Hey You Quotes

We've searched our database for all the quotes and captions related to Hey You. Here they are! All 100 of them:

Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.
John Green
Rachel: You're a half-blood, too? Annabeth: Shhh! Just announce it to the world, how about? Rachel: Okay. Hey, everybody! These two aren't human! They're half Greek god!...They don't seem to care.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
A friend said to me, “Hey you need to grow a pair. Grow a pair, Bro.” It’s when someone calls you weak, but they associate it with a lack of testicles. Which is weird, because testicles are the most sensitive things in the world. If you suddenly just grew a pair, you’d be a lot more vulnerable. If you want to be tough, you should lose a pair. If you want to be real tough, you should grow a vagina. Those things can take a pounding.
Sheng Wang
Why can't you place a blessing like that on us?" I asked. "It only works on wild animals." "So it would only affect Percy," Annabeth reasoned. "Hey!" I protested.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Hey, Rosalie? Do you know how to drown a blonde? Stick a mirror to the bottom of a pool.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
Hey Baby. Baby? You're kidding me, right? I was trying it out. No? No.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Hey," said Shadow. "Huginn or Muninn, or whoever you are." The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes. "Say 'Nevermore,'" said Shadow. "Fuck you," said the raven.
Neil Gaiman (American Gods (American Gods, #1))
Afterward, I had the last laugh. I made an air bubble at the bottom of the lake. Our friends kept waiting for us to come up, but hey-when you are the son of Poseidon, you don't have to hurry. And it was pretty much the best underwater kiss of all time.
Rick Riordan
I love you,” I say to him, only it comes out, “Hey.” “So damn much,” he says back, only it comes out, “Dude.” He still won’t meet my eyes.
Jandy Nelson (I'll Give You the Sun)
Hey Mason, wipe the drool off your face. If you're going to think about me naked, do it on your own time." [...] "This is my time, Hathaway. I'm leading today's session." "Oh yeah?" I retorted. "Huh. Well, I guess this is a good time to think about me naked, then." "It's always a good a time to think about you naked," added someone nearby, breaking the tension further.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Sigh no more, ladies, sigh no more. Men were deceivers ever, One foot in sea, and one on shore, To one thing constant never. Then sigh not so, but let them go, And be you blithe and bonny, Converting all your sounds of woe Into hey nonny, nonny. Sing no more ditties, sing no more Of dumps so dull and heavy. The fraud of men was ever so Since summer first was leafy. Then sigh not so, but let them go, And be you blithe and bonny, Converting all your sounds of woe Into hey, nonny, nonny.
William Shakespeare (Much Ado About Nothing)
Hey," said Jace. who was sitting on an overturned speaker, looking at his cellphone, "do you want to see a photo of Alec and Magnus in Berlin?" "Not really," said Simon. "Magnus is wearing lederhosen." "And yet, still no.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
You're not very nice," I say, grinning. "You're one to talk." "Hey, I could be nice if I tried." "Hmm." He taps his chin. "Say something nice, then." "You're very good-looking." He smiles, his teeth a flash in this dark. "I like this 'nice' thing.
Veronica Roth (Allegiant (Divergent, #3))
Hey, um, I'm sorry to bother you, but I'm looking for a friend of mine," he says. "Have you seen her? She's a tiny little thing, cries a lot, spends too much time with her feelings-" "Shut up, Kenji!" "Oh wait!" he says. "It is you.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Annabeth: Hey, Seaweed Brain. Percy: Will you stop calling me that? Annabeth: You know you love it.
Rick Riordan
Hey, heart. Are you listening? You and I are officially at war.
Colleen Hoover (Maybe Someday (Maybe, #1))
I have lightning and wind powers," Jason reminded him. "Piper can turn beautiful and charm people into giving her BMWs. You're no more a freak than we are. And, hey, maybe you can fly, too. Like jump off a building and yell 'Flame on!'" Leo snorted. "If I did that, you would see a flaming kid falling to his death, and I would be yelling something a little stronger than 'Flame on!
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.
Donna Tartt (The Goldfinch)
Everybody was patting Nico on the back, complimenting him on his fighting. Even the Ares kids thought he was pretty cool. Hey, show up with an army of undead warriors to save the day, and suddenly you're everybody's best friend.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
What’s “ague?”‘ Raya asked. ‘Malaria.’ Oscar said. ‘Oh, great.’ ‘Hey, you want plague? They got that too.’ Raya ignored the cat.
