β
Creativity is knowing how to hide your sources
β
β
C.E.M. Joad
β
Follow your inner moonlight; don't hide the madness.
β
β
Allen Ginsberg
β
And so the lion fell in love with the lambβ¦" he murmured. I looked away, hiding my eyes as I thrilled to the word.
"What a stupid lamb," I sighed.
"What a sick, masochistic lion.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
When someone is crying, of course, the noble thing to do is to comfort them. But if someone is trying to hide their tears, it may also be noble to pretend you do not notice them.
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
What makes the desert beautiful,' said the little prince, 'is that somewhere it hides a well...
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
If you want to keep a secret, you must also hide it from yourself.
β
β
George Orwell (1984)
β
One thing you can't hide - is when you're crippled inside.
β
β
John Lennon
β
I carry your heart with me (I carry it in my heart)I am never without it (anywhere
I go you go,my dear; and whatever is done by only me is your doing,my darling)
I fear no fate (for you are my fate,my sweet)I want no world (for beautiful you are my world,my true)
and it's you are whatever a moon has always meant and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
I carry your heart (I carry it in my heart)
β
β
E.E. Cummings
β
I think that we're all mentally ill. Those of us outside the asylums only hide it a little better - and maybe not all that much better after all.
β
β
Stephen King
β
Anyone can hide. Facing up to things, working through them, that's what makes you strong.
β
β
Sarah Dessen
β
My rapier wit hides my inner pain.
β
β
Cassandra Clare
β
Stars, hide your fires; Let not light see my black and deep desires.
β
β
William Shakespeare (Macbeth)
β
One could not count the moons that shimmer on her roofs,
Or the thousand splendid suns that hide behind her walls.
β
β
Khaled Hosseini (A Thousand Splendid Suns)
β
If you hide your ignorance, no one will hit you and you'll never learn.
β
β
Ray Bradbury (Fahrenheit 451)
β
The Darkest Minds tend to hide behind the most unlikely faces.
β
β
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
β
People are afraid of themselves, of their own reality; their feelings most of all. People talk about how great love is, but thatβs bullshit. Love hurts. Feelings are disturbing. People are taught that pain is evil and dangerous. How can they deal with love if theyβre afraid to feel? Pain is meant to wake us up. People try to hide their pain. But theyβre wrong. Pain is something to carry, like a radio. You feel your strength in the experience of pain. Itβs all in how you carry it. Thatβs what matters. Pain is a feeling. Your feelings are a part of you. Your own reality. If you feel ashamed of them, and hide them, youβre letting society destroy your reality. You should stand up for your right to feel your pain.
β
β
Jim Morrison
β
A cat has absolute emotional honesty: human beings, for one reason or another, may hide their feelings, but a cat does not.
β
β
Ernest Hemingway
β
Trains are great dirty smoky things," said Will. "You won't like it."
Tessa was unmoved. "I won't know if I like it until I try it, will I?"
"I've never swum naked in the Thames before, but I know I wouldn't like it."
"But think how entertaining for sightseers," said Tessa, and she saw Jem duck his head to hide the quick flash of his grin.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Three things can not hide for long: the Moon, the Sun and the Truth.
β
β
Gautama Buddha
β
I told you to hide your heart once. You should have listened.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvelous to us. The commonest thing is delightful if only one hides it.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
We try so hard to hide everything we're really feeling from those who probably need to know our true feelings the most.
β
β
Colleen Hoover (Maybe Someday (Maybe, #1))
β
Love makes your soul crawl out from its hiding place.
β
β
Zora Neale Hurston
β
I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!
β
β
Charles Bukowski
β
People who read are hiders. They hide who they are. People who hide donβt always like who they are.
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Man is not what he thinks he is, he is what he hides.
β
β
AndrΓ© Malraux
β
Forgiveness is an act of the will, and the will can function regardless of the temperature of the heart.
β
β
Corrie ten Boom
β
Everyone is a little crazy. The only difference between us and them is that they hide it better.
