β
Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.
β
β
Oscar Wilde (The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything (Green Integer))
β
Follow your inner moonlight; don't hide the madness.
β
β
Allen Ginsberg
β
Moonlight drowns out all but the brightest stars.
β
β
J.R.R. Tolkien (The Lord of the Rings)
β
Music is moonlight in the gloomy night of life.
β
β
Jean Paul Friedrich Richter
β
Never leave a friend behind. Friends are all we have to get us through this life--and they are the only things from this world that we could hope to see in the next.
β
β
Dean Koontz (Fear Nothing (Moonlight Bay, #1))
β
A truly great book should be read in youth, again in maturity and once more in old age, as a fine building should be seen by morning light, at noon and by moonlight.
β
β
Robertson Davies
β
She would be half a planet away, floating in a turquoise sea, dancing by moonlight to flamenco guitar.
β
β
Janet Fitch (White Oleander)
β
Concentrate on what you want to say to yourself and your friends. Follow your inner moonlight; don't hide the madness. You say what you want to say when you don't care who's listening.
β
β
Allen Ginsberg
β
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
Moonlight floods the whole sky from horizon to horizon;
How much it can fill your room depends on its windows.
β
β
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
β
I am your moon and your moonlight too
I am your flower garden and your water too
I have come all this way, eager for you
Without shoes or shawl
I want you to laugh
To kill all your worries
To love you
To nourish you.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
But Paris was a very old city and we were young and nothing was simple there, not even poverty, nor sudden money, nor the moonlight, nor right and wrong nor the breathing of someone who lay beside you in the moonlight.
β
β
Ernest Hemingway (A Moveable Feast: The Restored Edition)
β
I watched her undress with moonlight shivering across the room from behind sheer curtains that moved with the currents from the hearth fire.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
If I lose the light of the sun, I will write by candlelight, moonlight, no light. If I lose paper and ink, I will write in blood on forgotten walls. I will write always. I will capture nights all over the world and bring them to you
β
β
Henry Rollins
β
Each night I lie down in a graveyard of memories. Moonlight spins a shroud about me.
β
β
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
β
The old gods may be great, but they are neither kind nor merciful. They are fickle, unsteady as moonlight on water, or shadows in a storm. If you insist on calling them, take heed: be careful what you ask for, be willing to pay the price. And no matter how desperate or dire, never pray to the gods that answer after dark.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
i want to be
in love with you
the same way
i am in
love with the moon
with the light
shining
out of its soul.
β
β
Sanober Khan
β
Moonlight making crosses
on your body, and me putting my mouth on every one.
β
β
Richard Siken (Crush)
β
Music is the moonlight in the gloomy night of life.
β
β
Jean Paul Friedrich Richter
β
The true joy of a moonlit night is something we no longer understand. Only the men of old, when there were no lights, could understand the true joy of a moonlit night.
β
β
Yasunari Kawabata (Palm of the Hand Stories)
β
He looked different in sleep, beautiful but cold as moonlight. I found myself wishing he would wake so that I might watch the life return.
β
β
Madeline Miller (The Song of Achilles)
β
We danced too wild, and we sang too long, and we hugged too hard, and we kissed too sweet, and howled just as loud as we wanted to howl, because by now we were all old enough to know that what looks like crazy on an ordinary day looks a lot like love if you catch it in the moonlight.
β
β
Pearl Cleage
β
His mouth was crashing against hers. He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.
β
β
Stephanie Garber (Legendary (Caraval, #2))
β
Care to join me, Goodfellow?β
βOh, ice-boy. A moonlight stroll with you? Do you even have to ask?
β
β
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
β
So I walked away and left him standing there in the moonlight - watching over nothing.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
And then I feel as if I'm witnessing a miracle, as ever so slowly she raises her face towards the moon. I watch her drink in the sight, sensing the flood of memories she's unleashed and wanting nothing more than to let her know I'm here. But instead I stay where I am and stare up at the moon as well. And for the briefest instant, it almost feels like we're together again.
β
β
Nicholas Sparks (Dear John)
β
I never claimed to be Prince Charming, and my love isnβt a fairy tale type of love. Iβm a fucked-up person with fucked-up morals. I wonβt write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you.
