Hidden Figures Book Quotes

But Mother, I don't want to go. It's just that...I have to. I can't spend the rest of my life hiding in the attic. [...] I don't want to be a burden[...]I want to do something with my life. Figure out ways to help other third kids. Make—make a difference in the world.

My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.

I have three books you need to read. Rise of the Rocket Girls by Nathalia Holt, Hidden Figures by Margot Lee Shetterly, and The Glass Universe by Dava Sobel. All three of these books focus on the women mathematicians—the “computers”—who powered astronomy and rocketry.

Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

To figure out what students were carrying with them from kindergarten into adulthood, Chetty’s team turned to another possible explanation. In fourth and eighth grade, the students were rated by their teachers on some other qualities. Here’s a sample: Proactive: How often did they take initiative to ask questions, volunteer answers, seek information from books, and engage the teacher to learn outside class? Prosocial: How well did they get along and collaborate with peers? Disciplined: How effectively did they pay attention—and resist the impulse to disrupt the class? Determined: How consistently did they take on challenging problems, do more than the assigned work, and persist in the face of obstacles? When students were taught by more experienced kindergarten teachers, their fourth-grade teachers rated them higher on all four of these attributes. So did their eighth-grade teachers. The capacities to be proactive, prosocial, disciplined, and determined stayed with students longer—and ultimately proved more powerful—than early math and reading skills.

Eastman Jacob's legendary attempt to launch a car attached to a glider plane using Hampton's Tony Chesapeake Avenue as a runway only confirmed the Hamptonian's feelings that the Good Lord didn't always see fit to give book sense and common sense to the same individual.

Why would God have inspired the words of the Bible if he chose not to preserve these words for posterity? Put differently, what should make me think he had inspired the words in the first place if I knew for certain (as I did) that he had not preserved them? This became a major problem for me in trying to figure out which Bible I thought was inspired. Another big problem is one that I don’t deal with in Misquoting Jesus. If God inspired certain books in the decades after Jesus died, how do I know that the later church fathers chose the right books to be included in the Bible? I could accept it on faith—surely God would not allow noninspired books in the canon of Scripture. But as I engaged in more historical study of the early Christian movement, I began to realize that there were lots of Christians in lots of places who fully believed that other books were to be accepted as Scripture; conversely, some of the books that eventually made it into the canon were rejected by church leaders in different parts of the church, sometimes for centuries. In some parts of the church, the Apocalypse of John (the book of Revelation) was flat out rejected as containing false teaching, whereas the Apocalypse of Peter, which eventually did not make it in, was accepted. There were some Christians who accepted the Gospel of Peter and some who rejected the Gospel of John. There were some Christians who accepted a truncated version of the Gospel of Luke (without its first two chapters), and others who accepted the now noncanonical Gospel of Thomas. Some Christians rejected the three Pastoral Epistles of 1 and 2 Timothy and Titus, which eventually made it in, and others accepted the Epistle of Barnabas, which did not. If God was making sure that his church would have the inspired books of Scripture, and only those books, why were there such heated debates and disagreements that took place over three hundred years? Why didn’t God just make sure that these debates lasted weeks, with assured results, rather than centuries?1

If you feel hopeless, joyless, bewildered, if you second-guess yourself a lot and question whether you are too sensitive, you might be a victim of gaslighting. If you can’t figure out why you are so unhappy when you have so much good in your life, you might be experiencing this type of manipulation. Maybe you find yourself making excuses for your parent or partner’s behavior to friends and family. These are all signs you might be experiencing gaslighting.

Every form seems to be derived from another, all figures being derived from Alif which is originally derived from a dot and represents zero, nothingness (In Arabic the zero is written as a dot.) It is that nothingness which creates the first form Alif. It is natural for everyone when writing to make a dot as soon as the pen touches the paper, and the letters forming the words hide the origin. In like manner the origin of the One Being is hidden in His manifestation.

Hundreds of thousands of people live in my library. Some are real, others are fictional. The real ones are the so-called imaginary characters in works of literature, the fictional ones are their authors. We know everything about the former, or at least as much as we are meant to know, everything that is written about a given character in a novel, a story or a poem in which she or he figures...The rest doesn't matter. Nothing is hidden from us. For us, a novel's characters are real. (p. 80

The child seeks his way along the half-hidden paths. Reading, he covers his ears; the book is on a table that is far too high, and one hand is always on the page. To him, the hero’s adventures can still be read in the swirling letters like figures and messages in drifting snowflakes. His breath is part of the air of the events narrated, and all the participants breathe it. He mingles with the characters far more closely than grown-ups do. He is unspeakably touched by the deeds, the words that are exchanged; and, when he gets up, he is covered over and over by the snow of his reading.

