Hester Prynne Quotes

Aria: I went to Hollis. Because I was looking for...you know. Her. She was teaching an art class, so I ran inside, grabbed a paintbrush, and painted a scarlet A across her chest. You know, like that woman in The Scarlet Letter? It was awesome. She didn't know what hit her. And then I said, 'Now everyone will know what you've done'. Ella: Do you realize that Hester Prynne is supposed to be a sympathetic character?

A hundred years ago Hester Prynne of The Scarlet Letter was given a A for adultery. Today she would rate no better than a C-plus.

It was no wonder that they thus questioned one another’s actual and bodily existence, and even doubted of their own. So strangely did they meet in the dim wood, that it was like the first encounter, in the world beyond the grave, of the two spirits who had been intimately connected in their former life, but now stood coldly shuddering, in mutual dread, as not yet familiar with their state, more wonted to the companionship of disembodied beings. Each a ghost, and awe-stricken at the other ghost! They were awe-stricken likewise at themselves; because the crisis flung back to them their consciousness, and revealed to each heart its history and experience, as life never does, except at such breathless epochs. The soul beheld its features in the mirror of the passing moment. It was with fear, and tremulously, and, as it were, by a slow, reluctant necessity, that Arthur Dimmesdale put forth his hand, chill as death, and touched the chill hand of Hester Prynne. The grasp, cold as it was, took away what was the dreariest in the interview. They now felt themselves, at last, inhabitants of the same sphere.

Individuals in private life, meanwhile, had quite forgiven Hester Prynne for her frailty; nay, more, they had begun to look upon the scarlet letter as the token, not of that one sin for which she had borne so long and dreary a penance, but of her many good deeds since.

But Hester Prynne, with a mind of native courage and activity, and for so long a period not merely estranged, but outlawed, from society, had habituated herself to such latitude of speculation as was altogether foreign to the clergyman. She had wandered, without rule or guidance, in a moral wilderness [...]

Cancer is tangible. People feel compassion for you if you get cancer. Not so much if you're an alcoholic. And a mother who drinks? Forget it. Straight to hell. Big fat scarlet letter branded on our foreheads for life. Me and Hester Prynne? Same letter, different sins.

A woman never overcomes these problems by any exercise of thought. They are not to be solved, or only in one way. If her heart chance to come uppermost, they vanish. Thus Hester Prynne, whose heart had lost its regular and healthy throb, wandered without a clue in the dark labyrinth of mind; now turned aside by an insurmountable precipice; now starting back from a deep chasm. There was wild and ghastly scenery all around her, and a home and comfort nowhere.

They were, doubtless, good men, just and sage. But, out of the whole human family, it would not have been easy to select the same number of wise and virtuous persons, who should be less capable of sitting in judgment on an erring woman's heart, and disentangling its mesh of good and evil, than the sages of rigid aspect towards whom Hester Prynne now turned her face.

The latter is perhaps the truest theory. She who has once been a woman, and ceased to be so, might at any moment become a woman again, if there were only the magic touch to effect the transformation. We shall see whether Hester Prynne were ever afterwards so touched and so transfigured.

But it was a remarkable attribute of this garb, and indeed, of the child's whole appearance, that it irresistibly and inevitably reminded the beholder of the token which Hester Prynne was doomed to wear upon her bosom. It was the scarlet letter in another form: the scarlet letter endowed with life!

The witnesses of Hester Prynne's disgrace had not yet passed beyond their simplicity. They were stern enough to look upon her death, had that been the sentence, without a murmur at its severity, but had none of the heartlessness of another social state, which would find only a theme for jest in an exhibition like the present.

That little baggage hath witchcraft in her.

As Hester Prynne seemed to see some trace of her own sin in every bosom, by the glare of the Scarlet Letter burning on her own; so Sylvia, living in the shadow of a household grief, found herself detecting various phases of her own experience in others. She had joined that sad sisterhood called disappointed women; a larger class than many deem it to be, though there are few of us who have not seen members of it. Unhappy wives; mistaken or forsaken lovers; meek souls, who make life a long penance for the sins of others; gifted creatures kindled into fitful brilliancy by some inward fire that consumes but cannot warm. These are the women who fly to convents, write bitter books, sing songs full of heartbreak, act splendidly the passion they have lost or never won. Who smile, and try to lead brave uncomplaining lives, but whose tragic eyes betray them, whose voices, however sweet or gay, contain an undertone of hopelessness, whose faces sometimes startle one with an expression which haunts the observer long after it is gone.

The vulgar, who, in those dreary old times, were always contributing a grotesque horror to what interested their imaginations, had a story about the scarlet letter which we might readily work up into a terrific legend. They averred, that the symbol was not mere scarlet cloth, tinged in an earthly dye-pot, but was red-hot with infernal fire, and could be seen glowing all alight, whenever Hester Prynne walked abroad in the night-time. And we must needs say, it seared Hester's bosom so deeply, that perhaps there was more truth in the rumor than our modern incredulity may be inclined to admit.

