School Photography Quotes

We've searched our database for all the quotes and captions related to School Photography. Here they are! All 22 of them:

Citizens of modernity, consumers of violence as spectacle, adepts of proximity without risk, are schooled to be cynical about the possibility of sincerity. Some people will do anything to keep themselves from being moved.
Susan Sontag (Regarding the Pain of Others)
It's like a malicious person lifting a photograph from the developing chemicals too early, and then pronouncing the photographer incompetent.
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
They had assumed this photography thing was an adolescent phase, like boy chasing, or vegetarianism. What else had they worked so hard for all these years? For Mia to throw their money away on art school?
Celeste Ng (Little Fires Everywhere)
Guys don't understand great art. They don't care that sometimes the camera has power beyond the photographer to record emotion that only the heart can see. They're threatened when the camera jumps ahead of me. Todd Kovich was pissed when I brought my Nikon to the prom, but I'd missed too many transcendent shots over the years to ever take a chance of missing one again. A prom, I told him, had a boundless supply of photogenic bozos who could be counted on to do something base.
Joan Bauer (Thwonk)
When I was in school, I wanted to be W. Eugene Smith. He was a legendary staffer at Life, a consummate photojournalist, and an architect of the photo essay. He was also kinda crazy. That was obvious when he came to lecture at Syracuse University and put a glass of milk and a glass of vodka on the lectern. Both were gone at the end of the talk. He was taking questions and I was in the front row, hanging on every word. Mr. Smith, is the only good light available light?” came the question. He leaned into the microphone. “Yes,” he baritoned, and paused. A shudder ran through all of us. That was it! No more flash! God’s light or nothing! But then he leaned back into the mic, “By that, I mean, any &*%%@$ light that’s available.” Point taken.
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
Keep laser-focused on school, and I'll see YOU at Christmas. Josh leans his lanky body over my shoulder and peers at my laptop. "Is it just me,or is that 'YOU' sort of threatening?" "No.It's not just YOU," I say. "I thought your dad was a writer.What's with the 'laser-focused''gentle reminder' shit?" "My father is fluent in cliche. Obviously, you've never read one of his novels." I pause. "I can't believe he has the nerve to say he'll give Seany my best." Josh shakes his head in disgust. My friends and I are spending the weekend in the lounge because it's raining again. No one ever mentions this, but it turns out Paris is as drizzly as London. According to St. Clair,that is, our only absent member. He went to some photography show at Ellie's school. Actually,he was supposed to be back by now. He's running late.As usual. Mer and Rashmi are curled up on one of the lobby couches,reading our latest English assignment, Balzac and the Little Chinese Seamstress. I turn back to my father's email. Gentle reminder... your life sucks.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The school should teach a class on deciphering obscure images in bad photography. Amanda's photos could make up the textbooks.
Jordan Elizabeth (Escape from Witchwood Hollow)
I was once present at a lecture that Eugene Smith gave to some students at a school of photography. At the end, they protested because he had made no mention of photography, but had spoken the whole time about music. He calmed them by saying that what was valid for one was valid for another. —Henri Cartier-Bresson
Sam Stephenson (Gene Smith's Sink: A Wide-Angle View)
Once I was walking my path, once I’d found my creative niche, my photography—and my life—had focus. The difference was dramatic. Suddenly I went from wandering the woods to sprinting like a track star. I dropped out of grad school and went from my first few local clients to working with some of the world’s biggest sports brands.
Chase Jarvis (Creative Calling: Establish a Daily Practice, Infuse Your World with Meaning, and Succeed in Work + Life)
It is far better to cannibalize yourself than have someone else do it,” said Diego Piacentini in a speech at Stanford’s Graduate School of Business a few years later. “We didn’t want to be Kodak.” The reference was to the century-old photography giant whose engineers had invented digital cameras in the 1970s but whose profit margins were so healthy that its executives couldn’t bear to risk it all on an unproven venture in a less profitable frontier.
Brad Stone (The Everything Store: Jeff Bezos and the Age of Amazon)
It is strange when we expect all students to do well academically and ignore the fact that individuals' abilities vary. If a child/kid/teenager cannot do well in academics and shows signs of distraction, it is an indication that his mind isn't in the strict form and obligations of the school curriculum. His cleverness and creativeness could show in other aspects of life. It could be in arts, sports, photography, computer world, gardening, carpentry, or any other field in life. Judging students' based on their grades and accusing them of failure is an excuse for the limited space the educational system provides to students to succeed in life.
