Heritage Place Quotes

The Earl of Lancaster loudly spoke, “Piers Gaveston, this court finds you guilty of treason, of sodomy and sedition as well as many other crimes against God! You shall be taken to Blacklow Hill, which shall by your place of execution, and you shall be put to death by two of my Welsh soldiers! May God have mercy upon your soul!

Let us save what remains: not by vaults and locks which fence them from the public eye and use in consigning them to the waste of time, but by such a multiplication of copies, as shall place them beyond the reach of accident.

Let the word go forth from this time and place, to friend and foe alike, that the torch has been passed to a new generation of Americans, born in this century, tempered by war, disciplined by a hard and bitter peace, proud of our ancient heritage, and unwilling to witness or permit the slow undoing of those human rights to which this nation has always been committed, and to which we are committed today at home and around the world. Let every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.

All people must accept that we have the potential to do terrible things. It is part of seeing our place in the universe, our heritage, and our natures. But in that acceptance we gain strength, for potential can be refused. Any hero who could have been a monster is more heroic for the choices he or she made to walk another road.

Tessa reached to brush the damp hair from his forehead. He leaned into her touch, his eyes closing. “Jem—have you ever—” She hesitated. “Have you ever thought of ways to prolong your life that are not a cure for the drug?”   At that his eyelids flew open. “What do you mean?”   She thought of Will, on the floor of the attic, choking on holy water. “Becoming a vampire. You would live forever—”   He scrambled upright against the pillows of the bed. “Tessa, no. Don’t—you can’t think that way.”    “Is the thought of becoming a Downworlder truly so horrible to you?”   “Tessa …” He exhaled slowly. “I am a Shadowhunter. Nephilim. Like my parents before me. It is the heritage I claim, just as I claim my mother’s heritage as part of myself. It does not mean I hate my father. But I honor the gift they gave me, the blood of the Angel, the trust placed in me, the vows I have taken. Nor, I think, would I make a very good vampire. [redacted for spoilers] I would no longer be Will’s parabatai, no longer be welcome in the Institute. No, Tessa. I would rather die and be reborn and see the sun again, than live to the end of the world without daylight.”   “A Silent Brother, then,” she said.    His eyes softened slightly. “The path of Silent Brotherhood is not open to me.

I won't let you go! I love you, Dog!' 'There will be other dogs and friends, and loves' whispered the Dog. 'You have found your family, your heritage, and you have earned a high place in the world. I love you too, but my time with you has passed.

Thus she returned to the theme of ‘before,’ but in a different way than she had at first. She said that we didn’t know anything, either as children or now, that we were therefore not in a position to understand anything, that everything in the neighborhood, every stone or piece of wood, everything, anything you could name, was already there before us, but we had grown up without realizing it, without ever even thinking about it. Not just us. Her father pretended that there had been nothing before. Her mother did the same, my mother, my father, even Rino… <…> They didn’t know anything, they wouldn’t talk about anything. Not Fascism, not the king. No injustice, no oppression, no exploitation … And they thought that what had happened before was past and, in order to live quietly, they placed a stone on top of it, and so, without knowing it, they continued it, they were immersed in the things of before, and we kept them inside us, too.

We travel to see beautiful places and to meet great souls.

If you asked me what I was, & you meant in terms of culture, I’d say Dominican. No hesitation, no question about it. Can you be from a place you have never been? You can find the island stamped all over me, but what would the island find if I was there? Can you claim a home that does not know you, much less claim you as its own?

Dare to explore the beautiful places of the world.

Those without heritage, history, and place are subject to exploitation, manipulation, and deception.

When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writer’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

I'm sorry. For all of us. Sorry for all the little ways the people who were supposed to love us most could hurt us so deeply, despite their shared heritage and blood, as thought their knowledge of our pasts gave them unlimited access to all the most tender places, the old wounds that could be so easily reopened with no more than a glance, a comment, a passing reminder of all the ways in which we failed to live up to their expectations.

Here at our ministry we refuse to present a picture of “gentle Jesus, meek and mild,” a portrait that tugs at your sentiments or pulls at your heartstrings. That’s because we deal with so many people who suffer, and when you’re hurting hard, you’re neither helped nor inspired by a syrupy picture of the Lord, like those sugary, sentimental images many of us grew up with. You know what I mean? Jesus with His hair parted down the middle, surrounded by cherubic children and bluebirds. Come on. Admit it: When your heart is being wrung out like a sponge, when you feel like Morton’s salt is being poured into your wounded soul, you don’t want a thin, pale, emotional Jesus who relates only to lambs and birds and babies. You want a warrior Jesus. You want a battlefield Jesus. You want his rigorous and robust gospel to command your sensibilities to stand at attention. To be honest, many of the sentimental hymns and gospel songs of our heritage don’t do much to hone that image. One of the favorite words of hymn writers in days gone by was sweet. It’s a term that down’t have the edge on it that it once did. When you’re in a dark place, when lions surround you, when you need strong help to rescue you from impossibility, you don’t want “sweet.” You don’t want faded pastels and honeyed softness. You want mighty. You want the strong arm an unshakable grip of God who will not let you go — no matter what.

The challenge to writers today, I think, is not to disown any part of our heritage. Whatever our theme in writing, it is old and tried. Whatever our place, it has been visited by the stranger, it will never be new again. It is only the vision that can be new; but that is enough.

Don’t seem to matter much where you are, but folks are always saying you shoulda been here long, long ago, the scene has all dried up. Georgie Harrison said it about Haight–Ashbury, and Sid and Nancy said it about the Chelsea Hotel. The only place they could never really say that about was MacDougal Street in Greenwich Village. There was a crackle in the air that just let you know you were alive. As Bobby sang it, later there was music in the cafes and revolution wafting in the wind.

What place is this,” Drizzt asked the cat quietly, “that I call home? These are my people, by skin and by heritage, but I am no kin to them. They are lost and ever will be. “How many others are like me, I wonder?” Drizzt whispered, taking one final look. “Doomed souls, as was Zaknafein, poor Zak. I do this for him, Guenhwyvar; I leave as he could not, His life has been my lesion, a dark scroll etched by the heavy price exacted by Matron Malice’s evil promises. “Goodbye, Zack!” he cried, his voice rising in final defiance. “My father. Take heart, as do I, that when we meet again, in a life after this, it will surely not be in the hellfire our kin are doomed to endure.

There should be an honored place in history for statesmen whose ideas turned out to be right.

Oxford It is well that there are palaces of peace And discipline and dreaming and desire, Lest we forget our heritage and cease The Spirit’s work—to hunger and aspire: Lest we forget that we were born divine, Now tangled in red battle’s animal net, Murder the work and lust the anodyne, Pains of the beast ‘gainst bestial solace set. But this shall never be: to us remains One city that has nothing of the beast, That was not built for gross, material gains, Sharp, wolfish power or empire’s glutted feast. We are not wholly brute. To us remains A clean, sweet city lulled by ancient streams, A place of visions and of loosening chains, A refuge of the elect, a tower of dreams. She was not builded out of common stone But out of all men’s yearning and all prayer That she might live, eternally our own, The Spirit’s stronghold—barred against despair.

