Helmet For My Pillow Quotes

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It is an American weakness. The success becomes the sage. Scientists counsel on civil liberty; comedians and actresses lead political rallies; athletes tell us what brand of cigarette to smoke.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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You do know that as a small child, they actually carried me around on a pillow? I had a custom-made helmet that I had to wear until I was four. (Chris) That’s because you banged your head every time you got angry. I was afraid you were going to get brain damage from it. (Wulf) The brain is fine. It’s my ego and social life in the toilet. I shudder at what you’re going to do to the kid. (Chris dropped his voice and imitated Wulf’s lilting Norse accent.) Don’t move, you might get bruised. Oops, a sneeze, better call in specialists from Belgium. Headache? Odin forbid, it might be a tumor. Quick, rush him for a CAT scan. (Chris)
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Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
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It is glorious to drink the wine of the enemy.
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Robert Leckie (Helmet For My Pillow)
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A blanket can be wrapped around one’s head and used as a helmet. It’s particularly appropriate if you wear your blanket helmet during a pillow fight with me, because unbeknownst to you, I’ll have a brick stuffed at the bottom of my pillowcase.

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Jarod Kintz (A brick and a blanket walk into a bar)
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It was a darkness without time. It was an impenetrable darkness. To the right and left of me rose those terrible formless things of my imagination, which I could not see because there was no light. I could not see, but I dared not close my eyes lest the darkness crawl beneath my eyelids and suffocate me. I could only hear. My ears became my being and I could hear the specks of life that crawled beneath my clothing, the rotting of the great tree which rose from its three-cornered trunk above me. I could hear the darkness gathering against me and the silences that lay between the moving things.
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Robert Leckie (Helmet for My Pillow)
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All the logic seemed to be on our side. The Marine Corps seemed a madness.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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We advanced on the enemy with all the stealth of a circus.
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Robert Leckie (Helmet for My Pillow)
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Never fear your enemy but always respect them
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John Basilone (I'm Staying with My Boys: The Heroic Life of Sgt. John Basilone, USMC / With the Old Breed / Helmet for My Pillow)
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From night problems we learned one lasting lesson: when a map and a compass come into contact with a second lieutenant, prepare yourself for confusion. Throughout,
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific, A Marine Tells His Story)
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In true Bastien formβ€”and keeping in mind that he’s only seven at the timeβ€”he yanks off his helmet, throws his backpack down, and lies on the ground, using the helmet for a pillow, and says to them, and I quote verbatim, β€˜Later, bitches. I’m done for the day. Y'all can carry me home or call for a lift. Either way, I ain’t moving from here. My ass is too precious for this abuse.
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Sherrilyn Kenyon (Born of Vengeance (The League: Nemesis Rising, #10))
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Keep it up, America, keep telling your youth that mud and danger are fit only for intellectual pigs. Keep on saying that only the stupid are fit to sacrifice, that America must be defended by the low-brow and enjoyed by the high-brow. Keep vaunting head over heart, and soon the head will arrive at the complete folly of any kind of fight and meekly surrender the treasure to the first bandit with enough heart to demand it.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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And now to that Victim whose Sign rose above the world two thousand years ago, to be menaced now by that other sign now rising, I say a prayer of contrition. I, whom you have seen as irreverent and irreligious, now pray in the name of Chuckler and Hoosier and Runner, in the name of Smoothface, Gentlemen, Amish, and Oakstump, Ivy-League and Big-Picture, in the name of all those who suffered in the jungles and on the beaches, from Anzio to Normandy--and in the name of the immolated: of Texan, Rutherford, Chicken, Loudmouth, of the Artist and White-Man, Souvenirs and Racehorse, Dreadnought and Commando--of all these and the others, dear Father, forgive us for that awful cloud.