Could they be other than the insidious whispers of the bad angel, who would fain have persuaded the struggling woman, as yet only half his victim, that the outward guise of purity was but a lie, and that, if truth were everywhere to be shown, a scarlet letter would blaze forth on many a bosom besides Hester Prynne’s? Or,

Ever afterwards so touched, and so transfigured.

It now writhed in convulsions of pain, and was a forcible type, in its little frame, of the moral agony which Hester Prynne had borne throughout the day.

the outward guise of purity was but a lie, and that, if truth were everywhere to be shown, a scarlet letter would blaze forth on many a bosom besides Hester Prynne’s?

Hester Prynne had always this dreadful agony in feeling a human eye upon the token; the spot never grew callous; it seemed, on the contrary, to grow more sensitive with daily torture.

Unknown to all but Hester Prynne, and possessing the lock and key of her silence, he chose to withdraw his name from the roll of mankind, and, as regarded his former ties and interests, to vanish out of life as completely as if he indeed lay at the bottom of the ocean, whither rumor had long ago consigned him.

The letter A is red,” I say. “Red like an apple?” He scribbles something in his notebook. “No,” I say. “A is a scarlet letter.

Lillian was determined that her next role would be Hester Prynne in Nathaniel Hawthorne’s The Scarlet Letter and assumed she only needed to find the right actor to play opposite her as Reverend Dimmesdale. Mayer informed her there was a much larger issue at stake; The Scarlet Letter was on the Hays office “blacklist” of books that could not be filmed. The very idea of a blacklist was ridiculous to Lillian and she took up the matter directly with Will Hays. While he would occasionally publicly chastise the studios, Hays never forgot that the full name of his office was the Motion Picture Producers and Distributors of America and worked to smooth the path any and every way he could. He told Lillian that the major source of objection was “the Protestant Church, especially the Methodists,” and directed her to the heads of several church and women’s organizations where she forcefully presented her case. Even with Hays’s assistance, no other actress had the personal and professional reputation pure enough to garner the response she received: the ban would be lifted if she was “personally responsible” for the film. Lillian turned her attention to finding the consummate Dimmesdale and Mayer suggested she watch Lars Hanson in The Saga of Gosta Berling. The studio boss had seen Mauritz Stiller’s film in Berlin the previous December and he immediately put the director and the film’s three stars, Hanson, Mona Martenson, and Greta Gustafsson, all under contract. Lillian agreed Hanson was “perfect” and was enthusiastic when Thalberg suggested the experienced Swede Victor Seastrom (Sjöström) direct, for she believed he had “Mr. Griffith’s sensitivity to atmosphere.” And so the ban was lifted from The Scarlet Letter, Lars Hanson was coming from Sweden, Victor Seastrom was assigned to direct, and now it was Irving Thalberg’s problem. He had no script. Lillian would later say that Irving “told me that Frances Marion and I could adapt it,” but it was hardly that simple.

You’re really going to kick me out?” “Yes, I really am.” Mrs. Wattlesbrook folded her arms. Jane bit her lip and bent her head back to look at the sky. Funny that it looked so far away. It felt as if it were pressing down on her head, shoving her into the dirt. What a mean bully of a sky. Much of the household was present now. Miss Heartwright was huddled with the main actors, whispering, like rubberneckers shocked at a roadside accident but unable to look away. A couple of gardeners strolled up as well, tools in hand. Martin wiped his brow, confusion (sadness?) heavy on his face. Jane was embarrassed to see him, remembering how she’d ended things, and feeling less than appealing at the moment. The whole scene was rather Hester Prynne, and Jane imagined herself on a scaffold with a scarlet C for “cell phone” on her chest. She realized she was still holding her croquet mallet and wondered that no one felt threatened by her. She hefted it. Would it be fun to bash in a window? Nah. She handed it to Miss Charming. “Go get ‘em, Charming.” “Okay,” Miss Charming said uncertainly. “If you would be so kind as to step into the carriage,” said Mrs. Wattlesbrook. Curse the woman. Jane had just started to have such fun, too. Why didn’t one of the gentlemen come forward to defend her? Wasn’t that, like, their whole purpose of existence? She supposed they’d be fired if they did. The cowards. She stood on the carriage’s little step and turned to face the others. She’d never left a relationship with the last word, something poetic and timeless, triumphant amid her downfall. Oh, for a perfect line! She opened her mouth, hoping something just right would come to her, but Miss Heartwright spoke first. “Mrs. Wattlesbrook! Oh dear, I have only now realized what transpired.” She lifted the hem of her skirts and minced her way to the carriage. “Please wait, this is all my fault. Poor Miss Erstwhile was only doing me a favor. You see, the modern contraption was mine. I did not realize I had it until I arrived, and I was so distressed, Miss Erstwhile kindly offered to keep it for me among her own things where I would not have to look upon it.” Jane stood very still. She thought to wonder what instinct made her body rigid when shocked. Was she prey by nature? A rabbit afraid to move when a hawk wheels overhead? Mrs. Wattlesbrook had not moved either, not even to blink. A silent minute limped forward as everyone waited. “I see,” the proprietress said at last. She looked at Jane, at Miss Heartwright, then fumbled with the keys at her side. “Well, now, ahem, since it was an accident, I think we should forget it ever happened. I do hope, Miss Heartwright, that you will continue to honor us with your presence.” Ah, you old witch, Jane thought. “Yes, of course, thank you.” Miss Heartwright was in her best form, all proper feminine concern, artless and pleasant. Her eyes twinkled. They really did. Everyone began to move off, nothing disturbing left to view. Jane caught a glimpse of Martin smiling, pleased, before he turned away. “I’m so sorry, Jane. I do hope you will forgive me.” “Please don’t mention it, Miss Heartwright.” “Amelia.” She held Jane’s hand to help her descend from the carriage. “You must call me Amelia now.” “Thank you, Amelia.” It was such a sisterly moment, Jane thought they might actually embrace. They didn’t.

