“
There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always— do not forget this, Winston— always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless.
If you want a picture of the future, imagine a boot stamping on a human face— forever.
”
”
George Orwell (1984)
“
you feel like a candle in a hurricane, just like a picture with a broken frame. alone and helpless, like you've lost your fight, but you'll be alright, you'll be alright. Cause when push comes to shove you taste what your made of you might bend till you break cause it's all you can take. you get mad, you get strong, wipe your hands, shake it off then you stand!
”
”
Rascal Flatts
“
All my life, I [Pari] have lived like an aquarium fish in the safety of a glass tank, behind a barrier as impenetrable as it has been transparent. I have been free to observe the glimmering world on the other side, to picture myself in it, if I like. But I have always been contained, hemmed in, by the hard, unyielding confines of the existence that Baba has constructed for me, at first knowingly, when I was young, and now guilelessly, now that he is fading day by day. I think I have grown accustomed to the glass and am terrified that when it breaks, when I am alone, I will spill out into the wide open unknown and flop around, helpless, lost, gasping for breath.
”
”
Khaled Hosseini (And the Mountains Echoed)
“
Art altogether is nothing but a survival skill, we should never lose sight of this fact, it is, time and again, just an attempt -- an attempt that seems touching even to our intellect -- to cope with this world and its revolting aspects, which, as we know, is invariably possible only by resorting to lies and falsehoods, to hyprocrisy and self-deception, Reger said. These pictures are full of lies and falsehoods and full of hypocrisy and self-deception, there is nothing else in them if we disregard their often inspired artistry. All these pictures, moreover, are an expression of man's absolute helplessness in coping with himself and with what surrounds him all his life. That is what all these pictures express, this helplessness which, on the one hand, embarasses the intellect and, on the other hand, bewilders the same intellect and moves it to tears, Reger said.
”
”
Thomas Bernhard (Old Masters: A Comedy)
“
Always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face - for ever.
”
”
George Orwell (1984)
“
The picture of helpless indolence she calls herself
sublimely helpless and impotent
I had done living I thought
Was ever life so like death before? My face was so close against the tombstones,
that there seemed no room for tears.
”
”
Elizabeth Barrett Browning (Sonnets from the Portuguese)
“
It’s strange how what drives us may abandon us midstream, how what tickles our ears with lies one moment may tell us truths that knock us on our emotional ass the next.
After all, it is an unbelievably real world, with Darwin scribbling his thoughts into books and telling us what monkeys we are. Each of us explores possibility, hungry for sustaining adoration, yet we know enough to render ourselves helpless.
We strive and strain, bellow and believe, we learn, and everything we learn tells us the same thing: life is one great meaningful experience in a meaningless world. Brilliance has many parts, yet each part is incomplete.
We live, heal and attempt to piece together a picture worth the price of our very lives.
The picture I saw presented demonic executioners, who crippled those daring to look and consumed souls without defense. They’re everywhere. Some are people we know. Others are the great fears and addictions of our lives.
”
”
Christopher Hawke
“
The sound of her breathing reminded me, as it so often did, of how vulnerable she was. And how vulnerable we were because of how much we loved her. The fear - that something could happen to her at any moment, something I'd be helpless to stop - had become so omnipresent in my life that I sometimes pictured it growing, like a third arm, out of the center of my chest.
”
”
Dennis Lehane (Moonlight Mile (Kenzie & Gennaro, #6))
“
I realized how subversive Ruth was then, not because she drew pictures of nude women that got misused by her peers, but because she was more talented than her teachers. She was the quietest kind of rebel. Helpless, really.
”
”
Alice Sebold (The Lovely Bones)
“
It takes real feelings to create the illusion that others have power to offend and anger us.
Projecting such interpretations upon everything around us is in many ways like living in a box of our own making... you might think of these walls as a falsification of reality-- a distorted way of seeing, feeling, and thinking about other people that makes them seem offensive or malicious or otherwise untrustworthy. Remember, the people are really there, but we all ourselves off from the truth about them by the false way we picture them...
Living in a box means being convinced that other people and our circumstances are responsible for our feelings and our helplessness to overcome them. What we can't see when we're in the box is that the way the world appears to us is a projection, and that we are making this projection to justify ourselves in self-betrayal. We cannot see that it's not others' actions but our accusations that result in our feeling offended.
”
”
C. Terry Warner (Bonds That Make Us Free: Healing Our Relationship, Coming to Ourselves)
“
As she watched, he examined the can intently, read the ingredients, then returned it to the shelf and chose another, repeating his thorough study of it.
The contrast between his rough, tough-guy appearance and the domestic act he was performing did funny things to her head.
She had a sudden, breathtaking vision of a dark-haired little boy sitting in the seat of the cart, laughing up at Cian, grabbing at his swinging braids with chubby little fists, while his daddy inspected the ingredients on a jar of baby food. Her mind’s eye
picture of sexy, strong man with beautiful, helpless child made something soft and warm blossom behind her chest.
”
”
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
“
If all bank loans were paid, no one would have a bank deposit, and there would not be a dollar of currency or coin in circulation.
This is a staggering thought. We are completely dependent on the commercial banks. Someone has to borrow every dollar we have in circulation, cash or credit. If the banks create ample synthetic money, we are prosperous; if not, we starve. We are absolutely without a permanent monetary system.
When one gets a complete grasp upon this picture, the tragic absurdity of our helpless position is almost incredible–but there it is.
”
”
Robert H. Hemphill
“
I have to admit I was annoyed. Not physically annoyed, but inside annoyed. That helpless feeling you have when you know you should not be angry because you have to consider how other people are feeling or accept them for what they are, and that it is not your place to say anything. But annoyed because you have not been considered in the whole picture, you are there and that is that. Apologies begin to mean nothing at that point and frustration takes over.
”
”
Michelle Williams (Down Among the Dead Men: A Year in the Life of a Mortuary Technician)
“
But then his idea of a fugitive was only an idea of the letters that spell the word, - or at the most, the image of a little newspaper picture of a man with a stick and bundle with 'Ran away from the subscriber' under it. The magic of the real presence of distress, -- the imploring human eye, frail, trembling human hand, the despairing appeal of helpless agony, -- these he had never tried.
”
”
Harriet Beecher Stowe (Uncle Tom’s Cabin)
“
Always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation or trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face - for ever.
”
”
George Orwell (1984)
“
The picture had no flourishes, but she liked its lowness of tone and the atmosphere of summer twilight that pervaded it. It spoke of the kind of personal issue that touched her most nearly; of the choice between objects, subjects, contacts—what might she call them?—of a thin and those of a rich association; of a lonely, studious life in a lovely land; of an old sorrow that sometimes ached to-day; of a feeling of pride that was perhaps exaggerated, but that had an element of nobleness; of a care for beauty and perfection so natural and so cultivated together that the career appeared to stretch beneath it in the disposed vistas and with the ranges of steps and terraces and fountains of a formal Italian garden—allowing only for arid places freshened by the natural dews of a quaint half-anxious, half-helpless fatherhood.
”
”
Henry James
“
The Art of Happiness. It’s about the teachings of the Dalai Lama … [who] explains it this way: picture yourself walking along a mountainous trail. You come across a person being crushed by a boulder on their chest. The empathetic response would be to feel the same sense of crushing suffocation, thus rendering you helpless. The compassionate response would be to recognize that that person is in pain and to do everything within your power to remove the boulder and alleviate their suffering. Put another way, compassion is empathy plus action.
”
”
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
“
I’m an old man trying to give a young daughter advice, and it’s like a monkey trying to teach table manners to a bear. A drunk driver took my son’s life seventeen years ago and my wife has never been the same since. I’ve always seen the question of abortion in terms of Fred. I seem to be helpless to see it any other way, just as helpless as you were to stop your giggles when they came on you at that poetry reading, Frannie. Your mother would argue against it for all the standard reasons. Morality, she’d say. A morality that goes back two thousand years. The right to life. All our Western morality is based on that idea. I’ve read the philosophers. I range up and down them like a housewife with a dividend check in the Sears and Roebuck store. Your mother sticks with the Reader’s Digest, but it’s me that ends up arguing from feeling and her from the codes of morality. I just see Fred. He was destroyed inside. There was no chance for him. These right-to-life biddies hold up their pictures of babies drowned in salt, and arms and legs scraped out onto a steel table, so what? The end of a life is never pretty. I just see Fred, lying in that bed for seven days, everything that was ruined pasted over with bandages. Life is cheap, abortion makes it cheaper. I read more than she does, but she is the one who ends up making more sense on this one. What we do and what we think… those things are so often based on arbitrary judgments when they are right. I can’t get over that. It’s like a block in my throat, how all true logic seems to proceed from irrationality. From faith. I’m not making much sense, am I?