Usually, the people who wind up making totally arbitrary choices—recklessly going for the next house, the next job, the next relationship that shows up—turn out to be over-calculating. They spend so much time figuring out the risks, looking at all the pros and cons, assessing every worst-case scenario, that no choice looks right, and sheer frustration pushes them to break the deadlock. Ironically, such irrational leaps sometimes work out. The universe has more in store for us than we can ever predict, and bad choices frequently smooth out in the end because our hidden aspirations know where we are going.

It has been noted in various quarters that the half-illiterate Italian violin maker Antonio Stradivari never recorded the exact plans or dimensions for how to make one of his famous instruments. This might have been a commercial decision (during the earliest years of the 1700s, Stradivari’s violins were in high demand and open to being copied by other luthiers). But it might also have been because, well, Stradivari didn’t know exactly how to record its dimensions, its weight, and its balance. I mean, he knew how to create a violin with his hands and his fingers but maybe not in figures he kept in his head. Today, those violins, named after the Latinized form of his name, Stradivarius, are considered priceless. It is believed there are only around five hundred of them still in existence, some of which have been submitted to the most intense scientific examination in an attempt to reproduce their extraordinary sound quality. But no one has been able to replicate Stradivari’s craftsmanship. They’ve worked out that he used spruce for the top, willow for the internal blocks and linings, and maple for the back, ribs, and neck. They’ve figured out that he also treated the wood with several types of minerals, including potassium borate, sodium and potassium silicate, as well as a handmade varnish that appears to have been composed of gum arabic, honey, and egg white. But they still can’t replicate a Stradivarius. The genius craftsman never once recorded his technique for posterity. Instead, he passed on his knowledge to a number of his apprentices through what the philosopher Michael Polyani called “elbow learning.” This is the process where a protégé is trained in a new art or skill by sitting at the elbow of a master and by learning the craft through doing it, copying it, not simply by reading about it. The apprentices of the great Stradivari didn’t learn their craft from books or manuals but by sitting at his elbow and feeling the wood as he felt it to assess its length, its balance, and its timbre right there in their fingertips. All the learning happened at his elbow, and all the knowledge was contained in his fingers. In his book Personal Knowledge, Polyani wrote, “Practical wisdom is more truly embodied in action than expressed in rules of action.”1 By that he meant that we learn as Stradivari’s protégés did, by feeling the weight of a piece of wood, not by reading the prescribed measurements in a manual. Polyani continues, To learn by example is to submit to authority. You follow your master because you trust his manner of doing things even when you cannot analyze and account in detail for its effectiveness. By watching the master and emulating his efforts in the presence of his example, the apprentice unconsciously picks up the rules of the art, including those which are not explicitly known to the master himself. These hidden rules can be assimilated only by a person who surrenders himself to that extent uncritically to the imitation of another.

Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.

We stand today on the brink of economic destruction. The housing market remains stagnant. Unemployment is obviously far higher than the officially reported figures of 6 to 7 percent, which factor in only those filing for unemployment benefits. As I was completing this book, there were alarming reports disseminated by the media that a hundred million Americans of working age were without jobs. This amounts to a staggering true unemployment rate of 36.3 percent. While some of those are willfully unemployed, such as stay-at-home parents, retirees, and high school students, there is no question that the real rate must still be at least somewhere in the HIDDEN HISTORY 4 25-percent range. Student loan debt is quickly surpassing credit card debt in volume. The cost of living continues to surge, while the vast majority of American workers receive little or no yearly wage increase. Our industry has practically left our shores, leaving us incapable of manufacturing anything of substance. Although the US population increased by 10 percent during the first decade of the twenty-first century, 5,500,000 manufacturing jobs were lost during the same time period. The sad reality is America doesn’t make much of anything anymore. The income disparity has grown to such an extent that the richest four hundred citizens presently possess more aggregate wealth than the bottom fifty percent of all Americans combined. If present trends continue, the United States is rapidly on the way to Third World nation status.

And of course if you ill-treat the body, it can throw you out of the house entirely, out of your body. It is like ill-treating objects. You know, objects are inanimate things; they lie about heavily, have no legs or wings, and people are often quite impatient with them. For instance, this book would like it very much better, I am sure, if it were lying near the center of the table where it is safe, but I have put it on the edge. It is an awkward position for that poor creature of a book. It may fall down and get injured. If I am impatient, if I touch them in an awkward way, it is a lamentable plight for the poor objects. Then they take their revenge on me. Because I illtreat them they turn against me and become contradictory in a peculiar way. I say, "Oh, these damned objects, dead things, despicable!"- and instantly they take on life. They begin to behave as if they were animated living things. You will then observe what the German philosopher tells about the die Tücke des Objekts. And the more you curse them, the more you use speech figures which insinuate life into them. For instance, "Where has that book hidden itself now? It has walked off and concealed itself somewhere." Or, "The devil is in that watch, where has it gone ?"Objects really take on dangerous qualities with people who are particularly impatient with them: they jump into your eyes, they bite your legs, they creep onto a chair and stick up a point upon which you sit-such things. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 351-352)