Until modern times, we focused a great deal of the best of our thought upon rituals of return to the human condition. Seeking enlightenment or the Promised Land or the way home, a man would go or be forced to go into the wilderness, measure himself against the Creation, recognize finally his true place within it, and thus be saved both from pride and from despair. Seeing himself as a tiny member of a world he cannot comprehend or master or in any final sense possess, he cannot possibly think of himself as a god. And by the same token, since he shares in, depends upon, and is graced by all of which he is a part, neither can he become a fiend; he cannot descend into the final despair of destructiveness. Returning from the wilderness, he becomes a restorer of order, a preserver. He sees the truth, recognizes his true heir, honors his forebears and his heritage, and gives his blessing to his successors. He embodies the passing of human time, living and dying within the human limits of grief and joy. (pg.95, "The Body and the Earth")

The fount and breeding-place of the Semites was Arabia.

There are certain segments of society that will never lend an ear to a new idea. They squat in a certain place and will not budge from it. They will find many reasons to maintain a way of life that is comfortable to them. They’ll cling to old religions; they’ll fasten with the grip of death on ethics that were dead, without their knowing it, centuries before; they will embrace a logic that can be blown over with a breath, still claiming it is sacrosanct.

The modern world seems to have no notion of preserving different things side by side, of allowing its proper and proportionate place to each, of saving the whole varied heritage of culture. It has no notion except that of simplifying something by destroying nearly everything.

Early, I indentured myself to the five horizontal lines where black notes were written on a sheet of music. It is a place of world of signs and notations that speaks to me with perfect clarity. It is a place of time signatures, fermatas, ledger lines, grace notes, and demisemiquavers that are the common tongue and heritage of musicians all over the world. . . . It is something I cannot imagine being without. For without music, life is a journey through a desert that has not ever heard the rumor of God. In music’s sweet harmony, I had all the proof I needed of a God who held the earth together between the staffs, where the heavens lay. Here, he marked all the lines and spaces with notes so perfect that they praised all of his creation with their beauty.

Despite my pride for my culture and heritage, it is not my home. It is a place I long for and grieve over in my heart, but it is not a home that knows me with intimacy... What has become apparent to me is that home is a space that we must cultivate ourselves, deliberately and intentionally. It is a space we must co-create with those we love and bring into existence wherever we are.

Refugees such as ourselves could never dare question the Disneyland ideology followed by most Americans, that theirs was the happiest place on earth. But Dr. Hedd was beyond reproach, for he was an English immigrant. His very existence as such validated the legitimacy of the former colonies, while his heritage and accent triggered the latent Anglophilia and inferiority complex found in many Americans. Dr. Hedd was clearly aware of his privilege and was amused at the discomfort he was causing his American hosts.

The Greeks were so committed to ideas as supernatural forces that they created an entire group of goddesses (not one but nine) to represent creative power; the opening lines of both The Iliad and The Odyssey begin with calls to them. These nine goddesses, or muses, were the recipients of prayers from writers, engineers, and musicians. Even the great minds of the time, like Socrates and Plato, built shrines and visited temples dedicated to their particular muse (or muses, for those who hedged their bets). Right now, under our very secular noses, we honor these beliefs in our language, as the etymology of words like museum ("place of the muses") and music ("art of the muses") come from the Greek heritage of ideas as superhuman forces.

The state does not oppose the freedom of people to express their particular cultural attachments, but nor does it nurture such expression—rather [...] it responds with 'benign neglect' [....] The members of ethnic and national groups are protected against discrimination and prejudice, and they are free to maintain whatever part of their ethnic heritage or identity they wish, consistent with the rights of others. But their efforts are purely private, and it is not the place of public agencies to attach legal identities or disabilities to cultural membership or ethnic identity. This separation of state and ethnicity precludes any legal or governmental recognition of ethnic groups, or any use of ethnic criteria in the distribution of rights, resources, and duties.

F. Franklin the Fourth has a job with a firm rich in heritage, money and pretentiousness, a firm vastly superior to Brodnax and Speer. His sidekicks at the moment are W. Harper Whittenson, an arrogant little snot who will, thankfully, leave Memphis and practice with a mega-firm in Dallas; J. Townsend Gross, who has accepted a position with another huge firm; and James Straybeck, a sometimes friendly sort who's suffered three years of law school without an initial to place before his name or numerals to stick after it. With such a short name, his future as a big-firm lawyer is in jeopardy. I doubt if he'll make it.

jealousies and hatreds; there was no loyalty or decency anywhere about it, there was no place in it where a man counted for anything against a dollar. And worse than there being no decency, there was not even any honesty. The reason for that? Who could say? It must have been old Durham in the beginning; it was a heritage which the self-made merchant had left to his son, along with his millions.

...and it's not my place to chase around after you, fixing stuff. What I know's what I know, and it don't include putting the world back the way it out to be. It's too late for that. Way too late for heroes, champions, miracles. Don't matter what our heritage was maybe meant for - your side got hold of it first, and you won long ago. No undoing that, Esau, I ain't fool enough to think otherwise. I'm still sorry for you, but I know your side's won, this side of the grave.

In the last analysis, we must all, Indian and non-Indian, come together. This earth is our mother, this land is our shared heritage. Our histories and fates are intertwined, no matter where our ancestors were born and how they interacted with each other. Neither Wolf nor Dog is one small effort to help this coming together. It is not an attempt to build a fence around a man and his people, but to honor them with the gift of my words. I have done my best, and I place this book before you, like the tobacco before the buffalo rock, as a simple offering. May you receive it in the spirit with which it is offered. Kent Nerburn Bemidji, Minnesota Spring 1994

Much has been disputed about ‘the ghost of the Roman Empire’ that still lurks far beyond the shores of the Mediterranean. The heritage of Roman law is not a ghost but a living reality. It is present in the court as well as in the market-place. It lives on not only in the institutions but even in the language of all civilized nations.

Names on the Land carries a sympathetic tone regarding Native peoples, but it is the stories of “those who followed” from Europe that form its core. What troubles me is how some readers embrace these namings as America’s history, “our” heritage, without asking if there might be other narratives, too. Stewart considers “the naming that was before history” in his first chapter, but not so much the importance of place-making in defining Indigenous traditions and identities in a storied land over time.

For some people, the most important formative element is place. To appreciate Harry Truman, for example, you must understand the Missouri frontier of the nineteenth century; likewise, you must delve into the Hill Country of Texas to fathom Lyndon Johnson.3 But Benjamin Franklin was not so rooted. His heritage was that of a people without place—the youngest sons of middle-class artisans—most of whom made their careers in towns different from those of their fathers. He is thus best understood as a product of lineage rather than of land.

Like the wave of a magic wand, knowing the mythic heritage of a place can re-enchant the landscape.

If haunting is anything, perhaps that's what it is; time in the wrong place.

How could we have discovered great lands, if we dare not travel?

There is no condition of life in which we cannot abide in Jesus. We have to learn to abide in Him wherever we are placed. Our Brilliant Heritage, 946 R

PSA16.6 The lines are fallen unto me in pleasant places; yea, I have a goodly heritage.

Today there is a place called Egypt, but the Egyptian people are not masters there; long since they have been broken by conquest, and merged in language and marriage with their Arab conquerors; their cities know only the authority of Moslems and Englishmen, and the feet of weary pilgrims who travel thousands of miles to find that the Pyramids are merely heaps of stones.

