Highway 1 Quotes

We've searched our database for all the quotes and captions related to Highway 1. Here they are! All 100 of them:

But if I'm it, the last of my kind, the last page of human history, like hell I'm going to let the story end this way. I may be the last one, but I am the one still standing. I am the one turning to face the faceless hunter in the woods on an abandoned highway. I am the one not running but facing. Because if I am the last one, then I am humanity. And if this is humanity's last war, then I am the battlefield.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Let us toast to animal pleasures, to escapism, to rain on the roof and instant coffee, to unemployment insurance and library cards, to absinthe and good-hearted landlords, to music and warm bodies and contraceptives... and to the "good life", whatever it is and wherever it happens to be.
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman (Fear & Loathing Letters, #1))
We used to hear the stars, too. When people stopped talking, there was silence. Now you could shut every mouth on the planet and there’d still be a hum. Air-conditioning groaning from the vent beside you. Semi trucks hissing on a highway miles away. A plane complaining ten thousand feet above you. Silence is an extinct word. It bothers you, doesn’t it?
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Conner Lassiter. Scheduled to be unwound the 21st of November-until you went AWOL. You caused an accident that killed a bus driver, left dozens of others injured, and shut down an interstate highway for hours. Then, on top of it, you took a hostage AND shot a Juvey-cop with his own tranq gun." ..."He's the Akron AWOL?!
Neal Shusterman (Unwind (Unwind, #1))
TRIAD: Three separate highways intersect at a place no reasonable person would ever want to go. Three lives that would have been cut short, if not for hasty interventions by loved ones. Or Fate. Three people, with nothing at all in common except age, proximity, and a wish to die. Three tapestries, tattered at the edges and come unwoven to reveal a single mutual thread.
Ellen Hopkins (Impulse (Impulse, #1))
The Free Hawks is fighters, I says. Warriors, she says, like you. An occasional highway robbers.
Moira Young (Blood Red Road (Dust Lands, #1))
You are my Marilyn. You are my lake full of fishes. You are my sky set, my 'Hollywood in Miniature,' my pink Cadillac, my highway, my martini, the stage for my heart to rock and roll on, the screen where my movies light up.
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
The grand highway is crowded with lovers and searchers and leavers so eager to please, and to forget. Wilderness
Jim Morrison (Wilderness: The Lost Writings, Vol. 1)
The most beautiful highway in the world
Dave Pelzer (A Child Called "It" (Dave Pelzer, #1))
YEAH, I KNOW. You guys are going to read about how I died in agony, and you’re going be like, “Wow! That sounds cool, Magnus! Can I die in agony too?” No. Just no. Don’t go jumping off any rooftops. Don’t run into the highway or set yourself on fire. It doesn’t work that way. You will not end up where I ended up.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
We're driving down the highway listening to music when The Mighty Storm's Through It All comes on the radio... "Did I ever tell you I opened for Jake Wethers a couple of years ago?" ~ River "Do you like the D-bags?" ~ River "Of course I do! I love Kellan Kyle!" ~ Dahlia
Kim Karr (Connected (Connections, #1))
The man in black fled across the desert and the gunslinger followed. The desert was the apotheosis of all deserts, huge, standing to the sky for what looked like eternity in all directions. It was white and blinding and waterless and without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon and the devil-grass which brought sweet dreams, nightmares, death. An occasional tombstone sign pointed the way, for once the drifted track that cut its way through the thick crust of alkali had been a highway. Coaches and buckas had followed it. The world had moved on since then. The world had emptied.
Stephen King (The Gunslinger (The Dark Tower, #1))
Don't go jumping off any rooftops. Don't run into the highway or set yourself on fire. It doesn't work that way. You won't end up where I ended up.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
We paid for this instead of a generation of health insurance, or an alternative energy grid, or a brand-new system of roads and highways. With the $13-plus trillion we are estimated to ultimately spend on the bailouts, we could not only have bought and paid off every single sub-prime mortgage in the country (that would only have cost $1.4 trillion), we could have paid off every remaining mortgage of any kind in this country - and still have had enough money left over to buy a new house for every American who does not already have one.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
I was really close to death, wasn’t I?” I ask, referring to when Pestilence dragged my already injured body down the highway. “Must you talk?” So pleasant, this one. “Must you spread plague?
Laura Thalassa (Pestilence (The Four Horsemen, #1))
Sun Tzu said: The art of war recognises nine varieties of ground: (1) Dispersive ground; (2) facile ground; (3) contentious ground; (4) open ground; (5) ground of intersecting highways; (6) serious ground; (7) difficult ground; (8) hemmed-in ground; (9) desperate ground.
Sun Tzu (The Art of War)
Oh, a mermaid's comb. Heavy stuff, but safe enough as long as you don't use it around water. Or a busy highway. You're not planning to lure any young men to their doom, are you?" How embarrassing! I shook my head, blushing.
