Heroes Don T Exist Quotes

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Heroes don't exist. And if they did, I wouldn't be one of them.
Brodi Ashton (Everneath (Everneath, #1))
Humans don't exist on the same level as immortals. They can't even be hurt by our weapons. But you, Percy--you are part god, part human. You live in both worlds. You can be harmed by both, and you can affect both. That's what makes heroes so special. You carry the hopes of humanity into the realm of the eternal. Monsters never die. They are reborn from the chaos and barbarism that is always bubbling beneath civilization, the very stuff that makes Kronos stronger. They must be defeated again and again, kept at bay. Heroes embody that struggle. You fight the battles humanity must win, every generation, in order to stay human.
Rick Riordan
I don't exist to teach her a lesson, and it irks me that she thinks labelling me is okay now. Like, by liking guys, I automatically take on that role in her life. That I'm suddenly a supporting character in her story rather than the hero of my own.
Cale Dietrich (The Love Interest)
Humans don't exist on the same level as immortals. They can't even be hurt by our weapons. But you,Percy - you are part god,part human.You live in both worlds.You can be harmed by both,and you can affect both. That's what makes heroes so special.
Rick Riordan
Little girls grow up thinking that knights in shining armor actually exist.  But they don't.  And if those valiant heroes ever did bless this world with their chivalrous deeds, I imagine, just like Christ's apostles, they were destroyed by envy on the battlefront.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Thanks for the apology, Caden, really. Anyway, isn’t it pretty normal for a straight girl to fall for a gay guy? All the sitcoms treat it like a rite of passage, something that all girls must go through. You’re pretty and kind and way too good to be true. At least I’ve ticked that box now.” “I …” I don’t exist to teach her a lesson, and it irks me that she thinks labeling me is okay now. Like, by liking guys, I automatically take on that role in her life. That I’m suddenly a supporting character in her story rather than the hero of my own.
Cale Dietrich (The Love Interest)
All along the line,' said the volunteer, pulling the blanket over him, 'everything in the army stinks of rottenness. Up till now the wide-eyed masses haven't woken up to it. With goggling eyes they let themselves be made into mincemeat and then when they're struck by a bullet they just whisper, "Mummy!" Heroes don't exist, only cattle for the slaughter and the butchers in the general staffs. But in the end every body will mutiny and there will be a fine shambles. Long live the army! Goodnight!
Jaroslav Hašek (The Good Soldier Švejk)
Unlike Rosa, I can see no divine purpose behind the tangle of this existence, no ordering hand. It is all a mystery, or more accurately, a mess. There are no heroes or villains, no saviors or demons or angels. Only those who have died and those of us who, for whatever reason, have survived. None of this will keep me from believing in God. I believe in Him, I just don't know that I will ever have faith in Him.
Brady Udall
Adjusting to a world that is continually inconsistent and untrustworthy is a major problem for the borderline. The borderline’s universe lacks pattern and predictability. Friends, jobs, and skills can never be relied upon. The borderline must keep testing and retesting all of these aspects of his life; he is in constant fear that a trusted person or situation will change into the total opposite—absolute betrayal. A hero becomes a devil; the perfect job becomes the bane of his existence. The borderline cannot conceive that individual or situational object constancy can endure. He has no laurels on which to rest. Every day he must begin anew trying desperately to prove to himself that the world can be trusted. Just because the sun has risen in the East for thousands of years does not mean it will happen today. He must see it for himself each and every day. CASE
Jerold J. Kreisman (I Hate You--Don't Leave Me: Understanding the Borderline Personality)
Every superhero, every Chosen One, goes through a painful and difficult process of Becoming. On this, all the relevant literature is in agreement. Ask any comic book aficionado, any movie buff. The heroes doubt themselves, even when confronted with irrefutable evidence. They've spent their whole lives listening to weak and powerless people who hate and fear anything that is different, who say that superhuman abilities simply don't exist, and they believe it.
Sam J. Miller (The Art of Starving)
The doors to the convenience store slammed open, and I heard frantic footsteps run toward me. I looked up just as Cole rounded the corner of the last aisle. When he saw me,he let out an audible sigh of relief. "Don't scare me like that,Nik." I couldn't answer.I lowered my head and let the tears flow. Cole sat beside me and put his arm around me,and I let him. I cried into the front of his black leather jacket, my tears pooling on the chest pocket. "Careful.I didn't bring a life jacket," Cole said. I sniffled. "Shh.It's okay." I guess that was how low I'd sunk, that Cole was the one person who could console me. We sat like that for a few long minutes,and when I finally had composed myself enough to speak,I said into his jacket, "Why don't you help me?You could be a hero for once." He put his lips against my head. "Heroes don't exist. And if they did,I wouldn't be one of them.
Brodi Ashton (Everneath (Everneath, #1))
I’m not sir, I’m Corporal Tunny.’ ‘Sorry, Corporal Tunny.’ ‘Now look. I don’t want you here and you don’t want to be here—’ ‘I want to be here,’ said Lederlingen. ‘You do?’ ‘Volunteered.’ A trace of pride in his voice. ‘Vol … un … teered?’ Tunny wrestled with the word as if it belonged to a foreign language. ‘So they do exist.
Joe Abercrombie (The Heroes (First Law World, #5))
LOOK, I’M ONLY IN THIS FOR THE PIZZA. The publisher was like, “Oh, you did such a great job writing about the Greek gods last year! We want you to write another book about the Ancient Greek heroes! It’ll be so cool!” And I was like, “Guys, I’m dyslexic. It’s hard enough for me to read books.” Then they promised me a year’s supply of free pepperoni pizza, plus all the blue jelly beans I could eat. I sold out. I guess it’s cool. If you’re looking to fight monsters yourself, these stories might help you avoid some common mistakes—like staring Medusa in the face, or buying a used mattress from any dude named Crusty. But the best reason to read about the old Greek heroes is to make yourself feel better. No matter how much you think your life sucks, these guys and gals had it worse. They totally got the short end of the Celestial stick. By the way, if you don’t know me, my name is Percy Jackson. I’m a modern-day demigod—the son of Poseidon. I’ve had some bad experiences in my time, but the heroes I’m going to tell you about were the original old-school hard-luck cases. They boldly screwed up where no one had screwed up before. Let’s pick twelve of them. That should be plenty. By the time you finish reading about how miserable their lives were—what with the poisonings, the betrayals, the mutilations, the murders, the psychopathic family members, and the flesh-eating barnyard animals—if that doesn’t make you feel better about your own existence, then I don’t know what will. So get your flaming spear. Put on your lion-skin cape. Polish your shield, and make sure you’ve got arrows in your quiver. We’re going back about four thousand years to decapitate monsters, save some kingdoms, shoot a few gods in the butt, raid the Underworld, and steal loot from evil people. Then, for dessert, we’ll die painful tragic deaths. Ready? Sweet. Let’s do this.
Rick Riordan (Percy Jackson's Greek Heroes)
No one in that city understands, Gil, because it doesn’t matter to them anymore. They’ve never learned to fear the steel and the men who carry it, and none of them ever will, because they don’t have to. Because in this place I’ve seen, men like that don’t exist anymore. We don’t exist anymore. Sounds like a beautiful fucking place. How do I get there? Ringil grinned fiercely up at the Kiriath clan captain. Oh wait — you’re going to tell me the rents are sky-high, right? And how am I going to earn a living if they keep their swords in a museum?