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Robert Leckie (Helmet for My Pillow)
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Smell, the sense which somehow seems a joke, is the one most susceptible to outrage. It will give you no rest. One can close one’s eyes to ugliness or shield the ears from sound; but from a powerful smell there is no recourse but flight.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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A soldier’s pack is like a woman’s purse: it is filled with his personality. I have saddened to see the mementos in the packs of dead Japanese. They had strong family ties, these smooth-faced men, and their packs were full of their families.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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There was no feeling of dedication because it was absolutely involuntary. I do not doubt that if the Marines had asked for volunteers for an impossible campaign such as Guadalcanal, almost everyone now fighting would have stepped forward. But that is sacrifice; that is voluntary. Being expended robs you of the exultation, the self-abnegation, the absolute freedom of self-sacrifice. Being puts one in the role of victim rather than sacrificer, and there is always something begrudging in this. I doubt if Isaac would have accepted the knife of his father, Abraham, entirely without reproach; yet, for the same master, he would have gladly gone to his death a thousand times. The world is full of the sacrifice of heroes and martyrs, but there was only one Victim.
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Robert Leckie (Helmet for My Pillow)
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Intelligence, intelligence, intelligence. Keep it up, America, keep telling your youth that mud and danger are fit only for intellectual pigs. Keep on saying that only the stupid are fit to sacrifice, that America must be defended by the low-brow and enjoyed by the high-brow. Keep vaunting head over heart, and soon the head will arrive at the complete folly of any kind of fight and meekly surrender the treasure to the first bandit with enough heart to demand it.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Sergeant Bellow marched us to the quartermaster’s. It was there we were stripped of all vestiges of personality. It is the quartermasters who make soldiers, sailors and marines. In their presence, one strips down. With each divestment, a trait is lost; the discard of a garment marks the quiet death of an idiosyncrasy. I take off my socks; gone is a propensity for stripes, or clocks, or checks, or even solids; ended is a tendency to combine purple socks with brown tie. My socks henceforth will be tan. They will neither be soiled, nor rolled, nor gaudy, nor restrained, nor holey. They will be tan. The only other thing they may be is clean.
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Robert Leckie (Helmet For My Pillow)
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Only rear echelons with plenty of fat on them can afford such rich diseases, like an epicure with his gout.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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maledictions,
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Robert Leckie (Helmet For My Pillow)
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I stood among the heaps of the dead and I knew β€” no, I felt that death is only a sound we make to signify the Thing we do not know.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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And when he gets to Heaven To St. Peter he will tell: One more Marine reporting, sir β€” I’ve served my time in Hell.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Now, to pity the enemy either is madness or it is a sign of strength. I think that with the First Marine Division on New Britain it was a sign of strength.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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an unattached hand, or rather a detached one. It lay there alone β€” open, palm upwards, clean, capable, solitary. I could not tear my eyes from it. The hand is the artisan of the soul. It is the second member of the human trinity of head and hand and heart. A man has no faculty more human than his hand, none more beautiful nor expressive nor productive. To see this hand lying alone, as though contemptuously cast aside, no longer a part of a man, no longer his help, was to see war in all its wantonness; it was to see the especially brutal savagery of our own technique of rending, and it was to see men at their eternal worst, turning upon one another, tearing one another, clawing at their own innards with the maniacal fury of the pride-possessed.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Keep vaunting head over heart, and soon the head will arrive at the complete folly of any kind of fight and meekly surrender the treasure to the first bandit with enough heart to demand it.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific, A Marine Tells His Story)
