Heraldry Quotes

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Kings built tombs more splendid than the houses of the living and counted the names of their descent dearer than the names of their sons. Childless lords sat in aged halls musing on heraldry or in high cold towers asking questions of the stars. And so the kingdom of Gondor sank into ruin, the line of kings failed, the white tree withered and the rule of Gondor was given over to lesser men.
J.R.R. Tolkien
The boast of heraldry, the pomp of pow’r, And all that beauty, all that wealth e’er gave Awaits alike the inevitable hour: The paths of glory lead but to the grave.
Thomas Gray
And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes. A novel for me is an immersive experience where I feel as if I have lived it and that I've tasted the food and experienced the sex and experienced the terror of battle. So I want all of the detail, all of the sensory things—whether it's a good experience, or a bad experience, I want to put the reader through it. To that mind, detail is necessary, showing not telling is necessary, and nothing is gratuitous.
George R.R. Martin
The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, Awaits alike the inevitable hour. The paths of glory lead but to the grave.
Thomas Grey
The destruction of the Indians of the Americas was, far and away, the most massive act of genocide in the history of the world. That is why, as one historian aptly has said, far from the heroic and romantic heraldry that customarily is used to symbolize the European settlement of the Americas, the emblem most congruent with reality would be a pyramid of skulls.
David E. Stannard (American Holocaust: The Conquest of the New World)
Injurious Hermia! most ungrateful maid! Have you conspired, have you with the contrived To bait me with this foul derision? Is all the counsel that we two have shared, The sisters' vows, the hours that we have spent, When we have chid the hasty-footed time For parting us,-O, and is all forgot? All school=days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our neelds created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one heart, Two of the first, like coats in heraldry, Due but to one, and crowned with one crest, And will you rent our ancient love asunder, To join with men in scorning your poor friend? It is not friendly, 'tis not maidenly: Our sex, as well as I, may chide you for it, Though I alone do feel the injury.
William Shakespeare (A Midsummer Night’s Dream)
Death was ever present, because the Númenóreans still, as they had in their old kingdom, and so lost it, hungered after endless life unchanging. Kings made tombs more splendid than houses of the living, and counted old names in the rolls of their descent dearer than the names of sons. Childless lords sat in aged halls musing on heraldry; in secret chambers withered men compounded strong elixirs, or in high cold towers asked questions of the stars.
J.R.R. Tolkien (The Lord of the Rings)
I had just time to give a glance at these matters, when about twelve blue-coated servants burst into the hall with much tumult and talk, each rather employed in directing his comrades than in discharging his own duty. Some brought blocks and billets to the fire, which roared, blazed, and ascended, half in smoke, half in flame, up a huge tunnel, with an opening wide enough to accommodate a stone seat within its ample vault, and which was fronted, by way of chimney-piece, with a huge piece of heavy architecture, where the monsters of heraldry, embodied by the art of some Northumbrian chisel, grinned and ramped in red free-stone, now japanned by the smoke of centuries. Others of these old-fashioned serving-men bore huge smoking dishes, loaded with substantial fare; others brought in cups, flagons, bottles, yea barrels of liquor. All tramped, kicked, plunged, shouldered, and jostled, doing as little service with as much tumult as could well be imagined
Walter Scott (Rob Roy)
The Fascist philosophy of the Third Reich, replete with parades, medals, hero-worship and neo-Gothic heraldry, helped to create a generation of over-achievers who sought to gain recognition through dedicated service and self-sacrificing behavior.
Robert Forczyk (Tank Warfare on the Eastern Front, 1941–1942: Schwerpunkt)
Sigils are the means of guiding and uniting the partially free belief[27] with an organic desire, its carriage and retention till its purpose served in the sub-conscious self, and its means of reincarnation in the Ego. All thought can be expressed by form in true relation. Sigils are monograms of thought, for the government of energy (all heraldry, crests, monograms, are Sigils and the Karmas they govern), relating to Karma; a mathematical means of symbolising desire and giving it form that has the virtue of preventing any thought and association on that particular desire (at the magical time), escaping the detection of the Ego, so that it does not restrain or attach such desire to its own transitory images, memories and worries, but allows it free passage to the sub-consciousness.
Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
Down, boy! Couchant! I said couchant! No! Not rampant!