Noora Ahmed Alsuwaidi
Our International Style Institute is a stylist school that trains professionals of style and image, developing technical knowledge of make-up, hair-style, photography.
StyleInstitute
America's legacy of oppression and dispossession of dark people is in large part met with the ethos of "We Shall Overcome," "Si Se Puede," and "We Gon' Be Alright." This is not to say that we have not resisted, rioted, rebelled, rightfully so and with righteous rage. It is these acts of rebellion that have allowed us to create a collective identity and, therefore, build schools, educate our children, use the church as a place of worship and community building, gather the best legal minds to argue for basic human rights, take to the streets as a demonstration of our commitment, and withdraw or withhold our money from companies and institutions that demean us and deny us. It is these acts that have allowed us to produce beautiful, visceral, and eloquent literature, photography, visual art, and films that explain and endure our suffering, soundscapes for all to enjoy (but which only those in the struggle can feel and heal from), body movements that express pain and joy simultaneously, food that can only be made from love, and a joy that cannot be replicated outside of the dark body. We have created in the void, defiant of the country's persistent efforts to killed and commodify us. Finding ways to matter.
Bettina L. Love (We Want to Do More Than Survive: Abolitionist Teaching and the Pursuit of Educational Freedom)
(Back to our halls) Like a dumb ass I went to college, (assuming I pass all my boards. Senior year is almost over, and the calculation is the final test I will take. For the past four months, I’ve had all my various board exams-math, science, oral magic, and written proficiency, sociology and psychology, and photography (a specialty elective)-and I must be getting my scores one-time in the next few weeks ago it was not long ago or so it seems to me. Solitary of them will become my husband after I graduate, girls who don’t pass get paired and married right out of high school.) The evaluators will do their best to match me with people who received a similar score in the evaluations. As much as possible they try to avoid any huge disparities in intelligence, temperament, social background, and age. Of development you do hear occasional horror stories: cases, where a poor seventeen-year-old girl is given to a wealthy old man, is the delirium dream, which is dumb, dumb, dumb. The stairs let out their awful moaning, Jenny, appears before me. She is nine and tall for her age, but very thin: all angles and elbows, her chest caving in like a warped sheet pan. It’s terrible to say, but I don’t like her very much. She has the same pinched look as her mother did. The assessment is the last step, so I can get paired, paid, and laid, in the coming months, the evaluators will send me a list of four or five approved matches.
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
It was only one kiss. It wasn’t a deep kiss, a French kiss, the kind of kiss that redefines a teen life. It was pepperoni, snowflakes, spit, and rodeo dust. Crazy, like dancing and soaring and walking to a new home. Sweeter because it didn’t taste like good-bye.
Cynthia Leitich Smith (Rain Is Not My Indian Name)
At OBSS   An unexpected occurrence did come of this escapade, even though I didn’t care for the program. Andy, you may or may not be aware that Outward Bound teaches interpersonal and leadership skills, not to mention wilderness survival. The first two skillsets were not unlike our education at the Enlightened Royal Oracle Society (E.R.O.S.) or the Dale Carnegie course in which I had participated before leaving Malaya for school in England. It was the wilderness survival program I abhorred. Since I wasn’t rugged by nature (and remain that way to this day), this arduous experience was made worse by your absence. In 1970, OBSS was under the management of Singapore Ministry of Defence, and used primarily as a facility to prepare young men for compulsory ’National Service,’ commonly known as NS. All young and able 18+ Singaporean male citizens and second-generation permanent residents had to register for National Service compulsorily. They would serve either a two-year or twenty-two-month period as Full Time National Servicemen after completing the Outward Bound course. Pending on their individual physical and medical fitness, these young men would enter the Singapore Armed Forces (SAF), Singapore Police Force (SPF), or the Singapore Civil Defense Force (SCDF). Father, through his extensive contacts, enrolled me into the twenty-one-day Outward Bound summer course. There were twenty boys in my class. We were divided into small units under the guidance of an instructor. During the first few days at the base camp, we trained for outdoor recreation activities such as adventure racing, backpacking, cycling, camping, canoeing, canyoning, fishing, hiking, kayaking, mountaineering, horseback riding, photography, rock climbing, running, sailing, skiing, swimming, and a variety of sporting activities.