Polly Shulman (The Grimm Legacy (The Grimm Legacy, #1))
It seemed to me that the people who made the rules of the road had figured out everything that would help a person drive safely right down to having a sign that tells you you're passing through a place where deer cross. Somebody should stick up some signs on the highway of life. CAUTION: JERKS CROSSING. Blinking yellow lights when you're about to to something stupid. Stop signs in front of people who could hurt you. Green lights shining when you're doing the right thing. It would make the whole experience easier.
Joan Bauer (Rules of the Road (Rules of the Road, #1))
I have never wanted to punch a highway in the face as badly as I do right now.
Seanan McGuire (Sparrow Hill Road (Ghost Roads, #1))
My mother was raised on fairy tales, but I was raised on highways.
Melissa Albert (The Hazel Wood (The Hazel Wood #1))
Are we going where I think we are?” he asked. “Hell, yeah,” I told him, turning the key in the ignition. I steered the car toward the highway that would take us to my mother’s house. “And I hope she’s got a few good answers.” “I hope,” Ramon said, “that she’s made cookies.” I glared at him. “Don’t look at me like that. If we were going to interrogate my poor mother for whatever, you’d be secretly hoping she’d made you tamales. I’m just honest enough to admit it.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
I'm not naive. I know I don't get the happily ever after. My knight in shining armor took the highway detour around this godforsaken shit hole...
Teresa Mummert (White Trash Beautiful (White Trash, #1))
On a highway much closer to the sky, it happens again. This time he witnesses it: A crow—already dead and cold, as unholy as uncontrolled emotions—hits his windshield at bullet speed.
Misba (The High Auction (Wisdom Revolution, #1))
It was our story, played out on the open highway chasing sunsets. It wasn't an easy story to tell you. It was a story of kisses, lust, passion, youth, mistakes, lies, hiding, stupidity, judging, but most of all, love.
Shey Stahl (Waiting for You (Waiting for You, #1))
I know i don't get the happily ever after. My knight and shinning armor took the highway detour around this godforsaken shit hole. I've made peace with that. That doesn't mean i'm going to lie down like a doormat and let every cocky prick in the trailer have his way with me." - White Trash Beautiful
Teresa Mummert (White Trash Beautiful (White Trash, #1))
Life just seems too huge and too fascinating for me to begin thinking about curing my restlessness at this stage of the game. Maybe later.
Hunter S. Thompson (Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (Gonzo Letters Book 1))
The desert was the apotheosis of all deserts, huge, standing to the sky for what looked like eternity in all directions. It was white and blinding and waterless and without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon and the devil-grass which brought sweet dreams, nightmares, death. An occasional tombstone sign pointed the way, for once the drifted track that cut its way through the thick crust of alkali had been a highway. Coaches and buckas had followed it. The world had moved on since then. The world had emptied.
Stephen King (The Gunslinger (The Dark Tower, #1))
Toddlers were running the place like some miniature version of Lord of the Flies, complete with weapons made from blocks and tinker toys. One of them came at me, charging my knees and the pink pod that held my precious baby. I screamed and made a run for the front door, flip-flops sticking to squelchy dried puddles of juice. I let out a relieved sigh when we were outside breathing fresh air. The near-deafening roar of the highway was a lark song compared to the screeching we’d just escaped.
Piper Vaughn (One Small Thing (One Thing, #1))
The Bible is a whole series of highways, all leading toward God. And when the text has been illuminated and the believer of the text knows that God is the end toward which he is moving, then that man has real faith.
A.W. Tozer (The Attributes of God: A Journey Into the Father's Heart (The Attributes of God, #1))
We've got time," Jared says again. An abrupt panic, like a warning premonition, makes it impossible for me to speak for a moment. He watches the change on my face with worried eyes. "You don't know that." The despair that softened when he found me strikes like the lash of a whip. "You can't know how much time we'll have. You don't know if we should be counting in months or days or hours." He laughs a warm laugh, touching his lips to the tense place where my eyebrows pull together. "Don't worry, Mel. Miracles don't work that way. I'll never lose you. I'll never let you get away from me." She brought me back to the present - to the thin ribbon of the highway winding through the Arizona wasteland, baking under the fierce noon sun - without my choosing to return. I stared at the empty place ahead and felt the empty place inside. Her thought sighed faintly in my head: you never know how much time you'll have. The tears I was crying belonged to both of us.
Stephenie Meyer (The Host (The Host, #1))
I was paving the highway to hell in beet bottles and kisses.
Denise Grover Swank (Twenty-Eight and a Half Wishes (Rose Gardner Mystery, #1))
The air space is obviously for the Aerial Transports—ATs, and the roads are for the Ground Vehicles—GVs. However, even among the GVs, strict rules apply for the ones with wheels and tires—they must stay nearest to the earth. A truck with monster tires, like hers, must stay away from the upper-level highways if she wants to avoid stares.
Misba (The High Auction (Wisdom Revolution, #1))
He had forgotten that the most elemental instinct in human nature is not hate but love, the former inextricably linked to the latter.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
My roommate is a 240-pound homicidal hermit. For dinner he’s fixing me a dead fox he scraped off the highway near Ponchatoula, and after that we’re taking a leaky tin boat out on a windy lake to spy on some semi-retarded fishermen. Don’t you wish you were here?