”
”
Stephen King (The Stand)
“
You make plans and decisions assuming randomness and chaos are for chumps. The illusion of control is a peculiar thing because it often leads to high self-esteem and a belief your destiny is yours for the making more than it really is. This over-optimistic view can translate into actual action, rolling with the punches and moving ahead no matter what. Often, this attitude helps lead to success. Eventually, though, most people get punched in the stomach by life. Sometimes, the gut-punch doesn’t come until after a long chain of wins, until you’ve accumulated enough power to do some serious damage. This is when wars go awry, stock markets crash, and political scandals spill out into the media. Power breeds certainty, and certainty has no clout against the unpredictable, whether you are playing poker or running a country. Psychologists point out these findings do not suggest you should throw up your hands and give up. Those who are not grounded in reality, oddly enough, often achieve a lot in life simply because they believe they can and try harder than others. If you focus too long on your lack of power, you can slip into a state of learned helplessness that will whirl you into a negative feedback loop of depression. Some control is necessary or else you give up altogether. Langer proved this when studying nursing homes where some patients were allowed to arrange their furniture and water plants—they lived longer than those who had had those tasks performed by others. Knowing about the illusion of control shouldn’t discourage you from attempting to carve a space for yourself out of whatever field you want to tackle. After all, doing nothing guarantees no results. But as you do so, remember most of the future is unforeseeable. Learn to coexist with chaos. Factor it into your plans. Accept that failure is always a possibility, even if you are one of the good guys; those who believe failure is not an option never plan for it. Some things are predictable and manageable, but the farther away in time an event occurs, the less power you have over it. The farther away from your body and the more people involved, the less agency you wield. Like a billion rolls of a trillion dice, the factors at play are too complex, too random to truly manage. You can no more predict the course of your life than you could the shape of a cloud. So seek to control the small things, the things that matter, and let them pile up into a heap of happiness. In the bigger picture, control is an illusion anyway.
”
”
David McRaney (You Are Not So Smart)
“
OBEDIENCE IS NOT ENOUGH. Unless he is suffering, how can you be sure that he is obeying your will and not his own? Power is in inflicting pain and humiliation. Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. Do you begin to see, then, what kind of world we are creating? It is the exact opposite of the stupid hedonistic Utopias that the old reformers imagined. A world of fear and treachery and torment, a world of trampling and being trampled upon, a world which will grow not less but more merciless as it refines itself. Progress in our world will be progress toward more pain. The old civilizations claimed that they were founded on love or justice. Ours is founded upon hatred. In our world there will be no emotions except fear, rage, triumph, and self-abasement. Everything else we shall destroy--everything. Already we are breaking down the habits of thought which have survived from before the Revolution. We have cut the links between child and parent, and between man and man, and between man and woman. No one dares trust a wife or a child or a friend any longer. But in the future there will be no wives and no friends. Children will be taken from their mothers at birth, as one takes eggs from a hen. The sex instinct will be eradicated. Procreation will be an annual formality like the renewal of a ration card. We shall abolish the orgasm. Our neurologists are at work upon it now. There will be no loyalty, except loyalty toward the Party. There will be no love, except the love of Big Brother. There will be no laughter, except the laugh of triumph over a defeated enemy. There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always--do not forget this, Winston--always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face--forever.
”
”
George Orwell (1984)
“
When I was a child and heard about angels, I was both frightened and fascinated by the thought of these enormous, invisible presences in our midst. I conceived of them not as white-robed androgynes with yellow locks and thick gold wings, which was how my friend Matty Wilson had described them to me--Matty was the predecessor of all sorts of arcane knowledge--but as big, dark, blundering men, massive in their weightlessness, given to pranks and ponderous play, who might knock you over, or break you in half, without meaning to. When a child from Miss Molyneaux's infant school in Carrickdrum fell under the hoofs of a dray-horse one day and was trampled to death, I, a watchful six year old, knew who was to blame; I pictured his guardian angel standing over the child's crushed form with his big hands helplessly extended, not sure whether to be contrite or to laugh.
”
”
John Banville (The Untouchable)
“
Makeshift, adj.
I had always thought there were two types of people: the helpless and the fixers. Since I`d always been in the first group, calling my landlord whenever the faucet dripped, I was hoping you`d be a fixer. But once we moved it together, I realized there is a third group: the inventors. You possessed only a vague notion of hot to fix things, but that doesn`t stop you from using bubble gum as a sealant, or trying to create ouchless mousetraps out of peanut-butter crackers, a hollowed-out Dustbuster, and a picture of a scarecrow torn out of a magazine fashion spread,
Things rarely get fixed the way they need to be.
”
”
David Levithan (The Lover's Dictionary)
“
In the Convention tomorrow I shall put him up to confront Saint-Just. Imagine it. Our man the picture of starched rectitude, and looking as if he has just devoured a beefsteak; and Camille making a joke or two at our man’s expense and then talking about ’89. A cheap trick, but the galleries will cheer. This will make Saint-Just lose his temper-not easy, since he cultivates this Greek statue manner of his—but I guarantee that Camille can do it. As soon as our man begins to bawl and roar, Camille will fold up and look helpless. That will get Robespierre on his feet, and we will all generate one of these huge emotional scenes. I always win those.
”
”
Hilary Mantel (A Place of Greater Safety)
“
All my life, I have lived like an aquarium fish in the safety of a glass tank, behind a barrier as impenetrable as it has been transparent. I have been free to observe the glimmering world on the other side, to picture myself in it, if I like. But I have always been contained, hemmed in, by the hard, unyielding confines of the existence that Baba has constructed for me, at first knowingly, when I was young, and now guilelessly, now that he is fading day by day. I think I have grown accustomed to the glass and am terrified that when it breaks, when I am alone, I will spill out into the wide open unknown and flop around, helpless, lost, gasping for breath.
”
”
Khaled Hosseini (And the Mountains Echoed)
“
And the priests looked down into the pit of injustice and they turned their faces away and said, 'Our kingdom is not as the kingdom of this world. Our life on earth is but a pilgrimage. The soul lives on humility and patience,' at the same time screwing the poor from their last centime. They settled down among their treasures and ate and drank with princes and to the starving they said, 'Suffer. Suffer as he suffered on the cross for it is the will of God.'
And anyone believes what they hear over and over again, so the poor instead of bread made do with a picture of the bleeding, scourged, and nailed-up Christ and prayed to that image of their helplessness. And the priests said, 'Raise your hands to heaven and bend your knees and bear your suffering without complaint. Pray for those that torture you, for prayer and blessing are the only stairways which you can climb to paradise.'
And so they chained down the poor in their ignorance so that they wouldn't stand up and fight their bosses who ruled in the name of the lie of divine right.
”
”
Peter Weiss (The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade)
“
It’s like those nights when I was a kid, lying awake thinking the darkness would go on forever. And I couldn’t go back to sleep because of the dream of the whatever it was in the cellar coming out of the corner. I’d lie in the hot, rumpled bed, hot burning hot, trying to shut myself away and know that there were three eternities before the dawn. Everything was the night world, the other world where everything but good could happen, the world of ghosts and robbers and horrors, of things harmless in the daytime coming to life, the wardrobe, the picture in the book, the story, coffins, corpses, vampires, and always squeezing, tormenting darkness, smoke thick. And I’d think of anything because if I didn’t go on thinking I’d remember whatever it was in the cellar down there, and my mind would go walking away from my body and go down three stories defenceless, down the dark stair past the tall, haunted clock, through the whining door, down the terrible steps to where the coffin ends were crushed in the walls of the cellar – and I’d be held helpless on the stone floor, trying to run back, run away, climb up----
”
”
William Golding (Pincher Martin)
“
Hello."
Her mood deflated as if she'd been pricked with a pin. "Alan."
"Shelby."
She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop."
"Does it? It hasn't even started."
"Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time."
"I have a bit to spare," he said mildly. "How was your week?"
"Busy.Listen,I-"
"I missed you."
The simple statement threw the rest of her lecture into oblivion. "Alan, don't -"
"Everyday," he continued. "Every night. Have you been to Boston, Shelby?"
"Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated?
"I'd like to take you there in the fall, when it smells of damp leaves and smoke."
Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?"
"Perfectly.Spend the day with me."
Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!"
"We'll call it an experimental outing," he suggested in the same even tone. "Not a date."
"No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!"
"Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans."
"You're trying to be charming again," Shelby muttered.
"Am I succeeding?
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Mussolini was not a keen judge of individuals, but he was sure he knew what the mass of people wanted: a show. He compared the mob to women who are helpless (he fantasized) in the presence of strong men. He posed for pictures in the government-controlled media while driving a sports car, standing sans shirt in a wheat field, riding his white stallion, FruFru, and posing in his military uniform, complete with shiny boots and a chest bedecked with medals.
”
”
Madeleine K. Albright (Fascism: A Warning)
“
These kinds of circumstances and bodily chemistry can steal the gifts of divine love too, as if all of God's love letters and picture albums are burning up in a fire just outside the door, a fire which we are helpless to stop. We sit there, helpless in the dark of divine absence, tied to this chair, present only to ash and wheeze, while all we hold dear seems lost forever. We even wonder if we're brought this all on ourselves. It's our fault. God is against us. We've forfeited God's help.