Young (Turpitude (A Harem Boy's Saga Book 4))
The Oasis compound was a fortress and an encampment for high Turkish army officials, long ago. Built around the late 1600s, it became a command post for the Ottoman Empire, hence, the beautifully ornate Moorish mosaic inlays around the Bahriji buildings. Since photography of the school was not allowed, I can only describe the school's marvelous historical architecture by reference to other structures that vaguely resembled the school’s architectural splendor.
Young (Initiation (A Harem Boy's Saga Book 1))
Provide a full biography. Some of your readers will be more interested in your full bio. This is the place to provide it. You should share your education, your work history, any books you have written, current interests or hobbies, your family, and so forth. The more you can be a real person, the more people will connect with you. 105 10. Tell them how to contact you. Why hide this? Make it easy. Though it sometimes creates additional work for me, I enjoy hearing from my readers and even answering questions as time permits. (Make it clear what not to contact you about too.) You will also want visitors to follow you on Twitter and Facebook, so provide links to those pages. Finally, you might want to create a separate About page for your Twitter profile so you can make your page more specific to Twitter followers. This is the page you then link to in your Twitter profile. While this list provides a top ten, there are a couple of additional items you might want to include. These are, in my opinion, optional: 11. Include a photo or video. Since I currently have several on my sidebar already (they rotate with every screen refresh), I don’t have a separate one on my About page. If you don’t have one there, please do include one on your About page. People want to see what you look like! And, please, if you’re forty, don’t use your high school graduation picture or a Photoshopped photo. Be authentic. Be real. You might also consider adding a short video welcome. This could add even more personality and warmth. 12. Add a colophon. Publishers used to add these at the end of books to describe details about the fonts and paper used. You can use it to describe the technologies you are using in your blog (e.g., blogging system, themes, hosting service, and so on), along with design notes about type fonts, photography, and anything else you deem noteworthy. You’d be surprised at how many e-mails I get about these items every week. 13. Consider a disclaimer. This is especially important if you work for someone else. You don’t want your readers to confuse your blog posts with your company or organization’s official position.
Michael Hyatt (Platform: Get Noticed in a Noisy World)
I like your plan.” CHAPTER 15 At least twice a year, and more often if possible, the Honorable Anderson Zinc and his lovely wife, Caroline, drove from their home in St. Paul to Chicago to see their only son and his lovely wife, Helen. Judge Zinc was the chief justice of the Supreme Court of Minnesota, a position he had been honored to hold for fourteen years. Caroline Zinc taught art and photography at a private school in St. Paul. Their two younger daughters were still in college. Judge Zinc’s father, and David’s grandfather, was a legend named Woodrow Zinc, who at the age of eighty-two was still hard at work managing the two-hundred-lawyer
John Grisham (The Litigators)
The talent of making commercial print valued faces, makes for the most #beautiful #gazing pages...places.
Dr Tracey Bond (Face Booking U: A VIP Face Publishing School Imparting New Values of Fame, Frame & Fortune As VIP Social Networthing Public Relations Tools)
Manzarek and Jim Morrison were film students at UCLA when they met. They both had an abiding interest in film and the past masters as well as creating a new cinema. Through The Doors they did create cinema. At first, one strictly of The Doors, but as their influence and legend spread through culture they, in turn, inspired those that were creating movies.   The Doors Film Feast of Friends Late in March 1968 (the exact date is unknown) The Doors decided to film a documentary of their forthcoming tour. The idea may have come about because Bobby Neuwirth, who was hired to hang out with Jim and try to direct his energies to more productive pursuits than drinking, produced a film Not to Touch the Earth that utilized behind the scenes film of The Doors. The band set up an initial budget of $20,000 for the project. Former UCLA film students Jim Morrison and Ray Manzarek hired film school friends Paul Ferrara as director of photography, Frank Lisciandro as editor, and Morrison friend Babe Hill as the sound recorder.
Jim Cherry (The Doors Examined)
Since she was ten, the most powerfully loaded word in Dora's house, in her vocabulary, had been opportunity. And from what little she knew or cared about history, it seemed to her that until 1989 the word, the concept, had not existed. Life before the change was all about cigarettes and salted bread rolls for breakfast, maybe a cup of cocoa in a milk house on the way to work or school. It was a dun-colored existence. If a person was ambitious, he or she joined the Party to get ahead, but most people kept their mouths shut and their heads down. They pursued hobbies like photography or tennis; or maybe they climbed mountains or kept a garden and traded whatever extra they had for something they didn't have; or maybe, if they were overly ambitious, they carried whatever extras they could round up to the co-op or the weekly market, and they sold it for a bit of change.
Marc Fitten (Elza's Kitchen)