Page 25: …Maimonides was also an anti-Black racist. Towards the end of the [Guide to the Perplexed], in a crucial chapter (book III, chapter 51) he discusses how various sections of humanity can attain the supreme religious value, the true worship of God. Among those who are incapable of even approaching this are: "Some of the Turks [i.e., the Mongol race] and the nomads in the North, and the Blacks and the nomads in the South, and those who resemble them in our climates. And their nature is like the nature of mute animals, and according to my opinion they are not on the level of human beings, and their level among existing things is below that of a man and above that of a monkey, because they have the image and the resemblance of a man more than a monkey does." Now, what does one do with such a passage in a most important and necessary work of Judaism? Face the truth and its consequences? God forbid! Admit (as so many Christian scholars, for example, have done in similar circumstances) that a very important Jewish authority held also rabid anti-Black views, and by this admission make an attempt at self-education in real humanity? Perish the thought. I can almost imagine Jewish scholars in the USA consulting among themselves, ‘What is to be done?’ – for the book had to be translated, due to the decline in the knowledge of Hebrew among American Jews. Whether by consultation or by individual inspiration, a happy ‘solution’ was found: in the popular American translation of the Guide by one Friedlander, first published as far back as 1925 and since then reprinted in many editions, including several in paperback, the Hebrew word Kushim, which means Blacks, was simply transliterated and appears as ‘Kushites’, a word which means nothing to those who have no knowledge of Hebrew, or to whom an obliging rabbi will not give an oral explanation. During all these years, not a word has been said to point out the initial deception or the social facts underlying its continuation – and this throughout the excitement of Martin Luther King’s campaigns, which were supported by so many rabbis, not to mention other Jewish figures, some of whom must have been aware of the anti-Black racist attitude which forms part of their Jewish heritage. Surely one is driven to the hypothesis that quite a few of Martin Luther King’s rabbinical supporters were either anti-Black racists who supported him for tactical reasons of ‘Jewish interest’ (wishing to win Black support for American Jewry and for Israel’s policies) or were accomplished hypocrites, to the point of schizophrenia, capable of passing very rapidly from a hidden enjoyment of rabid racism to a proclaimed attachment to an anti-racist struggle – and back – and back again.

Then the stars turned their attention to the younger children of the family. The ones who hadn’t grown up yet. The stars knew what was coming, who was lurking. They always did. They’d seen it all before, countless times, across vast, green oceans and ethereal night skies. They recognized the tiny, sparkling glow, nearly hidden in the wise old oak tree sprawling above the Roberts-Darlings’ backyard. They recognized the crouched, shadowy figures within its branches. The stars weren’t the only spectators closely observing Lily, Wendy, and Michael.

Many of the characters in this novel are based on historical figures. These include Daniel, Cyrus, Harpagus, Astyages, Cambyses, Mandana (the Persian pronunciation of Cyrus’s mother’s name), and Nebuchadnezzar. The Bible is silent on whether Daniel was married or single. Some historians have even concluded that he might have been a eunuch. I saw no evidence of this and chose to give him a family. While this novel is a work of my imagination, where possible I have tried to remain faithful to historical and archaeological details. If you are interested in further reading, I recommend the classic textbook From Cyrus to Alexander: A History of the Persian Empire by Pierre Briant and Discovering Cyrus: The Persian Conqueror Astride the Ancient World by Reza Zarghamee. The events of chapter 54 surrounding the disputed coat are based on a story told by the Greek historian Xenophon about Cyrus’s childhood, which I found in Zarghamee’s book, Discovering Cyrus. Although Otanes is a fictional character, the general story felt like a perfect fit for this thread of the novel. Biblical references to Cyrus include Isaiah 44:28–45:7; Jeremiah 51:11, 28-29; 2 Chronicles 36:22-23; Ezra 1:1-11 and 5:14-15. Some of these verses were written decades before Cyrus was born and are considered prophetic in nature, while others describe the return of the Jewish captives to Jerusalem and Cyrus’s role in those events.

This can look like advice they give you or “constructive criticism.” This can be especially cloaked when they are parents. They come across like they are just trying to help guide you, but you leave feeling disempowered and scared of life, believing you don’t have what it takes to figure things out. You get the subtle message you are doing things wrong, but it comes in the form of “concern for you.” You feel the life go out of you and don’t know why.