Carl Hiaasen (Double Whammy (Skink #1))
I lay on my back and stared up at that unseeing, uncaring sky. I doubted God lived up there; I doubted heaven was up there, too. God and heaven were down there on the ground, in the gardens, in the forests, in the parks, on the seashores, on the lakes, and riding the highways, going somewhere!
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
made the final turn off the highway, Rachel took a deep breath, held it, and let out a loud sigh.
Emma Knight (Sworn (The Vampire Legends, #1))
his talent: he never once has to use his hands to touch each & every part of me. -he could touch me across highways.
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
She pulled off the highway and quickly changed into the burkha.
Dianne Harman (Blue Coyote Motel (Coyote #1))
It hurt to see my son turning into a stranger, a loner on a highway to self-destruction
Gianni Holmes (Easy Does It Twice (Till There Was You #1))
I may be the last one, but I am the one still standing. I am the one turning to face the faceless hunter in the woods on an abandoned highway. I am the one not running, not staying, but facing. Because if I am the last one, then I am humanity. And if this is humanity’s last war, then I am the battlefield.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
1. Sun Tzu said: The art of war recognizes nine varieties of ground: (1) Dispersive ground; (2) Facile ground; (3) Contentious ground; (4) Open ground; (5) Ground of intersecting highways; (6) Serious ground; (7) Difficult ground; (8) Hemmed-in ground; (9) Desperate ground.
Sun Tzu (The Art of War)
I quietly quaffed my cognac, discreetly admiring Lana's legs. Longer than the Bible and a hell of a lot more fun, they stretched forever, like an Indian yogi or an American highway shimmering through the Great Plains or the southwestern desert. Her legs demanded to be looked at and would not take no, non, nein, nyet, or even maybe for an answer.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
The thing about car chases is this: if you're traveling through downtown LA at lunchtime, you can forget about them. In that kind of traffic, all you can hope to have in the way of a highway pursuit is a crawling affair where the object of the chase has plenty of time to make a distress call.
Frankie Rose (Sovereign Hope (Hope, #1))
I've never met someone who died.I mean someone who could actually talk to me about it.Was it all bright lights and Mormon Tabernacle Choir music?" She smiled in spite of her fear.She'd used this tactic before with victims in their first stages of shock to calm them down until help could get there."Well,I can't really be sure but I think I remember hearing Queen's 'Another One Bites The Dust',"she quipped.He snorted."Well, at least it wasn't ACDC's 'Highway to Hell'.
Terri Reid (Loose Ends (Mary O’Reilly #1))
He was in love with his wife. The knowledge came like a tidal wave that swept him up and knocked him over to then rise, coughing and bruised, shaking his head as he wondered what the hel had happened. He stood there in the middle of the room as she ignored him, and watched his life veer off the main highway to a road fil ed with rocks and brush and potholes. Staggered with emotion, he took a step back as if to retreat from the whole mess. Son of a bitch. He was in love with his wife.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
a nervous society where a man’s image is frequently more important than his reality,
Hunter S. Thompson (Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (Gonzo Letters Book 1))
despite the millions of past moments I’ve lost or tossed away like highway trash, I know with a lockjawed certainty I’ll remember this one for the rest of my life.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Regular 1-1s are like oil changes; if you skip them, plan to get stranded on the side of the highway at the worst possible time. Marc Hedlund
Camille Fournier (The Manager's Path: A Guide for Tech Leaders Navigating Growth and Change)
Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back.
Lisel Mueller (Alive Together)
We shouldn’t have tried to create new symbols,” he said. We should’ve realized we weren’t supposed to introduce uncertainties into accepted belief, that we weren’t supposed to stir up curiosity about God. We are daily confronted by the terrifying instability of all things human, yet we permit our religions to grow more rigid and controlled, more conforming and oppressive. What is this shadow across the highway of Divine Command? It is a warning that institutions endure, that symbols endure when their meaning is lost, that there is no summa of all attainable knowledge. "Admission" of C.E.T. Chairman Toure Bomoko, in "Appendix II: The Religion of Dune
Frank Herbert (Dune (Dune, #1))
They were on the highway, lights flashing, sirens blaring. 'Maybe we should go in quietly and not tip him off. Just a suggestion.' 'Just clearing the way. I'll cut the lights and siren before we turn off the highway.' 'I see the heavy traffic,' Lev said. There wasn't a car on the road.
Christine Feehan (Water Bound (Sea Haven/Sisters of the Heart, #1))
The country, meanwhile, has eroded into a stultifying economic sinkhole for average Russians. “Despite receiving $1.6 trillion from oil and gas exports from 2000 to 2011, Russia was not able to build a single multi-lane highway during this time. There is still no interstate highway linking Moscow to the Far East,” Karen Dawisha wrote in her richly detailed 2014 book, Putin’s Kleptocracy.