β
β
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
β
Never hide things from hardcore thinkers. They get more aggravated, more provoked by confusion than the most painful truths.
β
β
Criss Jami
β
...unrequited love does not die; it's only beaten down to a secret place where it hides, curled and wounded. For some unfortunates, it turns bitter and mean, and those who come after pay the price for the hurt done by the one who came before.
β
β
Elle Newmark (The Book of Unholy Mischief)
β
If you were me, then I'd be you, and if I were you, then I'd hide somewhere far away.
β
β
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
β
Extraordinary things are always hiding in places people never think to look.
β
β
Jodi Picoult (My Sisterβs Keeper)
β
Hateful to me as the gates of Hades is that man who hides one thing in his heart and speaks another.
β
β
Homer (The Iliad)
β
It's easy to look at people and make quick judgments about them, their present and their past, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often then not, it's lined with cracks and scars that go all the way to the foundation of their soul.
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
Hide not your talents, they for use were made,
What's a sundial in the shade?
β
β
Benjamin Franklin
β
I'm sorry. I use my rapier wit to hide my inner pain.
β
β
Cassandra Clare
β
[H]iding how you really feel and trying to make everyone happy doesn't make you nice, it just makes you a liar.
β
β
Jenny O'Connell (The Book of Luke)
β
Honest people don't hide their deeds.
β
β
Emily BrontΓ« (Wuthering Heights)
β
Your memory is a monster; you forgetβit doesn't. It simply files things away. It keeps things for you, or hides things from youβand summons them to your recall with will of its own. You think you have a memory; but it has you!
β
β
John Irving (A Prayer for Owen Meany)
β
I spent half my time loving her and the other half hiding how much I loved her.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
Children are dying."
Lull nodded. "That's a succinct summary of humankind, I'd say. Who needs tomes and volumes of history? Children are dying. The injustices of the world hide in those three words.
β
β
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
β
If you truly want to be respected by people you love, you must prove to them that you can survive without them.
β
β
Michael Bassey Johnson (The Infinity Sign)
β
Never did the world make a queen of a girl who hides in houses and dreams without traveling.
β
β
Roman Payne (The Wanderess)
β
You can hide memories, but you can't erase the history that produced them.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Concentrate on what you want to say to yourself and your friends. Follow your inner moonlight; don't hide the madness. You say what you want to say when you don't care who's listening.
β
β
Allen Ginsberg
β
Fair speech may hide a foul heart.
β
β
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
This is what the past is for! Every experience God gives us, every person He puts in our lives is the perfect preparation for the future that only He can see.
β
β
Corrie ten Boom (The Hiding Place)
β
I'll find you. There is no place in this world you can hide from me. I'm watching.
Love, Dimitri
β
β
Richelle Mead (Spirit Bound (Vampire Academy, #5))
β
You are scored on my heart,Clark. You were from the first day you walked in,with your ridiculous clothes and your complete inability to ever hide a single thing you felt.
β
β
Jojo Moyes (Me Before You (Me Before You, #1))
β
Most women suffer thorns for the sake of the flowers, but we who wield power adorn ourselves with flowers to hide the sting of our thorns
β
β
Leigh Bardugo (King of Scars (King of Scars, #1))
β
I could never pretend something I didn't feel. I could never make love if I didn't love, and if I loved I could no more hide the fact than change the color of my eyes.
β
β
Marilyn Monroe (My Story)
β
The mirror can lie.
Doesn't show you what's inside.
And it, it can tell you you're full of life.
It's amazing what you can hide just by putting on a smile.
β
β
Demi Lovato (Demi Lovato - Don't Forget)
β
The more stupid one is, the closer one is to reality. The more stupid one is, the clearer one is. Stupidity is brief and artless, while intelligence squirms and hides itself. Intelligence is unprincipled, but stupidity is honest and straightforward.
β
β
Fyodor Dostoevsky (The Brothers Karamazov)
β
Her name is Wanda, not it. You will not touch her. Any mark you leave on her, I will double on your worthless hide.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need.