”
”
Zack Eswine (Spurgeon's Sorrows: Realistic Hope for those who Suffer from Depression)
“
As a person, Janice is of course more than her house; but it is also true that her house is an indicator of what it feels like to be Janice. And what it feels like to be Janice is to be asphyxiating, slowly and helplessly, under the crushing and ever-multiplying weight of the past and the present. I picture her here on this couch, curled into herself like a fern at 4 a.m. And though it must feel like a catacomb in that dark hour, and though every hour behind these blinds has been dark, the house is spinning with movement: mould is travelling up and down the walls, food is rotting, cans are rusting, water is dripping, insects are being born and they are living and dying, Janice's hair is growing, her heart is beating, she is breathing. Which is to say that this, too, is life. Like the creatures that swim in the perfect blackness of the ocean floor, the ecosystem here would be unrecognisable to most people but this, too, is our world. The Order of Things includes those who are excluded.
”
”
Sarah Krasnostein (The Trauma Cleaner: One Woman's Extraordinary Life in the Business of Death, Decay, and Disaster)
“
Where is everybody?”
“Hiding,” she said. “Except for Doolittle. He was excused from the chewing-out due to having been kidnapped. He’s napping now like he doesn’t have a care in the world. I got to hear all sorts of interesting stuff through the door.”
“Give.”
She shot me a sly smile. “First, I got to listen to Jim’s ‘it’s all my fault; I did it all by myself’ speech. Then I got to listen to Derek’s ‘it’s all my fault and I did it all by myself’ speech. Then Curran promised that the next person who wanted to be a martyr would get to be one. Then Raphael made a very growling speech about how he was here for a blood debt. It was his right to have restitution for the injury caused to the friend of the boudas; it was in the damn clan charter on such and such page. And if Curran wanted to have an issue with it, they could take it outside. It was terribly dramatic and ridiculous. I loved it.”
I could actually picture Curran sitting there, his hand on his forehead above his closed eyes, growling quietly in his throat.
“Then Dali told him that she was sick and tired of being treated like she was made out of glass and she wanted blood and to kick ass.”
That would do him in. “So what did he say?”
“He didn’t say anything for about a minute and then he chewed them out. He told Derek that he’d been irresponsible with Livie’s life, and that if he was going to rescue somebody, the least he could do is to have a workable plan, instead of a poorly thought-out mess that backfired and broke just about every Pack law and got his face smashed in. He told Dali that if she wanted to be taken seriously, she had to accept responsibility for her own actions instead of pretending to be weak and helpless every time she got in trouble and that this was definitely not the venue to prove one’s toughness. Apparently he didn’t think her behavior was cute when she was fifteen and he’s not inclined to tolerate it now that she’s twenty-eight.”
I was cracking up.
“He told Raphael that the blood debt overrode Pack law only in cases of murder or life-threatening injury and quoted the page of the clan charter and the section number where that could be found. He said that frivolous challenges to the alpha also violated Pack law and were punishable by isolation. It was an awesome smackdown. They had no asses left when he was done.”
Andrea began snapping the gun parts together. “Then he sentenced the three of them and himself to eight weeks of hard labor, building the north wing addition to the Keep, and dismissed them. They ran out of there like their hair was on fire.”
“He sentenced himself?”
“He’s broken Pack law by participating in our silliness, apparently.”
That’s Beast Lord for you. “And Jim?”
“Oh, he got a special chewing-out after everybody else was dismissed. It was a very quiet and angry conversation, and I didn’t hear most of it. I heard the end, though—he got three months of Keep building. Also, when he opened the door to leave, Curran told him very casually that if Jim wanted to pick fights with his future mate, he was welcome to do so, but he should keep in mind that Curran wouldn’t come and rescue him when you beat his ass. You should’ve seen Jim’s face.”
“His what?”
“His mate. M-A-T-E.”
I cursed.
Andrea grinned. “I thought that would make your day. And now you’re stuck with him in here for three days and you get to fight together in the Arena. It’s so romantic. Like a honeymoon.”
Once again my mental conditioning came in handy. I didn’t strangle her on the spot.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
AMOR FATI Inside every world there is another world trying to get out, and there is something in you that would like to discount this world. The stars could rise in darkness over heartbreaking coasts, and you would not know if you were ruining your life or beginning a real one. You could claim professional fondness for the world around you; the pictures would dissolve under the paint coming alive, and you would only feel a phantom skip of the heart, absorbed so in the colors. Your disbelief is a later novel emerging in the long, long shadow of an earlier one— is this the great world, which is whatever is the case? The sustained helplessness you feel in the long emptiness of days is matched by the new suspiciousness and wrath you wake to each morning. Isn’t this a relationship with your death, too, to fall in love with your inscrutable life? Your teeth fill with cavities. There is always unearned happiness for some, and the criminal feeling of solitude. Always, everyone lies about his life.
”
”
Sandra Lim (The Wilderness: Poems)
“
There’s a man with her. He’s blonde, balding, harassed-looking, and probably what they call time-poor. Older. He looks at me over the steering wheel and gives a helpless, frustrated gesture, as though I should be able to identify and sympathize with his plight. Then, as the woman starts to open the car door, he stops her with a swift movement. And suddenly they’re struggling, locked into a graceless, desperate tussle. I picture the dull, bestial unhappiness of a couple shackled to each other by their mortgage and their children’s shareed DNA.
”
”
Liz Jensen (The Rapture)
“
Everything else we shall destroy—everything. Already we are breaking down the habits of thought which have survived from before the Revolution. We have cut the links between child and parent, and between man and man, and between man and woman. No one dares trust a wife or a child or a friend any longer. But in the future there will be no wives and no friends. Children will be taken from their mothers at birth, as one takes eggs from a hen. The sex instinct will be eradicated. Procreation will be an annual formality like the renewal of a ration card. We shall abolish the orgasm. Our neurologists are at work upon it now. There will be no loyalty, except loyalty toward the Party. There will be no love, except the love of Big Brother. There will be no laughter, except the laugh of triumph over a defeated enemy. There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always—do not forget this, Winston—always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face—forever.
”
”
George Orwell (1984)
“
He was as bold as a lion about it, and 'mightily convinced' not only himself, but everybody that heard him;—but then his idea of a fugitive was only an idea of the letters that spell the word,—or at the most, the image of a little newspaper picture of a man with a stick and bundle, with "Ran away from the subscriber" under it. The magic of the real presence of distress,—the imploring human eye, the frail, trembling human hand, the despairing appeal of helpless agony,—these he had never tried. He had never thought that a fugitive might be a hapless mother, a defenseless child,—like that one which was now wearing his lost boy's little well-known cap; and so, as our poor senator was not stone or steel,—as he was a man, and a downright noble-hearted one, too,—he was, as everybody must see, in a sad case for his patriotism.
”
”
Harriet Beecher Stowe (Uncle Tom’s Cabin)
“
What agony he suffered as he watched that light, in whose golden atmosphere were moving, behind the closed sash, the unseen and detested pair, as he listened to that murmur which revealed the presence of the man who had crept in after his own departure, the perfidy of Odette, and the pleasures which she was at that moment tasting with the stranger.
And yet he was not sorry that he had come; the torment which had forced him to leave his own house had lost its sharpness when it lost its uncertainty, now that Odette's other life, of which he had had, at that first moment, a sudden helpless suspicion, was definitely there, almost within his grasp, before his eyes, in the full glare of the lamp-light, caught and kept there, an unwitting prisoner, in that room into which, when he would, he might force his way to surprise and seize it; or rather he would tap upon the shutters, as he had often done when he had come there very late, and by that signal Odette would at least learn that he knew, that he had seen the light and had heard the voices; while he himself, who a moment ago had been picturing her as laughing at him, as sharing with that other the knowledge of how effectively he had been tricked, now it was he that saw them, confident and persistent in their error, tricked and trapped by none other than himself, whom they believed to be a mile away, but who was there, in person, there with a plan, there with the knowledge that he was going, in another minute, to tap upon the shutter. And, perhaps, what he felt (almost an agreeable feeling) at that moment was something more than relief at the solution of a doubt, at the soothing of a pain; was an intellectual pleasure.
”
”
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
“
I thought of what Cameron said about the day I came across the yard to him to ask him to be in my club. About how I had guts. About how I was brave and strong. He was around to tell me these things now, to remind me, but I was going to have to learn to remember them myself, and believe them.
I got up, crept to Alan's office, and went in.
"Cameron? Cam?"
He didn't move, and appeared to be fast asleep.
I'm not sure what I wanted. To look at him, I guess, and talk. I sat on the floor by the sofa bed so that my face was level with his. His breath came in short, toothpaste-minty sighs.
"Cameron Quick," I whispered, just wanting to hear his name. He still didn't move. I touched his face, following the curve of his jaw, the bow of his lips. This was the boy who made my childhood less lonely, who made me feel loved. And known. And accepted. Who had stared into my most terrifying moment right beside me, while my most terrifying moment was his everyday life. And I pictured him patting that baby doll by a cold window, showing it comfort by instinct. I felt overwhelmed with sadness for his life and what it could have been, even though I knew he wouldn't want me to feel that way. He'd say it was all right, that he'd get by, that he could take care of himself. That he didn't need anyone to fix it. But I still wanted to, to somehow make up for that infinite, infinite well of helplessness that I'd spent most of my life believing had swallowed us up.
It hadn't, though, because we were here, weren't we? Wiser and braver and more ready for life than our friends or parents or anyone we knew, than even I had realized until he came back to show me.
I touched his wrist lightly, his elbow. I tucked the blanket up around his shoulder.