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We ate a bowl of rice for breakfast and had the same for supper. Once a marine complained of worms in the rice to one of our two doctors. β€œThey’re dead,” he laughed. β€œThey can’t hurt you. Eat them, and be glad you have fresh meat.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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There was this verse, which I have seen countless times, before and since, the direct and unpolished cry of a marine’s sardonic heart: And when he gets to Heaven To St. Peter he will tell: One more Marine reporting, sir β€” I’ve served my time in Hell.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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But I could not answer the first question, for I did not know what I had gotten out of it, or even that I was supposed to profit. Now I know. For myself, a memory and the strength of ordeal sustained; for my son, a priceless heritage; for my country, sacrifice.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Insanity had been my foremost fear since the moment I had vaulted over the side of the Higgins Boat on Guadalcanal and seen those spiky fronds swinging overhead. To be killed β€” even to be taken prisoner by a cruel and vindictive foe β€” seemed preferable to madness.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Everything and all the world became my enemy, and soon my very body betrayed me and became my foe. My leg became a creeping Japanese, and then the other leg. My arms, too, and then my head. My heart was alone. It was me. I was my heart. It lay quivering, I lay quivering, in that rotten hole while the darkness gathered and all creation conspired for my heart. How long? I lay for an eternity. There was no time. Time had disintegrated in that black void. There was only emptiness, and that is Something; there was only being; there was only consciousness. Like the light that comes up suddenly in a darkened theatre, daylight came quickly. Dawn came, and so myself came back to myself. I could see the pale outlines of my comrades to right and left, and I marvelled to see how tame the tree could be, how unforbidding could be its branches. I know now why men light fires
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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I had to force my face into a mask of mourning, deliberately adorn my heart with black, as it were, for I was shocked to gaze inward and see no sorrow there. Rather than permit myself to know myself a monster (as I seemed, then) I deliberately deluded myself by feigning bereavement. So did we all.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. β€œβ€˜Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. β€œβ€˜Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller oneβ€” β€”and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. β€œβ€˜One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. β€œI didn’t look that funny,” I snapped. His shoulders shook. β€œOh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. β€œYou’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
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Karen Marie Moning (Faefever (Fever, #3))
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Because it is gone you cannot say it will not return; even though you may say it has never yet returned-you cannot say that it will not. It is blasphemy to say a bit of metal has destroyed life, just as it is presumptuous to say that because life has disappeared it has been destroyed. I stood among the heaps of the dead and I knew-no, I felt that death is only a sound we make to signify the Thing we do not know.
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Robert Leckie (Helmet for My Pillow)
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The mystery of the universe had once inhabited these lolling lumps, had given each an identity, a way of walking, perhaps a special habit of address or a way with words or a knack of putting color on canvas. They had been so different, then. Now they were nothing, heaps of nothing. Can a bullet or a mortar fragment do this? Does this force, this mystery, I mean this soul β€” does this spill out on the ground along with the blood? No. It is somewhere, I know it.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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The souvenir hunters were prowling among them, carefully ripping insignia off tunics, slipping rings off fingers, or pistols off belts. There was Souvenirs himself, stepping gingerly from corpse to corpse, armed with his plyers and a dentist flashlight that he had had the forethought to purchase in Melbourne. I stood among the heaps of dead, they lay crumpled, useless, defunct. The vital force was fled. A bullet or a mortar fragment had torn a hole in these frail vessels, and the substance had leapt out. The mysteries of the universe had once inhabited these lulling lumps, had given each an identity, a way of walking, perhaps a special habit of address or a way with words or a knack of putting color on canvas. They had been so different then, now they were nothing, heaps of nothing. Can a bullet or a mortar fragment do this? Does this force, this mystery, I mean this soul, does this spill out on the ground along with the blood? No. It is somewhere, I know it. For this red and yellow lump I look down upon this instant was once a man. And the thing that energized him, the word that gave to airy nothing a local habitation and a name, the word from a higher word this cannot have been obliterated by a quarter inch of heated metal. The mystery of the universe has departed him and it is no good to say that the riddle is solved. The mystery is over because it has changed residences. The thing that shaped the flare of that nostril, that broadened that arm now bleeding, that wrought so fine that limply lying hand, that thing exists still and has still the power to flare that nostril, to bend that arm to clench that fist exactly as it did before. Because it is gone you cannot say it will not return; even though you may say it has never yet returned-you cannot say that it will not. It is blasphemy to say a bit of metal has destroyed life, just as it is presumptuous to say that because life has disappeared it has been destroyed. I stood among the heaps of the dead and I knew-no, I felt that death is only a sound we make to signify the Thing we do not know.
