High Jump Quotes

The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.

He was sweet and charming and smart... but my feelings for Wesley were way beyond that. I'd skipped the crush kiddie pool and jumped right into the deep, shark-infested ocean of emotions. And, if you'll forgive the dramatic metaphor, I was a lousy swimmer.

Eleanor had never thought about killing herself – ever – but she thought a lot about stopping. Just running until she couldn’t run anymore. Jumping from something so high that she’d never hit the bottom.

I’ve spent so much time pushing the boat out that I forgot to jump on and now it’s out beyond the harbour on the high seas, but it’s very nice to look at.

We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.

Let’s watch out for the unpredictability and the wildcat jumps of contrarian people, whose sole interests are soaring targets at high-speed, at all costs and without any consideration. Perceptive understanding may help us discover the hidden actualities behind the ‘appearances’. .("Mama. Meine Bäume wachsen bis in den Himmel")

What’s important is that you make the leap. Jump high and hard with intention and heart. Pay no mind to the vision that the commission made up. It’s up to you to make your life. Take what you have and stack it up like a tower of teetering blocks. Build your dream around that.

So, there was this beautiful princess. She was locked in a high tower(...)She was stuck up there(...)So the only thing was to jump.

If he says jump, she doesn't even ask "How high?" She goes out and buys a pogo stick.

In French, there’s a phrase for the random urge to jump from high places, the irrational desire to swerve into traffic despite imminent destruction: l'appel du vide, the call of the void.

Suicidal pain includes the feeling that one has lost all capacity to effect emotional change. The agony is excruciating and looks as if it will never end. There is the feeling of having been beaten down for a very long time. There are feelings of agitation, emptiness, and incoherence. 'Snap out of it and get on with your life,' sounds like a demand to high jump ten feet.

He jumped to the adjacent table and America squealed and clapped, elbowing me. I shook my head; I had died and woken up in High School Musical.

I’d skipped the crush kiddie pool and jumped right into the deep, shark-infested ocean of emotions. And, if you’ll forgive the dramatic metaphor, I was a lousy swimmer.

You’re still here. No beer. I’m not corrupting a minor.” “But you’re a minor,” she pointed out. “At least for beer.” “Yeah, and by the way, how much does it suck that I’m an adult if I kill somebody, but not if I want a beer?” Shane jumped in. “They’re all dicks.” “Man, seriously, you are one cheap drunk. Three beers? My junior high girlfriend could hold her liquor better.” “Your junior high girlfriend–” Shane brought himself up short without finishing that sentence, and flushed bright red. Must have been good, whatever it was. “Claire, get the hell out of here. You’re making me nervous.

Wearing nothing but sweats and a sheer coat of lip gloss, she wiggle through her frosted window and jumped six feet to freedom, feeling more charged than a Visa card at Christmas time.

Jumping to conclusions is efficient if the conclusions are likely to be correct and the costs of an occasional mistake acceptable. Jumping to conclusions is risky when the situation is unfamiliar, the stakes are high and there is no time to collect more information.

we left about midnight and walked down the hill in silence. the night was muggy, and all around me i felt the same pressure, a sense of time rushing by while it seemed to be standing still. whenever i thought of time in puerto rico, i was reminded of those old magnetic clocks that hung on the walls of my classrooms in high school. every now and then a hand would not move for several minutes -- and if i watched it long enough, wondering if it had finally broken down, the sudden click of the hand jumping three for four notches would startle me when it came.

Oh it drives him insane," Rhys said from behind me, and I jumped. But the High Lord was circling me. I crossed my arms as he paused and smirked. "You look like a woman again." "You really know how to compliment females, cousin," Mor said, and patted him on the shoulder as she spotted an acquaintance and went to say hello.

I think of me and Melanie when we were younger, on the high dive at the pool in Mexico. We would always hold hands as we jumped, but by the time we swam back up to the surface, we'd have let go. No matter how we tried, once we started swimming, we always let go. But after we bobbed to the surface, we'd climb out of the pool, clamber up the high-dive ladder, clasp hands, and do it again. We're swimming separately now. I get that. Maybe it's just what you have to do to keep above water. But who knows? Maybe one day, we'll climb out, grab hands, and jumo again.

He remembered the time he had hooked one of a pair of marlin. The male fish always let the female fish feed first and the hooked fish, the female, made a wild, panic-stricken, despairing fight that soon exhausted her, and all the time the male had stayed with her, crossing the line and circling with her on the surface. He had stayed so close that the old man was afraid he would cut the line with his tail which was sharp as a scythe and almost of that size and shape. When the old man had gaffed her and clubbed her, holding the rapier bill with its sandpaper edge and clubbing her across the top of her head until her colour turned to a colour almost like the backing of mirrors, and then, with the boy’s aid, hoisted her aboard, the male fish had stayed by the side of the boat. Then, while the old man was clearing the lines and preparing the harpoon, the male fish jumped high into the air beside the boat to see where the female was and then went down deep, his lavender wings, that were his pectoral fins, spread wide and all his wide lavender stripes showing. He was beautiful, the old man remembered, and he had stayed.

Normal people think we're highly dependent and can't live without ongoing support, but in fact there are times when we're stoic heroes.

If I told you to jump, would you ask how high? Or would you just jump? If there were no reason behind it, would you still take the leap? What if I told you that at the end, there would be nothing? What if you made a splash on the world and lived in an eternal state of floating? Would you make waves? What if you couldn't float? What if air lost the battle, and you lost the war? Would you want to know what was on the other side? Would you care? Or would you just jump... because I was the one that asked you?

...I know that if you ask me to jump I will say how high. So I will stay away from you and hope that you never ever say jump.

To jump over centuries In one step is impossible. Jump too high or far, You’ll be way too late.

History and societies do not crawl. They make jumps. They go from fracture to fracture, with a few vibrations in between. Yet we (and historians) like to believe in the predictable, small incremental progression.

It really is a shame more movies aren’t like real life. Maybe then we wouldn’t have such high expectations and feel let down by our own existence so much.

I looked at Spangler. He was leaning forward so far he was almost out of his chair. He looked as if he was going to jump. I couldn't think of any reason why he should jump, so I thought he must be excited. I looked back at Breeze. He was about as excited as a hole in the wall.

THE FOX AND THE GRAPES A hungry Fox saw some fine bunches of Grapes hanging from a vine that was trained along a high trellis, and did his best to reach them by jumping as high as he could into the air. But it was all in vain, for they were just out of reach: so he gave up trying, and walked away with an air of dignity and unconcern, remarking, "I thought those Grapes were ripe, but I see now they are quite sour.

