“
The more you leave out, the more you highlight what you leave in.
”
”
Henry Green
“
Under normal circumstances, you inviting me to the bedroom would be the highlight of my day.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
One of the world's most popular entertainments is a deck of cards, which contains thirteen each of four suits, highlighted by kings, queens and jacks, who are possibly the queen's younger, more attractive boyfriends.
”
”
Lemony Snicket
“
THE WORLD IS increasingly designed to depress us. Happiness isn’t very good for the economy. If we were happy with what we had, why would we need more? How do you sell an anti-ageing moisturiser? You make someone worry about ageing. How do you get people to vote for a political party? You make them worry about immigration. How do you get them to buy insurance? By making them worry about everything. How do you get them to have plastic surgery? By highlighting their physical flaws. How do you get them to watch a TV show? By making them worry about missing out. How do you get them to buy a new smartphone? By making them feel like they are being left behind. To be calm becomes a kind of revolutionary act. To be happy with your own non-upgraded existence. To be comfortable with our messy, human selves, would not be good for business.
”
”
Matt Haig (Reasons to Stay Alive)
“
The reason we struggle with insecurity is because we compare our behind-the-scenes with everyone else’s highlight reel.
”
”
Steven Furtick
“
You know," he said, "under normal circumstances, you inviting me to the bedroom would be the highlight of my day."
I crossed my arms and sat on the bed. I did so out of simple fatigue, but a moment later, I was struck by what I was doing. This is where Adrian sleeps. I'm touching the covers he's wrapped in every night. What does he wear? Does he wear anything?
I jumped up.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
To be deeply loved, means a willingness to cut yourself wide open, exposing your vulnerabilities... hopes, hurts, fears and flaws. Hiding behind the highlight reel of who you are, is the real you and that person is just as worthy of love. There is nothing more terrifying or fulfilling, than complete love, it's worth the risk... reach for it.
”
”
Jaeda DeWalt
“
If we are capable of recognizing that the highlights of our destiny can be found in the spell of a happy moment, we needn’t worry all the time about the hurly-burly of the future. ("Lost dreams")
”
”
Erik Pevernagie
“
We men are very simple people: if we like what we see, we’re coming over there. If we don’t want anything from you, we’re not coming over there. Period. Please highlight this part right here so you can always remind yourself the next time a man steps to you: a man always wants something. Always. And when it comes to women, that plan is always to find out two things: (1) if you’re willing to sleep with him, and (2) if you are, how much it will cost to get you to sleep with him.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
Let us not give way to the temptations of a false self and the illusions of an inflated reality, but let us highlight our deeper self's authenticity and forward the truth of our words and the straightness of our actions. ("With confidence")
”
”
Erik Pevernagie
“
See? Injustice. Here we are, risking our lives to rescue Kai and this whole planet, and Adri and Pearl get to go to the royal wedding. I’m disgusted. I hope they spill soy sauce on their fancy dresses.”
Jacin’s concern turned fast to annoyance. “Your ship has some messed-up priorities, you know that?”
“Iko. My name is Iko. If you don’t stop calling me the ‘ship,’ I am going to make sure you never have hot water during your showers again, do you understand me?”
“Yeah, hold that thought while I go disable the speaker system.”
“What? You can’t mute me. Cinder!
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Because it’s true: more than the highlights, the bright events, it was in the small and the daily where she’d found life.
”
”
Lauren Groff (Fates and Furies)
“
My sister, with her ratty red-highlighted hair and her linen pajamas and her combat boots—how could she possibly worry about being possessed by a goddess? What goddess would want her, except the goddess of chewing gum?
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
If there's one American belief I hold above all others, it's that those who would set themselves up in judgment on matters of what is "right" and what is "best" should be given no rest; that they should have to defend their behavior most stringently. ... As a nation, we've been through too many fights to preserve our rights of free thought to let them go just because some prude with a highlighter doesn't approve of them."
[Bangor Daily News, Guest Column of March 20, 1992]
”
”
Stephen King
“
Her hair is ridiculous," I said.
"I know. That was the only thing I said about her that was true. When you say nasty things about people, you should never say the true ones, because you can't really fully and honestly take those back, you know? I mean, there are highlights. And there are streaks. And then there are skunk stripes.
”
”
John Green (Paper Towns)
“
Yet, all armor—from a lobster’s shell to a Navy SEAL’s
flak jacket—ultimately reveals the same truth. All armor highlights
vulnerability. It trumpets the fact that below that hard exterior lies
an interior that is soft, fragile, and in need of protection.
”
”
J.K. Franko (Eye for Eye (Talion #1))
“
She's different from the girls I'm used to dating. She doesn't get tired of my stories and jokes or expect me to start reading her mind. She doesn't want me to dress better or put highlights in my hair or serious up. I'm not a lifestyle accessory to her. I'm a necessity. I'm the guy that's going to crack open her cocoon. She doesn't need to change me - she needs me to change her. At least until her little butterfly wings get strong enough to fly away.
”
”
Tim Tharp (The Spectacular Now)
“
I wish I could rewrite you out of my life
But all your pages are highlighted
Dog-eared and thumbed to death
I can no longer read you
But you are still my favorite poem
”
”
L.J. Shen (Pretty Reckless (All Saints High, #1))
“
We do need to be born again, since Jesus said that to a guy named Nicodemus. But if you tell me I have to be born again to enter the Kingdom of God, I can tell you that you have to sell everything you have and give it to the poor, because Jesus said that to one guy, too. But I guess that's why God invented highlighers, so we can highlight the parts we like and ignore the rest.