"I love you, Cameron," I whispered.
”
”
Sara Zarr (Sweethearts)
“
But right now he wanted nothing more than a hot shower, a shave and a decent cup of tea.
Though he'd have traded all of that for one more taste of Keeley.
Knowing it irritated him had him scowling in the direction of her paddock. The minute he was cleaned up, he promised himself, the two of them would have a little conversation.Very little, he decided, before he got his hands on her again. And when he did, he was going to-
The erotic image he conjured in his head burst like a bubble when he rounded the house and saw Keeley's mother kneeling at the flower bed.
It was not the most comfortable thing to come across the mother when you'd been picturing the daughter naked. Then Adelia looked over at him, and he saw the tears on her cheeks. And his mind went blank.
"Ah...Mrs. Grant."
"Brian." Sniffling, she wiped her cheeks with the back of her hand. "I was doing some weeding. Just tidying up the beds here." She tugged at the cap on her head, then she lowered her hands, dropped back on her heels. "I'm sorry."
"Ah..." Said that already, he thought, panicked. Say something else. He was never so helpless as he was with female tears.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
For those who live in Kashmir, the expectations of justice, rarely fulfilled in the Indian subcontinent, are more than optimistic; they belong to fantasy. It makes it all the more difficult for the victims to bear their human losses. At Dalal's house, the once carefully tended plants and hedges were already running wild just a few weeks after his murder, the fish in the pond were mostly dead, and few men sat slumped on the floor in a bare hall under the Islamic calendar of mourning. His mother, persuaded by her male relatives to emerge from the dark room where she had taken to since her son's death, broke down as soon as she noticed the photos of Dalal I had been studying. The pictures showed a young man in dark glasses and trendy clothes, a happy, contented man, someone who had managed to find, amid the relentless violence of the insurgency, a new style and identity for himself, and when Dalal's mother, still crying, while her mother, Dalal's grandmother, sat beside her, quietly wiping her tears with the frayed end of her headscarf, asked what was the point of talking to the press, of speaking about her son to me- he was gone and wouldn't come back; the people who had killed him were too powerful- it was hard not to feel pierced by the truth of what she was saying, hard not to be moved by her grief, and the pain, amid the great human waste of Kashmir, of her helplessness.
”
”
Pankaj Mishra (Temptations of the West: How to Be Modern in India, Pakistan, Tibet, and Beyond)
“
And lifting water is just one of the many jobs that the phloem, xylem, and cambium perform. They also manufacture lignin and cellulose; regulate the storage and production of tannin, sap, gum, oils, and resins; dole out minerals and nutrients; convert starches into sugars for future growth (which is where maple syrup comes into the picture); and goodness knows what else. But because all this is happening in such a thin layer, it also leaves the tree terribly vulnerable to invasive organisms. To combat this, trees have formed elaborate defense mechanisms. The reason a rubber tree seeps latex when cut is that this is its way of saying to insects and other organisms, “Not tasty. Nothing here for you. Go away.” Trees can also deter destructive creatures like caterpillars by flooding their leaves with tannin, which makes the leaves less tasty and so inclines the caterpillars to look elsewhere. When infestations are particularly severe, some trees can even communicate the fact. Some species of oak release a chemical that tells other oaks in the vicinity that an attack is under way. In response, the neighboring oaks step up their tannin production the better to withstand the coming onslaught. By such means, of course, does nature tick along. The problem arises when a tree encounters an attacker for which evolution has left it unprepared, and seldom has a tree been more helpless against an invader than the American chestnut against Endothia parasitica. It enters a chestnut effortlessly, devours the cambium cells, and positions itself for attack on the next tree before the tree has the faintest idea,
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
1. ‘ I hate people who collect things and classify things and give them names and then forget all about them. That’s what people are always doing in art.They call a painter an impressionist or a cubist or something and then they put him in a drawer and don’t see him as a living individual painter any more. But I can see they’re beautiful arranged.’
2. ’ Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?... Why do you keep on using these stupid words-nasty, nice, proper, right? Why are you so worried about what’s proper?...why do you take all the life out of life? Why do you kill all the beauty?’
3. ‘ Because I can’t marry a man to whom I don’t feel I belong in all ways. My mind must be his, my heart must be his, my body must be his. Just as I must feel he belongs to me. ‘
4.’ The only thing that really matters is feeling and living what you believe-so long as it’s something more than belief in your own comfort.’
5. 'It’s weird. Uncanny. But there is a sort of relationship between us. I make fun of him, I attack him all the time, but he senses when I’m ‘soft’. When he can dig back and not make me angry. So we slip into teasing states that are almost friendly. It’s partly because I’m so lonely, it’s partly deliberate (I want make him relax, both for his own good and so that one dat he may make a mistake), so it’s part weakness, and part cunning, and part charity. But there’s a mysterious fourth part I can’t define. It can’t be friendship, I loathe him. Perhaps it’s just knowledge. Just knowing a lot about him. And knowing someone automatically makes you feel close to him. Even when you wish he was on another planet.’
6.’ You must MAKE, always. You must act, if you believe something. Talking about acting is like boasting about pictures you’re going to paint. The most terrible form.
If you feel something deeply, you’re not ashamed to show your feeling.’
7. ‘ The women I’ve loved have always told me I’m selfish. It’s what makes them love me. And then be disgusted with me...But what they can’t stand is that I hate them when they don’t behave in their own way. ‘
8. ‘ I love honesty and freedom and giving. I love making , I love doing, I love being to the full, I love everything which is not sitting and watching and copying and dead at heart. ‘
9. ‘ I don’t know what love is...love is something that comes in different clothes, with a different way and different face, and perhaps it takes a long time for you to accept it, to be able to call it love.’
10. ‘ All this business, it’s bound up with my bossy attitude to life. I’ve always known where I’m going, how I want things to happen. And they have happened as I have wanted, and I have taken it for granted that they have because I know where I’m going. But I have been lucky in all sorts of things. I’ve always tried to happen to life; but it’s time I let life happen to me. ‘
11. ‘I said, what you love is your own love. It’s not love, it’s selfishness. It’s not me you think of, but what you feel about me.’
12. ‘ The power of women! I’ve never felt so full of mysterious power. Men are a joke. We’re so weak physically, so helpless with things. Still, even today. But we’re stronger then they are. We can stand their cruelty. They can’t stand ours.
”
”
John Fowles
“
The girl circled in my arm was clean and fresh, and her sleeping breath was humid against the base of my throat. Something stirred in me in response to her helplessness, and yet at the same time I resented her. I had seen too damn many of these brisk and shining girls, so lovely, so gracious, and so inflexibly ambitious. They had counted their stock in trade and burnished it and spread it right out there on the counter. It was all yours for the asking. All you had to do was give her all the rest of your life, and come through with the backyard pool, cookouts, Eames chairs, mortgage, picture windows, two cars, and all the rest of the setting they required for themselves. These gorgeous girls, with steel behind their eyes, were the highest paid whores in the history of the world. All they offered was their poised, half-educated selves, one hundred and twenty pounds of healthy, unblemished, arrogant meat, in return for the eventual occupational ulcer, the suburban coronary. Nor did they bother to sweeten the bargain with their virginity. Before you could, in your hypnoid state, slip the ring on her imperious finger, that old-fashioned prize was long gone, and even its departure celebrated many times, on house parties and ski weekends, in becalmed sailboats and on cruise ships. This acknowledged and excused promiscuity was, in fact, to her advantage. Having learned her way through the jungly province of sex, she was less likely to be bedazzled by body hunger to the extent that she might make a bad match with an unpromising young man. Her decks were efficiently cleared, guns rolled out, fuses alight, cannonballs stacked, all sails set. She stood on the bridge, braced and ready, scanning the horizon with eyes as cold as winter pebbles. One
”
”
John D. MacDonald (The End of the Night (Murder Room Book 629))
“
These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.
”
”
Walter Scott (The Greatest Sea Novels and Tales of All Time)
“
Epilogue "It's a girl!" "A what?" Michael stared in shock at the midwife, who had just left his wife's chambers. "A girl, Your Grace," the woman replied nervously, perhaps worried that he would order Isabella's head cut off for not producing a male heir. A girl, Michael thought in wonder. Not for a moment had he thought his child would be a girl. For the past one hundred years, only males had been born into the Blackmore line, and he hadn't expected his offspring to be any different. "I must see them at once." Michael stood abruptly, causing the small, rotund midwife to jump with nerves. "Yes, Your Grace." She bowed fearfully—and unnecessarily, for he was only a Duke—and gestured for him to follow her into his wife's rooms. In a few long strides, he was inside Isabella's inner sanctum and rushing to the bed, where his wife lay as serene and calm as though she had merely taken a walk . "Isabella?" he croaked, tears in his eyes. "Oh, don't be so dramatic, darling!" Isabella replied with a gentle smile. "I'm perfectly all right, and so is the baby. One of the nurses shall bring her back in a minute; they're just bathing her." As though her words had been a command, the door to the antechamber opened and a second—more cheerful—midwife emerged with an armful of blankets. "Here she is, Your Grace," she said, shoving the bundle of blankets into his arms. "What, where?" the Duke asked in confusion, before looking down at the white blankets, light as a feather, that he held. There, in the midst of all the material and swaddled tight, was the face of the tiniest baby he had ever seen. "She's very small," he said in confusion to Isabella, who merely smiled. "Should she be this small?" "Actually, she's quite big," the midwife interjected, her face a picture of amusement at Michael's helpless expression. "What do you think?" Isabella asked softly, leaning over his shoulder to stare down at the baby. "I-I-I" Michael stuttered, completely overwhelmed. "You love her that much already?" Isabella teased . Unable to respond, Michael merely nodded, knowing that he probably appeared cold to the watching midwife. But his wife knew the truth, and she understood that sometimes a man didn't need words to express how much love was in his heart. And one day, his daughter would understand too.