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
He loves the rough men in the romance novels. The mysterious guys with all the swagger.” Trevor’s cheeks flushed. “Men like that don’t exist,” Denver said matter-of-factly. “Women write those books because they don’t want to deal with the reality that their hero has dirty laundry, belches, and doesn’t worship the ground they walk on.
Dannika Dark (Four Days (Seven, #4; Mageriverse #10))
Birthdays are a time when one stock takes, which means, I suppose, a good spineless mope: I scan my horizon and can discern no sail of hope along my own particular ambition. I tell you what it is: I'm quite in accord with the people who enquire 'What is the matter with the man?' because I don't seem to be producing anything as the years pass but rank self indulgence. You know that my sole ambition, officially at any rate, was to write poems & novels, an activity I never found any difficulty fulfilling between the (dangerous) ages of 17-24: I can't very well ignore the fact that this seems to have died a natural death. On the other hand I feel regretful that what talents I have in this direction are not being used. Then again, if I am not going to produce anything in the literary line, the justification for my selfish life is removed - but since I go on living it, the suspicion arises that the writing existed to produce the life, & not vice versa. And as a life it has very little to recommend it: I spend my days footling in a job I care nothing about, a curate among lady-clerks; I evade all responsibility, familial, professional, emotional, social, not even saving much money or helping my mother. I look around me & I see people getting on, or doing things, or bringing up children - and here I am in a kind of vacuum. If I were writing, I would even risk the fearful old age of the Henry-James hero: not fearful in circumstance but in realisation: because to me to catch, render, preserve, pickle, distil or otherwise secure life-as-it-seemed for the future seems to me infinitely worth doing; but as I'm not the entire morality of it collapses. And when I ask why I'm not, well, I'm not because I don't want to: every novel I attempt stops at a point where I awake from the impulse as one might awake from a particularly-sickening nightmare - I don't want to 'create character', I don't want to be vivid or memorable or precise, I neither wish to bathe each scene in the lambency of the 'love that accepts' or be excoriatingly cruel, smart, vicious, 'penetrating' (ugh), or any of the other recoil qualities. In fact, like the man in St Mawr, I want nothing. Nothing, I want. And so it becomes quite impossible for me to carry on. This failure of impulse seems to me suspiciously like a failure of sexual impulse: people conceive novels and dash away at them & finish them in the same way as they fall in love & will not be satisfied till they're married - another point on which I seem to be out of step. There's something cold & heavy sitting on me somewhere, & until something budges it I am no good.
Philip Larkin (Philip Larkin: Letters to Monica)
Go home, Tao. Don’t try to be a hero, or a sage, or a warrior. Just exist for a while and be decent. That’s heroism enough.
Exurb1a
In 1961, a recovering addict was saved by the works of an uplifting novelist. Months later, the man found out his role model committed suicide one morning. Liar, he cried. It was like watching his hero say that heroes don’t exist and then flying away. What do books mean if the writer gave up? The reader decided to give heroism a try and wrote stories about how great life can be until he could convince himself of it. The experiment is still in the works.
Kristian Ventura (The Goodbye Song)
...Libertarians fantasize that they're action heroes and entirely self-made. They tend to exempt themselves from the truism that there but for the grace of God goes each one of them, because an implicit premise of their ultra-individualism is that anybody in America can make it in their own and that unfair disadvantages either don't exist or can't be helped. I have a hunch that the demographic profile of self-identified libertarians--94 percent white, 68 percent male, 62 percent in their forties or younger--has something to do with those beliefs and fantasies.
Kurt Andersen (Evil Geniuses: The Unmaking of America)
Fuck, she tied you up.” “She’ll never be happy, Knight, I know it. And yeah, that ties me up.” “You wanna make her happy.” “She’ll never be happy.” “You wanna make her happy.” “Yeah, in that perfect world that doesn’t exist, I’d wanna make her happy. But we don’t live in a perfect world.
Kristen Ashley (Sebring (Unfinished Hero, #5))
Our work is rejected because we are actually interested in the truth. Not a good look! People are “ashamed and embarrassed” by our work because, like Nietzsche’s work, it’s full of “difficult” material. Nietzsche was totally ignored during his sane life. Even today, the common herd don’t have a clue who he is. Leibniz, humanity’s greatest genius, is more or less unknown. That’s the way it goes. Our work is suffering the same fate. Well, it’s no surprise. We refused to play the Mandarin game. We refused to comply with the herd. Like true philosophers, we prefer to be Sages and Gadflies. The masses killed Socrates. Everyone that refuses to share our work is passing us the hemlock. So be it! We have total contempt for people that claim to like our work, but wouldn’t be seen dead sharing it on social media. You must be able to stand with those making difficult arguments that the herd don’t like. We disagree with Nietzsche on all manner of things, but we would certainly stand shoulder to shoulder with him against the herd. It’s essential for Gadflies to exist to shake the masses out of their complacency. Yet the Gadflies are always hated and, in the end, they are always handed the hemlock. They are the true heroes of our world, the ones that never get any credit.
Joe Dixon (The Mandarin Effect: The Crisis of Meaning)
I think you're talking shit. You think we don't all feel like that? Like we're crazy, like we're not a real person, like we don't exist? Everyone feels that way sometimes. I can remember talking to you when you lost your bag. So what? You can't remember and that's not a bad thing. It doesn't make me better than you. I'm a stranger to you, but here's what I see: I see a girl who has suffered a terrible damage to her brain. Someone who, it seems, is shut away by her parents to keep her safe. But inside there is a vibrant person, a traveler, and her memory of this boy Drake has propelled her into action. I think, Flora, that you came here not to find Drake but to find yourself. It wasn't Drake--he's an unlikely romantic hero, really--it was you. Didn't you come here, perhaps, because you heard him talking about the place he was going to, and it called to you?" I don't know what to say. I don't say anything. " Our come from Oslo, and Svalbard called me, even though I'm not really the rugged adventurous type. Like you, I had to come. Some of us are meant to be here. We need this place...We need to be small specks in wild nature, by the pole. The midnight sun. The midday darkness. The northern lights. It called to you, Flora, and you answered. You overcame everything, and you came here, alone. You are the bravest person I've ever met.
Emily Barr (The One Memory of Flora Banks)
Some people don’t care about the truth—they only care about being right. Even when the evidence is irrefutable, these same mud-butts will fight tooth and nail to defend their position. They will claw, accuse, condemn, ignore and outright lie…so long as they do not have to admit, accept or apologize. All I can say is, I’m sorry. Those people do exist.
Jaime Buckley (The Truth About Lies (Chronicles of a Hero, #6))
The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet). I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part. But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off. I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery). Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother. The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
I fell in love with you, Liv.” “That’s impossible.” “It isn’t. It happened. And you—” “It’s impossible because there is no me to fall in love with. I don’t exist.” That made him stop moving. She continued speaking. “I breathe. I’m here. I take up space. I eat. I drive. But I have no brain. No will. No strength. No opinions. I do not matter to the point I do not exist.” “You exist for me.” “I
Kristen Ashley (Sebring (Unfinished Hero, #5))
Authoritarians rise when economic, social, political, or religious change makes members of a formerly powerful group feel as if they have been left behind. Their frustration makes them vulnerable to leaders who promise to make them dominant again. A strongman downplays the real conditions that have created their problems and tells them that the only reason they have been dispossessed is that enemies have cheated them of power. Such leaders undermine existing power structures, and as they collapse, people previously apathetic about politics turn into activists, not necessarily expecting a better life, but seeing themselves as heroes reclaiming the country. Leaders don’t try to persuade people to support real solutions, but instead reinforce their followers’ fantasy self-image and organize them into a mass movement. Once people internalize their leader’s propaganda, it doesn’t matter when pieces of it are proven to be lies, because it has become central to their identity. As a strongman becomes more and more destructive, followers’ loyalty only increases. Having begun to treat their perceived enemies badly, they need to believe their victims deserve it. Turning against the leader who inspired such behavior would mean admitting they had been wrong and that they, not their enemies, are evil. This, they cannot do.