β
β
Ana Huang (Twisted Love (Twisted, #1))
β
For Equilibrium, a Blessing:
Like the joy of the sea coming home to shore,
May the relief of laughter rinse through your soul.
As the wind loves to call things to dance,
May your gravity by lightened by grace.
Like the dignity of moonlight restoring the earth,
May your thoughts incline with reverence and respect.
As water takes whatever shape it is in,
So free may you be about who you become.
As silence smiles on the other side of what's said,
May your sense of irony bring perspective.
As time remains free of all that it frames,
May your mind stay clear of all it names.
May your prayer of listening deepen enough
to hear in the depths the laughter of god.
β
β
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
β
She wore the moonlight like lingerie.Β
β
β
Atticus Poetry (Love Her Wild)
β
Books, moonlight, melodrama.
β
β
Silvia Moreno-Garcia (Mexican Gothic)
β
There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive.
This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad in a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight.
β
β
Jack London (The Call of the Wild)
β
A shaft of moonlight illuminated a row of sentinel silver birch in a phosphorescent glow, appearing almost ethereal in the relative surrounding gloom. Boris had stopped again, his silhouette a stark black juxtaposition against the background of illuminated branches.
β
β
R.D. Ronald (The Elephant Tree)
β
Youβre quite the poet, Prince.β Moonlight pools in the dimple that accompanies his grin. βAnd you the muse, darling.
β
β
Lauren Roberts (Fearless (The Powerless Trilogy, #3))
β
Then I made a stupid mistake and looked up at him. His eyes met mine, and for a moment, his face was open and vulnerable in the moonlight. I caught a hint of wonder there as we stared at each other. Slowly, he leaned forward. I caught my breath, a tiny gasp escaping. He stiffened, and his expression shuttered closed, eyes going hard and frosty.
[...]
'This is getting old,' he said in a voice that matched his eyes.
β
β
Julie Kagawa (The Iron King (The Iron Fey, #1))
β
My breathing begins to slow. The tension in my muscles starts to relax.
Then, a click in the headphones. A slow breath of air.
I open my eyes to bright moonlight.
And Hannah, with warmth.
Thank you.
β
β
Jay Asher (Thirteen Reasons Why)
β
Lie to me by the moonlight. Do a fabulous story.
β
β
F. Scott Fitzgerald (Flappers and Philosophers)
β
We feel cold, but we don't mind it, because we will not come to harm. And if we wrapped up against the cold, we wouldn't feel other things, like the bright tingle of the stars, or the music of the aurora, or best of all the silky feeling of moonlight on our skin. It's worth being cold for that.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
Follow your inner moonlight, donβt hide the madness.
β
β
Allen Ginsberg (Howl and Other Poems)
β
With her braided hair and white dress, she seemed to glow in the moonlight.
β
β
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
β
It is rather exciting to write by moonlight.
β
β
Dodie Smith (I Capture the Castle)
β
Actually, I do happen to resemble a hallucination. Kindly note my silhouette in the moonlight." The cat climbed into the shaft of moonlight and wanted to keep talking but was asked to be quiet. "Very well, I shall be silent," he replied, "I shall be a silent hallucination.
β
β
Mikhail Bulgakov (The Master and Margarita)
β
The vampires start to close in. "shouldn't we stand back to back or something?" Clary said.
"What? Why?"
"I don't know. In movies that's what they do in this kind of...situation."
Jace laughs, "You, you are the most-"
The most what?" Clary demands indignantly.
Jace: Nothing. This isn't a situation okay? I save that word for when things get really bad."
"Really bad? This isn't really bad? What do you want, a nuclear-"
The windows exploded inward in a shower of broken glass. Through the shattered windows came dozens of sleek shapes, four footed and low to the ground, their coats scattering moonlight and broken bits of glass.
Wolves.
"Now, this," said Jace, "is a situation
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
An ugliness unfurled in the moonlight and soft shadow and suffused the whole world. If I were an amoeba, he thought, with an infinitesimal body, I could defeat ugliness. A man isnβt tiny or giant enough to defeat anything.