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
Hey, girls, you're beautiful. Don't look at those stupid magazines with sticklike models. Eat healthy and exercise. That's all. Don't let anyone tell you you're not good enough. You're good enough, you are too good. Love your family with all your heart and listen to it. You are gorgeous, whether you're a size 4 or 14. It doesn't matter what you look like on the outside, as long as you're a good person, as long as you respect others. I know it's been told hundreds of times before, but it's true. Hey, girls, you are beautiful.
Gerard Way
Whenever Percy stopped by to see [Annabeth], she was so lost in thought that the conversation went something like this: Percy: 'Hey, how's it going?' Annabeth: 'Uh, no thanks.' Percy: 'Okay...have you eaten anything today?' Annabeth: 'I think Leo is on duty. Ask him.' Percy: 'So, my hair is on fire.' Annabeth: 'Okay, in a while.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Same plan," agreed Dimitri. "You go to the house. You look less threatening." "Hey!" He smiled. "I said look.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Hey Clark', he said.'Tell me something good'. I stared out of the window at the bright-blue Swiss sky and I told him a story of two people. Two people who shouldn't have met, and who didn't like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other. And I told him of the adventures they had, the places they had gone, and the things I had seen that I had never expected to. I conjured for him electric skies and iridescent seas and evenings full of laughter and silly jokes. I drew a world for him, a world far from a Swiss industrial estate, a world in which he was still somehow the person he had wanted to be. I drew the world he had created for me, full of wonder and possibility.
Jojo Moyes (Me Before You (Me Before You, #1))
I'm going to talk to her." "And how's that going to go? You're just going to walk up to her and say, 'Hey, I know you've never seen me before, but I'm your dad. Oh, and guess what? You've won the evolutionary lottery: You're a vampire. Let's go to Disneyland!
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Max, if you survive your final test, can you steal me one of those magic outfits for me?" I'll try to get one for each of us. Hey! 'If'?
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Hey Mol. Hey You. You gonna give up that lucky sweet kiss? If that's what you want. It most definitely is.
Tillie Cole (Sweet Home (Sweet Home, #1))
I'm so sorry," I whisper. I lean forward and kiss him. His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip." "Hey, Gale," I say. "Thought you'd be gone by now," He says. My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble." "Me, too," Gale says. He just manages a smile before the drugs pull him back under.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
You know what would help?" I asked, not meeting his eyes. "Hmm?" "If you turned off this crap music and put on something that came out after the Berlin Wall went down." Dimitri laughted. "Your worst class is history, yet somehow, you know everything about Eastern Europe." "Hey, gotta have material for my jokes, Comrade." Still smiling, he turned the radio dail. To a country station. "Hey! This isn't what I had in mind," I exclaimed. I could tell he was on the verge of laughing again. "Pick. It's one or the other." I sighed. "Go back to the 1980s stuff." He flipped the dail, and I crossed my arms over my chest as some vaguely European-sounding band sang about how video had killed the radio star. I wished someone would kill this radio.
Richelle Mead (Frostbite (Vampire Academy, #2))
Better be," Eve said. She mock-bit at his finger. "I could totally date somebody else, you know." "And I could rent out your room." "And I could put your game console on eBay." "Hey," Shane protested. "Now you're just being mean.
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
It reminds me of that old joke- you know, a guy walks into a psychiatrist's office and says, hey doc, my brother's crazy! He thinks he's a chicken. Then the doc says, why don't you turn him in? Then the guy says, I would but I need the eggs. I guess that's how I feel about relationships. They're totally crazy, irrational, and absurd, but we keep going through it because we need the eggs.
Woody Allen (Annie Hall: Screenplay)
Hey, you feel like driving today?" he asks. "I don't want to walk to the bus stop. It's too cold." "You feel like dying today?" "Sure. I like risking my life. Keeps things in perspective.
Cynthia Hand (Unearthly (Unearthly, #1))
Life is like a box of crayons. Most people are the 8 color boxes, but what you're really looking for are the 64 color boxes with the sharpeners on the back. I fancy myself to be a 64 color box, though I've got a few missing. It's okay though, because I've got some more vibrant colors like periwinkle at my disposal. I have a bit of a problem though in that I can only meet the 8 color boxes. Does anyone else have that problem? I mean there are so many different colors of life, of feeling, of articulation. So when I meet someone who's an 8 color type...I'm like, hey girl, Magenta! and she's like, oh, you mean purple! and she goes off on her purple thing, and I'm like, no I want Magenta!