”
”
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
“
The recognition of knowledge and the risks associated with its absence highlights the importance of our intellectual humility and the danger of ignorance that renders us vulnerable to manipulation and exploitation. ("Alert. High noon.")
”
”
Erik Pevernagie
“
I know I shouldn’t introduce my own memoir with this amount of insecurity, but my personal life philosophy is always to assume the worst, then you’re never disappointed. BAM! Highlight that previous sentence, baby!
”
”
Felicia Day (You're Never Weird on the Internet (Almost))
“
The highlight of my childhood was making my brother laugh so hard that food came out his nose.
”
”
Garrison Keillor
“
We need to highlight the role women play in perpetuating and sustaining patriarchal culture so that we will recognize patriarchy as a system women and men support equally, even if men receive more rewards from that system. Dismantling and changing patriarchal culture is work that men and women must do together.
”
”
bell hooks (The Will to Change: Men, Masculinity, and Love)
“
I'm so excited. I just bought a new file cabinet, some manila folders, some sticky note pads, and a few highlighters, and I think I'm finally ready to enter into organized crime.
”
”
Jarod Kintz (It Occurred to Me)
“
There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.
We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.
”
”
Alfred Hitchcock
“
Through my writing, I aim to highlight the significance of fostering healthy and fulfilling relationships and inspire others to cherish the bonds they share with fellow human beings.
”
”
Suman Pokhrel
“
One of the highlights of the first Good Omens tour was Neil and I walking through New York singing Shoehorn with Teeth. Well, we'd had a good breakfast. And you don't get mugged, either.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
While walking down the memory lane, we may discover in the remains of our early days, surprising little details that have been eclipsed under the mantle of forgetfulness or inattention. Those loose shreds in our remembrance can highlight the importance of the fundamentals that steer our daily lives. But they may also entice us to crack the particular value that we impart to trivial matters or quirky actions. Then, we are capable of discerning the uprightness and the truth behind the appearances. ("Dirty bike")
”
”
Erik Pevernagie
“
When I think back about my immediate reaction to that redheads girl, it seems to spring from an appreciation of natural beauty. I mean the heart pleasure you get from looking at speckled leaves or the palimpsested bark of plane trees in Provence. There was something richly appealing to her color combination, the ginger snaps floating in the milk-white skin, the golden highlights in the strawberry hair. it was like autumn, looking at her. It was like driving up north to see the colors.
”
”
Jeffrey Eugenides (Middlesex)
“
Important events — whether serious, happy or unfortunate — do not change a man's soul, they merely bring it into relief, just as a strong gust of wind reveals the true shape of a tree when it blows off all its leaves. Such events highlight what is hidden in the shadows, they nudge the spirit towards a place where it can flourish.
”
”
Irène Némirovsky
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
I see evil when I look in my shaving mirror. It is, philosophically, present everywhere in the universe in order, apparently, to highlight the existence of good. I think there is more to this theory, but I tend to burst out laughing at this point.
”
”
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
“
I wondered if I would appear on a temple wall painting someday. A blonde Egyptian girl with purple highlights running sideways through the palm trees, screaming "Yikes!" in hieroglyphics as Neith chased after me. The thought of some poor archaeologist trying to figure that out almost lifted my spirits.
”
”
Rick Riordan
“
That’s right, honey, state your claim on Mr. Yummy Pants. I’d do the same if I were you.”
A grin ticked at my mouth. I swept my gaze over the muscled roundness of Bones’s ass, which his black jeans only highlighted. Then I gazed at the snug fit of the front that had nothing to do with the cut of the denim. Finally, I met Tyler’s chocolate-colored eyes and winked back.
”
”
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
“
It's the new me," I explained, waving my hands jazz-style in greeting. "Matthew Swift, Midnight fucking Mayor - I've got multicoloured highlighters and everything.
”
”
Kate Griffin (The Neon Court (Matthew Swift, #3))
“
I drank some too-hot coffee and scowled at him, annoyed although I couldn't remember why. The light from the lounge was leaking in, highlighting his spiky blond hair. I decided that must be it.
"You really hate my hair, don't you?" he asked, a smile flickering over his lips so fast I might have imagined it.
"Yeah"
"Why?"
I reached out to touch it, and was surprised as always to find it mostly soft. Just a little stiff in places from whatever product he used on it. It felt weird, imagining Pritkin having anything in his hair but sweat. But he must have; nobody's did that all on its own.
"It's like...angry hair," I said, trying to pat it down and failing miserably.
He caught my wrist. "Most people would say that suits me."
"I'm not most people."
"I know.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
Is the sunrise of Mount Fuji more beautiful from the one you see in the countryside a bit closer to home? Are the beaches of Indonesia really that much more serene than those we have in our own countries? The point I make is not to downplay the marvels of the world, but to highlight the notion of the human tendency in our failure to see the beauty in our daily lives when we take off the travel goggles when we are home. It is the preconceived notion of a place that creates the difference in perception of environments rather than the actual geological location.
”
”
Forrest Curran
“
When I saw you at the graveyard, looking so white, I knew something was wrong. I knew it."
Azalea stared at him, the fire flickering highlights in his eyes.
"So...I thought I should do something," he finished lamely.
"You saw everything?"
Mr. Bradford gave a half of a crooked smile. "I did knock."