”
”
Claudia Stone (Proposing to a Duke (Regency Black Hearts #1))
“
It makes me more than sad, it makes my heart burn within me, to see that folk can make a jest of earnest men; of chaps who comed to ask for a bit o' fire for th' old granny, as shivers in th' cold; for a bit o' bedding, and some warm clothing to the poor wife as lies in labour on th' damp flags; and for victuals for the childer, whose little voices are getting too faint and weak to cry aloud wi' hunger. For, brothers, is not them the things we ask for when we ask for more wage? We donnot want dainties, we want bellyfuls; we donnot want gimcrack coats and waistcoats, we want warm clothes, and so that we get 'em we'd not quarrel wi' what they're made on. We donnot want their grand houses, we want a roof to cover us from the rain, and the snow, and the storm; ay, and not alone to cover us, but the helpless ones that cling to us in the keen wind, and ask us with their eyes why we brought 'em into th' world to suffer?" He lowered his deep voice almost to a whisper.
"I've seen a father who had killed his child rather than let it clem before his eyes; and he were a tender-hearted man."
He began again in his usual tone. "We come to th' masters wi' full hearts, to ask for them things I named afore. We know that they've gotten money, as we've earned for 'em; we know trade is mending, and that they've large orders, for which they'll be well paid; we ask for our share o' th' payment; for, say we, if th' masters get our share of payment it will only go to keep servants and horses, to more dress and pomp. Well and good, if yo choose to be fools we'll not hinder you, so long as you're just; but our share we must and will have; we'll not be cheated. We want it for daily bread, for life itself; and not for our own lives neither (for there's many a one here, I know by mysel, as would be glad and thankful to lie down and die out o' this weary world), but for the lives of them little ones, who don't yet know what life is, and are afeard of death. Well, we come before th' masters to state what we want, and what we must have, afore we'll set shoulder to their work; and they say, 'No.' One would think that would be enough of hard-heartedness, but it isn't. They go and make jesting pictures of us! I could laugh at mysel, as well as poor John Slater there; but then I must be easy in my mind to laugh. Now I only know that I would give the last drop o' my blood to avenge us on yon chap, who had so little feeling in him as to make game on earnest, suffering men!
”
”
Elizabeth Gaskell (Mary Barton)
“
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.”
Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair.
“You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry.
She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.”
Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.”
She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength.
Physics were on her side.
Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash.
Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter.
A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly.
He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies.
“What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights.
“Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended.
He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!”
“I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.”
Indignant, her mouth opened, ready to skewer him.
But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
”
”
Laura Moore (Night Swimming: A Novel)
“
the lane to my left wasn’t as far back as I thought. The very last inch of my back bumper caught the very front corner of the truck’s cab. That was enough. I lost all control of my car, which executed a slow and stately counterclockwise turn, ending with my driver’s side flush into the front of the truck, still speeding down the freeway. It was slow and stately from my perspective, anyway. I felt as if I were trapped in amber, watching helplessly as my car moved of its own
”
”
Sean Carroll (The Big Picture: On the Origins of Life, Meaning, and the Universe Itself)
“
Chorus:
The Kings are our dear fathers
Under whose care we live in peace
The Kings are our dear fathers
Under whose care we live in peace
Marat:
And the children repeated the lesson they believed it
As anyone believes
What they hear over and over again
And over and over again the priests said
Our love embraces all mankind
Of every colour race and creed
Our love is international universal
We are all brothers every one
And the priests looked down into the pit of injustice
And they turned their faces away and said
Our Kingdom is not as the kingdom of this world
Our life on earth is out a pilgrimage
The soul lives on humility and patience
At the same time screwing from the poor their last centime
They settled down among their treasures
And ate and drank with princes
And to the starving they said
Suffer
Suffer as he suffered on the cross
For it is the will of God
And anyone believes what they hear over and over again
So the poor instead of bread made do with a picture
Of the bleeding scourged and nailed-up Christ
And prayed to that image of their helplessness
And the priests said
Raise your hands to heaven bend your knees
And bear your suffering without complaint
For prayer and blessing are the only stairways
Which you can climb to Paradise
And so they chained down the poor in their ignorance
So that they wouldn't stand up and fight their bosses
Who ruled in the name of the lie of divine right
Chorus:
Amen
”
”
Peter Weiss (The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade)
“
It’s midnight. I figure it will get light about six or seven, right? We can’t just run the Blazer all night.” He paused as if he didn’t quite know what to say next. He ran his hand down his face, and I suddenly felt like laughing from sheer helplessness. I bit my lip hard, the inappropriate giggle perched at the back of my throat just waiting to jump out. I really was crazy.
"I have a sleeping bag and two pillows, plus those three old blankets. It’s going to get cold when we turn off the Blazer.” Finn stopped again, as if he were uncomfortable, and the giggle escaped through my clenched lips.
“Are you laughing?”
“No.”
“You are. Here I am feeling like a dirty old man because I’m about to suggest that we make a bed and cuddle up to keep warm, and you are laughing.”
“You were going to suggest we . . . cuddle?” My shock immediately cured the giggling problem.
Finn ran both hands over his face, scrubbing at it like he wanted to erase what he’d just said.
“Okay,” I said in a tiny voice. He looked at me in surprise, and I couldn’t help it. I smiled. A big, wide, you-are-my-sunshine smile.
“You do realize we’re in trouble here, right?” Finn shook his head like he doubted my sense, but a smile teetered around the corners of his mouth. “This isn’t a slumber party with your girlfriends and trips to the fridge for snacks.”
“Hey, Clyde?”
“Yeah, Bonnie?”
“You will have officially slept with Bonnie Rae Shelby after tonight. You aren’t going to ask me to sign an autograph, are you? Maybe sign your hiney in permanent marker so you can take a picture and sell it to US Weekly?”
“Got a little ego, there, huh?”
I dove over the seat into the back, laughing. “Dibs on the pillow with a pillow case!
”
”
Amy Harmon (Infinity + One)
“
There was nothing he could say or do. I was helpless as well. I was furious that this thug had taken advantage of him like that, but I knew the police would never listen. There was just no way around the corruption. My father never truly recovered from that brutal beating. As he grew weaker, I kept picturing him as he had once been back in Japan. The Tiger. Brawny beyond belief. By 1994, he couldn’t stand up on his own,
”
”
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
“
As I recall,” he said as his fingertip skimmed the tops of her breasts, “I enjoy the sounds a woman makes when I pleasure her.”
“Ye’d not enjoy these sounds.” She slapped his hand away. “And if ye take me, there’d be no pleasure.”
“As a maid, ye canna know that,” he said, lifting one of the long locks of her chestnut hair to his lips and inhaling her scent. “And I dinna think ye’ll scream, not in the way ye mean, in any case.”
“Ye’d have to tie me up and force yourself on me, because I’d fight ye, tooth and claw,” she said with assurance.
“Now there’s a thought,” he said. “I’ve heard some lassies enjoy being tied up.”
He could picture her in his mind, bound tight, her breasts bared, her legs splayed with her soft core wet and ready. She’d be helpless before him. He’d make her beg for release. He stood and walked to his horse to retrieve a length of rope.
“Shall we give it a try?”
“No!” she said, scrabbling away. “Please, no.”
“Dinna fret, Elspeth. I’ll no’ force ye,” he crooned softly, as if she were a frightened mare.
”
”
Connie Mason (Sins of the Highlander)
“
Our Lord gave us the picture of the child as a model for Christian faith (Mk 10:14-16) not because of the child’s helplessness but because of the child’s willingness to be led, to be taught, to be blessed. God does not reduce us to a set of Pavlovian reflexes so that we mindlessly worship and pray and obey on signal; he establishes us with a dignity in which we are free to receive his word, his gifts, his grace.
”
”
Eugene H. Peterson (A Long Obedience in the Same Direction: Discipleship in an Instant Society (The IVP Signature Collection))
“
Donald was stunned. They must be making a sensaysh out of it, to sacrifice so much time from even their ten-minute condensed-news cycle!
His Mark II confidence evaporated. Euphoric from his recent eptification, he had thought he was a new person, immeasurably better equipped to affect the world. But the implications of that expensive plug stabbed deep into his mind. If State were willing to go to these lengths to maintain his cover identity, that meant he was only the visible tip of a scheme involving perhaps thousands of people. State just didn’t issue fiats to a powerful corporation like English Language Relay Satellite Service without good reason.
Meaningless phrases drifted up, dissociated, and presented themselves to his awareness, all seeming to have relevance to his situation and yet not cohering.