John Mayer
Because I can't help doing it," he said with a shrug. "And hey, if I keep loving you, maybe you'll eventually crack and love me too. Hell, I'm pretty sure you're already half in love with me." "I am not! And everything you just said is ridiculous. That's terrible logic." Adrian returned to his crossword puzzle. "Well, you can think what you want, so long as you remember-no matter how ordinary things seem between us-I'm still here, still in love with you, and care about you more than any other guy, evil or otherwise, ever will." "I don't think you're evil." "See? Things are already looking promising.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Hey, come on, don’t cry,” he begs. “It breaks my fucking heart to hear you cry.
Elle Kennedy (The Deal (Off-Campus, #1))
Hey!" said the guy in the video. "Greetings from your friends at Camp Half-Blood, et cetera. This is Leo. I'm the..." He looked off screen and yelled: "What's my title? Am I like admiral, or captain, or-" A girl's voice yelled back, "Repair boy." "Very funny, Piper," Leo grumbled. He turned back to the parchment screen. "So yeah, I'm...ah..supreme commander of the Argo II. Yeah, I like that! Anyway, we're gonna be sailing towards you in about, I dunno, an hour in this big mother warship. We'd appreciate it if you'd not, like, blow us out of the sky or anything. So okay! If you could tell the Romans that. See you soon. Yours in demigodishness, and all that. Peace out!
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
A little warning would’ve been nice. You couldn’t have said, ‘Hey, as part of your training today, I’m going to beat you senseless’?
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Hi, Princess. Sorry I'm late. Traffic was a bitch." He winked at me, then shot a glance at the winter sidhe, standing in the doorway. "Hey, Shard." He waved. "Nice place you've got here. I'll have to remember it, so I can give it the special 'Puck touch'.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Hey, I’m not judging. I’m familiar with IT-relations. Just wait until you meet our spaceship. She’s a riot.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
So I was right, wasn't I? It's still you, even in wolf form.' He grunted. No sudden uncontrollable urges to go kill something?' He rolled his eyes. Hey, you're the one who was worried.' I paused. 'And I don't smell like dinner, right?' I got a real look for that one. Just covering all the bases.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Then you remember the dream,” Mencheres stated. “That bodes ill.”   The fear of that made my reply snappy. “Hey, Walks Like An Egyptian, how about for once you drop the formal stuff and talk like you live in the twenty-first century?”   The shit’s gonna splatter, start buggin’, yo,” Mencheres responded instantly.   I stared at him, then burst out laughing, which was highly inappropriate considering the very grave warning he’d just conveyed.
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
Hey--jazz hands!" Kenji barks. "Get your ass back over here." He makes it a point to look as irritated as possible. "Back to work. And this time, focus. You're not an ape. Don't just throw your shit everywhere.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Hey, can I see that sword you were using?" I showed him Riptide, and explained how it turned from a pen into a sword just by uncapping it. "Cool! Does it ever run out of ink?" "Um, well, I don't actually write with it." "Are you really the son of Poseidon?" "Well, yeah." "Can you surf really well, then?" I looked at Grover, who was trying hard not to laugh. "Jeez, Nico," I said. "I've never really tried." He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.)
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Hey, Nana... people's feelings change easily... what you see is a house of cards... nothing's sure, and nothing lasts forever.
Ai Yazawa
I don’t think it should be socially acceptable for people to say they are “bad with names.” No one is bad with names. That is not a real thing. Not knowing people’s names isn’t a neurological condition; it’s a choice. You choose not to make learning people’s names a priority. It’s like saying, “Hey, a disclaimer about me: I’m rude.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Hey, Carlos," the Professor says when he walks in. "How was REACH?" "It sucked." "Can you be more specific?" my guardian asks. "It really sucked," I elaborate, sarcasm dripping from every word.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Will put his hand on Nico's shoulder. "Nico, we need to have another talk about your people skills." "Hey, I'm just stating the obvious. If this is Apollo, and he dies, we're all in trouble." Will turned to me. "I apologize for my boyfriend." Nico rolled his eyes. "Could you not―" "Would you prefer special guy?" Will asked. "Or significant other?" "Significant annoyance, in your case," Nico grumbled
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Little sister!" Apollo called. If his teeth were any whiter he could've blinded us without the sun car. "What's up? You never call. You never write. I was getting worried!" Artemis sighed. "I'm fine, Apollo. And I am not your little sister." "Hey, I was born first." "We're twins! How many millennia do we have to argue—
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Hey! I thought you said you were gay!” the man said accusingly. Without missing a beat Jason said, “She is. I’m just her bitch.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
If life hands you lemons,keep them. Because, hey, free lemons.-T-Shirt
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
Hey, Macey, sorry to drop in but Cammie just had to be alone with me. You know how she gets.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
Hey, thanks for stopping by," Howard said. "I'd offer you some tea and cookies, but all we have is boiled mole and artichokes. Plus, we kind of have a dead girl in the living room.