Heather Cox Richardson (Democracy Awakening: Notes on the State of America)
A brick could be used to show you how to live a richer, fuller, more satisfying life. Don’t you want to have fulfillment and meaning saturating your existence? I can show you how you can achieve this and so much more with just a simple brick. For just $99.99—not even an even hundred bucks, I’ll send you my exclusive life philosophy that’s built around a brick. Man’s used bricks to build houses for centuries. Now let one man, me, show you how a brick can be used to build your life up bigger and stronger than you ever imagined. But act now, because supplies are limited. This amazing offer won’t last forever. You don’t want to wake up in ten years to find yourself divorced, homeless, and missing your testicles because you waited even two hours too long to obtain this information. Become a hero today—save your life. Procrastination is only for the painful things in life. We prolong the boring, but why put off for tomorrow the exciting life you could be living today? If you’re not satisfied with the information I’m providing, I’m willing to offer you a no money back guarantee. That’s right, you read that wrong. If you are not 100% dissatisfied with my product, I’ll give you your money back. For $99.99 I’m offering 99.99%, but you’ve got to be willing to penny up that percentage to 100. Why delay? The life you really want is mine, and I’m willing to give it to you—for a price. That price is a one-time fee of $99.99, which of course everyone can afford—even if they can’t afford it. Homeless people can’t afford it, but they’re the people who need my product the most. Buy my product, or face the fact that in all probability you are going to end up homeless and sexless and unloved and filthy and stinky and probably even disabled, if not physically than certainly mentally. I don’t care if your testicles taste like peanut butter—if you don’t buy my product, even a dog won’t lick your balls you miserable cur. I curse you! God damn it, what are you, slow? Pay me my money so I can show you the path to true wealth. Don’t you want to be rich? Everything takes money—your marriage, your mortgage, and even prostitutes. I can show you the path to prostitution—and it starts by ignoring my pleas to help you. I’m not the bad guy here. I just want to help. You have some serious trust issues, my friend. I have the chance to earn your trust, and all it’s going to cost you is a measly $99.99. Would it help you to trust me if I told you that I trust you? Well, I do. Sure, I trust you. I trust you to make the smart decision for your life and order my product today. Don’t sleep on this decision, because you’ll only wake up in eight hours to find yourself living in a miserable future. And the future indeed looks bleak, my friend. War, famine, children forced to pimp out their parents just to feed the dog. Is this the kind of tomorrow you’d like to live in today? I can show you how to provide enough dog food to feed your grandpa for decades. In the future I’m offering you, your wife isn’t a whore that you sell for a knife swipe of peanut butter because you’re so hungry you actually considered eating your children. Become a hero—and save your kids’ lives. Your wife doesn’t want to spread her legs for strangers. Or maybe she does, and that was a bad example. Still, the principle stands. But you won’t be standing—in the future. Remember, you’ll be confined to a wheelchair. Mushrooms are for pizzas, not clouds, but without me, your life will atom bomb into oblivion. Nobody’s dropping a bomb while I’m around. The only thing I’m dropping is the price. Boom! I just lowered the price for you, just to show you that you are a valued customer. As a VIP, your new price on my product is just $99.96. That’s a savings of over two pennies (three, to be precise). And I’ll even throw in a jar of peanut butter for free. That’s a value of over $.99. But wait, there’s more! If you call within the next ten minutes, I’ll even throw in a blanket free of charge. . .
Jarod Kintz (Brick)
In Uprooting Racism, Paul Kivel makes a useful comparison between the rhetoric abusive men employ to justify beating up their girlfriends, wives, or children and the publicly traded justifications for widespread racism. He writes: During the first few years that I worked with men who are violent I was continually perplexed by their inability to see the effects of their actions and their ability to deny the violence they had done to their partners or children. I only slowly became aware of the complex set of tactics that men use to make violence against women invisible and to avoid taking responsibility for their actions. These tactics are listed below in the rough order that men employ them.… (1) Denial: “I didn’t hit her.” (2) Minimization: “It was only a slap.” (3) Blame: “She asked for it.” (4) Redefinition: “It was mutual combat.” (5) Unintentionality: “Things got out of hand.” (6) It’s over now: “I’ll never do it again.” (7) It’s only a few men: “Most men wouldn’t hurt a woman.” (8) Counterattack: “She controls everything.” (9) Competing victimization: “Everybody is against men.” Kivel goes on to detail the ways these nine tactics are used to excuse (or deny) institutionalized racism. Each of these tactics also has its police analogy, both as applied to individual cases and in regard to the general issue of police brutality. Here are a few examples: (1) Denial. “The professionalism and restraint … was nothing short of outstanding.” “America does not have a human-rights problem.” (2) Minimization. Injuries were “of a minor nature.” “Police use force infrequently.” (3) Blame. “This guy isn’t Mr. Innocent Citizen, either. Not by a long shot.” “They died because they were criminals.” (4) Redefinition. It was “mutual combat.” “Resisting arrest.” “The use of force is necessary to protect yourself.” (5) Unintentionality. “[O]fficers have no choice but to use deadly force against an assailant who is deliberately trying to kill them.…” (6) It’s over now. “We’re making changes.” “We will change our training; we will do everything in our power to make sure it never happens again.” (7) It’s only a few men. “A small proportion of officers are disproportionately involved in use-of-force incidents.” “Even if we determine that the officers were out of line … it is an aberration.” (8) Counterattack. “The only thing they understand is physical force and pain.” “People make complaints to get out of trouble.” (9) Competing victimization. The police are “in constant danger.” “[L]iberals are prejudiced against police, much as many white police are biased against Negroes.” The police are “the most downtrodden, oppressed, dislocated minority in America.” Another commonly invoked rationale for justifying police violence is: (10) The Hero Defense. “These guys are heroes.” “The police routinely do what the rest of us don’t: They risk their lives to keep the peace. For that selfless bravery, they deserve glory, laud and honor.” “[W]ithout the police … anarchy would be rife in this country, and the civilization now existing on this hemisphere would perish.” “[T]hey alone stand guard at the upstairs door of Hell.