"You didn't see Mr...Mr.-"
"Mr. Keeper?" Mr. Bradford spat the name. "Oh yes, I saw Mr. Keeper. Rather hard not to. I saw him try to kiss you. Or what he said was a kiss. I want to snap his head off!"
Azalea had her hand over her mouth, shocked that someone as solemn and dignified as Mr. Bradford could have such venom. He took her hands, gently, and pushed up her sleeved, revealing her swollen wrists. His fringers traced the bruises.
"You stopped him," said Azalea. She bowed her head, shy. "You kept him from-from-"
"Ah, yes, my lady!" Mr. Bradford smiled a crooked smile in full. "His ponytail was simply begging to be yanked.
”
”
Heather Dixon Wallwork (Entwined)
“
As I pedal down the street ... the city blocks peel away like pages in a book I’m rifling through to find a single, highlighted sentence.
”
”
Hilary T. Smith (Wild Awake)
“
The brain highlights what it imagines as patterns; it disregards contradictory information. Human nature yearns to see order and hierarchy in the world. It will invent it where it cannot find it.
”
”
Benoît B. Mandelbrot (The (Mis)Behavior of Markets)
“
Utopianism also attempts to shape and dominate the individual by doing two things at once: it strips the individual of his uniqueness, making him indistinguishable from the multitudes that form what is commonly referred to as 'the masses,' but it simultaneously assigns him a group identity based on race, ethnicity, age, gender, income, etc., to highlight differences within the masses.
”
”
Mark R. Levin (Ameritopia: The Unmaking of America)
“
The worms were beautifully drawn, with their nervous systems and reproductive organs shaded in different colors of highlighter, but the artist had also given them big goofy smiling faces. Grotesque but lovable in a cross-eyed way.
”
”
L.J. Smith (Night World, No. 1 (Night World, #1-3))
“
Daily Reminders
1) Never compare myself to other people. It is comparing my behind the scenes to their highlight reel.
2) Stay here, now. I will not think to far forward or back.
3) It's okay to not be fine.
4) Taylor need's me so I'm going to take care of myself.
”
”
Taylor Swift
“
Highlighting the emotional dynamics of love and the importance of communication or pinpointing its neglect reveals how fragile our interactions can be. By reaching out and connecting, we entrust a valued part of our inner selves, which can be enriching and liberating but also make us vulnerable. ("Poste Restante")
”
”
Erik Pevernagie
“
... it occurred to me that we are all unreliable narrators of our own lives, crafting stories about ourselves that omit unsavory truths and highlight our invented identities.
”
”
Marie Benedict (The Mystery of Mrs. Christie)
“
The suddenness of events sometimes highlights the absurdity of the consequences and proves that life does not always follow predictable patterns. We recognize that the "order” and “meaning" we want to impose on the world are often pointless or without effect. Be it as it may, let us find the silver bullet in the magic of every present moment we encounter to find compensation. ("C “)
”
”
Erik Pevernagie
“
Being a highlighter is about constantly searching for the good in people. When you tell people they are good, they become better. When you search for what’s good, you feel great.
”
”
Vanessa Van Edwards (Captivate: The Science of Succeeding with People (Portfolio Non Fiction))
“
Another tip you picked up from my books?”
“Those things are like a treasure map. Just follow the tabs and highlights to find the pot of gold.
”
”
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
“
Don’t be too fast to highlight the weaknesses of other people. That is the quickest way of exposing your own weaknesses.
”
”
Israelmore Ayivor (Daily Drive 365)
“
I admit to being a moron at lots of things. Being a moron in one or two areas serves to highlight my extraordinary brilliance in everything else.
”
”
Ellie Marney (Every Breath (Every, #1))
“
Perhaps the highlight was Natalie on top of the table, doing some kind of dance that made her look like an octopus.
”
”
Kiera Cass (The Elite (The Selection, #2))
“
This stuff doesn't matter. What matters is what you do with it." Sara snaps the highlighter cap on. "I try not to think about how boring it is (History). I just keep reminding myself about how I want my life to be and what I have to do to get there. Then it's simple.
”
”
Susane Colasanti (When It Happens)
“
Believe in your Highlight: It is worth prioritizing over random disruption.
”
”
Jake Knapp (Make Time: How to Focus on What Matters Every Day)
“
Nonstop sunny days would be boring. We need the gloom to highlight the highs.
”
”
Jarod Kintz (This Book Has No Title)
“
Yet, we don't miss a day speaking. And it's the highlight of my day.
Every day.
Every time.
Every single word.
”
”
S.T. Abby (The Risk (Mindf*ck, #1))
“
leaders are not responsible for the results, leaders are responsible for the people who are responsible for the results. And the best way to drive performance in an organization is to create an environment in which information can flow freely, mistakes can be highlighted and help can be offered and received.
”
”
Simon Sinek (The Infinite Game)
“
The social media maven spends his or her time creating a self-caricature, a much happier and more photogenic version of real life. People subtly start comparing themselves to other people’s highlight reels,
”
”
David Brooks (The Road to Character)
“
There are evil people, but they still came weeping from someone's vagina.
”
”
Dave Matthews Band (Highlights From Dave Matthews / Tim Reynolds: Live at Luther College (Play It Like It is Series))
“
Real travel is not about the highlights with which you dazzle your friends once you're home. It's about the loneliness, the solitude, the evenings spent by yourself, pining to be somewhere else. Those are the moments of true value. You feel half proud of them and half ashamed and you hold them to your heart.
”
”
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
“
Pride is nothing more than us highlighting us.