My name is Legion.
I fear the Greeks, even bearing gifts.
The sins of the fathers shall be visited on the children.
Say can you look into the seeds of time?
Was this the face that launch’d a thousand ships, And burnt the topless towers of Ilium?
Struggling to make sense of these fragments, he finally arrived at what his subconscious might be trying to convey.
The prize, these days, is not in finding a beautiful mistress. It’s in having presentable prodgies. Helen the unattainable is in the womb, and every mother dreams of bearing her. Now her whereabouts is known. She lives in Yatakang and I’ve been sent in search of her, ordered to bring her back or say her beauty is a lie—if necessary to make it a lie, with vitriol. Odysseus the cunning lurked inside the belly of the horse and the Trojans breached the wall and took it in while Laocoön and his sons were killed by snakes. A snake is cramped around my forehead and if it squeezes any tighter it will crack my skull.
When the purser next passed, he said, “Get me something for a headache, will you?”
He knew that was the right medicine to ask for, yet it also seemed he should have asked for a cure for bellyache, because everything was confused: the men in the belly of the wooden horse waiting to be born and wreak destruction, and the pain of parturition, and Athena was born of the head of Zeus, and Time ate his children, as though he were not only in the wooden horse of the express but was it about to deliver the city to its enemy and its enemy to the city, a spiralling wild-rose branch of pain with every thorn a spiky image pricking him into other times and other places.
Ahead, the walls. Approaching them, the helpless stupid Odysseus of the twenty-first century, who must also be Odin blind in one eye so as not to let his right hand know what his left was doing. Odinzeus, wielder of thunderbolts, how could he aim correctly without parallax? “No individual has the whole picture, or even enough of it to make trustworthy judgments on his own initiative.” Shalmaneser, master of infinite knowledge, lead me through the valley of the shadow of death and I shall fear no evil …
The purser brought a white capsule and he gulped it down.
But the headache was only a symptom, and could be fixed.
”
”
John Brunner (Stand on Zanzibar)
“
All happy families are alike in the pain their members helplessly inflict upon one another, as if under orders from a perverse higher authority.
”
”
Janet Malcolm (Still Pictures: On Photography and Memory)
“
picture yourself walking along a mountainous trail. You come across a person being crushed by a boulder on their chest. The empathetic response would be to feel the same sense of crushing suffocation, thus rendering you helpless. The compassionate response would be to recognize that that person is in pain and to do everything within your power to remove the boulder and alleviate their suffering. Put another way, compassion is empathy plus action.
”
”
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
“
But here I am, having worked so hard and for so long that I’ve made myself sick. And worst of all, I’ve nearly forgotten how to rest. I’m tired, inevitably. But it’s more than that. I’m hollowed out. I’m tetchy and irritable, constantly feeling like prey, believing that everything is urgent and that I can never do enough. And my house—my beloved home—has suffered a kind of entropy in which everything has slowly collapsed and broken and worn out, with detritus collecting on every surface and corner, and I have been helpless in the face of it. Since being signed off sick, I’ve been forced to lean back on the sofa and stare at the wreckage for hours at a time, wondering how the hell it got so bad. There’s not a single soothing place left in the house, where you can rest a while without being reminded that something needs to be mended or cleaned. The windows are clouded with the dusty veil of a hundred rainstorms. The varnish is wearing from the floorboards. The walls are dotted with nails that are missing their pictures or holes that should be filled and painted over. Even the television hangs at a drunken angle. When I stand on a chair and empty the top shelf in the wardrobe, I find that I have meant to replace the bedroom curtains at least three times in the last few years, and every bundle of fabric I’ve bought has ended up folded neatly and stowed away, entirely forgotten. That I’m noticing these things only now that I’m physically unable to remedy them feels like the kind of exquisite torture devised by vengeful Greek gods. But here it is: my winter. It’s an open invitation to transition into a more sustainable life and to wrest back control over the chaos I’ve created. It’s a moment when I have to step into solitude and contemplation. It’s also a moment when I have to walk away from old alliances, to let the strings of some friendships fall loose, if only for a while. It’s a path I’ve walked over and over again in my life. I have learned the skill set of wintering the hard way.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
I keep my expression benign as I lean against one of the shops on Port's main street, but internally? Internally I'm plotting Gia's death. Every flirty smile the woman tosses Kazex's way, I mentally picture punching her face. She's got gorgeous, thick curling hair and a winsome smile that she flashes like a weapon. And she's flirting with Kazex. And he's mine, goddamn it. My anger and frustration turn to worry as the minutes tick past and Gia and Kazex continue to talk at her sled. The packages are in the trunk, and yet he's not returning to my side. Gia keeps talking, reaching out and touching his arm and tossing her hair, and Kazex is smiling back at her. He's enjoying this. A sinking feeling enters my gut. A realization. I've made a mistake. This is my future, all because I didn't act. I'm in the process of losing him even as I stand here, and I'm helpless to do anything about it.
”
”
Ruby Dixon (Only the Clonely (Sunrise Cantina, #1))
“
Game’s over, Hawthorn. Any last words?” It seemed to hit her at once. What he’d said. That she’d lost their wager. “Go to hell, Prince.” Elm laughed, deep and loud enough to shake the barbs in him. “You have a wonderful mouth.” He tapped the Chalice three times, severing its hold. “And now, it’s all mine.” He hooked Ione’s chin between his thumb and index finger, the same way she’d held his in the dungeon, and leaned in, halting just before their lips grazed. When Elm whispered into her mouth, he made sure to touch her bottom lip with his thumb, where he knew she’d be warm. “You really thought I wouldn’t remember you?” She had. He could tell by the flare in her eyes. “All that talk of pleasure and warmth and that terrible, unquiet ache between your legs,” he murmured. “You painted such a pretty picture for me. And wouldn’t it be fun, denying me a kiss, had I lost our bet? To take my Scythe and render me helpless?” His top lip brushed hers. “Tell me, Hawthorn—does it make you feel something, toying with me like this?
”
”
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
“
I’d like to share with you a parable: the parable of Bob the Angel.
A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!”
The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her.
She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins.
There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand.
“You probably shouldn’t be walking through here this late at night,” was all he said as he turned away.
“Wait! What’s your name?” she asked, still stunned half sitting up on the ground.
All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .”
An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered.
Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that.
If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.
”
”
Michael Brent Jones (Dinner Party: Part 2)
“
BECKETT: Do you know what I dream of, Difford? Do you know what I think about every night? I dream of the day I see my wife again. I picture sliding my hands around her neck and feeling her hands flail against my chest. I envision choking her to the edge of unconsciousness. And then, while she’s lying there, staring at me helplessly, I pick up a dull Swiss Army knife and hack off her fingers one by one. Then her ears. Then her nose. And then, then I cut out her beating heart. I’ll do it someday, Difford. And when I do, I’ll mail her heart to you. Lieutenant
”
”
Lisa Gardner (The Perfect Husband (Quincy & Rainie, #1))
“
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
”
”
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
“
Let us call the world to come together – every child, every woman and every man. Let
us draw a bigger picture, one that enters every home, every heart and brings together
every voice.
Let us listen to the helpless cries of the abused and neglected children. Let us listen
more deeply to women who are being abused, blamed and discriminated against, while
trapped in cages of injustice, fear and shame, with no option but to suffer in silence.
I have seen with my own eyes the happiest dreams of unfortunate victims change to
their worst nightmares. I have seen their lives shatter while their families fall apart.
Their hearts have burned and their eyes have seen nothing but misery.
Let us transform all the voices and sounds of hopelessness into a beautiful melody that
plays to the world. No matter how dark things get, the sun of justice will eventually rise.
The birds will sing our stories to the world. Rainbows will dazzle with color in a sky
that is no longer grey.
”
”
Maha Al Fahim (My Mother's Story)
“
Well then, Juliet, since you can't find anything funny about our predicament, let's see what Charlotte can do," he announced with a flippant, offhand charm. And then, before she could protest, he plucked the baby from her arms, laid her on the bed, and tickled her until she batted at his hands and began shrieking with delight. "See? Charlotte thinks it's funny, don't you, Charlie-girl?" The baby, who obviously adored him, gurgled and squealed, and Juliet found herself staring at the tender picture the two of them made; he, so tall and strong and masculine, her daughter, so tiny and helpless. She swallowed, hard. There was something deep and moving in this powerful image of Lord Gareth de Montforte as a father — a role that seemed to come as easily to him as flight to a bird. Her heart beat faster as she finally acknowledged what she'd been afraid to admit all along. She desired him. Desired him so badly it scared her. He glanced over at her, grinning. She shook her head and folded her arms, feigning annoyance but unable to prevent the growing amusement from sparking her eyes. Then he bent over Charlotte, his nose nearly touching hers, a few locks of hair tumbling over his brow and brushing the baby's forehead. He put his fingers into the corners of his mouth and pulled his cheeks wide, all the while making an absurd gurgling noise and glancing playfully at Juliet out of the corner of his eye to ensure that she was watching, too. He looked completely ridiculous. Worse, he knew he looked completely ridiculous and reveled in it. Unbidden, a burst of laughter escaped Juliet, mingling with Charlotte's happy shrieks. Letting go of his cheeks, Gareth laughed right along with them, a big, happy sound that brightened the room as the candles never could have done. It was warm laughter, family laughter, the kind of laughter that Juliet had never expected to share in ever again. Something
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
Something hit him, and it didn’t feel particularly good. He picked up the picture and looked at the man’s face. So, you’re the guy, he thought. He didn’t look like a bad guy—but clearly he had done something to Mel. Something she was having trouble getting beyond. Maybe he’d left her for another woman—but that seemed impossible to imagine. Maybe he left her for a man. Oh, please let it be so—I can make that better—just give me five minutes. Or maybe he looked harmless but had been an impossible asshole and she’d broken off with him, but still loved him helplessly. And here she had his picture right there, to be the last face she saw before falling asleep at night. At some point she was going to give Jack a chance to make that picture go away, but it wasn’t going to be tonight. Probably just as well. If she woke to find him there, either in her bed or ready to be, she would put the blame on Crown Royal. He wanted it to come from desire—and he wanted it to be real. He scribbled a note. I’ll be back for you at 8:00 a.m. Jack. He left it by the coffeepot. Then he went to his truck to get something he’d purchased earlier in the day. He brought the leather case holding the dismantled fly fishing rod and reel and the waders into the house and left them by the front door. And went home. *
”
”
Robyn Carr (Virgin River (Virgin River #1))
“
Mother Mary wants to draft two more kids,” Astrid told Sam.