If we are really convinced that we have the Great Big Truth then we should also be able to trust that others will see it from their different angles - or it is not a great big truth...Big Truth is written in reality itself before it was ever written in books. If you say yes to Reality, 'what is,' you will recognize the same truth when it shows itself in any Bible . . .If it is the truth, it is true all the time and everywhere, and sincere lovers of truth will take it wherever it comes from . . . The important question is not, 'Who said it?', but 'Is it true?' I do not believe the will of God is a theory, an argued moral theology, or an abstraction in any form; it is seeking the truth of each situation in that situation as best as we can figure it out. What else could God ask of humanity, most of whom had no access to synagogue, temple, church, Koran, moral theology class, or Bible? Were they all utterly lost and rejected? Somehow the True Self in all humans has a natural access to that 'hidden' will of God - if the mind and heart and soul are open and undefended (which is always the spiritual task and not easily achieved).

Sex is one of the most powerful ways a CN controls their victim. When you have no desire for sex and can’t figure out why, you feel bad that you are letting your partner down. They will let you know in various ways how much you are letting them down. They won’t worry about you, what you are feeling and your struggles. That is not a concern to them because this relationship is not about you, or even the two of you—it is about the CN. When

Katherine Johnson had given her best to her part of the grand puzzle, of that she was sure. The day was soon coming when the world would see if her best, if the brainy fellas’ best, if NASA’s best, was good enough.

His family fell upon him in a crush of hugs and celebration.

Civil service reform in the late nineteenth century reduced patronage and corruption and introduced a merit system that allowed blacks to get a foot in the door.

Gervase devoted the eighteenth chapter of the first book to a figure called folletus, “follet” [“brownie, pixie, sprite” —Trans.], whose characteristics were described as follows: it inhabited the dwellings of peasants, no exorcism or holy water could drive it away (which clearly proves it could be nothing other than a demon!), it hid in stones and woods, and it tormented the domestic servants. Incidentally, this description represents an interesting conflation of sprites with dwarfs and satyrs. In another passage from his Otia imperialia, Gervase also refers to an impish spirit called the neptunus or portunus: “It is a law of their nature that they can be useful but cannot harm. However, they do have one way of being something of a nuisance” [by playing tricks on humans].7 By way of similar testimonies, we can clearly see that the sprites of the romances have their origin in actual folk beliefs and retain their fundamental, constituent traits, beyond all transformations into literature.

Around town, they confused and horrified residents by doing things like dismantling a toaster with a screwdriver at the local department store to make sure the heating coil would toast the bread just so. One employee brought a pressure gauge from the lab into a store to test the suction capabilities of a vacuum cleaner model. Local car salesmen wanted to roll over and play dead when one of the Langley fellas pulled into the lot, fearing a barrage of nonsensical and unanswerable technical questions. They drove to work with books on their steering wheels. The NACA nuts always thought they had a better way to do anything—everything—and didn’t hesitate to tell the locals so.

Brittany has been wary this whole week. She’s waiting for me to play a joke on her, to get her back for tossing my keys into the woods. After school, as I’m at my locker picking books to take home, she storms up to me wearing her sexy pom uniform. “Meet me in the wrestling gym,” she orders. Now I can do two things: meet her like she told me to or leave the school. I take my books and enter the small gym. Brittany is standing, holding out her keychain without keys dangling from it. “Where have my keys magically disappeared to?” she asks. “I’m going to be late for the game if you don’t tell me. Ms. Small will kick me off the squad if I’m not at the game.” “I tossed them somewhere. You know, you should really get a purse that has a zipper. You never know when someone will reach in and grab somethin’.” “Glad to know you’re a klepto. Wanna give me a hint as to where you’ve hidden them?” I lean against the wall of the wrestling gym, thinking about what people would think if they caught us in here together. “It’s in a place that’s wet. Really, really wet,” I say, giving her a clue. “The pool?” I nod. “Creative, huh?” She tries to push me into the wall. “Oh, I’m going to kill you. You better go get them.” If I didn’t know her better, I’d think she was flirting with me. I think she likes this game we have going on. “Mamacita, you should know me better than that. You’re all on your own, like I was when you left me in the library parking lot.” She cocks her head, gives me sad eyes, and pouts. I shouldn’t concentrate on her pouty lips, it’s dangerous. But I can’t help it. “Show me where they are, Alex. Please.” I let her sweat it out a minute before I give in. By now most of the school is deserted. Half of the students are on their way to the football game. The other half is glad they’re not on their way to the football game. We walk to the pool. The lights are off, but sunlight is still shining through the windows. Brittany’s keys are where I threw ‘em--in the middle of the deep end. I point to the shiny pieces of silver under the water. “There they are. Have at it.” Brittany stands with her hands on her short skirt, contemplating how she’s going to get them. She struts over to the long stick hanging on the wall that’s used to pull drowning people from the water. “Piece of cake,” she tells me. But as she sticks the pole into the water, she finds out it’s not a piece of cake. I suppress a laugh as I stand at the edge of the pool and watch her attempt the impossible. “You can always strip and go in naked. I’ll watch to make sure nobody comes in.” She walks up to me, the pole gripped firmly in her fingers. “You’d like that, wouldn’t you?” “Uh, yeah,” I say, stating the obvious. “I have to warn you, though. If you have granny undies on, you’ll blow my fantasy.” “For your information, they’re pink satin. As long as we’re sharing personal info, are you a boxers or briefs guy?” “Neither. My boys go free, if you know what I mean.” Okay, I don’t let my boys go free. She’ll just have to figure that out herself. “Gross, Alex.” “Don’t knock it till you try it,” I tell her, then walk toward the door. “You’re leaving?” “Uh…yeah.” “Aren’t you going to help me get the keys?” “Uh…nope.” If I stay, I’ll be tempted to ask her to ditch the football game to be with me. I’m definitely not ready to hear the answer to that question. Toying with her I can handle. Showing my true colors like I did the other day made me take my guard down. I’m not about to do that again. I push the door open after taking one last glance at Brittany, wondering if leaving her right now makes me an idiot, a jerk, a coward, or all of the above.