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
There is a dim possibility that he is of the stock of the New England Lincolns, of Plymouth colony,” he wrote, “but the noble science of heraldry is almost obsolete in this country, and none of Mr. Lincoln’s family seems to have been aware of the preciousness of long pedigrees.” Later, in the White House, Lincoln checked Howells’s book out of the Library of Congress, in order to check
Jill Lepore (These Truths: A History of the United States)
Looking up into the trees, I noticed that one still had a few dark leaves clinging to the upper branches. Under my gaze, the leaves became a semé of birds, scattering upward and away in a salutary swoop, leaving only a plastic bag, caught and hanging listlessly in the bare limbs.
Sheridan Hay
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
The term Aryan connoted the “White” or “Pure Ones,” and referred to moral purity and spiritual status. It did not signify a racial distinction until it was deliberately mistranslated during the nineteenth and twentieth centuries. Those who sought to instill a false idea concerning the term Aryan belong to the same order as those concealing the West to East movement of the elements of civilization. They belong to the same species as those proposing eastern Israelites brought culture to Europe and Britain, and who imply that the symbols of the Houses and Kingdoms of Europe (to be seen on heraldry, flags, medallions, coins and regalia) are Jewish in origin. Allegedly, they came to the West between 500 and 600 BC. Actually, they were brought back by those whose ancestry lay in the West. Because of deliberate, pernicious tampering with the meaning of terms, names and titles this simple truth has been expertly obscured by the masters of deception.
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)
Buck up, Bree,” said Cor. “It’s far worse for me than for you. You aren’t going to be educated. I shall be learning reading and writing and heraldry and dancing and history and music while you’ll be galloping and rolling on the hills of Narnia to your heart’s content.” “But that’s just the point,” groaned Bree. “Do Talking Horses roll? Supposing they don’t? I can’t bear to give it up. What do you think, Hwin?” “I’m going to roll anyway,” said Hwin. “I don’t suppose any of them will care two lumps of sugar whether you roll or not.” “Are we near that castle?” said Bree to Cor. “Round the next bend,” said the Prince. “Well,” said Bree, “I’m going to have a good one now: it may be the last. Wait for me a minute.” It was five minutes before he rose again, blowing hard and covered with bits of bracken. “Now I’m ready,” he said in a voice of profound gloom. “Lead on, Prince Cor, Narnia and the North.” But he looked more like a horse going to a funeral than a long-lost captive returning to home and freedom.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
The wildest dreams of wild men, even, are not the less true, though they may not recommend themselves to the sense which is most common among Englishmen and Americans today. It is not every truth that recommends itself to the common sense. Nature has a place for the wild Clematis as well as for the cabbage. Some expressions of truth are reminiscent—others merely SENSIBLE, as the phrase is,—others prophetic. Some forms of disease, even, may prophesy forms of health. The geologist has discovered that the figures of serpents, griffins, flying dragons, and other fanciful embellishments of heraldry, have their prototypes in the forms of fossil species which were extinct before man was created, and hence "indicate a faint and shadowy knowledge of a previous state of organic existence." The Hindus dreamed that the earth rested on an elephant, and the elephant on a tortoise, and the tortoise on a serpent; and though it may be an unimportant coincidence, it will not be out of place here to state, that a fossil tortoise has lately been discovered in Asia large enough to support an elephant. I confess that I am partial to these wild fancies, which transcend the order of time and development. They are the sublimest recreation of the intellect. The partridge loves peas, but not those that go with her into the pot. In short, all good things are wild and free.
Henry David Thoreau (Walking)
The passion of steeped leaves and stewed broth is a philter that triumphs in our veins. It is our heritage, it is our religion, it is the glory of our being. It is our honour to show the rest of the uncivilized world how a refined and educated society operates. Nothing can be done without tea. For a thing to be done right and to be done well, a hand must be furnished with a cup filled to the brim with the finest vintage of dried and simmered vegetation. There is no other way, I tell you. For a Marridon-born man not to like tea is immoral. It makes him low, shows him to be wholly vulgar and unable to appreciate and welter in all the rapture that such scandal-broth can supply. A sniveling guttersnipe might not like tea, but a knight, a member of the highest order, a banner of Marridonian heraldry, cannot dislike it. It is folly to think so, absolute humbuggery. You are one of the high boughs of Marridon’s ancient tree, sir knight. You are practically born with leaves to steep, to stew, to swelter, to sip. It is almost treasonous not to like tea. I am considered a recluse amongst Marridon’s high society, and even I understand why I must like tea. It is the drink of the thinking man, to be deliberated over and deliciated, to be relished and reveled in, that all its secrets of higher cogitation might be extricated and beloved. One must immerse himself in the distillation if he is to properly understand it. To drink tea ponderously is all the learned Marridonian should ever aspire to.
