured pupil in a countenance of ice.

Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard." "That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting." The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath. "Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself." "Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?" I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it." I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words. "Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.

It's a parade of flawless tuna deliciousness! But by far, the most dangerous piece... is the one that looks like a bomb of pure tuna goodness, the straw-grilled, seared noten sushi! The noten- a cut of meat from the top of the tuna's head- is one of the priciest cuts. Extravagantly fatty, its richness melds with the fragrant searing into a powerful duo! Yet there isn't the first hint of fishiness! Searing it using aromatic straw burned it away, leaving only pure savory flavor behind to please both nose and palate!" "His Trace was dead-on. Looks like it really will be his arrangements on that Gunkan Maki that decide this card." "I can't even begin to guess what it tastes like." What's this on top of the minced tuna and leeks?! Is it... meringue?! "Aah! Now I see! I know what Subaru Mimasaka took out at that moment! It was the same smoked soy sauce he passed to Kuga!" The mellow, full-bodied aroma of smoked soy sauce has seeped into every crevice of the minced tuna... ... while the differing textures of the meringue and the negitoro create deeper, more complex layers to the flavor! If I were to name it, I would call it the "Ultimate Negitoro Eggs-over-Rice Gunkan Sushi"! Minced tuna rib meat mixed with leeks and smoked soy sauce, topped with quail-egg yolk

Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.” Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt. “It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.” “So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?” He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions. She never had been very good at resisting his dares. “Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee. Vaughn raised an eyebrow. “You have a list?” “Yep.” “Of course you do.” Isabelle looked over, surprised. “You never told me about this.” “What kind of list?” Kathleen asked interestedly. “It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.” Vaughn rolled his eyes. “And now I’ve heard it all.” “Where did you find this list?” Simon asked. “Is this something all women know about?” “Why? Worried you won’t pass muster?” Isabelle winked at him. “I did some research,” Sidney said. “Pulled it together after reading several articles online.” “Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?” Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?” She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.” “But all it takes is one,” Isabelle said, with a loving smile at her fiancé. Simon slid his hand across the table, covering hers affectionately. “The right one.” Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow. Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.” Kathleen shushed him. “Don’t tease your brother.” “What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.” Sidney laughed out loud. Quickly, she bit her lip to cover.

Look not too long in the face of fire, o man! Never dream with thy hand on the helm! Turn not thy back to the compass; accept the first hint of the hitching thriller; believe not the artificial fire, when its redness makes all things look ghastly. To-morrow, in the natural sun, the skies will be bright; those who glared like devils in the forking flames, the morn will show in far other, at least gentler, relief; the glorious, golden, glad sun, the only true lamp- all others but liars! Nevertheless the sun hides not Virginia's Dismal Swamp, nor Rome's accursed Campagna, nor wide Sahara, nor all the millions of miles of deserts and of griefs beneath the moon. The sun hides not the ocean, which is the dark side of this earth, and which is two thirds of this earth. So, therefore, that mortal man who hath more of joy than sorrow in him, that mortal man cannot be true- not true, or undeveloped. With books the same. The truest of all men was the Man of Sorrows, and the truest of all books is Solomon's, and Ecclesiastes is the fine hammered steel of woe. "All is vanity." All. This wilful world hath not got hold of unchristian Solomon's wisdom yet. But he who dodges hospitals and jails, and walks fast crossing grave-yards, and would rather talk of operas than hell; calls Cowper, Young, Pascal, Rousseau, poor devils all of sick men; and throughout a care-free lifetime swears by Rabelais as passing wise, and therefor jolly;- not that man is fitted to sit down on tomb-stones, and break the green damp mould with unfathomably wondrous Solomon. But even Solomon, he says, "the man that wandereth out of the way of understanding shall remain" (i.e., even while living) "in the congregation of the dead." Give not thyself up, then, to the fire, lest it invert thee, deaden thee; as for the time it did me. There is a wisdom that is woe; but there is a woe that is madness. And there is a Catskill eagle in some souls that can alike dive down into the blackest gorges, and soar out of them again and become invisible in the sunny spaces. And even if he for ever flies within the gorge, that gorge is in the mountains; so that even in his lowest swoop the mountain eagle is still higher than other birds upon the plain, even though they soar.