”
”
Kevin Thoman
“
Park hated football. He cried when his dad took him pheasant hunting. Nobody in the neighbourhood could ever tell who he was dressed as on Halloween. ('I'm Doctor Who.' 'I'm Harp Marx.' 'I'm Count Floyd.') And he kind of wanted his mom to give him blond highlights.
”
”
Rainbow Rowell (Eleanor & Park)
“
Music’s the soundtrack of my life and has been since I was a teenager. There’s always music. If I’m not playing it, I’m listening to it. With my writing…sometimes it inspires a story, sometimes it highlights something I’m working on, sometimes it simply helps me stay in the narrative mood.
”
”
Charles de Lint
“
We have to die to get their pity. We have to die for them to find us noble. Our deaths are thus great acts of rebellion, a wretched lament that highlights their inhumanity. Our deaths become their battle cry. I don't want to be their Imoinda, their Oroonoko. I don't want to be their tragic, lovely lacquer figure. I want to live.
”
”
R.F. Kuang (Babel)
“
On time for us was thirty minutes before actually started, because the half hour before the first bell was the highlight of our social calendars: standing outside the side door that led into the band room and just talking.
”
”
John Green (Paper Towns)
“
But I'm hungry. I bypass the line and smile to myself when the peeps behind me mumble complaints. Telling their families and friends about "this dick in the snack line" will be the highlight of their day.
”
”
Victoria Scott (The Liberator (Dante Walker, #2))
“
I've survived beach bunny cheerleaders, a sluthunting , ex-boyfriend, and five years of cross-country camp. I'm not afraid of some throwback to ancient myth with astrocious highlights and a Barbra Streisand nose.
”
”
Tera Lynn Childs (Oh. My. Gods. (Oh. My. Gods., #1))
“
It's not that you have lost touch with these people. You haven't. It's just that they have kept in such close touch with each other. When scrolling through your cell phone, you generally let their numbers be highlighted for a second, hovering, and then move along to people you have spoken to within the last month. It's not that you're a bad friend to these people. It's just that you're not a great one. They know the names of each other's coworkers and the blow-by-blow nature of each other's dramas; they go camping in the Berkshires together and have such sentences in their conversational arsenal as "you left your lip gloss in my bathroom." You have no such sentences. Your connection to your friends is half-baked and you are starting to forget their siblings' names, never mind their coworkers. But you're still in the play even if you're no longer a main character.
”
”
Sloane Crosley (I Was Told There'd Be Cake: Essays)
“
This is the problem with having a barrier between you and everyone else—you see it, but they don’t. They talk to you, but you can’t talk back to them. They care about things like the weather and what you’re shopping for, and you don’t care about a single thing. It is so obvious to you, and it is infuriating that they don’t understand. It just highlights that you’re the one who’s defective, you’re the one who can’t be normal, you’re the one who has to suffer while everyone else gets to live out their delusions. We know. We’ve been there.
”
”
David Levithan (Two Boys Kissing)
“
There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.
”
”
Federico García Lorca
“
Every book is a different hood, a different country, a different world. Reading is how I visit places and people and ideas. And when something rings true or if I still have a question, I outline it with a bright yellow highlighter so that it’s lit up in my mind, like a lightbulb or a torch leading the way to somewhere new.
”
”
Ibi Zoboi (Pride)
“
Ah, aren’t you gonna…” He met my eyes. “Am I gonna…what?” I was an idiot. “Your sleeves…you always roll them up.” I was a gigantic idiot, but…it was always one of the highlights of my day, so why should I have to suffer just because he forgot about it? It was my daily forearm porn, and I had started to look forward to it.
”
”
Ella Maise (Marriage for One)
“
She heard footsteps thumping from the crew quarters and Jacin appeared in the cargo bay, eyes wide. “What happened? Why is the ship screaming?”
“Nothing. Everything’s fine,” Cinder stammered.
“No, everything is not fine,” said Iko. “How can they be invited? I’ve never seen a bigger injustice in all my programmed life, and believe me, I have seen some big injustices.”
Jacin raised an eyebrow at Cinder.
“We just learned that my former guardian received an invitation to the wedding.” She opened the tab beside her stepmother’s name, thinking maybe it was a mistake.
But of course not.
Linh Adri had been awarded 80,000 univs and an official invitation to the royal wedding as an act of gratitude for her assistance in the ongoing manhunt for her adopted and estranged daughter, Linh Cinder.
“Because she sold me out,” she said, sneering. “Figures.”
“See? Injustice. Here we are, risking our lives to rescue Kai and this whole planet, and Adri and Pearl get to go to the royal wedding. I’m disgusted. I hope they spill soy sauce on their fancy dresses.”
Jacin’s concern turned fast to annoyance. “Your ship has some messed-up priorities, you know that?”
“Iko. My name is Iko. If you don’t stop calling me the ‘ship,’ I am going to make sure you never have hot water during your showers again, do you understand me?”
“Yeah, hold that thought while I go disable the speaker system.”
“What? You can’t mute me. Cinder!
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Story guys are like life highlighters. Your life is all these big blocks of gray text, and then a story guy comes in with a big ol’ paragraph of neon pink so that when you flip back through your life, you can stop and remember all the important and interesting places.
”
”
Mary Ann Rivers (The Story Guy)
“
[on the Victim Mentality] It takes a great level of intelligence to maintain a thinking process as stupid as this. Because it is such a great undertaking, we take pride in it. It highlights our intellect. Too bad it also highlights our lack of wisdom. For all our twisting, wringing, stretching, and stuffing, we only contort ourselves.