Kristian Williams (Our Enemies in Blue: Police and Power in America)
He knelt down, and put a flower under her nose. She turned away. He tickled her under the chin with it. “Stop it.” “It is for you.” “I don't want it.” “Ah, Maeve, you wound me. It’s just a poor, innocent flower. To think that its very existence, its very life, was ordained so that it could be presented to you . . . that its very life was cut short so that it could bring a smile of delight to your lovely lips—and now, you don’t want it.” He put his hand to his heart and affected a hurt look. “Dear God, if I were that flower I would be sorely crushed, and go to my death drowning in tears of bitterness and rejection and hurt and abandonment—” “Oh, give me the blasted thing!” she cried, and snatching it away from him, held it protectively against her breast. Sir Graham smiled, his eyes twinkling.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
In real life, the political and strategic games used by politicians and statesmen are in fact social games - requiring social intelligence as well as technical mastery of information. The skills of the orator, cultivated by ancient statesmen like Cicero and Demosthenes, or by modern statesmen like Benjamin Disraeli and Abraham Lincoln, require emotional maturity and the talent of seeing events through the eyes of others. A great statesman sets aside his own egoism. He takes a more objective view. In this way, he avoids the errors that attend a purely egoistic standpoint. The explanation which Kierkegaard offered, which is none too flattering, is that people no longer desire a great king, a heroic liberator or an authoritative religion. They don’t want strict rules or high standards. That is because they want an easy time of it. They want a soft existence which can only be guaranteed by eschewing the great and heroic, the true and the noble. This is the moral perspective of high politics and of true statesmanship. Only those who reach this fifth stage can transform world calamity into world regeneration.
J.R. Nyquist
Merry Christmas.” he says quietly, pulling something from his back pocket. I frown in confusion then smile in delight when I see what it is. It’s a shiny, sharp trowel with a holly green handle. It’s stolen from the gardens for sure. It is the single greatest gift I’ve ever received. “It’s so pretty.” I whisper happily, turning it over to test its edge. “I promised you something shiny.” “And you delivered.” I press my finger against the tip then pull it back quickly. “It’s sharp.” “Why else have it, right? Keep it with you when you can. If something goes down while I’m gone I want to know you have it.” I nod my head as I slip it into my back pocket. The handle sticks up but the point is hidden. When I look up at Vin my heart skips. His eyes are sharp, intense. “Come with me.” he commands quietly. “No.” I reply immediately. I was waiting for this. From the moment he woke me up, the second I saw his eyes, I knew. And just as quickly as I recognized it, I knew what my answer would be. He shakes his head in disbelief. “You know I’m not coming back here. Not for you, not for anyone.” “Maybe not, but if I go with you then you definitely won’t.” “It’s not going to work, Joss.” he tells me seriously. “The Hive won’t bite. They don’t want to rock the boat with the Colonies and the pot isn’t sweet enough to convince them to try. They’ll pass and everyone here is going to either stay here forever or die in a revolt.” “Nats included.” I remind him coolly. “She’s a big girl. She knows how it really is. She can yell at me all she wants, but she knows just as well as I do that no one will come here to help.” “Especially if you don’t ask.” “What the hell do you want from me?” he whispers fiercely. “You want me to go out there and rally the troops, bring them back here riding on a tall white horse and save the day? I’m no hero. I never have been. It’s how I’ve stayed alive.” “It’s also a great way to stay alone. And if you do this, if you go and pretend we don’t exist, then I’ll pretend I never knew you. Nats will too, I’m sure. You’ll be nothing to no one and won’t that make life easier for you? So go on and go, you coward, and don’t ever look back because there’s nothing to look back on. You were never even here far as I’m concerned.” I turn to leave him standing there in the cold beside the words I wrote to Ryan, words that have gone unnoticed and feel like nothing in the night. I’m spun around roughly and pinned against Vin’s chest. His breath is coming even and hard, sharp inhales and exhales that burst against my face leaving my skin freezing in their absence. “Don’t turn your back on me.” he growls. I can see the enforcer in him now. The hard ass who lived on the outside by the skin of his teeth and grit under his knuckles. It’s something I understand, something I can respect. Something I can relate to. I lean closer, no longer being pulled but rather pushing against him until our faces almost touch. “No, don’t you turn your back on me. On us.” I whisper harshly, pushing at him aggressively. He lets me go and I stumble back from him. “I’m no hero.” he repeats. “How do you know until you’ve tried?” * * * “You’ll come back for us, Vin.” I whisper in his ear. “I know you will.” I know no such thing, but I want it to be true and I can tell he does too so I tell him that it is. I lie to us both and I hope it makes it real. Vin nods his head beside mine and buries his face in my shoulder. I do the same. We stand huddled together against the cold and the uncertainty of everything tomorrow will bring.
Tracey Ward
My advice is: Don't let anyone step all over you, but don't hang on to resentment, either. With the practice of mindfulness, you will learn to allow space for your emotions to settle down. Resentment will naturally fade away on its own if your mind is relaxed.   So if you find yourself stuck in a loop, thinking again and again about some personal drama, take a mindful break. Don't try to force your mind away from its feelings, or repress any lingering emotions. Allow them to exist as they are—but don't let them hook you, either.   Particularly helpful for letting go of bad blood is to try to consider matters from a different perspective. Mindfulness breeds an attitude of self-honesty, which is the courage to look at yourself without the usual stories in which you play the hero or the victim. With this attitude, hold a mirror to yourself and ask yourself: Are you really completely innocent, or do you share at least some of the blame?   Also try considering things from the other person's perspective. Whatever they did, how did it make sense to do it from their perspective, in their situation? Put yourself in their shoes, think about the context of their actions, and maybe it will all seem more understandable to you. Forgiveness is a virtue that will benefit you more than anyone else.   Don't get stuck on hurt feelings or hurt pride. That way lies failure and bitterness. Instead, with an attitude of kindness to yourself and others, shake it off and continue on your merry way.
Ian Tuhovsky (Mindfulness: The Most Effective Techniques: Connect With Your Inner Self To Reach Your Goals Easily and Peacefully)
Returning briefly to my novel and my sense that Jonathan might not survive its ending, I'm reminded of some thoughts I had regarding Howard's masterly story "Dagon". At the story's end we find its by-now crazed narrator cowering in his rented San Francisco room and planning an impending suicide that will deliver him from the appalling world of madness and delusion into which his maritime experience has plunged him. On first reading, I perhaps thought this a touch over-dramatic and sensational, although upon turning it over in my mind I realise that it's a wonderful counter-example of the problems I have previously noted in Bram Stoker's Dracula. Whereas in Stoker's book the final affirmation of conventionality and human values tends to undermine the very horror Stoker has so masterfully achieved in the preceding pages, Lovecraft's tale shows a reaction to the supernatural or super-normal (something which is by its very nature utterly incomprehensible) that is a lot more credible in terms of our human psychology: when faced with something which we know should not exist and for which we have neither name nor concept, we do not concoct an ingenious opposing strategy nor rally our defences. Rather, we go mad and kill ourselves. Although this is a bleak and pessimistic ending to a tale, it seems to me that in the realm of alien literary horrors that we are discussing, it is a far more believable and honest one. I somehow don't believe that the adventure mode of storytelling with its reassuring strictures and conventions (fearless heroes ultimately triumphing against some poorly-motivated adversary or other unlikely hazard) is appropriate to the variety of strange tale that I wish to tell.
Alan Moore (Providence Compendium by Alan Moore and Jacen Burrows Hardcover)
Heroes and heroines don't question their dreams, they see their dreams as a calling for their true path. They just accept them and try to fulfill them. Mainly because they know that it's in this fulfillment that they can find success and a reason for their existence.