Their Graces bought me, you know. They’d acquired my brother Devlin the year before, and my mother, inspired by this development, threatened to publish all manner of lurid memoirs regarding His Grace.” Acquired her brother? As if he were a promising yearling colt or an attractive patch of ground? “You are going to burden me with the details of your family past, I take it?” “You are the man who glories in details.” Without the least rude inflection, she made it sound like a failing. “My point is that my mother sold me. She could just as easily have sold me to a brothel. It’s done all the time. Unlike your sisters, Mr. Hazlit, I do not take for granted the propriety with which I was raised. You may ignore it if you please; I will not.” She had such a lovely voice. Light, soft, lilting with a hint of something Gaelic or Celtic… exotic. The sound of her voice was so pretty, it almost disguised the ugliness of her words. “How old were you?” “Five, possibly six. It depends on whether I am truly Moreland’s by-blow or just a result of my mother’s schemes in his direction.” Six years old and sold to a brothel? The food he’d eaten threatened to rebel. “I’m… sorry.” For calling her a dollymop, for making her repeat this miserable tale, for what he was about to suggest. She turned her head to regard him, the slight sheen in her eyes making him sorrier still. Sorrier than he could recall being about anything in a long, long time. Not just guilty and ashamed, but full of regret—for her. The way he’d been full of regret for his sisters and powerless to do anything but support them in their solitary struggles. He shoved that thought aside, along with the odd notion that he should take Magdalene Windham’s hand in some laughable gesture of comfort. He passed her his handkerchief instead. “This makes the stated purpose of my call somewhat awkward.” “It makes just about everything somewhat awkward,” she said quietly. “Try a few years at finishing school when you’re the daughter of not just a courtesan—there are some of those, after all—but a courtesan who sells her offspring. I realized fairly early that my mother’s great failing was not a lack of virtue, but rather that she was greedy in her fall from grace.” “She exploited a child,” Hazlit said. “That is an order of magnitude different from parlaying with an adult male in a transaction of mutual benefit.” “Do you think so?” She laid his handkerchief out in her lap, her fingers running over his monogrammed initials. “Some might say she was protecting me, providing for me and holding the duke accountable for his youthful indiscretions.” Despite her mild tone, Hazlit didn’t think Miss Windham would reach those conclusions. She might long to, but she wouldn’t. By the age of six a child usually had the measure of her caretakers. And to think of Maggie Windham at six… big innocent green eyes, masses of red hair, perfect skin… in a brothel. “I