”
”
David G. Allen
“
Petunia Temminnick’s coming-out ball was pronounced a resounding success by all in attendance. There had been highly intoxicating punch, a variety of dances, good music, and intermission entertainment. No one knew why the beautiful Miss Pelouse had stripped, rolled about in the garden, and then chucked a cheese pie at the youngest Temminnick girl before being taken away in floods of tears, but it was surely the highlight of a most enjoyable evening.
”
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Gail Carriger (Etiquette & Espionage (Finishing School, #1))
“
Good, stupid high school boys aren't worth It" She throws an arm over my shoulder. "They're trained to like a certain type of girl, with highlights and pretty nails- the kind who are good at remembering to put on lotion every morning after they shower." She smiles like she's got a dirty secret. "And let's face it..... sluts.
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Siobhan Vivian (Same Difference)
“
In the mid 1980's I was asked by an american legal institution known as the Christic Legal Institute to compile a comic book that would detail the murky history of the C.I.A., from the end of the second world war, to the present day. Covering such things as the heroin smuggling during the Vietnam war, the cocaine smuggling during the war in Central America, the Kennedy assasination and other highlights.
What I learned during the frankly horrifying research that I had to slog through in order to accomplish this, was that yes, there is a conspiracy, in fact there are a great number of conspiracies that are all tripping each other up. And all of those conspiracies are run by paranoid fantasists, and ham fisted clowns. If you are on a list targeted by the C.I.A., you really have nothing to worry about. If however you have a name similar to someone on a list targeted by the C.I.A., then you are dead?
The main thing that I learned about conspiracy theory, is that conspiracy theorists believe in a conspiracy because that is more comforting. The truth of the world is that it is actually chaotic. The truth is that it is not The Iluminati, or The Jewish Banking Conspiracy, or the Gray Alien Theory. The truth is far more frightening.
Nobody is in control.
The world is rudderless...
”
”
Alan Moore
“
That’s when I realized that sex was not necessarily a shared thing. Sex was something you do with someone else, yet you can experience it separately from each other. It didn’t necessarily bring you closer. In fact, it could highlight the parts of you that feel most separate. Sex could reveal to you your own isolation. Sam had told me that this act added up to love, but I did not feel loved by Carlos then, nor, in that moment, could I feel my love for him.
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Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
“
When you go through the hardest of times, the people that come to your aid are the ones that you will carry with you forever. The people that don’t, no matter how close you perceived them to be, should not be part of your inner circle. Pain and hardships help highlight who is, who has, and who will always be there for you throughout the roller coaster of life.
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Chris Hough
“
It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs.
They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".
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Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
“
Purple Hair stopped dusting blush over Cameron’s cheeks. “Hold up. Are you talking about the dark-haired guy who came in with you? The one who searched me before I could do your makeup?” Cameron grimaced. “Sorry about that.” “Don’t be—it was the highlight of my month.” Purple Hair threw her a get-real stare. “That’s the guy you’re holding out on? Sweetie, you need to grab that stallion and ride him like a cowgirl.
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Julie James (Something About You (FBI/US Attorney, #1))
“
Bedtime makes you realize how completely incapable you are of being in charge of another human being. My children act like they’ve never been to sleep before. “Bed? What’s that? No, I’m not doing that.” They never want to go to bed. This is another thing that I will never have in common with my children. Every morning when I wake up, my first thought is, “When can I come back here?” It’s the carrot that keeps me motivated. Sometimes going to bed feels like the highlight of my day. Ironically, to my children, bedtime is a punishment that violates their basic rights as human beings. Once the lights are out, you can expect at least an hour of inmates clanging their tin cups on the cell bars.
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Jim Gaffigan (Dad Is Fat)
“
Because, though I'd seen and felt just a fraction of all the love in the world, I knew that when people thought of love they thought of moments. Whether or not a marriage worked out, or if they stayed together after graduation, or if they did go to the big dance together, the story's end mattered less, and the highlights in between mattered more. Those are what lingered, and what people can go back to, even when they had nothing left.
”
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Mina V. Esguerra (Interim Goddess of Love (Interim Goddess of Love, #1))
“
For the record, I tried to stop this," I said grimly. Then I turned my attention back to Ian.
The afternoon sun gave his copper-hued hair golden highlights and he made sure that the hard lines of his chest and abdomen were on full display as his pace kept his shirt billowing behind him. Grudgingly, I had to admit that several heads turned, and more than a few cars slowed down as female drivers gave him a second, third and fourth look. Ian responded by flashing them a dazzling smile, making him appear almost angelic to anyone who didn't know that he was a conscienceless slut.
”
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Jeaniene Frost (Up from the Grave (Night Huntress, #7))
“
The scientific study of suffering inevitably raises questions of causation, and with these, issues of blame and responsibility. Historically, doctors have highlighted predisposing vulnerability factors for developing PTSD, at the expense of recognizing the reality of their patients' experiences… This search for predisposing factors probably had its origins in the need to deny that all people can be stressed beyond endurance, rather than in solid scientific data; until recently such data were simply not available… When the issue of causation becomes a legitimate area of investigation, one is inevitably confronted with issues of man's inhumanity to man, with carelessness and callousness, with abrogation of responsibility, with manipulation and with failures to protect.
