Hindi Subject Quotes

Lumala ang late, dumami ang absences. ‘Yan ang katangian ng 2 sem ko. Pero noong panahon na ‘yon hindi ko pa rin alam kung ano na nangyayari sa pag-aaral ko. May isang bagsak na subject, pero ayos lang. Kumbaga sa action film e, nadaplisan lang ako ng bala sa braso. Walang problema.

Ba't ba naghahalikan ang mga utaw? Para magpalitan ng laway? Magdikit ang mga dila? Bakit hindi mga ilong na gaya sa ibang bansa, o kaya ay mga balikat? Bakit maski sa pisngi lang siya nahalikan ni Homer ay parang ang kaluluwa niya ang tinamaan ng nguso nito? At andito na rin lang tayo sa subject ng paghahalikan, me pagkakaiba ba kapag lalaki o babae o kapwa lalaki o kapwa babae ang mga ngusong nagdidikit? Paano ang mga walang nguso?

His reading habit was so varied that in his early teens, he was reading both Maxim Gorky’s Mother and the detective thrillers (Jasoosi Duniya) of Ibn-e-Safi. The detective thrillers—be it Indian or American pulp fiction—were a big favourite for their fast action, tight plots and economies of expression. He remembers the novels of Ibn-e-Safi for their fascinating characters with memorable names. ‘Ibn-e-Safi was a master at naming his characters. All of us who read him remember those names . . . There was a Chinese villain, his name was Sing Hi. There was a Portuguese villain called Garson . . . an Englishman who had come to India and was into yoga . . . was called Gerald Shastri.’ This technique of giving catchy names to characters would stay with him. The wide range of reading not only gave him the sensitivity with which progressive writers approached their subjects but also a very good sense of plot and speaking styles. Here, it would be apt to quote a paragraph from Ibn-e-Safi’s detective novel, House of Fear—featuring his eccentric detective, Imran. The conversation takes place just outside a nightclub: ‘So, young man. So now you have also starred frequenting these places?’ ‘Yes. I often come by to pay Flush,’ Imran said respectfully. ‘Flush! Oh, so now you play Flush . . .’ ‘Yes, yes. I feel like it when I am a bit drunk . . .’ ‘Oh! So you have also started drinking?’ ‘What can I say? I swear I’ve never drunk alone. Frequently I find hookers who do not agree to anything without a drink . . .’ This scene would find a real-life parallel as well as a fictional one in Javed’s life later. Javed

In Delhi and many of the Hindi-speaking states more generally male stares were different, were intensely unselfconscious and intensely unrelenting, so that even when you weren't being harassed in more explicit verbal or physical ways you still had to use all of your psychological resources to resist these gazes over the course of each day, to prevent these men from trying to enter your soul through your eyes, like strangers who enter the privacy of your house without permission and without even bothering to take off their shoes. You had to employ these psychological resources so constantly over the course of the day, losing even the freedom to think autonomously in your own mind, that by the time you returned home you were always utterly exhausted. The cumulative effect of years of being subject to these gazes was that women who lived in the capital had learned to curb the movement of their own eyes to remarkable degrees, restricting their gazes in public spaces to areas where their eyes couldn't be intercepted, toward their feet or their laps or into the screen of their phones...

News is anyway a construct, as different from truth. And then further news on the same subject uses the construct as the truth and soon the news anyway is far removed from the truth. As this is happening, the constructs based on lies are moving towards the truth. So the incremental change in lies, is towards truth, and the delta change in truth, is towards lies. So if someone is looking at the current direction of truth and lie constructs they seems to reflect the opposite. Narratives get fed to us, riding on jokes and tidbits constructed at opposite ends and so on till the truths become lies, and lies, the truth. - Vineet REALITY IS ABOUT TRUTH ADDED TO LIES हक़ीक़त सच और झूठ का समावेश है

Iwasan ang mga salitang “siyokoy” o mga salita na hindi wastong Espanyol at hindi rin wastong Ingles. Halimbawa, “amyenda” sa halip na enmiyenda (enmienda) ng Espanyol o amendment ng Ingles, “aspeto” sa halip na aspekto (aspecto)ng Espanyol, “respekto” sa halip na respeto ng Espanyol o respek (respect) ng Ingles, “dayalogo” sa halip na diyalogo (dialogo) ng Espanyol o dayalog (dialogue) ng Ingles, “endorso” sa halip na endoso ng Espanyol o indors (endorse) ng Ingles, “imahe” sa halip na imahen (imagen) ng Espanyol o imeyds (image) ng Ingles, “dekolonisasyon” sa halip na deskolonisasyon (descolonisacion) ng Espanyol o dekoloniseysiyon (decolonization) ng Ingles, “istandardisasyon” sa halip na estandardisasyon (estandardizacion) o istandardiseysiyon (standardization) ng Ingles, “istraktura” sa halip na estruktura (estructura) ng Espanyol o istraktiyur (structure) ng Ingles, "kotemporaryo” sa halip na kontemporaneo (contemporaneo) ng Espanyol o kontemporari (contemporary) ng Ingles, “obhektibo” sa halip na obhetibo (objetivo) ng Espanyol o objektiv (objective) ng Ingles, “pesante” sa halip na paysano (paisano) ng Espanyol o pesant (peasant) ng Ingles, “prayoridad” sa halip na priyoridad (prioridad) ng Espanyol o prayoriti (priority) ng Ingles, “subhetibo” sa halip na suhetibo (sujetivo) ng Espanyol o subjektiv (subjective) ng Ingles.