Chris Linnares (Cinderella on the Couch)
The horrible mismanagement of the AIDS crisis makes me want to grab [disease minimizers] by the shoulders and shake them and say, “Why haven’t you read about what worked or did not work every time a plague cropped up before this one? Why aren’t you paying attention? Do not do the same stupid stuff people did before! We know what works and what doesn’t! Be smarter, please, please, be smarter, be kinder, be kinder and smarter, I am begging you.” I find the forgetfulness of people, especially in true matters of life and death, so frustrating. Sometimes I look at these histories and think, People are just going to keep making the same dumb mistakes every single time. And one day those mistakes will doom us all. And I feel sad and furious and frightened for what will happen next. But then I think about how polio is almost eradicated. Or that penicillin exists. And I remember that we are progressing, always, even if that progress is sometimes slower and more uneven than we might wish. I remind myself, too, of all the ways people have persevered and survived in conditions that are surely as bad as anything that is to come. Whenever I am most disillusioned, I look to one of my favorite quotes from The World of Yesterday (1942) by Stefan Zweig. When Zweig was fleeing from the Nazis and living in exile he wrote: “Even from the abyss of horror in which we try to find our way today, half-blind, our hearts distraught and shattered, I look up again to the ancient constellations of my childhood, comforting myself that, some day, this relapse will appear only an interval in the eternal rhythm of progress onward and upward.” I have to believe that the missteps are only intermittent relapses as we grow stronger and smarter and better. We do get better. At everything. Combatting diseases fits somewhere among “everything.” I believe there will be a day when we will see diseases as what they are—an enemy of all of humanity. Not of perceived sinners, not of people who are poor or have a different sexual orientation, not of those who we somehow decided “have it coming” because they’re “not like us.” Diseases are at war with all of us. Diseases don’t care about any of the labels, so it makes no sense for us to. I believe we will become more compassionate. I believe we will fight smarter. I believe that in the deepest place of our souls, we are not cowardly or hateful or cruel to our neighbors. I believe we are kind and smart and brave. I believe that as long as we follow those instincts and do not give in to terror and blame, we can triumph over diseases and the stigmas attached to them. When we fight plagues, not each other, we will not only defeat diseases but preserve our humanity in the process. Onward and upward.
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
I must see that you survive. Again. And you must see that the Farseer heir inherits the throne.” “And the thought of my survival makes you sad?” I demanded in perplexity. “Oh, no. Never that. The thought of what you must go through to survive fills me with foreboding.” I pushed my plate away, my appetite fled. “I still don’t understand you,” I replied irritably. “Yes you do,” he contradicted me implacably. “I suppose you say you don’t because it is easier that way, for both of us. But this time, my friend, I will lay it cold before you. Think back in the last time we were together. Were there not times when death would have been easier and less painful than life?” His words were shards of ice in my belly, but I am nothing if not stubborn. “Well. And when is that ever not true?” I demanded of him. There have been very few times in my life when I had been able to shock the Fool into silence. That was one of them. He stared at me, his strange eyes getting wider and wider. Then, a grin broke over his face. He stood so suddenly he nearly overturned his chair, and then lunged at me to seize me in a wild hug. He drew a deep breath as if something that had constricted him had suddenly sprung free. “Of course that is true,” he whispered by my ear. And then, in a shout that near deafened me, “Of course it is!” Before I could shrug free of his strangling embrace, he sprang apart from me. He cut a caper that made motley of his ordinary clothes, and then sprang lightly to my tabletop. He flung his arms wide as if he once more performed for all of King Shrewd’s court rather than an audience of one. “Death is always less painful and easier than life! You speak true. And yet we do not, day to day, choose death. Because ultimately, death is not the opposite of life, but the opposite of choice. Death is what you get when there are no choices left to make. Am I right?” Infectious as his get mood was, I still managed to shake my head. “I have no idea if you are right or wrong.” “Then take my word for it. I am right. For am I not the White Prophet? And are you not my Catalyst, who comes to change the course of all time? Look at you. Not the hero, no. The Changer. The one who, by his existence, enables others to be heroes. Ah, Fitz, Fitz, we are who we are and who we ever must be. And when I am discouraged, when I lose heart to the point of saying, ‘But why cannot I leave him here, to find what peace he may?’, then lo and behold you speak with the voice of the Catalyst, and change once more what I must be. The White Prophet.” I sat looking up at him. Despite my efforts, a smile twisted my mouth. “I thought I enabled other people to be heroes. Not prophets.” “Ah, well.” He leapt lightly to the floor. “Some of us must be both, I fear.
Robin Hobb (Fool's Errand (Tawny Man, #1))
Lily Samson, The Switch, Outtakes & Quotes, shameless manipulation of. A one minute reading test I am dog --Dog, Marina Lewycka, Two Caravans, 2007 Allergies disclaimer: One must stress that this book is not intended for the unwashed masses: I delayed showering after the last switch. I’ve created a Pavlovian response: he must associate its floral sweetness with sexual fulfilment. Adam has a “Pavlovian” reaction to Elena’s BO? Bribes her with cake to lessen the wrath when asking Elena to wash? He frowns, seeing that I’m silent and trembling. ‘My perfume was weak; hers much stronger.’ I say, my temper flaring. Now, ladies and gentlemen, the usual wasteman chatting up yours truly in Sarf London would probably assume that a big phat slice of Marks & Spencer’s Strawberry Pavlova will get him into the lady’s knickers. Nope, she’s allergic to stupid. A merengue dessert will hardly cause a rash, but a moron makes her skin crawl. A female of the human species displayed an unconditioned response: shoved cream cake into the courting male’s face. Requested a substantial meal of Shchavel Borscht with hard boiled egg --Anton Pavlovich Chekhov, Russian Cookbook for Love, Romance, and mating behaviours: Humans, 1904 Ding-dong! --Ivan Petrovich Pavlov, Neutral Triggers & Conditioned Responses: Canines, 1907 It is I! I make the best Byzantine shchi to entice a female. --Nikolai Vasilyevich Gogol, Dead Souls, Notebook (1841-1844), The Nose and other short stories Right! She turned her nose up at his advances: Idiot! I hate strawberries! --Seraphima Vasilievna Karchevskaya Pavlova, Mrs, My Husband and I – Memoirs The lady did not have a sweet tooth. Man didn’t do his research. This is a cleverly written book. So some of you, keen aspiring readers, please have your Oxford fictionary handy. Just saying! In the words of our hero: Bloody pricey...But God, it is a nice smell. Don’t you like it? And then he “squirts onto her wrist, playfully.” Shhhh.. Doctors Pavlov & Chekhov are not amused. Shall we shuffle the deck with these random quotes? One minute! Plenty of time is a full minute for a skilled bullshit dealer to shuffle themselves out of a gloomy Russian medical clerical predicament. Not tricky when Lily Samson gives treats: All around us are dog walkers, their expensive breeds racing about, barking and sniffing each other’s genitals. ..thinking it all through those awful dog ornaments she hated... feisty feminist...she simply hates them. Men are so stupid! And then.. She took another whiff and yet another. She sniffed him up and down like a dog before realizing what it was: the aroma of a woman’s cunt. --Milan Kundera, The Unbearable Lightness of Being Gratuitous use of one particular French vulgarism nested in the English language since the Norman conquest of 1066 is well demonstrated by this Milan Kundera translation. One has to wonder if the original 1984 edition contained the word “pizda”? It is one of the few remaining words in the English language with a genuine power to shock. --Scholar Germaine Greer But of course a cunt, in French, as much as el coño in Spanish does not carry near enough as much uncouth weight as in English. The English language doesn’t exist. It’s just badly pronounced French. --Bernard Cerquiglini Quelle conne! Un con reste un con! --William Shakespeare, Last Words, Holy Trinity Church, Gropecunt Lane, Stratford upon Avon, April 23rd 1616
Morgen Mofó
Language such as “good” and “bad” and “I like” and “I don’t like” divides the world into what you want and don’t want. Then when life shows up in a way you don’t like, you suffer. By wanting life to look a certain way, you cause your own suffering. The hero has seen how such dualities and desires create suffering and how suffering wouldn’t exist without them.