Michelle Franklin
At his most characteristic, medieval man was not a dreamer nor a wanderer. He was an organiser, a codifier, a builder of systems. He wanted 'a place for everything and everything in the right place'. Distinction, definition, tabulation were his delight. Though full of turbulent activities, he was equally full of the impulse to formalise them. War was (in intention) formalised by the art of heraldry and the rules of chivalry; sexual passion (in intention), by an elaborate code oflove. Highly original and soaring philosophical speculation squeezes itself into a rigid dialectical pattern copied from Aristotle. Studies like Law and Moral Theology, which demand the ordering of very diverse particulars, especially flourish. Every way in which a poet can write (including some in which he had much better not) is classified in the Arts of Rhetoric. There was nothing which medieval people liked better, or did better, than sorting out and tidying up. Of all our modem inventions I suspect that they would most have admired the card index.
C.S. Lewis (The Discarded Image: An Introduction to Medieval and Renaissance Literature)
Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.
Robert Pinsky
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Samuel Kent (The Grammar of Heraldry, or Gentleman's Vade Mecum, &C: Containing I. Rules of Blazoning, Cautions and Observations; II. Practical Directions for ... Of an Atchievement; III. A Large Collection)
Heraldry: Sources, symbols, and meaning
Ottfried Neubecker
A woman I have never seen before Steps from the darkness of her town-house door At just that crux of time when she is made So beautiful that she or time must fade. What use to claim that as she tugs her gloves A phantom heraldry of all the loves Blares from the lintel? That the staggered sun Forgets, in his confusion, how to run? Still, nothing changes as her perfect feet Click down the walk that issues in the street, Leaving the stations of her body there Like whips that map the countries of the air.
Richard Wilbur
Dress Blacks mag-bind down the sides, leaving a smooth front whereon is displayed a green-blue-gray-white Earth insignia, about three inches in diameter, high up on the left breast; below, the symbol for one’s department is worn, followed by the rank-sigil; on the right side goes every blessed bit of chicken manure that can be dreamt up to fake dignity—this, by the highly imaginative Office of Awards, Furbishments, Insig-niae, Symbols and Heraldry (OAFISH, for short—its first Director appreciated his position).
Roger Zelazny (This Immortal)
The boar was a popular heraldic charge, used long before heraldry became standardised. The sanglier was the most dangerous and difficult animal to hunt, a beste noire (like the wolf and the bear) whose killer was greatly honoured. In contrast to the stag (one of the bestes rouges) which came to symbolise the Christian virtues – a flying stag was particularly associated with the kings of France – the boar stood for the sinner,12 but at the same time the boar’s very ferocity and power caused it to develop from a symbol of evil to an emblem of him who defeated it. In most stories the boar of evil is black and it is likely Richard very consciously chose a white boar to exorcise in advance all the vices of the animal and leave it only its virtues.
Anne F. Sutton (Richard III's Books: Ideals and Reality in the Life and Library of a Medieval Prince)
There was a tremendous flash, as the crystal of the Secret Country exploded into a billion colored shards, and a ringing, terrible, sustained crash as the land, from end to end, from the Mountains of the North to the Dubious Hills, from the Wide West Waste to the Sunrise Sea, cities of men and manners, climates, councils, governments, the boost of heraldry and pomp of power, all that heart heard of or mind expressed, trees, flowers, cottages, and wells, the unicorn, the cardinal, the dragon, and the owl, sun, moon, stars, clouds, the loving detail of High Castle, the barely imagined cities of the Dwarves, the fabulous mines whence came Lord Randolph's ring, the Green Caves and the Magic Wood, King John's solemn tomb, Laura and Ellen downstairs, the stones beneath them and their very bones, shook, rang, shattered, and seemed to collapse in dust.
Pamela Dean (The Secret Country (The Secret Country, #1))
The clothes that you wore on your way to Mordor,’ said Gandalf. ‘Even the orc-rags that you bore in the black land, Frodo, shall be preserved. No silks and linens, nor any armour or heraldry could be more honourable. But later I will find some other clothes, perhaps.