So I am an Indian who's mother tongue is Tamil and Ancestral language is Telugu, Intellectual legacy from Palm leaves is in Vatteluzhuthu (Tamil + Malayalam Mixture), So wherever I go for research studies on Environment/ Ecology/ Biology, I represent myself as INDIAN (Who is comfortable in English) unless I marry a Non - Indian girl, and I represent Tamil Philosophy for defense mechanisms, science, business and all other possible spiritual, social and all other dimensions that are focused. The thing is learning Hindi, Sanskrit, Kannada or any foreign language is not a big deal, if i put effort for 3 to 6 months I can easily grab a language from grammatical foundations to advanced speaking but even after learning another language, at some point of my time in future, either I have become a biological researcher and/or astronaut as I dream of , but at that moment If I do not have the attributes of my current birth place, then there will be a guy or a girl or a leader or even a child who would easily question me that you have forgotten your mother tongue either for money or for women or for passion, so how can we trust you that you will protect/ guide us? So previous life carnation was Rajput and before that was time frame Europe, those things are in my mind and I will never forget, but in this very life I have to represent Tamil Philosophy and Ideology, As English is a common communicative and International language in science and technology, there is no one can deny English, Even lord Krishna was embarrassed just because he was Yadav. So although I have knowledge of all Indian gods and Goddesses and respecting all religions, castes and customs within India, within earth, within universe and beyond, I represent in English with Tamil Philosophy. So wherever I go for research studies on Environment/ Ecology/ Biology, I represent myself as Indian unless I marry a Non - Indian girl, and I represent Tamil Philosophy for defense mechanisms, science, business and all other possible spiritual, social and all other dimensions that are focused. Now choosing Guru is important before starting your passionate journey (Mine is science), so while choosing Guru, three things to remember, 1) Guru must be Knowing context specific problems, 2) Guru must not have lived immoral life 3) Guru must have withstand enormous pressure and opposition to show his/her potential on specific subject in his/her time 4) You can also choose more Guru as you move on in your life but starting point or First Guru must be from your Place My Gurus That I really Consider as my gurus 1) Mahakavi Subramanya Bharathiyar 2) Tholkappiar 3) Carl Sagan 4) Stephen Hawking 5) Bear Grylls 6) Siddhartha 7) Lord Ramachandra 8) Lord Shiva 9) Lord Dasarat (Indra) 10) All goddesses 11) Lilith (She was portrayed as bad but she was not bad) 12) Lord prometheus 13) Lord Surya 14) Lord Krishna (Sometimes because I hate him) 15) Sita

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Agra is a 2023 Indian Hindi-language psychological drama directed by Kanu Behl and co-written with Atika Chohan. The film stars Mohit Agarwal as Guru, along with Priyanka Bose, Rahul Roy, and others. It is a raw and realistic portrayal of personal and social struggles, exploring complex human emotions and societal pressures. CLICK HERE TO WATCH CLICK HERE TO DOWNLOAD CLICK HERE TO DOWNLOAD Unlike mainstream Bollywood films, Agra is gritty and intentionally uncomfortable. It delves deep into the psychological and emotional aspects of its characters, making the audience reflect on personal desires, repression, and the challenges of living in a constrained social environment. Plot Summary Guru, a young call-center employee, lives with his mother in the ground floor of a crowded family house, while his father resides upstairs with his second wife. The home is cramped, with multiple family members struggling for privacy and space. Feeling trapped and emotionally frustrated, Guru seeks escape through fantasies, dating apps, and personal imagination. As tensions rise between family members, his mental state begins to deteriorate. The house symbolizes societal constraints, showing how lack of freedom, constant supervision, and social expectations can suffocate an individual. Major Themes 1. Sexual Repression and Mental Strain: The film highlights how sexual frustration and lack of healthy emotional outlets can lead to psychological distress and destructive behavior. 2. Patriarchy and Gender Dynamics: Through the family’s interactions, the movie critiques patriarchal structures and the way societal norms shape behavior, sometimes fostering toxic masculinity and emotional repression. 3. Space, Class, and Social Pressure: The cramped living conditions represent the limitations imposed by social and economic class, showing how such pressures contribute to tension and inner conflict. 4. Reality vs Escape: Guru’s fantasies and attempts to escape reality illustrate the tension between suppressed desires and real-life limitations. The contrast creates a vivid exploration of human emotion and coping mechanisms. Strengths of the Film Powerful and realistic performances, especially by Mohit Agarwal, evoke both empathy and discomfort. Unflinching storytelling brings attention to taboo topics, forcing viewers to reflect on repression, patriarchy, and mental health. Thought-provoking depiction of the consequences of societal and familial pressure. Challenges and Controversies The film’s subject matter is deeply uncomfortable and not meant for casual viewing. The bleak atmosphere and raw realism may not appeal to those expecting conventional entertainment. Some viewers may feel that the resolution comes too quickly after the intense buildup. Why Agra Matters Agra is significant because it highlights the effects of societal repression on individual psychology. It portrays the struggle of living in constrained environments, the consequences of unexpressed desires, and the impact of family and societal expectations. The film encourages reflection on difficult, often ignored, social realities, making it a thought-provoking piece of cinema. Short Summary Agra is a gripping psychological drama about Guru, a young man trapped in a cramped and dysfunctional household. Emotionally and sexually repressed, he turns to fantasies and dating apps to cope. The film explores toxic masculinity, societal pressure, and the suffocating effects of unspoken desires. Raw and unsettling, Agra offers a powerful reflection on personal and social struggles.