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Robert Leckie (Helmet for My Pillow)
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Sergeant Bellow marched us to the quartermaster’s. It was there we were stripped of all vestiges of personality. It is the quartermasters who make soldiers, sailors and marines. In their presence, one strips down. With each divestment, a trait is lost; the discard of a garment marks the quiet death of an idiosyncrasy. I take off my socks; gone is a propensity for stripes, or clocks, or checks, or even solids; ended is a tendency to combine purple socks with brown tie. My socks henceforth will be tan. They will neither be soiled, nor rolled, nor gaudy, nor restrained, nor holey. They will be tan. The only other thing they may be is clean
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Robert Leckie (Helmet for My Pillow)
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I stood among the heaps of dead. They lay crumpled, useless, defunct. The vital force was fled. A bullet or a mortar fragment had torn a hole in these frail vessels and the substance had leaked out. The mystery of the universe had once inhabited these lolling lumps, had given each an identity, a way of walking, perhaps a special habit of address or a way with words or a knack of putting color on canvas. They had been so different, then. Now they were nothing, heaps of nothing. Can a bullet or a mortar fragment do this? Does this force, this mystery, I mean this soul β€” does this spill out on the ground along with the blood? No. It is somewhere, I know it. For this red-and-yellow lump I look down upon this instant was once a man, and the thing that energized him, the Word that gave β€œto airy nothing a local habitation and a name,” the Word from a higher Word β€” this cannot have been obliterated by a quarter-inch of heated metal. The mystery of the universe has departed him, and it is no good to say that the riddle is solved, the mystery is over β€” because it has changed residences. The thing that shaped the flare of that nostril, that broadened that arm now bleeding, that wrought so fine that limply lying hand β€” that thing exists still, and has still the power to flare that nostril, to bend that arm, to clench that fist exactly as it did before. Because it is gone you cannot say it will not return; even though you may say it has never yet returned β€” you cannot say that it will not. It is blasphemy to say a bit of metal has destroyed life, just as it is presumptuous to say that because life has disappeared it has been destroyed. I stood among the heaps of the dead and I knew β€” no, I felt that death is only a sound we make to signify the Thing we do not know.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Our faith in victory had been unquestioning, its opposite, defeat, had no currency among us. Victory was possible, that was all. It would be easy or difficult, quick or prolonged, but it would be victory. So here came the disturbing Hoosier, displaying the other side of the coin, showing us defeat. It shook us. And it was from this moment that we dated the feeling of what is called expendability. All armies have expendable items, that is, a part or unit the destruction of which will not be fatal to the whole. In some ordeals, a man might consider his finger expendable, but not his hand, or in extremity his arm but not his heart. There are expendable items which may be lost or destroyed in the field either in peace or in war without their owner being required to replace them. A rifle is so expendable or a cartridge belt. So are men. Men are the most expendable of all. Hunger, the jungle, the Japanese, not one nor all of these could be quite as corrosive as the feeling of expendability. This was no feeling of dedication because it was absolutely involuntary. I do not doubt, that if the Marines had asked for volunteers for an impossible campaign such as Guadalcanal, almost everyone now fighting would have stepped forward. But that is sacrifice, that is voluntary. Being expended robs you of the exultation, the self-abnegation, the absolute freedom of self-sacrifice. Being expended puts one in the roll of victim rather than sacrificer, and there is always something begrudging in this. I doubt if Isaac would have accepted the knife of his father, Abraham, entirely without reproach yet, for the same master he would have gone gladly to his death a thousand times. The world is full of the sacrifices of heroes and martyrs, but there was only one victim. If we were to be victims, we were as firmly secured to our role as Isaac bound to the faggots. No day passed without extenuating it.