By processing information from the environment through the senses, the nervous system continually evaluates risk. I have coined the term neuroception to describe how neural circuits distinguish whether situations or people are safe, dangerous, or life-threatening. Because of our heritage as a species, neuroception takes place in primitive parts of the brain, without our conscious awareness.

14 Then shalt thou delight thyself in the Lord; and I will cause thee to ride upon the high places of the earth, and feed thee with the heritage of Jacob thy father: for the mouth of the Lord hath spoken it.

In contemporary Islam, the problem is not the text, but the reader. In most cases, the Islamic heritage is lost between analytically competent readers who are woefully incapable of penetrating the classical texts and readers who can decipher the classical texts, but who live in a time warp and are largely oblivious to the hermeneutic and analytic strategies of modern scholars. Put simply, the first group is equipped to handle modernity, but not the classical tradition, while the second group is in precisely the opposite position. This dilemma ought to be recognized as the real tragedy of modern Islamic scholarship.

Ownership shatters ecology. For the land to survive, for us to survive, it must cease to be property. It cannot continue to sustain us for much longer under the weight of such merciless use. We know this. We know the insatiable hunger for profit that drives that use and the dismpowerment that accommodates us. We don't yet know how to make it stop. But where ecology meets culture there is another question. How do we hold in common not only the land, but all the fragile, tenacious rootedness of human beings to the ground of our histories, teh cultural residues of our daily work, the invidual and tribal longings for place? How do we abolish ownership of land and respect people's ties to it? How do we shift the weight of our times from the single-minded nationalist drive for a piece of territory and the increasingly barricaded self-interest of even the marginally privileged towards a rich and multilayered sense of collective heritage? I don't have the answer. But I know that only when we can hold each people's particular memories and connections with land as a common treasure can the knowledge of our place on it be restored.

The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief. In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what? But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship. That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide. The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated. The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives. Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five. When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.

In their places of worship, most Blacks are confronted every Sunday with early Renaissance portraits of Christ, a white deity, and a form of spirituality which theoretically and historically has little direct relevancy to their unique heritage and original Afrikan belief systems.

Liberals tend to view traditions, policies, and morals of past generations as arbitrary designs put in place by less enlightened people. Because of this, liberals don't pay much attention to why traditions developed or wonder about possible ramifications of their social engineering.

Culture is not genetic. Rather, culture is learned behavior that is passed down from generation to generation and changes over time. Yet, we so often associate culture and diversity with one’s appearance rather than with this learned behavior that changes with time, place, and context.

By putting economic growth on equal footing with the preservation of human health, by promoting a need to possess and to consume that borders on the pathological, and by permitting industries to run roughshod over landscapes in order to create financial profit, the governments of industrialized nations have supported the changes that are primarily responsible for the befouled and poisonous environment that in many places has become our heritage. What resistance humanity is able to mount to the juggernaut that many call “the economy" is essentially an objection to the indifference towards human and nonhuman life that drives the juggernaut." Horizon

After Jurgis had been there awhile he would know that the plants were simply honeycombed with rottenness of that sort—the bosses grafted off the men, and they grafted off each other; and some day the superintendent would find out about the boss, and then he would graft off the boss. Warming to the subject, Tamoszius went on to explain the situation. Here was Durham's, for instance, owned by a man who was trying to make as much money out of it as he could, and did not care in the least how he did it; and underneath him, ranged in ranks and grades like an army, were managers and superintendents and foremen, each one driving the man next below him and trying to squeeze out of him as much work as possible. And all the men of the same rank were pitted against each other; the accounts of each were kept separately, and every man lived in terror of losing his job, if another made a better record than he. So from top to bottom the place was simply a seething caldron of jealousies and hatreds; there was no loyalty or decency anywhere about it, there was no place in it where a man counted for anything against a dollar. And worse than there being no decency, there was not even any honesty. The reason for that? Who could say? It must have been old Durham in the beginning; it was a heritage which the self-made merchant had left to his son, along with his millions.

With its wide, tree-lined boulevards and rich architectural heritage dating back over a thousand years, Paris had long been considered a jewel amongst Europe’s capital cities; a place that had inspired the dreams of romantics, artists and connoisseurs of every kind, from every country. But for Drake, crouched in the shadows of a dimly lit stairwell that smelled of stale urine and damp, it was an entirely different prospect. The rundown residential apartment block in which he found himself was, in contrast to the ornate architecture the city was known for, a product of cheap 1940s utilitarianism. Stark, bleak and inhabited by people who clearly wished they were living somewhere else, it certainly wasn’t the kind of place he’d visit by choice

[A] people needs to understand what freedom is. We Americans are fortunate that the Founders and their generation possessed that understanding. They knew that freedom, per se, is not enough. They knew that freedom must be limited to be preserved. This paradox is difficult for many students to grasp. Young people generally think freedom means authority figures leaving them alone so they can "do their own thing." That's part of what it means to be free, but true freedom involves much, much more. As understood by our Founders and by the best minds of the young republic, true freedom is always conditioned by morality. John Adams wrote, "I would define liberty as a power to do as we would be done by." In other words, freedom is not the power to do what one can, but what one ought. Duty always accompanies liberty. Tocqueville similarly observed, "No free communities ever existed without morals." The best minds concur: there must be borders: freedom must be limited to be preserved. What kinds of limits are we talking about? * The moral limits of right and wrong, which we did not invent but owe largely to our Judeo-Christian heritage. * Intellectual limits imposed by sound reasoning. Again, we did not invent these but are in debt largely to Greco-Roman civilization, from the pre-Socratic philosophers forward. * Political limits such as the rule of law, inalienable rights, and representative institutions, which we inherited primarily from the British. * Legal limits of the natural and common law, which we also owe to our Western heritage. * Certain social limits, which are extremely important to the survival of freedom. These are the habits of our hearts--good manners, kindness, decency, and willingness to put others first, among other things--which are learned in our homes and places of worship, at school and in team sports, and in other social settings. All these limits complement each other and make a good society possible. But they cannot be taken for granted. It takes intellectual and moral leadership to make the case that such limits are important. Our Founders did that. To an exceptional degree, their words tutored succeeding generations in the ways of liberty. It is to America's everlasting credit that our Founders got freedom right.

THE POWER OF THE GROUP We all want to feel a sense of belonging. This isn’t a character flaw. It’s fundamental to the human experience. Our finest achievements are possible when people come together to work for a common cause. School spirit, the rightful pride we feel in our community, our heritage, our religion, and our families, all come from the value we place on belonging to a group.

Intense sunlight rained down on a half-submerged city. Waves crashed between buildings that stood like waterlogged tombstones. Skyscrapers of smashed glass and twisted rusting metal jutted from the churning swell as islands of broken dreams. A familiar tower with a familiar clock face…Big Ben. London stared back at Blue. What was left of it. A sea-drowned cemetery for a time and a place long dead.