“Okay. Approved.”
“Dahra says we’re running low on kids’ Tylenol and kids’ Advil, she wants to make sure it’s okay to start giving them split adult pills.”
Sam spread his hands in a helpless gesture. “What?”
“We’re running low on kid pills, Dahra wants to split adult pills.”
Sam rocked back in the leather chair designed for a grown man. “Okay. Whatever. Approved.” He took a sip of water from a bottle. The wrapper on the bottle said “Dasani” but it was tap water. The dishes from dinner—horrible homemade split-pea soup that smelled burned, and a quarter cabbage each—had been pushed aside onto the sideboard where in the old days the mayor of Perdido Beach had kept framed pictures of his family. It was one of the better meals Sam had had lately. The fresh cabbage tasted surprisingly good.
There was little more than smears on the plates: the era of kids not eating everything was over.
Astrid puffed out her cheeks and sighed. “Kids are asking why Lana isn’t around when they need her.”
“I can only ask Lana to heal big things. I can’t demand she be around 24/7 to handle every boo-boo.”
Astrid looked at the list she had compiled on her laptop. “Actually, I think this involved a stubbed toe that ‘hurted.’”
“How much more is on the list?” Sam asked.
“Three hundred and five items,” Astrid said. When Sam’s face went pale, she relented. “Okay, it’s actually just thirty-two. Now, don’t you feel relieved it’s not really three hundred?”
“This is crazy,” Sam said.
“Next up: the Judsons and the McHanrahans are fighting because they share a dog, so both families are feeding her—they still have a big bag of dry dog food—but the Judsons are calling her Sweetie and the McHanrahans are calling her BooBoo.”
“You’re kidding.”
“I’m not kidding,” Astrid said.
“What is that noise?” Sam demanded.
Astrid shrugged. “I guess someone has their stereo cranked up.”
“This is not going to work, Astrid.”
“The music?”
“This. This thing where every day I have a hundred stupid questions I have to decide. Like I’m everyone’s parent now. I’m sitting here listening to how little kids are complaining because their older sisters make them take a bath, and stepping into fights over who owns which Build-A-Bear outfit, and now over dog names. Dog names?”
“They’re all still just little kids,” Astrid said.
“Some of these kids are developing powers that scare me,” Sam grumbled. “But they can’t decide who gets to have which special towel? Or whether to watch The Little Mermaid or Shrek Three?”
“No,” Astrid said. “They can’t. They need a parent. That’s you.
”
”
Michael Grant (Hunger (Gone, #2))
“
Experiencing Christ’s Love For I am persuaded that neither death nor life, nor angels nor principalities nor powers, nor things present nor things to come, nor height nor depth, nor any other created thing, shall be able to separate us from the love of God which is in Christ Jesus our Lord. Romans 8:38-39 NKJV How much does Christ love us? More than we, as mere mortals, can comprehend. His love is perfect and steadfast. Even though we are fallible and wayward, the Good Shepherd cares for us still. Even though we have fallen far short of the Father’s commandments, Christ loves us with a power and depth that are beyond our understanding. The sacrifice that Jesus made upon the cross was made for each of us, and His love endures to the edge of eternity and beyond. Christ is the ultimate Savior of mankind and the personal Savior of those who believe in Him. As His servants, we should place Him at the very center of our lives. And, every day that God gives us breath, we should share Christ’s love and His message with a world that needs both. Christ’s love changes everything. When you accept His gift of grace, you are transformed, not only for today, but also for all eternity. If you haven’t already done so, accept Jesus Christ as your Savior. He’s waiting patiently for you to invite Him into your heart. Please don’t make Him wait a single minute longer. It is when we come to the Lord in our nothingness, our powerlessness and our helplessness that He then enables us to love in a way which, without Him, would be absolutely impossible. Elisabeth Elliot The love of Christ is a fierce thing. It can take the picture you have of yourself and burn it in the fire of His loving eyes, replacing it with a true masterpiece. Sheila Walsh Live your lives in love, the same sort of love which Christ gives us, and which He perfectly expressed when He gave Himself as a sacrifice to God. Corrie ten Boom Blessed assurance, Jesus is mine! O what a foretaste of glory divine! Fanny Crosby Christ is with us, and the warmth is contagious. Joni Eareckson Tada To a world that was spiritually dry and populated with parched lives scorched by sin, Jesus was the Living Water who would quench the thirsty soul, saving it from “bondage” and filling it with satisfaction and joy and
”
”
Freeman Smith (Fifty Shades of Grace: Devotions Celebrating God's Unlimited Gift)
“
I’d like to share with you a parable: the parable of Bob the Angel.
A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!”
The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her.
She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins.
There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand.
“You probably shouldn’t be walking through here this late at night,” was all he said as he turned away.
“Wait! What’s your name?” she asked, still stunned half sitting up on the ground.
All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .”
An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered.
Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that.
If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.
God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob.
Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.
”
”
Michael Brent Jones (Dinner Party: Part 2)
“
As an Iranian woman in the West, I see and share a lot of concern about the fate of my country’s women. But I’m also disturbed at how commonly the Western people I know view female Iranians as either helpless victims or brainwashed enemies—even if they personally know vibrant, successful, multicultural Persian women. In both Iran and the West it’s still widely assumed that males have always been the authors of Iranian culture, business, law, religion, art, education, literature, agriculture, science, architecture, philosophy, social mores, and the writing of history. But of course Iranian women have always been creative, influential players in all of these fields. They’ve always had their own goals, values, passions, and accomplishments, whatever challenges they've faced, and their contributions have enriched the world. As I recall the commonly obscured female half of my heritage, I want to paint a big picture of women’s initiatives in every period of Iranian history. Of course many excellent authors and scholars have been working on that for decades, and their work has helped to dispel traditional bias. But I and my Western male co-author hope to make our own contribution. We want to link the insights and accounts of many Iranian women together, show their significance for the world, and do it through a stream of stories that people of all cultures might enjoy.
”
”
Zhinia Noorian (Mother Persia: Women in Iran's History)
“
Nick’s getting the picture. Walter. Walt, the screw-up. The lame helpless loser. Every overdose or car crash, it went this way without fail. The time Walter did bath salts and tried to eat his hand, it was Nick who had to take him to Emergency. Or worse, when he tried to drill that hot Satanist.
”
”
Chuck Palahniuk (Adjustment Day)
“
The Lutheran doctrine, on the other hand, in spite of its manifest patriarchal character carries within it a hidden matriarchal element. Mother's love cannot be acquired; it is there, or it is not there; all I can do is to have faith (as the Psalmist says, 'Thou hadst let me have faith into my mother's breasts.) and to transform myself into the helpless, powerless child. But it is the peculiarity of Luther's faith that the figure of the mother has been eliminated from the manifest picture, and replaced by that of the father; instead of the certainty of being loved by mother, intense doubt, hoping against hope for unconditional love by father, has become the paramount feature.
”
”
Erich Fromm (The Art of Loving)
“
—Thomas, I did not think you some miracle bestowed upon me. You were born and I was happy to have you. And I don’t think you thought of me as some miracle, either. We were, or should have been, partners. I was happy you existed and wanted you to thrive. My hope was that you were happy to exist and that you yourself would endeavor to thrive. But instead you were aggrieved by your existence and my role in it. I think that’s why you were so drawn to Christ.
—I wasn’t drawn to Christ. What does that mean?
—You used to draw the crucifix on your notebooks. Other kids were drawing spaceships or Grateful Dead skulls or penises, but you were drawing crucifixes. You thought that was you, suffering on the cross. I considered you a partner and an equal but you wanted to be beneath me and a martyr.
—You’re the one who brought me to church.