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Robert Leckie (Helmet for My Pillow)
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unwonted
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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triune
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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GΓΆtterdΓ€mmerung;
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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cynosure.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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sibilant
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Keep on saying that only the stupid are fit to sacrifice, that America must be defended by the low-brow and enjoyed by the high-brow.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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offered it a respectful inclination of the head while recovering my
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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But two things might restrain a man in the Great Debauch: malaria and guard duty.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Now I was shocked! The old shibboleth, intelligence! Had not our government been culpable enough in pampering the high IQ draftees as though they were too intelligent to fight for their country? Could not Doctor Gentle see that I was proud to be a scout, and before that a machine-gunner? Intelligence, intelligence, intelligence. Keep it up, America, keep telling your youth that mud and danger are fit only for intellectual pigs. Keep on saying that only the stupid are fit to sacrifice, that America must be defended by the low-brow and enjoyed by the high-brow. Keep vaunting head over heart, and soon the head will arrive at the complete folly of any kind of fight and meekly surrender the treasure to the first bandit with enough heart to demand
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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But being the first in our experience, we took it for total triumph; like those who take the present for the best of all worlds, having no reference to the past nor regard for the future.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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It is to sacrifice that men go to war. They do not go to kill, they go to be killed, to risk their flesh, to insert their precious persons in the path of destruction.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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We felt like theology students whose instructor takes his leave after presenting the most compelling arguments against the existence of God. Our faith in victory had been unquestioning. Its opposite, defeat, had no currency among us. Victory was possible, that was all; it would be easy or difficult, quick or prolonged, but it would be victory. So here came the disturbing Hoosier, displaying the other side of the coin: showing in defeat. It shook us, and it was from this moment that we dated the feeling of what is called expendability.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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β€” of all these and the others, dear Father, forgive us for that awful cloud.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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All armies have expendable items. That is, a part or unit, the destruction of which will not be fatal to the whole. In some ordeals, a man might consider his finger expendable, but not his hand; or, in extremity, his arm but not his heart. There are expendable items which may be lost or destroyed in the field, either in peace or in war, without their owner being required to replace them. A rifle is so expendable or a cartridge belt. So are men. Men are the most expendable of all. Hunger, the jungle, the Japanese, not one nor all of these could be quite as corrosive as the feeling of expendability.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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In between every trial there would stretch out the tedium that sucks a man dry, drawing off the juice from body and soul as a native removes the contents of a stick of sugar cane, leaving it spent, cracked, good for nothing but the flames.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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A bullet or a mortar fragment had torn a hole in these frail vessels and the substance had leaked out.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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much as politicians use the courts to gain their ends.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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I know now why men light fires
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Robert Leckie (Helmet for My Pillow)
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This is how the Marines train their men. Keep them mean and nasty, like starving beasts, says the Corps, and they will fight better. When men are being moved from one place to another, spare no effort to make it painful; and before they have arrived at their destination, dispatch a man ahead to survey the ground with an eye toward discomfort. For sustenance give them cold food, and for tools a machete, and if the Commander has any influence with the gods of the clouds, he must see to it that it rains.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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The Scholar was among a shipload of replacements who had just arrived. They were being marched to their new units as my boat pulled up on the beach. As soon as they came to the company tents, they took off their shiny Stateside khaki to exchange it for the sun-bleached uniforms of the veteran, the β€œsalty” clothing prized for its aura of experience. An insecure replacement would feel more confident clothed in the faded ensigns of β€œthe old breed,” while the veterans, having no psychological problem of β€œbelonging” to distort their sense of value, were quick to sense a sucker. Within a few days, the change was so complete that the veteran who could formerly be recognized by his lusterless garb was now identified by its shiny newness.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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upon that change he passes over to the ranks of the Old Salts and ceases to be a Boot forever. Youth rebels and age conserves; between them, they advance.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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In Sergeant McCaustic I had found my personal hair shirt. We had come to an understanding within a day or two; that is, we had agreed that we were incompatible.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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We were like St. Augustine’s definition of time: β€œOut of the future that is not yet, into the present that is just becoming, back to the past that no longer is.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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We were privates, and who is more carefree?