Finally, I wanted to tell a more personal story that might inspire young people considering a life in public service; how my career in politics really started with a search for a place to fit in. A way to explain the different strands of my mixed up heritage and how it was only by hitching my wagon to something larger than myself that I was ultimately able to locate a community and purpose for my life.

he was preparing himself to find his place anywhere, because there was no position he wanted, but only joy, and free spirits, and energy, and all that life has that is good, that is mysterious, that is not and never will be for sale. Preparing himself even by dint of poverty to be able one day to receive money without ever seeking it, to be as he was now--he, Jacques, at age forty, holding sway over so much and yet so certain that he was less than the least of people, and nothing in any case next to his mother. Yes, that was how he lived, in those games by the sea, in the wind, in the street, under the weight of summer and the heavy rains of the brief winter, with no father, with no heritage handed down, but finding a father for a year, just when he needed him, and learning through the people and the knowledge that revealed itself to him

Almost everyone in Chinatown looks more like me than any of the kids at my high school ever did. It feels like a dream. I’ve never been around so many Asian people before. I’ve always felt out of place, but I’ve never realized quite how much until this exact moment, when I feel completely in place. They have eyes like mine and hair like mine and legs like mine. When they smile their skin creases the way mine does, and their hair mostly falls flat and straight the way mine does. They’re like me. It feels so comfortable and good I could almost cry. And they’re so beautiful. Like, Rei beautiful. They know how to do their hair and makeup and dress themselves because they’ve probably been taught by parents who understand they shouldn’t just copy whatever the white celebrities and models are doing. Because they have different faces and body types and colors. It’s like painting—you don’t just use any color you feel like; you pick the color that fits the subject the best. I can’t believe it’s taken me so long to learn the lesson I’ve needed since childhood. I don’t have to be white to be beautiful, just like I don’t have to be Asian to be beautiful. Because beauty doesn’t come in one mold. It doesn’t make it okay that people are jerks about race. But it does make me feel like I’m not alone. It makes me feel like less of a weirdo. It makes me feel like Mom was wrong. When I look around at the people in Chinatown, I don’t feel like I’m desperate for their acceptance. I feel at ease. I think I know why Shoji accepted our Japanese side a long time ago. I think he realized there was another world out there—a world Mom wasn’t a part of. I think he knew that, somehow, finding our heritage was like finding a safe place from her.

In view of the rapid changes taking place in the world today, it seemed to me desirable to preserve in picture and sound some reflection of the surviving vestiges of the ancient life of the Congo, there is a communion between the man of the forrest and his natural surroundings which inspires us in a sense of respect a recognition of spiritual heritage, i thank all those who have helped me to achieve this task which combines beauty and scientific truth.

I awaken myself to the greatest lesson Ireland offers: that I must wake up to whatever place I find myself, wake up to its seasons and weather, its heritage and special beauties, its ultimate and indisputable holiness. I have news for you: spring comes everywhere with sweetness and hope. Summer's fullness becomes harvest, then the world sleeps through a dark time. This is the only truth: that just as Ireland is sacred, so all land is sacred, as we are all sacred. This is my news.

What have they fixed?” asked former McKinsey consultant Michael Lanning. “What have they changed? Did they take any voice in the way banking has evolved in the past thirty years? They did study after study at GM, and that place needed the most radical kind of change you can imagine. The place was dead, and it was just going to take a long time for the body to die unless they changed how they operated. McKinsey was in there with huge teams, charging huge fees, for several decades. And look where GM came out.”13 In the end, all the GM work did was provide a revenue stream to enrich a group of McKinsey partners, especially those working with the automaker. The last time McKinsey was influential at Apple Computer was when John Sculley was there, and that’s because he’d had a brand-marketing heritage from Pepsi. And Sculley was a disaster. Did McKinsey do anything to help the great companies of today become what they are? Amazon, Microsoft, Google? In short, no.

Samuel Smiles ends his book with the following moving story of the “gentleman” general: The gentleman is characterized by his sacrifice of self, and preference of others, in the little daily occurrences of life…we may cite the anecdote of the gallant Sir Ralph Abercromby, of whom it is related, that, when mortally wounded in the battle of Aboukir, and, to ease his pain, a soldier’s blanket was placed under his head, from which he experienced considerable relief. He asked what it was. “It’s only a soldier’s blanket,” was the reply. “Whose blanket is it?” said he, half lifting himself up. “Only one of the men’s.” “I wish to know the name of the man whose blanket this is.” “It is Duncan Roy’s, of the 42nd, Sir Ralph.” “Then see that Duncan Roy gets his blanket this very night.” Even to ease his dying agony the general would not deprive the private soldier of his blanket for one night. As Samuel wrote: “True courage and gentleness go hand in hand.” It was in this family, belief system, and heritage that Walter, my great-grandfather, grew up and dared to dream.

Ubuntu is part of our culture Ubuntu was taught at home Ubuntu was taught in schools Ubuntu was taught in the community Ubuntu was taught in church. Today Ubuntu is nowhere to be found. Because we think being civil, educated, cool, and modern means forgetting who we are and what we are. Leaving behind our culture and heritage. Before we dress nice. Ubuntu is the root and heart of our heritage and that we need to celebrate every day. The world is getting messed up, dark and a bad place, because we lack Ubuntu. We all need the spirit of Ubuntu in us and that is our heritage.

In 2017, I was invited to lead a mindfulness workshop and guide a live meditation on Mingus Mountain, Arizona, to over 100 men and women at a recovery retreat. On the eve of my workshop, I had the opportunity to join in a men's twelve-step meeting, which took place by the campfire in Prescott National Park Forest, with at least 40 men recovering from childhood grief and trauma. The meeting grounded us in what was a large retreat with many unfamiliar faces. I was the only mixed-race Brit, surrounded by mostly white middle-class American men (baby boomers and Generation X), yet our common bond of validating each other's wounds in recovery utterly transcended any differences of nationality, race and heritage. We shared our pain and hope in a non-shaming environment, listening and allowing every man to have his say without interruption. At the end of the meeting we stood up in a large circle and recited the serenity prayer: "God grant me the serenity to accept the people I cannot change, the courage to change the one I can, and the wisdom to know that one is me". After the meeting closed, I felt that I belonged and I was enthusiastic about the retreat, even though I was thousands of miles away from England.

Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 

Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set. As I left the arena, people looked at me with mocking eyes. Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes.

From the day of their marriage she had realized that he did not love her in the same way as she loved him. But she thought it possible that he was actually incapable of such a love. That power of loving was her own unhappy heritage. To care with a desperation, an intensity that was, she knew, unusual among women! She would have died for him willingly; she was ready to lie for him, scheme for him, suffer for him! Instead she accepted with pride and reserve the place he wanted her to fill. He wanted her cooperation, her sympathy, her active and intellectual help. He wanted of her, not her heart, but her brains, and those material advantages which birth had given her.

Noisy shuddering little commuter trains, debatable links: Shaw spent half a day joining one cross-country service to another; hard enough work just to arrive mid-afternoon on the brown edge of Wales. The town, with its undecodable medieval topography and commanding position above the River Severn, had done well out of sheep; then out of brewing; and finally out of coal. Now, like most of those old places, post-colonial, post-industrial and – in the sense that its past had now become its present – fully post-historical, it was curating a collection of original burgage plots, timber-framed heritage structures and quaintly squalid street names. It had been pleased with itself for 700 years.