J.R.R. Tolkien (The Lord of the Rings)
In heraldry the quatrefoil is a stylized four-petaled flower. As a Christian symbol, the petals are supposed to represent the four evangelists. But the quatrefoil is also an Indigenous symbol, Mayan, Olmec. It represents the four directions, the opening of the cosmos. And get this: It is considered a passageway between the celestial world and the underworld.
Louise Erdrich (The Sentence)
Socially, if we accept the modern paradigm that one is not guilty for his ancestors’ shortcomings, the same logic argues that he merits no special prestige or recognition for their achievements.
Louis Mendola (Sicilian Genealogy and Heraldry)
but Sicily offers certain records unavailable elsewhere.
Louis Mendola (Sicilian Genealogy and Heraldry)
definitive Sicilian onomastic study, listing most Sicilian surnames and their localities of highest frequency, is Gerolamo Caracausi’s Dizionario Onomastico della Sicilia, published in 1994 in two volumes
Louis Mendola (Sicilian Genealogy and Heraldry)
Cicero’s words are just as resonant in plain English: “One who is ignorant of what happened before his birth will always be a child.
Louis Mendola (Sicilian Genealogy and Heraldry)
There’s a saying that if you enter a room where two Italians are discussing something, you’ll come away with at least four or five different opinions.
Louis Mendola (Sicilian Genealogy and Heraldry)
In Sicily, which boasts an exceptionally diverse heritage ranging from Punics, Greeks and Romans to Jews, Normans and Swabians, a Y chromosome haplotype can be especially revealing.
Louis Mendola (Sicilian Genealogy and Heraldry)
A good introduction to Italian onomatology (in English) is Joseph Fucilla’s Our Italian Surnames, first published in 1949,
Louis Mendola (Sicilian Genealogy and Heraldry)
Into the early decades of the fifteenth century, most Sicilians, both Christian and Jewish, lacked hereditary surnames.
Louis Mendola (Sicilian Genealogy and Heraldry)
focus on eastern Sicily, is Gerhard Rohlfs’ Dizionario Storico dei Cognomi nella Sicilia Orientale (1984).
Louis Mendola (Sicilian Genealogy and Heraldry)
After Italian, Sicilian is the most widely spoken Italic language in Italy, followed closely by Neapolitan. Sicily has several Albanian communities founded in the fifteenth century, where Arberesh, the medieval Tosk dialect of Albanian, is spoken; this was the mother tongue of Francesco Crispi, Italy’s first Sicilian prime minister.
Louis Mendola (Sicilian Genealogy and Heraldry)
Genetic factors probably account for the extreme rarity of alcoholism among Sicilians.
Louis Mendola (Sicilian Genealogy and Heraldry)
Buoyed by the EU referendum result, the arch-monarchist Tory MP for Romford, Andrew Rosindell, chair of the All-Party Flags and Heraldry Parliamentary Group, tabled a parliamentary motion on 3 November 2016. This called for the reinstatement of ‘God Save The Queen’ at the end of each day’s transmission on BBC1.
Norman Baker (… And What Do You Do?: What The Royal Family Don't Want You To Know)
This love letter mocks my heraldry toil Even the bridal earth and uncouth sky can see this, sure
Abdulkadir Abdullahi (13 Days of Solitude: Thoughts beyond Words)
Mr. Wardlaw Scott, for example, with genuine, if unconscious, imagination, says that according to astronomers, 'the sea is a vast mountain of water miles high.' To have discovered that mountain of moving crystal, in which the fish fly like birds, is like discovering Atlantis: it is enough to make the old world young again. In the new poetry which we contemplate, athletic young men will set out sturdily to climb up the face of the sea. If we once realize all this earth as it is, we should find ourselves in a land of miracles: we shall discover a new planet at the moment that we discover our own. Among all the strange things that men have forgotten, the most universal and catastrophic lapse of memory is that by which they have forgotten that they are living on a star. We might have been proud of what our star has wrought, and worn its heraldry haughtily in the blind tournament of the spheres. All this, indeed, we may surely do yet; for with all the multiplicity of knowledge there is one thing happily that no man knows: whether the world is old or young.
G.K. Chesterton (The Defendant)