β
β
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
β
In summer moonlight, she was dangerously, inebriatingly magnified.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
Fighting evil by moonlight, winning love by daylight, never running from a real fight, she is the one named Sailor Moon!
β
β
Naoko Takeuchi
β
Moonlight is sculpture; sunlight is painting.
β
β
Nathaniel Hawthorne
β
If you walk on sunlight, bathe in moonlight, breathe in a golden air and exhale a Midas' touch; mark my words, those who exist in the shadows will try to pull you into the darkness with them. The last thing that they want is for you to see the wonder of your life because they can't see theirs.
β
β
C. JoyBell C.
β
Don't compare her to sunshine and roses when she's clearly orchids and moonlight.
β
β
Melody Lee (Moon Gypsy)
β
Iβll be your friend in daylight. Iβll treat you as a comrade in every gas-lit ballroom. But alone, under moonlight, Iβll not pretend that I want you for anything but mine.
β
β
Courtney Milan (Unlocked (Turner, #1.5))
β
A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.
β
β
Oscar Wilde
β
The moonlight loved her.
But not as much as my shadows.
β
β
Danielle Lori (The Darkest Temptation (Made, #3))
β
All these years I've had a story in my mind, the story about us that never really existed. And because of that story, I've kept you framed up on the wall in a little box of nostalgic moonlight.
β
β
Cathleen Schine (The Love Letter)
β
In the moonlight which is always sad, as the light of the sun itself is--as the light called human life is--at its coming and its going.
β
β
Charles Dickens (A Tale of Two Cities)
β
Go to sleep, baby, Mama will sing. Of blue butterflies, and dragonfly wings. Moonlight and sunbeams, raiment so fine. Silver and gold, for baby of mine. Go to sleep, baby. Sister will tell, of wolves and of lambs, and demons who fell.
β
β
Kim Harrison (Black Magic Sanction (The Hollows, #8))
β
The moon is the reflection of your heart and moonlight is the twinkle of your love.
β
β
Debasish Mridha
β
In the silence of her bedroom, she swore an oath to the moonlight that if Sam were hurt, no force in the world would hold her back from slaughtering everyone responsible.
β
β
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
β
Ill met by moonlight, proud Titania
β
β
William Shakespeare (A Midsummer Nights Dream)
β
Thoughts of moonlight and silken hair evaporated in a black bolt of fury. Kaz saw Inej tug on the sleeve of her left forearm, where the Menagerie tattoo had once been. He had the barest inkling of what she'd endured there, but he knew what it was to feel helpless, and Van Eck had managed to make her feel that way again. Kaz was going to have to find a new language of suffering to teach that smug merch son of a bitch.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
When people say impossible, they usually mean improbable." With the moonlight gleaming off the lenses of his goggles and with his greatcoat billowing around him, he looked like a complete madman.
β
β
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
β
Many nights he lay there dreaming awake of secret cafΓ©s in Mont Marte, where ivory women delved in romantic mysteries with diplomats and soldiers of fortune, while orchestras played Hungarian waltzes and the air was thick and exotic with intrigue and moonlight and adventure.
β
β
F. Scott Fitzgerald (This Side of Paradise)
β
If we were always conscious of the fact that people precious to us are frighteningly mortal, hanging not even by a thread, but by a wisp of gossamer, perhaps we would be kinder to them and more grateful for the love and friendship they give to us.
β
β
Dean Koontz (Seize the Night (Moonlight Bay, #2))
β
The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of Conservatives is to prevent mistakes from being corrected. Even when the revolutionist might himself repent of his revolution, the traditionalist is already defending it as part of his tradition. Thus we have two great types -- the advanced person who rushes us into ruin, and the retrospective person who admires the ruins. He admires them especially by moonlight, not to say moonshine. Each new blunder of the progressive or prig becomes instantly a legend of immemorial antiquity for the snob. This is called the balance, or mutual check, in our Constitution.
β
β
G.K. Chesterton
β
At two o'clock in the morning, if you open your window and listen,
You will hear the feet of the Wind that is going to call the sun.