We are coming upon a time when conglomerates push out the idea that Irish are drunks and always fighting. It’s on shirts, mugs, you name it, and it takes place annually in the name of a saint. If you want to get toasted while wearing green, so be it, but do remember it is a sacred day of culture to some. I am not Irish, but I am of Welsh descent, and cannot imagine if St. David’s Day was reserved for mockery and mischief by the dominant culture. I know Irish partake in St Patrick’s Day and it is a communal thing, and that’s fine, but the sale of the culture is what saddens me. Every year the products roll out, and they sell it to our children: teaching it is okay to offend cultures just as long as it’s part of the mainstream.

I must say, it is rare to find a person, let alone a woman, fearless of Tristan." Morana turned on the spot, her eyes finding Dante Maroni standing a few feet away, his huge frame encased in a suit that was completely out of place at this construction site and rather belonged to the party she'd seen him in last week. His dark hair was perfectly styled, slicked back on his head, exposing high cheekbones models around the world would weep for. His jaw was shaven clean, two big silver rings adorning his right index finger and left middle finger. With a smooth smile on his face that Morana didn’t trust one bit, she observed the Mediterranean heritage obvious in the bronze of his skin, and could not deny that Dante Maroni was one beautiful man.

The travels to discovery my heritage revealed to me that the South might not be a place so much as it is a series of moments, which in proper composition communicate an indelible history that people cling to as horseshoes do to old barns. In cooking, the style of Southern food is more verb that adjective; it is the exercise of specific histories, not just the result. In food it becomes less a matter of location than of process, and it becomes difficult to separate the nature of the process from the heritage by which one acquired it. Southern cuisine is a series of geographic and gastronomic mutations made long ago by people whose fade into the earth provides half of the justification for why their descendants keep the process going at all. Our ancestry is not an afterthought; it is both raison d'etre and our mise en place, it is action and reaction.

Although it was only a single instrument, each note had the peculiar echoed quality of a thousand harmonics voiced together. There was a whisper behind the strongest note and a shout beneath the softest, and they sang of far off places in long forgotten times. There were no words, but the images of ancient pride, noble heritage, and castles in the sand were imagined from the progression. This was the song that would be played at the birth of a nation, full of hope and promise of better days ahead. This was the song of the end of days with all love and longing lost beyond recall or desire. Farris could see this song playing at her wedding, or her funeral, as a herald of joy and sorrow. She found tears in her eyes and heard herself laugh, and she couldn’t say why she was doing either. Her skin was tense and covered with goosebumps, and she shivered with pleasure.

This book is fiction and all the characters are my own, but it was inspired by the story of the Dozier School for Boys in Marianna, Florida. I first heard of the place in the summer of 2014 and discovered Ben Montgomery’s exhaustive reporting in the Tampa Bay Times. Check out the newspaper’s archive for a firsthand look. Mr. Montgomery’s articles led me to Dr. Erin Kimmerle and her archaeology students at the University of South Florida. Their forensic studies of the grave sites were invaluable and are collected in their Report on the Investigation into the Deaths and Burials at the Former Arthur G. Dozier School for Boys in Marianna, Florida. It is available at the university’s website. When Elwood reads the school pamphlet in the infirmary, I quote from their report on the school’s day-to-day functions. Officialwhitehouseboys.org is the website of Dozier survivors, and you can go there for the stories of former students in their own words. I quote White House Boy Jack Townsley in chapter four, when Spencer is describing his attitude toward discipline. Roger Dean Kiser’s memoir, The White House Boys: An American Tragedy, and Robin Gaby Fisher’s The Boys of the Dark: A Story of Betrayal and Redemption in the Deep South (written with Michael O’McCarthy and Robert W. Straley) are excellent accounts. Nathaniel Penn’s GQ article “Buried Alive: Stories From Inside Solitary Confinement” contains an interview with an inmate named Danny Johnson in which he says, “The worst thing that’s ever happened to me in solitary confinement happens to me every day. It’s when I wake up.” Mr. Johnson spent twenty-seven years in solitary confinement; I have recast that quote in chapter sixteen. Former prison warden Tom Murton wrote about the Arkansas prison system in his book with Joe Hyams called Accomplices to the Crime: The Arkansas Prison Scandal. It provides a ground’s-eye view of prison corruption and was the basis of the movie Brubaker, which you should see if you haven’t. Julianne Hare’s Historic Frenchtown: Heart and Heritage in Tallahassee is a wonderful history of that African-American community over the years. I quote the Reverend Martin Luther King Jr. a bunch; it was energizing to hear his voice in my head. Elwood cites his “Speech Before the Youth March for Integrated Schools” (1959); the 1962 LP Martin Luther King at Zion Hill, specifically the “Fun Town” section; his “Letter from Birmingham Jail”; and his 1962 speech at Cornell College. The “Negroes are Americans” James Baldwin quote is from “Many Thousands Gone” in Notes of a Native Son. I was trying to see what was on TV on July 3, 1975. The New York Times archive has the TV listings for that night, and I found a good nugget.

What in the world is going on, what is going on? I mean what does it mean to be incarnate in a human body, in a squirrely culture like this, trying to make sense of your heritage, your opportunities the contents of the culture, the contents of your own mind? Is it possible to have an overarching viewpoint that is not somehow canned or cultish or self-limited in its approach, in other words, is it possible to cultivate an open mind and sanity in the kind of society and psychological environment that we all share? And it grows daily and weekly, as you know, harder to do this, weirder to integrate more on your plate, to assimilate and I certainly don’t have final or even merely final answers. I think it all lies in posing the questions in a certain way, in feeling the data in a certain way. And one of the things I try to convince people is it’s not necessary to achieve closure with this stuff. And in fact any ideological or belief system that offers closure, meaning final answers, is sure to be wrong, sure to be self-limiting, sure to be inadequate to the facts. So one of the ideas I’d like to put out is the idea that ideology is not our friend, it is not a matter of choosing from the smartest board of ideologies and rejecting the flawed, the self-contradictory and this over simple, in favor of the un-flawed, the complex enough. Where is it written in adamantine that semi-carnivorous monkeys can or should be capable of understanding reality? That seems to be one of the first delusions, and one of the more prideful illusions of human culture, that a final understanding is possible in the first place. Better, I think, to try and frame questions which can endure, and leave off searching for answers, because answers are like operating systems, they’re being upgraded faster than you can keep up with it.

As he placed the needle back on its tray, I realized that he'd complicated me; he'd imposed divisions on the matter I shared with Pearl, all that we'd both collaborated on in our floating little world. The needle made me a mischling, but the word took on a meaning different than the term the Nazis imposed upon us, all those cold and gruesome equations of blood and worship and heritage. No, I was a hybrid of a different sort, a powerful hyrbid forged by my suffering. I was now composed of two parts. One part was loss and despair. Such darkness should make life impossible, I know. But my other part? It was wild hope. And no one could extract or cut or drain it from me. No one could burn it from my flesh or puncture it with a needle. This hopeful part, it twisted me, gave me a new form. The girl who'd licked an onion in the cattle car was dead, and the mischling I'd become was an oddity, a thwarted person, a creature - but a creature capable of tricking her enemies and rescuing her loved ones.