Rachel Maddow (Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth)
Darren knew the power of home, knew what it meant to stand on the land where your forefathers had forged your future out of dirt, knew the power of what could be loved up by hand, how a harvest could change a fate. He knew what it felt like to stand on the back porch of his family homestead in Camilla and feel the breath of his ancestors in the trees, feel the power of gratitude in every stray breeze.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
I may be the last one, but I am the one still standing. I am the one turning to face the faceless hunter in the woods on an abandoned highway. I am the one not running, not staying, but facing. Because if I am the last one, then I am humanity. And if this is humanity's last war, then I am the battlefield
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Yanking at my leg, straining every muscle, my customized Gray Ghost rebuilt as a chopper sparks and squeals. My boot catches and I'm flipped. Sliding down E-70 Highway on leather, my gloves scrubbed by the tarmac.
Poppet (Sveta (Neuri, #1))
Centuries old, but recently widened, the highway was the same road used by pagan armies, pilgrims, peasants, donkey carts, nomads, wild horsemen out of the east, artillery, tanks, and ten-ton trucks. Its traffic gushed or trickled or dripped, according to the age and season. Once before, long ago, there had been six lanes and robot traffic. Then the traffic had stopped, the paving had cracked, and sparse grass grew in the cracks after an occasional rain. Dust had covered it. Desert dwellers had dug up its broken concrete for the building of hovels and barricades. Erosion made it a desert trail, crossing wilderness. But now there were six lanes and robot traffic, as before.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
And only those who can see above and beyond the American goal of respectable mediocrity can enjoy a life that leads to anything but a struggle to attain that end.
Hunter S. Thompson (Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (Gonzo Letters Book 1))
Jim Harrison’s novels, John McPhee’s nonfiction, Flannery O’Connor’s short stories, and the crime novels of John Sandford, Ken Bruen, and T. Jefferson Parker. His books
C.J. Box (Back Of Beyond (Highway Quartet #1))
At night, we used to see stars. You could see by starlight back then, after the sun went down. Hundreds of headlights chained together in the sky, good enough to eat, good enough to write legends about, good enough to launch men at. ... Does any part of you still look at the sky and hurt? .... We used to hear the stars, too. When people stopped talking, there was silence. Now you could shut every mouth on the planet and there’d still be a hum. Air-conditioning groaning from the vent beside you. Semi trucks hissing on a highway miles away. A plane complaining ten thousand feet above you. Silence is an extinct word.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Now here is an oddity. A question for the zombie philosophers. What does it mean that my past is a fog but my present is brilliant, bursting with sound and color? Since I became Dead I've recorded new memories with the fidelity of an old cassette deck, faint and muffled and ultimately forgettable. But I can recall every hour of the last few days in vivid detail, and the thought of losing a single one horrifies me. Where am I getting this focus? This clarity? I can trace a solid line from the moment I met Julie all the way to now, lying next to her in this sepulchral bedroom, and despite the millions of past moments I've lost or tossed away like highway trash, I know with a lockjawed certainty I'll remember this one for the rest of my life.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
open the Israeli map, and again study the route that Israelis usually take to the coast. So, after descending to the bottom of the valley on Highway 50, one must turn right onto Highway 1, and stay on it for a long time, without turning right or left. I examine the area along Highway 1, which, according to the map, appears to be primarily populated by settlements. The only two visible Palestinian villages are Abu Ghosh and Ein Rafa. I go back and open the map, which depicts Palestine until 1948, and let my eyes wander over it, moving between the names of the many Palestinian villages that were destroyed after the expulsion of their inhabitants that year.
Adania Shibli (Minor Detail)
It both saddened and infuriated him that he wore a badge that meant nothing to either woman, that justice and despondency were so inextricably intertwined that the former was often not worth the trouble of the latter.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
Eleanor was all apologies, but Sarah enjoyed seeing a bit more of the Czech countryside. You probably couldn't say that you had really seen a country if all you had seen was a city or two. You had to see where the food was grown, what the riverbanks looked like, and what the highway manners of the inhabitants were.
Magnus Flyte (City of Dark Magic (City of Dark Magic, #1))
He glanced at me, his eyes dark. “Would you rather talk about your dream?” “No.” “Considering that I was featured in it, I think I deserve to know the particulars. Were my clothes missing because we were in bed? Was I touching you?” He glanced at me. His voice could’ve melted clothes off my body. “Were you touching me?” I shouldn’t have gotten into his car. I should’ve taken a separate vehicle. “Cat got your tongue, Nevada?” “No, we weren’t in bed. I was pushing you off a cliff to your death.” I pointed at the highway. “Take the next exit and stay in the right lane, please. We’ll need to make a right.” He chuckled and took the exit.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
stupid lie, regardless of who writes it or tries to justify it, is still a stupid lie … even when it’s wrapped up in flowers.
Hunter S. Thompson (Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (Gonzo Letters Book 1))
By the time they reached the Queens Highway turnoff, Anna found she liked Sheila more in memoriam that she would’ve guessed.
Nevada Barr (Track of the Cat (Anna Pigeon, #1))
Highway 1 could be today's Route 66 with a view.
Diana Hollingsworth Gessler (Very California: Travels Through the Golden State)
Beneath the red crosses was another insignia: CHP. California Highway Patrol. They were State Troopers.
