Peter Korn Quotes

Only as I approached adulthood did I realize that life is a process of continual becoming.

I was becoming aware that a good life was not some Shangri-La waiting to be stumbled upon. One constructed it from the materials at hand.

skilled manual work offered spiritual rewards to which academic institutions and my parent’s social milieu were oblivious.

In the workshop, wishing won't make it so. The craftsman is forced to come to terms with the physical properties of materials, the mechanical properties of tools, and the real capacity and limits of his own dexterity, discipline and imagination. In this way, craft's materiality imposes cooperation on the sometimes discordant factions of the mind. By necessity, it reconciles the desire to interpret the world in ways that are emotionally gratifying with the countervailing need for accurate information to facilitate effective decisions. Thus the holistic quality of craft lies not only in engaging the whole person but also in harmonising his understanding of himself in the world.

Every man-made thing, be it a chair, a text, or a school, is thought made substance. It is the expression of someone's, or some groups, ideas and beliefs. The two-hundred year old double hung, six light sash window in the wall opposite my desk, out of which I am looking at this moment embodies ideas about houses and how we should live in them, tools, technologies, standards of craftsmanship, nature and much else. It is a material manifestation of the collective consciousness of its time and place channeled through the individuals who commissioned and made it".

My reaction on being told that I had cancer was not what I might have expected. I was relieved to finally know what I had to deal with and calm at the possibility of fading away. It seemed to me I had already lived a full life, like a well-plotted novel that reaches a satisfactory conclusion. I had known deep friendship, true love, loss, and sorrow. I had felt at one with nature and at home in the city. And, critically, I had discovered both a creative capacity within myself and inner discipline to put it to work. I had become a whole person.

When I look at a piece of furniture from across a room, I see form, style, scale, context, and intended use. As I approach it, I distinguish material, joinery, and proportions. When I get close enough to touch it, I take in details such as hardware, textures, finish, edge treatments, wood grain, quality, and comfort.

there are three different contexts in which one can participate in a creative field. For shorthand, I call them the first-person, second-person, and third-person voices. You

Before Mexico, I was aware that other people sometimes saw the world askew. I had little trouble discerning their blinders. It was only the framework of my own mental cage that remained invisible to the tropical fish within - until a mugging smacked my nose hard against the glass.