The uncomfortable assumption had begun to dawn on me that maybe this was all some sex-related thing I was better off not knowing. I looked at the side of his face: petulant, irritable, glasses low on the tip of his sharp little nose and the beginnings of jowls at his jawline. Might Henry have made a pass at him in Rome? Incredible, but a possible hypothesis. If he had, certainly, all hell would have broken loose. I could not think of much else that would involve this much whispering and secrecy, or that would have had so strong an effect on Bunny. He was the only one of us who had a girlfriend and I was pretty sure he slept with her, but at the same time he was incredibly prudish — touchy, easily offended, at root hypocritical. Besides, there was something unquestionably odd about the way Henry was constantly shelling out money to him: paying his tabs, footing his bills, doling out cash like a husband to a spendthrift wife. Perhaps Bunny had allowed his greed to get the better of him, and was angry to discover that Henry's largesse had strings attached. But did it? There were certainly strings somewhere, though — easy as it seemed on the face of it — I wasn't sure that this was where those particular strings led. There was of course that thing with Julian in the hallway; still, that had been very different. I had lived with Henry for a month, and there hadn't been the faintest hint of that sort of tension, which I, being rather more disinclined that way than not, am quick to pick up on. I had caught a strong breath of it from Francis, a whiff of at times from Julian; and even Charles, who I knew was interested in women, had a sort of naive, prepubescent shyness of them that a man like my father would have interpreted alarmingly — but with Henry, zero. Geiger counters dead. If anything, it was Camilla he seemed fondest of, Camilla he bent over attentively when she spoke, Camilla who was most often the recipient of his infrequent smiles. And even if there was a side of him which I was unaware (which was possible) was it possible that he was attracted to Bunny? The answer to this seemed, almost unquestionable, No. Not only did he behave as if he wasn't attracted to Bunny, he acted as if he were hardly able to stand him. And it seemed that he, disgusted by Bunny in what appeared to be virtually all respects, would be far more disgusted in that particular one than even I would be. It was possible for me to recognize, in a general sort of way, that Bunny was handsome, but if I brought the lens any closer and tried to focus on him in a sexual light, all I got was a repugnant miasma of sour-smelling shirts and muscles gone to fat and dirty socks. Girls didn't seem to mind that sort of thing, but to me he was about as erotic as an old football coach.

I set a fast pace back towards the House and their footsteps followed close behind me, punctuated with hissed fragments of conversation as they tried to figure out what to do. As we closed in on the glass building, the boy declared that he was going to seek out Darcy and left us, his feet hitting the path at a thumping pace as he ran. I ignored them both and kept going all the way back to the House, taking the stairs two at a time before striding through the common room. I received several curious glances as we passed but most people had headed to their rooms already and the look I threw the others was enough to stop them from taking photographs or asking questions. I made it to my bedroom door before Sofia caught up to me again and she was even brave enough to grab my arm to halt me. “What?” I asked, lacing my voice with a bit of threat. Sofia blanched at my tone but didn’t back down and I found myself equally surprised and impressed by the devotion of this nothing little Fae to the girl in my arms. “Why are you taking her to your room?” she demanded. “I’ve got her bag right here with her key and-” “And while she’s in this state she could lose control again and burn the whole House down,” I replied. “I’ll have to stay with her tonight until she sleeps off the alcohol you watched her consume.” There was more than a hint of accusation in my tone but the girl didn’t even flinch this time. “And that’s all you’re going to do?” Sofia demanded. “You’re not going to play some trick on her or hurt her or...” She didn’t finish that accusation but her gaze flickered to the point where my hand was gripping Roxy’s bare thigh as I held her. “I’m not a fucking rapist,” I snapped. “I can have any girl I want in my bed any night of the week, why would I want to molest an unconscious one who hates me?” Sofia backed off instantly, seeming satisfied by whatever she’d seen in my eyes as her shoulders sagged a little. “Okay, I didn’t mean to imply...just...look after her,” she said, frowning at Roxy again with concern as she passed me her bag and backed up. I made to turn away from her then an idea occurred to me. “Wait…Sofia, right?” I asked, trying to sound vaguely friendly. It wasn’t something I attempted often and the frown she gave me said I was terrible at it. “Yes…” “I er, have this… cousin. Third cousin actually, who just emerged as a Pegasus…” “Good for her. Why are you telling me this?” she asked suspiciously. “It’s a him. He’s called…Phillip.” “Phillip?” She looked at me like no one in the world was actually called Phillip and I had to admit I’d never met one. Dammit. Why did I pick that fucking name? “Yeah. Well, as you can imagine in a family of pure blooded Dragons, Phillip isn’t coping so well with the shame of-” “Shame of what?” she asked, a clear challenge in her eyes for me to dare to finish that sentence. And in hindsight implying her Order was shameful probably wasn’t the best way to get her to help me. I shifted Roxy in my arms and sighed, wondering if I should just abandon this idea. But this girl had impressed me tonight despite her weakness and I didn’t really have anyone else to ask so I barrelled on. “I’ll level with you. Me calling your Order shameful is about the closest to a compliment he’d get from a member of my family on the subject. He’s been locked in his house, hidden away from the world, his father has actually considered killing him to conceal his true nature. He’s…alone. And he could really use someone of his Order to talk to…” My throat felt tight, I didn’t know if this was a terrible idea but Xavier had sounded so broken on the phone earlier, so desperate, I just wanted to try and help him. And maybe having another Pegasus to talk to would help him see some good in what he was. (Darius POV)