And the trees in the Shadow rustle and the trees in the moonlight glisten,
And though it is deep, dark night, you feel that the night is done.
β
β
Rudyard Kipling
β
In the east," she says after a time, her gaze still downcast, "there is a tradition known as kintsukuroi. It is the practice of mending broken ceramic pottery using lacquer dusted with gold and silver and other precious metals. It is meant to symbolize that things can be more beautiful for having been broken."
"Why are you telling me this?" I ask.
At last she looks at me. Her irises are polished obsidian in the moonlight. "Because I want you to know," she says, "that there is life after survival.
β
β
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
β
Flushed with starlight and moonlight drowned,
All the dreamers are castle-bound.
At midnightβs stroke, we will unwind,
Revealing fantasies soft or unkind.
Show me debauched nightmares or sunniest daydreams.
Come not as you are but as you wish to be seen.
β
β
Erin A. Craig (House of Salt and Sorrows (Sisters of the Salt, #1))
β
There was a deliberate voluptuousness that was both thrilling and repulsive.
And as she arched her neck she actually licked her lips like an animal till I could see in the moonlight the moisture
Then lapped the white, sharp teeth.
Lower and lower went her head. I closed my eyes in a languorous ecstasy and waited.
β
β
Bram Stoker (Dracula)
β
I have been in love with no one, and never shall," she whispered, "unless it should be with you."
How beautiful she looked in the moonlight!
Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled.
Her soft cheek was glowing against mine. "Darling, darling," she murmured, "I live in you; and you would die for me, I love you so."
I started from her.
She was gazing on me with eyes from which all fire, all meaning had flown, and a face colorless and apathetic.
"Is there a chill in the air, dear?" she said drowsily. "I almost shiver; have I been dreaming? Let us come in. Come; come; come in.
β
β
J. Sheridan Le Fanu (Carmilla)
β
And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie's written, she is instantly alive again, whole and undamaged. With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can't be landed, stuck in the climbβalive, alive, ALIVE.
β
β
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
β
it was the kind of moon
that I would want to
send back to my ancestors
and gift to my descendants
so they know that I too,
have been bruised...by beauty.
β
β
Sanober Khan (Turquoise Silence)
β
She looked so beautiful in the moonlight, but it wasn't only the way she looked, it was what was inside her, everything from her intelligence and courage to her wit, and the special smile she gave only to him. He would slay a dragon, if there were such a thing, just to see that smile. He knew he would never want anyone else for as long as he lived. He would rather spend the rest of his life alone than with someone else. There could be no one else.
β
β
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
β
To diminish the worth of women, men had to diminish the worth of the moon. They had to drive a wedge between human beings and the trees and the beasts and the waters, because trees and beasts and waters are as loyal to the moon as to the sun. They had to drive a wedge between thought and feeling...At first they used Apollo as the wedge, and the abstract logic of Apollo made a mighty wedge, indeed, but Apollo the artist maintained a love for women, not the open, unrestrained lust that Pan has, but a controlled longing that undermined the patriarchal ambition. When Christ came along, Christ, who slept with no female...Christ, who played no musical instrument, recited no poetry, and never kicked up his heels by moonlight, this Christ was the perfect wedge. Christianity is merely a system for turning priestesses into handmaidens, queens into concubines, and goddesses into muses.
β
β
Tom Robbins (Jitterbug Perfume)
β
βPleasure is wild and sweet. She likes purple flowers. She loves the sun and the wind and the night sky. She carries a silver bowl full of liquid moonlight. She has a cat named Midnight with stars on his paws. Many people mistrust Pleasure, and even more misunderstand her. For a long time I could barely stand to be in ...the same room with her...
β
β
J. Ruth Gendler (The Book of Qualities)
β
who knows if the moon's
a balloon,coming out of a keen city
in the sky--filled with pretty people?
( and if you and I should
get into it,if they
should take me and take you into their balloon,
why then
we'd go up higher with all the pretty people
than houses and steeples and clouds:
go sailing
away and away sailing into a keen
city which nobody's ever visited,where
always
it's
Spring)and everyone's
in love and flowers pick themselves
β
β
E.E. Cummings (Collected Poems)
β
A chaos of mind and body - a time for weeping at sunsets and at the glamour of moonlight - a confusion and profusion of beliefs and hopes, in God, in Truth, in Love, and in Eternity - an ability to be transported by the beauty of physical objects - a heart to ache or swell- a joy so joyful and a sorrow so sorrowful that oceans could lie between them...