Michael Grant (Lies (Gone, #3))
I’m a shallow, shallow boy. Hey, it helps that you’re pretty. It brings out the nice guy in me. Makes me what to share my cookies with you.
J. Lynn (Wait for You (Wait for You, #1))
I have an important message to deliver to all the cute people all over the world. If you're out there and you're cute, maybe you're beautiful. I just want to tell you somethin' — there's more of us UGLY MOTHERFUCKERS than you are, hey-y, so watch out.
Frank Zappa
Hey, I have a suggestion, why not put a condom over your head – if you’re going to act like a complete dick then it makes sense to dress like one.
Suzanne Wright (Feral Sins (The Phoenix Pack, #1))
She probably gave up and started playing Minesweeper." [...] We reached the cafe and found Sydney bent over her laptop, with a barely eaten Danish and what was probably her fourth cup of coffee. We slid into seats beside her. "How's it—hey! You ARE playing Minesweeper!
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
Bill Hicks
What's a mediator you ask? Oh, a person who acts as a liason between the living and the dead. Hey, wait a minute...what're you doing with that strait jacket?-Suze Simon's imagination
Meg Cabot (Twilight (The Mediator, #6))
Hey, and for what it's worth? Friends don't leave you alone in the woods. Friends are the ones who come and take you out.
Sarah Dessen (Lock and Key)
Hey, he's awesome. A little unstable, but awesome. We got along great." Adrian opened the door to the building we were seeking. "And he's a badass in his way too. I mean, any other guy who wore scarves like that? He'd be laughed out of this school. Not Abe. He'd beat someone almost as badly as you would. In fact..." Adrian's voice turned nervous. I gave him a surprised look. "In fact what?" "Well...Abe said he liked me. But he also made it clear what he'd do to me if I ever hurt you or did anything bad." Adrian grimaced. "In fact, he described what he'd do in very graphic detail. Then, just like that, he switched to some random, happy topic. I like the guy, but he's scary.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Hey, we've all got problems, chum. I'm overly talkative. You look like a field of buttercups in a suit.
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
Hey, what is it with you? Why are you so spaced out? You still haven't answered me." I probably still haven't completely adapted to the world," I said after giving it some thought. "I don't know, I feel like this isn't the real world. The people, the scene: they just don't seem real to me." Midori rested an elbow on the bar and looked at me. "There was something like that in a Jim Morrison song, I'm pretty sure." People are strange when you're a stranger.
Haruki Murakami (Norwegian Wood)
Hey, you sass that hoopy Ford Prefect? There's a frood who really knows where his towel is." (Sass: know, be aware of, meet, have sex with; hoopy: really together guy; frood: really amazingly together guy.)
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin." It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand. "About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Why is being a nerd bad? Saying I notice you’re a nerd is like saying, ‘Hey, I notice that you’d rather be intelligent than be stupid, that you’d rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Linsey Lohan. Why is that?
John Green
Right before the game, she strolled up to me. "Hey, Seaweed Brain." "Will you stop calling me that?" She knows I hate that name, mostly because I never have a good comeback. She's the daughter of Athena, which doesn't give me a lot of ammunition. I mean, "Owl-head" and "Wise Girl" are kind of lame insults.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
Bill Hicks
Hey, T-Rex? Remind me next time I want to get smartass with you that it’s a really stupid move on my part? (Talon) Oh, no, you don’t, you wuss. You told me the next time you saw Ash you were going to ask him if he’d seen the movie 10,000 BC and if it’d made him homesick. (Wulf)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
His heart's occupied elsewhere," said Ben from behind me. "And even if it weren't he's not interested in your kind. But, I'm available and ready." "You don't have a heart," I told him. "Just a gaping hole where it should have been." "All the more reason for you to give me yours." I pounded my forehead against Warren 's back. "Tell me Ben's not flirting with me." "Hey," said Ben sounding hurt. "I was talking cannibalism, not romance.
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
Hey, look — Harry’s got a Weasley sweater, too!” Fred and George were wearing blue sweaters, one with a large yellow F on it, the other a G. “Harry’s is better than ours, though,” said Fred, holding up Harry’s sweater. “She obviously makes more of an effort if you’re not family.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Hey, have I told you lately that you're brave? I still remember what you said to that little girl in the hospital about Luke Skywalker. 'He's proof that it doesn't matter where you come from or who your family is.' Sweetheart, you're proof too.