I use “Witch” to identify with the heritage outlined above, to place myself firmly in the line of outlaw healers and purveyors of unapproved wisdom. And I use the word “magic” for much the same reason. I could say “sophisticated non-mechanistic psychology,” but that term lacks the same ring. Magic is a discipline of the mind, and it begins with understanding how consciousness is shaped and how our view of reality is constructed. Since the time of the Witch persecutions, knowledge that derives from the worldview of an animate, interconnected, dynamic universe is considered suspect—either outright evil or simply woo-woo. But whenever an area of knowledge is considered suspect, our minds are constricted. The universe is too big, too complex, too ever-changing for us to know it completely, so we choose to view it through a certain frame—one that screens out pieces of information that conflict with the categories in our minds. The narrower that frame, the more we screen out, the less we are capable of understanding or doing.

History is a ribbon, always unfurling; history is a journey. And as we continue our journey, we think of those who traveled before us. We stand together again at the steps of this symbol of our democracy--or we would have been standing at the steps if it hadn't gotten so cold. Now we are standing inside this symbol of our democracy. Now we hear again the echoes of our past: a general falls to his knees in the hard snow of Valley Forge; a lonely President paces the darkened halls, and ponders his struggle to preserve the Union; the men of the Alamo call out encouragement to each other; a settler pushes west and sings a song, and the song echoes out forever and fills the unknowing air. It is the American sound. It is hopeful, big-hearted, idealistic, daring, decent, and fair. That's our heritage; that is our song. We sing it still. For all our problems, our differences, we are together as of old, as we raise our voices to the God who is the Author of this most tender music. And may He continue to hold us close as we fill the world with our sound--sound in unity, affection, and love--one people under God, dedicated to the dream of freedom that He has placed in the human heart, called upon now to pass that dream on to a waiting and hopeful world.

Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying, “Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people, and God himself will be with them as their God. He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.” And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, “Write this down, for these words are trustworthy and true.” And he said to me, “It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give from the spring of the water of life without payment. The one who conquers will have this heritage, and I will be his God and he will be my son. But as for the cowardly, the faithless, the detestable, as for murderers, the sexually immoral, sorcerers, idolaters, and all liars, their portion will be in the lake that burns with fire and sulfur, which is the second death.

the New Earth REVELATION 21 Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more. 2And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. 3And I heard a loud voice from the throne saying, “Behold, the dwelling place [1] of God is with man. He will dwell with them, and they will be his people, [2] and God himself will be with them as their God. [3] 4He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.” 5And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, “Write this down, for these words are trustworthy and true.” 6And he said to me, “It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give from the spring of the water of life without payment. 7The one who conquers will have this heritage, and I will be his God and he will be my son. 8But as for the cowardly, the faithless, the detestable, as for murderers, the sexually immoral, sorcerers, idolaters, and all liars, their portion will be in the lake that burns with fire and sulfur, which is the second death.

The Greater Washington area is now home to over sixteen hundred foundations of different kinds; the hordes of gunslinging grantsmen who try to maintain a façade of scholarly disinterest are functionally as much a part of the ecosystem of the town as the lobbyists on K Street. A new threshold of sorts was crossed in 2013 when Jim DeMint (R-SC) with four years still remaining in his Senate term, resigned from office to become president of the Heritage Foundation, not only because he could exert more influence there than as a sitting senator (or he claimed — which, if true, is a sad commentary on the status of most elected officials), but also because he would no longer be limited to a senator's $174,000 statuatory annual salary. ¶ By the 1980s, the present Washington model of 'Beltwayland' was largely established. Contrary to widespread belief, Ronald Reagan did not revolutionize Washington; he merely consolidated and extended pre-existing trends. By the first term of his presidency, the place even had its first openly partisan daily newspaper, the Washington Times, whose every news item, feature, and op-ed was single-mindedly devoted to harping on some conservative bugaboo or other. The Times was the first shot in a later barrage of openly partisan media. Some old practices lingered on, to be sure: Congress retained at least an intermittent bipartisanship until Newt Gingrich's speakership ended it for all time.

This was the very heart of Wales' rainforest zone, where the oceanic climate conspires to make conditions perfect for the rich profusion of plant life that we'd spent the past week exploring. Yet here, humanity had found a rainforest and turned it into a desert. It had started long ago, no doubt: Wales' Green Desert is the product of agricultural malpractice dating back to the twelfth-century monks of Strata Florida. But what began as a profitable enterprise in medieval times today supports a mere twenty-eight farms over an area covering 46,000 acres. The farming unions claim that rewilding will lead to rural depopulation, but centuries of overgrazing have already drained the land of both people and wildlife. And in doing so, Wales is losing part of its heritage, its culture. Because the Wales of this great country's myths and legends was a rainforest nation, whose peoples lived and coexisted with the Atlantic oakwoods that once carpeted their land, celebrating them in song. They knew these rainforests and knew them deeply, weaving them into their stories, vesting their greatest heroes with a magic derived from that profound knowledge of place and ecology. There is a way back from this, but it is unlikely to come through a culture war between sheep farmers and rewilders. The truth is that there is more than enough space in Wales, as there is in the rest of Britain, both for farming to continue and for more rainforest to flourish.

The stormy black sky had faded to dark gray, and in the distance white, billowing clouds blew across the prairie. They began racing one another, tossed by the wind, and the sun shining on them made them appear a brilliant white against the evening sky. Memories crowded about her:a French trader with laughing eyes; a long ride into Fort Kearney; and somewhere, far back,a little mound of stones receding into the wide plain as a wagon rumbled away.Then he came, a Lakota brave, one with his snow white pony. They bounded together across the sky,and with each leap Jesse's heart fluttered.She stood on the prairie,her long red braides decorated with feathers, the part dusted with ochre. She raised a trembling hand in greeting, but he was gone. Her hand fell back against the quilt, and Jesse saw the clouds again and realized it had only been a memory. She was an old woman,too tired to help with the supper,perhaps even too tired to be of use to Lisbeth. The clouds outside came closer,and the old heart fluttered at the memory of a man who rode on the wind long ago.Now it seemed that the rode again across the sky,into the room.He raised one hand in greeting. "I will ask the Father," he had said, "and I will come for you." Jesse sat up in bed,her face alive with a new light.Rides the Wind smiled and reached out to sweep her up behind him. And the Father said, "Come home. The lines are fallen unto me in pleasant places; yes,I have a goodly heritage. Psalm 16:6

If the past is a foreign country, it is a shockingly violent one. It is easy to forget how dangerous life used to be, how deeply brutality was once woven into the fabric of daily existence. Cultural memory pacifies the past, leaving us with pale souvenirs whose bloody origins have been bleached away. A woman donning a cross seldom reflects that this instrument of torture was a common punishment in the ancient world; nor does a person who speaks of a whipping boy ponder the old practice of flogging an innocent child in place of a misbehaving prince. We are surrounded by signs of the depravity of our ancestors’ way of life, but we are barely aware of them. Just as travel broadens the mind, a literal-minded tour of our cultural heritage can awaken us to how differently they did things in the past. In a century that began with 9/11, Iraq, and Darfur, the claim that we are living in an unusually peaceful time may strike you as somewhere between hallucinatory and obscene. I know from conversations and survey data that most people refuse to believe it.1 In succeeding chapters I will make the case with dates and data. But first I want to soften you up by reminding you of incriminating facts about the past that you have known all along. This is not just an exercise in persuasion. Scientists often probe their conclusions with a sanity check, a sampling of real-world phenomena to reassure themselves they haven’t overlooked some flaw in their methods and wandered into a preposterous conclusion. The vignettes in this chapter are a sanity check on the data to come.