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Bessel van der Kolk (Traumatic Stress: The Effects of Overwhelming Experience on Mind, Body, and Society)
“
This praise highlights another problem with the idea of the "good man"—the bar is ultimately a low one, and men are heralded every day for engaging in basic acts of domestic labour like washing dishes. It is this low bar that also renders the experiences I've shared unexceptional and therefore so often unnoticed. Sexist comments, intimidation, groping, violating boundaries, and aggression are seen as merely "typical" for men. But "typical" is dangerously interchangeable with "acceptable." "Boys will be boys," after all.
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Vivek Shraya (I'm Afraid of Men)
“
Sometimes I fantasize about getting my hands on my library records. . . my recurring bookworm dream is to peruse my personal library history like it's a historical document.
My bookshelves show me the books I've bought or been given. . . But my library books come into my house and go out again, leaving behind only memories and a jotted line in a journal (if I'm lucky). I long for a list that captures these ephemeral reads - all the books I've borrowed in a lifetime of reading, from last week's armful spanning back to when I was a seven-year-old kid with my first library card. I don't need many details - just the titles and dates would be fine - but oh, how I'd love to see them.
Those records preserve what my memory has not. I remember the highlights of my grade-school checkouts, but much is lost to time. How I'd love to see the complete list of what I chose to read in second grade, or sixth, or tenth.
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Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
“
If Mrs. Charles were a color, she'd be yellow - bright, cheerful, golden rays of sunshine. A ripe banana, a fresh highlighter, sweet like pineapples, tart like lemons, you could lose her in a field of dandelions. One drop of her coloring could turn plain buttercream frosting into the sweetest Easter cake.
But one drop of another color could spoil her brightness. Leave her out in the heat too long and her banana peel would start to rot. The tip of her highlighter blackens with wear. The prickling of her pineapple skin sometimes leaves her impossible to open.
And dandelions are nothing but pretty weeds."
-Claudia
”
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Tiffany D. Jackson (Monday's Not Coming)
“
My conversational difficulties highlight a problem Aspergians face every day. A person with an obvious disability—for example, someone in a wheelchair—is treated compassionately because his handicap is obvious. No one turns to a guy in a wheelchair and says, “Quick! Let’s run across the street!” And when he can’t run across the street, no one says, “What’s his problem?” They offer to help him across the street. With me, though, there is no external sign that I am conversationally handicapped. So folks hear some conversational misstep and say, “What an arrogant jerk!” I look forward to the day when my handicap will afford me the same respect accorded to a guy in a wheelchair. And if the respect comes with a preferred parking space, I won’t turn it down.
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John Elder Robison (Look Me in the Eye: My Life with Asperger's)
“
I thought about that while he made his next calls, while I kept on with the newsletters. I thought about it during Sunday service at Word of Life, and during study hours in my room, with the Viking Erin and her squeaky pink highlighter. What it meant to really believe in something—for real. Belief. The big dictionary in the Promise library said it meant something one accepts as true or real; a firmly held conviction or opinion. But even that definition, as short and simple as it was, confused me. True or real: Those were definite words; opinion and conviction just weren't—opinions wavered and changed and fluctuated with the person, the situation. And most troubling of all was the word accepts. Something one accepts. I was much better at excepting everything than accepting anything, at least anything for certain, for definite. That much I knew. That much I believed.
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Emily M. Danforth (The Miseducation of Cameron Post)
“
One of the reasons I wanted to write this column, I think, is because I assumed that the cultural highlight of my month would arrive in book form, and that’s true, for probably eleven months of the year. Books are, let’s face it, better than everything else…. Even if you love movies and music as much as you do books, it’s still, in any given four week period, way, way more likely you’ll find a great book that you haven’t read than a great movie you haven’t seen, or a great album you haven’t heard: the assiduous consumer will eventually exhaust movies and music… the feeling everyone has with literature: that we can’t get through the good novels published in the last six months, let alone those published since publishing began.
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Nick Hornby (The Polysyllabic Spree)
“
The fundamental principle underlying all justifications of war, from the point of view of human personality, is ‘heroism’. War, it is said, offers man the opportunity to awaken the hero who sleeps within him. War breaks the routine of comfortable life; by means of its severe ordeals, it offers a transfiguring knowledge of life, life according to death. The moment the individual succeeds in living as a hero, even if it is the final moment of his earthly life, weighs infinitely more on the scale of values than a protracted existence spent consuming monotonously among the trivialities of cities. From a spiritual point of view, these possibilities make up for the negative and destructive tendencies of war, which are one-sidedly and tendentiously highlighted by pacifist materialism. War makes one realize the relativity of human life and therefore also the law of a ‘more-than-life’, and thus war has always an anti-materialist value, a spiritual value.
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Julius Evola (Metaphysics of War)
“
You shall no longer take things at second or third hand....
nor look through the eyes of the dead....
nor feed on
the spectres in books.
I tramp a perpetual journey
All goes onward and outward.... and nothing collapses,
And to die is different from what any one supposed, and luckier.
If no other in the world be aware I sit content,
And if each and all be aware I sit content.
The final three stanzas of 'Song of Myself" were also highlighted.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your bootsoles.
You will hardly know who I am or what I mean,
But I shall be good health to your nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one places search another,
I stop some where waiting for you
It became a weekend of reading, of trying to see her in the fragments of the poem she'd left for me. I could never get anywhere with the lines, but I kepr thinking about them anyway, becase I didn't want to disappoint her. She wanted me to play out with the string, to find the place where she had stopped and was waiting for me, to follow the bread crumb trail until it dead-ended into her.