Fear triggers the fight-or-flight response, fueled by adrenaline, which, as it turns out, is chemically related to amphetamines. Granted, it's a very different kind of high for mindfuckers: not a mellow, floaty "my vulva is one with the universe" high but a jittery, revved-up "oh fuck oh fuck oh fuck" kind of high. Endorphins are like great downers but adrenaline is uppers all the way. And it's just as addictive. Don't believe me? Go ask anyone who likes to jump off bridges or out of airplanes. - Edge

Your opponent, in the end, is never really the player on the other side of the net, or the swimmer in the next lane, or the team on the other side of the field, or even the bar you must high-jump. Your opponent is yourself, your negative internal voices, your level of determination.

This girl is doing it again: practicing jumping from four-meter-height for her next grade test.

Jump high and hard with intention and heart.

he could only conclude that marriage consisted of four solid walls, a door too small to squeeze through, and a window too high to jump from. The

He touched me as if I were the curved and delicate handle of a china cup, but he held me tightly just as I was, flesh and blood and full of human flaws and fears. In his arms I wasn't a girl dreaming of sailing the high seas, and I wasn't a farm kid jumping the train, either, but a fully grown woman riding the soft side of a crescent moon.

..A hawk soared over our carriage, letting out a high, piercing cry of defiance, and I wanted to jump out of the window and fly with it

Are you crazy, Kenny Tracey? Do you have a death wish or something? Preventing someone from getting hurt and jumping in front of a bullet are not the same things!

The parents are making threatening noises, turning dinner into performance art, with dad doing his Arnold Schwarzenegger imitation and mom playing Glenn Close in one of her psycho roles. I am the Victim. Mom: [creepy smile] “Thought you could put one over us, did you, Melinda? Big high school students now, don’t need to show your homework to your parents, don’t need to show any failing test grades?” Dad: [bangs table, silverware jumps] “Cut the crap. She knows what’s up. The interim reports came today. Listen to me, young lady. I’m only going to say this to you once. You get those grades up or your name is mud. Hear me? Get them up!” [Attacks baked potato.]

Colors shift like smoke within the branch beneath our feet. Sprites jump from leaf to leaf, leaving sprinklings of glittery dust in the air behind them. Droplets of water are strung like pearls from the silver strands of a spider’s web. Bluebottle glow-bugs stick to the leaves and branches, lighting up the night with their blue-green bodies. And high above us, clouds are draped like sashes of color across the sky. Amethyst, azure, jade.

Your daddy is standing in a swimming pool out a little bit from the edge. You are, let’s say, three years old and standing on the edge of the pool. Daddy holds out his arms to you and says, “Jump, I’ll catch you. I promise.” Now, how do you make your daddy look good at that moment? Answer: trust him and jump. Have faith in him and jump. That makes him look strong and wise and loving. But if you won’t jump, if you shake your head and run away from the edge, you make your daddy look bad. It looks like you are saying, “he can’t catch me” or “he won’t catch me” or “it’s not a good idea to do what he tells me to do.” And all three of those make your dad look bad. But you don’t want to make God look bad. So you trust him. Then you make him look good–which he really is. And that is what we mean when we say, “Faith glorifies God” or “Faith gives God glory.” It makes him look as good as he really is. So trusting God is really important. And the harder it seems for him to fulfill his promise, the better he looks when you trust him. Suppose that you are at the deep end of a pool by the diving board. You are four years old and can’t swim, and your daddy is at the other end of the pool. Suddenly a big, mean dog crawls under the fence and shows his teeth and growls at you and starts coming toward you to bite you. You crawl up on the diving board and walk toward the end to get away from him. The dog puts his front paws up on the diving board. Just then, your daddy sees what’s happening and calls out, “Johnny, jump in the water. I’ll get you.” Now, you have never jumped from one meter high and you can’t swim and your daddy is not underneath you and this water is way over your head. How do you make your daddy look good in that moment? You jump. And almost as soon as you hit the water, you feel his hands under your arms and he treads water holding you safely while someone chases the dog away. Then he takes you to the side of the pool. We give glory to God when we trust him to do what he has promised to do–especially when all human possibilities are exhausted. Faith glorifies God. That is why God planned for faith to be the way we are justified.

On the way back to the office- I get a cab, on expenses, naturally- I decide that I could quite like Ed. Maybe I could even fancy him, and maybe the fact that I'm not thinking about him that much when I'm not with him is a good thing, maybe it means this is a proper relationship, not just lust, or the equivalent to a teenage crush. Because quite frankly I'm sick of falling madly in love and spending twenty-four hours a day thinking about them and crying with misery when they don't phone. I'm sick of being the kind of girl who, when they say jump, says how high. I'm sick of always, always being the one to fall in love and get hurt. And maybe this is how it should be, getting on with my life and not putting all my energies into a relationship.

This story was written many moons ago under an apple tree in an orchard in Kent, which is one of England's prettiest counties . . . I had read at least twenty of the [fairy tales] when I noticed something that had never struck me before--I suppose because I had always taken it for granted. All the princesses, apart from such rare exceptions as Snow White, were blond, blue-eyed, and beautiful, with lovely figures and complexions and extravagantly long hair. This struck me as most unfair, and suddenly I began to wonder just how many handsome young princes would have asked a king for the hand of his daughter if that daughter had happened to be gawky, snub-nosed, and freckled, with shortish mouse-colored hair? None, I suspected. They would all have been of chasing after some lissome Royal Highness with large blue eyes and yards of golden hair and probably nothing whatever between her ears! It was in that moment that a story about a princess who turned out to be ordinary jumped into my mind, and the very next morning I took my pencil box and a large rough-notebook down to the orchard and, having settled myself under an apple tree in full bloom, began to write . . . the day was warm and windless and without a cloud in the sky. A perfect day and a perfect place to write a fairy story.

O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene! Then should the warlike Harry, like himself, Assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword and fire Crouch for employment. But pardon, and gentles all, The flat unraised spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work. Suppose within the girdle of these walls Are now confined two mighty monarchies, Whose high upreared and abutting fronts The perilous narrow ocean parts asunder: Piece out our imperfections with your thoughts; Into a thousand parts divide on man, And make imaginary puissance; Think when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth; For 'tis your thoughts that now must deck our kings, Carry them here and there; jumping o'er times, Turning the accomplishment of many years Into an hour-glass: for the which supply, Admit me Chorus to this history; Who prologue-like your humble patience pray, Gently to hear, kindly to judge, our play.