If Bliss Brain is so desirable and pleasurable, why is it so fragile? Why can our brains be distracted from happiness by the slightest hint of a thought? Why is the demon’s slightest whisper enough to drag us out of bliss? Why are our brains hardwired for negativity? The answer is simple: That’s how our ancestors survived. Those who were the most responsive to danger lived. If your ancestor’s brain had a genetic mutation that heard the rustle of the tiger in the grass a nanosecond earlier, he started running a moment sooner. Genes that paid close attention to threats conferred an enormous survival advantage, as I illustrate in my book The Genie in Your Genes. People who were less responsive to potential threats died, and their genes were lost to the gene pool. Those who reacted to the smallest hint of danger survived, passing their paranoid genes to the next generation. In contrast, happiness provided little or no survival value. Fail to notice a beautiful sunset, ignore the sound of children singing, walk by a rose bush without smelling the blooms? Nothing bad happens. But miss the rustle of the tiger? That’s fatal. So thousands of generations of evolution have honed our ability to respond to even the most minuscule whisper of the remotest possibility of threat, and abandon happiness at the drop of a hat. Mother Nature cares greatly about your survival—and not at all about your happiness. That’s why the DMN defaults to worry, instead of to bliss. Mentally rehearsing future stuff that might just possibly hurt us, past stuff that definitely hurt us, and present stuff that might signal danger—all these are signs of a brain that is successfully practicing the strategies that ensured our ancestors’ survival. This isn’t bad. It’s just excessive for the safe modern world in which we live. If you’re at a construction site where a skyscraper is being built, you wear a hard hat and safety goggles. Such an outfit is entirely appropriate for that context. As attire for tea with the queen? Not so much. Although the DMN interrupts meditation, it plays a useful role in our lives. It is active when we are thinking about others, considering our safety, remembering the past, and planning for the future. It is also active in self-oriented and social tasks, including memorizing the experiences we collect during task-oriented activities. The path of your inner mystic will elevate you to enlightenment. The goal of your inner demon is to keep you safe. You can’t get enlightened if you’ve been eaten by the tiger.

don’t read stuff when we win, and I don’t read stuff when we lose. Why? Because I was there,” Ellis says. “I know how it felt, and I know what it looked like. The only people I worry about and care about is the players.” The questions about their lackluster performances had started to become routine for the players passing through the mixed zones after practices and games in Canada. The players uniformly said the same thing: They know they can play better, they are not worried, and, no, they don’t listen to what the critics have to say. But with Carli Lloyd, who stuck to the same message as her teammates, there was a hint of frustration. Lloyd is the kind of player who wants to take a game by the scruff of the neck and win it all on her own. She hadn’t been able to do that.

But it is an archaeological site called Sunghir, discovered in the 1950s on the muddy banks of Klyazma River on the eastern fringes of the Russian city of Vladimir, that hints at how these populations busied themselves while waiting for the worst of winter to pass. Included among the stone tools and other more conventional bits and pieces, archaeologists there discovered several graves. None were more remarkable than the elaborate shared grave of two young boys who, sometime between 30,000 and 34,000 years ago, were buried together alongside a straightened mammoth-tusk lance in clothing decorated with nearly 10,000 laboriously carved mammoth-tusk beads, as well as pieces including a belt decorated with teeth plucked from the skulls of over a hundred foxes. With archaeologists estimating it took up to 10,000 hours of work to carve these beads alone—roughly equivalent to five years’ full-time effort for one individual working forty hours a week—some have suggested that these boys must have enjoyed something resembling noble status, and as a result that these graves indicate formal inequality among these foragers.11 It is at best tenuous evidence of institutional hierarchy; after all, some egalitarian foraging societies like the Ju/’hoansi made similarly elaborate items. But the amount of