β
β
T.H. White (The Once and Future King)
β
Anyway, George comes up to me the first day of filming and he takes one look at the dress and says, 'You can't wear a bra under that dress.'
So, I say, 'Okay, I'll bite. Why?'
And he says, 'Because... there's no underwear in space.'
I promise you this is true, and he says it with such conviction too! Like he had been to space and looked around and he didn't see any bras or panties or briefs anywhere.
Now, George came to my show when it was in Berkeley. He came backstage and explained why you can't wear your brassiere in other galaxies, and I have a sense you will be going to outer space very soon, so here's why you cannot wear your brassiere, per George. So, what happens is you go to space and you become weightless. So far so good, right? But then your body expands??? But your bra doesn't- so you get strangled by your own bra. Now I think that this would make a fantastic obit- so I tell my younger friends that no matter how I go, I want it reported that I drowned in moonlight, strangled by my own bra.
β
β
Carrie Fisher (Wishful Drinking)
β
Do not fight the thing in detail: turn from it. Look ONLY at your Lord. Sing. Read. Work.
β
β
Amy Carmichael (Gold by Moonlight)
β
Donβt call her Sunshine,β he commanded. βWhy not?β If Carrionβs plan was to poke the bear, then he sure as hell knew how to go about it. But Kingfisher didnβt respond to the taunting note in his question. He just cocked his head a little, nostrils flaring, and spoke in a low rumble. βBecause she is moonlight. The mist that shrouds the mountains. The bite of electricity in the air before a storm. The smoke that rolls across a battlefield before the killing starts. You have no idea what she is. What she could be. You should call her Majesty.
β
β
Callie Hart (Quicksilver (Fae & Alchemy, #1))
β
Magic's never what you expect it to be, but it's often what you need.
β
β
Charles de Lint (Moonlight and Vines (Newford, #6))
β
Many Introverts are also "highly sensitive," which sounds poetic, but is actually a technical term in psychology. If you are a sensitive sort, then you're more apt than the average person to feel pleasantly overwhelmed by Beethoven's "Moonlight Sonata" or a well-turned phrase or an act of extraordinary kindness. You may be quicker than others to feel sickened by violence and ugliness, and you likely have a very strong conscience.
β
β
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
β
Be happy, cried the Nightingale, be happy; you shall have your red rose. I will build it out of music by moonlight, and stain it with my own heart's-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty. Flame-coloured are his wings, and coloured like flame is his body. His lips are sweet as honey, and his breath is like frankincense.
β
β
Oscar Wilde (The Nightingale and the Rose)
β
Give a man a centimeter and he'll think he's a ruler.
β
β
Janet Skeslien Charles (Moonlight in Odessa)
β
Ethan, I love you. Donβt leave me. I canβt do this without you.
If there was moonlight, I could have seen his face. But there was no moon, not now, and the only light came from the fire, still frozen, surrounding me on every side. The sky was empty, absolutely black. There was nothing. I had lost everything tonight.
I sobbed until I couldnβt breathe and my fingers slipped through his, knowing I would never feel those fingers in my hair again.
Ethan.
β
β
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
β
He lost his Self a thousand times and for days on end he dwelt in non-being. But although the paths took him away from Self, in the end they always led back to it. Although Siddhartha fled from the Self a thousand times, dwelt in nothing, dwelt in animal and stone, the return was inevitable; the hour was inevitable when he would again find himself in sunshine or in moonlight, in shadow or in rain, and was again Self and Siddhartha, again felt the torment of the onerous life cycle.