That the petitioner No. 2 is the founder President of an Institution, namely, “ Institute for Re-writing Indian (and World) History “. The aim and objective of that institution, which is a registered society having register no. F-1128 (T) as the public trust under the provision of Bombay Public Trust Act. Inter alia, is to re-discover the Indian history. The monumental places of historical importance in their real and true perspective having of the heritage of India. The true copy of memorandum of association of the aforesaid society / public trust having fundamental objectives along with Income tax exemption certificate under section 80-G (5) of I.T. Act, 1961 for period 1/4/2003 to 31/3/2006 are filed herewith as marked as Annexure No.1 and 2 to the writ petition. 5. That the founder-President of Petitioner’s Institution namely Shri P. N. Oak is a National born Citizen of India. He resides permanently at the address given in case title. The petitioner is a renowned author of 13 renowned books including the books, titled as, “ The Taj Mahal is a Temple Place”. This petition is related to Taj Mahal, Fatehpur- Sikiri, Red-fort at Agra, Etamaudaula, Jama- Masjid at Agra and other so called other monuments. All his books are the result of his long-standing research and unique rediscovery in the respective fields. The titles of his books speak well about the contents of the subject. His Critical analysis, dispassionate, scientific approach and reappraisal of facts and figures by using recognised tools used in the field gave him distinction through out the world. The true copy of the title page of book namely “The Taj Mahal is a Temple Palace” . written by Sri P. N. Oak, the author/ petitioner No. 2 is filed as Annexure –3 to this writ petition.

By contrast, the traditional revolutionary demand for council forms of organization (what Hannah Arendt describes as "the revolutionary heritage") does not break completely with the terrain of hierarchical society. Workers' councils originate as class councils. Unless one assumes that workers are driven by their interests as workers to revolutionary measures against hierarchical society (an assumption I flatly deny), then these councils can be used just as much to perpetuate class society as to destroy it. We shall see, in fact, that the council form contains many structural limitations which favor the development of hierarchy. For the present, it suffices to say that most advocates of workers' councils tend to conceive of people primarily as economic entities, either as workers or nonworkers. This conception leaves the onesidedness of the self completely intact. Man is viewed as a bifurcated being, the product of a social development that divides man from man and each man from himself. Nor is this one-sided view completely corrected by demands for workers' management of production and the shortening of the work week, for these demands leave the nature of the work process and the quality of the worker's free time completely untouched. If workers' councils and workers' management of production do not transform the work into a joyful activity, free time into a marvelous experience, and the workplace into a community, then they remain merely formal structures, in fact, class structures. They perpetuate the limitations of the proletariat as a product of bourgeois social conditions. Indeed, no movement that raises the demand for workers' councils can be regarded as revolutionary unless it tries to promote sweeping transformations in the environment of the work place.

Some scholars have stressed early Israelite religion as the quintessential period of pure Yahwism. Following in the footsteps of Albright, G. Mendenhall and J. Bright posit an early pure Yahwism that was polluted secondarily in the land by the cult of Baal and other idolatry. In their schemes, the monarchy was largely a negative influence. There are three major problems with this characterization of Israelite religion. First, some of the features that Mendenhall and Bright view as secondary idolatry belonged to Israel’s Canaanite heritage. The cult of Baal, the symbol of the asherah, the high places, and the cultic practices involving the dead all belonged to Israel’s ancient past, its Canaanite past. Second, the “purest form of Yahwism” belonged not to an early stage of Israel’s history but to the late monarchy. Differentiation of the cult of Yahweh did not begin until the ninth century and appeared in full flower only in the eighth century and afterward. Even this stage of reform was marked by other religious developments considered idolatrous by later generations; the cults of the “Queen of Heaven” and “the Tammuz” undermine any idealization of the late monarchy. The temple idolatry denounced in Ezekiel 8-11 probably constituted the norm rather than the exception for the final decades of the monarchy. The religious programs of Hezekiah and Josiah have been claimed as moments of religious purity in Judah, although even these policies had their political reasons.743 The pure form of Yahwism that Mendenhall and Bright envision was perhaps an ideal achieved rarely, if ever, before the Exile — if even then. Third, the monarchy was not the villain of Israelite religion that Mendenhall and Bright make it out to be. Indeed, the monarchy made several religious contributions crucial to the development of monolatry. In short, Mendenhall and Bright stand much of Israel’s religious development on its head.

There is no question that the Deep South seceded and fought the civil war to defend slavery. And its leaders made no secret of this motive. Slavery they argued Ad nauseam was the foundation for a virtuous biblically sanctioned social system superior to that of the free states. When 19th century deep southerners spoke of defending their “traditions”, “heritage”, and way of life they proudly identified the enslavement of others as the center piece of all three. Indeed, many of their leaders even argued that all lower class people should be enslaved regardless of race for their own good. In response to Yankee and midland abolitionist the Deep South’s leaders developed an elaborate defense for human bondage. James Henry Hammond, former governor of South Carolina, published a seminal book arguing that enslaved laborers where happier, fitter and better looked after than their free counter parts in Brittan and the North, who were ruthlessly exploited by industrial capitalists. Free societies were therefore unstable as there was always a danger that the exploited would rise up creating a fearful crisis in republican institutions. Salves by contrast were kept in their place by violent means and denied the right to vote, resist or testify, ensuring the foundation of every well designed and durable republic. Enslavement of the white working class would be in his words a most glorious act of emancipation. Jefferson’s notion all men are created equal, he wrote, was ridiculously absurd. In the deep southern tradition, Hammond’s republic was modeled on those of ancient Greece and Rome. Featuring rights and democracy for the elite, slavery and submission for inferiors. It was sanctioned by the Christian god whose son never denounced the practice in his documented teachings. It was a perfect aristocratic republic, one that should be a model for the world. George Fitzhugh endorsed and expanded upon Hammond’s argument to enslave all poor people. Aristocrats, he explained, were really the nations Magna Carta because they owned so much and had the affection which all men feel for what belongs to them. Which naturally lead them to protect and provide for wives, children and slaves. Fitzhugh, whose books were enormously popular declared he was quite as intent on abolishing free society as you northerners are on abolishing slavery.

Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.

The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.

The strengths landscape architecture draws from its garden design heritage include: the Vitruvian design tradition of balancing utility, firmness and beauty; use of the word 'landscape' to mean 'a good place' - as the objective of the design process; a comprehensive approach to open space planning involving city parks, greenways and nature outside towns; a planning theory about the contextualisation of development projects; the principle that development plans should be adapted to their landscape context.