In 1972, Bayber's work underwent another metamorphosis, yet refused to be defined by or adhere to any specific style. Elements of abstract expressionism, modernism, surrealism, and neo-expressionism combine with figurative art to create works which remain wholly original and highly complex, both delighting and terrifying at a subconscious level. There is nothing fragile here, nothing dreamlike. No protections are offered, not for the artist himself and not for those viewing his work. All is called forth in a raw state, human values finessed on the canvas, softened and sharpened, separated and made aggregate. While there are certain motifs in these works- often a suggestion of water, the figure of a bird- and various elements are repeated, aside from an introverted complexity, the context in which they appear is never the same from one piece to the next. What ties these works together is the suggestion of loss, of disappearance, and of longing ( see figs. 87-95)" The figure of a bird. He had forgotten his own writing. Finch took the book back to his desk and pulled a magnifying glass from the top drawer to study the color plates. Thomas had completed six paintings in 1972, four of them after July. In each of those four, Finch managed to find what he had seen long ago, the figure of a bird. Was it Alice, flown away from him?

Tactile contact is the newborn’s earliest experience of the world. It is how we first receive love. Mammalian mothers invariably provide tactile stimulation to their offspring, for instance, rats by licking their pups, primates by stroking them. Ashley Montague writes in his superb book Touching: The Human Significance of the Skin, “The various forms in which the newborn and young receive it is of prime importance for their healthy physical and behavioural development. It appears probable that, for human beings, tactile stimulation is of fundamental significance for the development of healthy emotional or affectional relationships, that ‘licking,’ in its actual and in its figurative sense, and love are closely connected; in short, that one learns love not by instruction, but by being loved.” From animal experiments, it is known that physical touching induces growth-hormone production, promoting better weight gain and development. These findings also apply to human beings. In a study of premature babies, incubated infants were divided into two groups. All their nutritional and other conditions were identitical, except for one variable: one group was given fifteen minutes of tactile stimulation three times a day over a period of two weeks. “Providing this form of stimulation to these babies resulted in significant acceleration of weight gain, increased head circumference, and improved behavioural indices,” compared with the control group.

She opened her eyes to find a strange man above her. "Ahh," he sighed. "Your eyes are the color of jade. I imagined them to be dark, like your hair. How strange." She continued to stare at him without a word. His figure loomed over her, and he stared at her with large, black eyes, like those of a bird, she thought. His thin, black hair fell past his chin, making him appear delicate, almost beautiful. His lips curved to a smile. "I find you just as beautiful, my dear," he said. His statement shocked her; it was as if he'd read her thoughts. "Yes, I know what you think presently, but…." He paused for a moment. "Not all of them. You keep something hidden from me. Hmm, how strange. Very well. It seems you are more interesting than I first thought." "What is it that you want?" she spat out. "Oh, please do not start with that nonsense," he chided. "My plans are not for you to know. However, I will assure you that now I have seen you, I plan to keep you, at least for a while.

simple theory of phusics subodh kumar "No one knows who wrote the laws of physics or where they come from. Physics is about questioning, studying, probing nature. Scientists are motivated by the thrill of seeing or figuring out something that no one has before." Science will never be "finished." Every person feels the effects of science in every sphere of life. It is not merely the electric light or the electric fan, the radio or the cinema that displays the power of science in our daily life, but everything we do or is done to us is in some way or another connected with science. The knowledge generated by science is powerful and reliable. It can be used to develop new technologies, treat diseases, and deal with many other sorts of problems. Science is continually refining and expanding our knowledge of the universe, and as it does, it leads to new questions for future investigation. Physics is a way of discovering what's in the universe and how those things work today, how they worked in the past, and how they are likely to work in the future. And what means new cosmos? What is hidden nature problem? Who knows future? Is time travel possible? If you want to know the answer to it all, read the book.