Casey McQuiston (Red, White & Royal Blue)
I was in Nashville, Tennessee last year. After the show I went to a Waffle House. I'm not proud of it, I was hungry. And I'm alone, I'm eating and I'm reading a book, right? Waitress walks over to me: 'Hey, whatcha readin' for?' Isn't that the weirdest fuckin' question you've ever heard? Not what am I reading, but what am I reading FOR? Well, goddamnit, ya stumped me! Why do I read? Well . . . hmmm...I dunno...I guess I read for a lot of reasons and the main one is so I don't end up being a fuckin' waffle waitress.
Bill Hicks
He [Riptide] sighed. "I said, 'What are you doing all the way out here?' and you said, 'Hey, sparkling teeth, I totally love three of your claws but not the others, and I wish your nose was a herrig so I could eat it, and also your wings sound like sharks snoring.'" Tsunami burst out laughing.
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
Standing here, in this quiet house where I can hear the birds chirping out back, I think I’m kind of getting the concept of closure. It’s no big dramatic before-after. It’s more like that melancholy feeling you get at the end of a really good vacation. Something special is ending, and you’re sad, but you can’t be that sad because, hey, it was good while it lasted, and there’ll be other vacations, other good times.
Gayle Forman (Where She Went (If I Stay, #2))
So it's true what they say about warlocks, then?" Alec gave him a very unpleasant look. "What's true?" "Alexander," said Magnus coldly, and Clary met Simon's eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. "You can't be rude to everyone who talks to me." Alec made a wide, sweeping gesture. "And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He's pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good-looks type." "Hey, now," said Jordan mildly. Magnus put his head in his hands. "Or there are plenty of pretty girls here, since apparently your taste goes both ways, Is there anything you aren't into?" "Mermaids," said Magnus into his fingers. "They always smell like seaweed." "It's not funny," Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
NO reader has ANY obligation to an author, whether it be to leave a review or to write a "constructive" one. I put out a product. You are consumers of that product. Since when does that mean you have to kiss my ass? Hey, I like Pop-Tarts and eat them a few times a year; since when does that mean I'm obligated to support Kellogg's in any way except legally purchasing the Pop-Tarts before I eat them? I wasn't aware that purchasing and consuming a product meant I was under some sort of fucking thrall in which I'm only allowed to either praise the Pop-Tart (which to be honest isn't hard, especially the S'mores flavor) or, if I am going to criticize a flavor, offer a specific and detailed analysis as to why, phrased in as inoffensive and gentle a manner as possible so as not to upset the gentle people at Kellogg's." [Something in the Water? (blog post; January 9, 2012)]
Stacia Kane
Sadie, do you see this? This is a persimmon tree! This is my favorite fruit." Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. "Can you believe our luck?" Max said. "We bought a house with a tree that has my actual favorite fruit!" Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had hey just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Leo!” Jason was shaking his shoulder. “Hey, man, why are you hugging Nike?” Leo’s eyes fluttered open. His arms were wrapped around the human-sized statue in Athena’s hand. He must have been thrashing in his sleep. He clung to the victory goddess like he used to cling to his pillow when he had nightmares as a kid. (Man, that had been so embarrassing in the foster homes.) He disentangled himself and sat up, rubbing his face. “Nothing,” he muttered. “We were just cuddling.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Oh," he said, knocking a red ball into a hole. "It's you." "You were expecting someone else?" I asked. "Am I interrupting your social calender?" I made a big show of glancing around the empty room. "I don't want to keep you from the mob of fans beating down your door." "Hey, a guy can hope. I mean, it's not impossible that a car full of scantily clad sorority girls might break down outside and need my help.