Gina Lake (A Heroic Life: New Teachings from Jesus on the Human Journey)
get him killed by … someone. Someone scary enough that the huntress doesn’t want to get involved. She whacks like seven-eight of their guys, but she doesn’t want to get into this. Stupidly, Alpha Male charges ahead where the Goddess of the Hunt fears to tread. Because my rallying cry is “MORONS FORWARD!” or something of that sort. Mercy. I say none of this to Dr. Perugini, because a) she’s not going to believe me, and b) none of this makes me look cool, especially the part where I’m not the Big Damn Hero doing the saving. Also, there are a lot of tourists around us and most of them speak English. Call me self-conscious, but I don’t want anyone thinking I’m crazy. There is still a widely accepted cult of skepticism about the existence of metahumans, even after the Minneapolis incident. We go through a corridor of tapestries, and one of them has a Jesus that the tour guide swears is watching. I picture someone behind the wall like in the old movies, eyeballs staring out, then dismiss that thought as utter nonsense. Then I move, and I swear the tapestry’s eyes move with me. No, I am not a fan of the “Jesus is watching” tapestry. It’s like he can sense my impure thoughts about Dr. Perugini and he is not pleased. Come on, man, your dad supposedly intelligently designed her. Like this wasn’t predictable.
Robert J. Crane (In the Wind (Out of the Box, #2))
As she neared the bed Lord Gareth reached out, took her hand, and kissed it. "You're ... an angel," he said thickly, his fingers warmly enclosing her own. She smiled. "And you, Lord Gareth, are foxed." "Shamefully so. But useful, under the circumstances." "Are you in much pain?" He grinned, still holding her hand. "To be honest, Miss Paige, I cannot feel a thing." Behind her, Chilcot guffawed, but Juliet, entranced, never heard it. As Gareth gazed up at her through the loose hair that fell endearingly over his brow and tangled in his lashes, she saw, at last, that his eyes were a pale, sleepy blue. "I guess you were right," she said and, pulling her fingers from his grasp, reached over and brushed the strands of hair off his brow. Her hand was trembling. "You're not going to die after all." "Wouldn't dream of it. I rather like being a hero, you know. Think I'll stick around and rescue damsels in distress more often."  He looked up at her, those beautiful blue eyes of his warm, earnest, and reaching areas of her heart that she'd forgotten had existed. "Don't let Lucien scare you off, will you?" "I won't." He nodded once, satisfied, and let his eyes drift shut. "Thank you for coming to see me, Miss Paige." She swallowed, trying to find her voice. "And thank you, Lord Gareth, for what you did for us tonight."  And then, on a sudden impulse, she bent down and, through the loose strands of his hair, dropped a kiss on his brow. "We owe you our lives."   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Shireen Baraka Barghouti lives in a cauldron of hate that often boils over. She’s never been outside the Gaza Strip even though it’s only twenty-five miles long and three miles wide at the narrowest borders, seven miles at the widest. Qasem Soleimani, until his death in 2020, was the major general over Iran’s Islamic Revolutionary Guard Corps (IRGC), who invested monstrous sums of Iranian money in the youth of Gaza. In fact, Hamas simply could not exist without the Iranian money he supplied. And to make sure he covered all the bases, Soleimani also funded the rival Islamic Jihad. Shireen doesn’t hold back when speaking about the climate of death and destruction that has helped create. “In Gaza, terrorism is our number-one export,” she said. “How sad that whenever the Gaza Strip is mentioned, people automatically think of radical Islamic terrorists. But how could they not? Our Gaza government is run by them. Iran gives Hamas thirty million dollars a month. “At different times we’ve had al-Qaeda, the Islamic State, the Muslim Brotherhood, and the Popular Front for the Liberation of Palestine in charge, to name just a few. New groups form every year, and our young Gaza boys see these ‘freedom fighters’ as heroes to emulate. “In Europe, people idolize soccer players. But not in Gaza. Here, men dressed in green uniforms, toting AK-47s, and shouting ‘death to Israel’ are featured on billboards. “The explosions are enough to cause you a nervous breakdown. A few years ago Hamas fired over ten thousand rockets into Israel in one extended attack over several months. We knew it was just a matter of time before the Israelis responded, and once we heard the drones humming over Gaza, we took cover. “Hamas has done nothing for the people of Gaza. While they line their pockets with millions of dollars, the people go without eating. They are cruel and intentionally keep us in this senseless war with Israel. “You might think because I live in Gaza and grew up Muslim that I hate Israel. But I don’t. I do detest Hamas, however—and all the other terrorist groups that make life unbearable in the Strip.
Tom Doyle (Women Who Risk: Secret Agents for Jesus in the Muslim World)
Remember who you are. You are a woman. And you are so beautiful, do you hear me? You must hear me. You are worth more than riches could ever buy in a million years. Without you, this world would not exist or continue to exist. We need you. You are so needed. And if you don’t feel this profound truth within yourself, then something is wrong. Because you should. If you don’t look in the mirror and like who you see, what you see, then something is wrong. And you are the only one that holds the power to make it right. YOU. ARE THE HERO. TO. THE. WORLD. So be the hero in YOUR world. You’re beautiful. You’re smart. And YOU. CAN. DO IT. Love Lucian
Lucian Bane (Dom Wars: Round One (Dom Wars, #1))
The Need for Justice and the Problem of Evil The search for justice runs through all storytelling. We watch some nefarious villain executing his evil ploy and we hang on the edge of our seats hoping our hero will be victorious. There’s something fundamental in the human spirit that wants to see good triumph. This desire for justice is what attracts us to the adventure quest, like Peter Jackson’s adaptation of J.R.R. Tolkien’s The Lord of the Rings. There, Frodo Baggins is given a ring that holds the power of the evil Sauron, who seeks to wield it and rule Middle Earth. Because he bears this ring, Frodo assumes the dangerous responsibility of finding the path to destroy it. Frodo never asked for this assignment; circumstances thrust it upon him. Yet, he knows the quest is vital even if he may lose his life in the process. In one poignant scene, Frodo is feeling the weight of his choice and laments to Gandalf about the evil Gollum, who is threatening their quest: Frodo: It’s a pity Bilbo didn’t kill him when he had the chance! Gandalf: Pity? It was pity that stayed Bilbo’s hand. Many that live deserve death, and some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me that Gollum has some part to play yet, for good or ill before this is over. The pity of Bilbo may rule the fate of many. Frodo: I wish the Ring had never come to me. I wish none of this had happened. Gandalf: So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, Frodo, besides the will of evil. Bilbo was meant to find the Ring, in which case you also were meant to have it. And that is an encouraging thought. In Frodo’s complaint, we see a particular instance of the problem of evil. You may have heard someone complain about how a loving God could allow so much evil in the world. Frodo believes the world would be better if Gollum had been killed. It’s easy to make the charge that there’s too much evil in the world, but we don’t know how the story of this world plays out. However, fans know that Gandalf is right. Gollum’s existence does figure into the ultimate salvation of Middle Earth. Evil Gollum must exist in order for Frodo’s quest to succeed and a greater evil vanquished. The Roman executioner’s cruelty must also exist for the sacrifice of Jesus to succeed. It isn’t a contradiction to say God exists and is in control even if evil hasn’t been eliminated. We just haven’t gotten to the end of the story.