I DESIGNED YOU to live in union with Me. This union does not negate who you are; it actually makes you more fully yourself. When you try to live independently of Me, you experience emptiness and dissatisfaction. You may gain the whole world and yet lose everything that really counts. Find fulfillment through living close to Me, yielding to My purposes for you. Though I may lead you along paths that feel alien to you, trust that I know what I am doing. If you follow Me wholeheartedly, you will discover facets of yourself that were previously hidden. I know you intimately —far better than you know yourself. In union with Me, you are complete. In closeness to Me, you are transformed more and more into the one I designed you to be. “What good is it for a man to gain the whole world, yet forfeit his soul?” MARK 8 : 36 For you created my inmost being; you knit me together in my mother’s womb. I praise you because I am fearfully and wonderfully made; your works are wonderful, I know that full well. My frame was not hidden from you when I was made in the secret place. When I was woven together in the depths of the earth, your eyes saw my unformed body. All the days ordained for me were written in your book before one of them came to be. PSALM 139 : 13 – 16 Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom. And we, who with unveiled faces all reflect the Lord’s glory, are being transformed into his likeness with ever-increasing glory, which comes from the Lord, who is the Spirit. 2 CORINTHIANS 3 : 17 – 18 September 17 YOU WILL NOT FIND MY PEACE by engaging in excessive planning: attempting to control what will happen to you in the future. That is a commonly practiced form of unbelief. When your mind spins with multiple plans, Peace may sometimes seem to be within your grasp; yet it always eludes you. Just when you think you have prepared for all possibilities, something unexpected pops up and throws things into confusion. I did not design the human mind to figure out the future. That is beyond your capability. I crafted your mind for continual communication with Me. Bring Me all your needs, your hopes and fears. Commit everything into My care. Turn from the path of planning to the path of Peace. Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time. Cast all your anxiety on him because he cares for you. 1 PETER 5 : 6 – 7 In his heart a man plans his course, but the LORD determines his steps. PROVERBS 16 : 9 Commit your way to the LORD, Trust also in Him, And He shall bring it to pass. PSALM 37 : 5 (NKJV)

Even if you show the full value, some customers will never pay. When I first started selling Connex for QuickBooks, one of my first trial users was a small startup that barely made $2,000 per month. He hammered me for support through multiple phone calls. He was trying to negotiate me down from $20 per month to an even lower price. I told him to hit the road. I learned a couple of lessons: Avoid getting too invested in trial users. Unless you have qualified a prospect, do not spend too much time with her. A common negotiating tactic is to make you invest a lot of time before trying to talk you down. Prospects figure you will not give up because you have invested so much. Avoid pricing yourself out of business. If you price your product low, people fail to see the value. They think there are hidden fees. As I raised prices, we attracted higher-value clients that were less troublesome. Avoid features. The small business and I discussed a QuickBooks sync, instead of the money we saved on data-entry. I could have asked how many hours he spent hand entering sales or how much he paid someone else for data entry.

I figured every compliment I received was me being “negged”—a tactic where people highlight your difference or offer a backhanded compliment in order to make you feel insecure.

So, what are your thoughts about this symbol, Kate?" he asked mildly. "Well, you see, the picture jarred my memory. Actually, I can't believe that I forgot---but, then again, I was just a wee thing at the time." "Forgot about what?" he asked impatiently. "My mother's book!" He eyed her warily, recalling at once the book he had seen the Count DuMarin's veiled daughter, Lady Gabrielle, holding tightly to her chest on the night she had been handed over into the watchful care of Captain Fox. Rohan had assumed it was a Bible. "My mother brought a book with her from France containing this same symbol!" Kate explained. "It was a big thick tome, with all kinds of strange symbols and diagrams and writings. It had little maps and puzzles of different sorts figure out. Back when I was a little girl on my father's ship, my parents were constantly poring over it." He frowned. "Rohan, it was all about Valerian the Alchemist!" she exclaimed. "I don't know if the book was by him or simply written about him, but it contained clues to the secret location of his tomb. They were on a treasure hunt!" He narrowed his eyes. The Alchemist's Tomb? But it had passed into legend long ago. "Alchemy---you know!" Kate was saying excitedly. "Changing base metals into gold? There was supposed to be a horde of hidden treasure buried with him.

The discard phase is excruciating. It is also extremely confounding, to say the least. You saw your CN as one person for years, and now you see someone you don’t recognize, someone cruel and unfeeling. Your head is spinning, and your heart is devastated. You’ve never experienced betrayal, hurt, and confusion like this before. Victims look back over the years trying to figure out what happened. Once someone brings up the idea that their partner might be a narcissist, they search again for signs they missed, traits they didn’t notice.