”
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John Green (Paper Towns)
“
Here," I said, the morning after the lazy, stupid Derek incident, as I intercepted Camden on his way to his locker shortly before the first-period bell and dragged him into an empty physics lab. I handed him three problem sets with the words PECKER and BALLS written all over them in multicolored highlighters, plus pictures of stick-figure people having sex in different positions. "This is to force your douche-bag friends to copy over the stuff in their own handwriting before they hand it in. There's no way I'm letting us get caught just because our clients get lazy." I crossed my arms and stared at him, daring him to get mad.
He didn't. He just looked at the papers, surprised, then looked at me. "That's actually a really good idea," he said, sounding impressed.
"I know," I said.
"And these pictures you drew are weirdly hot."
"I don't disagree," I said. "By the way, I'm charging you for the highlighters I bought."
I think he might've said "I love you" as I walked out of the classroom, but the hallway was noisy, so I couldn't be sure.
”
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Cherry Cheva (She's So Money)
“
Concurrently, the growing class power and public voice of conservative and liberal well-to-do black folks easily obscures the class cruelty these individuals enact both in the way they talk about underprivileged blacks and the way they represent them. The existence of that class cruelty and its fascist dimensions have been somewhat highlighted by the efforts of privileged-class blacks to censor the voices of black youth, particularly gangsta rappers who are opposing bourgeois class values by extolling the values of street culture and street vernacular. Significantly, the attack on urban underclass black youth culture and its gangster dimensions (glamorization of crime, etc.) is usually presented via a critique of sexism. Since most privileged-class blacks have shown no interest in advancing feminist politics, the only organized effort to end sexism and sexist oppression, this attack on sexism seems merely gratuitous, a smoke screen that deflects away from the fact that what really disturbs bourgeois folks is the support of rebellion, unruly behavior, and disrespect for their class values. In reality, they and their white counterparts fear the power these young folks have to change the minds and life choices of youth from privileged classes. If only underclass black folks were listening to gangsta rap, there would be no public effort to silence and censor this music. The fear is that it will generate class rebellion.
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bell hooks (Killing Rage: Ending Racism)
“
Chastity and moral purity were qualities McCandless mulled over long and often. Indeed, one of the books found in the bus with his remains was a collection of stories that included Tol¬stoy’s “The Kreutzer Sonata,” in which the nobleman-turned-ascetic denounces “the demands of the flesh.” Several such passages are starred and highlighted in the dog-eared text, the margins filled with cryptic notes printed in McCandless’s distinc¬tive hand. And in the chapter on “Higher Laws” in Thoreau’s Walden, a copy of which was also discovered in the bus, McCand¬less circled “Chastity is the flowering of man; and what are called Genius, Heroism, Holiness, and the like, are but various fruits which succeed it.”
We Americans are titillated by sex, obsessed by it, horrified by it. When an apparently healthy person, especially a healthy young man, elects to forgo the enticements of the flesh, it shocks us, and we leer. Suspicions are aroused.
McCandless’s apparent sexual innocence, however, is a corol¬lary of a personality type that our culture purports to admire, at least in the case of its more famous adherents. His ambivalence toward sex echoes that of celebrated others who embraced wilderness with single-minded passion—Thoreau (who was a lifelong virgin) and the naturalist John Muir, most prominently— to say nothing of countless lesser-known pilgrims, seekers, mis¬fits, and adventurers. Like not a few of those seduced by the wild, McCandless seems to have been driven by a variety of lust that supplanted sexual desire. His yearning, in a sense, was too pow¬erful to be quenched by human contact. McCandless may have been tempted by the succor offered by women, but it paled beside the prospect of rough congress with nature, with the cosmos it¬self. And thus was he drawn north, to Alaska.
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Jon Krakauer (Into the Wild)
“
Manifest Destiny anticipated nearly all the ideological and programmatic elements of Hitler's Lebensraum policy. In fact, Hitler modeled his conquest of the East on the American conquest of the West.* During the first half of this century, a majority of American states enacted sterilization laws and tens of thousands of Americans were involuntarily sterilized. The Nazis explicitly invoked this US precedent when they enacted their own sterilization laws.'' The notorious 1935 Nuremberg Laws stripped Jews of the franchise and forbade miscegenation between Jews and non-Jews. Blacks in the American South suffered the same legal disabilities and were the object of much greater spontaneous and sanctioned popular violence than the Jews in prewar Germany.
To highlight unfolding crimes abroad, the US often summons memories of The Holocaust. The more revealing point, however, is when the US invokes The Holocaust. Crimes of official enemies such as the Khmer Rouge bloodbath in Cambodia, the Soviet invasion of Afghanistan, the Iraqi invasion of Kuwait, and Serbian ethnic cleansing in Kosovo recall The Holocaust; crimes in which the US is complicit do not.
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Norman G. Finkelstein (The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering)
“
This vacillation between assertion and denial in discussions about organised abuse can be understood as functional, in that it serves to contain the traumatic kernel at the heart of allegations of organised abuse. In his influential ‘just world’ theory, Lerner (1980) argued that emotional wellbeing is predicated on the assumption that the world is an orderly, predictable and just place in which people get what they deserve. Whilst such assumptions are objectively false, Lerner argued that individuals have considerable investment in maintaining them since they are conducive to feelings of self—efficacy and trust in others. When they encounter evidence contradicting the view that the world is just, individuals are motivated to defend this belief either by helping the victim (and thus restoring a sense of justice) or by persuading themselves that no injustice has occurred. Lerner (1980) focused on the ways in which the ‘just world’ fallacy motivates victim-blaming, but there are other defences available to bystanders who seek to dispel troubling knowledge. Organised abuse highlights the severity of sexual violence in the lives of some children and the desire of some adults to inflict considerable, and sometimes irreversible, harm upon the powerless. Such knowledge is so toxic to common presumptions about the orderly nature of society, and the generally benevolent motivations of others, that it seems as though a defensive scaffold of disbelief, minimisation and scorn has been erected to inhibit a full understanding of organised abuse.