Richelle Mead (Bloodlines (Bloodlines, #1))
Valkyrie dialed Skulduggery's number and he picked up. 'Hey,' she said, 'It's me.' Skulduggery paused. 'No it's not. If it were me, then I'd be talking to myself, and I don't do that any more. I certainly don't RING myself. That's one of the first signs of madness, and if it's not, it should be.' She sighed. 'Are you finished talking nonsense?' 'I haven't talked nonsense all morning. I miss it.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
I hope you feel better about yourself. I hope you feel alive. I hope that good things happen to you, and I hope that when the inevitable bad things happen you can handle them and learn a lesson and move on. I hope you know you're not alone and I hope you spend plenty of time with your family and/or friends and I hope you write more and get a seven-figure book deal. I hope next year no more celebrities die and I hope you get an iPhone if you want one. Or maybe a pony. I hope someone writes a song for you on Valentines Day that's a bit like Hey There Delilah, and I hope they have a good singing voice, or at least one better than mine. I hope that you accept yourself the way you are, and figure out that losing 20 pounds isn't going to magically make you love yourself. I hope you read a lot. I hope you don't have to almost die to figure out how valuable life is. I hope you find the perfect nail polish/digital camera/home/life partner. I hope you stop being jealous of others. I hope you feel good, about yourself and the people around you and the world. I hope you eat heaps of salt and vinegar chips because they're the best kind. I hope you accomplish all your hopes & dreams & aspirations and are blissfully happy & get married to Edward Cullen/George Clooney/Megan Fox/Angelina Jolie (delete whichever are inappropriate) & ride a pretty white horse into the sunset & I hope it's all sweet and wonderful because you deserve it because you did well this year in the face of sparkly vampires/great evil/low self-esteem.
Steph Bowe
Paris answered for him. "Last time he spread the flashing love, Reyes threw up all over his shirt. I never laughed so hard in my life. Lucien, though, has no sense of humor and vowed never to take us again." "I'm surprised you didn't mention the part where you fainted," Lucien said wryly. Strider chortled. "Oh, man. You fainted? What a baby!" "Hey," Paris said, frowning at Lucien. "I told you I hit my head midflash." Lucien
Gena Showalter (The Darkest Kiss (Lords of the Underworld, #2))
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
Elizabeth Gilbert
Not nearly enough. Not recently, anyway.” And she was sad about that. “I know,” he said, and kissed the back of her hand. “We’ll fix it. Get some sleep.” “Night,” she said, and watched him walk toward the door. “Hey. How’d you get in?” He wiggled his fingers at her in a spooky oogie-boogie pantomime. “I’m a vampire. I have secret powers ,” he said with a full-on fake Transylvanian accent, which he dropped to say, “Actually, your mom let me in.” “Seriously? My mom? Let you in my room? In the middle of the night?” He shrugged. “Moms like me.” He gave her a full-on Hollywood grin, and slipped out the door.
Rachel Caine (Carpe Corpus (The Morganville Vampires, #6))
Yes. What is it, guilt, revenge, love, what?” I swallowed. “I live alone.” "And your point is?” "You have the Pack. You’re surrounded by people who would fall over themselves for the pleasure of your company. I have no one. My parents are dead, my entire family is gone. I have no friends. Except Jim, and that’s more of a working relationship than anything else. I have no lover. I can’t even have a pet, because I’m not at the house often enough to keep it from starving. When I come crawling home, bleeding and filthy and exhausted, the house is dark and empty. Nobody keeps the porch light on for me. Nobody hugs me and says, ‘Hey, I’m glad you made it. I’m glad you’re okay. I was worried.’ Nobody cares if I live or die. Nobody makes me coffee, nobody holds me before I go to bed, nobody fixes my medicine when I’m sick. I’m by myself.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Two seconds later, the sound of an alarm filled my ears. ''What did you do?'' I said over the noise as he backed up towards the bathroom door. ''The girl who gave you the note?'' ''Yes...'' ''I caught her staring at my lighter.'' I blinked. ''You gave a child, in a psych ward , a lighter?'' His eyes crinkled at the corners. ''She seemed trustworthy.'' ''You're sick,'' I said, but smiled. ''Hey, nobody's perfect. '' Noah smiled back.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Hey.” [Leo] squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly . . . things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
If you went twenty-four hours without cigarettes, I'd drink a can of pop. Regular pop. The whole can." Isaw the glimmer of Adrian's earlier smile returning. "You would not." "I totally would." "Half a can would put you into a coma." Sonya frowned. "Are you diabetic?" she asked me. "No," said Adrian, "but Sage is convinced one extraneous calorie will make her go from super skinny to just regular skinny. Tragedy." "Hey," I said. "You think it’d be a tragedy to go an hour without a cigarette." "Don’t question my steel resolve, Sage. I went without one for two hours today." "Show me twenty-four, and then I’ll be impressed." He gave me a look of mock surprise. "You mean you aren’t already? And here I thought you were dazzled from the moment you met me.