Cory Doctorow (Little Brother (Little Brother, #1))
Hammond shook his head sadly. “Yet, you’ll remember,” he said, “the original genetic engineering companies, like Genentech and Cetus, were all started to make pharmaceuticals. New drugs for mankind. Noble, noble purpose. Unfortunately, drugs face all kinds of barriers. FDA testing alone takes five to eight years—if you’re lucky. Even worse, there are forces at work in the marketplace. Suppose you make a miracle drug for cancer or heart disease—as Genentech did. Suppose you now want to charge a thousand dollars or two thousand dollars a dose. You might imagine that is your privilege. After all, you invented the drug, you paid to develop and test it; you should be able to charge whatever you wish. But do you really think that the government will let you do that? No, Henry, they will not. Sick people aren’t going to pay a thousand dollars a dose for needed medication—they won’t be grateful, they’ll be outraged. Blue Cross isn’t going to pay it. They’ll scream highway robbery. So something will happen. Your patent application will be denied. Your permits will be delayed. Something will force you to see reason—and to sell your drug at a lower cost. From a business standpoint, that makes helping mankind a very risky business. Personally, I would never help mankind.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Well, well, well. If it isn’t my favorite friend who hates my other friend but wants to bone her anyway and screw up her life because he’s a twisted, disturbed asshole.” He rolled his eyes as he turned to see Michelle stepping into line behind him as he waited for his coffee. “Tell me how you really feel, Shell.” She studied him with a smirk firmly planted on her face for a moment. “Okay. You need to end this thing with her before I have to scoop her lifeless, emotional soul off the highway after you’ve run it down with your Mack truck-sized anger issues.
Elizabeth Finn (Unforgiven (Unforgiven, #1))
You just hung up on my boss,” I said. “He was talking in circles. He’ll get over it.” “You know what your problem is? ‘You’ as in Primes, in general?” “I think you’re about to tell me.” Mad Rogan leaned forward with rapt attention. “Your problem is that nobody ever tells you no. You think you can do whatever you want, enter wherever you want . . .” “Seduce whoever we want.” He grinned, a wicked, wolfish smile. Oh no, we are not veering off the highway onto that road. “You play with people’s lives. When cops show up, you wave your hand and make them go away. Because you are Primes and the rest of us are, apparently, nothing.” “Mhm,” he said. “The irony of this is so rich, it’s simply delicious.” “I don’t see what’s so ironic about it.” “I’d tell you, but it would ruin the fun.” “Could you be more smug?” He leaned on his elbow. “Possibly. I see you liked the flowers.” I got a sudden urge to set the carnations on fire. “They are gorgeous. It’s not their fault you brought them.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
It occurred to him that he didn’t care much for these hedge animals. It had always seemed slightly perverted to him to clip and torture a plain old hedge into something that it wasn’t. Along one of the highways in Vermont there had been a hedge billboard on a high slope overlooking the road, advertising some kind of ice cream. Making nature peddle ice cream, that was just wrong. It was grotesque.
Stephen King (The Shining (The Shining, #1))
That’s the direction the thieves took,” Nancy told him, noting the dust and tire marks which revealed the van’s exit onto the highway. “But,” she added, glancing at the dashboard clock, “they’re probably too far away by this time for us to catch them.” “Yes, ding it,” Jeff muttered. Nancy drove as rapidly as the law permitted toward Melborne. All the while, Jeff Tucker peered from one side of the road to the other.
Carolyn Keene (The Secret of the Old Clock (Nancy Drew, #1))
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
Darren had always wanted to believe that theirs was the last generation to have to live that way, that change might trickle down from the White House. When in fact the opposite had proved to be true. In the wake of Obama, America had told on itself.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
I made a mental note to write starlings in my "Southern Speak" notebook. I'd already started the second page, thanks to Faye and Bobbie. One corner of his mouth turned up in a smile. "I try. So, Churchville. Let me see the map." I followed his directions, asking questions, until he drew a big circle around the funeral home. "That's it right there, just off 42. Or Buffalo Gap Highway. But you might not see any road signs. Out there things are a little...well, less posted. People just sort of know where they are. So look for these things." He drew in some more notes and--I'm not making this up--something like bugs with stick legs. "What are those?" I asked, not intending to sound rude. "Roaches?" "Those are cows. There's a pasture here." "Oh.
Jennifer Rogers Spinola (Southern Fried Sushi (Southern Fried Sushi #1))
Kendra stared out the side window of the SUV, watching foliage blur past. When the flurry of motion became too much, she looked up ahead and fixed her gaze on a particular tree, following it as it slowly approached, streaked past, and then gradually receded behind her. Was life like that? You could look ahead to the future or back at the past, but the present moved too quickly to absorb. Maybe sometimes. Not today. Today they were driving along an endless two-lane highway through the forested hills of Connecticut.
Brandon Mull (Fablehaven (Fablehaven, #1))
On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf. Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.
Stephen King (The Stand)
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
A town that does not keep its dead out of sight, that leaves people where they died, on highways and byways, in parks and parking lots, is not a town but a hell. The fact that this hell reflects our life experience in a more realistic and essentially truer way is of no consequence.