Because most people are more emotional than logical, they tend to overreact to short-term results; they give up and sell low when times are bad and buy too high when times are good. I find this is just as true for relationships as it is for investments—wise people stick with sound fundamentals through the ups and downs, while flighty people react emotionally to how things feel, jumping into things when they’re hot and abandoning them when they’re not.

I opened the fire door to four lips none of which were mine kissing tightened my belt around my hips where your hands were missing and stepped out into the cold collar high under the slate grey sky the air was smoking and the streets were dry and I wasn't joking when I said Good Bye magazine quality men talking on the corner French, no less much less of them then us so why do I feel like something's been rearranged? you know, taken out of context I must seem so strange killed a cockroach so big it left a puddle of pus on the wall when you and I are lying in bed you don't seem so tall I'm singing now because my tear ducts are too tired and my brain is disconnected but my heart is wired I make such a good statistic someone should study me now somebody's got to be interested in how I feel just 'cause I'm here and I'm real oh, how I miss substituting the conclusion to confrontation with a kiss and oh, how I miss walking up to the edge and jumping in like I could feel the future on your skin I opened the fire door to four lips none of which were mine kissing I opened the fire door

The so-called 'psychotically depressed' person who tries to kill herself doesn't do so out of quote 'hopelessness' or any abstract conviction that life's assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really. You'd have to have personally been trapped and felt flames to really understand a terror way beyond falling.

You know, it sounds like you guys didn’t really think this all the way through. You plugged us into an equation and predicted outcomes. Well, I got news for you, nimrod. In this equation of yours, we’re variables. We’re going to vary. What you sick jerks don’t seem to get is that I’m an actual person. She’s real too. She’s a person. All of us are! And I’m done jumping through your hoops. You can tell yourselves that you’re doing all this to save the world, but really you’re just a bunch of psycho puppet-masters who probably didn’t date enough in high school.

Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.

Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going. "As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?" "Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!" "No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival." "You can't be serious!" Colly said. "Do you really-" But he got no further. Halt leaned forward, putting a hand up to stop the outburst. "Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious." His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his. "Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.

At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.” “There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.” Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.” “Who are you really, privateer?” “Is this an existential question?” “No proper thief talks the way you do.” “How narrow-minded of you.” “I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.” “Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?” “I know my way around a deal. Who are you? We get the truth or my crew walks.” “Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.” “And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left. Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all. “Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.” “So hypothetically,” Kaz said, “you might be addressed as Your Highness.

In French, there’s a phrase for the random urge to jump from high places, the irrational desire to swerve into traffic despite imminent destruction: l'appel du vide, the call of the void. Those sudden feral impulses tend to be shoved away immediately, but humans still experience them. What if you jumped? What if you touched the fire? What if? What if? When I looked at him, staring at me, the void called.

I’m on a side of a road somewhere, stuck in the middle of a very deep hole, with no way of getting out. Never mind how I got in there, it’s not relevant to the story. I’ll invent a back-story… I was walking to get pizza and a chasm opened up in the earth and I fell in, and now I’m at the bottom of this hole, screaming for help. And along comes you. Now, maybe you just keep walking. You know, there’s a strange guy screaming from the center of the Earth. It’s perhaps best to just ignore him. But let’s say that you don’t. Let’s say that you stop. The sensible thing to do in this situation is to call down to me and say “I’m going to look for a ladder. I will be right back.” But you don’t do that. Instead you sit down at the edge of this abyss, and then you push yourself forward, and jump. And when you land at the bottom of the hole and dust yourself off, I’m like “What the hell are you doing?! Now there are two of us in this hole!” And you look at me and say, “Well yeah, but now I’m highly motivated to get you out.” This is what I love about novels, both reading them and writing them. They jump into the abyss to be with you where you are

You mean...” Billy exclaimed at last, “you mean...” – his voice rose high and clear – “you mean...” – and he jumped to his feet, and standing there under the giant trees, pointed at himself, a small outraged boy named William Martin Quarrier, aged eight: “You mean I just came crashing down into Ma’s under-pants?

A tree grows taller to the degree that its roots go deeper and wider. If we wish to jump high, we must first bend close to the ground to get the impetus for the spring. Like a jet engine, we move forward by thrusting backward. In therapy each backward move provides the energy for the leap forward. Regression and progression go on side by side.

Although 'jumping to conclusions' is an expression, rather than an activity, it is as dangerous as jumping off a cliff, jumping in front of a moving train, and jumping for joy. If you jump off a cliff, you have a very good chance of experiencing a painful landing unless there is something below you to cushion your fall, such as a body of water or an immense pile of tissue paper, If you jump in front of moving train, you have a very good chance of experiencing a painful voyage unless you are wearing some sort of train-proof suit. And if you jump for joy, you have a very good chance of experiencing a painful bump on the head, unless you make sure you are standing someplace with very high ceilings, which joyous people rarely do. Clearly, the solution to anything involving jumping is either to make sure you are jumping to a safe place, or not jumping at all. But it is hard not to jump at all when you are jumping to conclusions, and it is impossible to make sure that you are jumping to a safe place, because all 'jumping to conclusions' means is that you are believing something is true even though you don't actually know whether it is or not.

Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more. She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom. No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.

There are those people who try to elevate their souls like someone who continually jumps from a standing position in the hope that forcing oneself to jump all day— and higher every day— they would no longer fall back down, but rise to heaven. Thus occupied, they no longer look to heaven. We cannot even take one step toward heaven. The vertical direction is forbidden to us. But if we look to heaven long-term, God descends and lifts us up. God lifts us up easily. As Aeschylus says, ‘That which is divine is without effort.’ There is an ease in salvation more difficult for us than all efforts. In one of Grimm’s accounts, there is a competition of strength between a giant and a little tailor. The giant throws a stone so high that it takes a very long time before falling back down. The little tailor throws a bird that never comes back down. That which does not have wings always comes back down in the end.

Destarte! How musical! What does it mean?" "You can't say it except in Mescalero. It means Morning, but that isn't what it means, either. Indian words are more than just that. They also mean the feel and the sound of the name. It means like Crack of Dawn, the first bronze light that makes the buttes stand out against the gray desert. It means the first sound you hear of a brook curling over some rocks-some trout jumping and a beaver crooning. It means the sound a stallion makes when he whistles at some mares just as the first puff of wind kicks up at daybreak. "It means like you get up in the first light and you and her go out of the wickiup, where it smells smoky and private and just you and her, and kind of safe with just the two of you there, and you stand outside and smell the first bite of the wind coming down from the high divide and promising the first snowfall. Well, you just can't say what it means in English. Anyway, that was her name. Destarte.