Sean McDowell (A New Kind of Apologist: *Adopting Fresh Strategies *Addressing the Latest Issues *Engaging the Culture)
—Thomas, I did not think you some miracle bestowed upon me. You were born and I was happy to have you. And I don’t think you thought of me as some miracle, either. We were, or should have been, partners. I was happy you existed and wanted you to thrive. My hope was that you were happy to exist and that you yourself would endeavor to thrive. But instead you were aggrieved by your existence and my role in it. I think that’s why you were so drawn to Christ. —I wasn’t drawn to Christ. What does that mean? —You used to draw the crucifix on your notebooks. Other kids were drawing spaceships or Grateful Dead skulls or penises, but you were drawing crucifixes. You thought that was you, suffering on the cross. I considered you a partner and an equal but you wanted to be beneath me and a martyr. —You’re the one who brought me to church. —I brought you once. You know how I hate Christianity and all that wretched iconography. You know what? You see pictures of Buddha and he’s sitting, reclining, at peace. The Hindus have their twelve-armed elephant god, who also seems so content but not powerless. But leave it to the Christians to have a dead and bloody man nailed to a cross. You walk into a church and you see a helpless man bleeding all over himself—how can we come away hopeful after such a sight? People bring their children to mass and have them stare for two hours at a man hammered to a beam and picked at by crows. How is that elevating? It’s all about accountability for them. —What is? —The Christians, the Bible. It’s all about who’s at fault. A whole religion based on accountability. Who’s to blame? What’s the judgment? Who gets punished? Who gets jailed, banished, killed, drowned, decimated. You want to know the main takeaway most people got from Jesus’s death? Not sacrifice, nothing like that. The takeaway, after all that Old Testament judgment, is that the Jews did it. —Incredible. —You loved it, though. Especially as a teenager. Young men love martyrdom. You get to be the victim and the hero at the same time.
Dave Eggers (Your Fathers, Where Are They? And the Prophets, Do They Live Forever?)
I’ve been unfaithful to you! Don’t you hear me, you stainless Puritan? I’ve slept with Jim Taggart, you incorruptible hero! Don’t you hear me? . . . Don’t you hear me? . . . Don’t you . . . ?” He was looking at her as he would have looked if a strange woman had approached him on the street with a personal confession—a look like the equivalent of the words: Why tell it to me? Her voice trailed off. He had not known what the destruction of a person would be like; but he knew that he was seeing the destruction of Lillian. He saw it in the collapse of her face, in the sudden slackening of features, as if there were nothing to hold them together, in the eyes, blind, yet staring, staring inward, filled with that terror which no outer threat can equal. It was not the look of a person losing her mind, but the look of a mind seeing total defeat and, in the same instant, seeing her own nature for the first time—the look of a person seeing that after years of preaching non-existence, she had achieved it.
Ayn Rand (Atlas Shrugged)
Eastern Europe is a land of small countries, wedged between great powers. . . It is a place that has long been dominated by empires. but it has not, for the most part, inherited an imperial frame of mind. Since the close of the nineteenth century, its politics have been dominated by nationalism of various stripes. Its history, by contrast, has been shaped most by the clash of feuding ideologies. But that is only the story of the past hundred years or so. Eastern Europe has a longer history and older traditions to draw on in formulating its future. Largely neglected by historians, there was an Eastern Europe that existed alongside the structures imposed by empire and independent of the hopes fostered by nationalism. This was a world of multiple faiths and languages, in which many parallel truths lived beside on another. It was a place of shared saints and intersecting stories, where folk cures and prophecies passed among neighbors, and sacred heroes donned one another's clothes. It coalesced gradually in the centuries following the introduction of monotheism -- the three great religions of the Book -- and the decline of paganism, which itself never disappeared completely but simply refashioned itself as the background of all later folk belief. This Eastern Europe was not a conscious creation, but the product of open spaces and centuries of benign neglect. This was not a place where different people deliberately chose to live side by side, but where they did so out of long and practiced habit, enshrined more by custom than by law. Inequality -- especially of class -- was part of the bedrock below its foundation. But despite its not being built around principles of universal rights, this order did have its own considerable advantages. Chief among them were plurality and multiplicity -- truly impressive virtues, especially if one knows what followed in their wake.
Jacob Mikanowski (Goodbye, Eastern Europe: An Intimate History of a Divided Land)
Travis’s problem is the same as the existential hero’s, that is, ‘should I exist?’ But Travis doesn’t understand that this is his problem, so he focuses it elsewhere, and I think that is a mark of the immaturity and the youngness of our country. We don’t properly understand the nature of the problem, so the self-destructive impulse, instead of being inner-directed, as it is in Japan, Europe, any of the older cultures, becomes outer-directed. The man who feels the time has come to die will go out and kill other people rather than kill himself.
Paul Schrader
All of my best friends are imaginary, but at least the cadre of dogs that once existed in my life were real. If I had a choice between super-hero, anti-hero or villain, anti-hero would win out. Somewhere in between solves the detrimental problems that those in power refuse to deal with because of financial gain. A manifesto is nothing more than a more assertive pamphlet. The mythology of comic books was extremely creative and brilliant in concept. The imaginary world offers the psychological escape that is sometimes paramount from the real world. It creates a balance that is sometimes necessary to equalize the mind. It's like an uncomplicated form of math when you don't understand math, and explains that two plus two is four in another way. Star Trek, Star Wars, and Harry Potter were very creative concepts, whole new worlds now exist for people to inhabit. Such things create jobs, revenue, and things for people to occupy themselves with. Dystopia offers great warnings about existence, alerts and informs the populace. Take vampires and werewolves, iconic in creation, still existing after a century. There's a romance angle, and something that also allows kids to enjoy Halloween by playing dress up. Here's my point: I'm a regular person that exist in a world that needs to be fixed, explored and expanded. I'm a cog in the machine, and I don't want to be in the machine. That's what a base job is, and that job usually defines the person. Writing defines me, nothing else.
Nathaniel Sheft (Modern Day Cowboy: The Making of a Gunfighter)
Years ago, Once Upon a Time was Right Now. And eventually, Right Now will become Once Upon a Time. In fact, it just did. Time is funny like that. In most stories time is very important. Not in this one. The story may have horses and not cars, but really it could happen now like it did then. Then being Once Upon a Time, years and years ago. The story is one of passion, and last time I checked, passion was still around. It exists in love, hate, obsession. For instance, I have a passion for pickled herring. I can’t live without it. Every day I have to have some. In my salad, raw, on my sandwiches. It tastes great on hamburgers. However, this story is not about pickled herring, but it does have love, hate, and obsession. I tell you about these things first because it is these things that cause everything else, as we know they are prone to do. And there’s a lot of other things in this story, too: There are monsters and mobbers, heroes and heroines, villains and thieves, power and conquest, murder and mayhem (sounds like politics, doesn’t it?), beasts and battles, and last but not least, pride and honor. Oh, and don’t forget arugula! Arugula is very good, though not as good as pickled herring. Even arugula has a place in the story. And what a magnificent story it is! I give myself great credit for coming-up with it. OK. Slight lie. I didn’t (technically) come-up with it. It was actually told to me over and over again by my grandfather. He didn’t come-up with it either, though. I think he got it from his grandfather. And I’m not exactly sure where his grandfather got it from. Probably from some old folklore or something. But as far as I know, it’s a true story. Anyway, if credit is to be given, I guess you can give it to my grandfather, cause he always told it so well. I’ve done some of what ya might call “editing,” but basically I tried to tell it just like he did (he died some years back). I only hope I can give you what he gave me, even though he didn’t give me this story because this entire paragraph was a complete and utter lie. Either way, I think you’ll enjoy what comes...