Karl Ove Knausgård (My Struggle: Book 1)
You could run, wouldn’t nobody judge you if you did. But you could also stay and fight. Sunsets on the back porch at the old home place in Camilla, William, hat brim down on the porch railing, used to look out over the family’s land and say to Darren, “The nobility is in the fight, son, in all things.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
The belief that they were special, that they had the stones to endure what others couldn't, was the most quintessentially Texas thing about them. It was an arrogance born of genuine fortitude and a streak of hardheadness six generations deep, a Homeric shield against the petty jealousies and lethal injustices that so occupied white folks' free time, their oppressive and intrusive gaze into every aspect of black life - from what you eat to who you marry to the clothes you wear to the music you play to the way you wear your hair to how you address them on the street. The Mathews family recognized it for what it was: a fevered obsession that didn't really have anything to do with them, a preoccupation that weakened a man looking anywhere but at himself.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
When he crossed the line into Shelby County, he removed his badge, tossing the five-point star inside the glove box. It slid against a half-empty pint of Wild Turkey he'd forgotten was in there, clinking softly, a siren call he left unanswered for the moment. He felt naked without his beloved badge but also strangely protected by the anonymity of its absence. Without the star, he would draw no undue attention, make no advertisement of his presence to any rank-and-file Brotherhood in the county, rabid dogs always on the hunt. And no word would get back to Houston, where he was stationed, that he was poking around something, unauthorized by his superiors, something he guessed he did hold an outsize interest in as a cop, as a Texan, and as a man. In fact as long as he wasn't wearing the Rangers star, they couldn't stop him from doing any damn thing. Without the badge, he was just a black man traveling the highway alone.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
for every story about a black mother, sister, or wife crying over a man who was locked up for something he didn’t do, there was a black mother, sister, wife, husband, father, or brother crying over the murder of a loved one for which no one was locked up. For black folks, injustice came from both sides of the law, a double-edged sword of heartache and pain.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
Finally, Aamod said, “Finish him.” Finish him? What was this Mortal Kombat?
Richard Brown (Dead Highways: Origins (Book 1))
I’ve been rendered dumb by waist indents and a tiny hint of dark, happy trail hair under his belly button that could double as an arrow pointing down to his crotch like one of those giant, blinking signs on the highway announcing road construction. Warning! Slow Down! Large Package in Pants Ahead! $200 Fine and Possible Loss of All Brain Function if Barrier is Crossed!
Tara Sivec (The Stocking Was Hung (The Holidays, #1))
Suicide attempts at the Empire State Building are rare, but the same unfortunately cannot be said about the Golden Gate Bridge in San Francisco, the most popular such site in the United States. (The Nanjing Yangtze River Bridge in China is widely regarded as the world’s most popular suicide bridge, and the Golden Gate Bridge is number two.) We don’t know, officially, how many people have taken their lives there because when the number hit 997, authorities stopped counting to avoid giving anyone the incentive of being jumper number 1,000. Whatever the number is, it could have been much higher. In 1994, California Highway Patrol Sergeant Kevin Briggs was assigned to patrol the bridge. Since then, he’s managed to talk an estimated 200 people out of jumping.
Dan Lewis (Now I Know More: The Revealing Stories Behind Even More of the World's Most Interesting Facts (Now I Know Series))
The orange turns to dull bronze light and continues to show what it has shown all day long, but now it seems to show it without enthusiasm. Across those dry hills, within those little houses in the distance are people who've been there all day long, going about the business of the day, who now find nothing unusual or different in this strange darkening landscape, as we do. If we were to come upon them early in the day they might be curious about us and what we're here for. but now in the evening they'd just resent our presence. The workday is over. It's time for supper and family and relaxation and turning inward at home. We ride unnoticed down this empty highway through this strange country I've never seen before, and now a heavy feeling of isolation and loneliness becomes dominant and my spirits wane with the sun.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
It was a line in the sand for me, a line past which we just weren’t gon’ go, not on my watch. The badge was to say this land is my land, too, my state, my country, and I’m not gon’ be run off. I can stand my ground, too. My people built this, and we’re not going anywhere. I set my sight on the Aryan Brotherhood of Texas, among others, and I turned my life over to the Texas Rangers, to this badge,” he said, pointing to the star on his chest.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
For the sake of everything you presently take for granted, give up all ideas of volunteering for the draft: or for anything military. It is a way of life which was never meant for our type. Being almost wholly composed of dullards and intellectual sluggards, it is a painful hell for anyone with an I.Q. over 80. Be a beachcomber, a Parisian wino, an Italian pimp, or a Danish pervert; but stay away from the Armed Forces. It is a catch-all for people who regard every tomorrow as a hammer swinging at the head of man, and whose outstanding trait is a fearful mistrust of everything out of the ordinary. Should you volunteer, it will be two years lost in a sea of ignorance.