Gaslighting is subtle, insidious, and intentional, always making you feel like something is wrong with you. When Dawn and Brad were intimate, she told him she felt used after having sex with him and couldn’t figure out why because they had such a great relationship. He never addressed how she felt, never looked at himself to see if there were something he might be doing that would make her feel that way. Instead, what he did was direct her attention to things she might need to change about herself. He also told her she was too sensitive and was reading into things. He distracted her, redirecting the focus onto her so she would doubt herself and not notice his deflection. This planted seeds in her mind that Brad would sow for years to come, making her think there was something wrong with her.

This is such a common story. This woman lived for years thinking something was wrong with her. She was being subtly manipulated and devalued at home without seeing it. Her body was reacting. She was slowly dying inside and couldn’t figure out why. Thank goodness for the therapist who understood covert narcissism and recognized the signs.

Page 25: …Maimonides was also an anti-Black racist. Towards the end of the [Guide to the Perplexed], in a crucial chapter (book III, chapter 51) he discusses how various sections of humanity can attain the supreme religious value, the true worship of God. Among those who are incapable of even approaching this are: Some of the Turks [i.e., the Mongol race] and the nomads in the North, and the Blacks and the nomads in the South, and those who resemble them in our climates. And their nature is like the nature of mute animals, and according to my opinion they are not on the level of human beings, and their level among existing things is below that of a man and above that of a monkey, because they have the image and the resemblance of a man more than a monkey does. Now, what does one do with such a passage in a most important and necessary work of Judaism? Face the truth and its consequences? God forbid! Admit (as so many Christian scholars, for example, have done in similar circumstances) that a very important Jewish authority held also rabid anti-Black views, and by this admission make an attempt at self-education in real humanity? Perish the thought. I can almost imagine Jewish scholars in the USA consulting among themselves, ‘What is to be done?’ – for the book had to be translated, due to the decline in the knowledge of Hebrew among American Jews. Whether by consultation or by individual inspiration, a happy ‘solution’ was found: in the popular American translation of the Guide by one Friedlander, first published as far back as 1925 and since then reprinted in many editions, including several in paperback, the Hebrew word Kushim, which means Blacks, was simply transliterated and appears as ‘Kushites’, a word which means nothing to those who have no knowledge of Hebrew, or to whom an obliging rabbi will not give an oral explanation. During all these years, not a word has been said to point out the initial deception or the social facts underlying its continuation – and this throughout the excitement of Martin Luther King’s campaigns, which were supported by so many rabbis, not to mention other Jewish figures, some of whom must have been aware of the anti-Black racist attitude which forms part of their Jewish heritage. Surely one is driven to the hypothesis that quite a few of Martin Luther King’s rabbinical supporters were either anti-Black racists who supported him for tactical reasons of ‘Jewish interest’ (wishing to win Black support for American Jewry and for Israel’s policies) or were accomplished hypocrites, to the point of schizophrenia, capable of passing very rapidly from a hidden enjoyment of rabid racism to a proclaimed attachment to an anti-racist struggle – and back – and back again.

But if, for me, this desire that a woman should appear added something more exalting to the charms of nature, they in their turn enlarged what I might have found too restricted in the charms of the woman. It seemed to me that the beauty of the trees was hers also, and that her kisses would reveal to me the spirit of those horizons, of the village of Roussainville, of the books which I was reading that year; and, my imagination drawing strength from contact with my sensuality, my sensuality expanding through all the realms of my imagination, my desire no longer had any bounds. Moreover - just as in moments of musing contemplation of nature, the normal actions of the mind being suspended, and our abstract ideas of things set aside, we believe with the profoundest faith in the originality, in the individual existence of the place in which we may happen to be - the passing figure whom my desire evoked seemed to be not just any specimen of the genus "woman," but a necessary and natural produce of this particular soil. For at that time everything that was not myself, the earth and the creatures upon it, seemed to me more precious, more important, endowed with a more real existence than they appear to full-grown men. And between the earth and its creatures I made no distinction. [...] But to wander thus among the woods of Roussainville without a peasant-girl to embrace was to see those woods and yet know nothing of their secret treasure, their deep-hidden beauty. That girl whom I invariably saw dappled with the shadows of their leaves was to me herself a plant of local growth, merely of a higher species than the rest, and one whose structure would enable me to get closer than through them to the intimate savour of the country. I could believe this all the more readily (and also that the caresses by which she would bring that savour to my senses would themselves be of a special kind, yielding a pleasure which I could never derive from anyone else) since I was still, and must for long remain, in that period of life when one has not yet separated the fact of this sensual pleasure from the various women in whose company one has tasted it, when one has not yet reduced it to a general idea which makes one regard them thenceforward as the interchangeable instruments of a pleasure that is always the same. Indeed, that pleasure does not even exist, isolated, distinct, formulated in the consciousness, as the ultimate aim for which one seeks a woman's company, or as the cause of the preliminary perturbation that one feels. Scarcely does one think of it as a pleasure in store for one; rather does one call it her charm; for one does not think of oneself, but only of escaping from oneself. Obscurely awaited, immanent and concealed, it simply raises to such a paroxysm, at the moment when at last it makes itself felt, those kisses, of the woman by our side, that it seems to us, more than anything else, a sort of transport of gratitude for her kindness of heart and for her touching predilection for us, which we measure by the blessings and the happiness that she showers upon us.