Taha, her sister, jumps from the first-floor balcony to the groomed lawn below. This girl is doing it again: practicing jumping from four-meters-height, definitely for her next Grade-Test. Sometimes, it annoys Kusha. The book How-To-Observe-Your-Self says it’s the envy for being two Grades lower than your younger sister. Kusha silently groans; envy is rude.

Guys don't understand great art. They don't care that sometimes the camera has power beyond the photographer to record emotion that only the heart can see. They're threatened when the camera jumps ahead of me. Todd Kovich was pissed when I brought my Nikon to the prom, but I'd missed too many transcendent shots over the years to ever take a chance of missing one again. A prom, I told him, had a boundless supply of photogenic bozos who could be counted on to do something base.

Sounds awful." "No, it's wonderful. And it's just for one year. Let's take a break. Blair's not here. she'll be back next year and we can jump back into the Christmas chaos, if that's what you want. Come on, Nora, please. We skip Christmas, save the money, and go splash in the Caribbean for ten days." "How much will it cost?" "Three thousand bucks." "So we save money?" "Absolutely." "When do we leave?" "High noon, Christmas Day." They stared at each other for a long time.

Life Is Fine" I went down to the river, I set down on the bank. I tried to think but couldn't, So I jumped in and sank. I came up once and hollered! I came up twice and cried! If that water hadn't a-been so cold I might've sunk and died. But it was Cold in that water! It was cold! I took the elevator Sixteen floors above the ground. I thought about my baby And thought I would jump down. I stood there and I hollered! I stood there and I cried! If it hadn't a-been so high I might've jumped and died. But it was High up there! It was high! So since I'm still here livin', I guess I will live on. I could've died for love-- But for livin' I was born Though you may hear me holler, And you may see me cry-- I'll be dogged, sweet baby, If you gonna see me die. Life is fine! Fine as wine! Life is fine!

Shut one eye then the other Peek into every corner of yourself See that there are no nails no thieves See that there are no cuckoo's eggs Shut then the other eye Squat and jump Jump high high high On top of yourself Fall then with all your weight Fall for days on end deep deep deep To the bottom of your abyss Who doesn't break into pieces Who remains whole gets up whole Plays

I jumped up and "casually" strolled a bit closer. I blinked my eyes in the sun. It couldn't be, could it? But it was. Gabe. ... "You know, if you're going to stalk someone, you should be less obvious." I wheeled around. It was Todd. He'd snuck up on me. He said, "For starters, try not to standing in the middle of a field, gawking at your prey." I kicked at a dusty clump of grass. "Gawking? I... I'm... not gawking. I was just watching your girlfired putting the moves on someone else. Jealous?" "Oh Gabe Webber?" Todd laughed. "Uh...no." I shielded my eyes from the sun. "Why? What's wrong with Gabe Webber?" "Nothing. As in, there's nothing there. He has the personality of dry toast." How dare he insult my Gabe? "Oh yes. I forgot. You prefer the company of assholes and jerks. As they say, 'Birds of a feather...'" "That must be why you hang around.

when she was 7, a boy pushed her on the playground she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you he probably just thinks you’re cute’ but the thing is, when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same you teach her that boys show their affection through aggression and she grows into a young woman who constantly mistakes the two because no one ever taught her the difference ‘boys will be boys’ turns into ‘that’s how he shows his love’ and bruises start to feel like the imprint of lips she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist the one adult she tells scolds her ‘you know he loses his temper easily why the hell did you have to provoke him?’ so she shrinks folds into herself, flinches every time a man raises his voice by the time she’s 16 she’s learned her job well be quiet, be soft, be easy don’t give him a reason but for all her efforts, he still finds one ‘boys will be boys’ rings in her head ‘boys will be boys he doesn’t mean it he can’t help it’ she’s 7 years old on the playground again with a mouth full of rocks and blood that tastes like copper love because boys will be boys baby don’t you know that’s just how he shows he cares she’s 18 now and they’re drunk in the split second it takes for her words to enter his ears they’re ruined like a glass heirloom being dropped between the hands of generations she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment she touches the bruise the next day boys will be boys aggression, affection, violence, love how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war she draws tally marks on her walls ratios of kisses to bruises one entire side of her bedroom turns purple, one entire side of her body boys will be boys will be boys will be boys when she’s 20, a boy touches her hips and she jumps he asks her who the hell taught her to be scared like that and she wants to laugh doesn’t he know that boys will be boys? it took her 13 years to unlearn that lesson from the playground so I guess what I’m trying to say is i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things baby they exist in different universes my niece can’t even speak yet but I think I’ll start with her now don’t ever accept the excuse that boys will be boys don’t ever let him put his hands on you like that if you see hate blazing in his eyes don’t you ever confuse it with love baby love won’t hurt when it comes you won’t have to hide it under long sleeves during the summer and the only reason he should ever reach out his hand is to hold yours

I was in the ecstasy of babies then. I was on a long, oxytocin high. Noone told me about this. Noone told me I would feel like a wild animal ready to kill or be killed at a moment’s notice with no hesitation at all right now for my baby. I would sit on the bed at night nursing Lally and I would imagine a lion jumping through the window. I would plan how to kill him. I knew the lion would be immediately dead. I knew that no matter what, my baby would survive.

Then, while the old man was clearing the lines and preparing the harpoon, the male fish jumped high into the air beside the boat to see where the female was and then went down deep, his lavender wings, that were his pectoral fins, spread wide and all his wide lavender stripes showing. He was beautiful, the old man remembered, and he had stayed. That was the saddest thing I ever saw with them, the old man thought.

They were going to expel me. Mom convinced them not to... and got them to apologize," Fern said, almost embarrassed. Really?" Eddie said. "See, Sammy, you don't mess with the Commander, do you?" Eddie playfully hit his younger brother in the stomach with the back of his hand. When the Commander says jump...," Sam started. We say, 'yes ma'am, how high?'" Eddie ended with a forehead salute.

WILL YOU DANCE WITH ME As we stand here, Hand in hand, Under the neon lights Of Truth and Love. I'm asking you to Dance with me. To twirl, Kick, Drop, Jump, And fly With me. Skidding and Sliding across The dancefloor of life, I want you to Glide with me. Through the Saddest and Happiest songs, The fastest highs To the longest and Slowest lows, I want you to Flow through Them all With Me.