—I brought you once. You know how I hate Christianity and all that wretched iconography. You know what? You see pictures of Buddha and he’s sitting, reclining, at peace. The Hindus have their twelve-armed elephant god, who also seems so content but not powerless. But leave it to the Christians to have a dead and bloody man nailed to a cross. You walk into a church and you see a helpless man bleeding all over himself—how can we come away hopeful after such a sight? People bring their children to mass and have them stare for two hours at a man hammered to a beam and picked at by crows. How is that elevating? It’s all about accountability for them.
—What is?
—The Christians, the Bible. It’s all about who’s at fault. A whole religion based on accountability. Who’s to blame? What’s the judgment? Who gets punished? Who gets jailed, banished, killed, drowned, decimated. You want to know the main takeaway most people got from Jesus’s death? Not sacrifice, nothing like that. The takeaway, after all that Old Testament judgment, is that the Jews did it.
—Incredible.
—You loved it, though. Especially as a teenager. Young men love martyrdom. You get to be the victim and the hero at the same time.
”
”
Dave Eggers (Your Fathers, Where Are They? And the Prophets, Do They Live Forever?)
“
If we try now to sum up our discussion of the impact of the social and economic changes on the individual in the fifteenth and sixteenth centuries we arrive at the following picture: We find the same ambiguity of freedom which we have discussed before. The individual is freed from the bondage of economic and political ties. He also gains in positive freedom by the active and independent role which he has to play in the new system. But simultaneously he is freed from those ties which used to give him security and a feeling of belonging. Life has ceased to be lived in a closed world the center of which was man; the world has become limitless and at the same time threatening. By losing his fixed place in a closed world man loses the answer to the meaning of his life; the result is that doubt has befallen him concerning himself and the aim of life. He is threatened by powerful suprapersonal forces, capital and the market. His relationship to his fellow men, with everyone a potential competitor, has become hostile and estranged; he is free—that is, he is alone, isolated, threatened from all sides. Not having the wealth or the power which the Renaissance capitalist had, and also having lost the sense of unity with men and the universe, he is overwhelmed with a sense of his individual nothingness and helplessness. Paradise is lost for good, the individual stands alone and faces the world—a stranger thrown into a limitless and threatening world. The new freedom is bound to create a deep feeling of insecurity, powerlessness, doubt, aloneness, and anxiety. These feelings must be alleviated if the individual is to function successfully.
”
”
Erich Fromm (Escape from Freedom)
“
Some men do insane things for love. Some never acknowledge it and deny themselves a life full of God’s best gift in lieu of a career or a selfish bigger picture. They run from the notion of completion without a second thought to what they may miss. Some men embrace love to the point of no return, let it fill their lives, their only motive, their reason for being. Others, fueled by love’s strength, pick up their sword to fight selflessly and, without pride, lay it down for those they can’t live without. Some write songs or paint pictures to better express their appreciation or loss of life’s most potent drug. They hide away in a world of their creation with a muse of love’s past as their inspiration, never believing anything better than the world they’ve created could exist outside of it. And some men can’t handle the lethal dose of intensity that comes with loving another. These men are the most tragic, disillusioned, and helpless while staring it in the face.
”
”
Kate Stewart (The Heart (The Reluctant Romantics, #2))
“
I think I’ve found the worst feeling,” he mutters.
“Helplessness,” says Spock promptly, like he’s thought about this before. “Being unable to do anything.”
“Yeah, helplessness is pretty bad. But for me,” he says, looking at the picture they’ve put up of her, of Natalie and Sam posing together in front of the zoo, holding hands and smiling like the sun, “it’s knowing you could have done something. And you didn’t.
”
”
luminousbeings (You Don't Have To (Say Yes))
“
The Exorcist (1973)—The demonic possession of a child, treated with shallow seriousness. The picture is designed to scare people, and it does so by mechanical means: levitations, swivelling heads, vomit being spewed in people’s faces. A viewer can become glumly anesthetized by the brackish color and the senseless ugliness of the conception. Neither the producer-writer, William Peter Blatty, nor the director, William Friedkin, shows any feeling for the little girl’s helplessness and suffering, or for her mother’s. It would be sheer insanity to take children. With Linda Blair, Ellen Burstyn, Max von Sydow, and Jason Miller. A huge box-office success. Warners. color (See Reeling.)
”
”
Pauline Kael (5001 Nights at the Movies (Holt Paperback))
“
PEOPLE LIVING IN THE WEST, in societies that we describe as Western, or as the free world, may be educated in many different ways, but they will all emerge with an idea about themselves that goes something like this: I am a citizen of a free society, and that means I am an individual, making individual choices. My mind is my own, my opinions are chosen by me, I am free to do as I will, and at the worst the pressures on me are economic, that is to say I may be too poor to do as I want. This set of ideas may sound something like a caricature, but it is not so far off how we see ourselves. It is a portrait that may not have been acquired consciously, but is part of a general atmosphere or set of assumptions that influence our ideas about ourselves. People in the West therefore may go through their entire lives never thinking to analyze this very flattering picture, and as a result are helpless against all kinds of pressures on them to conform in many kinds of ways. The fact is that we all live our lives in groups—the family, work groups, social, religious and political groups. Very few people indeed are happy as solitaries, and they tend to be seen by their neighbours as peculiar or selfish or worse. Most people cannot stand being alone for long. They are always seeking groups to belong to, and if one group dissolves, they look for another. We are group animals still, and there is nothing wrong with that. But what is dangerous is not the belonging to a group, or groups, but not understanding the social laws that govern groups and govern us. When we’re in a group, we tend to think as that group does: we may even have joined the group to find “like-minded” people. But we also find our thinking changing because we belong to a group. It is the hardest thing in the world to maintain an individual dissident opinion, as a member of a group. It seems to me that this is something we have all experienced—something we take for granted, may never have thought about. But a great deal of experiment has gone on among psychologists and sociologists on this very theme. If I describe an experiment or two, then anyone listening who may be a sociologist or psychologist will groan, oh God not again—for they will have heard of these classic experiments far too often. My guess is that the rest of the people will never have heard of these experiments, never have had these ideas presented to them. If my guess is true, then it aptly illustrates my general thesis, and the general idea behind these essays, that we (the human race) are now in possession of a great deal of hard information about ourselves, but we do not use it to improve our institutions and therefore our lives.
”
”
Doris Lessing (Prisons We Choose to Live Inside)
“
We were just two wild Indians... on our own and no though of its being wrong. You must not have us treated like children of today. It would spoil the i picture and the interest..' Children back then, she wrote, 'weren't raised to be helpless cowards.'
-Laura Ingalls Wilder
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Why would God come in such a helpless form? Can you picture holding the child Jesus? What does it mean to love God as we do a baby?
”
”
Kate Moorehead (I Witness: Living Inside the Stories of Advent and Christmas)
“
All you need to do presently is act. Just tap any picture on this page to visit the Official Blood Balance Advanced Formula Supplement Website. In the event that this item is sold out, we'll place an equivalent recipe in its spot. Along these lines, in any case, you can fix your hypertension, high glucose, weight issues, helpless course, and elevated cholesterol levels normally. Whenever you go to the specialist, he will be so intrigued with you! Utilize the characteristic natural fixings in this recipe to assume back responsibility for your wellbeing before it's past the point of no return. Snap any picture to go get your bottle today to begin! Click Here To Order Blood Balance Advanced Formula For a Special Low Price:
”
”
Where To Blood Balance Advanced Formula Buy?
“
It was a graph published by the WHO the previous year delineating key environmental issues deemed by the WHO to have the greatest impact on global health. The list included, among others: Demand for clean water, global surface temperatures, ozone depletion, consumption of ocean resources, species extinction, CO2 concentration, deforestation, and global sea levels. All of these negative indicators had been on the rise over the last century. Now, however, they were all accelerating at terrifying rates. Elizabeth had the same reaction that she always had when she saw this graph—a sense of helplessness. She was a scientist and believed in the usefulness of statistics, and this graph painted a chilling picture not of the distant future … but of the very near future.
”
”
Dan Brown (Inferno (Robert Langdon, #4))
“
Hear me, Romanov.”
Rudy’s eyelids fluttered and then lifted. It took a few minutes for him to realize he was dangling helplessly in the air with those unearthly pale eyes staring unblinkingly at him.
“You’re real.” Rudy’s voice was weak, and his body felt like lead.
“Tell me about Von Halen. Your father sent him Dubrinsky’s picture. As if a vampire could have his picture taken.” Gregori shook the man. “How can you be of worth to me if you are so stupid?
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
Let us call the world to come together – every child, every woman and every man. Let us draw a bigger picture, one that enters every home, every heart and brings together every voice.
Let us listen to the helpless cries of the abused and neglected children. Let us listen more deeply to women who are being abused, blamed and discriminated against, while trapped in cages of injustice, fear and shame, with no option but to suffer in silence.
I have seen with my own eyes the happiest dreams of unfortunate victims change to their worst nightmares. I have seen their lives shatter while their families fall apart. Their hearts have burned and their eyes have seen nothing but misery.
Let us transform all the voices and sounds of hopelessness into a beautiful melody that plays to the world. No matter how dark things get, the sun of justice will eventually rise. The birds will sing our stories to the world. Rainbows will dazzle with color in a sky that is no longer grey.
”
”
Maha Al Fahim (My Mother's Story)