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Hey,” I reached out and tapped the hand that rested next to my left leg. “you are--” The hand that I tapped reached up and clasped mine. I froze as he threaded his finders through mine. “I’m what?” Beautiful. Kind. Patient. Perfect. I said none of those things. Instead, I stared at his fingers, wondering if he knew he was holding my hand. “You’re always so….” His thumb moved over the top of my hand. The balm made his fingers cool and smooth. “What?” I looked up, and I was immediately snared. His stare, his soft touch along my hand was doing very strange things. I felt hot and dizzy, like I’d been out in the sun all day. All I could think about was how his hand felt on mine. Then, what his hand would feel like on other parts. I shouldn’t be thinking that at all. Aiden was a pure.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time." An hour later, he had his answer. "Not practicing, huh?" "Ow,” I groaned, momentarily incapable of normal speech. He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times. "I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow. "You’d hate me more if I held back." "Yeah, that’s true," I agreed, staggering along as the class put the equipment back. "You actually did okay." "What? I just had my ass handed to me." "Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly. "Did I mention I hate you?” He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—" "They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue. "Extra sessions with who?" "That tall guy. Dimitri." Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?" "Yeah, so what?" "So the man is a god." "Exaggerate much?" I asked. "No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you." Great. Something else to improve my day.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Archer?” I asked, raising my eyebrows. Hey, you might be able to take away my magical powers, but the power of sarcasm was still at my disposal. “Is your last name Newport or Vanderbilt? Maybe followed by some numbers? Ooh!” I said, widening my eyes, “or maybe even Esquire!” I’d hoped to hurt his feelings or, at the very least, make him angry, but he just kept smiling at me. “Actually, it’s Archer Cross, and I’m the first one. Now what about you?” He squinted. “Let’s see . . . brown hair, freckles, whole girl-next-door vibe going on . . . Allie? Lacie? Definitely something cutesy ending in ie.” You know those times when your mouth moves but no sound actually comes out? Yeah, that’s pretty much what happened. And then, of course, my mom took that opportunity to end her conversation with Justin’s parents and call out, “Sophie! Wait up.” “I knew it.” Archer laughed. “See you, Sophie,” he called over his shoulder as he disappeared into the house.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Athena called, "Annabeth Chase, my own daughter." Annabeth squeezed my arm, then walked forward and knelt at her mother's feet. Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements." Annabeth looked up, stunned. "My...my lady?" Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?" "You mean...I can design whatever I want?" "As your heart desires," the goddess said. "Make us a city for the ages." "As long as you have plenty of statues of me," Apollo added. "And me," Aphrodite agreed. "Hey, and me!" Ares said. "Big statues with huge wicked swords and-" All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.” Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.” Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —” Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.” Voicemail #20: “I wish you’d answer.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Hey, Mikey? You get her hurt and I'll end you.' 'You let anything happen to Eve and I'll do the same,' Michael said. He'd just finished kissing Eve, too. 'While you're at it, don't get yourself killed, either, bro.' 'Ditto. And don't kiss me.' Claire cocked her head at him, exasperated. 'Seriously, Shane? Ditto? That's the best you can do?' Shane and Michael exchanged identical looks and shrugs. Guys. 'Let me show you idiots how it's done,' Eve said, and hugged Claire fiercely. She kissed her on the cheek. 'I love you, CB. Please take care of yourself, okay?' 'I love you, too,' Claire said, and suddenly her throat felt tight and her eyes burned with tears. 'I really do.' Shane and Michael watched them with identical expressions of blank bemusement, and finally Shane said, 'So basically, it's what I said. Ditto.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
people used to tell me that i had beautiful hands told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model” to which he said no way, i dont remember the reason he gave me and i wouldve been upset, but there were far too many stuffed animals to hold too many homework assignment to write, too many boys to wave at too many years to grow, we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three. hands learn more than minds do, hands learn how to hold other hands, how to grip pencils and mold poetry, how to tickle pianos and dribble a basketball, and grip the handles of a bicycle how to hold old people, and touch babies , i love hands like i love people, they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future, but i read hands to tell your past, each scar marks the story worth telling, each calloused palm, each cracked knuckle is a missed punch or years in a factory, now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies. even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer. one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom. kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long, but hands are not about politics, when did it become so complicated. i always thought its simple. the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
Sarah Kay
all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father? hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth. that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer. you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about. last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.