Hunter S. Thompson (Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (Gonzo Letters Book 1))
He remembered the black sands beach along California’s lost coast where his mother finally gave up the fight. He hadn’t even realized she’d been injured so badly after running into his father in Seattle. She’d bled most of the way though Oregon, but he hadn’t thought it was serious. He hadn’t known she was bleeding out on the inside, a kidney and her liver ruptured, her intestines bruised beyond repair. […] They stopped six feet from the tide and she made him repeat every promise she’d ever dragged out of him: don’t look back, don’t slow down, and don’t trust anyone. Be anyone but himself, and never be anyone for too long. By the time Neil understood she was saying goodbye, it was too late. She died gasping for one more breath, panting with something that might have been words or his name or fear. Neil could still feel her fingernails digging into his arms as she fought not to slip away, and the memory left him shaking all over. Her abdomen felt like stone when he touched her, swollen and hard. He tried pulling her from her seat only once, but the sound of her dried blood ripping off the vinyl like Velcro killed him. […] He hadn’t cried when the flames caught, and he hadn’t flinched when he pulled her cooling bones out. […] By the time he found the highway again he was numb with shock, and he lasted another day before he fell to his knees on the roadside and puked his guts out.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
It’s like before when there was a huge pile up on the highway, as soon as you got to the point in the traffic jam that you could see the accident, your eyes were glued to the window and you nearly rear ended the guy in front of you so that you can catch a peek at the victims. Sick fucks that we are, we like to witness the suffering of others and say, 'sucks to be them.' We bob our heads to the radio as we open up our engines and tear down the now cleared highway, continuing on with our lives as if we didn’t just witness someone’s spine being scraped off the ground. Come on, you know you’ve done it. Everyone has, and right now is one of those moments.
Katelin LaMontagne (Surge (Wheezers #1))
She fell silent, remembering the jolt of envy and longing she’d felt when she’d framed the Browns in her viewfinder. Now, weeks and miles later, it was another jolt for Bryan to realize she hadn’t brushed off the peculiar feeling. She has managed to put it aside, somewhere to the back of her mind, but it popped out again now as she thought of the couple in the bleachers of a small-town park. Family, cohesion. Bonding. Did some people just keep promises better than others? she wondered. Or where some people simply unable to blend their lives with someone’s else, make those adjustments, the compromises? When she looked back, she believed both she and Rob had tried, but in their own ways. There’d been no meeting of the minds, but two separate thought patterns making decisions that never melded with each other. Did that mean that a successful marriage depended on the mating of two people who thought along the same lines? With a sigh, she turned onto the highway that would lead them into Tennessee. If it was true, she decided, she was much better off single. Though she’d met a great many people she liked and could have fun with, she’d never met anyone who thought the way she did. Especially the man seated next to her with his nose already buried in the newspaper. There alone they were radically different.” For more quotes visit my blog: frommybooks.wordpress.com
Nora Roberts (Summer Pleasures (Celebrity Magazine #1 & 2))
My intention all along had been to get my wakeboarding legs back this first day. Maybe I'd do tricks when we went out the next day. I didn't want to get too cocky and bust ass in front of Sean. But as I got more comfortable and forgot to care, I tried a few standbys-a front flip, a scarecrow. There was no busting of ass. So I tried a backroll. And landed it solidly. Now I got cocky. I did a heelside backroll with a nosegrab. This meant that in the middle of the flip, I let go of the rope handle with one hand, reached down, and grabbed the front of the board. It served no purpose in the trick except to look impressive, like, This only appears to be a difficult trick. I have all the time in the world. I will grab the board. Yawn. And I landed it. This was getting too good to be true. My brother swung the boat around just before we reached the graffiti-covered highway bridge that spanned the lake. Cameron had spray-painted his name and his girlfriend’s name on the bridge, alongside all the other couples’ names and over the faded ones. My genius brother had tried to paint his own name but ran out of room on that section of bridge. McGULLICUDD Y Sean wisely never painted his girlfriends’ names. He would have had to change them too often. For my part, I was very thankful that when most of this spray-painting action was going on last summer, I was still too short to reach over from the pile and haul myself up on the main part of the bridge. I probably had the height and the upper body strength now, and I prayed none of the boys pointed this out. Then I’d have to spray-paint LORI LOVES SEAN on the bridge. And move to Canada.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.