Ross Rosenfeld (The Stolen Kingdom)
Scientists are extremely keen on “common sense”, yet their hero Albert Einstein dismissively said, “Common sense is the collection of prejudices acquired by the age of eighteen.” Your senses and your common sense are both insufficient to the task that scientism assigns to them. They don’t tell you shit. As Bishop Berkeley pointed out, you have no experience of any objective thing called “matter”. Instead, you have a subjective experience of a subjective idea of what you label “matter”. You always encounter the idea of matter in your mind. You have no non-mental encounter with anything called matter, so where is your evidence that matter even exists? As Berkeley demonstrated, “matter” is a redundant hypothesis.
Thomas Stark (Extra Scientiam Nulla Salus: How Science Undermines Reason (The Truth Series Book 8))
There are few heroes in this land anymore, and those that exist don’t tend to last long. Yet here you are, rescuing the Ghost who has haunted the Graygual’s steps. Hope, Chosen, is the most powerful weapon a person can yield. Hope creates miracles.
K.F. Breene (Hunted (The Warrior Chronicles, #2))
Libertarians fantasize that they’re action heroes and entirely self-made. They tend to exempt themselves from the truism that there but for the grace of God goes each one of them, because an implicit premise of their ultra-individualism is that anybody in America can make it on their own and that unfair disadvantages either don’t exist or can’t be helped. I have a hunch that the demographic profile of self-identified libertarians—94 percent white, 68 percent male, 62 percent in their forties or younger—has something to do with those beliefs and fantasies.
Kurt Andersen (Evil Geniuses: The Unmaking of America)
there’s the whole issue of sexual violence. But if you’re going to write about war—which I’m writing about, and which is what almost all epic fantasy is about—and you just want the cool battles and heroes killing a lot of orcs and don’t portray [sexual violence], there’s something fundamentally dishonest about that. Rape, unfortunately, is part of war today. It’s not a strong testament to the human race, but I don’t think we should pretend it doesn’t exist.
James Hibberd (Fire Cannot Kill a Dragon: Game of Thrones and the Official Untold Story of the Epic Series)
To be fair, we don’t actually know if he’s a vampire or not.” “Vampires don’t exist,” Brad said. “You exist,” Eric countered. “I exist. Why not vampires?
Simon Archer (Super Hero Academy (Super Hero Academy, #1))
I’ve always wondered what it would be like to be a spear carrier in somebody else’s story. A spear carrier is somebody who stands in the hall when Caesar passes, comes to attention, and thumps his spear. A spear carrier is the anonymous character cut down by the hero as he advances to save the menaced heroine. A spear carrier is a character put in a story to be used like a piece of disposable tissue. In a story, spear carriers never suddenly assert themselves by throwing their spears aside and saying, “I resign. I don’t want to be used.” They are there to be used, either for atmosphere or as minor obstacles in the path of the hero. The trouble is that each of us is his own hero, existing in a world of spear carriers. We take no joy in being used and discarded. I was finding then, that wet, chilly, unhappy night, that I took no joy in seeing other people used and discarded.
Alexei Panshin (Rite of Passage)
I need to experience his strength, his power, his ruthlessness, because that’s what I need in a man. It’s the only way I feel safe. He has to terrify me so I know he’ll terrify everyone else. I’ve never met a real hero; I don’t think they exist. Only a monster can protect me.
Sophie Lark (There Is No Devil (Sinners, #2))
Must we relearn everything you were ever taught about biology and history? Clownfish are the answer. Intersex people are cited to prove that you can change sex. But you know that your child isn’t a clownfish and is not intersex. You learn that your child was “assigned” a sex at birth. The nurses and doctors just decided for reasons unknown and possibly nefarious, what gender your child was. The DNA tests and ultrasounds are wrong as well, as science no longer exists. You learn there are forty-seven genders and that genders can change all the time. Sex is dead. It has no meaning and is just used as an excuse to discriminate against trans people and all the other-gendered people. You soon discover that yes, even the Holocaust was the source of suffering for no, not the Jewish people, but primarily transgender people. And of course, you are probably a Nazi yourself if you think differently. Historical figures, mostly women, it seems, are also now being reclaimed with their rightful trans identity. Joan of Arc and Louisa May Alcott were not feminist heroes but trans men. Trans women are literally women, you learn. That’s it. A fact. Women now have penises. Women are now committing rape and murder at higher rates than ever recorded throughout history. Trans women are also miraculously better at sports than natal women for reasons no one can discern. When competing against women, now known as uterus havers, trans women win all the competitions and titles. Any “cis” women objecting to this are just sore losers. “Cis” is the new label you must go by if you don’t despise the body you were born with and want to alter it. You are told this is a great privilege to be “cis” and that trans women suffer much more than any cis woman ever could or ever will, no matter what has happened to you as a “cis” woman. You go underground. You join groups that vet members. Here you can speak freely because all members know what you are going through and share your horror of the gender party.
Lisa Shultz (The Trans Train: A Parent's Perspective on Transgender Medicalization and Ideology)
The heroes doubt themselves, even when confronted with irrefutable evidence. They’ve spent their whole lives listening to weak and powerless people who hate and fear anything that is different, who say that superhuman abilities simply don’t exist, and they believe it.
Sam J. Miller (The Art of Starving)
I don’t think our story is a fairy tale by any stretch of the imagination. But that’s okay. Because the heroes in those books don’t destroy the whole world to make the heroine happy. And that’s what I’ll do to make you happy. There isn’t a line I won’t cross, a law I won’t break, a human being I won’t destroy…in order to keep a smile on your face and prove what we have is the realest version of love that could exist. I’m going to make sure there isn’t a day that goes by, for the rest of our lives, that you don’t know you’re everything I’ve ever wanted out of life. That you’re all that exists for me. Without you...I’m nothing.
C.R. Jane (Make Me Burn (Rich Demons of Darkwood #4))
The key to the rise of authoritarians, they explained, is their use of language and false history.[3] Authoritarians rise when economic, social, political, or religious change makes members of a formerly powerful group feel as if they have been left behind. Their frustration makes them vulnerable to leaders who promise to make them dominant again. A strongman downplays the real conditions that have created their problems and tells them that the only reason they have been dispossessed is that enemies have cheated them of power. Such leaders undermine existing power structures, and as they collapse, people previously apathetic about politics turn into activists, not necessarily expecting a better life, but seeing themselves as heroes reclaiming the country. Leaders don’t try to persuade people to support real solutions, but instead reinforce their followers’ fantasy self-image and organize them into a mass movement. Once people internalize their leader’s propaganda, it doesn’t matter when pieces of it are proven to be lies, because it has become central to their identity.
Heather Cox Richardson (Democracy Awakening: Notes on the State of America)