β
β
Hermann Hesse (Siddhartha: An Indian Tale)
β
The heaviest burden: βWhat, if some day or night, a demon were to steal after you into your loneliest loneliness and say to you: βThis life, as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sighβ¦ must return to youβall in the same succession and sequenceβeven this spider and this moonlight between the trees and even this moment and I myself. The eternal hourglass of existence is turned over again and againβand you with it, speck of dust!β Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: βYou are a god, and never have I heard anything more divine!β If this thought were to gain possession of you, it would change you as you are, or perhaps crush you. The question in each and every thing, βdo you want this once more and innumerable times more?β would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?
β
β
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
β
The time for lies and secrets is over," she meowed. "The truth must come out. Starclan was wrong not to tell you who you were a long time ago."
Then what-?" Jayfeather began, but already Yellowfang's shape was beginning to fade, melting into the moonlight until she was gone. The moonlight abrubtly vanished, leaving Jayfeather in darkness as he woke from his dream.
Mouse dung! Why can't any cat speak straight out?" he hissed
β
β
Erin Hunter
β
The raft finally got here," he said.
Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. "You just noticed?"
"But if it only shows up for guys you like-"
"Don't push your luck, Leo Valdez," she said. "I still hate you."
"Okay."
"And you are not coming back here," she insisted. "So don't give me any empty promises."
"How about a full promise?" he said. "Because I'm definitely-"
She grabbed his face and pulled him into a kiss, which effectively shut him up.
For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheeck from Piper, but that didn't count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would've short-circuited.
Calypso pushed him away. "That didn't happen."
"Okay." His voice sounded an octave higher than usual.
β
β
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
β
Just to love! She did not ask to be loved. It was rapture enough just to sit there beside him in silence, alone in the summer night in the white splendor of moonshine, with the wind blowing down on them out of the pine woods.
β
β
L.M. Montgomery (The Blue Castle)
β
Every time you look up at the stars, itβs like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize youβre the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and youβre eleven again. Chasing cats in a tiny town, youβre eleven again, youβre sixteen again. Youβre in a rowboat. Youβre staring out the back of a car. Out here where the world begins and ends, itβs like nothing ever stops happening.
β
β
Bryan Lee O'Malley (Lost at Sea)
β
Your salary is not love and your word is not love. Your clothes are not love and holding hands is not love. Sex is not love and a kiss is not love. Long letters are not love and a text is not love. Flowers are not love and a box of chocolates is not love. Sunsets are not love and photographs are not love. The stars are not love and a beach under the moonlight is not love. The smell of someone else on your pillow is not love and the feeling of their skin touching your skin is not love. Heart-shaped candy is not love and an overseas holiday is not love. The truth is not love and winning an argument is not love. Warm coffee isn't love and cheap cards bought from stores are not love. Tears are not love and laughter is not love. A head on a shoulder is not love and messages written at the front of books given as gifts are not love. Apathy is not love and numbness is not love. A pain in your chest is not love and clenching your fist is not love. Rain is not love.
Only you. Only you, are love.
β
β
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
β
Soldier! Let me cradle your head and caress your face, let me kiss your dear sweet lips and cry across the seas and whisper through the icy Russian grass how I feel for you . . . Luga, Ladoga, Leningrad, Lazarevo . . . Alexander, once you carried me, and now I carry you. Into my eternity, now I carry you.
Through Finland, through Sweden, to America, hand outstretched, I stand and limp forward, the galloping steed black and riderless in my wake. Your heart, your rifle, they will comfort me, theyβll be my cradle and my grave.
Lazarevo drips you into my soul, dawn drop by moonlight drop from the river Kama. When you look for me, look for me there, because thatβs where I will be all the days of my life. (Tatiana)
β
β
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
β
He and I always think the same things are funny, and that is such a lot; it's dreadful when two people's senses of humor are antagonistic. I don't believe there's any bridging that gulf!
And he is--Oh, well! He is just himself, and I miss him, and miss him, and miss him. The whole world seems empty and aching. I hate the moonlight because it's beautiful and he isn't here to see
it with me. But maybe you've loved somebody, too, and you know? If you have, I don't need to explain; if you haven't, I can't explain.
β
β
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
β
The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me.
I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil.
From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.
β
β
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
β
A few minutes later, he said suddenly: 'Kath, can we stop? I'm sorry, I need to get out a minute.'