Lisel Mueller (Alive Together)
Chad made a sour face. He turned to Shadow. “Okay,” said Chad. “Through that door and into the sally port.” “What?” “Out there. Where the car is.” Liz unlocked the doors. “You make sure that orange uniform comes right back here,” she said to the deputy. “The last felon we sent down to Lafayette, we never saw the uniform again. They cost the county money.” They walked Shadow out to the sally port, where a car sat idling. It wasn’t a sheriff’s department car. It was a black town car. Another deputy, a grizzled white guy with a mustache, stood by the car, smoking a cigarette. He crushed it out underfoot as they came close, and opened the back door for Shadow. Shadow sat down, awkwardly, his movements hampered by the cuffs and the hobble. There was no grille between the back and the front of the car. The two deputies climbed into the front of the car. The black deputy started the motor. They waited for the sally port door to open. “Come on, come on,” said the black deputy, his fingers drumming against the steering wheel. Chad Mulligan tapped on the side window. The white deputy glanced at the driver, then he lowered the window. “This is wrong,” said Chad. “I just wanted to say that.” “Your comments have been noted, and will be conveyed to the appropriate authorities,” said the driver. The doors to the outside world opened. The snow was still falling, dizzying into the car’s headlights. The driver put his foot on the gas, and they were heading back down the street and on to Main Street. “You heard about Wednesday?” said the driver. His voice sounded different, now, older, and familiar. “He’s dead.” “Yeah. I know,” said Shadow. “I saw it on TV.” “Those fuckers,” said the white officer. It was the first thing he had said, and his voice was rough and accented and, like the driver’s, it was a voice that Shadow knew. “I tell you, they are fuckers, those fuckers.” “Thanks for coming to get me,” said Shadow. “Don’t mention it,” said the driver. In the light of an oncoming car his face already seemed to look older. He looked smaller, too. The last time Shadow had seen him he had been wearing lemon-yellow gloves and a check jacket. “We were in Milwaukee. Had to drive like demons when Ibis called.” “You think we let them lock you up and send you to the chair, when I’m still waiting to break your head with my hammer?” asked the white deputy gloomily, fumbling in his pocket for a pack of cigarettes. His accent was Eastern European. “The real shit will hit the fan in an hour or less,” said Mr. Nancy, looking more like himself with each moment, “when they really turn up to collect you. We’ll pull over before we get to Highway 53 and get you out of those shackles and back into your own clothes.” Czernobog held up a handcuff key and smiled. “I like the mustache,” said Shadow. “Suits you.” Czernobog stroked it with a yellowed finger. “Thank you.” “Wednesday,” said Shadow. “Is he really dead? This isn’t some kind of trick, is it?” He realized that he had been holding on to some kind of hope, foolish though it was. But the expression on Nancy’s face told him all he needed to know, and the hope was gone.
Neil Gaiman (American Gods (American Gods, #1))
Matthew 22 MAT22.1 And Jesus answered and spake unto them again by parables, and said, MAT22.2 The kingdom of heaven is like unto a certain king, which made a marriage for his son, MAT22.3 And sent forth his servants to call them that were bidden to the wedding: and they would not come. MAT22.4 Again, he sent forth other servants, saying, Tell them which are bidden, Behold, I have prepared my dinner: my oxen and my fatlings are killed, and all things are ready: come unto the marriage. MAT22.5 But they made light of it, and went their ways, one to his farm, another to his merchandise: MAT22.6 And the remnant took his servants, and entreated them spitefully, and slew them. MAT22.7 But when the king heard thereof, he was wroth: and he sent forth his armies, and destroyed those murderers, and burned up their city. MAT22.8 Then saith he to his servants, The wedding is ready, but they which were bidden were not worthy. MAT22.9 Go ye therefore into the highways, and as many as ye shall find, bid to the marriage. MAT22.10 So those servants went out into the highways, and gathered together all as many as they found, both bad and good: and the wedding was furnished with guests. MAT22.11 And when the king came in to see the guests, he saw there a man which had not on a wedding garment: MAT22.12 And he saith unto him, Friend, how camest thou in hither not having a wedding garment? And he was speechless. MAT22.13 Then said the king to the servants, Bind him hand and foot, and take him away, and cast him into outer darkness, there shall be weeping and gnashing of teeth. MAT22.14 For many are called, but few are chosen.
Anonymous (Holy Bible: King James Version)
SILVER CITY IS NO PLACE FOR AMATEURS I left Colorado Springs the next morning and got back in the fucking car for another day of driving for the Tour of the Gila. I’d never driven in snow before, but I made it to Santa Fe and then Albuquerque in the afternoon, careful to dodge all the tumbleweeds on the highway in New Mexico. I hadn’t known that those existed outside of cartoons. Already exhausted when I got off the interstate, I was surprised when my GPS said “48 miles remaining, 1.5 hours’ drive time”—I was sure that couldn’t be right. Then I saw the steep climbs, bumpy cattle guards, and dangerous descents on the road into Silver City. I drove as fast as I could, sliding my poor car around hairpins in the dark. I made it to the host house, fell asleep, and found two flat tires when I went outside to unpack the car in the morning. They probably weren’t meant for drifting. My luck didn’t improve when the race started. I got a flat tire when I went off the road to dodge a crash, and I chased for over an hour to get back to the field. Between the dry air and altitude, I got a major nosebleed. My car was parked at the base of the finishing climb, and I got there several minutes behind the field, my new white Cannondale and all my clothes covered in blood. The course turned right to go up the climb, and I turned left, climbed into my car, and got the hell out of there. I might have made the time cut, but for the second time in two weeks, I opted to climb in the car instead. I got out of that town like I was about to turn into a pumpkin, and made it back to San Diego nine hours later. If there wasn’t a Pacific Ocean to stop me, I’d have driven another day, just to get farther from Gila.
Phil Gaimon (Pro Cycling on $10 a Day: From Fat Kid to Euro Pro)