Then I wonder who you are, you, this figure strolling through all my lingering visions of slow landscapes, ancient interiors and lavish ceremonies of silence. In all my dreams you either appear as a dream or else accompany me like a false reality. With you I visit regions that are perhaps dreams of yours, lands that are perhaps embodiments of absence and cruelty, your essential body fashioned into a quiet plain or a mountain with a chilling profile in the garden of some hidden palace. Perhaps my only dream is you, perhaps when I press my face to yours I will read in your eyes those impossible landscapes, those false tediums, those feelings that inhabit the gloom of my wearinesses and the grottoes of my disquiets.

If there’s anything we know from the history of innovation—and particularly from the history of the time travelers—it is that being true to yourself is not enough. Certainly, you don’t want to be trapped by orthodoxy and conventional wisdom. Certainly, the innovators profiled in this book had the tenacity to stick with their hunches for long periods of time. But there is comparable risk in being true to your own sense of identity, your own roots. Better to challenge those intuitions, explore uncharted terrain, both literal and figurative. Better to make new connections than remain comfortably situated in the same routine. If you want to improve the world slightly, you need focus and determination; you need to stay within the confines of a field and open the new doors in the adjacent possible one at a time. But if you want to be like Ada, if you want to have an “intuitive perception of hidden things”—well, in that case, you need to get a little lost.

Katherine organized herself immediately at her desk, growing phone-book-thick stacks of data sheets a number at a time, blocking out everything except the labyrinth of trajectory equations. Instead of sending her numbers to be checked by the computer, Katherine now worked in reverse, running the same simulation inputs that the computer received through her calculator, hoping that there would be “very good agreement” between her answers and the 7090s’, just as had been the case when she originally ran the numbers for the Azimuth Angle report. She worked through every minute of what was programmed to be a three-orbit mission, coming up with numbers for eleven different output variables, each computed to eight significant digits. It took a day and a half of watching the tiny digits pile up: eye-numbing, disorienting work. At the end of the task, every number in the stack of papers she produced matched the computer’s output; the computer’s wit matched hers. The pressure might have buckled a lesser individual, but no one was more up to the task than Katherine Johnson.

Along one stretch of wall I found a bookcase, still miraculously erect, having come through the fire I cannot say how; it was rotted by water and consumed by termites. In it there were still a few pages. Other remnants I found by rummaging in the ruins below. Mine was a poor harvest, but I spent a whole day reaping it, as if from those disecta membra of the library a message might reach me. Some fragments of parchment had faded, others permitted the glimpse of an image’s shadow, or the ghost of one or two more words. At times I found pages where whole sentences were legible; more often, intact bindings, protected by what had once been metal studs…Ghosts of books, apparently intact on the outside but consumed within; yet sometimes a half page had been saved, an in joy was discernible, a title. I collected every relic I could find, filling two traveling sacks with them, abandoning things useful to me in order to save that miserable hoard. Along the return journey and afterward at Melk, I spent many, many hours trying to decipher those remains. Often from a word or a surviving image I could recognize what the work had been. When I found, in time, other copies of those books, I studied them with love, as if destiny had left me this bequest, as if having identified the destroyed copy were a clear sign from heaven that said to me: Tolle et lege. At the end of my patient reconstruction, I had before me a kind of lesser library, a symbol of the greater, vanished one: a library made up of fragments, quotations, unfinished sentences, amputated stumps of books. The more I reread this list the more I am convinced it is the result of chance and contains no message. But these incomplete pages have accompanied me through all the life that has been left me to live since then; I have often consulted them like an oracle, and I have almost had the impression that what I have written on these pages, which you will now read, unknown reader, is only a cento, a figured hymn, an immense acrostic that says nothing and repeats nothing but what those fragments have suggested to me, nor do I know whether thus far I have been speaking of them or they have spoken through my mouth. But whichever of the two possibilities may be correct, the more I repeat to myself the story that has emerged from them, the less I manage to understand whether in it there is design that goes beyond the natural sequence of the events and the times that connect them. And it is a hard thing for this old monk, on the threshold of death, not to know whether the letter he has written contains some hidden meaning, or more than one, or many, or none at all.

You will see, after finishing the book, how the image of this Alberîch, Alfrekr, Aubéron, Oberon will emerge in greater scale, although this is a figure on whom we have been in the habit of dispensing a wealth of peremptory assertions. So many of his features make him a “dwarf,” yet his name implies he is probably an elf. A magnificent synthesis could be created from him, and this is what Claude Lecouteux has attempted and has succeeded at doing.

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