For the duration of Dennis's illness, I felt like Hester Prynne. I had the overwhelming sense that I was walking around with a giant 'FW' emblazoned on my shirt: "Future Widow.

There is no room for rosy eyed acceptance of the cultural decay around us. Highly suspect will be any Christian literary and cultural critic who makes too much room for Lady Gaga, Harry Potter, Hester Prynne, Huckleberry Finn, James Bond, Katniss Everdeen, Joe Brooks, Leroy Van Dyke, and Star Trek: Into Darkness. Those who enthusiastically embrace these cultural icons appear to be happy with the macro-cultural trends of the Christian apostate world. That being the case, what does this say about their faith, their worldview, and their own cultural trajectories? Could it be that they have embraced the tattooed Jesus---the false Christs of culture? Indeed, many have been wooed by a false prophet, a false priest, a false redeemer, and a false king. They have been rescued from the wrong sins and have taken on the wrong view of reality, truth, and. ethics. They have embraced the wrong religion, and they have joined the apostasy.

Clarissa Harlowe is a larger form than all the heroines of the Protestant will descended from her: Jane Austen’s Elizabeth Bennet, Emma Woodhouse, Anne Elliot; Hawthorne’s Hester Prynne; George Eliot’s Dorothea Brooke; Thomas Hardy’s Sue Bridehead; Henry James’s Isabel Archer, Milly Theale; D. H. Lawrence’s Ursula Brangwen; E. M. Forster’s Margaret Schlegel; and Virginia Woolf’s Lily Briscoe.

I’d read Persuasion, about Anne Elliot, who, unmarried at twenty-seven, veers perilously close to an economically and socially unmoored fate before being saved from the indignity of spinsterhood by Captain Wentworth. I’d read about Hester Prynne and Miss Havisham and Edith Wharton’s maddening, doomed Lily Bart. These were not inspiring portraits. Collectively, they suggested that women who remained unmarried, whether by choice or by accident, were destined to wear red letters or spend their lives dancing in unused wedding dresses or overdose on chloral hydrate. These characters might not have wed, but their lack of husbands constrained and defined them, just as surely as marriage would have.

Listen, my little watering pot, it was in my cousin’s nature to do something rash at any given moment. It always would have been. The reckless streak in the Ravenel family has persevered for centuries. Theo could have married a saint, and he would have lost his temper regardless.” “I’m certainly not a saint,” she said woefully, ducking her head. Amusement rustled through his voice. “I knew that within the first minute of meeting you.” Keeping her head down, Kathleen stared at the hand over hers, elegant but brutally strong, with a faint scattering of hair on the back of it. “I wish I had it to do over again,” she whispered. “No one could blame you for what happened.” “I blame myself.” “‘Let her cover the mark as she will,’” he quoted sardonically, “‘the pang of it will always be in her heart.’” Recognizing the words from The Scarlet Letter, Kathleen glanced up at him miserably. “You liken me to Hester Prynne?” “Only in your aspirations to martyrdom. Although even Hester had a bit of fun before her comeuppance, whereas you’ve apparently had little.” “Fun?” Despair gave way to bewilderment. “What are you talking about?” His gaze was intent on her face. “I would think that even a proper lady might find some pleasure in the conjugal embrace.” She gasped in befuddled outrage. “I--you--that you would dare bring up such a subject--” He had been so gentle and comforting, and now he had changed back into the insufferable cad of before. “As if I would ever discuss that with anyone, least of all you!” As she writhed and began to crawl from his lap, he held her in place easily. “Before you charge away in righteous indignation,” he said, “you might want to refasten your bodice.

No one could blame you for what happened.” “I blame myself.” “‘Let her cover the mark as she will,’” he quoted sardonically, “‘the pang of it will always be in her heart.’” Recognizing the words from The Scarlet Letter, Kathleen glanced up at him miserably. “You liken me to Hester Prynne?” “Only in your aspirations to martyrdom. Although even Hester had a bit of fun before her comeuppance, whereas you’ve apparently had little.” “Fun?” Despair gave way to bewilderment. “What are you talking about?” His gaze was intent on her face. “I would think that even a proper lady might find some pleasure in the conjugal embrace.

Let her cover the mark as she will,’” he quoted sardonically, “‘the pang of it will always be in her heart.’” Recognizing the words from The Scarlet Letter, Kathleen glanced up at him miserably. “You liken me to Hester Prynne?” “Only in your aspirations to martyrdom.