Nevertheless, they felt a powerful urge to impart their wisdom to their friends at ARPA. Thanks to the legal beagles’ strictures, they were reduced to getting their points across by a weird pantomime of asking inscrutable but cunningly pointed questions. “Somebody would be talking about the design for some element and we’d drop all these hints,” Shoch recalled. “We’d say, ‘You know, that’s interesting, but what happens if this error message comes back, and what happens if that’s followed by a delayed duplicate that was slowed down in its response from a distant gateway when the flow control wouldn’t take it but it worked its way back and got here late? What do you do then?’ There would be this pause and they’d say, ‘You’ve tried this!’ And we’d reply, ‘Hey, we never said that!’” Eventually they managed to communicate enough of Pup’s architecture for it to become a crucial part of the ARPANET standard known as TCP/IP, which to this date is what enables data packets to pass gracefully across the global data network known as the Internet—with a capital “I.

nothing as Luke, with a hint of a grin on his now-ugly face, tied my hands with a hemp rope to a post. I said nothing as my shirt was ripped, by someone unidentified, from my body. I said nothing as the leather stung me, ripped me, burned me. Before I passed out, I was surprised by the realization that my flowing

An item,” he said softly, his eyes on the disc, “that passes without provenance, pursued by many who thirst for its cold kiss, on which life and all that lay within life is often gambled. Alone, a beggar’s crown. In great numbers, a king’s folly. Weighted with ruin, yet blood washes from it beneath the lightest rain, and to the next no hint of its cost. It is as it is, says Kruppe, worthless but for those who insist otherwise.

There are two worlds. One is made of water and earth, of rock and minerals. It has a core, a mantle and a crust, and oxygen for breathing. The other is made of fear. I have inhabited each and know one to feel deceptively like the other. Until it is too late, and you are watching the eyes of the other inmates to see if there is death in them, watching every face you pass, listening to the angry hum for a hint you are its next target, clawing at the walls of your cell to get free, to get out, for air and sky and please, not this shrinking tomb. The fear world is worse than death. It is worse than anything.

High-context communication works beautifully when we are from the same culture and interpret cultural cues the same way. When two Japanese people communicate, the shared contextual understanding makes it easy for them to read the air. Time is saved (no need to repeat an idea three times), relationships are maintained (no need to tell you a direct “no” when I can hint at it and you can pick up the message), and group harmony is preserved. But when team members come from different cultures, high-context communication breaks down. The speaker may be passing a message between the lines, and the listener may be actively focused on scanning for meaning. But because the two individuals come from completely different cultural contexts, the message received is different from the message sent, and the likelihood of misunderstanding multiplies.

It was dark in the corridor, they were standing near the lamp. For a minute they were looking at one another in silence. Razumihin remembered that minute all his life. Raskolnikov's burning and intent eyes grew more penetrating every moment, piercing into his soul, into his consciousness. Suddenly Razumihin started. Something strange, as it were, passed between them.... Some idea, some hint, as it were, slipped, something awful, hideous, and suddenly understood on both sides.... Razumihin turned pale. "Do you understand now?" said Raskolnikov, his face twitching nervously. "Go back, go to them," he said suddenly, and turning quickly, he went out of the house.

In Veyne’s opinion, the emergence of this austere morality was the “great unnoticed event” that separated the freewheeling sexual mores of classical Greeks and Romans from the hard-bitten, ascetically inclined moralists of the second and third centuries. Far from being easygoing gentlemen (as they had usually been portrayed, with more than a hint of approval), the Romans of the Antonine Age were a somber lot. They passed on to the Christian church icy views on sex and marriage that would last in Europe until modern times.