First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain by stepping through the first door.
Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying 'time heals all wounds' is false. Time heals most wounds. The rest are hidden behind this door.
Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.
Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
People over forty can seldom be permanently convinced of anything. At eighteen our convictions are hills from which we look; at forty-five they are caves in which we hide.
β
β
F. Scott Fitzgerald (Bernice Bobs Her Hair)
β
I feel like everyone fakes who they really are, when deep down we're all equal amounts of screwed up. Some of us are just better at hiding it than others.
β
β
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
β
We try so hard to hide everything we're really feeling from those who probably need to know our true feelings the most. People try to bottle up their emotions, as if it's somehow wrong to have natural reactions to life.
β
β
Colleen Hoover (Maybe Someday (Maybe, #1))
β
One of the greatest regrets in life is being what others would want you to be, rather than being yourself.
β
β
Shannon L. Alder
β
I canβt think of any greater happiness than to be with you all the time, without interruption, endlessly, even though I feel that here in this world thereβs no undisturbed place for our love, neither in the village nor anywhere else; and I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more.
β
β
Franz Kafka (Franz Kafka's The Castle (Dramatization))
β
I Wanna Hold Your Hand.β First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. Thatβs what everyone wants. Not 24-7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche or a blow job or a million-dollar crib. No. They wanna hold your hand. They have a feeling that they canβt hide.
β
β
Rachel Cohn (Nick & Norah's Infinite Playlist)
β
Oh, my sweet summer child," Old Nan said quietly, "what do you know of fear?
Fear is for the winter, my little lord, when the snows fall a hundred feet
deep and the ice wind comes howling out of the north. Fear is for the long
night, when the sun hides its face for years at a time, and little children
are born and live and die all in darkness while the direwolves grow gaunt and
hungry, and the white walkers move through the woods
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.
β
β
Bret Easton Ellis (American Psycho)
β
What is a poet? An unhappy man who hides deep anguish in his heart, but whose lips are so formed that when the sigh and cry pass through them, it sounds like lovely music.... And people flock around the poet and say: 'Sing again soon' - that is, 'May new sufferings torment your soul but your lips be fashioned as before, for the cry would only frighten us, but the music, that is blissful.
β
β
SΓΈren Kierkegaard (Either - Or)
β
There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
I've always found that the most beautiful people, truly beautiful inside and out, are the ones who are quietly unaware of their effect." His eyes searched mine intently, and for a moment we stood there toe to toe. "The ones who throw their beauty around, waste what they have? Their beauty is only passing. It's just a shell hiding nothing but shadows and emptiness.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
I've noticed the Fair Folk often say 'perhaps' when there is a truth they want to hide," Clary said. "It keeps you from having to give a straight answer."
"Perhaps so," said the Queen with an amused smile.
"'Mayhap' is a good word too," Alec suggested.
"Also 'perchance,'" Izzy said.
"I see nothing wrong with 'maybe'," said Simon. "A little modern, but the gist of the idea comes across.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
Scar tissue has no character. It's not like skin. It doesn't show age or illness or pallor or tan. It has no pores, no hair, no wrinkles. It's like a slip cover. It shields and disguises what's beneath. That's why we grow it; we have something to hide.
β
β
Susanna Kaysen (Girl, Interrupted)
β
A man who wants to die feels angry and full of life and desperate and bored and exhausted, all at the same time; he wants to fight everyone, and he wants to curl up in a ball and hide in a cupboard somewhere. He wants to say sorry to everyone, and he wants everyone to know just how badly they've all let him down.
β
β
Nick Hornby (A Long Way Down)
β
You think because he doesn't love you that you are worthless. You think that because he doesn't want you anymore that he is right -- that his judgement and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Don't. It's a bad word, 'belong.' Especially when you put it with somebody you love. Love shouldn't be like that. Did you ever see the way the clouds love a mountain? They circle all around it; sometimes you can't even see the mountain for the clouds. But you know what? You go up top and what do you see? His head. The clouds never cover the head. His head pokes through, beacuse the clouds let him; they don't wrap him up. They let him keep his head up high, free, with nothing to hide him or bind him. You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
β
β
Toni Morrison
β
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, βYes!β
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
β
β
Oriah Mountain Dreamer
β
You can keep as quiet as you like, but one of these days somebody is going to find you.