...I could make out in the mid-distance, near where the field began to fall away, Tommy's figure, raging, shouting, flinging his fists and kicking out. I caught a glimpse of his face in the moonlight, caked in mud and distorted with fury, then I reached for his failing arms and held on tight. He tried to shake me off, but I kept holding on, until he stopped shouting and I felt the fight go out of him. Then I realised he too had his arms around me. And so we stood together like that, at the top of the field, for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us being swept away into the night.
β
β
Kazuo Ishiguro (Never Let Me Go)
β
My name is Kvothe, pronounced nearly the same as "quothe." Names are important as they tell you a great deal about a person. I've had more names than anyone has a right to. The Adem call me Maedre. Which, depending on how it's spoken, can mean The Flame, The Thunder, or The Broken Tree.
"The Flame" is obvious if you've ever seen me. I have red hair, bright. If I had been born a couple of hundred years ago I would probably have been burned as a demon. I keep it short but it's unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire.
"The Thunder" I attribute to a strong baritone and a great deal of stage training at an early age.
I've never thought of "The Broken Tree" as very significant. Although in retrospect, I suppose it could be considered at least partially prophetic.
My first mentor called me E'lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them.
But I was brought up as Kvothe. My father once told me it meant "to know."
I have, of course, been called many other things. Most of them uncouth, although very few were unearned.
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.
You may have heard of me.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worshipβjust so long as those prayers are sincere.
I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light.
The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite."
But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while?
That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.
β
β
Richard Adams (Watership Down (Watership Down, #1))
β
Her beauty is not justβor even primarilyβphysical. In her face, I see her wisdom, her compassion, her courage, her eternal glory. This other beauty, this spiritual beautyβwhich is the deepest truth of herβsustains me in times of fear and despair, as other truths might sustain a priest enduring martyrdom at the hands of a tyrant. I see nothing blasphemous in equating her grace with the mercy of God, for the one is a reflection of the other. The selfless love that we give to others to the point of being willing to sacrifice our lives for them, is all the proof I need that human beings are not mere animals of self-interest; we carry within us a divine spark, and if we chose to recognize it, our lives have dignity, meaning, hope. In her it is spark is bright, a light that heals rather than wounds me.
β
β
Dean Koontz (Seize the Night (Moonlight Bay, #2))
β
She's locked up with a spinning wheel
She can't recall what it was like to feel
She says, "This room's gonna be my grave
And there's no one who can save me,"
She sits down to her colored thread
She knows lovers waking up in their beds
She says, "How long can I live this way
Is there someone I can pay to let me go
'Cause I'm half sick of shadows
I want to see the sky
Everyone else can watch as the sun goes down
So why can't I
And it's raining
And the stars are falling from the sky
And the wind
And the wind I know it's cold
I've been waiting
For the day I will surely die
And it's here
And it's here for I've been told
That I'll die before I'm old
And the wind I know it's cold...
She looks up to the mirrored glass
She sees a horse and rider pass
She says, "This man's gonna be my death
'Cause he's all I ever wanted in my life
And I know he doesn't know my name
And that all the girls are all the same to him
But still I've got to get out of this place
'Cause I don't think I can face another night
Where I'm half sick of shadows
And I can't see the sky
Everyone else can watch as the tide comes in
So why can't I
But there's willow trees
And little breezes, waves, and walls, and flowers
And there's moonlight every single night
As I'm locked in these towers
So I'll meet my death
But with my last breath I'll sing to him I love
And he'll see my face in another place,"
And with that the glass above
Her cracked into a million bits
And she cried out, "So the story fits
But then I could have guessed it all along
'Cause now some drama queen is gonna write a song for me,"
She went down to her little boat
And she broke the chains and began to float away
And as the blood froze in her veins she said,
"Well then that explains a thing or two
'Cause I know I'm the cursed one
I know I'm meant to die
Everyone else can watch as their dreams untie
So why can't I
β
β
Emilie Autumn
β
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out.
So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote:
Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send.
HUCK FINN.
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.
It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:
"All right, then, I'll GO to hell"--and tore it up.
β
β
Mark Twain (The Adventures of Huckleberry Finn)