It was dark in the corridor, they were standing near the lamp. For a minute they were looking at one another in silence. Razumihin remembered that minute all his life. Raskolnikov's burning and intent eyes grew more penetrating every moment, piercing into his soul, into his consciousness. Suddenly Razumihin started. Something strange, as it were, passed between them.... Some idea, some hint as it were, slipped, something awful, hideous, and suddenly understood on both sides... Razumihin turned pale. "Do you understand now?" said Raskolnikov, his face twitching nervously. "Go back, go to them," he said suddenly, and turning quickly, he went out of the house.

Imagine a vast hall in Anglo-Saxon England, not long after the passing of King Arthur. It is the dead of winter and a fierce snowstorm rages outside, but a great fire fills the space within the hall with warmth and light. Now and then, a sparrow darts in for refuge from the weather. It appears as if from nowhere, flits about joyfully in the light, and then disappears again, and where it comes from and where it goes next in that stormy darkness, we do not know. Our lives are like that[...] We spend our days in the familiar world of our five senses, but what lies beyond that, if anything, we have no idea. The sparrows are hints of something more outside --a vast world, perhaps, waiting to be explored.

We lay on our backs on hot sand and baked in the sun. Salt-crusted, preserved. Later, in the darkness of the green dome I felt his hand brush against my thigh, and with it the same electric pulse of need there had always been. Silence descended; everything stopped; I didn’t move, afraid to ignite a want that wouldn’t be satisfied, or lose a hope I’d held on to forever. He hesitated for a long moment, his hand stretching hot against my cold skin, a moment that hung between us in an unanswered question. Days passed. Clouds moved in from the south-west, white rolling cumuli disappearing inland. Winds changed direction: damp and light from the west; dry and cooling from the east; colder from the north-west, carrying hints of another season soon behind; then gently from the south, summer not quite yet spent. The heat reflected off the flat rocks, less jagged than those that surrounded them in the cove. We dried clothes on them, sat the stove flat on them to cook limpets, cracked an egg on them in the hope that it might fry, but when it didn’t, scraped it up and scrambled it, picking out bits of sand and grit. We lay on them, crisping to leathery brown. Bodies that fourteen months earlier were hunched and tired, soft and pale, were now lean and tanned, with a refound muscularity that we’d thought lost forever. Our hair was fried and falling out, our nails broken, clothes worn to a thread, but we were alive. Not just breathing through the thirty thousand or so days between life and death, but knowing each minute as it passed, swirling around in an exploration of time. The rock gave back the heat as it followed the arc of the sun, gulls called in differing tones as the tide left the shore and then returned, my hands wrinkled with age and my thighs changed to a new shape with passing miles, but when he pulled me to him and kissed me with an urgency that wasn’t in doubt, with a fervour that wouldn’t fail, time turned. I was ten million minutes and nineteen years ago, I was in the bus stop about to go back to his house, knowing his parents weren’t home, I was a mother of toddlers stealing moments in a walk-in wardrobe, we were us, every second of us, a long-marinated stew of life’s ingredients. We were everything we wanted to be and everything we didn’t. And we were free, free to be all those things, and stronger because of them. Skin on longed-for skin, life could wait, time could wait, death could wait. This second in the millions of seconds was the only one, the only one that we could live in. I was home, there was nothing left to search for, he was my home.