Jenna had tried to cheer me up that morning, saying, "At least you have it with a hot guy." "Archer isn't hot anymore," I'd fired back. "He tried to kill me, and his girlfriend is Satan." But I have to admit that as we stood beside each other on the cellar steps and listened to the Vandy ramble on about what we were supposed to do down there, I couldn't help but sneak sideways glances at him and notice that, homicidal tendencies and evil girlfriends aside, he was still hot. As usual,his tie was loose and his shirt-sleeves were rolled up. He was watching the Vandy with this bored, vaguely amused look, arms crossed over his chest. That pose did most excellent things for his chest and arms.How unfair was it that Elodie of all people got that as a boyfriend? I mean, where is the justice when-" "Miss Mercer!" the Vandy barked, and I jumped high enough to nearly lose my balance. I clutched the banister next to me, and Archer caught my other elbow. Then he winked, and I immediately turned my attention back to the Vandy like she was the most fascinating person I'd ever seen. "Do you need me to repeat anything, Miss Mercer?" she sneered. "N-no. I got it," I stammered. She stared at me for a minute. I think she was trying to come up with a witty put-down.But the Vandy,like most mean people, was dumb, so in the end, she just sort of growled and pushed between me and Archer to stalk up the stairs. "One hour!" she called over her shoulder. The ancient door didn't so much as creak as scream in pain as she pushed it closed.

Shadows go in front of you leading into your future, and trail behind you, leaving a part of you in the past. They are clearest when we are in the light, and disappear when we lose ourselves in darkness. When a shadow elects to jump to another person, it is an indication that they are your your present and your future, that in light you will find them, in darkness you will lose them. It is highly unusual and very important and, might I add, extremely dangerous for the owner of the shadow.

Signs and wonders, eh? Pity if there is nothing wonderful in signs, and significant in wonders! There's a clue somewhere; wait a bit; hist--hark! By Jove, I have it! Look, you Doubloon, your zodiac here is the life of man in one round chapter; and now I'll read it off, straight out of the book. Come, Almanack! To begin: there's Aries, or the Ram--lecherous dog, he begets us; then, Taurus, or the Bull--he bumps us the first thing; then Gemini, or the Twins--that is, Virtue and Vice; we try to reach Virtue, when lo! comes Cancer the Crab, and drags us back; and here, going from Virtue, Leo, a roaring Lion, lies in the path--he gives a few fierce bites and surly dabs with his paw; we escape, and hail Virgo, the Virgin! that's our first love; we marry and think to be happy for aye, when pop comes Libra, or Scales--happiness weighed and found wanting; and while we are very sad about that, Lord! how we suddenly jump, as Scorpio, or the Scorpion, stings us in rear; we are curing the wound, when whang comes the arrows all round; Sagittarius, or the Archer, is amusing himself. As we pluck out the shafts, stand aside! here's the battering-ram, Capricornus, or the Goat; full tilt, he comes rushing and headlong we are tossed; when Aquarius, or the the Waterbearer, pours out his whole deluge and drowns us; and, to wind up, with Pisces, or the Fishes, we sleep. There's a sermon now, writ in high heaven, and the sun goes through it every year, and yet comes out of it all alive and hearty.

Go now, and live. Experience. Dream. Risk. Close your eyes and jump. Enjoy the freefall. Choose exhilaration over comfort. Choose magic over predictability. Choose potential over safety. Wake up to the magic of everyday life. Make friends with your intuition. Trust your gut. Discover the beauty of uncertainty. Know yourself fully before you make promises to another. Make millions of mistakes so that you will know how to choose what you really need. Know when to hold on and when to let go. Love hard and often and without reservation. Seek knowledge. Open yourself to possibility. Keep your heart open, your head high and your spirit free. Embrace your darkness along with your light. Be wrong everyday once in a while, and don't be afraid to admit it. Awaken to the brilliance in ordinary moments. Tell the truth about yourself no matter what the cost. Own your reality without apology. See goodness in the world. Be Bold. Be Fierce. Be Grateful. Be Wild, Crazy and Gloriously Free. Be You. Go now, and live.

I've heard an idea proposed, I've no idea how seriously, to account for the sensation of vertigo. It's an idea that I instinctively like and it goes like this. The dizzy sensation we experience when standing in high places is not simply a fear of falling. It's often the case that the only thing likely to make us fall is the actual dizziness itself, so it is, at best, an extremely irrational, even self-fulfilling fear. However, in the distant past of our evolutionary journey toward our current state, we lived in trees. We leapt from tree to tree. There are even those who speculate that we may have something birdlike in our ancestral line. In which case, there may be some part of our mind that, when confronted with a void, expects to be able to leap out into it and even urges us to do so. So what you end up with is a conflict between a primitive, atavistic part of your mind which is saying "Jump!" and the more modern, rational part of your mind which is saying, "For Christ's sake, don't!" In fact, vertigo is explained by some not as the fear of falling, but as the temptation to jump!

Nathan laughed with little real humor. "Maybe that's because I was," he said. "I disapproved of the way Andrew treated you. And i really disapproved of the way I felt about you. You were my roommate's high school sweetheart, and even now, when you're crying over him, I just . . ." I felt like I was standing on the precipice, and my decision to jump or not was the most important one I could make in my life. "What?" I whispered. He look at me, and his eyes were very, very serious. "I just want to kiss you," he said.

I didn’t tell them your secret.” My fingers dug into the wood of the window frame, the splinters cutting through my skin like little blades. The police officers were raiding the second floor, I could tell. I could hear them. They were going to find the attic, and then me. “Tell me you believe me, and I’ll jump.” “What difference does it make?” He bared his fangs, staring at me with forced boredom. The fire spread, licking at the grass and approaching us with surprising speed, though he didn’t seem to mind at all. We were already dangerously close to getting caught. “Because it’s the truth,” I screamed. Our eyes met in the dark and held for a moment. “I don’t believe you, but I’ll still catch you,” he said. “I will always catch you, the fucking dumbass that I am.” “What do you mean?” “You soften me.” “Why?” “Because I don’t want to fucking kill you! You’re too fun to fuck with. Now Get. The. Hell. Down.

Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix. As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response. Bekka smiled to herself. This is what she lived for.

So, there was this beautiful princess. She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long. The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there. One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls. And it was pretty clear that no prince was showing up, or at least that he was really late. So the only thing was to jump. The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair. The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know? She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower. And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely.