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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is odd, is it not, that there should have been need of a leader? But there was. Two men do not need a leader, I suppose; but three do, and four most certainly, else who will settle arguments, plan forays, suggest the place or form of amusement, and generally keep the peace?
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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An officers’ mess is one of the surest barometers of military success. So long as the officers continue to pig it with the men, there is danger of defeat. But once the officers’ mess appears β€” raised almost on the bodies of the foe, contrived of sticks and pieces of canvas or perhaps only an imaginary line like a taboo β€” once this appears, and caste is restored. we know that victory is ours.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Ten thousand Japanese awaited us on the island of Peleliu, ten thousand men as brave and determined and skillful as ever a garrison was since the art of warfare began. Skillful, yes: it was a terrible rain and it did terrible work among us before we reached the beach.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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It is blasphemy to say a bit of metal has destroyed life, just as it is presumptuous to say that because life has disappeared it has been destroyed. I stood among the heaps of the dead and I knew β€” no, I felt that death is only a sound we make to signify the Thing we do not know. I
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Youth rebels and age conserves; between them, they advance.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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They had not forgotten.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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It was a darkness without time. It was an impenetrable darkness. To the right and left of me rose those terrible formless things of my imagination, which I could not see because there was no light. I could not see, but I dared not close my eyes lest the darkness crawl beneath my eyelids and suffocate me. I could only hear. My ears became my being and I could hear the specks of life that crawled beneath my clothing, the rotting of the great tree which rose from its three-cornered trunk above me. I could hear the darkness gathering against me and the silences that lay between the moving things. Helmet for My Pillow
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Robert Leckie
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And here is the point in battle where one needs the rallying cry. Here where the banner must be unfurled or the song sung or the name of the cause flung at the enemy like a challenge. Here is mounted the charge, the thing as old as warfare itself, that either overwhelms the defense and wins the battle, or is broken and brings on defeat. How much less forbidding might have been that avenue of death that I was about to cross had there been some wholly irrational shout β€” like β€œVive l’Empereur,” or β€œThe Marine Corps Forever!” β€” rather than that educated voice which said in a sang-froid that was all at odds with the event, β€œWell, it’s our turn, now.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Monster cloud rising over Hiroshima, over the world β€” monstrous, mushrooming thing, sign of our age, symbol of our sin: growth, bigness, speed: grow, grow, grow β€” grow in a cancer, enlarge a factory, swell a city, balloon our bellies, speed life, fly to the moon, burst a bomb, shatter a people β€” explode the world.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Once I drank a horrible green concoction called Dupre, and awoke with a tongue that seemed to have been shaved and shampooed.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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My socks henceforth will be tan. They will neither be soiled, nor rolled, nor gaudy, nor restrained, nor holey. They will be tan. The only other thing they may be is clean.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Nor was my squad troubled by racial or religious bigotry. We had no β€œinner conflict,” as the phrase goes. These things happen most often in the imagination of men who never fought. Only rear echelons with plenty of fat on them can afford such rich diseases, like an epicure with his gout.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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Always there was the word. Always there was that four-letter ugly sound that men in uniform have expanded into the single substance of the linguistic world. It was a handle, a hyphen, a hyperbole; verb, noun, modifier; yes, even conjunction. It described food, fatigue, metaphysics. It stood for everything and meant nothing; an insulting word, it was never used to insult; crudely descriptive of the sexual act, it was never used to describe it; base, it meant the best; ugly, it modified beauty; it was the name and the nomenclature of the voice of emptiness, but one heard it from chaplains and captains, from Pfc.’s and Ph.D.’s β€” until, finally, one could only surmise that if a visitor unacquainted with English were to overhear our conversations he would, in the way of the Higher Criticism, demonstrate by measurement and numerical incidence that this little word must assuredly be the thing for which we were fighting.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
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This is the terror I mean; this is the terror that strangles reason with the clawing hands of panic. I saw it twice, I felt it pluck at me twice. But it was rare. It claimed few victims. Courage was a commonplace.
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Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)