β
β
Haruki Murakami (1Q84 (1Q84, #1-3))
β
One had to build shelters. One had to make pockets and live inside them.
β
β
Lorrie Moore (Like Life)
β
Siblings that say they never fight are most definitely hiding something
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
But what if I make a mistake?' Will asked.
Gilan threw back his head and laughed. 'A mistake? One mistake? You should be so lucky. You'll make dozens! I made four or five on my first day alone! Of course you'll make mistakes. Just don't make any of them twice. If you do mess things up, don't try to hide it. Don't try to rationalize it. Recognize it and admit it and learn from it. We never stop learning, none of us.
β
β
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
β
You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
β
β
David Levithan (Nick & Norah's Infinite Playlist)
β
She smiled at him. βHow did you know just what Iβd want to see?β
βHow could I not?β he said. βWhen I think of you, and you are not there, I see you in my mindβs eye always with a book in your hand.β He looked away from her as he said it, but not before she caught the slight flush on his cheekbones. He was so pale, he could never hide even the least blush, she thought β and was surprised how affectionate the thought was.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
This is for girls who have the tendency to stay up at night listening to music that reminds them of their current situation. Who hide their fears, hurt, pain and tears under the smiles, laughs and giggles on a daily basis. The girls who wear their heart on their sleeve. The girls who pray that things will work out just once and they'll be satisfied. The girls who sceam and cry to their pillows because everyone else fails to listen. The girls who have so many secrets but wont tell a soul. The girls who have mistakes and regrets as a daily moral. The girls that never win. The girls that stay up all night thinking about that one boy and hoping that he'll notice her one day. The girls who take life as it comes, to the girls who are hoping that it'll get better somewhere down the road. For the girls who love with all their heart although it always gets broken. To girls who think it's over. To real girls, to all girls: You're beautiful.
β
β
Zayn Malik
β
I think it's perfectly possible to explain how the universe came about without bringing God into it, but I don't know everything, and there may well be a God somewhere, hiding away. Actually, if he is keeping out of sight, it's because he's ashamed of his followers and all the cruelty and ignorance they're responsible for promoting in his name. If I were him, I'd want nothing to do with them.
β
β
Philip Pullman
β
That taught us how to block a sword with two knives. But what if an ax man's coming at me?"
Gilan looked suspicious. "An ax man? I don't recommend trying to block an ax with two knives."
But Will wouldn't take no for an answer. "But what if he's charging at me?" Horace walked over.
Gilan looked away. "Uh...shoot him."
Horace intervened. "Can't, his bowstring's broken."
Gilan gritted his teeth. "Run and hide."
Will kept on him. "There's a sheer cliff behind me."
Horace caught on. "There's a sheer cliff behind him, and his bowstring's broken. What should he do?"
Gilan thought for a moment. "Jump off the cliff, it'll be less messy that way.
β
β
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
β
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
β
Do you know what hurts so very much? It's love. Love is the strongest force in the world, and when it is blocked that means pain. There are two things we can do when this happens. We can kill that love so that it stops hurting. But then of course part of us dies, too. Or we can ask God to open up another route for that love to travel.
β
β
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
β
How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? How is it we can survive them, at least for a little while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise?
β
β
Don DeLillo (White Noise)
β
I discovered that my obsession for having each thing in the right place, each subject at the right time, each word in the right style, was not the well-deserved reward of an ordered mind but just the opposite: a complete system of pretense invented by me to hide the disorder of my nature. I discovered that I am not disciplined out of virtue but as a reaction to my negligence, that I appear generous in order to conceal my meanness, that I pass myself off as prudent because I am evil-minded, that I am conciliatory in order not to succumb to my repressed rage, that I am punctual only to hide how little I care about other peopleβs time. I learned, in short, that love is not a condition of the spirit but a sign of the zodiac.