What is a Gallagher Girl?” Liz asked. She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word. “When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.” She took a deep breath and talked on. “What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.” Liz took another deep breath. “What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.” Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.” I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying. “Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.” Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again. “Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay. “Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.” Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand. “You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.” A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all. “What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.” Thunderous, raucous applause filled the student section. Liz smiled and wiped her eyes. She leaned close to the microphone. “And, most of all, she is my sister.

Table 3–1. Definitions of Cognitive Distortions 1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.

Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.

Watching the children, he noticed two things especially. A girl of about five, and her sister, who was no more than three, wanted to drink from the pebbled concrete fountain at the playground’s edge, but it was too high for either of them, so the five-year-old…jumped up and, resting her stomach on the edge and grasping the sides, began to drink. But she was neither strong enough nor oblivious enough of the pain to hand on, and she began to slip off backward. At this, the three-year-old…advanced to her sister and, also grasping the edge of the fountain, placed her forehead against her sister’s behind, straining to hold her in place, eyes closed, body trembling, curls spilling from her cap. Her sister drank for a long time, held in position by an act as fine as Harry had ever seen on the battlefields of Europe.

By the time we reached the front door of the party house—a total mansion, like Harrison had said—Nathan was far behind us. Well, he’d promised to stay out of our hair. “Wow,” I heard Bailey gasp as the front door swung open for us, though I wasn’t sure if that was her reaction to the freakishly large house or to the drop-dead-gorgeous guy standing in front of us. “Good evening, ladies,” he said, stepping aside to let us enter. Automatically, I found myself standing up taller and sliding my shoulder blades back for optimum cleavage exposure. It was like a flirting reflex. I just wished I wasn’t all sunburned. “Hello to you.” He grinned at me. A cocky, sexy grin. “I don’t believe we’ve met,” he said. He glanced at Bailey then. “Any of us. I’m sure I’d remember those pretty faces.” I swear, Bailey was blushing so hard I could feel the heat radiating from her body. “Oh, you’d remember,” I agreed, tossing back my hair and putting a hand on my hip. “I’m Whi—” “Whitley!” I jumped and spun around involuntarily. Harrison was standing beside me, looking thoroughly delighted. “Hello again, darling. You look gorgeous—and the lack of flip-flops is making my day. Those slingbacks are perfect!” I nodded, glancing over my shoulder at the hot guy, but he’d already moved on and was chatting with a group of kids a few feet away. Goddamn it. “Wesley is just so busy,” Harrison said, following my gaze. “You have to give him credit for being a great host. He talks to everyone. Seems like way too much work to me.

The Doper's Dream Last night I dreamed I was plugged right in To a bubblin' hookah so high, When all of a sudden some Arab jinni Jump up just a-winkin' his eye. 'I'm here to obey all your wishes,' he told me. As for words I was trying to grope. 'Good buddy,' I cried, 'you could surely oblige me By turning me on to some dope!' With a bigfat smile he took ahold of my hand, And we flew down the sky in a flash, And the first thing I saw in the land where he took me Was a whole solid mountain of hash! All the trees was a-bloomin' with pink 'n' purple pills, Whur the Romilar River flowed by, To the magic mushrooms as wild as a rainbow, So pretty that I wanted to cry. All the girls come to greet us, so sweet in slow motion, Mourning glories woven into their hair, Bringin' great big handfuls of snowy cocaine, All their dope they were eager to share. We we dallied for days, just a-ballin' and smokin', In the flowering Panama Red, Just piggin' on peyote and nutmeg tea, And those brownies so kind to your head. Now I could've passed that good time forever, And I really was fixing to stay, But you know that jinni turned out, t'be a narco man, And he busted me right whur I lay. And he took me back to a cold, cold world 'N' now m'prison's whurever I be... And I dream of the days back in Doperland And I wonder, will I ever go free?

This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true. ... This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it. ... Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.

This time, something different happens, though. It’s the daydreaming that does it. I’m doing the usual thing—imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she’ll look when she’s pregnant, to names of children—until suddenly I realize that there’s nothing left to actually, like, happen. I’ve done it all, lived through the whole relationship in my head. I’ve watched the film on fast-forward; I know the whole plot, the ending, all the good bit. Now I’ve got to rewind and watch it all over again in real time, and where’s the fun in that? And fucking … when’s it all going to fucking stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even, during British Summer Time. I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.

Justin: I am falling so in love with you. Her body electrified. Celeste wiped her eyes and read his text again. The drone of the plane disappeared; the turbulence was no more. There was only Justin and his words. Justin: I lose myself and find myself at the same time with you. Justin: I need you, Celeste. I need you as part of my world, because for the first time, I am connected to someone in a way that has meaning. And truth. Maybe our distance has strengthened what I feel between us since we’re not grounded in habit or daily convenience. We have to fight for what we have. Justin: I don’t know if I can equate what I feel for you with anything else. Except maybe one thing, if this makes any sense. Justin: I go to this spot at Sunset Cliffs sometimes. It’s usually a place crowded with tourists, but certain times of year are quieter. I like it then. And there’s a high spot on the sandstone cliff, surrounded by this gorgeous ice plant, and it overlooks the most beautiful water view you’ve ever seen. I’m on top of the world there, it seems. Justin: And everything fits, you know? Life feels right. As though I could take on anything, do anything. And sometimes, when I’m feeling overcome with gratitude for the view and for what I have, I jump so that I remember to continue to be courageous because not every piece of life will feel so in place. Justin: It’s a twenty-foot drop, the water is only in the high fifties, and it’s a damn scary experience. But it’s a wonderful fear. One that I know I can get through and one that I want. Justin: That’s what it’s like with you. I am scared because you are so beyond anything I could have imagined. I become so much more with you beside me. That’s terrifying, by the way. But I will be brave because my fear only comes from finally having something deeply powerful to lose. That’s my connection with you. It would be a massive loss. Justin: And now I am in the car and about to see you, so don’t reply. I’m too flipping terrified to hear what you think of my rant. It’s hard not to pour my heart out once I start. If you think I’m out of mind, just wave your hands in horror when you spot the lovesick guy at the airport. Ten minutes went by. He had said not to reply, so she hadn’t. Justin: Let’s hope I don’t get pulled over for speeding… but I’m at a stoplight now. Justin: God, I hope you aren’t… aren’t… something bad. Celeste: Hey, Justin? Justin: I TOLD YOU NOT TO REPLY! Justin: I know, I know. But I’m happy you did because I lost it there for a minute. Celeste: HEY, JUSTIN? Justin: Sorry… Hey, Celeste? Celeste: I am, unequivocally and wholly falling in love with you, too. Justin: Now I’m definitely speeding. I will see you soon.