Despite these efforts, there has been a recent resurgence of interest in organised abuse and particularly ritualistic abuse (eg Sachs and Galton 2008, Epstein et al. 2011, Miller 2012).
”
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Michael Salter (Organised Sexual Abuse)
“
Were we dealing with a spectrum-based system that described male and female sexuality with equal accuracy, data taken from gay males would look similar to data taken from straight females—and yet this is not what we see in practice. Instead, the data associated with gay male sexuality presents a mirror image of data associated with straight males: Most gay men are as likely to find the female form aversive as straight men are likely to find the male form aversive. In gay females we observe a similar phenomenon, in which they mirror straight females instead of appearing in the same position on the spectrum as straight men—in other words, gay women are just as unlikely to find the male form aversive as straight females are to find the female form aversive.
Some of the research highlighting these trends has been conducted with technology like laser doppler imaging (LDI), which measures genital blood flow when individuals are presented with pornographic images. The findings can, therefore, not be written off as a product of men lying to hide middling positions on the Kinsey scale due to a higher social stigma against what is thought of in the vernacular as male bisexuality/pansexuality. We should, however, note that laser Doppler imaging systems are hardly perfect, especially when measuring arousal in females.
It is difficult to attribute these patterns to socialization, as they are observed across cultures and even within the earliest of gay communities that emerged in America, which had to overcome a huge amount of systemic oppression to exist. It’s a little crazy to argue that the socially oppressed sexuality of the early American gay community was largely a product of socialization given how much they had overcome just to come out.
If, however, one works off the assumptions of our model, this pattern makes perfect sense. There must be a stage in male brain development that determines which set of gendered stimuli is dominant, then applies a negative modifier to stimuli associated with other genders. This stage does not apparently take place during female sexual development.
”
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Simone Collins (The Pragmatist's Guide to Sexuality)
“
It is the simplest phrase you can imagine,” Favreau said, “three monosyllabic words that people say to each other every day.” But the speech etched itself in rhetorical lore. It inspired music videos and memes and the full range of reactions that any blockbuster receives online today, from praise to out-of-context humor to arch mockery. Obama’s “Yes, we can” refrain is an example of a rhetorical device known as epistrophe, or the repetition of words at the end of a sentence. It’s one of many famous rhetorical types, most with Greek names, based on some form of repetition. There is anaphora, which is repetition at the beginning of a sentence (Winston Churchill: “We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields”). There is tricolon, which is repetition in short triplicate (Abraham Lincoln: “Government of the people, by the people, and for the people”). There is epizeuxis, which is the same word repeated over and over (Nancy Pelosi: “Just remember these four words for what this legislation means: jobs, jobs, jobs, and jobs”). There is diacope, which is the repetition of a word or phrase with a brief interruption (Franklin D. Roosevelt: “The only thing we have to fear is fear itself”) or, most simply, an A-B-A structure (Sarah Palin: “Drill baby drill!”). There is antithesis, which is repetition of clause structures to juxtapose contrasting ideas (Charles Dickens: “It was the best of times, it was the worst of times”). There is parallelism, which is repetition of sentence structure (the paragraph you just read). Finally, there is the king of all modern speech-making tricks, antimetabole, which is rhetorical inversion: “It’s not the size of the dog in the fight; it’s the size of the fight in the dog.” There are several reasons why antimetabole is so popular. First, it’s just complex enough to disguise the fact that it’s formulaic. Second, it’s useful for highlighting an argument by drawing a clear contrast. Third, it’s quite poppy, in the Swedish songwriting sense, building a hook around two elements—A and B—and inverting them to give listeners immediate gratification and meaning. The classic structure of antimetabole is AB;BA, which is easy to remember since it spells out the name of a certain Swedish band.18 Famous ABBA examples in politics include: “Man is not the creature of circumstances. Circumstances are the creatures of men.” —Benjamin Disraeli “East and West do not mistrust each other because we are armed; we are armed because we mistrust each other.” —Ronald Reagan “The world faces a very different Russia than it did in 1991. Like all countries, Russia also faces a very different world.” —Bill Clinton “Whether we bring our enemies to justice or bring justice to our enemies, justice will be done.” —George W. Bush “Human rights are women’s rights and women’s rights are human rights.” —Hillary Clinton In particular, President John F. Kennedy made ABBA famous (and ABBA made John F. Kennedy famous). “Mankind must put an end to war, or war will put an end to mankind,” he said, and “Each increase of tension has produced an increase of arms; each increase of arms has produced an increase of tension,” and most famously, “Ask not what your country can do for you; ask what you can do for your country.” Antimetabole is like the C–G–Am–F chord progression in Western pop music: When you learn it somewhere, you hear it everywhere.19 Difficult and even controversial ideas are transformed, through ABBA, into something like musical hooks.
”
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Derek Thompson (Hit Makers: Why Things Become Popular)