β
β
Gabriel GarcΓa MΓ‘rquez (Memories of My Melancholy Whores)
β
A library is a good place to go when you feel unhappy, for there, in a book, you may find encouragement and comfort. A library is a good place to go when you feel bewildered or undecided, for there, in a book, you may have your question answered. Books are good company, in sad times and happy times, for books are people - people who have managed to stay alive by hiding between the covers of a book."
[Letters of Note; Troy (MI, USA) Public Library, 1971]
β
β
E.B. White
β
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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His chest, heaving harder this time. His words, almost gasping this time. βYou destroy me.β
I am falling to pieces in his arms.
My fists are full of unlucky pennies and my heart is a jukebox demanding a few nickels and my head is flipping quarters heads or tails heads or tails heads or tails heads or tails
βJuliette,β he says, and he mouths the name, barely speaking at all, and heβs pouring molten lava into my limbs and I never even knew I could melt straight to death.
βI want you,β he says. He says βI want all of you. I want you inside and out and catching your breath and aching for me like I ache for you.β He says it like itβs a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says βItβs never been a secret. Iβve never tried to hide that from you. Iβve never pretended I wanted anything less.
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Tahereh Mafi (Unravel Me (Shatter Me, #2))
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The acceptance of oneself is the essence of the whole moral problem and the epitome of a whole outlook on life. That I feed the hungry, that I forgive an insult, that I love my enemy in the name of Christ -- all these are undoubtedly great virtues. What I do unto the least of my brethren, that I do unto Christ. But what if I should discover that the least among them all, the poorest of all the beggars, the most impudent of all the offenders, the very enemy himself -- that these are within me, and that I myself stand in need of the alms of my own kindness -- that I myself am the enemy who must be loved -- what then? As a rule, the Christian's attitude is then reversed; there is no longer any question of love or long-suffering; we say to the brother within us "Raca," and condemn and rage against ourselves. We hide it from the world; we refuse to admit ever having met this least among the lowly in ourselves.
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C.G. Jung (Memories, Dreams, Reflections)
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Save yourselves!β Percy warned. βIt is too late for us!β
Then he gasped and pointed to the spot where Frank was hiding. βOh, no! Frank is turning into a crazy dolphin!β
Nothing happened.
βI said,β Percy repeated, βFrank is turning into a crazy dolphin!β
Frank stumbled out of nowhere, making a big show of grabbing his throat. βOh, no,β he said, like he was reading from a teleprompter. βI am turning into a crazy dolphin.β
He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards.
The pirate crew disbanded in terror.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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You should have taken me with you," I whisper to him. Then I lean my head against his and begin to cry. In my mind, I make a silent promise to my brother's killer.
I will hunt you down. I will scour the streets of Los Angeles for you. Search every street in the Republic if I have to. I will trick you and deceive you, lie, cheat and steal to find you, tempt you out of your hiding place, and chase you until you have nowhere else to run. I make you this promise: your life is mine.
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Marie Lu (Legend (Legend, #1))
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I had no illusions about you,' he said. 'I knew you were silly and frivolous and empty-headed. But I loved you. I knew that your aims and ideals were vulgar and commonplace. But I loved you. I knew that you were second-rate. But I loved you. It's comic when I think how hard I tried to be amused by the things that amused you and how anxious I was to hide from you that I wasn't ignorant and vulgar and scandal-mongering and stupid. I knew how frightened you were of intelligence and I did everything I could to make you think me as big a fool as the rest of the men you knew. I knew that you'd only married me for convenience. I loved you so much, I didn't care. Most people, as far as I can see, when they're in love with someone and the love isn't returned feel that they have a grievance. They grow angry and bitter. I wasn't like that. I never expected you to love me, I didn't see any reason that you should. I never thought myself very lovable. I was thankful to be allowed to love you and I was enraptured when now and then I thought you were pleased with me or when I noticed in your eyes a gleam of good-humored affection. I tried not to bore you with my love; I knew I couldn't afford to do that and I was always on the lookout for the first sign that you were impatient with my affection. What most husbands expect as a right I was prepared to receive as a favor.