If I am to believe everything that I see in the media, happiness is to be six foot tall or more and to have bleached teeth and a firm abdomen, all the latest clothes, accessories, and electronics, a picture-perfect partner of the opposite sex who is both a great lover and a terrific friend, an assortment of healthy and happy children, a pet that is neither a stray nor a mongrel, a large house in the right sort of postcode, a second property in an idyllic holiday location, a top-of-the-range car to shuttle back and forth from the one to the other, a clique of ‘friends’ with whom to have fabulous dinner parties, three or four foreign holidays a year, and a high-impact job that does not distract from any of the above. There are at least three major problems that I can see with this ideal of happiness. (1) It represents a state of affairs that is impossible to attain to and that is in itself an important source of unhappiness. (2) It is situated in an idealised and hypothetical future rather than in an imperfect but actual present in which true happiness is much more likely to be found, albeit with great difficulty. (3) It has largely been defined by commercial interests that have absolutely nothing to do with true happiness, which has far more to do with the practice of reason and the peace of mind that this eventually brings. In short, it is not only that the bar for happiness is set too high, but also that it is set in the wrong place, and that it is, in fact, the wrong bar. Jump and you’ll only break your back.

It worked! Holy shit, it worked! I just suited up and checked the lander. The high-gain antenna is angled directly at Earth! Pathfinder has no way of knowing where it is, so it has no way of knowing where Earth is. The only way for it to find out is getting a signal. They know I’m alive! I don’t even know what to say. This was an insane plan and somehow it worked! I’m going to be talking to someone again. I spent three months as the loneliest man in history and it’s finally over. Sure, I might not get rescued. But I won’t be alone. The whole time I was recovering Pathfinder, I imagined what this moment would be like. I figured I’d jump up and down a bit, cheer, maybe flip off the ground (because this whole damn planet is my enemy), but that’s not what happened. When I got back to the Hab and took off the EVA suit, I sat down in the dirt and cried. Bawled like a little kid for several minutes. I finally settled down to mild sniffling and then felt a deep calm. It was a good calm.

A modern fad which has gained widespread acceptance amongst the semi-educated who wish to appear secular is the practice of meditation. They proclaim with an air of smug superiority, ‘Main mandir-vandir nahin jaata, meditate karta hoon (I don’t go to temples or other such places, I meditate).’ The exercise involves sitting lotus-pose (padma asana), regulating one’s breathing and making your mind go blank to prevent it from ‘jumping about like monkeys’ from one (thought) branch to another. This intense concentration awakens the kundalini serpent coiled at the base of the spine. It travels upwards through chakras (circles) till it reaches its destination in the cranium. Then the kundalini is fully jaagrit (roused) and the person is assured to have reached his goal. What does meditation achieve? The usual answer is ‘peace of mind’. If you probe further, ‘and what does peace of mind achieve?’, you will get no answer because there is none. Peace of mind is a sterile concept which achieves nothing. The exercise may be justified as therapy for those with disturbed minds or those suffering from hypertension, but there is no evidence to prove that it enhances creativity. On the contrary it can be established by statistical data that all the great works of art, literature, science and music were works of highly agitated minds, at times minds on the verge of collapse. Allama Iqbal’s short prayer is pertinent: Khuda tujhey kisee toofaan say aashna kar dey Keh terey beher kee maujon mein iztiraab naheen (May God bring a storm in your life, There is no agitation in the waves of your life’s ocean.)

Soon I was spending all my time in the basement, and I had moved from taking things apart to putting new things together. I began by building simple devices. Some, like my radios, were useful. Others were merely entertaining. For example, I discovered I could solder some stiff wires onto a capacitor and charge it up. For a few minutes, until the charge leaked away, I had a crude stun gun. ...So I decided to try it on my little brother. I charged the capacitor to a snappy but nonlethal level from a power supply I'd recently removed from our old Zenith television. 'Hey, let's play Jab a Varmint,' I said. I tried to smile disarmingly, keeping the capacitor behind my back and making sure I didn't ruin the effect by jabbing myself or some other object. 'What's that?' he asked, suspiciously. Before he could escape, I stepped across the room and jabbed him. He jumped. Pretty high, too. Sometimes he would fight back, but this time he ran. The jab was totally unexpected and he didn't realize that I only had the one jab in my capacitor. It would be several years before I had the skill to make a multishot Varmint Jabber.

We startled awake, alarmed by her shouting, jumping to our feet, drawing swords, looking for imminent danger. Jeb was saying it was a false alarm, that there was nothing wrong, but Lia had somehow gotten to her feet on her own, her eyes wild, telling us we had to leave. A relieved breath hissed between my teeth and I lowered my sword. She’d only had a nightmare. I stepped toward her. “Lia, it was just a bad dream. Let me help you lie back down.” She hobbled backward, determined, sweat glistening on her face, and her arm stretched out to keep me at a distance. “No! Get ready. We leave this morning.” “Look at you,” I said. "You’re tottering like a drunk. You can’t ride.” “I can and I will." “What’s your hurry, Your Highness?” Sven asked. She looked from me to my men. Their feet were firmly planted. They weren’t going anywhere based on her wild-eyed demands. Had she spiked another fever? Her expression sobered. “Please, Rafe, you have to trust me on this.” “What did you see?” I asked. “It’s not what I saw but what I heard— Aster’s voice telling me not to tarry.” “Didn’t she say that to you a dozen times?” “At least,” she answered, but her stance remained determined. All this rush over don’t tarry? Ever since I had gathered her into my arms on that riverbank, I had been looking over my shoulder for danger. I knew it was there. But I had to weigh that uncertainty against the benefits of healing too. I looked away, trying to think. I wasn’t sure if I was making the right decision or not, but I turned back to my men. “Pack up.