Following the Soviet invasion, the Communists, to their credit, passed decrees making girls’ education compulsory and abolishing certain oppressive tribal customs—such as the bride-price, a payment to the bride’s family in return for her hand in marriage. However, by massacring thousands of tribal elders, they paved the way for the “commanders” to step in as the new elite. Aided by American and Saudi patronage, extremism flourished. What had once been a social practice confined to areas deep in the hinterlands now became a political practice, which, according to ideologues, applied to the entire country. The modest gains of urban women were erased. “The first time a woman enters her husband’s house," Heela “told me about life in the countryside, “she wears white”—her wedding dress—“and the first time she leaves, she wears white”—the color of the Muslim funeral shroud. The rules of this arrangement were intricate and precise, and, it seemed to Heela, unchanged from time immemorial. In Uruzgan, a woman did not step outside her compound. In an emergency, she required the company of a male blood relative to leave, and then only with her father’s or husband’s permission. Even the sound of her voice carried a hint of subversion, so she was kept out of hearing range of unrelated males. When the man of the house was not present, boys were dispatched to greet visitors. Unrelated males also did not inquire directly about a female member of the house. Asking “How is your wife?” qualified as somewhere between uncomfortably impolite and downright boorish. The markers of a woman’s life—births, anniversaries, funerals, prayers, feasts—existed entirely within the four walls of her home. Gossip, hopscotching from living room to living room, was carried by husbands or sons.

A surprise isn't a surprise if you blow it ahead of time." She shook her head. "That sounds a lot like 'a wish won't come true unless you say it out loud.'" The words were out of her mouth before she could bit them back. The last thing she needed was for either of them to be thinking about their real-life kiss in this land of make-believe. With a hint of a grin, Trent lifted her chin with his fingers and smoothed the pad of his thumb across her lips. "And look how well that worked out for me." Cyn's heart surged, her pulse rushing like the water over the falls. Was he going to kiss her again? Trent pulled her close, anchoring her against him on the slippery rocks. He threaded his fingers through her hair, cupped the back of her neck, and kissed her lightly, tentatively. Cyn tensed a moment, then relaxed as she gave in and pressed her palms to his pecs, grasping handfuls of firm muscle. The camera was rolling, after all, but it wouldn't capture the sparks firing through her. She'd replayed the wish-upon-a-star kiss in her mind so many times, thinking how incredible it was with Trent - that elusive chemistry she hadn't found with anyone else. But as the weeks had passed, she'd wondered if she imagined it. This kiss made her believe that she hadn't. The softness of his lips. The sensual sweep of his tongue. The pressure of his hand at the small of her back. His skin was warm and wet against hers. She was nearly dizzy with sensation as he trailed light kisses along her jawline and whispered in her ear. "Even better than last time.

I saw the massive stone altar first begin to glow like a ruby; then it was a heart of liquid gold like a solid single-crystal chrysoprase: the gold intensified into ice-cold emerald and passed into the dark sapphire of an arctic sky; this again withdrew into a violet so deep that the visual purple of the eye itself seemed absorbed in that depth, that abyss of color in which sight was being drowned. And as this intensification of vibrancy seemed to sweep across the visible spectrum up to those ranges where energy absorbs all mass and that which can pierce the most solid is itself fine beyond all substance, so it seemed with hearing. That abyss of sound which I had been thinking of as only depth, it, too, seemed to rise or, rather, I suppose I was carried up on some rising wave which explored the deep of the height. As the light drew toward the invisible, I experienced a sound so acute that I can only remember feeling to myself that this was the note emitted when the visible universe returns to the unmanifest—this was the consummatum est of creation. I knew that an aperture was opening in the solid manifold. The things of sense were passing with the music of their own transmutation, out of sight. Veil after veil was evaporating under the blaze of the final Radiance. Suddenly I knew terror as never before. The only words which will go near to recreating in me some hint of that actual mode are those which feebly point toward the periphery of panic by saying that all things men dread are made actually friendly by this ultimate awfulness. Every human horror, every evil that the physical body may suffer, seemed, beside this that loomed before me, friendly, homely, safe. The rage of a leaping tiger would have been a warm embrace. The hell of a forest wrapped in a hurricane of fire, the subzero desolation of the antarctic blizzard, would have been only the familiar motions of a simple well-known world. Yes, even the worst, most cunning and cruel evil would only be the normal reassuring behavior of a well-understood, much-sympathized-with child. Against This, the ultimate Absolute, how friendly became anything less, anything relative.