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W. Somerset Maugham (The Painted Veil)
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Everything worthwhile in life is won through surmounting the associated negative experience. Any attempt to escape the negative, to avoid it or quash it or silence it, only backfires. The avoidance of suffering is a form of suffering. The avoidance of struggle is a struggle. The denial of failure is a failure. Hiding what is shameful is itself a form of shame.
Pain is an inextricable thread in the fabric of life, and to tear it out is not only impossible, but destructive: attempting to tear it out unravels everything else with it. To try to avoid pain is to give too many fucks about pain. In contrast, if youβre able to not give a fuck about the pain, you become unstoppable." ~~~~ Mark Manson
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Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
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The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand.
βshould warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden.
I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact.
I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you.
I want you under me. On your back.
I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough.
I want to talk with you forever. I remember every word you've ever said to me.
If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you.
You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only youβ
And there it stopped.
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Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
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β¦there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting thisβand I have countless times, in just about every act Iβve committedβand coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothingβ¦.
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Bret Easton Ellis (American Psycho)
β
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But itβs like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember Iβd shovel in my breakfast as fast as I could, so I could go knock on your door. Weβd play all day, only coming back for food and sleep. We played hide and seek, youβd push me on the swing, or weβd climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didnβt hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is βcoward.β I a year, Iβll be gone, and youβll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? Youβre a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
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Penelope Douglas (Bully (Fall Away, #1))
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It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.
The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
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And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
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Sarah Kane (Crave)
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You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
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Tahereh Mafi (Unravel Me (Shatter Me, #2))
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In the time of your life, liveβso that in that good time there shall be no ugliness or death for yourself or for any life your life touches. Seek goodness everywhere, and when it is found, bring it out of its hiding place and let it be free and unashamed.
Place in matter and in flesh the least of the values, for these are the things that hold death and must pass away. Discover in all things that which shines and is beyond corruption. Encourage virtue in whatever heart it may have been driven into secrecy and sorrow by the shame and terror of the world. Ignore the obvious, for it is unworthy of the clear eye and the kindly heart.
Be the inferior of no man, or of any men be superior. Remember that every man is a variation of yourself. No man's guilt is not yours, nor is any man's innocence a thing apart. Despise evil and ungodliness, but not men of ungodliness or evil. These, understand. Have no shame in being kindly and gentle but if the time comes in the time of your life to kill, kill and have no regret.
In the time of your life, liveβso that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
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William Saroyan (The time of your life (RSC playtext))
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While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,β she said. βOnly that and nothing more.β
Jaceβs heart started to pound. He met the Queenβs eyes with his own. βWhy are you doing this?β
β¦ βDesire is not always lessened by disgustβ¦And as my words bind my magic, so you can know the truth. If she doesnβt desire your kiss, she wonβt be free.β
βYou donβt have to do this, Clary, itβs a trickββ (Simon)
...Isabelle sounded exasperated. βWho cares, anyway? Itβs just a kiss.β
βThatβs right,β Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face himβ¦ He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. βItβs just a kiss,β he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it matteredβthere was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at himβ¦ All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. βYou can close your eyes and think of England, if you like,β he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. βIβve never even been to England,β she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didnβt know what she wanted. Her eyes were still closed, but she shivered, and leaned into him β barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control heβd exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against himβ¦ His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter β the Faerie Queen β in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this β what had just happened between them β had exploded it into a thousand pieces... He tried to read Claryβs face β did she feel the same? β¦ I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, tooβ¦She glanced away from him... He whirled on the Queen. βWas that good enough?β he demanded. βDid that entertain you?β
The Queen gave him a look: special and secretive and shared between the two of them. βWe are quite entertained," she said. βBut not, I think, so much as the both of you.
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Cassandra Clare (City of Ashes (The Mortal Instruments, #2))