I frowned, staring into the eerie blackness along Route 33 truckers always complained about. It is odd how we rarely encounter true darkness. Somewhere, there is always light; a house, a town, headlights. Not here. Just total and complete darkness. I had been on the night run for months, long enough to get accustomed to total darkness if not entirely comfortable with it. What concerned me was the silence. I'd often had to pull over and take a pee along that godforsaken beltway. There were crickets rubbing their legs together in the cotton and wheat, grasshoppers jumping through the corn stalks, and June bugs flittering above the fields. Occasionally while relieving myself I'd even hear a lone armadillo burrowing. Tonight, however, I heard nothing. Less than nothing. Always there existed a strangeness here the truckers talked about, but tonight something had inexplicably hushed the sounds of night and made it stranger. The silence itself was dead; the kind of silence you get high up in the mountains when it snows, hushing the entire world beneath a white blanket. The blanket along Damnation Road was black, and it felt…unnatural." - NIGHT RUN - Bobby Underwood

Tears shone in Lucien’s remaining eye as he raised his hands and removed the fox mask. The brutally scarred face beneath was still handsome—his features sharp and elegant. But my host was looking at Tamlin now, who slowly faced my dead body. Tamlin’s still-masked face twisted into something truly lupine as he raised his eyes to the queen and snarled. Fangs lengthened. Amarantha backed away—away from my corpse. She only whispered “Please” before golden light exploded. The queen was blasted back, thrown against the far wall, and Tamlin let out a roar that shook the mountain as he launched himself at her. He shifted into his beast form faster than I could see—fur and claws and pound upon pound of lethal muscle. She had no sooner hit the wall than he gripped her by the neck, and the stones cracked as he shoved her against it with a clawed paw. She thrashed but could do nothing against the brutal onslaught of Tamlin’s beast. Blood ran down his furred arm from where she scratched. The Attor and the guards rushed for the queen, but several faeries and High Fae, their masks clattering to the ground, jumped into their path, tackling them. Amarantha screeched, kicking at Tamlin, lashing at him with her dark magic, but a wall of gold encompassed his fur like a second skin. She couldn’t touch him. “Tam!” Lucien cried over the chaos. A sword hurtled through the air, a shooting star of steel. Tamlin caught it in a massive paw. Amarantha’s scream was cut short as he drove the sword through her head and into the stone beneath. And then closed his powerful jaws around her throat—and ripped it out.

There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.

The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.

Bradley is one of the few basketball players who have ever been appreciatively cheered by a disinterested away-from-home crowd while warming up. This curious event occurred last March, just before Princeton eliminated the Virginia Military Institute, the year's Southern Conference champion, from the NCAA championships. The game was played in Philadelphia and was the last of a tripleheader. The people there were worn out, because most of them were emotionally committed to either Villanova or Temple-two local teams that had just been involved in enervating battles with Providence and Connecticut, respectively, scrambling for a chance at the rest of the country. A group of Princeton players shooting basketballs miscellaneously in preparation for still another game hardly promised to be a high point of the evening, but Bradley, whose routine in the warmup time is a gradual crescendo of activity, is more interesting to watch before a game than most players are in play. In Philadelphia that night, what he did was, for him, anything but unusual. As he does before all games, he began by shooting set shots close to the basket, gradually moving back until he was shooting long sets from 20 feet out, and nearly all of them dropped into the net with an almost mechanical rhythm of accuracy. Then he began a series of expandingly difficult jump shots, and one jumper after another went cleanly through the basket with so few exceptions that the crowd began to murmur. Then he started to perform whirling reverse moves before another cadence of almost steadily accurate jump shots, and the murmur increased. Then he began to sweep hook shots into the air. He moved in a semicircle around the court. First with his right hand, then with his left, he tried seven of these long, graceful shots-the most difficult ones in the orthodoxy of basketball-and ambidextrously made them all. The game had not even begun, but the presumably unimpressible Philadelphians were applauding like an audience at an opera.

Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx

I suppose… I shouldn’t have jumped to conclusions. But knowing what I do of your past… I assumed…” Her lame attempt at an apology seemed to erode the remnants of Sebastian’s self-control. “Well, your assumption was wrong! If you haven’t yet noticed, I’m busier than the devil in a high wind, every minute of the day. I don’t have the damned time for a tumble. And if I did—” He stopped abruptly. All semblance of the elegant viscount Evie had once watched from afar in Lord Westcliff’s drawing room had vanished. He was rumpled and bruised and furious. And he wasn’t breathing at all well. “If I did—” He broke off again, a flush crossing the crests of his cheeks and the bridge of his nose. Evie saw the exact moment when his self-restraint snapped. Alarm jolted through her, and she lurched toward the closed door. Before she had even made a step, she found herself seized and pinned against the wall by his body and hands. The smell of sweat-dampened linen and healthy, aroused male filled her nostrils. Once he had caught her, Sebastian pressed his parted lips against the thin skin of her temple. His breath snagged. Another moment of stillness. Evie felt the electrifying touch of his tongue at the very tip of her eyebrow. He breathed against the tiny wet spot, a waft of hellfire that sent chills through her entire body. Slowly he brought his mouth to her ear, and traced the intricate inner edges. His whisper seemed to come from the darkest recesses of her own mind. “If I did, Evie… then by now I would have shredded your clothes with my hands and teeth until you were naked. By now I would have pushed you down to the carpet, and put my hands beneath your breasts and lifted them up to my mouth. I would be kissing them… licking them… until the tips were like hard little berries, and then I would bite them so gently…” Evie felt herself drift into a slow half swoon as he continued in a ragged murmur. “… I would kiss my way down to your thighs… inch by inch… and when I reached those sweet red curls, I would lick through them, deeper and deeper, until I found the little pearl of your clitoris… and I would rest my tongue on it until I felt it throb. I would circle it, and stroke it… I’d lick until you started to beg. And then I would suck you. But not hard. I wouldn’t be that kind. I would do it so lightly, so tenderly, that you would start screaming with the need to come… I would put my tongue inside you… taste you… eat you. I wouldn’t stop until your entire body was wet and shaking. And when I had tortured you enough, I would open your legs and come inside you, and take you… take you…” Sebastian stopped, anchoring her against the wall while they both remained frozen, aroused, panting. At length, he spoke in a nearly inaudible voice. “You’re wet, aren’t you?” Had it been physically possible to blush any harder, Evie would have. Her skin burned with violated modesty as she understood what he was asking. She tipped her chin in the tiniest of nods. “I want you more than I’ve ever wanted anything on this earth.

Why may you not kiss me?” she had demanded. “Am I a corpse?” “Of course not.” “Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?” “Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.” “So you’re afraid my kisses will take what little brain you have left?” “I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.” “Did you ever think to ask them the reasons behind their demands?” “When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.” “You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.” Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.” She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.” “I don’t love the angels.” “Clearly you don’t love me either.” They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in. “All is well, Hawk?’ he had asked. Hawk had learned their tongue. “It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.” The chief had thought this over and laughed. "That would bring you great honor." "I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back." The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?" "I couldn't be happier." (from The Name of the Hawk, Book 2)

A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?