AUTHOR’S NOTE The First Assassin is a work of fiction, and specifically a work of historical fiction—meaning that much of it is based on real people, places, and events. My goal never has been to tell a tale about what really happened but to tell what might have happened by blending known facts with my imagination. Characters such as Abraham Lincoln, Winfield Scott, and John Hay were, of course, actual people. When they speak on these pages, their words are occasionally drawn from things they are reported to have said. At other times, I literally put words in their mouths. Historical events and circumstances such as Lincoln’s inauguration, the fall of Fort Sumter, and the military crisis in Washington, D.C., provide both a factual backdrop and a narrative skeleton. Throughout, I have tried to maximize the authenticity and also to tell a good story. Thomas Mallon, an experienced historical novelist, has described writing about the past: “The attempt to reconstruct the surface texture of that world was a homely pleasure, like quilting, done with items close to hand.” For me, the items close to hand were books and articles. Naming all of my sources is impossible. I’ve drawn from a lifetime of reading about the Civil War, starting as a boy who gazed for hours at the battlefield pictures in The Golden Book of the Civil War, which is an adaptation for young readers of The American Heritage Picture History of the Civil War by Bruce Catton. Yet several works stand out as especially important references. The first chapter owes much to an account that appeared in the New York Tribune on February 26, 1861 (and is cited in A House Dividing, by William E. Baringer). It is also informed by Lincoln and the Baltimore Plot, 1861, edited by Norma B. Cuthbert. For details about Washington in 1861: Reveille in Washington, by Margaret Leech; The Civil War Day by Day, by E. B. Long with Barbara Long; Freedom Rising, by Ernest B. Ferguson; The Regiment That Saved the Capitol, by William J. Roehrenbeck; The Story the Soldiers Wouldn’t Tell, by Thomas P. Lowry; and “Washington City,” in The Atlantic Monthly, January 1861. For information about certain characters: With Malice Toward None, by Stephen B. Oates; Lincoln, by David Herbert Donald; Abe Lincoln Laughing, edited by P. M. Zall; Lincoln and the Civil War in the Diaries of John Hay, edited by Tyler Dennett; Lincoln Day by Day, Vol. III: 1861–1865, by C. Percy Powell; Agent of Destiny, by John S. D. Eisenhower; Rebel Rose, by Isabel Ross; Wild Rose, by Ann Blackman; and several magazine articles by Charles Pomeroy Stone. For life in the South: Roll, Jordan, Roll, by Eugene D. Genovese; Runaway Slaves, by John Hope Franklin and Loren Schweninger; Bound for Canaan, by Fergus M. Bordewich; Narrative of the Life of Henry Box Brown, written by himself; The Fire-Eaters, by Eric H. Walther; and The Southern Dream of a Caribbean Empire, by Robert E. May. For background on Mazorca: Argentine Dictator, by John Lynch. This is the second edition of The First Assassin. Except for a few minor edits, it is no different from the first edition.

What place is this,” Drizzt asked the cat quietly, “that I call home? These are my people, by skin and by heritage, but I am no kin to them. They are lost and ever will be. “How many others are like me, I wonder?

In keeping alive their heritage, ethnic gardeners also keep alive a wisdom about our place in nature that is all but lost to mainstream American culture. In this, the garden can be a powerful expression of resistance, as much a refusal of one set of cultural values as an assertion of others. This, I felt, was a little-noticed or little-understood aspect of the contribution of ethnic peoples: in refusing to assimilate fully to mainstream American values, ethnic gardeners keep alive, and offer back to us, viable alternatives to the habits of mind that have brought us to our current ecological crisis. The irony of the pressure to assimilate, then, is that it not only robs people of their heritage and their dignity, it robs the dominant culture too, impoverishing us all.

America stakes a relatively modest claim to world history when compared to other nations. Perhaps this lack of historical longevity partially accounts for why each generation of Americans tends to define themselves based largely upon the flashbulb remembrances that took place during their lifetime. Despite the relative newness of The United States of America emergence as a great power, post-Vietnam Americans display no deeply entwined interest in their national heritage. The battle cries of the American Revolution, the Civil War, and the battle hymns of World War I and World War II seem like ancient relics in the springtime commencement of the digital age. Today’s consumerism society brazenly casted aside the legacy of its predecessors similar to how one would toss away a functionally obsolete toaster, bulky television set, or land phone when the newest and slimmest best thing comes along. It is a fundamental mistake to forget the embryonic stages of America. When a nation’s citizens respect the accomplishments of its ancestors, the populous feels spiritually rooted. Without a clear vision and a unified approach, America will never become the beacon of universal justice.

Some people mistakenly believe that we are defined by our culture—that the words we speak or what we wear, eat, and drink make us who we are. It’s important that you learn to walk the fine line between the old and the new. It is okay to share aspects of your “old” culture that will enhance the culture of your “new” country, but not every aspect of your culture should be implemented. Preserving your cultural heritage is not required for preserving your own life and identity. In fact, some of your cultural beliefs and practices may be entirely out of place in America.

Embrace that heritage not just through talk, but through actions, help in rebuilding that place, open businesses, invest, because if you don’t, someone else will.

Whole generations of Americans growing up today have absolutely no idea that the heritage of this nation is based on the Bible. Even many older adults, who grew up under a different educational system, have become convinced that America was founded by a group of “separationists” whose primary goal was to create an environment where all public places like schools, courts, and government buildings would be “religion-free zones.” Many Americans today live as if they really believe that the Founding Fathers intended for us to experience both liberty and licentiousness. Many have been led to believe that our Founders would be comfortable with the moral filth and unrighteousness we now live with every day in America. Sometimes it seems that any idea may be expressed in America today except the truth of the Gospel of Jesus Christ.

Sweden’s capital is an expansive and peaceful place for solo travellers. It is made up of 14 islands, connected by 50 bridges all within Lake Mälaren which flows out into to the Baltic Sea. Several main districts encompass islands and are connected by Stockholm’s bridges. Norrmalm is the main business area and includes the train station, hotels, theatres and shopping. Őstermalm is more upmarket and has wide spaces that includes forest. Kungsholmen is a relaxed neighbourhood on an island on the west of the city. It has a good natural beach and is popular with bathers. In addition to the city of 14 islands, the Stockholm Archipelago is made up of 24,000 islands spread through with small towns, old forts and an occasional resort. Ekero, to the east of the city, is the only Swedish area to have two UNESCO World Heritage sites – the royal palace of Drottningholm, and the Viking village of Birka. Stockholm probably grew from origins as a place of safety – with so many islands it allowed early people to isolate themselves from invaders. The earliest fort on any of the islands stretches back to the 13th century. Today the city has architecture dating from that time. In addition, it didn’t suffer the bombing raids that beset other European cities, and much of the old architecture is untouched. Getting around the city is relatively easy by metro and bus. There are also pay‐as‐you‐go Stockholm City Bikes. The metro and buses travel out to most of the islands, but there are also hop on, hop off boat tours. It is well worth taking a trip through the broad and spacious archipelago, which stretches 80 kms out from the city. Please note that taxis are expensive and, to make matters worse, the taxi industry has been deregulated leading to visitors unwittingly paying extortionate rates. A yellow sticker on the back window of each car will tell you the maximum price that the driver will charge therefore, if you have a choice of taxis, choose

The Amazon will soon be just another fantastical postmodern location, so familiar to North Americans, where the names of places no longer have any relationship to what’s actually in the place. Mato Grasso (“dense jungle”) will refer to a place that is no more than a factory exchange value in a soybean mono-culture, just as Illinois is a “prairie state” with a mere 0.1 percent of its original prairie remaining. Of course, once the original plant/animal/human inhabitants are gone, we wax sentimental. The things we slaughter become our heritage.

to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day