Warsan Shire
Whatever it is," I said, "the point is moot because as long as I'm on these pills, I can't make contact to ask." Derek ... snapped, "Then you need to stop taking the pills." Love to. If I could. But after what happened last night, they're giving me urine tests now." Ugh. That's harsh." Simon went quiet, then snapped his fingers. Hey, I've got an idea. It's kinda gross, but what if you take the pills, crush them and mix them with your, you know, urine." Derek stared at him. What?" You did pass chem last year, didn't you?" Simon flipped him the finger. "Okay, genius, what's your idea?" I'll think about it. ..." *** Here," Derek whispered, pressing an empty Mason jar into my hand. He'd pulled me aside after class and we were now standing at the base of the boy's staircase. "Take this up to your room and hide it." It's a ... jar." He grunted, exasperated that I was so dense I failed to see the critical importance of hiding an empty Mason jar in my room. It's for your urine." My what?" He rolled his eyes, a growl-like sound sliding through his teeth as he leaned down, closer to my ear. "Urine. Pee. Whatever. For the testing." I lifted the jar to eye level. "I think they'll give me something smaller." ... You took your meds today, right?" he whispered. I nodded. Then use this jar to save it." Save . . . ?" Your urine. If you give them some of today's tomorrow, it'll seem like you're still taking your meds." You want me to . . . dole it out? Into specimen jars?" Got a better idea?" Um, no, but ..." I lifted the jar and stared into it. Oh, for God's sake. Save your piss. Don't save your piss. It's all the same to me." Simon peeked around the corner, brows lifted. "I was going to ask what you guys were doing, but hearing that, I think I'll pass.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
Adrian looked over at me again. “Who knows more about male weakness: you or me?” “Go on.” I refused to directly answer the question. “Get a new dress. One that shows a lot of skin. Short. Strapless. Maybe a push-up bra too.” He actually had the audacity to do a quick assessment of my chest. “Eh, maybe not. But definitely some high heels.” “Adrian,” I exclaimed. “You’ve seen how Alchemists dress. Do you think I can really wear something like that?” He was unconcerned. “You’ll make it work. You’ll change clothes or something. But I’m telling you, if you want to get a guy to do something that might be difficult, then the best way is to distract him so that he can’t devote his full brainpower to the consequences.” “You don’t have a lot of faith in your own gender.” “Hey, I’m telling you the truth. I’ve been distracted by sexy dresses a lot.” I didn’t really know if that was a valid argument, seeing as Adrian was distracted by a lot of things. Fondue. T-shirts. Kittens. “And so, what then? I show some skin, and the world is mine?” “That’ll help.” Amazingly, I could tell he was dead serious. “And you’ve gotta act confident the whole time, like it’s already a done deal. Then make sure when you’re actually asking for what you want that you tell him you’d be ‘so, so grateful.’ But don’t elaborate. His imagination will do half the work for you. ” I shook my head, glad we’d almost reached our destination. I didn’t know how much more I could listen to. “This is the most ridiculous advice I’ve ever heard. It’s also kind of sexist too, but I can’t decide who it offends more, men or women.” “Look, Sage. I don’t know much about chemistry or computer hacking or photosynthery, but this is something I’ve got a lot of experience with.” I think he meant photosynthesis, but I didn’t correct him. “Use my knowledge. Don’t let it go to waste.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Distance changes utterly when you take the world on foot. A mile becomes a long way, two miles literally considerable, ten miles whopping, fifty miles at the very limits of conception. The world, you realize, is enormous in a way that only you and a small community of fellow hikers know. Planetary scale is your little secret. Life takes on a neat simplicity, too. Time ceases to have any meaning. When it is dark, you go to bed, and when it is light again you get up, and everything in between is just in between. It’s quite wonderful, really. You have no engagements, commitments, obligations, or duties; no special ambitions and only the smallest, least complicated of wants; you exist in a tranquil tedium, serenely beyond the reach of exasperation, “far removed from the seats of strife,” as the early explorer and botanist William Bartram put it. All that is required of you is a willingness to trudge. There is no point in hurrying because you are not actually going anywhere. However far or long you plod, you are always in the same place: in the woods. It’s where you were yesterday, where you will be tomorrow. The woods is one boundless singularity. Every bend in the path presents a prospect indistinguishable from every other, every glimpse into the trees the same tangled mass. For all you know, your route could describe a very large, pointless circle. In a way, it would hardly matter. At times, you become almost certain that you slabbed this hillside three days ago, crossed this stream yesterday, clambered over this fallen tree at least twice today already. But most of the time you don’t think. No point. Instead, you exist in a kind of mobile Zen mode, your brain like a balloon tethered with string, accompanying but not actually part of the body below. Walking for hours and miles becomes as automatic, as unremarkable, as breathing. At the end of the day you don’t think, “Hey, I did sixteen miles today,” any more than you think, “Hey, I took eight-thousand breaths today.” It’s just what you do.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)